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This book delineates different manifestations of the vagabond spirit of poetry through the ages. In doing so, it makes claims for the efficacy of poetry in our industrialized world, where we are presented with environmental, political and economic challenges. The Vagabond Spirit of Poetry demonstrates that poems are vital now more than ever because they can transform our relations with each other and with the earth. It acknowledges the awesome power of poems by providing you with fresh ways to apprehend their profound spiritual insights. You will be surprised by how sharp your imagination becomes once you start following the paths opened by Edward Clarke's original readings. This region is full of unexpected turns and pleasant clearings. Beginning in the middle of things with Wordsworth, you will be taken on a journey from Shakespeare to Wallace Stevens. Significant older poets, including Homer, Virgil and Dante, will enliven conversations with the wisest British, Irish and American poets of the modern age. As you proceed, poetry will teach you how to put into practice its perennial wisdom.

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This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come. Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.

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The collection includes alphabet, calendar, list and found poems, as well as a sequence conceived as a ‘variable construction’, with one of many possible versions presented here. Many of the poems were written as collaborations with visual artists, and have appeared in booklets and exhibitions, and as public art works. Some were written as commissions, from organisations including The National Trust for Scotland and The Wordsworth Trust, or for occasions such as UNESCO World Heritage Day. Floating the Woods collects these poems at last into a single volume.

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Keep kids busy with this fun-filled i-SPY activity book Keep little travellers busy with this fun-filled i-SPY activity book. Packed with puzzles, photos and things to spot in the countryside for hours of entertainment. It’s bursting with boredom-busting puzzles including wordsearches, mazes, spot the difference, and more, plus there’s lots of things to spot in the countryside and points to score. Whether in the car, waiting at the airport, on the train, or on holiday i-SPY activity books provide hours of fun on kids’ travels!

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‘I can't think of a single person who wouldn't enjoy having this beautiful collection of poetry to dip into when they need a boost' – Good Housekeeping ‘This is supreme bedtime reading.’ – The Lady ‘Go to sleep with the lightest of hearts, with verses from Thomas Hardy, Emily Brontë, Simon Armitage, Wendy Cope and more’ – Townswoman These days we're all in need of a little nugget of happiness to help soothe our weary souls at the end of the day. A Happy Poem to End Every Day provides just that: one sublimely happy poem for every day of the year, from cosy fireside idylls in winter to outdoor adventures in summer, encounters with the beauty of nature in spring and moments of quiet reflection in autumn. It features some of the greatest poets ever to put pen to paper, from William Wordsworth on the joy of skating and Emily Brontë enjoying life on the moors to Simon Armitage catching a cricket ball and Wendy Cope sharing an orange, with a good smattering of classic jolly verse such as Edward Lear's The Owl and the Pussycat. Beautifully illustrated with contemplative scenes of pure happiness, this wonderful book is the perfect way to give yourself a little lift every evening. Keep it by your bedside and it's sure to bring restful sleep and sweet dreams.

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Poems of Rome ranges across the centuries and contains the work of poets from many cultures and times, from ancient Rome to contemporary America. Designed to lend itself to those visiting the city - whether in person or imagination - the book is divided into sections by place. Its pages lead the reader from the Roman Forum to the Colosseum, from the Vatican to the Villa Sciarra, from the Pantheon to the Palatine Hill, all seen through the eyes of poets who have been dazzled by these glorious sites for centuries. The poets range from Horace, Ovid, Virgil and Martial through Du Bellay and Rilke to Pasolini and Pavese, with a strong cast of 19th-century travellers - Byron, Keats, Wordsworth, Clough, Browning, Swinburne, Hardy, Wilde, Longfellow - and a varied selection of modern poets including Elizabeth Jennings, Cecil Day Lewis, Joseph Brodsky, Jorie Graham, James Wright and Rosanna Warren. A collection as dazzling as the great city itself.

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The stunningly written, evocative new debut crime thriller you won’t want to miss! A detective ready for a new lifeFor years, Jake Jackson has been a high-flying detective in the city. One day he receives a letter from his reclusive uncle – he has left Jake his property in the middle of the countryside. It is the perfect opportunity for a fresh start. A rural idyll the stuff of dreamsLife in the middle of nowhere is everything Jake could wish for. His home is beautiful and his surroundings are stunning. While the locals are eccentric, they are also friendly, and invite him to join their annual treasure hunt. A death that disrupts everythingWhat starts as an innocent game turns sinister, when a young woman’s bones are discovered. And Jake is thrust once again into the role of detective, as he tries to unearth a dangerous killer in this most unlikely of settings. Praise for Death Under a Little Sky ‘Tense but patient, fast but thoughtful, and twisty but substantial – this is a truly excellent debut, and I want the next installment now’ Lee Child ‘I LOVED this. I found it totally immersive, and couldn’t wait to squeeze some time from my day to return to it. The writing is very classy and the conclusion came as a surprise, which is always a treat’ Ann Cleeves ‘Gloriously atmospheric and masterfully plotted with such a strong sense of place, this is a huge treat for crime fiction lovers. I can’t wait for the next instalment!’ Lucy Foley ‘Stylish…a more than promising debut’ The Times ‘Stylishly written by a skilled wordsmith, and an absorbing tale’ Sun ‘A vivid, atmospheric debut’ Daily Mail ‘A cosy crime read with an appealing protagonist’ Guardian

