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The texts in this unique collection range from the Gothic Revival of the late eighteenth century through to the late Victorian gothic, and from the poetry of Wordsworth and Coleridge to the short fiction of H.G. Wells and Henry James. Genres represented include medievalist poetry, psychological thrillers, dark political dystopias, sinister tales of social corruption, and popular ghost tales.In addition to a wide selection of classic and lesser-known texts from the eighteenth and nineteenth centuries, Gothic Evolutions includes key examples of the aesthetic, scientific, and cultural theory related to the Gothic, from John Locke and David Hume to Sigmund Freud and Julia Kristeva.

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'Rumpole, like Jeeves and Sherlock Holmes, is immortal' P. D. JamesHorace Rumpole - dishevelled barrister at law, drinker of claret and smoker of cigars, inveterate quoter of Wordsworth and eternal defender of the underdog - is one of the greatest English comic characters ever created. This is the original volume of Rumpole stories, introducing us to the legal triumphs that first made the Old Bailey Hack's name, along with a host of choice villains, frequent forays to Pommeroy's wine bar and, of course, his formidable, magisterial wife Hilda, She Who Must Be Obeyed. 'I thank heaven for small mercies. The first of these is Rumpole' Clive James'A fruity, foxy masterpiece, defender of our wilting faith in mankind' Sunday Times

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New Cutting Edge Intermediate Workbook consolidates and extends the language taught in the Students’ Book. Grammar exercises give students useful practice and build confidence Vocabulary boosters and Wordspots build on the lexical areas covered in the Students’ Book Improve your writing and Listen and read sections develop skills Pronunciation sections focus on the sounds and the features of natural speech The Workbook is accompanied by optional Students’ Audio CDs.

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Fruto de la amistad y de un afán poético innovador son las " Baladas líricas " de William Wordsworth y Samuel Taylor Coleridge, consideradas además como el " manifiesto del romanticismo inglés " . De este modo, " Baladas líricas " resultó ser uno de los libros más trascendentales y revolucionarios de la poesía inglesa. Wordsworth y Coleridge, defensores de lo individual y lo concreto, proponen en sus " Baladas líricas " una innovación radical con respecto a la poesía que se había hecho hasta entonces.

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Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

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At the height of the middle ages, there were hundreds of abbeys and priories throughout England. The ruins of some of those that were destroyed at the time of the Dissolution of the Monasteries are today seen as iconic medieval buildings - such as Fountains Abbey in Yorkshire, designated a World Heritage site, or Tintern Abbey on the river Wye, immortalised by Wordsworth. These monasteries - particularly those of the Benedictine and Cistercian orders - were not simply powerhouses of prayer, but major local landowners who improved agriculture, replanned villages and founded new towns. For this reason, Glyn Coppack's far-ranging study not only looks at the churches and the immediate monastic buildings, but at the full range of ancillary buildings.

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A landmark reissue of a great teacher's finest work.Lionel Trilling was, during his lifetime, generally acknowledged to be one of the finest essayists in the English language, the heir of Hazlitt and the peer of Orwell. Since his death in 1974, his work has been discussed and hotly debated, yet today, when writers and critics claim to be "for" or "against" his interpretations, they can hardly be well acquainted with them, for his work has been largely out of print for years.With this re-publication of Trilling's finest essays, Leon Wieseltier offers readers of many new generations a rich overview of Trilling's achievement. The essays collected here include justly celebrated masterpieces--on Mansfield Park and on "Why We Read Jane Austen"; on Twain, Dos Passos, Hemingway, Isaac Babel; on Keats, Wordsworth, Eliot, Frost; on "Art and Neurosis"; and the famous Preface to Trilling's book The Liberal Imagination.This exhilarating work has much to teach readers who may have been encouraged to adopt simpler systems of meaning, or were taught to exchange the ideals of reason and individuality for those of enthusiasm and the false romance of group identity. Trilling's remarkable essays show a critic who was philosophically motivated and textually responsible, alive to history but not in thrall to it, exercised by art but not worshipful of it, consecrated to ideas but suspicious of theory.

