Search results for ""author robert"

Published by Boydell & Brewer Inc.

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Robert de Reims, also known as “La Chievre de Rains,” was among the earliest trouvères—poet-composers who were contemporaries of the troubadours but who wrote in the dialects of northern France. This critical edition provides new translations into English and modern French of all the songs and motets ascribed to him, along with the original texts, the extant music, and a substantive introduction.Active sometime between 1190 and 1220, Robert was an influential figure in the literary circles of Arras. Thirteen compositions set to music are here attributed to him, including nine chansons and four polyphonic motets that were broadly disseminated in the thirteenth century and beyond. Robert’s work is exceptional on a number of fronts. He lavished particular care on the phonic harmony of his words. Acoustic luxuriance and expertise in rhyming, grounded in the play of echoes and variation (often extending into the music), constitute the hallmark of his poetry. Moreover, he is the earliest trouvère known to have composed a parodic sotte chanson contre Amours (silly song against Love).Located clearly at the nexus of monophonic song and polyphony, Robert’s corpus also poses the intriguing question of trouvère participation in the development of the polyphonic repertory. The case of Robert de Reims jostles and tempers the standard history of the chanson and motet.Accessible and instructive, this trilingual critical edition of his complete works makes the oeuvre of this innovative and consequential trouvère available in one volume for the first time.

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Devils, witches and evil - the insubstantial but terrifying world of the supernatural as it was seen by Robert Burns and his contemporaries is examined in this new book, brought out for the 250th anniversary of the poet's birth. Several of Burns' poems dealt with the supernatural, the most famous of which, "Tam o Shanter", is examined in detail. It is from this poem that the book's title comes: 'And roars out, "Weel done, Cutty-sark!" And in an instant all was dark And scarcely had he Maggie rallied When out the hellish legion sallied.' In contrast with the 'other world' was the everyday lives of the country people and the nature of the material world in which they lived; the book also examines this and the changes that were taking place in Burns' time.

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Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced. Published in conjunction with the first comprehensive large-scale survey of the artist’s career to take place in the United States, this publication presents his works in all mediums, including individual sculptures and immersive sculptural environments, as well as a distinctive selection of drawings, prints, and photographs. Prepared in close collaboration with the artist, it traces the development of a remarkable body of work, highlighting themes and motifs that emerged in the early 1980s and continue to inform the artist’s work today. An essay by Hilton Als, and an in-depth chronology with extensive input from the artist himself, foregrounds images from Gober’s archives, including many neverbefore- published photographs of works in progress.

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Examines an under-analysed period of Robert Altman's career.

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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.

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Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan's collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gerard de Nerval, as well as the complete Structure of Rime and Passages series.

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Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.

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A Modern Master   Robert E. McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand.   The emergence of the “McGinnis Woman”—long-legged, intelligent, alluring, and enigmatic—established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns.   McGinnis’s first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts

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When two seemingly unconnected mysterious deaths occur on his watch, police chief Jesse Stone must pull out all the stops to unravel the truth and stop a killer from striking again. The small town of Paradise is devastated when a star high-school baseball player is found dead at the bottom of a bluff just a day after winning the team's biggest game. For Jesse, the loss is doubly difficult - the teen was the nephew of his colleague, Suitcase Simpson, and Jesse had been coaching the young shortstop. As he searches for answers about how the boy died and why, he is stonewalled at every turn, and it seems that someone is determined to keep him from digging further. Jesse suddenly must divide his attention between two cases after the shocking murder of former Paradise police chief, Charlie Farrell. Before his death, Farrell had been looking into a series of scam calls that preyed upon the elderly. But how do these 'ghost calls' connect to his murder? When threats - and gunshots - appear on Jesse's own doorstep, the race to find answers is on. Both old and new enemies come into play, and in the end, Jesse and his team must discover the common factor between the two deaths in order to prevent a third.

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Robert Baden-Powell was Britain's first celebrity. A conflicted character - militarist and pacifist, macho man and drag artist, elitist and socialist - he was one of the 20th century's most influential and, latterly, controversial Englishmen, finding fame not once, but twice - and for two very different reasons. Before donning his trademark shorts, the man known for inventing the Scouts is hailed a hero of the Second Boer War, the first military conflict covered in great detail by the media. Reports of his unconventional methods of holding a Boer army at bay, despite being woefully outnumbered, at the South African town of Mafeking, make global headlines and when he returns home to England, hordes of adoring fans pack London's streets, waving flags and declaring him the Hero of Mafeking. The same ingenuity, reconnaissance skills and spectacular eccentricity that win him this military acclaim become the foundations of his second mission, that of saving Victorian boys from poverty and despair, and himself from having to grow up, by teaching them scouting. A youth movement is born which today boasts 54 million members throughout the world. This book examines Baden-Powell's dual personality, or his two lives' as he called them, including his difficult childhood with a domineering and unaffectionate mother whom he loved even after she forced him into the army at 19, dashing his dreams of becoming an artist. It looks at his military career and his love of drama and at why protesters wanted to topple his statue on Poole Quay in the pandemic summer of 2020. It also considers a recently-discovered telegraph that adds fuel to the speculation over the nature of his relationship with a fellow-soldier that endured for 30 years - until he married a 22-year-old woman in secret when he was 55. Baden-Powell achieved great prominence, as well as notoriety, in both his military and scouting lives, driven largely by a constant yearning to win his mother's approval.

