Search results for ""american university in cairo press""

The ancient Egyptian tomb evolved rapidly over a period of about 2,500 years, from a simple backfilled pit to an enormous stone pyramid with complex security arrangements. Much of this development was arguably driven by the ever-present threat of tomb robbery, which compelled tomb builders to introduce special architectural measures to prevent it. However, until now most scholarly Egyptological discussions of tomb security have tended to be brief and usually included only as part of a larger work, the topic instead being the subject of lurid speculation and fantasy in novels, the popular press, and cinema. In Securing Eternity, Reg Clark traces in detail the development of the Egyptian royal and private tombs from the Predynastic Period to the early Fourth Dynasty. In doing so, he demonstrates that many of the familiar architectural elements of the Egyptian tomb that we take for granted today in fact originated from security features to protect the tomb, rather than from monumental or religious considerations. Richly illustrated with more than 150 photographs and tomb plans, this unique study will be of interest to students, specialists, and general readers alike.

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Every year, in the heart of the Nile Delta, a festival takes place that was for centuries the biggest in the Muslim world: the mulid of al-Sayyid Ahmad al-Badawi of Tanta. Since the thirteenth century millions of believers from neighboring regions and countries have flooded into Tanta, Egypt’s fourth-largest city, to pay devotional homage to al-Badawi, a much-loved saint who cures the impotent and renders barren women fertile. This book tells for the first time the history of a mulid that for long overshadowed even the pilgrimage to Mecca. Organized by Sufi brotherhoods, it had, by the nineteenth century, grown to become the scene of a boisterous and rowdy festival that excited the curiosity of European travelers. Their accounts of the indecorous dancing and sacred prostitution that enlivened the mulid of al-Sayyid al-Badawi fed straight into Orientalist visions of a sensual and atavistic East. Islamic modernists as well as Western observers were quick to criticize the cult of al-Badawi, reducing it to a muddle of superstitions and even a resurgence of anti-Islamic pagan practices. For many pilgrims, however, al-Badawi came to embody the Egyptian saint par excellence, the true link to the Prophet, his hagiographies and mulid standing for the genuine expression of a shared popular culture. Catherine Mayeur-Jaouen shows that the mulid does not in fact stand in opposition to religious orthodoxy, but rather acts as a mirror to Egyptian Islam, uniting ordinary believers, peasants, ulama, and heads of Sufi brotherhoods in a shared spiritual fervor. The Mulid of al-Sayyid al-Badawi of Tanta leads us on a discovery of this remarkably colorful and festive manifestation of Islam.

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The point of departure for this special issue of Alif is that knowledge is 'produced' rather than 'discovered,' and that translation is a core mechanism for the production and circulation of all forms of knowledge. This topic has received relatively limited attention in translation studies to date, and even less in related disciplines such as cultural studies and the history of ideas. This issue aims to encourage sustained engagement with the role played by translation in the production of knowledges across the entire spectrum of human activities. Contributors offer theoretical, empirical, and historical accounts of the impact of translation on the production, renegotiation, and reification of knowledge.

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Advanced Arabic through Discussion is a classroom-tested Advanced Arabic course. It uses an inquiry-based approach to challenge advanced learners of Arabic by engaging them in thought-provoking discussions about social, ethical, and legal issues related to advertising, censorship, dress-codes, environment, rap music, extreme sports, GMOs, and other topics. Drawing on her long experience as an Arabic instructor, Nevenka Korica Sullivan has organized the book into sixteen chapters, each accompanied by audio recordings of all reading and listening texts. While exploring each issue, learners are guided to expand their vocabulary, acquire complex structures, and discover the systematic relationships between language form, function, and meaning. The course is designed to create a lively, student-centered classroom where interaction is both the goal and the means of language study; it also can be successfully used with a tutor or for independent study.

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If you’ve ever studied a foreign language, you know what happens when you first truly and clearly communicate with another person. As Zora O’Neill recalls, you feel like a magician. If that foreign language is Arabic, you just might feel like a wizard. They say that Arabic takes seven years to learn and a lifetime to master. O’Neill had put in her time. Steeped in grammar tomes and out-dated textbooks, she faced an increasing certainty that she was not only failing to master Arabic, but also driving herself crazy. She took a decade-long hiatus, but couldn’t shake her fascination with the language or the cultures it had opened up to her. So she decided to jump back in—this time with a new approach. Join O’Neill for a grand tour through the Middle East. You will laugh with her in Egypt, delight in the stories she passes on from the United Arab Emirates, and find yourself transformed by her experiences in Lebanon and Morocco. She’s packed her dictionaries, her unsinkable sense of humor, and her talent for making fast friends of strangers. From quiet, bougainvillea-lined streets to the lively buzz of crowded medinas, from families’ homes to local hotspots, she brings a part of the world that is thousands of miles away right to your door. A natural storyteller with an eye for the deeply absurd and the deeply human, Zora O’Neill explores the indelible links between culture and communication. A powerful testament to the dynamism of language, All Strangers Are Kin reminds us that learning another tongue leaves you rich with so much more than words.