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Springtide A chaffinch in a tree of cherry sings merrily spring's introit. Its blazing bobble dwells in leaves, alive, and swells in scarlet. The flowers are flares of white. The chaffinch has gone quiet and turned sky-gazer. My eyes close on the day: an orb revolves in grey and red and azure. Poet and artist Bohuslav Reynek spent most of his life in the relative obscurity of the Czech-Moravian Highlands; although he suffered at the hands of the Communist regime, he cannot be numbered among the dissident poets of Eastern Europe who won acclaim for their political poetry in the second half of the twentieth century. Rather, Reynek belongs to an older pastoral-devotional tradition a kindred spirit to the likes of English-language poets Gerard Manley Hopkins, William Wordsworth, Robert Frost, and Edward Thomas. The first book of Reynek's poetry to be published in English, The Well at Morning presents a selection of poems from across his life and is illustrated with twenty-five of his own color etchings. Also featuring three essays by leading scholars that place Reynek's life and work alongside those of his better-known peers, this book presents a noted Czech artist to the wider world, reshaping and amplifying our understanding of modern European poetry.

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See the kitten, how she starts,Crouches, stretches, paws and darts;With a tiger-leap half wayNow she meets her coming prey.Lets it go as fast and thenHas it in her power again.From 'The Kitten at Play' by William WordsworthCurious, enigmatic and playful, cats have often inspired the literary imagination. This beautifully illustrated anthology of cat poetry is a celebration of the world’s most loved pet by the world's most loved poets. The purrfect gift for cat lovers.

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The Golden Treasury is one of the most loved anthologies of English poetry ever published. The book was meticulously compiled by poet and scholar Francis Turner Palgrave, in collaboration with Alfred Tennyson, who was then poet laureate.It is arranged chronologically in four books which each celebrate a different era in the evolution of English poetry, from Elizabethan to the 19th century. All the greats are here, including Shakespeare and Milton, Marvell and Pope, Wordsworth and Keats. First published in 1861, it became the standard anthology for over 100 years.This Macmillan Collector’s Library edition includes a foreword by Poet Laureate Carol Ann Duffy, and is published to mark Macmillan’s 175th anniversary.

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The lyric energy, compassion, humor, and tenderness that characterize Lorna Goodison's work are once again in evidence in Turn Thanks, her seventh collection. Here the Jamaican poet turns to acknowledge her own ancestors and those of her craft: mother and father, aunts and uncles, Africa, William Wordsworth, Vincent Van Gogh, the Wild Woman. "Whether you will receive this letter or not I cannot tell," she writes. "Still, I intend to send it . . . "

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In a series of 12 chapters, exemplary poems – by Walter Ralegh, William Cowper, William Wordsworth, Gerard Manley Hopkins, Wallace Stevens, Frank O'Hara, Robert Creeley, W. S. Graham, Tom Raworth, Denise Riley and Thomas A. Clark – are read alongside theoretical discussions of poetic language. The discussions provide a jargon-free account of a wide range of historical and contemporary schools of thought about poetic language, and an organised, coherent critique of those schools.

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Poetry is the perfect medium to capture the elusive nature of happiness and this beautiful anthology explores happiness in all its forms – whether it be a fleeting moment, the promise of freedom and adventure, surviving adversity or the comfort of nature. Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by writer, broadcaster and parish priest, The Reverend Richard Coles.Poems for Happiness is an inspiring and life-affirming collection that features writing by some of our greatest poets whose work is still widely read today. It includes famous poems such as ‘How Do I Love Thee?’ by Elizabeth Barrett Browning, ‘If’ by Rudyard Kipling, ‘My Heart Leaps Up’ by William Wordsworth and ‘Invictus’ by W. E. Henley. In addition to these well-known verses, this beautiful volume includes lesser-known poems to discover and enjoy.

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A beautifully illustrated collection of famous poems written about birds to read and cherish as a source of comfort and joy. Poets have long looked to birds for inspiration and this anthology of 65 poems is an ode to the myriad of way that these creatures bring us joy and solace. The poets here represented are amongst the greatest who have ever lived, and their joint celebration of a common theme has resulted in an enchanting book. Amongst the poets whose work is included are Blake, Shakespeare and Wordsworth; Tennyson, Keats and Shelley; twentieth-century writers, amongst them Yeats, Laurie Lee and Ted Hughes; and such American poets as Thoreau, Emily Dickinson, Robert Frost and Theodore Roethke. Each poem is illustrated by iconic artworks by JJ Audubon, creating a beautiful book to cherish for years to come.

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'A stunning book. Banks' powerful imagination is joined to a rare ability to be truly funny while exploring a nightmare world' Sunday TimesA man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future, fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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In his Enquiry—which has been described as "certainly one of the most important aesthetic documents that eighteenth -century England produced"—the young Burke provided a systematic analysis of the 'sublime' and the 'beautiful,' together with a distinctive terminology which served to express certain facets of the changing sensibility of his time. The introduction traces the main sources of Burke’s ideas and establishes the nature of his originality. The largest section of the editor’s introduction, however, examines the influence of the Enquiry. Major writers like Johnson, Wordsworth and Thomas Hardy, painters such as Fuseli and Mortimer, and critics such as Diderot, Lessing and Kant, as well as many other minor figures, recognized Burke’s new insights, and in varying degrees assimilated them. The second edition, revised by Burke himself, provides the copy-text, including changes between the first and second editions.

