Search results for ""american university in cairo press""

This multi-layered novel about the depths of human experience and the struggle between polarities, on the surface presents a love story of unrequited passion between Rama and Mikhail. Their story reflects the relationship not only between man and woman, Copt and Muslim, but also between Upper and Lower Egypt. Through a delicate grid of intertextual references and juxtaposed narratives, the dreams and hopes, fears and defeats of Rama and Mikhail move from the local to the global, corresponding to human dreams and anxieties everywhere.

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Tsenhor was born about 550 bce in the city of Thebes (Karnak). She died some sixty years later, having lived through the reigns of Amasis II, Psamtik III, Cambyses II, Darius I and perhaps even Psamtik IV. By carefully retracing the events of her life as they are recorded in papyri now kept in museums in London, Paris, Turin, and Vienna, the author creates the image of a proud and independent businesswoman who made her own decisions in life. If Tsenhor were alive today she would be wearing jeans, drive a pick-up, and enjoy a beer with the boys. She clearly was her own boss, and one assumes that this happened with the full support of her second husband Psenese, who fathered two of her children. She married him when she was in her mid-thirties. Like her father and husband, Tsenhor could be hired to bring offerings to the dead in the necropolis on the west bank of the Nile. For a fee of course, and that is how her family acquired high-quality farm land on more than one occasion. But Tsenhor also did other business on her own, such as buying a slave and co-financing the reconstruction of a house that she owned together with Psenese. She seems in many ways to have been a liberated woman, some 2,500 years before the concept was invented.Embedded in the history of the first Persian occupation of Egypt, and using many sources dealing with ordinary women from the Old Kingdom up to and including the Coptic era, this book aims to forever change the general view on women in ancient Egypt, which is far too often based on the lives of Nefertiti, Hatshepsut, and Cleopatra.

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Saleem, fed up with all the violence, religiosity, and strict family hierarchies of his Iraqi village, flees to Spain to establish a new life for himself. But his lonely exile is turned upside down when he encounters his father, Noah, in a Madrid nightclub after not seeing him in more than a decade. Noah looks and acts like a new man, and Saleem sets out to discover the mystery of his father's presence in Spain and his altered life. In doing so, he recalls formative moments in Iraq of familial love, war, and the haunting accidental death of his cousin Aliya, Saleem's partner in the hesitant, tender exploration of sexuality. When the renewed relationship with his father erupts in a violent conflict, Saleem is forced to rediscover his sense of self and the hard-won stability of his life. Through Saleem's experiences and reflections, the fast-paced narrative carries the reader between Spain and Iraq to a surprising resolution.

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This sequel to the well-known kullu tamam!, on Egyptian Arabic, by the same authors, focuses on the modern written language used in real life by providing short texts taken from Egyptian newspapers, official statements, and the internet, and introduces personal and business letters, some of them in handwritten form (ruq‘a). For those who have studied kullu tamam!, the first lessons give contrastive word lists and exercises to make the link with Egyptian Colloquial Arabic. Extensive pattern drills, translation exercises in both directions, and writing exercises aid understanding and encourage active use of the language. The key to the exercises, the Arabic –English / English –Arabic glossary, and the audio CD containing the texts allow for classroom use as well as for self-study.

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The first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent culturesTogether with such figures as the scholar Taha Hussein, the playwright Tawfik al-Hakim, the short story writer Mahmoud Teymour and—of course—Naguib Mahfouz, Yahya Hakki belongs to that distinguished band of early writers who, midway through the last century, under the influence of Western literature, began to practice genres of creative writing that were new to the traditions of classical Arabic.In the first story in this volume, the very short ‘‘Story in the Form of a Petition,’’ Yahya Hakki demonstrates his ease with gentle humor, a form rare in Arabic writing. In the following two stories, ‘‘Mother of the Destitute’’ and ‘‘A Story from Prison,’’ he describes with typical sympathy individuals who, less privileged than others, somehow manage to scrape through life’s hardships. The latter story deals with the people of Upper Egypt, for whom the writer had a special understanding and affection. It is, however, for the title story (in fact, more of a novella) of this collection that the writer is best known. Recounting the difficulties faced by a young man who is sent to England to study medicine and who then returns to Egypt to pit his new ideals against tradition, ‘‘The Lamp of Umm Hashim’’ was the first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent cultures.

