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'Literary, erudite, poignant and touching' Mail on Sunday'Stafford has a historical X-ray vision which allows her to look through the surface of a given landscape and describe what lies beneath . . . Miraculous' ScotsmanA village waits at the bottom of a reservoir. A monkey puzzle tree bristles in a suburban garden. A skein of wild geese fly over a rusty rail viaduct. The vast inland sea that awed John Clare has become fields.Chapter by fascinating chapter, alive with literary, local, and her own family history, Fiona Stafford reveals the forces, both natural and human, which transform places. Swooping along coastlines, through forests and across fens, following in the footsteps of Burns and Keats, Celia Fiennes and Charles Dickens, William and Dorothy Wordsworth, Noel Coward and Compton Mackenzie, join her, time-travelling deep into the stories of our Isles.From red squirrels to brick vistas, from botanical gardens to hot springs, the landscapes of Britain are full of delights and surprises. Chance discoveries of rare species, shipwrecks and unlikely ruins, curious trees and startling towers, weird caves and disused airfields, or even just baffling placenames offer ways into unexpected histories and hidden lives. The clues to the past are all round us - Time and Tide will help you find them.'Shot through with tender delights and unexpected revelations' RICHARD HOLMES'Wonderful . . . A fascinating compendium of people and places and how they endlessly interact to change each other' PHILIP MARSDEN

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"Bartels proves herself a master wordsmith and storyteller."--Library Journal, starred review "This subdued tale of learning to forgive is Bartels's best yet."--Publishers Weekly "A deeply personal, thoughtful exploration of dealing with pain and grief."--Life Is Story "Taut and engaging."--Foreword "A deftly crafted, entertaining, thought-provoking novel."--Midwest Book Reviews *** Ten years ago, sisters Olivia and Melanie Greene were on a backcountry hiking trip when their parents were in a fatal car accident. Over the years, they grew apart, each coping with the loss in her own way. Olivia plunged herself into law school, work, and a materialist view of the world--what you see is what you get, and that's all you get. Melanie dropped out of college and developed an online life-coaching business around her cafeteria-style spirituality--a little of this, a little of that, whatever makes you happy. Now, at Melanie's insistence (and against Olivia's better judgment), they are embarking on a hike in the Porcupine Mountains of Michigan's Upper Peninsula. In this remote wilderness they'll face their deepest fears, question their most dearly held beliefs, and begin to see that perhaps the best way to move forward is the one way they had never considered. Michigan Notable Book Award winner Erin Bartels draws from personal experience hiking backcountry trails with her sister to bring you a story about the complexities of grief, faith, and sisterhood.

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This selection brings together the best prose writings of the great early nineteenth-century essayist Charles Lamb, whose shrewd wit and convivial style have endeared him to generations of readers. These pieces include early discussions of Hogarth and Shakespeare; masterly essays written under the pen-name 'Elia' that range over such subjects as drunkenness, witches, dreams, marriage and the joy of roast pig; and letters to Lamb's circle of contemporaries, among them Samuel Taylor Coleridge and William Wordsworth. Wryly amused by the world, allusive, searching and endlessly inventive, these are the essential works of a master of English prose.In his introduction Adam Phillips discusses how Charles Lamb's tragic life and sainted reputation, caring for his mentally ill sister Mary, belied the quality of his work. This edition also includes a biographical index of Lamb's correspondents.Charles Lamb (1775-1834) was an English essayist best known for his humorous Essays of Elia from which the essay 'A Dissertation Upon Roast Pig' is taken. Lamb enjoyed a rich social life and became part of a group of young writers that included William Hazlitt, Percy Bysshe Shelley, Lord Byron and Samuel Taylor Coleridge with whom he shared a lifelong friendship. Lamb never achieved the same literary success as his friends but his influence on the English essay form cannot be underestimated and his book, Specimens of the English Dramatic Poets is remembered for popularising the work of Shakespeare's contemporaries.

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Insigne defensor de las causas perdidas, Horace Rumpole es un abogado adorable, un hombre de altos ideales y de gran sentido común, que fuma cigarros malos, bebe un clarete aún peor, es aficionado a los fritos y a la verdura demasiado hervida, cita a Shakespeare y Wordsworth a destiempo y, generalmente, se decanta por los casos desesperados y por los villanos de barrio. Excéntrico y gruñón, lleva años abriéndose paso en las salas de justicia londinenses, mientras brega en casa con su terca mujer, Hilda, a quien él apoda Ella, La que Ha de Ser Obedecida, en un particular universo donde el sarcasmo, el humor y la intriga se mezclan a partes iguales. Al modo de P. G. Wodehouse, John Mortimer construye en sus narraciones un universo demoledor y sarcástico al más puro estilo British.El crimen paga, pero solo un poco cada vez! LOS CASOS DE HORACE RUMPOLE, ABOGADO son un verdadero clásico de la ficción judicial de todos los tiempos, y una de las más inteligentes y divertidas sagas de la l

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The Romantic poet's intense yearning to share thoughts and feelings often finds expression in a style that thwarts a connection with readers. Yohei Igarashi addresses this paradox by reimagining Romantic poetry as a response to the beginnings of the information age. Data collection, rampant connectivity, and efficient communication became powerful social norms during this period. The Connected Condition argues that poets responded to these developments by probing the underlying fantasy: the perfect transfer of thoughts, feelings, and information, along with media that might make such communication possible. This book radically reframes major poets and canonical poems. Igarashi considers Samuel Taylor Coleridge as a stenographer, William Wordsworth as a bureaucrat, Percy Shelley amid social networks, and John Keats in relation to telegraphy, revealing a shared attraction and skepticism toward the dream of communication. Bringing to bear a singular combination of media studies, the history of communication, sociology, rhetoric, and literary history, The Connected Condition proposes new accounts of literary difficulty and Romanticism. Above all, this book shows that the Romantic poets have much to teach us about living with the connected condition and the fortunes of literature in it.

