Search results for ""author words"

'A collection of favourite half-remembered lines and phrases from school days' – The Times____________________You may remember the famous opening lines, 'Tyger tyger, burning bright'? and 'Shall I compare thee to a summer's day?' but would you be able to name the poems or the poets? The English language is jam-packed with wonderful verses that we've all heard at some point, but probably forgotten. I Wandered Lonely As a Cloud helps us remember all those long-forgotten poems that we were taught at school, together with short biographies of the poets and introductions to the poems themselves. This well-rounded poetry anthology features such greats as Chaucer, Shakespeare, Wordsworth, Shelley, Coleridge, Kipling, Heaney and Yeats, the poems you may have once learned and others that have informed our everyday speech. Complete with a masterly index that allows readers to search not just by first lines, but by well-known phrases, I Wandered Lonely As A Cloud is a perfect addition to any poetry lover's collection.

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Exam Board: Edexcel Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2024 exams Everything you need to revise for GCSE 9-1 conflict Need extra help with the Conflict Edexcel GCSE Grade 9-1 Poetry Anthology ahead of the exam? Revise tricky topics in a snap with this handy new Snap Revision guide from Collins. All 15 Conflict poems, like The Prelude by William Wordsworth or War Photographer by Carole Satyamurti, are included along with a detailed analysis. Revise and review your understanding of the poems, themes, context, poetic voice and structure with easy-to-read sections on key quotations, additional context, sample analysis and quick tests. We also show you how to come up with ideas and structure a comparison of two poems. With loads of top tips throughout, plus assessment objectives, Grade 5 and Grade 7 annotated answers and exam-style practice questions, this guide has everything you need to score top marks on your Edexcel GCSE Grade 9-1 English Literature exam.

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Exam Board: AQA Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2023 exams Everything you need to revise for GCSE 9-1 power and conflict Need extra help with the Power & Conflict AQA GCSE Grade 9-1 Poetry Anthology ahead of the exam? Revise tricky topics in a snap with this handy Snap Revision Guide. · Includes all 15 Power & Conflict poems, like The Prelude by William Wordsworth and War Photographer by Carol Ann Duffy, along with detailed analysis.· Revise and review your understanding of the poems, themes, context, poetic voice and structure with easy-to-read sections on key quotations, additional context, sample analysis and quick tests· Advice on how to come up with ideas and structure a comparison of two poems· Loads of top tips throughout· Score top marks on your AQA GCSE Grade 9-1 English Literature exam with assessment objectives, Grade 5 and Grade 7 annotated answers and exam-style practice questions· QR codes link directly to online videos providing further analysis of the poems

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An extraordinarily ecclectic selection of poetry evoked by 'La Serenissima', including poetry from Longfellow, Wordsworth, Elizabeth Barrett Browning, Ezra Pound, Oscar Wilde, Pushkin, Rilke, Brodsky, Dante and Derek Walcott. With a scintillating introduction by John Julius Norwich, who as Chairman of the organisation Venice in Peril has done much to help preserve the fabric of the fragile city.

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Gus Silber, well-known journalist and wordsmith, has over the last few years written some extraordinary commentary pieces on his journeys around his neighborhood in Johannesburg and his digital wanderings through the global village we call social media, and posted them to Facebook. Gus’s followers know what insightful and frankly charming pieces he writes, and we’re bringing those digital missives to the page and discerning masses. This is a collection of over 50 of Gus’s most-loved social media posts – covering everything from understanding house-breaking hadedas, the meaning of pathos, deciphering Joburg style, and everything in between.

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Greene's fine sense of humor is displayed in this warm and far-reaching comic novel,Travels with My Aunt, a bestseller when it appeared originally. At his mother's funeral, Henry Pulling, a stuffy, retired bank manager with an interest in dahlias, meets his Aunt Augusta. The indomitable Aunt Augusta pulls Henry along on a whirlwind adventure traveling with an old lover, Wordsworth; Curran, the founder of a doggies' church; O'Toole, the C.I.A. man obsessed by statistics and his counterculture daughter; and old Mr. Visconti, who has been wanted by Interpol for twenty years. Henry describes his activities with shock and bewilderment, and, finally, with the tenderness of a fellow traveler going their way.

