Search results for ""author robert"

This book marks the long-term installation of Robert Gober’s (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work’s original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.

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Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.

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Metallic potted plants, carved sculptures from local stone and metallic, geometric paintings inhabit three floors of Diego Rivera's shrine to Mesoamerican artThrough luminous paintings, sculptures and a video projection throughout the space, this book documents German artist Robert Janitz's (born 1962) dialogue with the Anahuacalli Museum, its pre-Columbian artifacts and its Mayan- and Aztec-inspired architecture.

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The Stewart Dynasty in Scotland series aims to bring the rich political heritage of late medieval and early modern Scotland before as wide a reading public as possible, with specialist authors writing for the general reader as well as the student or academic. This volume is number one in the series and is also the first scholarly biography of the two kings who established medieval Scotland’s most famous and durable royal dynasty. Robert II, long regarded as a weak and ineffective king, pursued a determined political and propaganda campaign which largely overcame initial political opposition. Robert III was forced to engage in a long-term struggle with his brother Albany for control of the kingdom. Firmly based on contemporary documentary sources, Stephen Boardman's study examines the ways in which the unjustly poor reputations of both kings grew from later embellishments to contemporary political propaganda.

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A revised and updated edition of the most comprehensive survey published of Mapplethorpe's photography Robert Mapplethorpe was one of the twentieth century's most important and influential artists, known for his groundbreaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera in 1970. This comprehensive monograph is an overview of the artist's black-and-white photography of floral still lifes, nudes, selfportraits, and portraits, among other subjects—and also includes a selection of his color images.

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The second volume of the Lambert Collection Icons series collects some of the finest works by one of America’s foremost abstract painters, and narrates the creation of his paintings from compositional elements to their “activation” in exhibition spaces. Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city’s myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities. Stroke by stroke, line by line, work by work, Robert Ryman tells the story of the creation of his paintings in its totality from the elements within them to their activation in exhibition spaces or in works - “It was never an intention of mine to make white paintings,” he told Art News magazine in 1986. “The white is just a means of exposing other elements. White enables other things to become visible.” - Robert Ryman

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A comprehensive study highlighting the interplay of context and meaning in Robert Ryman’s work This remarkable volume, featuring new photography and original essays by a formidable array of scholars and curators, is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist’s own strategies of display. Ryman’s paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman’s practice to contemporary art: Robert Storr, curator of Ryman’s 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015–16 exhibition at Dia Chelsea, looks at Ryman’s three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman’s early works; and artist Charles Gaines asks what, in a Ryman, is real.Published in association with Dia Art Foundation

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In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.Robert Herrick was born in London, in 1591, the seventh child of a prosperous goldsmith. He graduated from St. John's College, Cambridge in 1617, and became a Cavalier poet in the mould of Ben Jonson, mixing in literary circles in London. He was ordained in 1623 and subsequently appointed by Charles I to the living of Dean Prior in Devon, where he lived in the reluctant seclusion of country life and wrote some of his best work. In 1647, under the Commonwealth, Herrick was expelled from the priory and returned to London, where he published his major work, Hesperides, the following year. With the restoration of Charles II in 1660 he was returned to Devon and died a bachelor in 1674.

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Between art, engineering and architecture: recent works by Robert Grosvenor This monograph on Robert Grosvenor (born 1937)—known for his large-scale architectural sculptures—accompanies his third solo exhibition at Karma and concurrent exhibition at Galerie Max Hetzler, presenting recent works of sculpture alongside an essay by renowned curator and critic Bob Nickas.

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‘When a man has three separate notices by three different women inserted in the local paper, and he’s my own namesake besides, I feel I owe him something.’ Sequential death notices appear for Robert Raynald: one by his mother, one by his estranged wife, one by his daughter. This odd approach draws the attention of Superintendent Mallett and his friend Dr. Fitzbrown. The inquest had decided that Raynald shot himself whilst temporarily insane, but his daughter Geraldine is not convinced and presents enough evidence to arouse the investigator within Mallett. Raynald's story is presented in flashbacks, as Mallett and Fitzbrown build a picture of his life through the people who knew him best. Requiem for Robert combines the excitement of a detective story with a haunting reading of character.