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'The Faber Book of Beasts is a generous and intelligent round- up of old favourites, new juxtapositions, and poems we mightn't know about ... Will set heads shaking, as well as nodding with pleasure.' Independent William Wordsworth's 'To a Skylark'W.B. Yeats' 'Leda and the Swan'Elizabeth Bishop's 'The Moose'D.H. Lawrence's 'Bat'Marianne Moore's 'Elephants'William Blake's 'The Tyger' Gerard Manley Hopkins' 'The Windhover'Thom Gunn's 'The Snail'Seamus Heaney's 'Otter'John Donne's 'The Flea'Christopher Smart's 'My Cat Jeoffry''Baa Baa Black Sheep' From childhood rhymes to canonical classics, Homer to Ted Hughes, this eclectic poetry anthology celebrating the earth's creatures brims with beastly delights. Celebrated poet Paul Muldoon's bestiary shows that we are 'most human in the presence of animals', whether tame or wild, common or exotic, mammals or reptiles, real or imaginary - and the result is a must-read for animal-lovers of all ages everywhere.'Animals bring the best out in us [and make] the best art ... Elephants, skunks, otters, hedgehogs and hippos feature in Muldoon's menagerie; how charming it is to observe how they nuzzle along together in his engaging anthology.' Irish Times

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Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (A Defence of Poetry). He is among the major Romantic poetic exponents and theorists of influence, because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. The book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance: the classical world (Plato); Renaissance poetry (Spenser and Milton); Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelley's relations and affinities with, as well as differences from, his immediate predecessors and contemporaries: Hazlitt and Lamb; Wordsworth; Coleridge; Southey; Byron; Keats (including the influence of Dante on Shelley's elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelley's reception by later nineteenth-century writers, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.

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Geoff Inverarity writes poems for people who don't like poetry (and those who do). In this debut collection Inverarity writes of broken things, things that have come apart at the seams, things that ought not to but sometimes do dissolve with time: friendships, relationships, promises, aging parents, hearts, bodies, love, and even time itself. But it's not all shattered dreams and sad-luck stories here, there is hope and optimism too - in the future, in the Now, and in the heat and power of the coming generations. And there are poems of memory, poems for grandfathers and aging aunts, children and lost loves. Inverarity also probes the the multitude of possibilities "in this fallen world of compromises," gently reminding us that "we're stockpiling for the short term / the long term we don't know. / No matter how much you prepare / there's always something new looming / like the Unexploded Grief Bomb." It is a world where we struggle to give back the past, to finally get to the point "where the past does not exist" and "where all history is now." The penultimate entry is "Mars Variations," a wonderfully extended suite of complementary poems, a time-traveling fractal narrative: a sci-fi horror movie for the ears, referencing works as disparate as Julius Caesar's Gallic Wars and H.G. Wells' The War of the Worlds, Wordsworth's "Prelude," and horror films like Robin Hardy's The Wicker Man along with nods towards the various iterations of Godzilla; and of course the classic 1962 "Mars Attacks" Topp's Bubble Gum cards - which form a framing device. The sequence explores the relationship between time, fiction, and facts; between public history and private experience. The book concludes with a short Epilogue, assuring us that "one day, all the broken things will be mended."

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Junto con Wordsworth y Coleridge, junto con Shelley y Lord Byron, John Keats (1795-1821) forma parte de la brillante constelación de poetas románticos ingleses. Su obra, apreciada sin excesos durante su breve existencia, ha ido ganando con el paso del tiempo en la estima de los lectores, prendados a menudo por la fuerza de sus imágenes, por el poder evocador de sus versos y por los atisbos geniales de muchas de sus composiciones. Y es que su sensibilidad se anticipó en muchos sentidos a su época, como indican la devoción por él de poetas como Cernuda, Borges o Andrew Motion. La presente selección recoge, vertidos con gusto exquisito, sus poemas más hermosos y conocidos, como Oda a un ruiseñor, Oda sobre una urna griega, Lamia o La Belle Dame sans Merci, entre muchos otros.Selección y traducción de Antonio Rivera Taravillo

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Here are poets past and present, from Chaucer, Shakespeare and Wordsworth to Whitman, Dickinson and Thoreau; from Keats, Blake and Hopkins to Elizabeth Bishop, Ted Hughes and Amy Clampitt. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost's tribute to the evanescence of spring in 'Nothing Gold Can Stay' to Langston Hughes's moody 'Summer Night' in Harlem; from the 'stopped woods' in Marie Ponsot's 'End of October' to the chilling 'mind of winter' in Wallace Stevens's 'The Snow Man', the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage with the world outside ourselves.

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An entertaining and provocative investigation of friendship in all its variety, from ancient times to the present day A central bond, a cherished value, a unique relationship, a profound human need, a type of love. What is the nature of friendship, and what is its significance in our lives? How has friendship changed since the ancient Greeks began to analyze it, and how has modern technology altered its very definition? In this fascinating exploration of friendship through the ages, one of the most thought-provoking philosophers of our time tracks historical ideas of friendship, gathers a diversity of friendship stories from the annals of myth and literature, and provides unexpected insights into our friends, ourselves, and the role of friendships in an ethical life. A. C. Grayling roves the rich traditions of friendship in literature, culture, art, and philosophy, bringing into his discussion familiar pairs as well as unfamiliar—Achilles and Patroclus, David and Jonathan, Coleridge and Wordsworth, Huck Finn and Jim. Grayling lays out major philosophical interpretations of friendship, then offers his own take, drawing on personal experiences and an acute awareness of vast cultural shifts that have occurred. With penetrating insight he addresses internet-based friendship, contemporary mixed gender friendships, how friendships may supersede family relationships, one’s duty within friendship, the idea of friendship to humanity, and many other topics of universal interest.

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Our thoughts are shaped as much by what things make of us as by what we make of them. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W G Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. Along the way, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things both visible and invisible, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.