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Is a willingness to carry an inquiry to the point of undecidability necessarily at odds with political engagement? In A World of Difference Barbara Johnson extends and rethinks the theoretical perspectives on literature opened up by her earlier book, The Critical Difference. Through subtle and probing analyses of texts by Wordsworth, Poe, Baudelaie, Mallarmé, Thoreau, Mary Shelley, Zora Neale HUrston, Gwendolyn Brooks, and others, she attempts to transfer the analysis of "difference" from the realm of linguistic universality or deconstructive allegory into contexts in which difference is very much at issue in the world. New to the paperback edition is a preface that readdresses the question of the politics of deconstruction in the context of current discussion about the life and works of Paul de Man.

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With the natural world increasingly under threat, Our Place in Nature explores one of the most topical issues of our day; our appreciation of nature and recognition of our place in it.Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Zachary Seager.A timely anthology of classic writing exploring our complex relationship with the natural world. Famous names such as George Orwell, Dorothy Wordsworth, John Muir and Rachel Carson are gathered here to share their wonder, concern and appreciation for our place in nature.

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There are 12 favourite Thomas & Friends characters to meet in this large tabbed board book PLUS early learning concepts too!This fun book with rhyming text will appeal to all Thomas & Friends and train fans.A perfect gift for all train and transport-loving kids!In this bright and appealing large tabbed board book meet Thomas and his many vehicle friends on the Island of Sodor. With everyone's favourite engines Thomas, Percy, Diesel, Nia and Kana as well as Harold the Helicopter, Carly the Crane, Bruno the Brake Car as well as Kenji, Ashima, James and Gordon, young fans will love finding hearing the rhyming text about the characters and saying the early learning concepts out loud too!In this book you can also Learn with Thomas as he shares:first train wordscoloursoppositesshapesnumbersemotionsYoung children will love looking at the pictures of the characters, hearing the rhyming text about them, and answering the question for them on each page. They'll also have fun saying all the early

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"Re-centers and gives voice to a diversity of women naturalists and writers across time." —Cultivating Place In Writing Wild, Kathryn Aalto celebrates 25 women whose influential writing helps deepen our connection to and understanding of the natural world. These inspiring wordsmiths are scholars, spiritual seekers, conservationists, scientists, novelists, and explorers. They defy easy categorization, yet they all share a bold authenticity that makes their work both distinct and universal. Part travel essay, literary biography, and cultural history, Writing Wild ventures into the landscapes and lives of extraordinary writers and encourages a new generation of women to pick up their pens, head outdoors, and start writing wild.

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Wally is going on an adventure up, up high in the skies. Join him (and don’t forget to pack a pen or pencil)!Have fun playing puzzling puzzles and amazing activities with Wally and friends as you soar through the pages of this book! Work your way out of a busy airport runway maze; match up dragons to their race day medals; solve birdy wordsearches and visual snap; colour in a nighttime dragon scene; apply rules to crazy clowns in hot air balloons; complete a luggage loop game; spot-the-differences and much, much more! Can you also track down Wally’s lost feather? There are over 100 fantastic stickers and lots of extra things to find and do!

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For centuries, poets and philosophers extolled the benefits of a walk in the woods: Beethoven drew inspiration from rocks and trees; Wordsworth composed while walking over the heath; Nikola Tesla conceived the electric motor while visiting a park. From forest paths in Korea to islands in Finland to eucalyptus groves in California, Florence Williams investigates the science at the confluence of environment, mood, health and creativity. Delving into new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our lives shift indoors, these ideas—and the answers they yield—are more urgent than ever.

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In his lifetime Robert Southey was very much the equal of his fellow “Lake poets,” Coleridge and Wordsworth, but since his death his reputation has been overshadowed by their success. In this new biography W. A. Speck argues that if Southey's poetry is no longer considered as significant, his other writings were more salient and his political views far more influential than those of his fellow poets. He was, as Byron conceded, England's “only existing entire man of letters.”The book engages with Southey's voluminous publications, weaving discussion of them into the narrative of his life. Speck also explores Southey's entire correspondence, not only that which appeared in the editions edited by his descendants, and finds a man of considerably greater emotional complexity than previously assumed. The first fully rounded chronicle of Southey's life in sixty years, Speck's account sets Southey in historical context and restores him to the map of English literature.