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An illustrated cultural guide to the archaeological site of Amarna, the best-preserved pharaonic city in Egypt, now in ArabicAround three thousand years ago, the pharaoh Akhenaten turned his back on Amun, and most of the great gods of Egypt. Abandoning Thebes, he quickly built a grand new city in Middle Egypt, Akhetaten—Horizon of the Aten—devoted exclusively to the sun god Aten.Huge open-air temples served the cult of Aten, while palaces were decorated with painted pavements and inlaid wall reliefs. Akhenaten created a new royal burial ground deep in a desert valley, and his officials built elaborate tombs decorated with scenes of the king and his city. As thousands of people moved to Akhetaten, it became the most important city in Egypt. But it was not to last. Akhenaten’s death brought the abandonment of his city and an end to one of the most startling episodes in Egyptian history.Today, Akhetaten is known as Amarna, a sprawling archaeological site in the province of Minya, halfway between Cairo and Luxor. With its beautifully decorated tombs and vast mud-brick ruins, it is the best-preserved pharaonic city in Egypt.This informed and richly illustrated guidebook brings the ancient city of Akhetaten alive with a keen insider’s eye, drawing on ongoing archaeological research and the knowledge and insight of Amarna’s modern-day communities and caretakers to explain key monuments and events, while offering invaluable practical advice for visiting the site. With over 150 illustrations, maps, and plans, Amarna is both an ideal introduction for visitors to Amarna and a window onto the extraordinary reign of Akhenaten.

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Cairo is an exploding modern metropolis of eighteen million people that nevertheless preserves within its heart the finest medieval city in the world, its alleys, mosques, and caravanserais the original setting for the Arabian Nights, whose atmosphere is palpable still for the visitor wandering through its bazaars, while at sunset the Pyramids glow gold against the Western Desert as they have done for one million seven hundred thousand evenings past. The monuments of pharaohs and sultans lie within the city’s reach, making Cairo and its environs an unequaled storehouse of human achievement.In this guide to the largest city in Africa and the political and cultural fulcrum of the Arab world, Michael Haag explores Cairo’s past and present in word and picture, from Saqqara to the Citadel of Saladin, from the ancient synagogue and churches of Old Cairo to the skyscrapers along the Nile, from Khan al-Khalili, the vast bazaar as intricate as inlay work, to the Belle Epoque façades of the downtown streets, and introduces you to the treasures of three great civilizations at the Islamic, Coptic, and Egyptian Antiquities museums. Beautifully illustrated with 150 color photographs, this is a fascinating armchair tour of Cairo in all its variety.

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Ancient Egyptian medicine employed advanced surgical practices, while the prevention and treatment of diseases relied mostly on natural remedies and magical incantations. Following the successful first volume of The Medicine of the Ancient Egyptians, which dealt with surgical practices and the treatment of women and children, this second volume explores a wide range of internal medical problems that the Egyptian population suffered in antiquity, and various methods of their treatment. These include ailments of the respiratory, digestive, and circulatory systems, chiefly heart diseases of various types, coughs, stomachaches, constipation, diarrhea, internal parasites, and many other medical conditions. Drawing on formulas and descriptions in the Ebers papyrus and other surviving ancient Egyptian medical papyri, as well as physical evidence and wall depictions, the authors present translations of the medical treatises together with commentaries and interpretations in the light of modern medical knowledge. The ancient texts contain numerous recipes for the preparation of various remedies, often herbal in the form of pills, drinks, ointments, foods, or enemas. These reveal a great deal about ancient Egyptian physicians and their deep understanding of the healing properties of herbs and other medicinal substances. Illustrated with thirty-five photographs and line drawings, The Medicine of the Ancient Egyptians: 2: Internal Medicine is highly recommended reading for scholars of ancient Egyptian medicine and magic, as well as for paleopathologists, medical historians, and physical anthropologists.

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Based on both academic research and the author’s own personal experiences and impressions, this delightful and informative book examines the underlying causes of some of the more disturbing social, political, economic, and cultural phenomena that characterize Egyptian society in modern times.Through a fascinating and often highly entertaining examination of issues ranging from the middle class, religious fanaticism, and attitudes to the West and Western culture, to the Egyptian institution of the summer holiday by the sea and the performing arts and entertainment, Amin posits that social mobility after the 1952 Revolution changed the customs and habits, moral and material values, and patterns of consumption and investment of the aspiring classes.This insightful book will prove a thought-provoking read for those concerned with emerging economies, international development, and privatization, and will intrigue anyone with an interest in the social history of Egypt.

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The first book to reveal the private life of an Englishwoman whose contribution to the recording of Egypt's ancient past has long been overlooked An Artist in Abydos is the first book to recognize Broome's great contribution to the work done during this golden age of excavation in Upper Egypt. In this remarkable account, Lee Young tells the story of Myrtle Broome, who died in 1978, largely through her letters. An only child and a prolific writer, Broome wanted her parents to know every facet of her life in Egypt. Her frequent letters to them vividly capture life in the villages, the traditions of the local people, the work of artisans, such as weaving and pot-making, and festivals, ceremonies, and music. In fascinating detail, the letters also depict Broome's living conditions providing us with a personal account of what it was like to be an English, working woman living abroad in Egypt in the 1930s. Myrtle Florence Broome was born in 1888 to artistica