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The award-winning and Number One bestselling Val McDermid crafts an electrifying psychological suspense thriller that mixes history, heritage and heinous crimes. A 200 year-old-secret is now a matter of life and death. And it could be worth a fortune. It's summer in the Lake District and heavy rain over the fells has uncovered a bizarrely tattooed body. Could it be linked to the old rumour that Fletcher Christian, mutinous First Mate on the Bounty, had secretly returned to England? Scholar Jane Gresham wants to find out. She believes that the Lakeland poet William Wordsworth, a friend of Christian's, may have sheltered the fugitive and turned his tale into an epic poem – which has since disappeared. But as she follows each lead, death is hard on her heels. The centuries-old mystery is putting lives at risk. And it isn't just the truth that is waiting to be discovered, but a bounty worth millions …

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For six centuries the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean – an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'. Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also the characters, the emotions and the tumultuous events of the past. The first such work ever written about the Venetian ‘Stato da Mar’, it is an invaluable historical companion for visitors to Venice itself and for travellers through the lands the Doges once ruled.

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What did British people in the late eighteenth century think and feel about their relationship to nonhuman animals? This book shows how an appreciation of human-animal similarity and a literature of compassion for animals developed in the same years during which radical thinkers were first basing political demands on the concept of natural and universal human rights. Some people began to conceptualise animal rights as an extension of the rights of man and woman. But because oppressed people had to insist on their own separation from animals in order to claim the right to a full share in human privileges, the relationship between human and animal rights was fraught and complex. This book examines that relationship in chapters covering the abolition movement, early feminism, and the political reform movement. Donkeys, pigs, apes and many other literary animals became central metaphors within political discourse, fought over in the struggle for rights and freedoms; while at the same time more and more writers became interested in exploring the experiences of animals themselves. We learn how children's writers pioneered narrative techniques for representing animal subjectivity, and how the anti-cruelty campaign of the early 1800s drew on the legacy of 1790s radicalism. Coleridge, Wordsworth, Clare, Southey, Blake, Wollstonecraft, Equiano, Dorothy Kilner, Thomas Spence, Mary Hays, Ignatius Sancho, Anna Letitia Barbauld, John Oswald, John Lawrence, and Thomas Erskine are just a few of the writers considered. Along with other canonical and non-canonical writers of many disciplines, they placed nonhuman animals at the heart of British literature in the age of the French Revolution.

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The very best of British and Irish nature writing selected by the natural history writer Patrick Barkham. The landscapes of Britain and Ireland, together with the creatures and plants that inhabit them, have penetrated deep in our collective imagination. From Gilbert White and Dorothy Wordsworth to Laurie Lee and Nan Shepherd, literature inspired by the natural world has become an integral part of our shared identity, and shaped our relationship with the islands we call home. In The Wild Isles, Patrick Barkham has gathered together a wide array of the very best of British and Irish nature writing, characterized by an arresting diversity of moods and voices. His choices are arranged under themes that range from birds, woods and coastlines to childhood, the seasons and urban nature, and juxtapose extracts from much-loved classics with passages by contemporary writers such as Robert Macfarlane, James Rebanks and Helen Macdonald. Here the reader will find joyful celebrations of landscape and the wildlife it nurtures, probing explorations of the environmental problems facing us today, as well as the fresh and vital perspectives of writers from underrepresented backgrounds. 'If British and Irish nature writing is to grow and endure,' writes Barkham in his introduction, 'it must be diverse, complex, multi-faceted and dynamic, and relevant to everyone who lives on this land.' Encompassing the bleak heights of the Cairngorms, the ancient woodlands of Essex, the storm-lashed islands of Ireland's west coast and the lush fields of Devon, The Wild Isles highlights nature's capacity to terrify and to delight, to soothe and to heal, to surprise, inspire and bring wonder.

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'This is surprising, addictive poetry with delicious, seemingly wayward lines . . . McLane is a true Romantic, rooted in tradition while leaping and exulting in her originality' Irish TimesGathering the best of her first five collections, a 'sexy, cerebral and romantic' introduction to one of the US's most singular and charismatic poetsLoose-limbed, freewheeling and conversational yet musically taut, Maureen N. McLane's poetry has been described as having 'a tonal register somewhere between teenage fangirl and Wordsworth professor' (London Review of Books). What I'm Looking For gathers selections from her first five books of poetry, from the mixture of love poems and breezy skewerings of Great Literature that characterize her debut, Same Life, to the later collections' shadowing of a mind roaming wittily through nature, philosophy, music and sex, and the bravura life-story-in-episodes of Mz N: the serial.Brainy, funny, passionate, uncool and always utterly charming, these 'sexy, cerebral and romantic' poems (The New York Times Book Review) will make you 'laugh, cry and think in quick succession, or all at once' (Sarah Howe).

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With stories of 50 incredible hiking routes in 30 countries, from New Zealand to Peru, plus a further 150 suggestions, Lonely Planet’s Epic Hikes of the World will inspire a lifetime of adventure on foot. From one-day jaunts and urban trails to month-long thru-hikes, cultural rambles and mountain expeditions, each journey shares one defining feature: being truly epic. In this follow-up to Epic Bike Rides and Epic Drives, we share our adventures on the world’s best treks and trails. Epic Hikes is organised by continent, with each route brought to life by a first-person account, beautiful photographs and charming illustrated maps. Additionally, each hike includes trip planning advice on how to get there, where to stay, what to pack and where to eat, as well as recommendations for three similar hikes in other regions of the world. Hikes featured include: Africa & the Middle East: Cape Town’s Three Peaks (South Africa) Kilimanjaro (Tanzania) Camp to Camp in South Luangwa National Park (Zambia) Americas: Angel’s Landing, Zion National Park (USA) Skyline Trail, Jasper National Park (Canada) Concepción volcano hike (Nicaragua) Asia: 88 Sacred Temples of Shikoku Pilgrimage (Japan) Markha Valley (India) Gubeikou to Jinshanling on the Great Wall (China) Europe: Wordsworth’s Backyard: Dove Cottage and around Rydal and Grasmere (UK) Alpine Pass Route (Switzerland) Camino de Santiago (Spain) Oceania: Sydney’s Seven Bridges Walk (Australia) The Routeburn Track (New Zealand) Kokoda Track (Papua New Guinea) About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You’ll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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'Ingenious, daring and brilliant' GuardianCOMPLICITY N. 1. THE FACT OF BEING AN ACCOMPLICE, ESP. IN A CRIMINAL ACTA few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances... Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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This two-volume anthology celebrates four centuries of English poetry, from the Elizabethan era to the present day. This, the second of the two volumes, covers poets from Blake to Heaney, and provides an excellent portrayal of a wide variety of eighteenth to twentieth century poets. The richness and variety of this tradition are represented in this collection by all the great and familiar names, but also some of the less well-known poets who have often provided startling exceptions to the poetry of their age. The result is a rich and multi-coloured tapestry of the depth, diversity, and energy of poetry written in Britain and Ireland. Beginning with William Blake, this second volume, covers many of the Romantic poets (Wordsworth, Byron, Shelley, Keates). It gives a generous survey of nineteenth century verse, including that of Tennyson, Browning, Hopkins, and Lewis Carroll, with poets from the twentieth-century being represented by poets such as Graves, Betjeman, Larking, Hughes, and Heaney.