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The Copts, adherents of the Egyptian Orthodox Church, today represent the largest Christian community in the Middle East, and their presiding bishops have been accorded the title of pope since the third century AD. This study analyzes the development of the Egyptian papacy from its origins to the rise of Islam. How did the papal office in Egypt evolve as a social and religious institution during the first six and a half centuries AD? How do the developments in the Alexandrian patriarchate reflect larger developments in the Egyptian church as a whole-in its structures of authority and lines of communication, as well as in its social and religious practices? In addressing such questions, Stephen J. Davis examines a wide range of evidence-letters, sermons, theological treatises, and church histories, as well as art, artifacts, and archaeological remains-to discover what the patriarchs did as leaders, how their leadership was represented in public discourses, and how those representations definitively shaped Egyptian Christian identity in late antiquity.The Early Coptic Papacy is Volume 1 of The Popes of Egypt: A History of the Coptic Church and Its Patriarchs. Also available: Volume 2, The Coptic Papacy in Islamic Egypt, 641-1517 (Mark N. Swanson) and Volume 3, The Emergence of the Modern Coptic Papacy (Magdi Girgis, Nelly van Doorn-Harder).

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This expansive book reveals the great diversity and range of art of the Arab lands, Turkey, Iran, Central Asia, and later South Asia. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterpieces from one of the finest collections in the world. The works range chronologically from the origins of Islam in the seventh century through the nineteenth century, and geographically from as far west as Spain and Morocco to as far east as India. Outstanding miniature paintings and illuminated manuscripts, ceramics, textiles, carpets, glass, and metalwork reflect the mutual influence of artistic practice in the sacred and secular realms. Many of these beautiful objects display the rich traditions of calligraphy, vegetal ornament (the arabesque), and geometric patterning that distinguish the arts of the Islamic world.With seven informative essays and almost three hundred catalogue entries-supplemented by introductory essays on the collection and its display-this handsome and comprehensive overview will enlighten the specialist and the general reader alike.

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Judging from the evidence available from depictions of daily life on tombs and in historical texts, the ancient Egyptians were just as enthusiastic about good food and generous hospitality as are their descendants today. Magda Mehdawy and Amr Hussein have done extensive research on the cultivation, gathering, preparation, and presentation of food in ancient Egypt and have developed nearly a hundred recipes that will be perfectly recognizable to anyone familiar with modern Egyptian food. Beautifully illustrated with scenes from tomb reliefs, objects and artifacts in museum exhibits, and modern photographs, the recipes are accompanied by explanatory material that describes the ancient home and kitchen, cooking vessels and methods, table manners and etiquette, banquets, beverages, and ingredients. Traditional feasts and religious occasions with their own culinary traditions are described, including some that are still celebrated today. A glossary of ingredients and place names provides a useful guide to unfamiliar terms.

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If you thought making an ancient Egyptian mummy was just a matter of wrapping a body in bandages, think again! It was a long, complicated, and sometimes gruesome process. What happened to the intestines, lungs, and other soft inside bits? How did they get the brain out of the skull? What did they use to dry the body out, and how long did that take? These questions and many more are answered here by Mr. Mummific, a king of Egypt who went through it all himself, and ended up a mummy with attitude. A little confused when he first died (but relieved that he no longer had toothache), he needed his own guide to explain things, so it's lucky that his dead but cheeky son was there to lead him by the hand. Together, they let us in on all the grisly secrets of the embalmers' tent. Illustrated with eighty colorful scenes from the life, death, and afterlife of the funniest mummy you'll ever meet, How I Became a Mummy is an icky treat for children and Egyptologists of all ages.

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Egypt's ancient pyramids, temples, and tombs along the Nile, which have inspired artists and writers for centuries, have also inspired poets--and particularly in the nineteenth century when romanticism was at its height. Egyptologist Donald Ryan here collects a wide variety of English verse composed by British, Irish, and North American poets fired up by the magic, the splendor, or the desolation of the pharaonic ruins and their echoes of a distant history. Includes verse by: Robert Browning, Lord Byron, John Keats, Henry Wadsworth Longfellow, Herman Melville, John Ruskin, Percy Bysshe Shelley, Algernon Charles Swinburne, Alfred Tennyson, Lady Wilde, and many more.

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First published in 1844, these letters are the collected observations of Sophia Poole, who lived in Cairo from 1842 until 1849 with her brother, the well known Orientalist Edward Lane, and her two children. During her residence, Poole learned Arabic and adopted Egyptian clothing that enabled her not only to observe day-to-day life in the streets and markets but also to enter hammams and harems and interact on an intimate level with Egyptian women of different classes. Poole ultimately had access, in fact, to the highest levels of society, including the family of the viceroy Mohamed Ali Pasha, and recorded her experiences there with the same eye for detail and understanding of underlying customs as she brought to bear in the marketplace. She moves effortlessly from situation to situation-the pasha's daughter smoking her jewel-encrusted pipe, the homesick slave-girl, the occupation of ladies of leisure-one scene after another is unfolded in her writing that reveals not only a mind that observes and records but a human being who attempts to feel and understand a different culture.In contrast to her brother's dense works of research, Sophia Poole's was cast in the form of letters to a friend. These letters cover her arrival in Alexandria and trip up the Nile to Cairo, as well as her life in Cairo, with its visits to surrounding villages. The Englishwoman in Egypt is at once entertaining and informative. If Edward Lane kept alive for posterity a post-medieval Cairo that has since disappeared, then his sister in her work no doubt complemented that great achievement by presenting the same world from a feminine perspective that he as a man could not have access to.