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In 1822 Rudolph Ackermann's Forget Me Not [...] for 1823 established a fashion for handsomely produced and copiously illustrated annual anthologies of short literary works. Books of this kind were designed as Christmas and New Year's presents, and in the 1820s and 1830s they became a significant publishing phenomenon. Like other well-known writers of the time (including Wordsworth, Scott, and Letitia Elizabeth Landon), Hogg was a contributor to the annuals, and Contributions to Annuals and Gift-Books brings together all the Hogg texts that were either written for, or first published in, annuals and gift-books. 'Invocation to the Queen of the Fairies' in the Literary Souvenir for 1825 was Hogg's first known contribution to an annual, and thereafter writing for the annuals became 'a kind of business' for him during the economic slump of the late 1820s. Contributions to Annuals and Gift-Books contains some of Hogg's finest short stories (for example 'The Cameronian Preacher's Tale' and 'Scottish Haymakers'), as well as some of his best-known poems (for example 'A Boy's Song' and 'The Sky Lark'). This volume highlights a coherent part of Hogg's total literary output, and in doing so provides new insights into an area of nineteenth-century publishing history that is attracting increasing interest and attention. Hogg was a professional writer with an acute awareness of the shifting trends of the literary marketplace during the 1820s and 1830s, when annuals were at their peak of popularity. However, his literary objectives did not always match the needs of the annuals, and as a result some of his contributions were returned as unsuitable for a family-oriented audience. Hogg's sometimes complex negotiations with the editors and publishers of the annuals are meticulously documented in Contributions to Annuals and Gift-Books. In this context, the volume (for example) reprints both Hogg's manuscript version of 'What is Sin?', and the version actually published in Ackermann's Juvenile Forget Me Not. The engravings for which Hogg wrote are included in the present volume.

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Through close engagement with the work of Wordsworth, Austen, and Byron, The History of Missed Opportunities posits that the everyday first emerged as a distinct category of experience, or first became thinkable, in the Romantic period. Conceived here as something overlooked and only noticed in retrospect, the everyday not only becomes subject matter for Romanticism, it also structures Romantic poetry, prose, and writing habits. Because the everyday is not noticed the first time around, it comes to be thought of as a missed opportunity, a possible world that was not experienced or taken advantage of and of whose history—or lack thereof—writers become acutely conscious. Consciousness of the everyday also entails a new relationship to time, as the Romantics turn to the history of what might have been. In recounting Romanticism's interest in making things recurrently present, in recovering a past of what was close at hand yet underappreciated, William H. Galperin positions the Romantics as precursors to twentieth-century thinkers of the everyday, including Heidegger, Benjamin, Lefebvre, and Cavell. He attends to Romantic discourse that works at cross purposes with standard accounts of both Romanticism and Romantic subjectivity. Instead of individualizing or turning inward, the Romantics' own discourse depersonalizes or exhibits a confrontation with thing-ness and the material world.

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Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work

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This book reflects on the figure of veering to form a new theory of literature. Contrary to a widespread sense that literature has become increasingly irrelevant to our culture and everyday life, Royle brilliantly traces a strangely compelling 'literary turn'. Starting with an 'Advertisement' (which literally means a 'turning towards') like an 18th-century novel, he explores images of swerving, loss of control, digressing and deviating to form this new theory of literature. Royle's study ranges from Montaigne to Stephen King, from the 'dance of atoms' in Lucretius to the 'human veer' in Don DeLillo. With wit and irony he investigates 'veering' in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others. Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as 'creative writing'. It proposes a new term for understanding post-1960s cultural and intellectual history: 'the literary turn'. It transverses different disciplines and discourses including verse, vertigo, the dinameu, detournement, transversality, environmentalism, the linguistic, the ethical and the political turn.