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This informed and richly illustrated guidebook brings the ancient city of Akhetaten alive with a keen archaeological eye, drawing on ongoing archaeological research and the knowledge and insight of Amarna’s modern-day communities and caretakers to explain key monuments and events, while offering invaluable practical advice for visiting the site. With over 140 illustrations, maps, and plans, Amarna is both an ideal introduction for visitors to Amarna and a window onto the extraordinary reign of Akhenaten. Huge open-air temples served the cult of Aten, while palaces were decorated with painted pavements and inlaid wall reliefs. Akhenaten created a new royal burial ground deep in a desert valley, and his officials built elaborate tombs decorated with scenes of the king and his city. As thousands of people moved to Akhetaten, it became the most important city in Egypt. But it was not to last. Akhenaten’s death brought the abandonment of his city and an end to one of the most startling episodes in Egyptian history. Today, Akhetaten is known as Amarna, a sprawling archaeological site in the province of Minya, halfway between Cairo and Luxor. With its beautifully decorated tombs and vast mud-brick ruins, it is the best-preserved pharaonic city in Egypt.

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This illustrated book is the culmination of a project to document and conserve the tomb of Menna, one of the most beautiful and complex painted tombs of the ancient Egyptian necropolis at Luxor. Through conservation, the tomb, which previously lay open to environmental influence, was brought back to its former glory. Aided by non-invasive methods of scientific analysis, the historical and cultural importance of Menna’s paintings can now be viewed and studied and enjoyed by a worldwide audience. High-definition photography and drawings complement specialist essays by scholars, scientists, and technicians, who discuss the artistic and cultural significance of the paintings, their architectural context, and scientific importance. Directed by Dr. Hartwig and administered by the American Research Center in Egypt (ARCE) as part of its Egyptian Antiquities Conservation Project, the project was funded by a grant from the United States Agency for International Development (USAID), sponsored by Georgia State University, and carried out in collaboration with Egypt’s Supreme Council of Antiquities.

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Nefertiti’s current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s–1840s, and then took on the world over the next century and beyond. During the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the 'Amarna Revolution' occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself.

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An exploration of how young artists imagine and maintain hope in post-revolutionary Egypt Creating Spaces of Hope explores some of the newest, most dynamic creativity emerging from young artists in Egypt and the way in which these artists engage, contest, and struggle with the social and political landscape of post-revolutionary Egypt. How have different types of artistsstudio artists, graffiti artists, musicians and writersresponded personally and artistically to the various stages of political transformation in Egypt since the January 25 revolution? What has the political or social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world? Based on personal interviews with artists over many years of research in Cairo, Caroline Seymour-Jorn moves beyond current understandings of creative work primarily as a form of resistance or pol

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Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers—to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.

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Mut was an important deity perhaps best known as the consort of Amun-Re and the mother of Khonsu, but her earlier and far more independent role was as the daughter of the sun god, much akin to Hathor. Like Nekhbet and Wadjet and the other lioness goddesses (referred to as Sekhmet) she was the 'Eye of Re', who could be both benign and dangerous. In human form, Mut protected the king and his office; as Sekhmet she could destroy Egypt if not pacified. The Mut precinct was a major religious center from the Eighteenth Dynasty to the Roman Period, but evidence suggests the existence of an even earlier temple. It expanded during the reign of the Kushite king, Taharqa and attained its present size during the fourth century BCE, sheltering three major temples, several small chapels, and eventually, a village within the protection of its massive enclosure walls. One of its most striking features is the hundreds of Sekhmet statues. In 1976, the Brooklyn Museum began the first systematic exploration of the precinct as a whole. Since 2001, Brooklyn has shared the site with an expedition from the Johns Hopkins University, both teams working cooperatively toward the same goal. This richly illustrated guide seeks to bring the goddess and her temple precinct the attention they deserve.

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A series of gruesome murders shakes the city of Casablanca. The killer knows exactly how the police will pursue him and how to obliterate evidence that could lead them to identify his victims. Fear spreads throughout the city as rumors abound that a serial killer is on the loose. Detective Hanash, despite his reputation, has hit a dead end. But he knows the killer will make a mistake, and it is up to him and his team to hunt down and capture this brutal criminal. Then comes the most audacious homicide: the victim is found on the first day of the Eid holiday, directly outside the police headquarters in the center of town. Is the killer taunting the police and its famous detective? And could this be the crime that contains the clue that Hanash has been waiting for?

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The three-thousand-year-old rock-cut temples at Abu Simbel and the story of their rescue from the rising waters of Lake Nasser in the 1960s are almost as familiar worldwide as the tale of the gold funerary mask and brief life of the boy king Tutankhamun. Yet although they are among the most celebrated, visited, and photographed archaeological sites in the world, the two temples are among the least understood by the visitor. In this lucidly written, beautifully illustrated guide, Nigel Fletcher-Jones explains the main features of both temples, discusses what they teach us about ancient Egypt during the reign of Rameses II (1265–1200 BC), and illustrates which gods and goddesses were worshipped here. With over 80 new photographs, drawings, and diagrams, and packed with fascinating insights, The Brief Guide to Abu Simbel is an indispensable companion and souvenir to one of the world’s great archaeological sites.