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These annotated letters present the first personal glimpse of this Scottish playwright as she wrote and lived. It documents her problems with publishers, describes her encounters with Wordsworth, Byron, Southey, Berry and other literary figures, outlines a long relationship with Scott and places an active literary woman in the historical and social setting of early to mid-nineteenth century Britain.

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This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints

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Inspired by Shakespeare's songs, the short poems of Emily Dickinson, and Wordsworth's "Lucy" poems, this collection of songlike poetry is based on the ubiquitous spread of weeds - like the shallow rooting plants, small poems can grow anywhere. In her seventh collection, Khalvati demonstrates a dazzling mastery of traditional forms and experiments with the Ghazal, an ancient Persian form comprised of an unrhymed couplet. Evoking three generations and geographies of women, "The Meanest Flower" reinstates the joyful, audible aspect of the lyric.

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The articles in this number of Romantik include new research on reverie and dream as the locus of metaphor in Percy Bysshe Shelley’s Prometheus Unbound; an enquiry into the Royal Swedish Society for the Publication of Manuscripts Relating to Scandinavian History and the role it played in the construction of national memory and heritage; a discussion of Philippe Jacques de Loutherbourg’s and John Martin’s iconographies of the sublime in the intersection between art and popular visual spectacle; archival discoveries related to the publication of medieval romance in early nineteenth-century Britain; and a reassessment of The Prelude as a formation narrative, arguing that William Wordsworth displays a conflicted attitude to the growth and progress usually found in the Bildungsroman. The journal also contains reviews of new books on the romantic period published in the Nordic countries.

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Forty-five of Britain's best-loved poems, read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding.In a national poll conducted to discover Britain's favourite poem, Rudyard Kipling's 'If -' was voted number one. This unique anthology brings together over forty poems from the poll, including the top ten.Here is poignant war poetry (Wilfred Owen's 'Dulce et Decorum Est' and 'Anthem for Doomed Youth', Rupert Brooke's 'The Soldier' and Siegfried Sassoon's 'Everyone Sang' ); romantic verse such as Shakespeare's 'Sonnet 18: Shall I Compare Thee to a Summer's Day?' and W. B. Yeats' 'When You Are Old'; Lewis Carroll and Edward Lear's great nonsense poems 'Jabberwocky' and 'The Owl and the Pussy-Cat', and much more. Classics such as Wordsworth's 'The Daffodils' and Tennyson's 'The Lady of Shallot' sit alongside contemporary poetry like Allan Ahlberg's 'Please Mrs Butler' and Wendy Cope's 'Bloody Men'.Superbly read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding, this popular collection includes many of the very best examples ofBritish verse, as chosen by poetry lovers nationwide.The poems included in this collection are:1 'If -' by Rudyard Kipling, read by John Nettles2 'The Lady of Shallot' by Alfred Lord Tennyson, read by Siobhan Redmond3 'The Listeners' by Walter de la Mare, read by Greg Wise4 'Not Waving but Drowning' by Stevie Smith, read by Siobhan Redmond5 'The Daffodils' by William Wordsworth, read by John Nettles6 'To Autumn' by John Keats, read by Siobhan Redmond7 'The Lake Isle of Innisfree' by William Butler Yeats, read by Emma Fielding8 'Dulce et Decorum Est' by Wilfred Owen, read by Greg Wise9 'Ode to a Nightingale' by John Keats, read by Siobhan Redmond10 'He Wishes for the Cloths of Heaven' by William Butler Yeats, read by John Nettles11 'Remember' by Christina Rossetti, read by Siobhan Redmond12 'Elegy Written in a Country Churchyard' by Thomas Gray, read by John Nettles13 'Fern Hill' by Dylan Thomas, read by John Nettles14 'Leisure' by William Henry Davies, read by Emma Fielding15 'The Highwayman' by Alfred Noyes, read by Greg Wise16 'To His Coy Mistress' by Andrew Marvell, read by Greg Wise17 'Dover Beach' by Matthew Arnold, read by John Nettles18 'The Tyger' by William Blake, read by John Nettles19 'Adlestrop' by Edward Thomas, read by Siobhan Redmond20 'The Soldier' by Rupert Brooke ,read by Greg Wise21 'Sea-Fever' by John Masefield, read by John Nettles22 'Upon Westminster Bridge' by William Wordsworth, read by Greg Wise23 'How Do I Love Thee?' by Elizabeth Barrett Browning, read by Emma Fielding24 'Cargoes' by John Masefield, read by Greg Wise25 'Jabberwocky' by Lewis Carroll, read by Emma Fielding26 'The Rime of the Ancient Mariner' by Samuel Taylor Coleridge, read by John Nettles27 'Ozymandias of Egypt' by Percy Bysshe Shelley, read by Greg Wise28 'Abou ben Adhem' by Leigh Hunt, read by John Nettles29 'Everyone Sang' by Siegfried Sassoon, read by Greg Wise30 'The Windhover' by Gerard Manley Hopkins, read by Siobhan Redmond31 'Do Not Go Gentle into that Good Night' by Dylan Thomas, read by John Nettles32 'Sonnet 18: Shall I Compare Thee to a Summer's Day?' by William Shakespeare, read by Siobhan Redmond33 'When You Are Old' by William Butler Yeats, read by Emma Fielding34 'Lessons of the War (To Alan Mitchell): Naming of Parts' by Henry Reed, read by John Nettles35 'The Darkling Thrush' by Thomas Hardy, read by Emma Fielding36 'Please Mrs Butler' by Allan Ahlberg, read by Emma Fielding37 'Kubla Khan' by Samuel Taylor Coleridge, read by John Nettles38 'Home-Thoughts, from Abroad' by Robert Browning, read by Greg Wise39 'High Flight (An Airman's Ecstasy)' by John Gillespie Magee, read by Greg Wise40 'The Owl and the Pussy-Cat' by Edward Lear ,read by Emma Fielding41 'The Glory of the Garden' by Rudyard Kipling, read by Greg Wise42 'The Road Not Taken' by Robert Frost, read by Siobhan Redmond43 'The Way through the Woods' by Rudyard Kipling, read by Emma Fielding44 'Anthem for Doomed Youth' by Wilfred Owen, read by Greg Wise45 'Bloody Men' by Wendy Cope, read by Siobhan Redmond