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What role should reason play in the creation of a free and just society? Can we claim to know anything in a field as complex as politics? And how can the cause of political rationalism be advanced when it is seen as having blood on its hands? These are the questions that occupied a group of British poets, philosophers, and polemicists in the years following the French Revolution. Timothy Michael argues that much literature of the period is a trial, or a critique, of reason in its political capacities and a test of the kinds of knowledge available to it. For Wordsworth, Coleridge, Shelley, Burke, Wollstonecraft, and Godwin, the historical sequence of revolution, counter-revolution, and terror in France-and radicalism and repression in Britain-occasioned a dramatic reassessment of how best to advance the project of enlightenment. The political thought of these figures must be understood, Michael contends, in the context of their philosophical thought. Major poems of the period, including The Prelude, The Excursion, and Prometheus Unbound, are in this reading an adjudication of competing political and epistemological claims. This book bridges for the first time two traditional pillars of Romantic studies: the period's politics and its theories of the mind and knowledge. Combining literary and intellectual history, it provides an account of British Romanticism in which high rhetoric, political prose, poetry, and poetics converge in a discourse of enlightenment and emancipation.

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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Redefines Romantic sociability through a reading of social contract theory The Politics of Romanticism examines the relationship between two major traditions which have not been considered in conjunction: British Romanticism and social contract philosophy. She argues that an emerging political vocabulary was translated into a literary vocabulary in social contract theory, which shaped the literature of Romantic Britain, as well as German Idealism, the philosophical tradition through which Romanticism is more usually understood. Beenstock locates the Romantic movement’s coherence in contract theory’s definitive dilemma: the critical disruption of the individual and the social collective. By looking at the intersection of the social contract, Scottish Enlightenment philosophy, and canonical works of Romanticism and its political culture, her book provides an alternative to the model of retreat which has dominated accounts of Romanticism of the last century. Key Features Develops new understanding of Romanticism as political movement Offers fresh readings of canonical works by Coleridge, Wordsworth, Godwin, Mary Shelley and Carlyle by tracing their implicit dialogue with the political philosophy of Rousseau and other Enlightenment political theorists Shows that the philosophical routes of Romanticism and its ties to German Idealism originate in empiricism Carries important consequences for the contemporary understanding of the self, an understanding that is partly rooted in notions that originated with the Romantics

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All of us take our moral bearings from a conception of the good, or a range of goods, that we consider most important. We are in this sense selves in moral space. Building on the work of the philosopher Charles Taylor, among others, David Parker examines a range of classic and contemporary autobiographies—including those of St. Augustine, William Wordsworth, Friedrich Nietzsche, Edmund Gosse, Roland Barthes, Seamus Heaney, and J. M. Coetzee—to reveal a whole domain of life narrative that has been previously ignored, one that enables a new approach to the question of what constitutes a "good" life narrative. Moving from an ethics toward an aesthetics of life writing, Parker follows Wittgenstein's view that ethics and aesthetics are one. The Self in Moral Space is distinctive in that its key ethical question is not What is it right for the life writer to do? but the broader question What is it good to be? This question opens up an important debate with the dominant postmodern paradigms that prevail in life writing studies today. In Parker's estimation, such paradigms are incapable of explaining why life writing matters in the contemporary context. Life narrative, he argues, faces readers with the perennial ethical question How should a human being live? We need a new reconstructive paradigm, as offered by this book, in order to gain a fuller understanding of life narrative and its humanistic potential.

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This eagerly awaited study brings to completion Louis Dupré's planned trilogy on European culture during the modern epoch. Demonstrating remarkable erudition and sweeping breadth, The Quest of the Absolute analyzes Romanticism as a unique cultural phenomenon and a spiritual revolution. Dupré philosophically reflects on its attempts to recapture the past and transform the present in a movement that is partly a return to premodern culture and partly a violent protest against it. Following an introduction on the historical origins of the Romantic Movement, Dupré examines the principal Romantic poets of England (Wordsworth, Coleridge, Shelley, Keats), Germany (Goethe, Schiller, Novalis, Hölderlin), and France (Lamartine, de Vigny, Hugo), all of whom, from different perspectives, pursued an absolute ideal. In the chapters of the second part, he concentrates on the critical principles of Romantic aesthetics, the Romantic image of the person as reflected in the novel, and Romantic ethical and political theories. In the chapters of the third, more speculative, part, he investigates the comprehensive syntheses of romantic thought in history, philosophy, and theology. The Quest of the Absolute is an important work both as the culmination of Dupré's ongoing project and as a classic in its own right. The book will meet the expectations of the specialist as well as appeal to more general readers with philosophical, cultural, and religious interests.

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Una defensa de la poesía es, junto al prefacio de las Baladas Líricas de Wordsworth y Coleridge, el texto teórico clave del Romanticismo inglés. Se trata de una de las más apasionadas visiones que poeta alguno haya podido articular sobre la lírica y, como tal, su validez es actualísima. Esta ?defensa? contiene una apología total del género y una fascinante propuesta estética para los poetas futuros. No se agota ahí su riqueza: es también el itinerario de Shelley a través de la gran poesía de la tradición occidental: Homero, la Biblia, la gran tragedia clásica de Atenas, Platón, Virgilio, los trovadores, Dante, Shakespeare, Calderón, Milton. Para Percy Bysshe, los poetas participan de lo eterno, son capaces de descubrir las leyes y ramificaciones desconocidas del universo, y encarnan un destino sagrado y maldito: ser ?los legisladores incomprendidos del Mundo?. En cuanto a Las cuatro edades de la poesía, es el agudísimo y delicioso ?ataque? de Thomas Love Peacock, escritor amigo de Shel

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Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements-the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry. In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice.