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore.Self-taught, Pye began producing her first works in the early 1900s using naturally coloured leather, before graduating to multi-coloured panels. By 1934 she was creating complex covers of up to six different inlays, and her work was regularly exhibited around the world. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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One of the highly praised Lakeland poets, alongside his friend William Wordsworth, Samuel Taylor Coleridge was a founder of the Romantic movement in England. His work - still popular today - includes such classics as The Rime of the Ancient Mariner and Kubla Khan as well as the beautiful early poem Frost at Midnight: 'Or if the secret ministry of frost, Shall hang them up in silent icicles, Quietly shining to the quiet Moon.'Despite the great beauty of his work, he suffered from bouts of depression and today it is speculated he may well have had bipolar disorder. For both mental and physical ailments he was treated with laudanum which led to a lifelong addition to opium.Coleridge's influence was widespread - he was a major influence on Ralph Waldo Emerson - indeed, he invented the phrase suspension of disbelief. This collection is a fascinating insight into his life, as well as his work.

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Hillwalking is a way of life for Robin Howie, whose name is very well-known in Scottish hillwalking circles and whose knowledge of the Scottish high tops is second to none. For over ten years his popular weekly hillwalking column has appeared in The Scotsman where his pleasure of walking in the hills is apparent to the reader. Some claim to buy the paper solely to read his column while others have long-demanded that his walks be made into a book. Generous with his help and advice to other walkers, this collection of shorter, lower-level walks will appeal to families and those less sure of venturing to the high tops. Conveniently arranged within shires with a location map, each walk has a useful factfile that summarises the map, start point, distance, terrain, duration of walk, height to be climbed and the all-important nearest refreshment point. 100 Scotsman Walks is a distillation of a lifetime of highs and lows, enhanced by the artist's eye and the wordsmith's descriptive powers. It will be a delight for active or ex-walkers, for the would-be explorer or armchair enthusiast, for the whole family, young or old - a book in fact for everyone.

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Britain in the nineteenth century saw a series of technological and social changes which continue to influence and direct us today. Its reactants were human genius, money and influence, its crucibles the streets and institutions, its catalyst time, its control the market.In this rich and fascinating book, James Hamilton investigates the vibrant exchange between culture and business in nineteenth-century Britain, which became a centre for world commerce following the industrial revolution. He explores how art was made and paid for, the turns of fashion, and the new demands of a growing middle-class, prominent among whom were the artists themselves. While leading figures such as Turner, Constable, Landseer, Coleridge, Wordsworth and Dickens are players here, so too are the patrons, financiers, collectors and industrialists; lawyers, publishers, entrepreneurs and journalists; artists' suppliers, engravers, dealers and curators; hostesses, shopkeepers and brothel keepers; quacks, charlatans and auctioneers. Hamilton brings them all vividly to life in this kaleidoscopic portrait of the business of culture in nineteenth-century Britain, and provides thrilling and original insights into the working lives of some of our most celebrated artists.

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Tim Cassedy’s fascinating study examines the role that language played at the turn of the nineteenth century as a marker of one’s identity. During this time of revolution (U.S., French, and Haitian) and globalization, language served as a way to categorize people within a world that appeared more diverse than ever. Linguistic differences, especially among English-speakers, seemed to validate the emerging national, racial, local, and regional identity categories that took shape in this new world order. Focusing on six eccentric characters of the time—from the woman known as “Princess Caraboo” to wordsmith Noah Webster—Cassedy shows how each put language at the center of their identities and lived out the possibilities of their era’s linguistic ideas. The result is a highly entertaining and equally informative look at how perceptions about who spoke what language—and how they spoke it—determined the shape of communities in the British American colonies and beyond. This engagingly written story is sure to appeal to historians of literature, culture, and communication; to linguists and book historians; and to general readers interested in how ideas about English developed in the early United States and throughout the English-speaking world.

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"Highly recommended, it gets 5 stars and 8 moons and a chef's kiss and a tip of the hat and a jump in the lake from me."-Bob Odenkirk, award-winning actor, writer, and comedianI'm Just No Good at Rhyming is this century's most acclaimed comedic poetry collection so far, described as "a worthy heir to Silverstein, Seuss, and even Ogden Nash" (Publishers Weekly), "wildly imaginative...inspired and inspiring" (Kirkus), and as "everything a book for kids should be" (B.J. Novak). Now, Chris Harris delivers all that and more with dazzling new heights of creativity, kooky conundrums, witty wordsmithing, and of course, wacky laugh-out-loud fun!There's a whole new cast of characters to meet, from the Nail-Clipping Fairy (who delivers teeth at night), to Orloc the Destroyer (who can be defeated only by his mommy), to the Elderly Caveman (who complains about the younger generation obsessed with playing with fire). There are more mind-bending verbal and visual riddles, plus there's plenty of hilarious hijinks hiding around every corner, whether it's a buffalo that escapes one poem and roams through others or a meteor threatening to land on the book and obliterate everything. There's even a mini book-within-a-book! In between it all, cartoonist Andrea Tsurumi's diverse range of exuberant people, creatures, and anthropomorphic objects ripple through the pages with playful energy.If your head has a bellyache as you read this book, it will only be because you're laughing WAY. TOO. HARD!