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The perfect book for ace puzzlers and kids who like a challenge, The Kids' Book of Sudoku 1 helps to develop mental arithmetic and logic skills. With a simple tutorial filled with invaluable tips and tricks, and puzzles that range in difficulty, this book is perfect for anyone from complete beginners to the ultimate sudoku-solvers. Featuring a stylish new cover design, this title is part of the ‘Buster Puzzle Books’ series.Other books in the series:9781780555034 The Kids' Book of Sudoku 29781780554402 The Kids' Book of Wordsearches 19781780554341 The Kids' Book of Wordsearches 29781780554419 The Kids' Book of Crosswords 19781780554334 The Kids' Book of Crosswords 29781780555003 The Kids' Book of Mazes 19781780555027 The Kids' Book of Mazes 29781780555058 The Kids' Book of Dot to Dot 19781780555041 The Kids' Book of Puzzles 1

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With special attention to the Romantic poets from Wordsworth and Coleridge down to Pound and Eliot, distinguished scholar Marion Montgomery explores the disorientation of image and metaphor from reality. The book focuses on the virtues and limits of the intuitive intellect as they are explicated by Thomas Aquinas in relational intellect, and the 'Romantic' poet's dependence upon the intuitive and rational modes of intellectual action, two species of 'romanticism' centering in presumptuous autonomy emerge: that of the poet and that of the scientist.

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The essays in this collection examine philosophical, religious, and literary or artistic texts using methodologies and insights that have grown out of reflection on literature and art. In them, them phrase “material spirit” becomes a point of departure for considering the continuing spectral effects of religious texts and concerns in ways that do not simply call for, or assume, new orrenewed forms of religiosity. The writers in this collection seek to examine religion beyond traditional notions of transcendence: Their topics range from early Christian religious practices to global climate change. Some of the essays explore religious themes or tones in literary texts, for example, works by Wordsworth, Hopkins, Proust, Woolf, and Teresa of Avila. Others approach—in a literarycritical mood—philosophical or para-philosophical writers such as Bataille, Husserl, Derrida, and Benjamin. Still others treat writers of a more explicitly religious orientation, such as Augustine, Rosenzweig, or Bernard of Clairvaux.