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Along with football and religion, housing is a fundamental cornerstone of Egyptian life: it can make or break marriage proposals, invigorate or slow down the economy, and popularize or embarrass a ruler. Housing is political. Almost every Egyptian ruler over the last eighty years has directly associated himself with at least one large-scale housing project. It is also big business, with Egypt currently the world leader in per capita housing production, building at almost double China’s rate, and creating a housing surplus that counts in the millions of units. Despite this, Egypt has been in the grip of a housing crisis for almost eight decades. From the 1940s onward, officials deployed a number of policies to create adequate housing for the country’s growing population. By the 1970s, housing production had outstripped population growth, but today half of Egypt’s one hundred million people cannot afford a decent home. Egypt's Housing Crisis takes presidential speeches, parliamentary reports, legislation, and official statistics as the basis with which to investigate the tools that officials have used to ‘solve’ the housing crisis—rent control, social housing, and amnesties for informal self-building—as well as the inescapable reality of these policies’ outcomes. Yahia Shawkat argues that wars, mass displacement, and rural–urban migration played a part in creating the problem early on, but that neoliberal deregulation, crony capitalism and corruption, and neglectful planning have made things steadily worse ever since. In the final analysis he asks, is affordable housing for all really that hard to achieve?

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In 1798, young French general Napoleon Bonaparte entered Egypt with a veteran army and a specialist group of savants—scientists, engineers, and artists—his aim being not just conquest, but the rediscovery of the lost Nile kingdom. A year later, in the ruins of an old fort in the small port of Rosetta, the savants made a startling discovery: a large, flat stone, inscribed in Greek, demotic Egyptian, and ancient hieroglyphics. This was the Rosetta Stone, key to the two-thousand-year mystery of hieroglyphs, and to Egypt itself. Two years later, French forces retreated before the English and Ottoman armies, but would not give up the stone. Caught between the opposing generals at the siege of Alexandria, British special agents went in to find the Rosetta Stone, rescue the French savants, and secure a fragile peace treaty. Discovery at Rosetta uses French, Egyptian, and English eyewitness accounts to tell the complete story of the discovery, decipherment, and capture of the Rosetta Stone, investigating the rivalries and politics of the time, and the fate of the stone today.

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The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911–74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef’s aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children. Less well known are Wissa Wassef’s prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef’s architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular. The Architecture of Ramses Wissa Wassef reveals Wissa Wassef’s profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt’s architectural heritage at a moment when that heritage is at risk of being lost.

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This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship and his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution, the rise and fall of the Muslim Brotherhood, and the new era of President Sisi.

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In the 1970s, once-cosmopolitan Alexandria was at the forefront of the clash between Nasser’s socialist-era principles and the burgeoning fundamentalist movement. Five idealistic students find themselves caught up in this tangled web, as their leftist activism makes them a target both from government surveillance and the Islamist groups seeking to curtail the city’s social life. The group of friends’ participation in the explosive ‘bread riots’ is swiftly followed by the crushing experience of prison, and the course of their young lives changes irrevocably. The final part in Ibrahim Abdel Meguid’s Alexandria trilogy conjures up this turbulent era in rich detail. This story of young love, aspiration for social change, disillusionment and frustration will resonate with readers today.

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Outsiders have long observed the contours of the flourishing scholarly traditions of African Muslim societies, but the most renowned voices of West African Sufism have rarely been heard outside of their respective constituencies. This volume brings together writings by Uthman b. Fudi (d. 1817, Nigeria), Umar Tal (d. 1864, Mali), Ahmad Bamba (d. 1927, Senegal), and Ibrahim Niasse (d. 1975, Senegal), who, between them, founded the largest Muslim communities in African history. Jihad of the Pen offers translations of Arabic source material that proved formative to the constitution of a veritable Islamic revival sweeping West Africa in the nineteenth and twentieth centuries. Recurring themes shared by these scholars—etiquette on the spiritual path, love for the Prophet Muhammad, and divine knowledge—demonstrate a shared, vibrant scholarly heritage in West Africa that drew on the classics of global Islamic learning, but also made its own contributions to Islamic intellectual history. The authors have selected enduringly relevant primary sources and richly contextualized them within broader currents of Islamic scholarship on the African continent. Students of Islam or Africa, especially those interesting in learning more of the profound contributions of African Muslim scholars, will find this work an essential reference for the university classroom or personal library.