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Winner of the Waterstones Children's Gift of the Year 2018, this lavish poetry collection is a perfect present for any age. I Am the Seed That Grew the Tree: A Nature Poem For Every Day Of The Year, named after the first line of Judith Nicholls' poem 'Windsong', is a beautifully illustrated gift book treasury of 366 animal poems - one for every day of the year, including leap years. Filled with familiar favourites and new discoveries, written by a wide variety of poets, including John Agard, William Blake, Emily Brontë, Charles Causley, Walter de la Mare, Emily Dickinson, Carol Ann Duffy, Eleanor Farjeon, Robert Frost, Thomas Hardy, Roger McGough, Christina Rossetti, William Shakespeare, John Updike, William Wordsworth and many more, this collection of daily poems is the perfect poetry anthology for children (and grown-ups!). Whether you are 8 or 88, you'll find poems to share at the beginning of the day, or at bedtime, or just to dip into whenever you might like. "An absolutely beautiful book." Julia Donaldson Red Magazine Big Book Award Children's Illustrated Book of the Year 2019 Winner of the British Book Design and Production Award's Children's Trade 0 to 8 Years Award 2019 With sumptuous details including cloth binding, full colour illustrations throughout, textured paper jacket, ribbon marker and head and tail bands. Published in partnership with The National Trust, this is the perfect present for any child or adult to treasure.

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'A quietly incendiary piece of writing, at times heartbreaking, at other times really wonderfully funny... a profoundly humane, funny and smart novel' IndependentA dying man and his only son. Six old friends. A missing videotape. And a reunion in a crumbling house on the edge of The Quarry. Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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In his introduction to Prayin’ to Be Set Free, Andrew Waters likens the personal accounts of former Mississippi slaves to the music of that state’s legendary blues artists. The pain, the modest eloquence, and even the underlying vitality are much the same. What is now Mississippi wasn’t acquired by the United States until 1798, at which time it had fewer than 10,000 inhabitants, excluding Native Americans. By the Civil War, it had over 430,000 slaves and 350,000 whites. More than half the whites were members of slave-owning families. The majority of slaves worked in the cotton fields. Mississippi was known as a slave-buying frontier state, in contrast to the eastern states, which sold slaves westward. Indeed, many of the former slaves in this book speak of coming to Mississippi as children. At the height of the Depression, the out-of-work wordsmiths who comprised the Federal Writers’ Project began interviewing elderly African-Americans about their experiences under slavery. The former slaves were more than 70 years removed from bondage, but the memories of many of them were strikingly clear. The accounts from former Mississippi slaves are considered among the strongest in the entire collection. The 28 narratives presented here are the best of those. Andrew Waters is a writer and former editor. A native North Carolinian, he graduated from the University of North Carolina at Chapel Hill with Honors in Creative Writing and received a graduate degree from the University of North Carolina at Greensboro. He is the executive director of the Spartanburg Area Conservancy in Spartanburg, SC.

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Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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'Literary, erudite, poignant and touching' Mail on Sunday'Stafford has a historical X-ray vision which allows her to look through the surface of a given landscape and describe what lies beneath . . . Miraculous' ScotsmanA village waits at the bottom of a reservoir. A monkey puzzle tree bristles in a suburban garden. A skein of wild geese fly over a rusty rail viaduct. The vast inland sea that awed John Clare has become fields.Chapter by fascinating chapter, alive with literary, local, and her own family history, Fiona Stafford reveals the forces, both natural and human, which transform places. Swooping along coastlines, through forests and across fens, following in the footsteps of Burns and Keats, Celia Fiennes and Charles Dickens, William and Dorothy Wordsworth, Noel Coward and Compton Mackenzie, join her, time-travelling deep into the stories of our Isles.From red squirrels to brick vistas, from botanical gardens to hot springs, the landscapes of Britain are full of delights and surprises. Chance discoveries of rare species, shipwrecks and unlikely ruins, curious trees and startling towers, weird caves and disused airfields, or even just baffling placenames offer ways into unexpected histories and hidden lives. The clues to the past are all round us - Time and Tide will help you find them.'Shot through with tender delights and unexpected revelations' RICHARD HOLMES'Wonderful . . . A fascinating compendium of people and places and how they endlessly interact to change each other' PHILIP MARSDEN

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"Bartels proves herself a master wordsmith and storyteller."--Library Journal, starred review "This subdued tale of learning to forgive is Bartels's best yet."--Publishers Weekly "A deeply personal, thoughtful exploration of dealing with pain and grief."--Life Is Story "Taut and engaging."--Foreword "A deftly crafted, entertaining, thought-provoking novel."--Midwest Book Reviews *** Ten years ago, sisters Olivia and Melanie Greene were on a backcountry hiking trip when their parents were in a fatal car accident. Over the years, they grew apart, each coping with the loss in her own way. Olivia plunged herself into law school, work, and a materialist view of the world--what you see is what you get, and that's all you get. Melanie dropped out of college and developed an online life-coaching business around her cafeteria-style spirituality--a little of this, a little of that, whatever makes you happy. Now, at Melanie's insistence (and against Olivia's better judgment), they are embarking on a hike in the Porcupine Mountains of Michigan's Upper Peninsula. In this remote wilderness they'll face their deepest fears, question their most dearly held beliefs, and begin to see that perhaps the best way to move forward is the one way they had never considered. Michigan Notable Book Award winner Erin Bartels draws from personal experience hiking backcountry trails with her sister to bring you a story about the complexities of grief, faith, and sisterhood.