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All of the available letters of Charles Lamb, a master of the English essay, and his sister Mary Anne published in this definitive, scrupulously edited work. The letters, many of them written to illustrious figures of the Romantic period, are generally agreed to rank among the finest in the English language. Transcribing where possible from the originals or facsimiles, Professor Marrs corrects textual errors found in previous editions, and he pays particular attention to establishing precise dates for the correspondence. He includes letters that were omitted from the last collection (published in 1935 and long out of print), and he has uncovered more than eighty letters never published before. The Letters of Charles and Mary Anne Lamb totals five or six volumes, and presents nearly 1200 letters written by Charles and Mary, singly or together. The correspondence is fully annotated, the volumes are illustrated, and the holographic idiosyncrasies of the originals are rendered typographically wherever possible. Rich in revelations about the extraordinary lives of the Lambs, these beautifully written letters are an inexhaustible store of information about the Romantic era and its major figures-Wordsworth, Keats, and Coleridge. The publication of unexpurgated and authoritative texts is an important literary event.

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In Stupidity Avital Ronell explores the fading empire of cognition, modulating stupidity into idiocy, puerility, and the figure of the ridiculous philosopher instituted by Kant. Drawing on a range of writers including Dostoevsky, Schlegel, Musil, and Wordsworth, Stupidity investigates ignorance, dumbfounded-ness, and the limits of reason.

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London's poetry ranges from the up-beat rap of Benjamin Zephaniah to Wordsworth's dawn sigh over the beauty of Westminster Bridge, from half-charred lines of Anglo-Saxon to yesterday's lyrics retrieved from a pub floor. Like the city itself this collection is full of grief, irony and delight. It shares no unifying historical vision and offers no single perspective over this tidal valley of mud, gravel, power and gold. Instead the unblinking eyes of the poets, touched by God, madness and desire, create a potent and highly personal corrective to political history.

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The Scots have always had a reputation for clarity of thought and also for the vigour with which it is put into words.This collection spans the entire gamut of a nation''s recorded thought and experience from Roman Scotland to the present day. It covers a vast range of subject matter and demonstrates a remarkable variety of moods and tones, from the literary to the colloquial and bawdy. Packed with sharp observation and humour, it sounds other notes too. Meditative, triumphant, tragic, accusing, tender - and often hilarious - it reveals the spirit of Scotland in a truly unique way.

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Harold Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or J) writer, Jeremiah, Job, Jonah, the Iliad, the Aeneid, Dante’s Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake’s Milton, Wordsworth’s Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best.

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The Heavy Bear Who Goes With Me is the ultimate reader’s companion to poetry: a selection of 100 classic poems from ?ve centuries with lively “companion” commentaries to go with and illuminate each poem. The heavy bear can be many things which go with the bearer: another self or alter ego, the burden of poetry or art, what weighs us down and makes us do what we don’t really want to do as well as what pulls us back to our selves, the animal side which makes us bearable or human. The editors’ selection ranges from Wyatt, Ralegh and Shakespeare in the 16th century, to Donne, Milton and Marvell in the 17th, to Swift, Pope and Johnson in the 18th. It embraces the Romantic visions of Blake, Wordsworth, Coleridge, Shelley and Keats, as well as the later, darker outlook of Browning, Tennyson and Hardy, and seeks enlightenment in the shadowlands of Emily Dickinson, Wilde and Yeats. As well as journeying with the reader through some of the greatest poems in the English language, The Heavy Bear encounters many modern poets, not least Delmore Schwartz, whose sense of con?ict between self and society gave birth to this anthology’s title-poem, ‘The Heavy Bear Who Goes With Me’. Others include some of the major figures in Irish poetry Brendan Kennelly knew personally as well as wrote about, including Patrick Kavanagh, Seamus Heaney, Michael Longley, Derek Mahon and Eavan Boland. The poems keep each other company in this highly original compilation, questioning each other in a continuing thematic, imagistic debate which the editors seek to explore in their responses, trying at all times to de?ne their sense and vision of poetry as disturbing, questioning, enlightening companionship for the reader. Both editors are renowned communicators of poetry: Brendan Kennelly (1936-2021) as one of Ireland’s best-loved poets, as Professor of Modern Literature at Trinity College Dublin, and as a popular cultural commentator on Irish television; Neil Astley as founder and editor of Bloodaxe Books and editor of the Staying Alive anthology series.