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Born into a working-class Coptic family in the provincial town of Tanta, in Egypt’s lush Nile Delta, Yusuf Tadrus is fascinated from a young age by light and shadow, spending his time drawing, making toys out of discarded objects he finds in the alley, and dreaming of becoming an artist and stepping into a broader world. As he grows into adulthood, he hones his talent, but his ambitions are checked: by the responsibilities of family, marriage, and work; by his own lack of self-confidence, his ambivalence, and at times his recklessness; and by society’s expectations and prejudices. Adel Esmat provides an intimate glimpse into Egyptian Christian life and, with sensitivity and honesty, tells of the struggles faced by an artist who seeks to remain true to his calling.

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From the early nineteenth century through to the 1960s, the Greeks formed the largest, most economically powerful, and geographically and socially diverse of all European communities in Egypt. Although they benefited from the privileges extended to foreigners and the control exercised by Britain, they claimed nonetheless to enjoy a special relationship with Egypt and the Egyptians, and saw themselves as contributors to the country’s modernization. The Greeks and the Making of Modern Egypt is the first account of the modern Greek presence in Egypt from its beginnings during the era of Muhammad Ali to its final days under Nasser. It casts a critical eye on the reality and myths surrounding the complex and ubiquitous Greek community in Egypt by examining the Greeks’ legal status, their relations with the country’s rulers, their interactions with both elite and ordinary Egyptians, their economic activities, their contacts with foreign communities, their ties to their Greek homeland, and their community life, which included a rich and celebrated literary culture. Alexander Kitroeff suggests that although the Greeks’ self-image as contributors to Egypt’s development is exaggerated, there were ways in which they functioned as agents of modernity, albeit from a privileged and protected position. While they never gained the acceptance they sought, the Greeks developed an intense and nostalgic love affair with Egypt after their forced departure in the 1950s and 1960s and resettlement in Greece and farther afield. This rich and engaging history of the Greeks in Egypt in the modern era will appeal to students, scholars, travelers, and general readers alike.

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Egypt has placed its hopes on developing its vast and empty deserts as the ultimate solution to the country's problems. New cities, new farms, new industrial zones, new tourism resorts, and new development corridors, all have been promoted for over half a century to create a modern Egypt and to pull tens of millions of people away from the increasingly crowded Nile Valley into the desert hinterland. The results, in spite of colossal expenditures and ever-grander government pronouncements, have been meager at best, and today Egypt's desert is littered with stalled schemes, abandoned projects, and forlorn dreams. It also remains stubbornly uninhabited. Egypt's Desert Dreams is the first attempt of its kind to look at Egypt's desert development in its entirety. It recounts the failures of governmental schemes, analyzes why they have failed, and exposes the main winners of Egypt's desert projects, as well as the underlying narratives and political necessities behind it, even in the post-revolutionary era. It also shows that all is not lost, and that there are alternative paths that Egypt could take.

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The articles in Alif 37 address the intersection of literature and journalism, in a wide variety of Arabophone, Francophone, Anglophone, and Latin American contexts, analyzing the literary in relation to an array of journalistic genres and forums, including the interview, investigative journalism, the questionnaire, the blogosphere, creative non-fiction and reportage, literary websites, cultural periodicals, the autobiographical essay, and writers’ opinion articles. Complemented by the testimonies of two journalist–littérateurs and an interview with an artist–poet–art critic, the studies present fresh aspects of Arab literary modernity, littérature engagée, the politics of reception and translation in cultural journalism, canon-formation in relation to journalism, the journalistic delineation of a literary generation’s profile, gender and censorship of creative writers, and revolution and civil strife.

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Jerusalem has a special status as a city that is both terrestrial and celestial. The name includes a cognate for 'peace, ' but the old stones of the city have witnessed epic bloodshed and destruction over the centuries. The three great monotheistic religions all regard it with especial fervor, and it has for at least two millennia attracted pilgrims intent on seeing it before they die. This rich and compelling anthology of travelers' writings attempts to convey something of the diverse experiences of visitors to this most complex and enigmatic of cities. A Jerusalem Anthology takes us on a journey through a city, not just of illusion and powerful accumulated religious emotion, but of colors, lights, smells, and sounds, an inhabited city as it was directly experienced and lived in through the ages. Memoirs of visitors such as as sixth-century AD pilgrim Saint Silvia of Bordeaux, medieval Jerusalemite al-Muqaddasi, Grand Tour voyagers Gustave Flaubert and Alexander Kinglake, the humorous Mark Twain, or the cynical T.E. Lawrence provide vivid and sometimes disturbing vignettes of the Holy City at very different times in its tumultuous history.

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This book explores the long-term trends in the development of what was the first complex civilization in history, the Old Kingdom of Egypt (c. 2650–2200 BC), the period that saw the construction of eternal monuments such as Djoser’s Step Pyramid complex in Saqqara, the pyramids of the great Fourth Dynasty kings in Giza, and spectacular tombs of high officials throughout Egypt. The present study aims to show that the historical trajectory of the period was marked by specific processes that characterize most of the world’s civilizations: the role of the ruling elite, the growth of bureaucracy, the proliferation of interest groups, and adaptation to climate change, to name but a few—and the way that these processes held the germ of ultimate collapse. The case is made that the rise and fall of the Old Kingdom state is of relevance to the study of the anatomy of development of any complex civilization.