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California poet Jack Foley has been called “a brilliant critic and a unique poet whose work energetically records the disintegration of the patriarchy” and a writer of “genuinely avant-garde poetry.” His collaborative, multimedia poetry performances are both seminal and shamanic, evolving from the linguistic musical tradition of the original San Francisco Beat poets and extending their eye, ear and voice of penetrating clarity into a modern mythology. “A Backward Glance O’er Travel’d Roads” – a title from Walt Whitman – is a spiritual history, an attempt to show, as Wordsworth put it many years ago, “the growth of a poet’s mind.” Where did I begin? What forces moved me in what directions? What is the result of the effort to create art in a medium that is currently simultaneously respected, misunderstood, and discredited? What kind of poetry is possible in a dark time? “A Backward Glance O’er Travel’d Roads” throws light not only on Foley’s life and work, but also on the history of twentieth-century poetry, and on the efforts, successes, and failures of Modernism.

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A Waterstones Best History Book of 2022 The bestselling history of the North of England as told through the lives of its inhabitants. ‘Entertaining’ The Times ‘Definitive’ The Mirror ‘Highly readable’ Financial Times A work of unrivalled scale and ambition, Northerners is the defining biography of northern England. This authoritative new history of place and people lays out the dramatic events that created the north – waves of migration, invasions and battles, and transformative changes wrought on European culture and the global economy. In a sweeping narrative that takes us from the earliest times to the present day, the book shows that the people of the north have shaped Britain and the world in unexpected ways. At least six Roman emperors ruled from York. The Anglo-Saxon kingdom of Northumbria was Europe’s leading cultural and intellectual centre. Cartimandua, Queen of the Brigantes, deserves to be as famous as Boudica. Neanderthals and Vikings, Central European Jews, African-Caribbeans and South Asians, have all played their part in the making and remaking of the north. Northern writers, activists, artists and comedians are celebrated the world over, from Wordsworth, the Brontes and Gaskell to LS Lowry, Emmeline Pankhurst and Peter Kay. St Oswald and Bede shaped the spiritual and cultural landscapes of Britain and Europe, and the world was revolutionised by the inventions of Richard Arkwright and the Stephensons. The north has exported some of sport’s biggest names and defined the sound of generations, from the Beatles to Britpop. Northerners also shows convincingly how the past echoes down the centuries. The devastation of factory and pit closures in the 1980s, for example, recalled the trauma of William the Conqueror’s Harrying of the North. The book charts how the north-south divide has ebbed and flowed and explores the very real divisions between northerners, such as the rivalry between Lancashire and Yorkshire. Finally, Brian Groom explores what northernness means today and the crucial role the north can play in Britain’s future. As new forces threaten the fabric of the UK again, this landmark book could scarcely be more timely.

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**THE ESSENTIAL & IRREVERENT BOOK FROM AWARD-WINNING COMEDIAN AND STAR OF JOE LYCETT'S GOT YOUR BACK AND THE GREAT BRITISH SEWING BEE **Also seen on Epic Win, The Time it Takes, 8 Out of 10 Cats Does Countdown and Taskmaster. He's seen everywhere in fact. 'Joe is nothing short of hilarious' SARAH MILLICAN'I Lycett, I Lycett a lot' HARRY HILL'We were snorting with laughter like a happy pig throughout. Lots more of the same please Joe! 5*s' HEAT MAGAZINE* * * * * *Dear Reader,Life is hard. We are a bombarded generation: Facebook, billboards, Twitter, Instagram, taxes, newspapers, watches monitoring our sleep, apps that read our pulse, terrorism. There's such an onslaught to the senses these days it's a marvel any of us manage to get out of bed. I love bed.While we are overwhelmed and confused by the miasmic cloud of information, there are those that seek to take advantage: there are parking fines, hate Tweets, Nigerian email scams and Christmas newsletters from old school friends about their ugly kids. And just as we're getting round to doing something about it, we're distracted again.I, Joe Lycett, comedian, wordsmith, and professional complainer, am here to help. During my short life of doing largely nothing I've discovered solutions to many of life's problems, which I impart to you, dear Reader. Containing a centurion of complaint letters to unsuspecting celebrities, companies and anyone brave enough to clog up my phone, as well as illustrations, one-liners , jokes and life hacks, this little gem offers you a collection of tips and advice* for all manner of modern woe. By the time you have finished reading this book you will have learnt how to:- Reverse a parking fine - Manipulate the tabloid press - Navigate social media - Respond to hate mail - Out-weird internet trolls - Contest a so-called ripe avocado - Send the perfect Christmas newsletter - Defeat ISIS - Take down multi-national companiesAND MUCH, MUCH MORE!Joe Lycett x* If you are looking for guidance with taxes, quitting smoking, moving house, love, divorce, education, healthcare or anything actually important may I recommend speaking to friends or family members and not consulting a book by a comedian who eats halloumi at least twice a day.