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This selection brings together the best prose writings of the great early nineteenth-century essayist Charles Lamb, whose shrewd wit and convivial style have endeared him to generations of readers. These pieces include early discussions of Hogarth and Shakespeare; masterly essays written under the pen-name 'Elia' that range over such subjects as drunkenness, witches, dreams, marriage and the joy of roast pig; and letters to Lamb's circle of contemporaries, among them Samuel Taylor Coleridge and William Wordsworth. Wryly amused by the world, allusive, searching and endlessly inventive, these are the essential works of a master of English prose.In his introduction Adam Phillips discusses how Charles Lamb's tragic life and sainted reputation, caring for his mentally ill sister Mary, belied the quality of his work. This edition also includes a biographical index of Lamb's correspondents.Charles Lamb (1775-1834) was an English essayist best known for his humorous Essays of Elia from which the essay 'A Dissertation Upon Roast Pig' is taken. Lamb enjoyed a rich social life and became part of a group of young writers that included William Hazlitt, Percy Bysshe Shelley, Lord Byron and Samuel Taylor Coleridge with whom he shared a lifelong friendship. Lamb never achieved the same literary success as his friends but his influence on the English essay form cannot be underestimated and his book, Specimens of the English Dramatic Poets is remembered for popularising the work of Shakespeare's contemporaries.

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The term ‘idiot’ is a damning put down, whether deployed on the playground or in the board room. People stigmatized as being ‘intellectually disabled’ today must confront variants of the fear and pity with which society has greeted them for centuries. In this ground-breaking new study Patrick McDonagh explores how artistic, scientific and sociological interpretations of idiocy work symbolically and ideologically in society. Drawing upon a broad spectrum of British, French and American resources including literary works (Wordsworth’s ‘The Idiot Boy’, Dickens Barnaby Rudge, Conrad’s The Secret Agent), pedagogical works (Itard’s The Wild Boy of Aveyron, Sequin’s Traitement moral, hygiene et education des idiots, and Howe’s On the courses of Idiocy), medical and scientific papers (Philippe Pinel, Henry Maudsley, William Ireland, John Langdon Downs, Isaac Kerlin, Henry Goddard) and sociological writings (Mayhew’s London Labour and the London Poor, Beames’ The Rookeries of London, Dugdal’s The Jukes), Idiocy: A Cultural History offers a rich study of the history and representation of mental disability.

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This book contends that when late eighteenth- and early nineteenth-century writers sought to explain the origins of emotions, they often discovered that their feelings may not really have been their own. It explores the paradoxes of representing feelings in philosophy, aesthetic theory, gender ideology, literature, and popular sentimentality, and it argues that this period’s obsession with sentimental, wayward emotion was inseparable from the dilemmas resulting from attempts to locate the origins of feelings in experience. The book shows how these epistemological dilemmas became gendered by studying a series of extravagantly affective scenes: Hume’s extraordinary confession of his own melancholy in the Treatise of Human Nature; Charlotte Smith’s insistence that she really feels the gloomy feelings portrayed in her Elegiac Sonnets; Wordsworth’s witnessing of a woman poet reading and weeping; tearful exchanges between fathers and daughters in the gothic novel; the climactic debate over the strengths of men’s and women’s feelings in Jane Austen’s Persuasion; and the poetic and public mourning of a dead princess in 1817.

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This title includes readings that work through tropes disclose the material inscription at the origins of literary texts. Focusing insistently on the practice of rhetorical reading, this book demonstrates how the self-undoing of tropological systems necessarily generates narratives which turn out to be allegories of their own conditions of (im)possibility. The volume also contains two essays on Paul de Man and literary theory, as well as an interview on the topic of 'Deconstruction at Yale'. These latter texts are explicitly about the 'place' of rhetoric and its importance for any critical reading worthy of the name. As Warminski demonstrates, such 'rhetorical reading' is a species of 'deconstructive reading' - in the full 'de Manian' sense - but one that, rather than harkening back to a past over and done with, would open the texts to a different future. Features: new readings of texts by Wordsworth, Keats, Descartes, Nietzsche, and Henry James; and essays and an interview on Paul de Man and 'Deconstruction at Yale'. It reflects on and exemplifies the pedagogical value of 'de Manian' rhetorical reading.

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Cumbria Curiosities brings together a series of unusual, intriguing and extraordinary buildings, structures, incidents and people from all parts of the county. Included in these pages are the Fairy Steps of Beetham Fell; Bonnie Prince Charlie's Chimney; schoolboy graffiti by William Wordsworth at Hawkshead; a hilltop tower at Hampsfell which has poetic advice for travellers; and the world-famous gurning competition at Egremont. As well as these fascinating relics from Cumbria's industrial, ecclesiastical and military past are curious customs at locations ranging from the Irish Sea, to the dramatic peaks of the Lake District and the fertile lowland areas.