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This text offers a major reassessment of the life and thought of the distinguished 19th century industrial philanthropist and educational reformer, Robert Owen. In a period when Owen’s radical new visions for learning and teaching, adult and vocational pedagogy and social transformation are receiving fresh and global attention, Robert Davis and Frank O’Hagan place Owen’s thought right at the heart of the Enlightenment advocacy of popular, democratic mass education. Tracing both the ancestry and the legacy of Owen’s reforming spirit, they also offer a critical appraisal of the relevance of his ideas for the development of education at all levels and stages in the challenging contexts of international 21st century education.

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This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.

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Critically praised for his finely modeled and classically composed photographs, Robert Mapplethorpe remains intensely controversial and enormously popular. This book brings together almost three hundred images from the Robert Mapplethorpe Foundation's archive and private collections, to provide a critical view of Mapplethorpe's formative years as an artist. These works reveal the themes that would inspire Mapplethorpe throughout his career. Included is a selection of his color Polaroids and objects incorporating his early "instant" photography. Some images convey a disarming tenderness and vulnerability, others a toughness and immediacy that would give way in later years to more classical form. The author traces the development of Mapplethorpe's use of instant photography during a period of five years, from 1970 to 1975, when the artist worked mainly in this medium. The images include self-portraits, figure studies, still lifes, portraits of lovers and friends such as Patti Smith, Sam Wagstaff and Marianne Faithful and observations of everyday objects. Marked by a spontaneity and creative curiosity, these fragile images offer an illuminating contrast to the glossy perfection of the work for which Mapplethorpe is best known, allowing us a more personal glimpse of his artistry.

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In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant... I simply want to present people with their ruins... I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

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"Robert Doisneau is commonly regarded as one of the pioneers of French street photography, so if you want a masterclass in the genre, this is the book for you."—Live Preston & Fylde Robert Doisneau (Gentilly, 1912 - Montrouge, 1994) is regarded as one of the founding fathers of French humanist photography and street photojournalism. Through his lens he was able to grasp the daily life of the men and women who populate Paris and its suburbs, presenting the city and its inhabitants with an ironic and light touch, but also with deep humanity and participation. The volume collects 130 black and white silver salt prints from the Atelier Robert Doisneau in Montrouge, which houses his photographic archive. Whether they are photographs made on commission or the result of his wanderings in Paris, the artist’s personal style is outlined through these shots, which mixes charm and imagination, but also a freedom of expression not far from surrealism. These pictures capture moments of daily happiness among ordinary people – such as the famous Le Baiser de l’Hôtel de Ville, or “The kiss” – in which tenderness, sometimes veiled with melancholy, but also ever-present notes of humour are mixed. Text in English, Italian, and French. Published to accompany an exhibition at Rovigo, Palazzo Roverella 23 September 2021- 30 January 2022

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Featuring the most well-known photos from Robert Doisneau since the beginning of his career, (re)discover his talent through an original and unknown full colour photoreport. This retrospective of the works of Doisneau also give an insight in the lives of famous artists such as Picasso and Niki de Saint Phalle. The book is themed by three subjects: the main characteristics of his work and his importance for 20th century photography, the notion of the poetry of realism and 164 photos, which are also themed: daily beauty, Palm Springs, artists' studios. Published to accompany an exhibition in Musee Ixelles (Brussels) from 19 October 2017 until 4 February 2018.

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Was wäre, wenn Robert Musil die wissenschaftliche Laufbahn nicht nonchalant in den Wind geschlagen hätte, wenn er mit dem Onkel, einem bekannten Orientforscher und Diplomaten, auf Morgenlandfahrt gegangen wäre oder wenn sein bescheidenes Bankguthaben nicht durch die Inflation in Nichts verwandelt worden wäre? Was wäre, wenn die Psychoanalyse ihn von der Melancholie geheilt hätte, wenn er seinen Zigarettenkonsum hätte drosseln können, wenn er sich nicht im letzten Schweizer Winkel verkrochen, sondern die Emigration in die USA gewagt hätte? …Wäre Dipl.-Ing. Dr. phil. Robert Edler von Musil dann ein anderer geworden? Wäre dann „Der Mann ohne Eigenschaften“ als der deutschsprachige Jahrhundertroman in die Literaturgeschichte eingegangen?