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This novel from one of Tunisia’s leading writers, the first of his works to be translated into English, narrates a love story in all its stages, in all its glorious and inglorious details. Moment by moment we become acquainted with the morning rituals, the desires of the flesh, the turbulence of the spirit, and even a few unattractive personal habits. It is a journey that takes us inside the nuances of what passes between two lovers, from the first glances of attraction to the final words of anger. It is a journey filled with all the hallmarks of the complex relationship between one man and one woman‹the mystery and the ambiguity, the intricacy and the confusion‹which, in the end, serve to expose its fragility. This is an intimate tale that manages to tell not only the story of two individuals, but also that of the collision of two cultures.

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The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the third of a three-volume history of Egyptology, follows the progress of the discipline from the trauma of the First World War, through the vicissitudes of the twentieth century, and into Egyptology's new horizons at the beginning of the twenty-first century. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.

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Coptic contributions to the formative theological debates of Christianity have long been recognized. Less well known are other, equally valuable, Coptic contributions to the transmission and preservation of technical and scientific knowledge, and a full understanding of how Egypt's Copts survived and interacted with the country's majority population over the centuries. Studies in Coptic Culture attempts to examine these issues from divergent perspectives. Through the careful examination of select case studies that range in date from the earliest phases of Coptic culture to the present day, twelve international scholars address issues of cultural transmission, cross-cultural perception, representation, and inter-faith interaction. Their approaches are as varied as their individual disciplines, covering literary criticism, textual studies, and comparative, literature as well as art historical, archaeo-botanical, and historical research methods. The divergent perspectives and methods presented in this volume will provide a fuller picture of what it meant to be Coptic in centuries past and prompt further research and scholarship into these subjects.

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This volume is the second joint publication of the members of the American-Egyptian archaeological team South Asasif Conservation Project, working under the auspices of the Ministry of State for Antiquities and directed by the editor. The Project is dedicated to the clearing, restoration, and reconstruction of the tombs of Karabasken (TT 391) and Karakhamun (TT 223) of the Twenty-fifth Dynasty, and the tomb of Irtieru (TT 390) of the Twenty-sixth Dynasty, on the West Bank of Luxor. This volume will cover the next three seasons of the work of the Project from 2012 to 2014. Essays by the experts involved in the work of the Project concentrate on new archaeological finds, reconstruction of the tombs' decoration and introduction of the high officials who usurped the tombs of Karakhamun and Karabasken in the Twenty Sixth Dynasty. The volume focuses particularly on the reconstruction of the ritual of the Hours of the Day and Night and BD 125 and 32 in the tomb of Karakhamun, the textual program of the tomb of Karabasken, as well as Coptic ostraca, faience objects, pottery, and animal bones found in the necropolis.Contributors: Julia Budka, Mansour Bureik, Diethelm Eigner, Erhart Graefe, Kenneth Griffin, Salima Ikram, Matthias Muller, Paul Nicholson, Elena Pischikova, Miguel Molinero Polo Elena Pischikova is the director of the American-Egyptian South Asasif Conservation Project. She is currently a research scholar at the American University in Cairo, and teaches at Fairfield University in Connecticut. She is the author of Tombs of the South Asasif Necropolis: Thebes, Karakhamun (TT 223), and Karabasken (TT 391) in the Twenty-fifth Dynasty (AUC Press, 2013).

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In a fictional Gulf country, with its gleaming glass towers and imported greenery, the routine of day-to-day life is suddenly interrupted when the national football team qualifies for the World Cup. The Emir issues an edict ordering all native Emiratis to travel to France to support the team, leaving the country to the care of its imported labor. How do they handle such newly found freedom? As though steered by a perverse blend between Dante and Scheherazade, we descend layer by layer beneath the façade of modernity: from the colorful multilingual throngs rejoicing for the Emirati team to the hierarchies that underpin them, from the luxurious gardens and swimming pools into the darker secrets of the bedroom, from the rigid and inhibiting strictures of the present to a remote age of innocence. Three narratives interweave to form a tight and thought-provoking examination of the psychology of control. Drumbeat received the Sawiris Foundation Award for Egyptian Literature.