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Can you find the clues and crack the secret code in this mystery puzzle book for kids?When a monster threatens to ruin Easter, your eggciting eggscape begins!Meet magical creatures, feast on tasty treats, and investigate a curious mystery in this fun-packed book of puzzles. Solve mazes, wordsearches, number puzzles and more Find the clues and crack the code to finish the storyWill you take on the quest?For more puzzling funcollect the set!Mythical Mystery (9780008457457)Enchanted Lands (9780008457464)The Missing Astronaut (9780008457471)Secret Island (9780008532109)The Lost Emerald (9780008532116)

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Harry Caldecote is the most charming man you'll ever meet, a convivial academic who devotes his life to others. He is on call when his alcoholic niece falls into strange hands, when his brother threatens to emulate Wordsworth, when his son's lesbian lodger is beaten up by her girlfriend. He endures misplaced seductions, swindles and aggressive dogs just to keep the peace at the King's pub in Shepherd's Hill. But when the Adams' Institute of Cultural and Commercial History in America offers him the opportunity to do 'whatever he wanted to do' in a picturesque lakeside town, he faces a choice between freedom or responsibility - and whether to take charge of his own life.

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An entertaining and provocative investigation of friendship in all its variety, from ancient times to the present day A central bond, a cherished value, a unique relationship, a profound human need, a type of love. What is the nature of friendship, and what is its significance in our lives? How has friendship changed since the ancient Greeks began to analyze it, and how has modern technology altered its very definition? In this fascinating exploration of friendship through the ages, one of the most thought-provoking philosophers of our time tracks historical ideas of friendship, gathers a diversity of friendship stories from the annals of myth and literature, and provides unexpected insights into our friends, ourselves, and the role of friendships in an ethical life. A. C. Grayling roves the rich traditions of friendship in literature, culture, art, and philosophy, bringing into his discussion familiar pairs as well as unfamiliar—Achilles and Patroclus, David and Jonathan, Coleridge and Wordsworth, Huck Finn and Jim. Grayling lays out major philosophical interpretations of friendship, then offers his own take, drawing on personal experiences and an acute awareness of vast cultural shifts that have occurred. With penetrating insight he addresses internet-based friendship, contemporary mixed gender friendships, how friendships may supersede family relationships, one’s duty within friendship, the idea of friendship to humanity, and many other topics of universal interest.

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This is a 7 volume facsimile reprint collection of three important but ‘difficult to find’ editions of The Morte Darthur by Thomas Malory, two published in 1816, one in 1817. The three editions marked the revival of Medievalism in the Romantic era, and played an important role for the Romantic poets to ‘discover’ the richness of the medieval literature which was followed by the Pre-Raphaelite Brotherhood in the middle of the century.The edition in volumes 1-2 was the landmark of this literary movement. The Morte Darthur was published for the first time in nearly two centuries since William Stansby’s 1634 edition. They were small pocket size books (enlarged by 140% in this facsimile) and very popular among literary figures as such John Keats, William Wordsworth and Leigh Hunt.Volumes 3-5 include another pocket book edition (also enlarged by 140% in this collection) originally published in the same year, 1634, and particularly valuable as an example of a ‘bowdlerized’ edition of Thomas Malory’s text. It is known that Alfred Tennyson learned of The Morte Darthur from this book.The edition in volumes 6-7 (reprinted in the original quarto size) is the first Malory text scholarly edited, and is considered to be the most important contribution to the academic publishing history of The Morte Darthur. Based on William Caxton’s edition of 1485, the editor Robert Southey added a long introduction and detailed annotations which provided the medievalist with a valuable source for research. It also influenced such Pre-Raphaelists as William Morris and Edward Burne-Jones.Accompanied with a new bibliographic study in English by Yuri Fuwa, this facsimile collection of the three different editions of The Morte Darthur which are all rare in the antiquarian book market, should be in any academic libraries with courses of English literature.

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The pivotal figure in John Elder's latest book - itself a combination of environmental history, travel writing, literary criticism, and memoir - is the nineteenth-century diplomat and writer George Perkins Marsh, generally regarded now as Americais first environmentalist. Like Elder, Marsh was a Vermonter, and his diplomatic career took him for some years to Italy, where, witnessing the ecological devastation wrought upon the landscape by runaway deforestation and the plundering of other natural resources, he was moved to produce his famous manifesto, Man and Nature. Marsh drew parallels between the despoiled Italian environment and his home landscape of Vermont, warning that it was vulnerable to ecological woes of a similar magnitude if not carefully maintained and protected. In short, his was a prescient voice for stewardship. On a Fulbright year, Elder chooses to follow in Marsh's footsteps along a trajectory running from Vermont to Italy, and at length fetches up at the managed forest of Vallombrosa - which, as it happens, boasts a stand of sugar maples planted by Marsh. Punctuated throughout with learned and genial considerations of the poetry of Wordsworth, Basho, Dante, and Frost, Elderis narrative takes up issues of sustainability as practiced locally, reports on family doings (including his wife's reconnecting with Italian relatives), and returns finally - as did Marsh's - to Vermont, where he measures traditional stewardship values against more aggressive conservation-oriented measures such as the expansion of wilderness areas. Elder also extends the idea of sustainability from maintaining a healthy human-environmental balance to maintaining a strong web of social relationships within both the family and the larger community. Here is an exceptional reading experience, the chance to follow two of the finest chroniclers of our place in nature - separated by years, but by surprisingly little else.