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Robert Burns (1759-96) was born into a farming family in Ayrshire, Scotland. The publication in 1786 of his first book, Poems, Chiefly in the Scottish dialect, made him famous overnight, and saw him feted by Edinburgh society. But Burns made no money from his writing and quickly fell on hard times, returning to farming in Dumfries and, when that failed, to work as an excise officer. He devoted his final years to poetry and the writing of Scottish songs.

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In a career spanning five decades, Robert Beavers has distinguished himself as one of the most important American avant-garde filmmakers. From My Hand Outstretched to the Winged Distance and Sightless Measure, his cycle of 18 films made across Europe since 1967, to Pitcher of Colored Light (2007) and The Suppliant (2010), intimate portraits shot in the U.S., Beavers has produced a deeply original film language framed by his use of colored filters and mattes. His investigations of the handwork of anonymous artisans complement his dialogues with Ruskin, Leonardo, and Borromini in Ruskin (1975/1997), From the Notebook of… (1971/1998), and The Hedge Theater (1986/2002). This volume contains critical investigations of Beavers' most important films and a collection of the filmmaker's own writings. Occupying a unique space between poetry and philosophy, his aphoristic meditations vivify his own work and generously illuminate the art of film.

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Jackson Pollock, Roy Lichtenstein, Robert Rauschenberg and Jasper Johns each made a tremendous impact on modern art in the 20th century. As pioneers of revolutionary movements such as Abstract Expressionism and Pop art, they are key figures in the postwar transitions that brought American art to the forefront of the international scene. These latest volumes in the MoMA Artist Series, which explores important artists and favourite works in the collection of The Museum of Modern Art, guide readers through a dozen of each artist’s most memorable achievements. A short and lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art and the artist’s own life. These books provide a unique overview of the individuals who shaped the development of American art since mid-century and are excellent resources for readers interested in the stories behind the masterpieces of the modern canon.

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Though only 27-years-young and relatively unknown at the time of his tragic death in 1938, Robert Johnson's enduring recordings have solidified his status as a progenitor of the Delta Blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive today actually remember what Johnson was really like, and those who do have largely upheld their silence-until now.In Brother Robert, nonagenarian Annye Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson's unconventional path to stardom-from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson's father's knee, to the genre-defining recordings that would one day secure his legacy. Along the way, readers are gifted not only with Anderson's personal anecdotes, but with colorful recollections passed down to Anderson by members of their family-the people who knew Johnson best. Readers also learn about the contours of his working life in Memphis, never-before-disclosed details about his romantic history, and all of Johnson's favorite things, from foods and entertainers to brands of tobacco and pomade. Together, these stories don't just bring the mythologized Johnson back down to earth; they preserve both his memory and his integrity.For decades, Anderson and her family have ignored the tall tales of Johnson 'selling his soul to the devil' and the speculative to fictionalized accounts of his life that passed for biography. Brother Robert is here to set the record straight. Featuring a foreword by Elijah Wald and a Q&A with Anderson, Lauterbach, Wald, and Peter Guralnick, this book paints a vivid portrait of an elusive figure who forever changed the musical landscape as we know it.

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This book explores the life and works of the pioneering opera composer Robert Ashley, one of the leading American composers of the post-Cage generation. Ashley's innovations began in the 1960s when he, along with Alvin Lucier, Gordon Mumma, and David Behrman, formed the Sonic Arts Union, a group that turned conceptualism toward electronics. He was also instrumental in the influential ONCE Group, a theatrical ensemble that toured extensively in the 1960s.During his tenure as its director, the ONCE Festival in Ann Arbor presented most of the decade's pioneers of the performing arts. Particularly known for his development of television operas beginning with Perfect Lives, Ashley spun a long series of similar text/music works, sometimes termed "performance novels." These massive pieces have been compared with Wagner's Ring Cycle for the vastness of their vision, though the materials are completely different, often incorporating noise backgrounds, vernacular music, and highly structured, even serialized, musical structures. Drawing on extensive research into Ashley's early years in Ann Arbor and interviews with Ashley and his collaborators, Kyle Gann chronicles the life and work of this musical innovator and provides an overview of the avant-garde milieu of the 1960s and 1970s to which he was so central. Gann examines all nine of Ashley's major operas to date in detail, along with many minor works, revealing the fanatical structures that underlie Ashley's music as well as private references hidden in his opera librettos.