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The stretch of the longest river in the world that nurtured the world's first great civilization has drawn and impressed visitors since ancient times. The Greeks were fascinated by the mysterious annual flood of the Nile that brought both water and nourishing silt to the lands along its banks, while nineteenth-century travellers were amazed by the magnificent tombs and temples of Upper Egypt.A Nile Anthology brings together the accounts and reflections of visitors and travellers to the Nile between Luxor and Aswan through the ages, from Herodotus in the fifth century BC, and the Arab geographers of medieval times, to such nineteenth-century luminaries as Amelia Edwards, Florence Nightingale, Jean Francois Champollion, Edward Lane, and Sir Arthur Conan Doyle. From the practicalities of river travel to descriptions of the Pharaonic monuments, via the sights, sounds, and smells of the teeming souks, our writers guide us through a world and an age long gone.

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In eighteenth-century Palestine, on the shores of Galilee's Lake Tiberias, visionary political and military leader Dahir al-Umar al-Zaydani undertakes a journey toward the greatest aim anyone could hope to achieve in his day: the establishment of an autonomous Arab state. To do so he must challenge the rule of the greatest power in the world at the time--the Ottoman Empire--while translating the ideals of human dignity, justice, and religious tolerance into concrete daily realities. In this compelling story of love and loss, victory and defeat, loyalty and betrayal, award-winning poet and novelist Ibrahim Nasrallah, author of the Arabic Booker shortlisted Time of White Horses, once again brings Palestinian history alive with a set of characters and events both real and imagined to capture the essence of a rich and dramatic epoch in the turbulent annals of a land that has been fought over for millennia.

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Founded by Alexander the Great over 2,300 years ago, Alexandria has belonged both to the Mediterranean and to Egypt, a luxuriant out-planting of Europe on the coast of Africa, but also a city of the East - the fabled cosmopolitan town that fascinated travelers, writers, and poets in the nineteenth and twentieth centuries, where French and Arabic, Italian and Greek were spoken in the cafes and on the streets. In the pages of An Alexandrian Anthology, we follow the delight of travelers discovering the strangeness of the city and its variety and pleasures. Most of all they are haunted by the city's resplendent past - the famous Library, the temple built by Cleopatra for Antony, the great Pharos lighthouse, one of the seven wonders of the world, of which only traces remain - we follow our travelers here too as they voyage through an immense ghost city of the imagination.

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Prized for their stamina and their acclimation to the harsh conditions of the Arabian deserts, the ancestors of the horses that are now recognized as the Egyptian Arabian purebred horse entered Egypt centuries ago, establishing the valuable bloodlines of the breed there. The breeding programs in Egypt therefore became the root source for the finest Arabian horses, attracting passionate enthusiasts from all corners of the world. Artists, poets, and historians have for centuries been inspired by their great beauty and romantic legacy. Nasr Marei is the third-generation owner of a stud farm in Giza, Egypt. His love for and knowledge of the Egyptian Arabian horse, coupled with his sensitive and striking photography, have inspired this visual tribute. His extraordinary photographs, accompanied by text that traces the history and evolution of the Arabian's journey into Egypt, celebrate the lineage of this living treasure of Egyptian heritage.

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In 1862, the Prince of Wales, eldest son of Britain's Queen Victoria, embarked on a grand tour of the Middle East, for his education and enlightenment. Accompanying the royal party was Francis Bedford, an accomplished practitioner of the still young art of photography, charged with taking views of the cities and historic places visited on the tour for the royal album. The result is an extraordinary collection of some of the best early photographs of Cairo and the temples of Upper Egypt, Jerusalem and the Holy Land, Lebanon and Damascus, Izmir and Constantinople. From timeless views of the Pyramids, the Dome of the Rock, Baalbek, and Hagia Sophia to scenes from another age of the streets of Cairo or tall ships on the Bosphorus, 120 of Bedford's most outstanding photographs are showcased here in this fascinating visual tour of ancient lands in royal company.

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Christianity and monasticism have long flourished along the Nile in Middle Egypt, the region stretching from al-Bahnasa (Oxyrhynchus) to Dayr al-Ganadla. The contributors to this volume, international specialists in Coptology from around the world, examine various aspects of Coptic civilization in Middle Egypt over the past two millennia. The studies explore Coptic art and archaeology, architecture, language and literature. The artistic heritage of monastic sites in the region is highlighted, attesting to their important legacies in the region.

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In Riyadh, against the events of the second Gulf War and Saddams invasion of Kuwait, we learn the story of Munirawith the gorgeous eyesand the unspeakable tragedy she suffers as her male nemesis wreaks revenge for an insult to his character and manhood. It is also the tale of many other women of Saudi Arabia who pass through the remand center where Munira works, victims and perpetrators of crimes, characters pained and tormented, trapped in cocoons of silence and fear. Munira records their stories on pieces of paper that she folds up and places in the mysterious bottle given to her long ago by her grandmother, a repository for the stories of the dead, that they might live again. This controversial novel looks at many of the issues that characterize the lives of women in modern Saudi society, including magic and envy, honor and revenge, and the strict moral code that dictates malefemale interaction. Yousef al-Mohaimeed is a rising star in international literature. Muniras Bottle is a rich and skillfully crafted story of a dysfunctional Saudi Arabian family. One of its strengths lies in its edgy characters: Munira, a sultry, self-centered, sexually repressed woman; Ibn al-Dahhal, the bold imposter who deceives and betrays her; and Muhammad, her perpetually angry and righteous brother, a catalyst who forces the events. Western readers will welcome it for its opening door into Arab lives and minds.Annie Proulx Mohaimeed writes in a lush style that evokes a writer he cites as an influence, Gabriel Garcia Marquez. [He] takes on some of the most divisive subjects in the Arab world.