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Make the Berenstain Bears come to life by coloring many of your favorite characters with stickers! Featuring Papa, Mama, Brother, Sister, Honey Bear, and the Bear Country gang, children will love using the stickers in this book to create their masterpieces.The Berenstain Bears Color by Sticker also includes fun and engaging activities, such as mazes, crosswords, wordsearches, and more! This interactive addition to the Living Lights™ series of The Berenstain Bears books will provide young readers with hours of fun.The Berenstain Bears Color by Sticker is perfect for: Readers ages 4-8 Holiday gift exchanges, boredom busters, stocking stuffers, or road trips Kids who love stickers, puzzles, and other paper-and-pencil activities The Berenstain Bears Color by Sticker is an addition to the Living Lights™ series, with over 13 million copies sold, that: Features the hand-drawn artwork of the Berenstain family Continues in the much-loved footsteps of Stan and Jan Berenstain’s The Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and impacting nearly 300 million readers

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Spring is nature's season of rebirth and rejuvenation. Earth's northern hemisphere tilts towards the sun, winter yields to intensifying light and warmth, and a wild, elemental beauty transforms the Highland landscape and a repertoire of islands from Colonsay to Lindisfarne. Jim Crumley chronicles the wonder, tumult and spectacle of that transformation, but he shows too that it is no Wordsworthian idyll that unfolds. Climate chaos brings unwanted drama to the lives of badger and fox, seal and seabird and raptor, pine marten and sand martin. Jim lays bare the impact of global warming and urges us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf.

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*Longlisted for the Baillie Gifford Prize*In late eighteenth-century London, a group of extraordinary people gathered around a dining table once a week.The host was Joseph Johnson, publisher and bookseller and he was joined at dinner by a shifting constellation of great minds including William Blake, Samuel Taylor Coleridge, William Wordsworth, Henry Fuseli, Anna Barbauld and Mary Wollstonecraft.Johnson's years as a maker of books saw profound change in Britain and abroad. In this remarkable portrait of a revolutionary age, Daisy Hay captures a changing nation through the stories of the men and women who wrote it into being, and whose ideas still influence us today.'Rich in period and personal detail' Guardian'Hugely engrossing' Sunday Times

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In the wake of the formalist 'New Critical' consensus of the mid-twentieth century, a central and recurrent problem in the field of literary study has been that of precisely how the literary text was to be related to the various and proliferating contexts that now jostled for critical attention. The quality of balanced judgment was suddenly especially valuable. These essays range over the fields of Erskine-Hill's own scholarship, from Shakespeare and early modern literature to Wordsworth, evincing in their own procedures and discriminations the influence of his own example: scrupulous care over the handling of evidence, an interdisciplinary impulse yoked always to a prizing of the literary (particularly of the poetic), a willingness to embrace an ambitious argument where it can be supported, a humaneness of temper, particularly in polemic. Latent within them all is a wrestling with that central problem of text and context that preoccupied Erskine-Hill throughout his career, and which is still the dominant issue in literary studies.

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A fantastic and fun-filled quiz book on X-Factor favourites, Little Mix. Packed with puzzles, cool quizzes and great games, dedicated followers can enjoy testing their knowledge of the band to find out if they are true super-fans. Activities include fab fill-in stories, wordsearches, spot-the-difference games and much more! Including 8 pages of gorgeous glossy photos of Jade, Perrie, Leigh-Anne and Jesy, this is the must-have activity book for any fan of the hippest girl band around.

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The appearance of Philip Larkin's second prose collection - reviews and critical assessments of writers and writing; pieces on jazz, mostly uncollected; some long, revealing and often highly entertaining interviews given on various occasions - was a considerable literary event. Stamped by wit, originality and intelligence, it was vintage Larkin throughout:'Deprivation is for me what daffodils were for Wordsworth.''I see life more as an affair of solitude diversified by company than as an affair of company diversified by solitude.'Q. 'How did you arrive upon the image of a toad for work or labour?'A. 'Sheer genius.'

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye. It was crafted to hold a collection of William Wordsworth s poems illustrated by Thomas Sturge Moore. One of the youngest pre First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings.