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Catholics without Rome examines the dawn of the modern, ecumenical age, when “Old Catholics,” unable to abide Rome’s new doctrine of papal infallibility, sought unity with other “catholics” in the Anglican and Eastern Orthodox churches. In 1870, the First Vatican Council formally embraced and defined the dogma of papal infallibility. A small and vocal minority, comprised in large part of theologians from Germany and Switzerland, judged it uncatholic and unconscionable, and they abandoned the Roman Catholic Church, calling themselves “Old Catholics.” This study examines the Old Catholic Church’s efforts to create a new ecclesiastical structure, separate from Rome, while simultaneously seeking unity with other Christian confessions. Many who joined the Old Catholic movement had long argued for interconfessional dialogue, contemplating the possibility of uniting with Anglicans and the Eastern Orthodox. The reunion negotiations initiated by Old Catholics marked the beginning of the ecumenical age that continued well into the twentieth century. Bryn Geffert and LeRoy Boerneke focus on the Bonn Reunion Conferences of 1874 and 1875, including the complex run-up to those meetings and the events that transpired thereafter. Geffert and Boerneke masterfully situate the theological conversation in its wider historical and political context, including the religious leaders involved with the conferences, such as Döllinger, Newman, Pusey, Liddon, Wordsworth, Ianyshev, Alekseev, and Bolotov, among others. The book demonstrates that the Bonn Conferences and the Old Catholic movement, though unsuccessful in their day, broke important theological ground still relevant to contemporary interchurch and ecumenical affairs. Catholics without Rome makes an original contribution to the study of ecumenism, the history of Christian doctrine, modern church history, and the political science of confessional fellowships. The book will interest students and scholars of Christian theology and history, and general readers in Anglican and Eastern Orthodox churches interested in the history of their respective confessions.

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One of the major figures of English Romanticism, Samuel Taylor Coleridge (1772-1834) created works of remarkable diversity and imaginative genius. The period of his creative friendship with William Wordsworth inspired some of Coleridge's best-known poems, from the nightmarish vision of the 'Rime of the Ancient Mariner' and the opium-inspired 'Kubla Khan' to the sombre passion of 'Dejection: An Ode' and the medieval ballad 'Christabel'. His meditative 'conversation' poems, such as 'Frost at Midnight' and 'This Lime-Tree Bower Mr Prison', reflect on remembrance and solitude, while late works, such as 'Youth and Age' and 'Constancy to an Ideal Object', are haunting meditations on mortality and lost love.

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Which journalist and explorer travelled around the world in 72 days but still found the time to stop in Singapore and buy a money called McGinty? Who was the first person to be awarded two Nobel Prizes? What year were women first allowed to act on stage in England? Delve into the fascinating history of women who refused, dared, led, asked and discovered. Covering all of the topics you studied at school, from Literature, Mathematics and Science to Politics, Music and Art, with easy to difficult questions, crosswords, wordsearches, anagrams and much more! Find out if you know the women who created the very items that surround you. Discover the women who weren't afraid to be the first. Test yourself on the women who keep fighting. The Feminist Quiz Book is a celebration of women from around the world and the perfect gift for the feminists in your life!

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Taylor Swift needs no introduction. The global superstar is one of the greatest singer-songwriters of her generation with a fanbase that covers the globe. Now it''s the fandom''s time to shine with FOR THE SWIFTIES: A Puzzle Book Inspired by Taylor Swift (Unofficial Version).Put your Tay-Tay knowledge to the test with puzzles ranging from things you know All Too Well to slightly more tricky ones that might confound you with a Blank Space. Taking in every album she''s ever made, right up to The Tortured Poets Department, and packed full of Taylor-themed quizzes, wordsearches, crosswords and much more, this is the perfect activity to do with your friends en route to a concert or at home listening to your favourite album (Taylor''s Version).This is the perfect keepsake of The Eras Tour and an ideal gift for the Swiftie in your life. Are you ready for it?

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A long line of traditional, often conservative, criticism and cultural commentary deplored Byron as a slipshod poet. This pithy yet aptly poetic book, written by one of the world's foremost Romantic scholars, argues that assessment is badly mistaken. Byron's great subject is what he called 'Cant': the habit of abusing the world through misusing language. Setting up his poetry as a laboratory to investigate failures of writing, reading, and thinking, Byron delivered sharp critical judgment on the costs exacted by a careless approach to his Mother Tongue. Perspicuous readings of Byron alongside some of his Romantic contemporaries – Burns, Blake, Wordsworth, Coleridge, Shelley – reveal Byron's startling reconfiguration of poetry as a 'broken mirror' and shattered lamp. The paradoxical result was to argue that his age's contradictions, and his own, offered both ethical opportunities and a promise of poetic – broadly cultural – emancipation. This book represents a major contribution to ideas about Romanticism.