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Egypt is primarily a land of deserts and mountains, the habitable Nile Valley and Delta occupying less than 5 percent of the country. Although the ancient Egyptians lived on only a small fraction of the land, they made extensive use of resources from the less hospitable areas, exploiting the opportunities and adjusting to the constraints of their physical environment. This updated and expanded edition of The Geology of Egypt: A Traveler's Handbook describes these features and more, providing a guide for the visitor to Egypt interested in learning about its history from a different perspective. The author presumes no background in geology or related fields and provides an introduction to the relevant geological concepts, presenting examples to illustrate how the country's geological features influenced Egyptian civilization. Most examples are selected from the pharaonic period and Greco-Roman period, though many cases also illustrate how geological factors continue to have an impact on modern Egyptian society. The text is organized as a trip on the Nile from Lake Nasser downstream to the Delta, with chapters devoted to such popular sites as Aswan, Luxor, and Giza. Also covered are the Eastern and Western Deserts, as well as the Sinai Peninsula. Maps, illustrations, fifty color photographs, and an extensive glossary help make a complex but intriguing subject accessible to everyone.

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Modern Standard Arabic (MSA) is the literary language of today's books, media, and formal communication throughout the Arab world, the region's principal shared language of written and official discourse. The fifth book in this new series for the classroom is designed for the Advanced levels, the low-mid stages of the ACTFL proficiency level, and C1 in the Common European Framework for Arabic learners. The aim of this book is to help students to read and write long and complex factual and literary texts in order to appreciate different writing styles. The students' facility with sentence structure and vocabulary is increased by reading newspapers and listening to news broadcasts, and by writing about real-life interests such as social, economic, political, and gender issues, technological advancements, and education. The chapters guide students through the gradual acquisition of vocabulary and grammar. Exercises at the end of each chapter cover all essential skills and translation, with emphasis on reading and writing. The accompanying DVD includes audio material for all listening activities, dialogs, and reading exercises. The book is further supported by online interactive reading, writing, and grammar drills.

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"This is your last day. Be strong. Don't hesitate. Cut and run. An exit with no return." Idris Ali's confessional novel opens with these words, spoken on an unbearably hot August afternoon in downtown Cairo, where the Nubian narrator has just decided, once and for all, to end his life. Delirious and thirsty, he wanders around venting his resentments large and small, his sexual frustrations, and his sense of powerlessness in the face of unremitting injustice. He seeks to expunge his failed life in the Nile: the river that had been the life blood of his country for millennia, and that - with Egypt's new dam - now drowns Nubia, flinging her dispossessed sons north and south into exile. Poor is the story of a life of hardship, adversity, and emotional starvation. It is also the story of opportunities squandered and hopes traded away for nothing - of a life lived, at times, all too poorly.

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This ground-breaking view of the navigational landscape of the Nile in medieval Egypt draws on a broad range of sources: medieval Arabic geographies; traveler accounts; archaeology; and meteorological, hydrological, and geological studies. John Cooper first charts the changing geography of the Nile waterways, particularly in the Delta, from the eve of Islam to the early modern period, and logs the "rise and fall" of these waterways for natural and/or anthropogenic reasons. He then presents a new perspective on the Nile, drawing on traveler accounts and environmental data to portray the river as a uniquely challenging and sometimes dangerous navigational environment requiring extensive local knowledge by skilled and hard-working Nile navigators. Finally, he looks at how the main Delta and Red Sea ports of medieval Egypt fitted into the navigational landscape described, explaining how these ports were affected by changes occurring to the navigational landscape, and how they reflected the navigational conditions of the Nile and surrounding seas.

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Cairo has long been recognized as one of the great cities of the world, and many travelers have recorded their descriptions of it over the centuries--from the early eye-witness account of Herodotus to the reflections of Sir Richard Burton, Florence Nightingale, and Mark Twain. A Cairo Anthology gathers together the impressions of many of these writers: with them we experience the excitement of exploring the great city, through its crowded streets and colorful bazaars, we enter the hotels, hire donkeys, ascend to the historic Citadel, and look out across the Nile toward the Sphinx and the Pyramids, and we visit those vast monuments that are in reality always larger and more extraordinary than one can believe, and climb to their summits to gaze back at Cairo, the Mother of the World. About the series: The elegant, pocket-sized volumes in the AUC Press Anthology series feature the writings and observations of travel writers and diarists through the centuries. Vivid and evocative travelers' accounts of some of the world's great cities and regions are enhanced by the exquisite vintage design in small hardback format that make the books ideal gift books as well as perfect travel companions. Designed on cream paper stock and beautifully illustrated with line drawings and archival photographs.