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Originally published in 2000 by Polygon to mark the 250th anniversary of Fergusson''s birth, this new edition contains all Fergusson''s finest poems in both Scots and English, and features a new introductory essay, revised orthography, a substantial section of notes and a glossary.Acknowledged as a crucial influence on Burns, Robert Fergusson was a remarkable poet in his own right. All his work was produced during a few brief years, delighting readers with its vigour and power. Although he wrote much verse in the then fashionable style of Augustan English, it is his Scots verse which, in its great warmth, humanity, satire, and hilarious comedy, is his enduring legacy.His work covers the whole gamut of human emotions and experience and his subject matter ranges from drunken encounters with the notorious City Guard to quieter reflections on pastoral themes. Fergusson died in 1774 at the age of only 24.

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Over a fifty-year career, Robert Grosvenor has produced a body of work that is at once solidly physical and conceptual, muscular and fluid. Grosvenor frequently uses industrial materials and found objects as he experiments with texture and scale, resulting in sculptures that reveal a handmade quality and subtle vein of humor. In 2017, the Renaissance Society presented an exhibition of the sculptor’s untitled work from 1989 to 1990. Re-contextualized within a spare architectural installation, this assemblage of materials and found objects eludes interpretation at the same time as it asserts its form and construction. Such nuances, combined with its ambiguous scale, evoke what critic John Yau has suggested is the labor of an “anonymous worker.” Grosvenor has made significant contributions as a sculptor over the past fifty years, but relatively few books have been published about his work. This monograph documents the Renaissance Society show and also features new scholarship considering Grosvenor’s work with a broad scope. The text includes contributions by Yves-Alain Bois, Bruce Hainley, Susan Howe, John Yau, and Renaissance Society executive director and chief curator Solveig Øvstebø.

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Robert Walser (1878–1956) war ein brillanter Stilist und Großmeister der literarischen Umkreisung. In den vergangenen Jahrzehnten wurde der hochrangige Schriftsteller der Moderne meist als zu Lebzeiten getreten und verkannt beschrieben. In Wahrheit publizierte Walser in den besten deutschen Verlagen und wichtigsten Zeitungen. Zudem verkehrte er in feinen Salons und brachte es zum Sekretär der Berliner Secession. Wie der privatistische und skrupulöse Krämersohn aus der schweizerischen Provinz dann auf gesellschaftliche Höhen pfiff, seinen grobfreiwilligen sozialen Abstieg begann, sich von den modernen Zumutungen fernhielt und fast drei Jahrzehnte bei klarem Verstand als Insasse einer Heilanstalt verlebte, erzählt Perikles Monioudis in scharfsinniger wie höchst einfühlsamer Weise. Er folgt Walsers poetischem Instinkt und erhellt, warum dessen umfangreiches, tiefgreifendes Prosawerk heute so viele Leser weltweit begeistert.

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In 1958, a powerful new voice in American poetry emerged from the windswept prairie farmland of western Minnesota. Beginning with publication of The Fifties, “a magazine of poetry, translation and general opinion,” Robert Bly’s transformative poetry, translations, essays, and poetry readings rolled across the country like an invigorating prairie storm. In his eighty-third year, to celebrate acquisition of his archives, the Elmer L. Andersen Library at the University of Minnesota sponsored a major conference, Robert Bly in This World. This is the record of that historic event. Scholars and authors from America and England presented papers on Bly’s poetry, translations, criticism, mythopoetic storytelling, and other major achievements, including his annual Great Mother and Minnesota Men’s conferences. A trip to Madison, Minnesota, where Bly’s writing studio has been restored and preserved on the Lac Qui Parle County fairgrounds, is also chronicled here, plus intimate appreciations by Bly’s friends and admirers Coleman Barks, Donald Hall, Jane Hirshfield, Lewis Hyde, and others. A vintage documentary on Bly, A Man Writes to a Part of Himself, screened at the conference, is included as a DVD in a supplement to the book. In Robert Bly’s long career as a poet and translator, he has authored more than forty volumes. His pioneering prose explorations of ancient stories include the international bestseller Iron John. His latest collection of poems, Talking into the Ear of a Donkey, was released in 2011.