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'Exhilarating... a work of imagination and arresting originality' Sunday TelegraphThe war is ending, perhaps ended... For the castle and its occupants the troubles are just beginning. Armed gangs roam its lawless land, where each farm and house supports a column of dark smoke. Taking to the roads with the other refugees, anonymous in their raggedness, seems safer than remaining in the ancient keep. But the lieutenant of an outlaw band has other ideas, and the castle becomes the focus for a dangerous game of desire, deceit and death... Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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'Establishes beyond doubt that Iain Banks is a novelist of remarkable talents' Daily TelegraphGraham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question.Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision.Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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Ralph Waldo Emerson’s life from 1826 to 1832 has a classic dramatic structure, beginning with his approbation to preach in October 1826, continuing with his courtship, his brief marriage to Ellen Tucker, and his misery after her death, and concluding with his departure from the ministry.The journals and notebooks of these years are far fewer than those in the preceding six years. Emerson noted down many ideas for sermons in his journals, but as time went on he wrote the sermons independently. Occasionally he wrote openly about family matters, but except for the passionate response to Ellen and her death the journals tell little about the impact upon him of other people and outside events. The pattern is consistent with the earlier journals: Emerson used them mainly to record his thought, to develop and express his ideas. His religious and intellectual interests were undergoing significant changes in orientation or emphasis. He was less concerned with the existence of God than with the nature and influence of Christ. He continued to reassert the truth of Christianity, but in his growing unorthodoxy he came to show less and less sympathy with the church, with forms and ritual, with convention. And he began to wonder whether it is not the worst part of the man that is the minister.During these years, Emerson read more in Madame de Staël, Wordsworth, Gérando, and Coleridge, less in Milton, the Augustans, Dugald Stewart, and Scott. In style, he moved from a rambling, bookish rhetoric to the tautness and the cadences that mark his later Essays.

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An exploration of Stoicism’s central role in British and American writing of the Romantic periodStoic philosophers and Romantic writers might seem to have nothing in common: the ancient Stoics championed the elimination of emotion, and Romantic writers made a bold new case for expression, adopting “powerful feeling” as the bedrock of poetry. Stoic Romanticism and the Ethics of Emotion refutes this notion by demonstrating that Romantic-era writers devoted a surprising amount of attention to Stoicism and its dispassionate mandate. Jacob Risinger explores the subterranean but vital life of Stoic philosophy in British and American Romanticism, from William Wordsworth to Ralph Waldo Emerson. He shows that the Romantic era—the period most polemically invested in emotion as art’s mainspring—was also captivated by the Stoic idea that aesthetic and ethical judgment demanded the transcendence of emotion.Risinger argues that Stoicism was a central preoccupation in a world destabilized by the French Revolution. Creating a space for the skeptical evaluation of feeling and affect, Stoicism became the subject of poetic reflection, ethical inquiry, and political debate. Risinger examines Wordsworth’s affinity with William Godwin’s evolving philosophy, Samuel Taylor Coleridge’s attempt to embed Stoic reflection within the lyric itself, Lord Byron’s depiction of Stoicism at the level of character, visions of a Stoic future in novels by Mary Shelley and Sarah Scott, and the Stoic foundations of Emerson’s arguments for self-reliance and social reform.Stoic Romanticism and the Ethics of Emotion illustrates how the austerity of ancient philosophy was not inimical to Romantic creativity, but vital to its realization.

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The Let Them Write Series is a classroom-tested, teacher-friendly resource for Language Arts teachers of grades 4 through 8. The program is organized in nine sections, each presenting a buffet of from five to nine 1- or 2-week modules. Each classroom-ready module consists of a series of comprehensive, easy-to-follow lesson plans complete with reproducible handouts and cross-curricular extensions, together creating a proven successful template for the teaching of writing and literary analysis skills. Setting and Description focuses on the effective use of descriptive writing techniques to depict a story setting. Students practice first-drafting, editing, polishing and sharing original scenes and stories set in realistically described times and places. The text can be implemented in the classroom alone or in tandem with the two other titles in the Let Them Write Series — PLOT BUILDING and CHARACTER DEVELOPMENT. Also of interest for classroom teachers is the Literacy: Made for All Series ·WORDSMITHING: Classroom Ready Materials for Teaching Nonfiction Writing and Analysis Skills in the High School Grades ·ENJOYING LITERATURE: Classroom Ready Materials for Teaching Fiction and Poetry Analysis Skills in the High School Grades ·STORY CRAFTING: Classroom Ready Materials for Teaching Fiction Writing in the High School Grades