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The definitive modern biography of the great slave leader, military genius and revolutionary hero Toussaint LouvertureThe Haitian Revolution began in the French Caribbean colony of Saint-Domingue with a slave revolt in August 1791, and culminated a dozen years later in the proclamation of the world's first independent black state. After the abolition of slavery in 1793, Toussaint Louverture, himself a former slave, became the leader of the colony's black population, the commander of its republican army and eventually its governor. During the course of his extraordinary life he confronted some of the dominant forces of his age - slavery, settler colonialism, imperialism and racial hierarchy. Treacherously seized by Napoleon's invading army in 1802, this charismatic figure ended his days, in Wordsworth's phrase, 'the most unhappy man of men', imprisoned in a fortress in France.Black Spartacus draws on a wealth of archival material, much of it overlooked by previous biographers, to follow every step of Louverture's singular journey, from his triumphs against French, Spanish and British troops to his skilful regional diplomacy, his Machiavellian dealings with successive French colonial administrators and his bold promulgation of an autonomous Constitution. Sudhir Hazareesingh shows that Louverture developed his unique vision and leadership not solely in response to imported Enlightenment ideals and revolutionary events in Europe and the Americas, but through a hybrid heritage of fraternal slave organisations, Caribbean mysticism and African political traditions. Above all, Hazareesingh retrieves Louverture's rousing voice and force of personality, making this the most engaging, as well as the most complete, biography to date.After his death in the French fortress, Louverture became a figure of legend, a beacon for slaves across the Atlantic and for generations of European republicans and progressive figures in the Americas. He inspired the anti-slavery campaigner Frederick Douglass, the most eminent nineteenth-century African-American; his emancipatory struggle was hailed by those who defied imperial and colonial rule well into the twentieth. In the modern era, his life informed the French poet Aimé Césaire's seminal idea of négritude and has been celebrated in a remarkable range of plays, songs, novels and statues. Here, in all its drama, is the epic story of the world's first black superhero.

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Ancient clay cooking pots in the southern Levant are unappealing, rough pots that are not easily connected to meals known from ancient writings or iconographic representations. To narrow the gap between excavated sherds and ancient meals, the approach adopted in this study starts by learning how food traditionally was processed, preserved, cooked, stored, and transported in clay containers. This research is based on the cookware and culinary practices in traditional societies in Cyprus and the Levant, where people still make pots by hand.Clay pots were not only to cook or hold foods. Their absorbent and permeable walls stored memories of food residue. Clay jars were automatic yogurt makers and fermentation vats for wine and beer, while jugs were the traditional water coolers and purifiers. Dairy foods, grains, and water lasted longer and/or tasted better when stored or prepared in clay pots. Biblical texts provide numerous terms for cookware without details of how they looked, how they were used, or why there are so many different words.Recent studies of potters for over a century in the southern Levant provide a wealth of names whose diversity helps to delineate the various categories of ancient cookware and names in the text. Ancient Cookware from the Levant begins with a description of five data sources: excavations, ancient and medieval texts, 20th century government reports, early accounts of potters, and ethnoarchaeological studies. The final section focuses on the shape, style, and manufacture of cookware for the past 12,000 years. For archaeologists, changes in cooking pot morphology offer important chronological information for dating entire assemblages, from Neolithic to recent times. The survey of pot shapes in Israel, Palestine, and Jordan presents how different shapes were made and used.

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This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacan’s purported “ahistoricism,” and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory. By stressing the question of affect, the book shows how Lacan’s position cannot be reduced to the structuralist models he nevertheless draws upon, and thus how the problem of the body may be understood as a formation that marks the limits of language. Exploring the anthropological category of “race” within a broadly evolutionary perspective, it shows how Lacan’s elaboration of the “imaginary” and the “symbolic” might allow us to explain human physiological diversity without reducing it to a cultural or linguistic construction or allowing “race” to remain as a traditional biological category. Here again the questions of history and temporality are paramount, and open the possibility for a genuine dialogue between psychoanalysis and biology. Finally, the book engages literary texts. Antigone, Ovid’s Metamorphoses, Hamlet, and even Wordsworth become the muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself.

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This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacan’s purported “ahistoricism,” and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory. By stressing the question of affect, the book shows how Lacan’s position cannot be reduced to the structuralist models he nevertheless draws upon, and thus how the problem of the body may be understood as a formation that marks the limits of language. Exploring the anthropological category of “race” within a broadly evolutionary perspective, it shows how Lacan’s elaboration of the “imaginary” and the “symbolic” might allow us to explain human physiological diversity without reducing it to a cultural or linguistic construction or allowing “race” to remain as a traditional biological category. Here again the questions of history and temporality are paramount, and open the possibility for a genuine dialogue between psychoanalysis and biology. Finally, the book engages literary texts. Antigone, Ovid’s Metamorphoses, Hamlet, and even Wordsworth become the muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself.

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The Off-Comers of Windermere, Birth of a Vibrant Victorian Township fills a gap in the literature of the Lake District. It presents a comprehensive social history of the many off-comers who built their villas and mansions in a sylvan landscape, amongst the lakes and fells of Lakeland, creating the vibrant village we know today as Windermere. Who were these folk, wealthy and not, artisan and not, mostly strangers who came from off to shape a Northern Arcadia? All too often the memory of them and their contribution to the architecture, institutions and heritage of the place has faded, and been lost in the mists of time. This book seeks to revive their memory and assemble a definitive record, before the facts are lost forever. It also describes the many working people who provided labour and skill to fashion the fabric, services and infrastructure of a vibrant township for the enjoyment of residents and tourists alike, who increasingly visit today. Windermere was born in 1847, a product of the railway age, when a branch line opened from Kendal to carry tourists into central Lakeland. It was vigorously opposed by Wordsworth, who feared invasion of his homeland by uneducated masses from the industrial hinterland. So what was the plan, if any; who conceived it; and how was it accomplished? What linked a private church, a college for the sons of clergymen, a school for the poorer classes, and the elegant villas of gentlefolk? The narrative is rooted in records, building as far as possible on contemporaneous accounts of events, to weave a broad and colourful tapestry which stretches from a sylvan quietude in 1800, through the thrust of an iron way, to completion of a thriving township in 1900. A fascinating story emerges, supported by many colourful anecdotes, and original photographs taken in Victorian times by one of the founders.

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British Romanticism and the Literature of Human Interest explores the importance to Romantic literature of a concept of human interest. It examines a range of literary experiments to engage readers through subjects and styles that were at once "interesting" and that, in principle, were in their "interest." These experiments put in question relationships between poetry and prose; lyric and narrative; and literature and popular media. The book places literary works by a range of nineteenth-century writers including William and Dorothy Wordsworth, Thomas De Quincey, Samuel Taylor Coleridge, Mary and Percy Shelley, Lord Byron, and Matthew Arnold into dialogue with a variety of non-literary and paraliterary forms ranging from newspapers to footnotes. The book investigates the generic structures of Romantic literature and the negotiation of the status of literature in the period in relation to a new media landscape. It explores the self-theorization of Romantic literature and argues for its value to contemporary literary criticism.