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What was it like to live in Iraq before the earth-shaking events of the end of the twentieth century? The mid seventies to the late eighties witnessed Saddam Hussein's rise to power, the establishment of Kurdish autonomy in the north, and the Iraq-Iran war. It also brought an influx of oil wealth, following the 1973 war and the spike in oil prices, and a parallel influx of Arab talent, including many Egyptians, as the Egyptian left became disenchanted with Sadat. The massive migration also extended to workers and peasants, some of whom created an entire Egyptian village just outside Baghdad.We witness all of this and more through the eyes of an Egyptian woman married to an engineer working in Iraq. The narrator, who works for an Egyptian magazine's bureau in the Iraqi capital, has a behind-the-scenes view of what was really happening at a critical juncture in the history of the region. Moreover, she has a mystery to solve: an Iraqi woman from the marshes in the south of Iraq, who is also a communist journalist, has disappeared, and as the mystery unfolds we learn of her love for an older Egyptian Marxist journalist. This is Iraq before and beyond Saddam, Iraq as the Arabs knew it, in the lives of interesting people living in a vibrant country before the attempted annexation of Kuwait and the American invasion. This is the Iraq that was

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You are bored, bored, bored, stuck in a half-job, berated by your parents and unsure whether you should marry your cousin. You want to change. A chance encounter on Facebook leads you to Emmie and her underground world of strange fashion, drinking, dancing, sex, and drugs. You become an Emo and discover philosophical atheism and practical Satanism. Although Emmie’s rules include no sex and no love, you become addicted to her and the belief that she will be the one to change you. You fall in love. Your inability to disobey her leads you to embrace her creed. The efforts of your family to restore you to the fold fail, and your heroism leads her to succumb to you.One final act of ‘degeneracy’ too far leads you into the arms of the state’s torturers and to reaffirm society’s values, if with a greater sense of freedom and adventure.Status: Emo is a romp through the mind of the young Egypt. Written in 2010, it predicts revolt and hints at culture wars to come.

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Trying to evade intelligence agencies out to assassinate him, the Cerebellum, an Egyptian scientist with a past association with the Iraqi nuclear program, rents a room on the roof of a brothel in a Cairo slum. His interaction with the other residents is limited; instead he spends most of his time in the virtual world, where he has a love affair with candygirl, a gorgeous avatar. On the other side of the planet, an ex-NSA agent has joined a secret organization whose mission is to assassinate Iraqi scientists. He does not allow his doubts about the legality - or the ethics - of his mission to interfere with his work. He chases his victim relentlessly, but when his top-of-the-line equipment fails to locate the Cerebellum in Cairo's slums, he takes the chase to the virtual world.

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Upon returning from a trip abroad, the author–narrator learns that his father has died during his absence. Crushed with grief and guilt, he begins a journey of discovery of self and existence. Beset by doubts and at times despair, he almost gives up, but then is granted the priceless gift of appearing before the mythical–mystical Diwan, the council that oversees all affairs of this world, keeping a record of everything that has ever happened or existed and righting wrongs past and present. With the guidance of the Great Master, the Prophet’s grandson al-Husayn, he is able to witness events of his father’s life, his own life, and that of his beleaguered country as he progresses through Sufi states and stations.Granted the ability to be in several places and various eras simultaneously, the narrator is able to bring together heroes and villains and great events and debacles in Egypt’s and all of Islam’s history. Alternating scenes depict the historical martyrdom of al-Husayn in Karbala, and a fantastical confrontation between two camps fighting over the soul of Egypt: in one camp we meet President Gamal Abdel Nasser, al-Husayn, the narrator’s own father, and a ragtag army of valiant but ill-equipped Egyptians in combat with one led by Jimmy Carter, Anwar Sadat, and Menachem Begin. This surrealist novel with political and mystical overtones and an edge of satire reveals one of Egypt’s greatest living writers at his finest.

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Then, she looked at me assiduously, “What is it that you do exactly?”I replied, savoring my last sip of coffee, with all the sass of a gypsy, “A novelist.”How to write a novel? Where to find inspiration? What is it that novels do for us? What is the nature of love? And most importantly, how and where to find it? Embarking on a literary and romantic journey, an aspiring novelist guides the reader through the streets of Damascus to bookstores, libraries, historical landmarks, cafés, and neighborhoods that carry the traces of history and the possibilities of the future. Mining the rich and divergent histories, narratives, texts, memories, and people that occupy the narrator’s mind and everyday life, Writing Love casts a critical eye on contemporary society and offers a playful testament to the tangential nature of writing and the many ways to fall in love.Writing Love was awarded the Naguib Mahfouz Medal for Literature.

