Search results for ""Author Kenneth"

Drama Classics: The World's Great Plays at a Great Little Price Restless and discontented in her marriage, Hedda Gabler is drawn to a former admirer, Lovborg, now a brilliant writer. But he is more taken with Hedda's old schoolfriend. Driven by jealousy, Hedda destroys Lovborg and his precious manuscript and, finally, herself. This English version of Henrik Ibsen's play Hedda Gabler, published in the Nick Hern Books Drama Classics series, is translated and introduced by Kenneth McLeish.

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Prepared by John H. Nelson and Kenneth C. Kemp, both of the University of Nevada, this manual contains 43 finely tuned experiments chosen to introduce students to basic lab techniques and to illustrate core chemical principles. You can also customize these labs through Catalyst, our custom database program. For more information, visit http://www.pearsoncustom.com/custom-library/catalyst

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In 1933 Americans did something they had never done before: they voted to repeal an amendment to the U.S. Constitution. The Eighteenth Amendment, which for 13 years had prohibited the manufacture and sale of alcoholic beverages, was nullified by the passage of another amendment, the Twenty-First. Many factors helped create this remarkable turn of events. One factor that was essential, Kenneth D. Rose here argues, was the presence of a large number of well-organized women promoting repeal. Even more remarkable than the appearance of these women on the political scene was the approach they took to the politics of repeal. Intriguingly, the arguments employed by repeal women and by prohibition women were often mirror images of each other, even though the women on the two sides of the issue pursued diametrically opposed political agendas. Rose contends that a distinguishing feature of the women's repeal movement was an argument for home protection, a social feminist ideology that women repealists shared with the prohibitionist women of the Women's Christian Temperance Union. The book surveys the women's movement to repeal national prohibition and places it within the contexts of women's temperance activity, women's political activity during the 1920s, and the campaign for repeal. While recent years have seen much-needed attention devoted to the recovery of women's history, conservative women have too often been overlooked, deliberately ignored, or written off as unworthy of scrutiny. With American Women and the Repeal of Prohibition, Kenneth Rose fleshes out a crucial chapter in the history of American women and culture.

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The Wind in the Willows has its origins in the bedtime stories that Kenneth Grahame told to his son Alastair and then continued in letters (now held in the Bodleian Library) while he was on holiday. But the book developed into something much more sophisticated than this, as Peter Hunt shows. He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger and Toad, and explores the literary genres of boating, caravanning and motoring books on which the author drew. He also recounts the extraordinary correspondence surrounding the book’s first publication and the influence of two determined women – Elspeth Grahame and publisher’s agent Constance Smedley – who helped turn the book into the classic for children we know and love today, when it was almost entirely intended for adults. Generously illustrated with original drawings, fan letters (including one from President Roosevelt) and archival material, this book explores the mysteries surrounding one of the most successful works of children’s literature ever published.

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First Stories: The Wind in the Willows is the perfect introduction for young children to Kenneth Grahame's classic tale. Push, pull and slide mechanisms bring the story of Mr. Toad and his high-speed adventure to life. Row down the river with Mole and Ratty, whizz around with Toad in his car and make an incredible escape from prison! This well-loved tale is beautifully imagined for a new generation by children's illustrator Jean Claude.Little ones can collect more books in the First Stories series, including Doctor Dolittle, Peter Pan, and Pinocchio.

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Does racial discrimination harm Black children's sense of self?The Doll Test illuminated its devastating toll. Dr. Kenneth Clark visited rundown and under-resourced segregated schools across America, presenting Black children with two dolls: a white one with hair painted yellow and a brown one with hair painted black. 'Give me the doll you like to play with,' he said. 'Give me the doll that is a nice doll.' The psychological experiment Kenneth developed with his wife, Mamie, designed to measure how segregation affected Black children's perception of themselves and other Black people, was enlightening - and horrifying. Over and over again, the young children - some not yet five years old - selected the white doll as preferable, and the brown doll as 'bad'. Some children even denied their race. 'Yes,' said brown-skinned Joan W., age six, when questioned about her affection for the light-skinned doll. 'I would like to be white.'What the Children Told Us is the story of the towering inte