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Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. His life was packed with adventure and discovery, whether climbing volcanoes in the Andes, swimming with crocodiles, racing through anthrax-infected Siberia, or publishing groundbreaking bestsellers. Ahead of his time, he recognized nature as an interdependent whole and he saw before anyone else that humankind was on a path to destroy it. He was one of the first European to study the Inca, Aztec and Mayan cultures and his epic five-year expedition to Latin America (1799–1804) prompted him to denounce slavery as 'the greatest evil ever to have afflicted humanity'. To Humboldt, the melody of his prose was as important as its content, and this selection from his most famous works - the Personal Narrative of his travels to Latin America, Cosmos, Views of Nature, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, The Geography of Plants and his anti-slavery essay in Political Essay of the Island of Cuba - allows us the pleasure of reading his own accounts of his daring explorations and new concept of nature. Humboldt’s writings profoundly influenced naturalists and poets including Darwin, Thoreau, Muir, Goethe, Wordsworth, and Whitman. The Selected Writings is not only a tribute to Humboldt’s important role in environmental history and science, but also to his ability to fashion powerfully poetic narratives out of scientific observations.

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England’s famed Lake District—best known as the place of inspiration for the Wordsworths, Samuel Taylor Coleridge, and other Romantic-era writers—is the locus of this pioneering study, which implements and critiques a new approach to literary analysis in the digital age. Deploying innovative methods from literary studies, corpus linguistics, historical geography, and geographical information science, Deep Mapping the Literary Lake District combines close readings of a body of writing about the region from 1622-1900 with distant approaches to textual analysis. This path-breaking volume exemplifies interdisciplinarity, demonstrating how digital humanities methodologies and geospatial tools can enhance our appreciation of a region whose topography has been long recognized as fundamental to the shape of the poetry and prose produced within it.

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Increasingly in the last decade, macropolitics—a consideration of political transformations at the level of the state—has become a focus for cultural inquiry. From the macropolitical perspective afforded by contemporary postcolonial studies, the essays in this collection explore the relationship between politics and culture by examining developments in a wide range of nineteenth-century writing. The dozen essays gathered here span the entire era of colonization and discuss the British Isles, Europe, the United States, India, the Caribbean, and Africa. Addressing the works of Wordsworth, Shelley, Dickens, Melville, Flaubert, Conrad, and Charlotte Brontë, as well as explorers’ reports, Bible translations, popular theater, and folklore, the contributors consider such topics as the political function of aesthetic containment, the redefinitions of nationality under the pressure of imperial ambition, and the coexistence of imperial and revolutionary tendencies. New historical data and new interpretive perspectives alter our conception of established masterpieces and provoke new understandings of the political and cultural context within which these works emerged. This anthology demonstrates that the macropolitical concept of imperialism can provide a new understanding of nineteenth-century cultural production by integrating into a single process the well-established topics of nationalism and exoticism. First published in 1991 (University of Pennsylvania Press), Macropolitics of Nineteenth-Century Literature is now available in paperback. Offering agenda-setting essays in cultural and Victorian studies, it will be of interest to students and scholars of British and American literature, literary theory, and colonial and postcolonial studies.Contributors. Jonathan Arac, Chris Bongie, Wai-chee Dimock, Bruce Greenfield, Mark Kipperman, James F. Knapp, Loren Kruger, Lisa Lowe, Susan Meyer, Jeff Nunokawa, Harriet Ritvo, Marlon B. Ross, Nancy Vogeley, Sue Zemka

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore.Self-taught, Pye began producing her first works in the early 1900s using naturally coloured leather, before graduating to multi-coloured panels. By 1934 she was creating complex covers of up to six different inlays, and her work was regularly exhibited around the world. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or form, a decomposition of the figures composing the text. Ultimately it manifests the conflict between a work's meaning and its mode of performance. By means of an intense engagement with texts in the romantic tradition, Decomposing Figures rearticulates and recasts crucial concepts in recent literary theory, including the notion of the self-referential or self-reflexive nature of the literary work. Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition.

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This delightful anthology is a timeless collection of poems chosen by Classic FM listeners.With humorous limericks, romantic sonnets, traditional and modern classics, this book is a true refelction of the greatest and best-loved verse. Discover poems for special occasions, as well as poems to suit any mood.Whether you're reading them for the first time or revisiting a classic, this is a selection to enchant, move and delight. Classic FM Favourite Poems is an essential collection for every bookshelf.Poets include:Edward Lear, Sir John Betjeman, William Wordsworth, Robert Burns, William Shakespeare, Robert Frost, Pam Ayres, Hilaire Belloc, John Donne, Cole Porter, Jenny Joseph, Lord Byron.Which poem has topped the list? Will it be Keats or Yeats, Jenny Joseph or Oscar Wilde? Find out how your favourite poem has rated.