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At the beginning of the twenty-first century, Egyptian women gained the unique right to divorce their husbands unilaterally through a procedure called khul'. This has been a controversial application; notwithstanding attempts to present the law as being grounded in Islamic law, opponents claim that khul' is a privileged women's law, and a western conspiracy aimed at destroying Egyptian family life and, by extension, Egyptian society. In Khul' Divorce in Egypt, Nadia Sonneveld explores the nature of the public debates--including the portrayal of khul' in films and cartoons--while an examination of the application of khul' in the courts and everyday life relates and compares this debate to the actual implementation of the procedure. She makes it clear that the points of controversy bear little resemblance to the lives of the lower-middle-class women who apply for khul'; they merely reflect profound changes in the institutions of marriage and family.

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This groundbreaking work presents original research on cultural politics and battles in Egypt at the turn of the twenty-first century. It deconstructs the boundaries between ‘high’ and ‘low’ culture, drawing on conceptual tools in cultural studies, translation studies, and gender studies to analyze debates in the fields of literature, cinema, mass media, and the plastic arts.Anchored in the Egyptian historical and social contexts and inspired by the influential work of Pierre Bourdieu, it rigorously places these debates and battles within the larger framework of a set of questions about the relationship between the cultural and political fields in Egypt.

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This classic learning aid, popular with teachers and students alike, has now been fully revised and substantially expanded for a complete new edition. With a fully vocalized Arabic text in clear, legible type, this invaluable lexicon now contains more than 3,500 Arabic verbs from 1,450 verb roots. Entries feature concise English definitions, the perfect and imperfect tenses and verbal noun of each verb, and carefully crafted context sentences to illustrate the correct usage and clarify the meaning. An index of English definition helps the user navigate the entries.

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A new paperback edition of the first collected volume from the Cairo School of Urban StudiesBringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt’s future in desert cities while stigmatizing and neglecting Cairo’s popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today’s Middle East.The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame. Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.

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Yusuf Idris (1927-91), who belonged to the same generation of pioneering Egyptian writers as Naguib Mahfouz and Tawfiq al-Hakim, is widely celebrated as the father of the Arabic short story, just as Mahfouz is considered the father of the Arabic novel. Idris studied medicine and practised as a doctor, but even as a student his interests were in politics and the support of the nationalist struggle, and in writing - and his writing, whether in his regular newspaper columns or in his fiction, often reflected his political convictions. He was nominated for the Nobel prize for literature more than once, and when the prize went to Naguib Mahfouz in 1988, Idris felt that he had been passed over because of his outspoken views on Israel. In all, Yusuf Idris wrote some twelve collections of superbly crafted short stories, mainly about ordinary, poor people, many of which have been translated into English and are included in this collection of the best of his work. But although he is best known for his short stories, he also wrote nine plays and a number of novels and novellas, the best of which are also sampled here.

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This is a new collection of short fiction from the Arabian Gulf. Here, for the first time, is a volume of short stories from this commercially and culturally vital and vibrant center of the Arab world. Life before oil in this region was harsh, and many of the stories in this collection - by both men and women from all corners of the country - tell of those times and the almost unbelievable changes that have come about in the space of two generations. Some tell of the struggles faced in the early days, while others bring the immediate past and the present together, revealing that the past, with all its difficulties and dangers, nonetheless possesses a certain nostalgia.

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Hawa is a child of the grinding hardship of a Palestinian refugee camp. She has had to survive the camp itself, as well as the humiliation and destruction of an abusive family life. But now, later in life, something most unexpected has happened: she has fallen in love. Velvet unfolds over a day in Hawa’s life, as she makes plans for a new beginning that may take her out of the camp. She sifts back through her memories of the past: the stories of her family, her childhood, and her beloved mentor, who invited her into the glamorous world of the rich women of Amman. This is a novel of enormous power and great beauty. Rich in detail, it tells of the women of the camp, and the joy and relief that can be captured amid repression and sorrow.

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Twice a princess, twice exiled, Neslishah Sultan had an eventful life. When she was born in Istanbul in 1921, cannons were fired in the four corners of the Ottoman Empire, commemorative coins were issued in her name, and her birth was recorded in the official register of the palace. After all, she was an imperial princess and the granddaughter of Sultan Vahiddedin. But she was the last member of the imperial family to be accorded such honors: in 1922 Vahiddedin was deposed and exiled, replaced as caliph—but not as sultan—by his brother (and Neslishah’s other grandfather) Abdülmecid; in 1924 Abdülmecid was also removed from office, and the entire imperial family, including three-year-old Neslishah, was sent into exile. Sixteen years later on her marriage to Prince Abdel Moneim, the son of the last khedive of Egypt, she became a princess of the Egyptian royal family. And when in 1952 her husband was appointed regent for Egypt’s infant king, she took her place at the peak of Egyptian society as the country’s first lady, until the abolition of the monarchy the following year. Exile followed once more, this time from Egypt, after the royal couple faced charges of treason. Eventually Neslishah was allowed to return to the city of her birth, where she died at the age of 91 in 2012. Based on original documents and extensive personal interviews, this account of one woman’s extraordinary life is also the story of the end of two powerful dynasties thirty years apart.