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The Lake District National Park is England's most popular mountain region and is designated as a UNESCO World Heritage site. Suitable for most reasonably fit hillwalkers, the 145km (90 mile) Tour of the Lake District takes in the best of this beautiful region in a circular tour. The route is presented in nine stages, plus an optional 'prologue' stage from Windermere station to the start-point in Ambleside, and can be compressed into one week or extended over two weeks, giving time to visit many attractions on the way. In addition to the main (non-waymarked) route, which links the main towns and valleys of the national park, five interchangeable high-level stages are also offered, enabling you to visit some of the region's most celebrated high peaks - including Coniston Old Man, Scafell Pike, Great Gable and Helvellyn - should you so wish. Each stage includes summary statistics and clear route description illustrated with OS mapping and an elevation profile. There are notes on local points of interest and a wealth of information to help you plan your tour, covering public transport, accommodation and kit, plus accommodation listings and a facilities table. The Tour showcases the magnificent landscapes of the region, from mountain vistas to idyllic lakeshore scenery. There are lakes, rivers and waterfalls, characterful towns and villages, remote valleys, high fells and fascinating historical features including a Neolithic stone circle, packhorse bridges and properties that once belonged to Beatrix Potter and William Wordsworth. There are a wide range of accommodation options to suit all budgets and opportunities to sample delicious local produce. The Tour of the Lake District is an ideal way to discover all the region has to offer and is sure to generate lots of memorable experiences.

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This pragmatic text helps students master the craft of copy editing--including both the editing skills and the people skills essential to professional success. Experienced newspaper copy editor and professor John Russial covers the fundamentals and more: how to edit for grammar, punctuation, usage, and style; attend to broader issues of fairness and focus; develop strong headlines and other display elements; and work collaboratively with reporters, other editors, and designers. Special attention is given to the copy editor's role as critical thinker and coach as well as resident wordsmith. Throughout, proven editing strategies are explained and numerous concrete examples and practical tips offered.

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Why does Hebrew matter? In answering this question, Hebrew Roots, Jewish Routes addresses the many ways engagement with Hebrew enriches Jewishness—culturally, religiously, ethnically.Whether you know Hebrew or not, linguist and cultural anthropologist Jeremy Benstein takes us on a journey into the deeper significance of Hebrew in the life of Jews and Judaism. With fluency a distant goal for so many, Benstein provides another approach: engaging with Hebrew by focusing on the three-letter Hebrew roots – the “nuggets of knowledge” -- that are the building blocks of the language.For instance, tzedakah, usually translated as “charity,” actually relates to notions of justice (tzedek) and responsibility, not acts of generosity, thus encapsulating an entire economic world view. With many examples throughout the book, and in nineteen innovative "Wordshops," Benstein shows us both why and how to connect to Hebrew, as a vehicle to enrich our connection to Judaism and its values.More than just a book about a language, this is a book about the Jewish people and the challenges we face as seen through our shared language, Hebrew.

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Following the exceptional acclaim for his first two books, Farley might have been forgiven for resting on his laurels with his ‘difficult third’ – but Tramp in Flames instead finds him driving his formal ambition and remarkable imagination harder than ever. A book of considerable emotional daring and sometimes Wordsworthian sweep, Tramp in Flames is the work of a meticulous archivist of our cultural memory, and sets the palimpsest of the present hour on a light-box. It also shows Farley rapidly becoming one of the definitive English voices of the age. 'Resonant without being flashy . . . lines that will stick with you for a really, really long time' Mark Haddon 'Funny, observant, brilliantly musical . . . streetwise, erudite, elusive, but very accessible' Ruth Padel, Financial Times 'Farley is one of our most vital and engaging voices. Even a title can twist at the familiar, commanding our attention. He has the knack of both establishing and undermining the securities of memory purely through turn of phrase' W. N. Herbvert, Scotland on Sunday Poetry Book Society Recommendation

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This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come. Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.

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300 mixed brain game puzzles packaged in a stylish paperback - this is the perfect mixed puzzle book for adults of any age. Featuring 20 different types of favourite puzzles including, crosswords, wordsearches, codewords, sudoku, mazes, shape match, and many, many more! Solutions are easily found in a separate section at the back of the book. Printed in a highly portable format which can be taken on your travels or sit neatly on your bedside table.

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'Radical, humane, witty' Alain de Botton 'Magisterial' Will Self, Guardian Explore historical, political and philosophical paths traced by walkers in this profound and diverting modern classic. What does it mean to be out walking in the world, whether in a landscape or a metropolis, on a pilgrimage or a protest march? In this first general history of walking, Rebecca Solnit draws together numerous stories to create a new way of looking at one of humanity's most fundamental and expressive acts. Arguing that walking as history means walking for pleasure and for political, aesthetic, and social meaning, Solnit homes in on the walkers whose everyday and extreme acts have shaped our culture, from the philosophers of ancient Greece to the poets of the Romantic Age, from the perambulations of the Surrealists to the ascents of mountaineers. With profiles of some of the most significant walkers in history and fiction - from Wordsworth to Gary Snyder, from Rousseau to Argentina's Mother of the Plaza de Mayo, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja - Wanderlust takes us on an unforgettable journey and shows how walking can affect the body, the imagination, and the world around us. 'One of those rare, quirky, rather lovable books that makes you look anew at something so familiar ... Solnit winningly traces the shifting cultural significance of putting one foot in front of another' Daily Telegraph