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In the Greco-Roman catacombs of Alexandria, uniquely decorated tombs from the time when religious boundaries blurred and syncretistic beliefs flourished have long been known. But it was only in 1993 that researchers discovered faint traces of paintings on walls previously thought to be blank, or underneath other painted scenes: the hidden scenes could be partly made out and photographed using ultraviolet light. Then in 2012, new computer technology was used to reveal the lost images and colors even more clearly.Here the team present, examine, and interpret what they found, teasing meaning and intent from the alternating scenes of Greek and Egyptian mythology, as employed by the citizens of a multicultural Alexandria at the beginning of the second century CE, in pursuit of a happy afterlife.

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In 1968 Egyptian novelist and political exile Waguih Ghali committed suicide in the London flat of his editor, friend, and sometime lover, Diana Athill. Ghali left behind six notebooks of diaries that for decades were largely inaccessible to the public. The Diaries of Waguih Ghali: An Egyptian in the Swinging Sixties, in two volumes, is the first publication of its kind of the journals, casting fascinating light on a likable and highly enigmatic literary personality.Waguih Ghali (1930?-69), author of the acclaimed novel Beer in the Snooker Club, was a libertine, sponger, and manic depressive, but also an extraordinary writer, a pacifist, and a savvy political commentator. Covering the last four years of his life, Ghali's Diaries offer an exciting glimpse into London's swinging sixties. Volume 2 covers the period from 1966 to 1968. Moving from West Germany to London and Israel, and back in memory to Egypt and Paris, the entries boast of endless drinking, countless love affairs, and of mingling with the dazzling intellectuals of London, but the Diaries also critique the sinister political circles of Jerusalem and Cairo, describe Ghali's trepidation at being the first Egyptian allowed into Israel after the 1967 War, and confess in detail the pain and difficulties of writing and exile.Including an interview conducted by Deborah Starr with Ghali's cousin, former director of UNICEF-Geneva, Samir Basta.

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More ink has probably been spilled on Akhenaten and his times (`the Amarna Period') than any other figure from ancient Egypt, with a vast range of interpretations and theories that can leave the uninitiated utterly bewildered. Against this background, Akhenaten: A Historian's View examines what scholars have said over the years regarding key aspects of the period, to produce a `history of histories,' exploring exactly how various chains of arguments were arrived at-and how houses of cards thus erected have subsequently come tumbling down. In particular, it teases out ideas based on solid documentation from those based on theory and fancy, and tracks ways in which new evidence became available, how it was interpreted, and how it fed-or didn't-into the big picture. This book thus fills a major gap in the literature of the Amarna Period and also contributes to the wider, and much neglected, field of the historiography of ancient Egypt.

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This fully illustrated volume represents the most comprehensive examination yet of the life and work of the great Egyptian architect Hassan Fathy (1900-89), and the regional and international significance of his contribution to the lived environment. Eleven Egyptian and international scholars reveal the man, his milieu, his goals and his passions, his concept of social living and his fight for a humane model for affordable housing in tune with the environment, the application of these concepts in his numerous plans and buildings, his relations with the establishment, the extent of his influence, and the lasting legacy of his completed projects. Generously illustrated with archival and color photographs and the architect's own distinctive and beautifully decorated gouache plans and elevations, many never previously published.

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Bringing together writings by Egyptians, Arabs, men and women, Muslims, Copts, and Jews, this rich selection maps out many of the changes in Cairo's geopolitics and its urban fabric, while tracing spatial and social forms of polarization and new patterns of inclusion and exclusion within the expanding megacity. Through its thematic organization, The Literary Atlas of Cairo traces the developments that have taken place over a century in modes of literary production, and presents a unique historical cross-section of the actors within the Cairene literary field, to provide an unprecedented, original, and indispensable educational and research tool for scholars and students as well as a much wider readership interested in Egypt and Cairo in particular as one of the globe's largest historic, multi-cultural urban centers.

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Ancient Egypt's temples and tombs encompass images of exotic animals, birds, and plants that are no longer found in the country today, while the fossils of dinosaurs and ancient whales reveal an extraordinary legacy from prehistoric times. Egypt's environment has changed dramatically over millennia, and the species that have survived have made their homes in diverse terrain: deserts and mountains, the Nile Valley and sea coasts, temple ruins, and even city skies and streets.Today, Egypt's vibrant habitats host amazing cat, canine, and bird species, exotic residents like crocodiles and bats, numerous reptiles, butterflies, and insects, and domesticated animals like the camel. Tracing the history of Egypt's extinct species reveals an unusual timeline of geological transformations and climate change. The natural history of Egypt is often overlooked, yet invaluable to understanding Egyptology, as well as the country's future as the environment continues to drastically change.This colorful book combines the artwork and text of four of the AUC Press Nature Foldouts: Egypt's Flora & Fauna, Birds of the Nile Valley, Ancient Egypt's Wildlife, and Egypt's Prehistoric Fauna.Including striking full-color illustrations, photographs, diagrams and maps, and information from leading scientific experts, this book is a great introduction to Egypt's unique natural history.