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This book examines the affinity between “theory” and “deconstruction” that developed in the American academy in the 1970s by way of the “Yale Critics”: Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, sometimes joined by the French philosopher Jacques Derrida. With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with “Yale.” The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man’s work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify “theory.” Combining a broad account of the “Yale Critics” phenomenon with a series of careful reexaminations of the event of theory, Redfield traces the threat posed by language’s unreliability and inhumanity in chapters on lyric, on Hartman’s representation of the Wordsworthian imagination, on Bloom’s early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory’s influential attempt to interpret de Manian theory as a symptom of literature’s increasing marginality. A final chapter examines Mark Tansey’s paintings Derrida Queries de Man and Constructing the Grand Canyon, paintings that offer subtle, complex reflections on the peculiar event of theory-as-deconstruction in America.

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The scope of The Forged Feature is two-fold: to bring together a representative selection of critical essays bearing on Belitt's interests as poet, critic, teacher, and translator; and to furnish an on-going review of his concern with the encoding of languages and the exigencies of their imaginative retrieval. The collection begins with three pieces on the uses of belief, linguistic and place as shaping forces in the concretizing of the literary artifact. The second section of essays examines the fictive medium in terms of a number of "predicaments." The discussion embraces texts such as parables, novels, and autobiographical meoirs covering a broad range of twentieth century talents: Kafka, Borges, V.S. Naipaul, Saul Bellows, and Pablo Neruda. The third section is devoted to the theory and practice of translation developed from Belitt's personal lifetime of experience. Finally, there is a sequence of four essays on the uses of "new physics" of quantum mechanics and its uncanny relevance to the accountability of poetry. Belitt re-evaluates Gerard Manley Hopkins as a "scientific" rather than a priestly crafter of a medium, and touches upon diverse traditions and talents such as Keats, Blake, Stevens, Bishop, Yeats, Baudelaire, Rimbaud, Cocteau, W.C. Williams, Michado, Rilke, Wordsworth, and Coleridge. The brilliant observations collected in this volume are not contained within a specific school of thought and are indefinable within any current fashion- rather, Belitt's frame of reference is literature itself and his essays proceed in a literary, poetic, and individual voice.

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In The Extravagant Robert Baker explores the interplay between poetry and philosophy in the modern period, engaging a broad range of writers: Kant, Wordsworth, and Lyotard in a chapter on the sublime; Rimbaud, Nietzsche, and Bataille in a chapter on visionary quest; and Kierkegaard, Dickinson, Mallarmé, and Derrida in a chapter on apocalyptic negativity. His guiding concern is to illuminate adventures of “extravagant” or “wandering” language that, from the romantic period on, both poets and philosophers have undertaken in opposition to the dominant social and discursive frames of a pervasively instrumentalized world. The larger interpretative narrative shaping the book is that a dialectic of instrumental reason and creative negativity has been at work throughout modern culture. Baker argues that adventures of exploratory wandering emerge in the romantic period as displaced articulations of older religious discourses. Given the dominant trends of the modern world, however, these adventures repeatedly lead to severe collisions and crises, in response to which they are later revised or further displaced. Over time, as instrumental structures come to disfigure every realm of modern life, poetries and philosophies at odds with these structures are forced to criticize and surpass earlier voices in their traditions that seem to have lost a transformative power. Thus, Baker argues, these adventures gradually unfold into various discourses of the negative prominent in contemporary culture: discourses of decentering, dispersing, undoing, and erring. It is this dialectic that Baker traces and interprets in this ambitious study.

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The central argument of Edward Said's Orientalism is that the relationship between Britain and its colonies was primarily oppositional, based on contrasts between conquest abroad and domestic order at home. Saree Makdisi directly challenges that premise in Making England Western, identifying the convergence between the British Empire's civilizing mission abroad and a parallel mission within England itself, and pointing to romanticism as one of the key sites of resistance to the imperial culture in Britain after 1815. Makdisi argues that there existed places and populations in both England and the colonies that were thought of in similar terms - for example, there were sites in England that might as well have been Arabia, and English people to whom the idea of the freeborn Englishman did not extend. The boundaries between "us" and "them" began to take form during the romantic period, when England became a desirable Occidental space, connected with but superior to distant lands. Delving into the works of Wordsworth, Austen, Byron, Dickens, and others to trace an arc of celebration, ambivalence, and criticism influenced by these imperial dynamics, Makdisi demonstrates the extent to which romanticism offered both hopes for and warnings against future developments in Occidentalism. Revealing that romanticism provided a way to resist imperial logic about improvement and moral virtue, Making England Western is an exciting contribution to the study of both British literature and colonialism.

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From ancient philosophy to Tristram Shandy and Buster Keaton movies, this book tells the engaging history of accident as an idea. An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand history of ideas.Accident tells an original history of Western thought from the perspective of Aristotle’s remarkably durable categories of accident and substance. Throughout antiquity and the Middle Ages, Aristotle’s distinction underwrote an insistence on order and subordination of the inessential. In a groundbreaking innovation, Hamilton argues that after the Reformation, the concept of accident began to change places with that of substance: accident became a life-transforming event and effectively a person’s essence. For moderns, it is the accidental, seemingly trivial moments of consciousness that, like Wordsworth’s “spots of time,” create constellations of meaning in our lives. Touching on a broad array of images and texts—Augustine, Dante, the frescoes of Raphael, Descartes, Jane Austen, the work of the surrealists, and twentieth-century cinema—Hamilton provides a new way to map the mutations of personal identity and subjectivity.

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From a platypus scarf to a giant crocodile rug, this fabulous activity book features animal-themed knitting patterns and fun puzzles, stories and quizzes to knock your socks off. Louise Walker, also known as Sincerely Louise, presents a selection of her favourite knits for you to try out. Including patterns for both home and to wear, this book includes mini animal trophy heads, triceratops slippers, a lion mug coaster and a giant balloon dog for you to recreate at home. Also, knit along to the ‘Lola the Polar Bear Moves’ comic and create a killer whale, raccoon, corgi, meerkat and a toucan, among many other adorable animals. But this book is not just packed with patterns – have a go at the crafty crossword, the ‘Find the Fibre’ wordsearch, The Knitter’s Arms pub quiz, Louise’s scrap yarn challenge, and many more. Each project is easy to make, only using a basic range of stitches, increases and decreases, so is perfect for beginners wanting to knit something impressive straight away or experienced knitters who are looking for exciting patterns.