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What did British people in the late eighteenth century think and feel about their relationship to nonhuman animals? This book shows how an appreciation of human-animal similarity and a literature of compassion for animals developed in the same years during which radical thinkers were first basing political demands on the concept of natural and universal human rights. Some people began to conceptualise animal rights as an extension of the rights of man and woman. But because oppressed people had to insist on their own separation from animals in order to claim the right to a full share in human privileges, the relationship between human and animal rights was fraught and complex. This book examines that relationship in chapters covering the abolition movement, early feminism, and the political reform movement. Donkeys, pigs, apes and many other literary animals became central metaphors within political discourse, fought over in the struggle for rights and freedoms; while at the same time more and more writers became interested in exploring the experiences of animals themselves. We learn how children's writers pioneered narrative techniques for representing animal subjectivity, and how the anti-cruelty campaign of the early 1800s drew on the legacy of 1790s radicalism. Coleridge, Wordsworth, Clare, Southey, Blake, Wollstonecraft, Equiano, Dorothy Kilner, Thomas Spence, Mary Hays, Ignatius Sancho, Anna Letitia Barbauld, John Oswald, John Lawrence, and Thomas Erskine are just a few of the writers considered. Along with other canonical and non-canonical writers of many disciplines, they placed nonhuman animals at the heart of British literature in the age of the French Revolution.

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The very best of British and Irish nature writing selected by the natural history writer Patrick Barkham. The landscapes of Britain and Ireland, together with the creatures and plants that inhabit them, have penetrated deep in our collective imagination. From Gilbert White and Dorothy Wordsworth to Laurie Lee and Nan Shepherd, literature inspired by the natural world has become an integral part of our shared identity, and shaped our relationship with the islands we call home. In The Wild Isles, Patrick Barkham has gathered together a wide array of the very best of British and Irish nature writing, characterized by an arresting diversity of moods and voices. His choices are arranged under themes that range from birds, woods and coastlines to childhood, the seasons and urban nature, and juxtapose extracts from much-loved classics with passages by contemporary writers such as Robert Macfarlane, James Rebanks and Helen Macdonald. Here the reader will find joyful celebrations of landscape and the wildlife it nurtures, probing explorations of the environmental problems facing us today, as well as the fresh and vital perspectives of writers from underrepresented backgrounds. 'If British and Irish nature writing is to grow and endure,' writes Barkham in his introduction, 'it must be diverse, complex, multi-faceted and dynamic, and relevant to everyone who lives on this land.' Encompassing the bleak heights of the Cairngorms, the ancient woodlands of Essex, the storm-lashed islands of Ireland's west coast and the lush fields of Devon, The Wild Isles highlights nature's capacity to terrify and to delight, to soothe and to heal, to surprise, inspire and bring wonder.

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The Romantic poet's intense yearning to share thoughts and feelings often finds expression in a style that thwarts a connection with readers. Yohei Igarashi addresses this paradox by reimagining Romantic poetry as a response to the beginnings of the information age. Data collection, rampant connectivity, and efficient communication became powerful social norms during this period. The Connected Condition argues that poets responded to these developments by probing the underlying fantasy: the perfect transfer of thoughts, feelings, and information, along with media that might make such communication possible. This book radically reframes major poets and canonical poems. Igarashi considers Samuel Taylor Coleridge as a stenographer, William Wordsworth as a bureaucrat, Percy Shelley amid social networks, and John Keats in relation to telegraphy, revealing a shared attraction and skepticism toward the dream of communication. Bringing to bear a singular combination of media studies, the history of communication, sociology, rhetoric, and literary history, The Connected Condition proposes new accounts of literary difficulty and Romanticism. Above all, this book shows that the Romantic poets have much to teach us about living with the connected condition and the fortunes of literature in it.

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'The Faber Book of Beasts is a generous and intelligent round- up of old favourites, new juxtapositions, and poems we mightn't know about ... Will set heads shaking, as well as nodding with pleasure.' Independent William Wordsworth's 'To a Skylark'W.B. Yeats' 'Leda and the Swan'Elizabeth Bishop's 'The Moose'D.H. Lawrence's 'Bat'Marianne Moore's 'Elephants'William Blake's 'The Tyger' Gerard Manley Hopkins' 'The Windhover'Thom Gunn's 'The Snail'Seamus Heaney's 'Otter'John Donne's 'The Flea'Christopher Smart's 'My Cat Jeoffry''Baa Baa Black Sheep' From childhood rhymes to canonical classics, Homer to Ted Hughes, this eclectic poetry anthology celebrating the earth's creatures brims with beastly delights. Celebrated poet Paul Muldoon's bestiary shows that we are 'most human in the presence of animals', whether tame or wild, common or exotic, mammals or reptiles, real or imaginary - and the result is a must-read for animal-lovers of all ages everywhere.'Animals bring the best out in us [and make] the best art ... Elephants, skunks, otters, hedgehogs and hippos feature in Muldoon's menagerie; how charming it is to observe how they nuzzle along together in his engaging anthology.' Irish Times

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What's a dilemma? Is it a syllogism? What about an enthymeme? Is there really an ancient science behind the gift of the gab? Why do silken-tongued lawyers and top politicians study the Trivium? In this unique little book, the smallest on its subject ever produced, wordsmith Jane Smith lays out the timeless and universal science of language, studied in antiquity in the three parts of logic, rhetoric and grammar. Learn to persuade, convince, and see through fallacies. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

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A BBC Radio 4 Book of the Week. Spring is nature's season of rebirth and rejuvenation. Earth's northern hemisphere tilts towards the sun, winter yields to intensifying light and warmth, and a wild, elemental beauty transforms the Highland landscape and a repertoire of islands from Colonsay to Lindisfarne. Jim Crumley chronicles the wonder, tumult and spectacle of that transformation, but he shows too that it is no Wordsworthian idyll that unfolds. Climate chaos brings unwanted drama to the lives of badger and fox, seal and seabird and raptor, pine marten and sand martin. Jim lays bare the impact of global warming and urges us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf.