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In 1974, Robert Nozick's book Anarchy, State, and Utopia moved libertarianism from a relatively neglected subset of political philosophy to the center of the discipline, as one of the most cogent critiques of social democracy and egalitarian liberalism. Nozick developed a rights-based account of libertarianism to show that a minimal state can legitimately arise, that nothing more than a minimal state is justified, and that the minimal state is not only morally right, but can also be an inspiring 'meta-utopia'. This volume presents Nozick's contributions to political philosophy in the context of his work in analytical philosophy. It also provides a biography of Nozick and considers the initial reception and long-term influence of his work.

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Robert Venturi's Rome is a guidebook to the city of Rome, seen through the eyes of Robert Venturi, reinterpreted by two subsequent Rome Prize fellows and architects, Frederick Fisher and Stephen Harby. Published in 1966, Venturi looks at architecture, landscape and art as different manifestations of common themes. For students, the book is fundamental to the development of any young architect's outlook on architecture. Venturi wrote the book following a two year Rome Prize fellowship at the American Academy in Rome, and there is no doubt that the city had a profound influence on his thinking. He used many buildings in Rome as examples to illustrate his theories. From the Pantheon, through works by his favourite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rome as a complex and contradictory city.

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Sir Robert Hunter (1844–1913) is one of three figures regarded as the principal founders of the National Trust. It was he who came up with the idea for the organization, paved the way for its legal creation and served as its first Chairman. Hunter was never one to crave public attention; nevertheless he was a highly influential figure behind the scenes of the late-Victorian movement for landscape and building preservation in Britain. His love of nature, of open spaces, and of the infinite pleasures to be had from countryside resulted in the saving of open landscapes – including preventing the enclosure of Hampstead Heath and Epping Forest¬ – along with the protection of footpaths and ancient monuments. Hunter’s death aged 69 in 1913 was a tragic loss. A century later we remember the many achievements of this ‘faithful servant of the people’.

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This re-release of fan-favourite adaptation of Robert Silverberg's Downward to the Earth is accompanied by the highly-anticipated Children of Belzagor, the original and never before released sequel. From the mind of legendary American science-fiction writer Robert Silverberg. What began in his acclaimed Downward to the Earth continues in this collection! First, Return to Belzagor, the fan-favorite adaptation of Downward to the Earth as adapted by writer Philippe Thirault and Eisner-nominated artist Laura Zuccheri. Then, the story continues in the all-new Children of Belzagor, a Silverberg-approved tale of legacy and the lasting effects of colonialism.Return to Belzagor - Ex-lieutenant Eddie Gundersen returns to Belzagor, where he left behind his youthful illusions, the love of his life, and a shameful history as a brutal colonialist. Today, the planet has been returned to its two native, intelligent spe

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Nava’s playful update of history painting forges “new myths” for our times This is the first monograph on New York–based artist Robert Nava (born 1985), who paints using a raw, energetic mixing of spray paint, acrylics and grease pencil. Nava’s paintings of fantastical, hybrid beasts, angels and monsters exude a playful candidness that invites viewers to reconnect with the unbridled imagination of their childhoods. Nava’s strongly contemporary aesthetic is deeply rooted in art history and the tradition of monumental history painting. Focusing on Nava's first exhibition in London, this fully illustrated book includes his new series of large-scale battle scene paintings featuring a chimerical world of metamorphic creatures, drawing inspiration from sources as disparate as prehistoric cave paintings, Egyptian art and cartoons. A text by art historian Jason Rosenfeld and an interview with renowned sculptor Huma Bhabha also feature. With photographs of Nava's sketchbooks and the artist working in his studio, this book is a personal and comprehensive view of his work and process.

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Zimbabwe’s President Robert Mugabe sharply divides opinion and embodies the contradictions of his country’s history and political culture. As a symbol of African liberation and a stalwart opponent of white rule, he was respected and revered by many. This heroic status contrasted sharply, in the eyes of his rivals and victims, with repeated cycles of gross human rights violations. Mugabe presided over the destruction of a vibrant society, capital flight, and mass emigration precipitated by the policies of his government, resulting in his demonic image in Western media. This timely biography addresses the coup, led by some of Mugabe’s closest associates, that forced his resignation after thirty-seven years in power. Sue Onslow and Martin Plaut explain Mugabe’s formative experiences as a child and young man; his role as an admired Afro-nationalist leader in the struggle against white settler rule; and his evolution into a political manipulator and survivalist. They also address the emergence of political opposition to his leadership and the uneasy period of coalition government. Ultimately, they reveal the complexity of the man who stamped his personality on Zimbabwe’s first four decades of independence.