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Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz "through works rich in nuance-now clear-sightedly realistic, now evocatively ambiguous-has formed an Arabic narrative art that applies to all mankind."Here Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt's Nobel literature laureate.

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Many traditional crafts practiced in contemporary Egypt can be traced back hundreds, if not thousands, of years. Scenes inscribed on the walls of ancient temples and tombs depict the earliest Egyptians making pottery and papyrus and working with stone, wood, and other materials. The eleven chapters of this volume explore these and other crafts that continue to flourish in Egypt. From copper and glass works to jewelry, woodwork, and hand-woven carpets and fabric, each chapter offers an in-depth look at one material or craft and the artisans who keep its traditions alive. The authors, drawing on historical sources and documentary research, sketch the evolution of each craft, looking into its origins, the development of tools and methods used in the craft, and the diverse influences that have shaped the form and function of craft items produced today, ranging widely through the pharaonic, Coptic, Islamic, and modern periods.This historical examination is complemented by extensive field research and interviews with craftsmen and women, which serve to set these crafts into a living cultural context and offer a window into the modern craft economy, the lives of craftspeople, and the local communities and traditions they express and sustain. The volume is amply illustrated with vivid photographs of contemporary craft items and artisans at work, from the coastal town of Damietta to the far-flung deserts and the ancient alleyways of Cairo. It is a narrative and visual tour that provides valuable insight into contemporary Egypt as seen through its material culture and the legions of unsung artists who nourish and enrich it.

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After the death of RamesesII, the Nineteenth Dynasty, soon fell into decline and familial conflict, culminating in a final civil war that ended with the accession of a new dynasty. Sethy I and Rameses II's promotion of a concept of a wider 'royal family' may have sown the seeds for the conflicts among their descendants.Aidan Dodson explores the mysteries of the origins of the usurper-king Amenmeses and the career of the 'king-maker' of the period, the chancellor Bay. Having helped to install at least one pharaoh on the throne, Bay's life was ended by his abrupt execution, ordered by the woman with whom he had shared the regency of Egypt for the young and disabled King Siptah. Finally, the author considers how that woman-Tawosret-became the last true female pharaoh, and how she finally lost her throne to the founder of the Twentieth Dynasty, Sethnakhte.

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Suzie Mohamad Galal, born in the Egyptian city of Suez during the War of Attrition in the late 1960s, is a woman of inner conflicts, at once a fighter and a lover, who traverses the boundaries of ethnicity and religion. Her whole life is intricately tied to the wars and political events taking place in Egypt. But as she grapples with where to begin her story of personal and national crises, questions of narration arise: which metaphor best serves the layers of meaning she wants to communicate, and whose voice is telling the story anyway? Red Wine is both timely in its attention to the issues of state brutality, religious extremism, and gender, and timeless in the way it deals with the themes of coming of age, guilt, and sadness.

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Less than ten years after the death of the Prophet Muhammad, the new religion of Islam arrived in Egypt with the army of Amr ibn al-As in AD 641. Amr immediately established his capital at al-Fustat, just south of modern Cairo, and there he built Africa's first mosque, one still in regular use today. Since then, governors, caliphs, sultans, amirs, beys, pashas, among others, have built mosques, madrasas, and mausoleums throughout Egypt in a changing sequence of Fatimid, Ayyubid, Mamluk, Ottoman, and modern styles. In this fully color-illustrated, large-format volume, a leading historian of Islamic art and culture celebrates the great variety of Egypt's mosques and related religious buildings, from the early congregational mosques, through the medieval mausoleum-madrasas, to the neighborhood mosques of the Ottoman and modern periods. With outstanding architectural photography and authoritative analytical texts, this book will be valued as the finest on the subject by scholars and general readers alike.

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The Sinai Peninsula holds a unique strategic and political significance for Egypt and its neighbours. Enclosed by the Suez Canal and bordering Gaza and Israel, Egypt's rugged eastern province has been the cornerstone of the Egyptian-Israeli peace accords, yet its internal politics and security have remained largely under media blackout. While the international press descended on the capital Cairo in January 2011, Sinai's armed rebellion was largely ignored. The regime lost control of the peninsula in a matter of days and since then, unprecendented chaos has reigned. In this crucial analysis, Mohannad Sabry argues that Egypt's shortsighted approach to national security has continually proven to be a failure.