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Longlisted for the Michael Murphy Memorial Prize 2023. Winner of the Poetry Category OCM Bocas Prize for Caribbean Literature 2022. An Irish Times Best Poetry Books of 2021. A White Review Book of the Year 2021. Jason Allen-Paisant grew up in a village in central Jamaica. 'Trees were all around,' he writes, 'we often went to the yam ground, my grandmother's cultivation plot. When I think of my childhood, I see myself entering a deep woodland with cedars and logwood all around. [...] The muscular guango trees were like beings among whom we lived.' Now he lives in Leeds, near a forest where he goes walking. 'Here, trees represent an alternative space, a refuge from an ultra-consumerist culture...' And even as they help him recover his connections with nature, these poems are inevitably political. As Malika Booker writes, 'Allen-Paisant's poetic ruminations deceptively radicalise Wordsworth's pastoral scenic daffodils. The collection racializes contemporary ecological poetics and its power lies in Allen-Paisant's subtle destabilization of the ordinary dog walker's right to space, territory, property and leisure by positioning the colonised Black male body's complicated and unsafe reality in these spaces.'

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A timely story by witty wordsmith Jaimie Scanlon, complete with richly detailed, whimsical illustrations by Ellen Tumavicus; Ralph Rooster takes children on a round-the-world journey, capturing the power of travel and language learning to connect us with others and teach us about ourselves.It's life as usual on the farm until the pivotal moment when Ralph Rooster overhears the other animals complaining about his early morning racket and lazy habits.… Ralph would soon learn that big trouble was brewing.The ducks were all quacking. The cows were all mooing,and the pigs were disgruntled about the same thing,snorting, "That Ralph Rooster acts like he's fit to be king!"With feathers ruffled and pride tarnished, Ralph decides to leave the only home he has ever known. Flying the coop by the light of dawn, he embarks on a horizon-expanding global adventure."...He was gone by sunrise on the back of a goose.Feeling fancy and free and a little footloose."With plucky travel companion Goose by his side, Ralph visits colorful, far-flung destinations, making friends and learning to say "Cock a doodle doo!" in the local language. In each new location, he embraces the opportunity to engage in enriching cultural experiences—samba dancing in Rio, visiting the Great Pyramid on camelback, learning tai chi in Beijing—which begin to transform his character both inside and out. Ralph returns to the farm a humbler, wiser global citizen with a new appreciation for home and community, and a desire to share all the wonders the world has in store.Ralph's journey reminds us all that great things can happen when we put aside fear and embrace what is new and different.

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Thomas De Quincey was born in Manchester in 1785. Highly intelligent but with a rebellious spirit, he was offered a place at Oxford University while still a student at Manchester Grammar School. But unwilling to complete his studies, he ran away and lived on the streets, first in Wales and then in London. Eventually he returned home and took up his place at Oxford, but quit before completing his degree. A friend of Coleridge and Wordsworth, he eventually settled in Grasmere in the Lake District and worked as a journalist. He first wrote about his opium experiences in essays for The London Magazine, and these were printed in book form in 1822. De Quincey died in 1859.

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More bamboozlement from an Only Connect winner and legendary quizmasterAre you a regular quizzer at your local pub? Do you fancy yourself a cryptic crossword whiz? Might you be up for a challenge? ''Frank Paul is an extremely impressive chap and a dazzling quizzer'' Victoria Coren Mitchell, presenter of Only Connect Since 2015, The Mill in Cambridge has hosted an unusually fiendish quiz from the mind of legendary quizmaster Frank Paul. Contestants could expect to be delighted and perplexed by wordsearch poems, jokes and rebuses, a bewildering encounter with the Sphinx and a confounding murder mystery. With rounds including Motion Picture Mixture, Eight Degrees of Kevin Bacon, Gogglebox Jigsaw and Chemical Element Blind Date, this is the best of The Mill’s quiz night. Are you ready to have your mind bent, blown and boggled?

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'Banks once again demonstrates his extraordinary dark powers of imagination' Sunday TimesHisako Onada, world-famous cellist, refuses to fly. And so she travels to Europe as a passenger on a tanker bound through the Panama Canal. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmosphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on the cello...Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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Lewis Carroll's Alice has been enchanting children for 150 years. Curious Alice, the bossy White Rabbit, the formidable Queen of Hearts and the Mad Hatter are among the best-loved, most iconic literary creations of all time.Macmillan was the original publisher of Alice in 1865 and is proud to remain true to the vision of its creators. Every bit as iconic are Sir John Tenniel's remarkable black line illustrations, perfectly capturing the combination of the ordinary and the extraordinary at the heart of Wonderland.This beautiful, celebratory, edition of Alice's Adventures in Wonderland has a gorgeous cover with shiny red foil, and is packed full of fun bonus material, including a quiz, wordsearch and a glossary. Lewis Carroll's classic children's book is brought to life like never before!

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