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When a precious emerald goes missing from a secure vault, your detective skills are put to the test! Explore an old castle, giant nests and underground caves. Meet goblins, ghosts, dragons and other fantastic beasts in this fun-packed book of puzzles. Solve mazes, wordsearches, number puzzles and more Find the clues and crack the code to finish the story Will you take on the quest? For more puzzling fun…collect the set!Mythical Mystery (9780008457457)Enchanted Lands (9780008457464)The Missing Astronaut (9780008457471)Secret Island (9780008532109)The Magician’s Library (9780008532123)

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Packed with 24 fabulous Christmas activities to enjoy, this fill-in activity book will keep young children busy every day of advent!Use the 150 stickers to decorate your own Christmas jumper, make your own Christmas card and design a gingerbread house. Complete a wordsearch, a Christmas Sudoku, count reindeer and spot Santa.

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When you visit the ‘Mythical Creatures’ section of the museum, your exciting egg-hunt begins! Search this mystical world for the origin of these curious eggs. Will it be the Kelpie’s lagoon? The Sphinx’s desert lair? Meet a dragon, a phoenix and other mythical creatures in this fun-packed book of puzzles. Solve mazes, wordsearches, number puzzles and more Find the clues and crack the code to finish the story Will you take on the quest? For more puzzling fun…collect the set! Enchanted Lands (9780008457464), The Missing Astronaut (9780008457471), The Time Traveller (9780008457488)

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Grab a cuppa and sink into a cosy chair as a father-daughter duo leads you into the celebration of Christmas through their art and reflections. Considering not only the story of Mary and Joseph journeying to Bethlehem, where Jesus was born, but also our modern-day expressions of Christmas, they point to God's light and life during what can be a fraught and exhausting season. ‘Daughter and father, wordsmith and artist, combine seamlessly to create a celebration of the warmth, love, promise and glory of Christ’s birth on earth, and what that means for us today.’ Pam Rhodes, broadcaster and writer

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Allie Esiri’s beautiful gift anthology, A Poet for Every Day of the Year, is the perfect introduction to 366 of the world’s greatest ever verse writers.Perfect for reading aloud and sharing with all the family throughout the year, it is bursting at the seams with familiar favourites and exciting new discoveries. Shakespeare, William Wordsworth, Christina Rossetti and Emily Bronte sit alongside Roger McGough, Wendy Cope, Imtiaz Dharker, Leonard Cohen, Sylvia Plath and Ocean Vuong.Each of the 366 poems features a small introduction that gives a sense of who the writer was, and not just the greatness of their work. Some offer insightful biographical details or key historical context, while others may provide quirky, humorous anecdotes.The day-to-day format of the anthology invites readers to make poetry a part of their daily routine, and makes sure that they discover something inspirational, life affirming, provocative, moving or entertaining each and every day.

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An invaluable collection of poetry for use by teachers at every stage of school life from primary to mid-teens.The poems are arranged by age of the child from six to fourteen, and provide support for the subject matter of lessons from botany and physics to history and astronomy. They encompass a wide variety of moods from gratitude and wonder at the natural world to the courage and heroism of individuals pitted agains the odds, and range from ancient Egypt to modern times.Works by well-known poets -- Shakespeare, Blake, Wordsworth, Browning -- are found together with the refreshingly unfamilar.Sections on alliterative verse, riddles, tongue-twisters, action verses and the seasons of the year provide a stimulus for practical activities in the classroom. Also included are meditative verses for teachers to help them deepen their understanding of the children in their care.A resource book to treasure, it will awaken a love of poetry in both young and old.

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'As good as anything Banks has ever written, if not better' Sunday TelegraphAfter years of exile, Alban Wopuld has been summoned back to his family's highland estate, Garbadale. The Wopuld clan are closing ranks. They have built their fortune on the boardgame Empire! - which has become a hugely successful computer game - and now the Americans want to buy them out. As the family gathers for their Extraordinary General Meeting, old grudges, forbidden passions and dark secrets emerge. What drove Alban's mother to take her own life? And is Alban over Sophie, his bewitching cousin and teenage love?Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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Find it! In the country contains 25 things for children to search for whilst in the great outdoors, along with amazing facts and mind-bending puzzles. Perfect for minimising screen time, Find it! books keep children entertained, engaged and curious about the world around them. - Search for tractors, animal tracks and berries amongst many other things. - Learn fascinating facts about the things you are searching for. - Play wordsearches, mazes, spot the differences, and various other quizzes and games. The back of the book contains a certificate to award when everything has been successfully found, and for every 3 books completed, you can send off for a Find it! Super Spotter badge!

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