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Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title.Kirkman's story is a fanboy's dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator's complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era.

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Police chief Jesse Stone returns in the newest novel in Robert B. Parker's New York Times bestselling series, and this case hits right at the heart of the Paradise police force. Jesse Stone is back on the job after a stint in rehab, and the road to recovery is immediately made bumpy by a series of disturbing and apparently racially motivated crimes, beginning with the murder of an African American woman. Then, Jesse's own deputy Alisha - the first black woman hired by the Paradise police force - becomes the target of a sophisticated frame-up. As he and his team work tirelessly to unravel the truth, he has to wonder if this is just one part of an even grander plot, one with an end game more destructive than any of them can imagine. At the same time, a mysterious young man named Cole Slayton rolls into town with a chip on his shoulder and a problem with authority - namely, Jesse. Yet, something about the angry twenty-something appeals to Jesse, and he takes Cole under his wing. But there's more to him than meets the eye, and his secrets might change Jesse's life forever.

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Browning has been identified as the greatest nineteenth century poet of human psychology, but the category most popular in his own time defined him as a poet of 'the grotesque'. In this book, John Woolford undertakes to specify the precise meaning and scope of this term, in the process placing him in a major aesthetic tradition running from the Romantic Sublime through to modern concepts and theorisations of the grotesque, such as the Bakhtinian. This study subsumes the other major critical discourse fertilised by his work, the 'dramatic monologue', but adds to that other notable features of it, such as its lucid language, and what has impeded his full appreciation hitherto, its difficulty. The study seeks, not to excuse but to explain and celebrate the intellectual white heat at which he worked, and to position all aspects of his output within a unified theory of its significance. Browning was arguably the cleverest of the English poets, but he was more than that: contemporary comparisons of him with Chaucer and Shakespeare are not misplaced.

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Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, com- bining technical and formal mastery with unexpected, often provocative content that secured his place in history. Mapplethorpe's artistic vision helped shape the social and cultural fabric of the 1970s and 80s and, following his death in 1989 from AIDS, informed the political landscape of the 1990s. His photographic works continue to resonate with audiences all over the world. Throughout his career, Mapplethorpe preserved studio files and art from every period and vein of his production, including student work, jewelry, sculptures, and commercial assignments. The resulting archive is fascinating and astonishing. With over four hundred illustrations, this volume surveys a virtually unknown resource that sheds new light on the artist's motivations, connections, business acumen, and tal- ent as a curator and collector.

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In August 1992 Robert Frank’s good friend and antique dealer Reginald Rankin invited Frank on a trip to Pangnirtung, a village of around 1,300 Inuit inhabitants in the Arctic Circle. This book is Frank’s documentation of the five-day sojourn. Curiously Frank depicts Pangnirtung void of its people: the still harbour, public housing, a convenience store, a telephone post. Sincere without being sentimental, the photos are shaped by a short text from Frank himself, “Prefabricated homes along the main road in Pangnirtung. At times a decorated window – reflections inside or outside. Stones – maybe the balance of a big sky above…” Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1958, which gave rise to a distinct new form in the photo-book, and his experimental film Pull My Daisy, made in 1959. Frank’s other important projects include the books Black White and Things, 1952, and The Lines of My Hand, 1972, and the film Cocksucker Blues for the Rolling Stones, 1972. He divides his time between New York City and Nova Scotia, Canada.

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An intensely intellectual painter, Robert Motherwell is renowned for his distinctive Abstract Expressionist style. The seminal artist permeated his gestural works with an expressionism and austerity reflective of the human psyche; at the same time his oeuvre addressed political and humanitarian themes. Robert Motherwell: Pure Painting is an in-depth exploration of his artistic practice. Leading art scholars examine the American artist’s turn from Surrealism to abstraction and analyze the major series that developed over his fifty-year career. The catalogue studies the dialogue between Motherwell’s art and the nineteenth-century French painting tradition, investigates his relationship to Spanish techniques and processes, with an emphasis on their underlying political significance, and delves into Motherwell’s use of ochre pigment, with its evocation of both deep geological time and avant-garde practices.

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