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An intensely practical handbook for actors on how to cope with text, subtext, character and situation. With a preface by Kenneth Branagh. Having helped the actor with basic vocal technique in her enormously successful book, Finding Your Voice, Barbara Houseman here shows the actor how to cope with the demands posed by the text [and the subtext] of the play itself. Full of practical exercises developed over many years of working with actors of all ages and experiences, Tackling Text [and subtext] is an indispensable handbook for any actor working with text - from acting students and young professionals, to experienced actors wanting to tackle specific problems and acting coaches wanting to discover new ways of enabling their students. 'If you want to improve as an actor, read this book... it helps restore the hard work of the actor as fresh, playful and fun' Kenneth Branagh, from his Preface 'An inspiring teacher... a hugely motivating force in my work' Daniel Radcliffe 'Barbara's work starts with the voice, passes through the physical - and results in a character. Her teaching helps total performance' Jude Law

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A stunning new edition with deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. Kenneth Grahame’s treasured and perennially popular The Wind in the Willows follows the adventures of Mole, Rat, Toad and Badger as they spend their time ‘simply messing about in boats’, getting lost in the Wild Wood and getting Toad out of scrapes. The endearing characters, evocatively idyllic setting of the gentle Thames Valley and the message of friendship make this an enduringly heart-warming tale. The FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library.

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‘Fascinating, magisterially researched, and brilliantly written.’ Steve Silberman, author of Neurotribes Thirty-two days underground. No heat. No sunlight. 4 June 1938. Nathaniel Kleitman and his research student make their way down the seventy-one steps leading to the mouth of Mammoth Cave. They are about to embark on one of the most intrepid and bizarre experiments in medical history, one which will change our understanding of sleep forever. Undisturbed by natural light, they will investigate what happens when you overturn one of the fundamental rhythms of the human body. Together, they enter the darkness. When Kleitman first arrived in New York, a penniless twenty-year-old refugee, few would have guessed that in just a few decades he would revolutionise the field of sleep science. In Mapping the Darkness, Kenneth Miller weaves science and history to tell the story of the outsider scientists who took sleep science from the fringes to a mainstream obsession. Reliving the spectacular experiments, technological innovation, imaginative leaps and single-minded commitment of these early pioneers, Miller provides a tantalising glimpse into the most mysterious third of our lives.

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Five Groundbreaking Moments in Heidegger’s Thinking presents a fresh interpretation of some of Heidegger’s most difficult but important works, including his second major work, Beiträge zur Philosophie (Vom Ereignis) [Contributions to Philosophy (From Enowning)]. The careful approach shows how, for Heidegger, the acts of reading, thinking, and saying all move beyond the theoretical/conceptual and become an ongoing experience. In new translations of central texts, Kenneth Maly invites the reader to think along the way by reading, contemplating, and translating Heidegger’s ideas into this context. An introduction to the field of philosophy and more specifically to Heidegger’s thought, Five Groundbreaking Moments in Heidegger’s Thinking asks the reader, in some manner, to actively engage in thinking.

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The Evolution of Taste in American Collecting is a new critical translation of René Brimo’s classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo’s foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States.In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo’s work formed a turning point and initiated a new area of academic study: the history of art collecting.Making accessible a text that has until now only been available in French, Haltman’s elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.

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Christmas Poems is a pleasing and diverse selection of classic holiday poems that goes all the way back to an eclogue of Virgil, moves along to a wide range of authors such as Chaucer, Herbert, Longfellow, Dickinson, Paul Dunbar, Rilke, Yeats, William Carlos Williams, Robert Frost, E. E. Cummings, Kenneth Patchen, Thomas Merton, Wallace Stevens, Marie Ponsot, Lawrence Ferlinghetti, Frank O’Hara, Denise Levertov, and Bernadette Mayer. Beautifully designed, this New Directions gem (originally published in the 1940s and reissued in the 1970s) rings with the deep sentiments of the season and just the right splash of holiday cheer. Christmas Poems comes with French flaps and is the perfect size for a stocking stuffer. Christmas Poems was originally edited by Albert M. Hayes and New Directions founder and publisher James Laughlin as A Wreath of Christmas Poems, and published as part of the "Poets of the Year" series in 1942. The collection was updated and revised in 1972, and selections for this newly revised 2008 edition have been chosen by the editorial staff at New Directions.