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I LIke This Poem is a classic collection of children's poems from Puffin Books.Highwaymen and naughty children, sharks and baboons, the Snitterjipe and the Jabberwocky, all have their part to play.Each and every poem in this treasure chest of family favourites was chosen by a child for other children.With poems from William Wordsworth and Christina Rosetti to Roald Dahl and Michael Rosen, there really is something for everyone. Classics to savour and new favourites to discover!This is a classic anthology to treasure forever.Kaye Webb became Editor of Puffin Books in 1961. During the 1960s and 1970s her instinct and flair resulted in the addition of many outstanding titles to the Puffin list, and in 1967 she launched the highly successful Puffin Club, now the Puffin Book Club. She was widely known for her remarkable contribution to children's books, and was awarded the MBE in 1974. She retired from Puffin 1979, but continued her involvement with children's books. Kaye Webb died in January 1996.

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Inspires teenagers with fresh, exciting content, culture pages, project work and songs. Develops students’ vocabulary with a controlled syllabus, Memory Tips and the unique Memory Gym. Helps students to organise their learning and check their progress with the Wordstore vocabulary notebook. Builds students’ confidence with grammar practice in real-life contexts, check pages, regular communication and skills practice. Shows learners how to write with Writing Tips and a step-by-step guide in the Writing Gym Responds to all students’ needs through cross-curricular content and mixed-level solutions.

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A beautiful gift anthology containing forty incredible poems written out in the shape of world shapers!In Shaping the World learn about about Amelia Earhart in a poem shaped like a plane, Maya Angelou in a poem shaped like a bird or Francis Drake in a poem shaped like a ship. Each poem is paired with a biography, quote and fascinating fact.This collection for young poetry fans includes poems about: Greta Thunberg, Maya Angelou, Florence Nightlingale, Anne Frank, William Wordsworth, Nelson Mandela, Albert Einstein, Sir Francis Drake, Emmeline Pankhurst, Mahatma Ghandi, Malala Yousafzai and many more.

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This is a revised and enlarged edition of the most extensive and detailed critical reading of English Romantic poetry ever attempted in a single volume. It is both a valuable introduction to the Romantics and an influential work of literary criticism. The perceptive interpretations of the major poems of Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Beddoes, Clare, and Darley develop the themes of Romantic myth-making and the dialectical relationship between nature and imagination. For this new edition, Harold Bloom has added an introductory essay on the historical backgrounds of English Romantic poetry and an epilogue relating his book to literary trends.

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A The Telegraph Book of the Year. Laura Scott's second collection, The Fourth Sister, is a book of unusual love poems. It features an assorted cast: lovers and sisters, but also parents and children, the living and the dead, birds and trees, painters, playwrights and their characters, a godfather who married the wrong man and a godmother who was surely a spy. The book's energy flows out into other lives, discovering vital connections and the gaps between them. Scott writes as a poet in Wordsworth's sense: 'an upholder and preserver, carrying everywhere relationship and love.'

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Poems to celebrate the winter season.A wonderful bedside companion for a frosty winter’s evening, with poems to immerse yourself in the season. From William Shakespeare to John Keats to Katherine Mansfield, the finest poets that ever put pen to paper describe this beautiful and sometimes terrible season.With one entry for every day through winter, from 1st December until 28th or 29th February, this is the ideal book to take you through the darker months and find joy and comfort in nature.In December ‘Gaunt in gloom’ begins James Joyce’s ‘Nightpiece’. In January, there’s a ‘certain slant of light for Emily Dickinson, while ‘the dull dead wind is out of tune’ for Oscar Wilde. And in February, the last month of meteorological winter, William Morris muses ‘From this chill thaw to dream of blossomed May’.This beautiful and collectable anthology of poems derives from the popular A Poem for Every Night of the Year and also features wintry poems by Alice Oswald, Edward Lear, Emily Brontë, William Wordsworth, Ted Hughes and many more.

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In a nationwide poll to discover Britain's favourite poem, Rudyard Kipling's 'If...' was voted number one. This unique anthology brings together the results of the poll in a collection of the nation's 100 best loved poems. Among the selection are popular classics such as Tennyson's 'The Lady of Shallott' and Wordsworth's 'The Daffodils' alongside contemporary poetry such as Allan Ahlberg's 'Please Mrs Butler' and Jenny Joseph's 'Warning'. Also included is the poignant 'Do not Stand at my Grave and Weep'.