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The volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely. The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality. Text in English, Italian and French.

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During a few years in the late 1940s and early 1950s Robert Longden took a remarkable set of photographs of the narrow boat community at Hawkesbury Stop - the main meeting point for those who worked the Midlands canals. The images are of a close community and represent its members in a very intimate way, at work, at play, in their domestic affairs, and as they lived on the paired and single colourful narrow boats. They illustrate the close relationship between all ages and types within the community, and the dramatic boat shapes and infrascape of this rural and industrial area. Sonia Rolt, who herself worked the canals during the period and knew the photographer, provides an introduction, which details how Robert Longden came to this passionate involvement. It also sets the photographs in the context of their time, the last period when the narrow boats could be said to play a serious part in transporting goods in quantity. Informative captions identify the scenes before you. Providing a rare insight into the community who worked the waterways when it was still a way of life for many, this book will appeal not only to canal enthusiasts, but to anyone interesting in Britain's social and industrial heritage.

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In the latest thriller featuring the legendary Boston PI, Spenser heads to the City of Angels to meet old friends and new enemies in a baffling missing person case that might shake Tinseltown to its core. Gabby Leggett left her Boston family with big dreams of making it as a model/actress in Hollywood. Two years later, she disappears from her apartment. Her family, former boyfriend, friends--and the police--have no idea where she is and no leads. Leggett's mother hires Spenser to find her, with help of his former apprentice, Zebulon Sixkill, now an L.A. private eye. Spenser barely has time to unpack before the trail leads to a powerful movie studio boss, the Armenian mob, and a shadowy empowerment group some say might be a dangerous cult. It's soon clear that Spenser and Sixkill may be outgunned this time, and series favorites Chollo and Bobby Horse ride to the rescue to provide backup. From the mansions of Beverly Hills to the lawless streets of a small California town, Spenser will need to watch his step. In Hollywood, all that glitters isn't gold. And not all those who wander are lost.

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Featuring the full contents of Robert Frost's first three volumes of poetry—A Boy's Will, North of Boston, and Mountain Interval—this unparalleled collection is a testament to the beauty of the master’s writing. It gathers more than 100 of Frost’s most renowned poems, including “Mending Wall” and “The Road Not Taken.” With illustrations by Thomas Nason, it will be a treasured addition to any home library.

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Robert Rauschenberg’s engagement with photography began in the late 1940s under the tutelage of Aaron Siskind and Hazel Larsen Archer at Black Mountain College in North Carolina. Their combined influence was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead he chose both. This volume gathers and surveys Rauschenberg’s numerous uses of photography for the first time. It includes portraits of friends, studio shots, photographs used in the ‘Combines’ series, silkscreens, photographs of lost works and works in progress, allowing us to re-imagine almost the entirety of the artist’s work in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s.

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Arguably no other nineteenth-century German composer was as literate or as finely attuned to setting verse as Robert Schumann. Jon W. Finson challenges long-standing assumptions about Schumann's Lieder, engaging traditionally held interpretations. He argues against the belief that the "Year of Song" simply reflects Schumann's personal life. Finson also devotes attention to the form and metric structure of German poetry that is almost entirely new to the discussion of Schumann's songs.Arranged in part thematically, rather than merely by strict compositional chronology, this book speaks to the heart of Schumann's music. Finson's sustained attention to performance, such as questions of whether two singers might divide performance of cycles or whether miscellanies form coherent entities, allows the reader to engage Schumann's songs in novel ways.Finson brings original research and the most recent scholarship to the musically literate public and the expert alike. This represents the definitive work on Schumann's songs and the standard reference for any Schumann enthusiast.

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Research in the History of Economic Thought and Methodology Volume 37C features a symposium celebrating the centenary of the influential economist and historian of economic thought Robert Heilbroner. Luca Fiorito, Harald Hagemann, Edward Nell, and Steven Pressman contribute to the symposium. The volume also features original general-research contributions from Samuel Hollander and Luca Fiorito, as well as a new discovery of material made by Maxime Desmarais-Tremblay and Marianne Johnson from the archives of Richard A. Musgrave.