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Although the Horn of Africa was historically one of the earliest destinations for Yemeni migrants, it has been overlooked by scholars, who have otherwise meticulously documented the Yemeni presence in the Indian Ocean region. Subjects of Empires/Citizens of States draws on rich ethnographic and historical research to examine the interaction of the Yemeni diaspora with states and empires in Djibouti and Ethiopia from the early twentieth century, when European powers began to colonize the region. In doing so, it aims to counter a dominant perspective in Indian Ocean studies that regards migrants across the region as by-products of personal networks and local oceanic systems, which according to most scholarship led to cosmopolitan spaces and hybrid cultures. Samson Bezabeh argues that far from being free from the restrictions of state and empire, these migrant communities were constrained, and their agency structured, by their interactions with the institutions and relations of states and empires in the region. Elegantly combining theoretical readings with extensive empirical findings, this study documents a largely forgotten period in the history of Yemeni migration as well as contributing to the wider debates on class, citizenship, and ethnicity in relation to diaspora groups. It will appeal to specialists in Middle East studies and to those who study the Indian Ocean and Horn of Africa regions, as well as to migration and diaspora studies scholars, nongovernmental organizations, and policy makers concerned with the Red Sea and Gulf of Aden region.

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Captain Murad is busy planning for the Afterlife.He dreams of a grand, sunlit mausoleum on the banks of the Nile.To realize his pharaonic folly, the retired captain kindles an unlikely romance between Hazem, a feckless architect longing for immortality, and Asma, an impoverished single mother who strives for a better life for her children. As Murad's tomb rises on the riverbank, so Hazem and Asma fall in love.A contemporary Egyptian romance of rare grace and wit, played out by characters trapped in their attitudes toward class and gender.

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Meet Hatem el-Shenawi, a Muslim TV preacher who has won fame and fortune through his show delivering Islam to the masses. Affable, sharp-witted, and well-connected to the government and business elite of Cairo, Shenawi seems at the top of his game. But when he is entrusted with a dangerous secret, one that could tip the whole country into chaos, the double-edged sword of his celebrity threatens him with scandal and ruin as he is drawn deeper into political intrigue and the dark underbelly of the state. Fast-paced and brilliantly observed, The Televangelist takes us on a journey into the corrupt nexus of power, money, media, and religious performance that has dominated Egypt in recent years.

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This collection of case-studies showcases the experiences of ten intriguing entrepreneurial ventures from emerging markets in the Arab world (Egypt, the UAE, Morocco, and Saudi Arabia). Readers will receive an in-depth insight on a variety of localized strategic, managerial, marketing, and innovative approaches and practices, which create unique challenges and opportunities in a region undergoing rapid political, social, and economic transformations. The unique case-studies address different stages within the exciting entrepreneurial cycle, from start-up to growth, sustainability, and international expansion. This casebook is a valuable resource for anyone wanting to know more about launching and sustaining a business within developing Arab economies, as well as being an effective teaching tool for disciplines related to new venture management and entrepreneurship.

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In an innovative approach to teaching Modern Standard Arabic, this new content-based book aims to bolster study for advanced high students in both linguistic skills and literary appreciation. Learners will read original one-act plays in Arabic by four great but very different playwrights: Tawfiq al-Hakim, Salah Abdul Sabur, Saadallah Wannus, and Abdel Karim Berrechid. The book's main aim is to allow students to understand the content as a basis for studying, evaluating, and appreciating these authors' plays. Creative reading tasks and exercises focus on the writing and literary styles of the four writers, while grammar is reinforced through text analysis and writing assignments, with an emphasis on building vocabulary and idiomatic expressions, as well as on developing a deeper understanding of cultural and historical issues. With an integrated skills approach, al-Rubaa contains not only reading but also writing, listening, speaking, and performance activities. The plays included in the book are: - Tawfiq al-Hakim, "The Council of Justice" - Salah Abdul Sabur, "A Night Traveler"- Saadallah Wannus: "The Elephant, O King of The Age "- Abdel Karim Berrechid: "Imru' al-Qays in Paris"

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In a small town in the Nile Delta lives Houda the deaf and mute butcher's apprentice. Revealing the town's private stories through public sign language, Houda articulates the unspoken and the forbidden, to unsettle the apparent quietude of rural society. But his own unrestrained desire threatens to scandalize the town and rock its codes of public behavior. When it is reported that he has violated the sanctity of his employer's own house, the whole town, with the butcher and Shaykh Saadoun, the pretending Sufi, in the lead, rises to avenge itself and publicly humiliate and ridicule Houda. The elaborate ruse planned by the butcher and the shaykh, playing on Houda's hopes, dreams, and fantasies, is foolproof--but while Houda may be a dreamer, he is certainly no fool. This original, satiric novel, introducing the reader to every public and private corner in the life of a small town, is both a daring critique of contemporary Egyptian reality and a thoroughly good read, a remarkable novel of sustained carnivalesque suspense and wicked black humor that marks the arrival of a true literary talent.

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