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A charming guide to the story of the English village, celebrating this beloved heart of the countryside.The village remains a quintessential and much-loved treasure that is often representative of England. This rural idyll has inspired generations of great poets, novelists and artists including the likes of Constable, Hardy and Wordsworth.The English Village champions all that is unique and loved about a typical village – the pub, the green, the school, the church, the pond, the local shop and more – as well as exploring how the village has changed over the centuries, and how it has adjusted to modern-day life.A fascinating compendium of interesting details, facts, customs and lore, this is an unabashed toast to the English village, as well as a record of a disappearing world.

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A refreshed cover edition of Gaby Morgan's Read Me: A Poem for Every Day of the Year, the bestselling poetry anthology with over a quarter of a million copies sold. This anthology is perfect for sharing with the all the family – it contains a poem for every day of the year from the very best modern and classic poets, so you're sure to find familiar favourites along with exciting new discoveries. 365 rhymes, verses and poems from the likes of Brian Patten, William Wordsworth, A. A. Milne, Emily Dickinson, Wes Magee, William Blake, Seamus Heaney, Ian McMillan, Gareth Owen and Walter de la Mare.This inspiring and heart-warming collection is the perfect gift that will last the whole year, with a little bit of magic to read every day.

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If you believe that a dog is man’s – and woman’s – best friend, this is the anthology for you: six hundred years of reflections on the virtues (and some of the vices) of canine kind. Within these pages you will find a large selection of animals and an even larger variety of poets, some big and cuddly, others small and well-equipped with teeth. Dame Juliana Berners anatomizes a good greyhound, Lord Byron laments his best friend, Louis MacNeice describes an afternoon walk, William Wordsworth watches the hunt, Thomas Hardy imagines his favourite companion speaking. They are joined by Anne Sexton, Siegfried Sassoon, Alexander Pope, Rudyard Kipling, Dorothy Parker, Geoffrey Chaucer and a pack of others in hot pursuit of the same objective: the essence of dog.

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This book contains 90 men and 90 women from British history, all of whom you must consider to answer an age-old question: who would you shag, marry and kill? Will you try your luck with Anne Boleyn before sending Catherine of Aragon to the block (no more nagging exes) and tying the knot with Jane Seymour, ‘the fairest of all the king’s wives’? Or would you rather have a wild fling with Byron before settling down to a life of married bliss with Wordsworth (having given Keats the old heave-ho)? With kings and queens, heroes and heroines, Tudor mistresses, Victorian explorers and countless scandalous lords and ladies, get ready to bed, wed and behead your way through 1,000 years of British history …

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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This book explores previously unexamined links between the arbitrary as articulated in linguistic theories on the one hand, and in political discourse about power on the other. In particular, Willam Keach shows how Enlightenment conceptions of the arbitrary were contested and extended in British Romantic writing. In doing so, he offers a new paradigm for understanding the recurrent problem of verbal representation in Romantic writing and the disputes over stylistic performance during this period. With clarity and force, Keach reads these phenomena in relation to a rapidly shifting literary marketplace and to the social pressures in Britain generated by the French Revolution, the Napoleonic Wars, and the class antagonisms that culminated in the Peterloo Massacre. The question of what it means to think of language or politics as arbitrary persists through postmodern thinking, and this book advances an unfinished dialogue between Romantic culture and the critical techniques we currently use to analyze it. Keach's intertwined linguistic and political account of arbitrary power culminates in a detailed textual analysis of the language of revolutionary violence. Including substantial sections on Blake, Wollstonecraft, Wordsworth, Coleridge, Byron, P. B. Shelley, Keats, and Anna Jameson, Arbitrary Power will engage not only students and scholars of eighteenth- and nineteenth-century literature but also those interested in critical and linguistic theory and in social and political history.