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'No one alive can write sentences like he can. He's the missing evolutionary link between William Burroughs and Virginia Woolf' Olivia Laing'Among the most brilliant novelists writing today' Robert Macfarlane'Truly gets to the heart of that strange, indefinable otherness of the wild northern landscape' Benjamin MyersRetreating from the ruins of his marriage, Mike leaves London for the wildness of the Yorkshire moors, where he falls in with a group of climbers - a band of misfits and mavericks bound by the pursuit of the unattainable: the perfect climb.Travelling from abandoned urban quarries to misty, lichened crags, Mike discovers an intensity of experience - a wash of pain, fear and excitement - that causes the rest of his world to recede. Increasingly addicted to the adrenaline, folklore and camaraderie of the sport, he begins to lose his grip on the line between passion and obsession - at a cost.With an introduction by Robert Macfarlane

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This is a fast-moving tale of passion and politics. In Prince Otto, first published in serial form in 1885, Stevenson uses his genius for adventure and romance to explore some decidedly grown-up themes. The tiny 19th-century German state of Grunewald seems to be a principality of the world of fairy-tale. But its ruler is beset in public by the forces of modern politics, and troubled in private by an unhappy marriage. Ill-prepared to deal with either, Otto is forced to choose between them. This first fully edited edition of the novel will provoke readers to think again about the scope and purpose of Stevenson's brilliant story-telling. It explores the most modern of themes, the moral compromises required by marriage: a romance in which the marriage of the hero and the heroine is not the happy conclusion of the plot, but the problem that the plot has to resolve. It is a fascinating text for what it tells us about Stevenson's goals and aspirations at this crucial stage of his career, and about the changing nature of the novel in English at the end of the 19th-century.

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Browning’s Fra Lippo Lippi says that we may pass things a hundred times and never see them. One thing that Browning’s readers have passed without seeing, or at least without remarking upon, is the circular conclusion in so many of his poems. Some sixty poems (almost a third of them) have such conclusions. These sixty span his entire career and include both well-known and neglected poems. The circular conclusion is so called because it returns to the introduction — circles back round to it — by repeating something from the introduction. Although in principle this rhetorical device is quite simple, in practice Browning works many and complex variations on it. Also, by incorporating this repeated words or phrases within the body of the poems, he uses them to make structural divisions. And above all, by selecting for repetition key words or phrases, he indicates central themes in the poems. An analysis of repetition in the poems allows us to see more clearly their circularity, the divisions of the circles, and their themes. It also brings to light thematic dynamism of the poems, some of them concluding with a restatement of the theme set forth in the repetition to trend at a point beyond the original idea, some reversing in their conclusions the statement made in the introduction, and some restating at the end the introductory statement after two reversals. Finally, by focusing on the introductions and conclusions of the poems, we clarify the dramatic situations, which are ordinarily established in these two places, and come to see their relationships with the monologues they encircle. All this we see, not with the optics of modern literary theory, but simply by looking at Browning’s work with the same careful attention Fra Lippo Lippi pays to God’s creation.

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From 1992 to 2004, Dia Art Foundation presented the Robert Lehman Lectures on Contemporary Art, in which a distinguished array of scholars, critics and cultural historians engaged in cross-disciplinary critical discourse around Dia's exhibition program. The lectures were subsequently collected into a related series of publications, providing a valuable record and extending the debate on contemporary artistic practice and theory. This fifth and final volume focuses on analyses of the work of internationally recognized artists Jo Baer, Pierre Huyghe, Vera Lutter, Gerhard Richter, Rosemarie Trockel and Robert Whitman.

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This book provides an accessible and authoritative biography of the Welsh man of science, William Robert Grove. Grove was an important and highly influential figure in Victorian science. His career as both man of science and leading barrister and judge spanned the Victorian age, and he also played a vital role in the movement to reform the Royal Society. This biography will set Grove’s career and contributions in context, paying particular attention to the important role of Welsh industrial culture in forming his scientific outlook. The place of science in culture changed radically during the course of the nineteenth century, and Grove himself played a key role in some of those transformations. Looking at his life in science can, however, do more than illuminate an individual scientific career – it can offer a way of gaining new insights into the changing face of Victorian science.

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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The legend of Robert the Bruce's inspiring encounter with a tenacious spider, popularised by Sir Walter Scott, is well known throughout Scotland and the rest of the world.Following the rebellious king's journey from crushing defeat in battle and daring escape to lonely exile in a dark cave, Robert the Bruce spots a tiny spider that refuses to give up trying to spin its web. Inspired by its perseverance, King Robert returns to the cause, eventually leading his army to victory at the Battle of Bannockburn, a defining moment in Scottish history. Through stunning illustrations and a gripping story, packed with historical detail, children will experience the tension of Robert the Bruce's escape and the excitement of his return to victory. This is an engaging historical tale for children starring one of the most famous figures of the Scottish Wars of Independence.

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In this exciting and visually stunning book, the most talented Scottish novelist of his generation teams up with Jill Calder, whose bold and colourful illustrations are a perfect complement to one of the most dramatic tales in Scottish history. In addition to the big set pieces from the Bruce story - not least of course the Battle of Bannockburn - and the other famous elements - such as the murder of the Red Comyn and Bruce and the spider - book is full of accurate historical detail and imaginative touches which offer a fresh and vital perspective on one of the great heroes of Scottish history.

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Robert Duncan’s nine lectures on Charles Olson, delivered intermittently from 1961 to 1983, explore the modernist literary background and influences of Olson’s influential 1950 essay “Projective Verse.” These transcribed talks pay tribute to Olson and expand our knowledge of Duncan’s vision of modernist writing.

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The world's most ruthlessly efficient assassin, Jason Bourne, has carved a bloody swathe through all his opponents but now he's facing the one force he can't defeat - his own past.

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