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Middle Eastern cuisine is renowned all over the world for its sophistication, variety, and flavor. Bilhana (Egyptian for 'bon appétit') brings a contemporary twist to traditional Middle Eastern dishes with the use of healthy cooking methods and the freshest ingredients the region has to offer. Spanning the vast area south of the Mediterranean from the East (Lebanon and Egypt) to the West (Morocco), from simple mezze or breakfast dishes to elaborate stews and roasts, the recipes in this book showcase the vibrant colors and immense variety of Middle Eastern cooking as well as being easy to follow. Included are recipes for Roasted Eggplant with Tahini, Alexandrian Grilled Shrimp, Shakshuka, Moroccan Lamb Stew, Vegan Moussaka, Green Beans in Garlic and Caramelized Onions, Pomegranate and Guava Salad, and much more. Exquisitely illustrated with more than 130 full-colour photographs.

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Ruqayya was only thirteen when the Nakba came to her village in Palestine in 1948. The massacre in Tantoura drove her from her home and from everything she had ever known. She had not left her village before, but she would never return. Now an old woman, Ruqayya looks back on a long life in exile, one that has taken her to Syria, Lebanon, the Gulf, and given her children and grandchildren. Through her depth of experience and her indomitable spirit, we live her love of her land, her family, and her people, and we feel the repeated pain of loss and of diaspora.

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It is the winter of 1915 and Iraq has been engulfed by the First World War. Hungry for independence from Ottoman rule, Ahmad leaves his peaceful family life on the banks of the Tigris to join the British-led revolt. Thousands of miles away, Welsh teenager Carwyn reluctantly enlists and is sent, via Gallipoli and Egypt, to the Mesopotamia campaign. Carwyn's and Ahmad’s paths cross, and their fates are bound together. Both are forever changed, not only by their experience of war, but also by the parallel discrimination and betrayal they face. Ruqaya Izzidien's evocative debut novel is rich with the heartbreak and passion that arise when personal loss and political zeal collide, and offers a powerful retelling of the history of British intervention in Iraq.

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Salman Abu Sitta, who has single-handedly made available crucial mapping work on Palestine, was just ten years old when he left his home near Beersheba in 1948, but as for many Palestinians of his generation, the profound effects of that traumatic loss would form the defining feature of his life from that moment on. In this rich and moving memoir, Abu Sitta draws on oral histories and personal recollections to vividly evoke the vanished world of his family and home from the late nineteenth century to the eve of the British withdrawal from Palestine and subsequent war. Alongside accounts of an idyllic childhood spent on his family’s farm estate Abu Sitta gives a personal and very human face to the dramatic events of 1930s and 1940s Palestine, conveying the acute sense of foreboding felt by Palestinians as Zionist ambitions and militarization expanded under the mandate. Following his family’s flight to Gaza during the 1948 mass exodus of Palestinians from their homes, Abu Sitta continued his schooling and university education in Cairo, where he witnessed the heady rise of Arab nationalism after the overthrow of King Farouk in 1952 and the momentous events surrounding the Israeli invasion of Sinai and Gaza in 1956. With warmth and humor, he chronicles his peripatetic exile’s existence, as an engineering student in Nasser’s Egypt, his crucial, formative years in 1960s London, his life as a family man and academic in Canada, and several sojourns in Kuwait, all against the backdrop of seismic political events in the region, including the 1967 and 1973 Arab–Israeli wars, the 1982 Israeli invasion of Lebanon, and the 1991 Gulf War. Abu Sitta’s narrative is imbued throughout with a burning sense of justice, a determination to recover and document what rightfully belongs to his people, an aim given poignant expression in his painstaking cartographic and archival work on Palestine, for which he is justifiably acclaimed.

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Set in contemporary Tangier, Morocco, Detective Laafrit investigates the case of four corpses washed up on the beach. The victims are presumed illegal immigrants, drowned trying to reach Spain packed in small fishing boats, however Laafrit soon discovers that one of them has been brutally shot. Guns are illegal in Morocco and the mysterious shooting shakes the police force as the hunt for the murder weapon begins in earnest. With the help of his informants, Laafrit's investigation reveals a spiraling conspiracy of international sabotage.

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Siwa is a remote oasis deep in the heart of the Egyptian desert near the border with Libya. Until an asphalt road was built to the Mediterranean coast in the 1980s, its only links to the outside world were by arduous camel tracks. As a result of this isolation, Siwa developed a unique culture manifested in its crafts of basketry, pottery, and embroidery and in its styles of costume and silverwork. The most visible and celebrated example of this was the silver jewelery that was worn by women in abundance at weddings and other ceremonies. Based on conversations with women and men in the oasis and with reference to old texts, this book describes the jewelery and costume at this highpoint of Siwan culture against the backdrop of its date gardens and springs, social life, and dramatic history. It places the women's jewelery, costume, and embroidery into social perspective, and describes how they were used in ceremonies and everyday life and how they were related to their beliefs and attitudes to the world. The book also describes how, in the second half of the twentieth century, the arrival of the road and of television brought drastic change, and the oasis was exposed to the styles and fashions of the outside world and how the traditional silver ornaments were gradually replaced by gold.

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