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This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets. During the 1980s, many theoretical innovations in literary study swept academic criticism. Many of these approaches--from deconstructive, new historicist, and feminist perspectives--used romantic texts as primary examples and altered radically the ways in which we read. Other major changes have occurred in textual studies, dramatically transforming the works of these poets. The world of English romantic poetry has certainly changed, and Romantic Poetry keeps pace with those changes. Karl Kroeber and Gene W. Ruoff have organized the book by poet--Blake, Wordsworth, Coleridge, Byron, Shelly, and Keats--and have included essays representative of key critical approaches to each poet's work. In addition to their excellent general introduction, the editors have provided brief, helpful forewords to each essay, showing how it reflects current approaches to its subject. The book also has an extensive bibliography sure to serve as an important research aid. Students on all levels will find this book invaluable.

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Fascinating and richly illustrated stories of flowers for every day of the year. Every day of the year a different species of flower bursts into bloom somewhere in the world. This collection of 366 flowers reveals not only their beauty but the fascinating botanical, literary, folkloric and historical stories behind them. Discover the magnificent magnolia, which evolved more than 95 million years ago at the time of dinosaurs, and the specific perfumed rose that covers the land around Grasse in France. Read about the powerful medicinal elements of the Manuka bush flowers and the inspiration behind William Wordsworth's 'host of golden daffodils'. Here are also the cheerful Mexican marigolds bedecking urban graveyards, delicate cherry or sakura blossoming along Japanese avenues, spectacular tropical vines hanging in the Philippine rainforest and flamboyant wildflowers carpeting meadows across Europe, showcasing the amazing variety of the natural world. Illustrated with stunning photographs and works of art, this collection is a celebration of flowers and their special place in both the natural world and our culture.

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Many cultures identify mourning as the very source of poetry and music, what Elizabeth Bishop calls the art of losing. That might well be the title of this collection. Not every poem is cornered with death, but all are about loss. The poems chosen traverse a surprisingly wide range of emotions from despair to joy, resignation to anger, all articulated in language of the greatest power and beauty . All the major verse forms of mourning are represented here: epitaph, requiem and lament. Three great elergies by Milton, Whitman and Rilke are surrounded by a wide variety of shorter poems. Naturally, the pathos of death predominates, but its comedy has not been neglected, whether in the savage poems of World War I or the gentle teasing of seventeenth-century satire. Poets include: Akhmatova, Auden, Bishop, Brodsky, Browning, Carew, Cory, Cowley, Dickinson, Donne, Dryden, Dyer, Fletcher, Graves, Gurney, Hardy, Harrison, Herrick, Hopkins, Horace, King, Leopardi, Lowell, MacCaig, Mandelstam, Milosz, Philips, Propertius, Roethke, Smith, Tennyson, Dylan Thomas, Edward Thomas and Wordsworth.

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Given the increasing number of old people, the proliferation of books about old age is hardly surprising. Most of these come from cultural historians or social scientists and, when those with a literary background have tackled the subject, they have largely done so through what are known as period studies. In Blasted with Antiquity, David Ellis provides an alternative. Skipping nimbly from Cicero to Shakespeare, and from Wordsworth to Dickens and beyond, he discusses various aspects of old age with the help of writers across European history who have usually been regarded as worth listening to. Eschewing extended literary analyses, Ellis addresses retirement, physical decay, sex in old age, the importance of family, legacy, wills and nostalgia, as well of course as dying itself. While remaining alert to current trends, his approach is consciously that of the old way of teaching English rather than the new. Whether 'blasted with antiquity' like Falstaff in Henry IV Part Two, or with the 'shining morning face' of an unwilling student, his accessible and witty style will appeal to young and old alike.

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Poems to celebrate spring. A sublime bedside companion to enjoy as the frost melts and days grow longer, with poems to immerse yourself in the season. From William Blake and Emily Dickinson to Robert Browning and Eleanor Farjeon, some of the finest poets that ever put pen to paper describe this wondrous season of new beginnings. With one entry for every day through spring, from 1st March until 31st May, this collection of 91 poems will invigorate you in the warmer and wetter months of Spring, from Robert Herrick’s first drops of March dew and the breaking blossoms of Laurence Binyon’s April day to William Blake’s meadow-sweet May and Emily Dickinson’s promise of light to come. This beautiful and collectable anthology of poems derives from the popular A Poem for Every Night of the Year and features poems inspired by springtime by Laurence Binyon, Margaret Cavendish, Amy Lowell, William Wordsworth and many more.

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Notable writers—including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow—celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the pastWhat can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past.Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home—from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London.With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home.Featuring Alexandra Harris on moving house ● Susan Walker on Morocco's ancient Roman House of Venus ● Hermione Lee on biographical quests for writers’ houses ● Margaret MacMillan on her mother's Toronto house ● a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"—the house in which Louisa May Alcott wrote and set her novel Little Women ● Felicity James on William and Dorothy Wordsworth's Dove Cottage ● Robert Douglas-Fairhurst at home with Tennyson ● David Cannadine on Winston Churchill's dream house, Chartwell ● Jenny Uglow on Edward Lear at San Remo's Villa Emily ● Lucy Walker on Benjamin Britten at Aldeburgh, England ● Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City ● Rebecca Bullard on Samuel Johnson's houses ● a poem by Simon Armitage, "The Manor" ● Daisy Hay at home with the Disraelis ● Laura Marcus on H. G. Wells at Uppark ● Alexander Masters on the fear of houses ● Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera ● Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life ● a poem by Bernard O'Donoghue, "Safe Houses" ● Roy Foster on W. B. Yeats and Thoor Ballylee ● Sandra Mayer on W. H. Auden's Austrian home ● Gillian Darley on John Soane and the autobiography of houses ● Julian Barnes on Jean Sibelius and Ainola

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