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This book explores previously unexamined links between the arbitrary as articulated in linguistic theories on the one hand, and in political discourse about power on the other. In particular, Willam Keach shows how Enlightenment conceptions of the arbitrary were contested and extended in British Romantic writing. In doing so, he offers a new paradigm for understanding the recurrent problem of verbal representation in Romantic writing and the disputes over stylistic performance during this period. With clarity and force, Keach reads these phenomena in relation to a rapidly shifting literary marketplace and to the social pressures in Britain generated by the French Revolution, the Napoleonic Wars, and the class antagonisms that culminated in the Peterloo Massacre. The question of what it means to think of language or politics as arbitrary persists through postmodern thinking, and this book advances an unfinished dialogue between Romantic culture and the critical techniques we currently use to analyze it. Keach's intertwined linguistic and political account of arbitrary power culminates in a detailed textual analysis of the language of revolutionary violence. Including substantial sections on Blake, Wollstonecraft, Wordsworth, Coleridge, Byron, P. B. Shelley, Keats, and Anna Jameson, Arbitrary Power will engage not only students and scholars of eighteenth- and nineteenth-century literature but also those interested in critical and linguistic theory and in social and political history.

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Recorded in 2009, Nobel Laureate Seamus Heaney reads his first eleven collections of poems in their entirety. In this new edition Faber has added live readings by the poet of eleven poems from his final collection, Human Chain (2010), to complete the collection. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey'Heaney's voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself.' Helen Vendler 'There are few poets whose reading voice is so crucial to the poems' effect' - Bernard O'Donoghue, The Irish Times.Death of a NaturalistDoor into the DarkWintering OutNorthField WorkStation Island (part one)Station island (part two & three)The Haw LanternSeeing Things (part one)Seeing Things (part two)The Spirit Level (part one)The Spirit Level (part two)Electric Light (part one)Electric Light (part two)District and CircleHuman Chain

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Dudley was connected by tram to various parts of the Black Country, first by steam trams and then by electric ones. This book takes a route-by-route look at the development, operation and run-down of the tramway system which once linked Dudley to Brierley Hill, Stourbridge, Netherton, Cradley Heath, Pensnett, Kingswinford, Wordsley, Kinver, Lye, Wollaston, Old Hill and Blackheath. After charting each line’s history, the book recreates a ride along them using a plethora of historic photographs, many of which have not been published before, highlighting the many features and objects from the tramway that survive along the way.

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THE PERFECT GIFT FOR MUMS-TO-BE WITH A SENSE OF HUMOUR.Part diary, part colouring book, and part brutally honest (and hysterically funny) collection of advice, this is for the new mother who wants to chill out, laugh her face off, and realise with every page that she is not alone.Two stars of the lifestyle and parenting blogosphere invoke the mindless fun and nostalgic appeal of an old-school activity book in this irreverent, laugh-out-loud twist on the traditional baby journal, with illustrated activities, lists, essays, and musings on what pregnancy is really like. - Wordsearches: Nope, Sorry (All the Stuff You're Not Allowed to Have Anymore); Bad Baby Names- Mazes: Make it from Your Desk to the Bathroom Without Throwing Up- Lists: How to Baby Shop Without Crying- Advice: Yoga Teachers (Also Your Mum Friends, Your Parents, People on Facebook, All Articles, and Everyone You Meet) Want to Tell You How to Give Birth, But You Don t Have to Listen- Quizzes: Stop: Labour Time!

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Las cartas de John Keats (1795-1821) son en buena medida el relato impremeditado, casual y espontáneo del descubrimiento de la poesía por parte de un joven que iba para médico y que renunció a serlo por una causa mayor que se le impuso como una revelación: la Poesía misma. Pero también estas cartas hablan de sus precariedades económicas, de su vitalismo amenazado por sus fragilidades psicológicas, de sus amistades expuestas a las decepciones y a los desencuentros, de la vulgar y mediocre vida literaria londinense, del amor absoluto por Fanny Brawne, su vecina en Hamsptead. Y ofrecen, por último, la ocasión para asistir a la forja de una sensibilidad extrema abierta a experimentar la Belleza en todas sus expresiones como camino recto para el descubrimiento de la Verdad vital, y dan fe del pensamiento deslumbrante de Keats sobre múltiples cosas, la felicidad, el camino propio, la naturaleza, la sencillez, la amistad, el amor, los escritores de su tiempo (Wordsworth, Coleridge, Shelley, B

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