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The Signet Classics edition of William Shakespeare's black comedy.A complex play that combines pathos and humor, The Merchant of Venice also introduces one of Shakespeare's most memorable villains, the Jewish moneylender Shylock, who famously demands a “pound of flesh” for what he is owed.This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, Kenneth Myrick• Notes on the sources of The Merchant of Venice • Dramatic criticism from Nicholas Rowe, William Hazlitt, Elmer Edgar Stoll, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more...

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Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

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Starting from Hawthorne's statement that his works are attempts to open an intercourse with the world, Kenneth Dauber examines them to see how they serve as acts of communication. Thus his investigation of a major American writer studies Hawthorne as a craftsman, explores the conditions under which various interpretations of literature are possible, and lays the foundation for a new theory of genres. The author begins with a brief history of American criticism from the rediscovery of classic American letters to the present. He traces the development of historicism and formalism as the two major strains of native critical thought and demonstrates their specific limitations in connection with a study of Hawthorne's allegory. By redefining literature according to Hawthorne's work and reexamining the role of the critic in view of the circumstances of American letters, Professor Dauber is able to propose a native poetics. Central to the author's theory is the concept of genre as a pre-existing structure with which Hawthorne battled and through which he sought communion. This ambivalence is analyzed in chapters on the four novels and selected stories. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The contemporary consumer is bombarded with fear-inducing images and information. This media shower of imagery is equalled only by the sheer quantity of fear-assuaging products offered for our consumption. "The Politics of Everyday Fear" addresses questions raised by the saturation of social space by capitalized fear. Emphasizing the relatively neglected domain of what might be called "ambient" fear - continually rekindled, low-level fear that insinuates itself into people's daily routine, subtly reshaping their lives - "The Politics of Everyday Fear" approaches fear less as a psychological fixation than a fluid mechanism for the social control order of late capitalism. Brian Massumi is the author of "User's Guide to Capitalism and Schizophrenia: Deviations From Deleuze and Guattari" (1992) and with Kenneth Dean of "First and Last Emperors: the Absolute State and the Body of the Despot (1992)". He has translated many books and written many essays on contemporary discourses. This book is intended for undergraduates and graduate students in media studies, interdisciplinary cultural theory, comparative literature, postmodernism, Marxism and post-structuralist media theory.

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Driven by genocide, civil war, political instabilities, ethnic and pastoral hostilities, the African Great Lakes Region, primarily Uganda, Rwanda, Democratic Republic of the Congo, and Burundi, has been overwhelmingly defined by conflict. Kenneth Omeje, Tricia Redeker Hepner, and an international group of scholars, many from the Great Lakes region, focus on the interlocking conflicts and efforts toward peace in this multidisciplinary volume. These essays present a range of debates and perspectives on the history and politics of conflict, highlighting the complex internal and external sources of both persistent tension and creative peacebuilding. Taken together, the essays illustrate that no single perspective or approach can adequately capture the dynamics of conflict or offer successful strategies for sustainable peace in the region.

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No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the "death of the author"? In her cogent book, Lehmann reexamines these issues through a new lens: film theory. An alternative to literary models that either minimize or exalt the writer's creative role, film theory, in Lehmann's view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Madden's Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeare's time and in the present day, in the cultures of early and late capitalism. By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect—indeed, as an auteur—in two cultures wherein authors fear to tread.

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This volume is the second joint publication of the members of the American-Egyptian archaeological team South Asasif Conservation Project, working under the auspices of the Ministry of State for Antiquities and directed by the editor. The Project is dedicated to the clearing, restoration, and reconstruction of the tombs of Karabasken (TT 391) and Karakhamun (TT 223) of the Twenty-fifth Dynasty, and the tomb of Irtieru (TT 390) of the Twenty-sixth Dynasty, on the West Bank of Luxor. This volume will cover the next three seasons of the work of the Project from 2012 to 2014. Essays by the experts involved in the work of the Project concentrate on new archaeological finds, reconstruction of the tombs' decoration and introduction of the high officials who usurped the tombs of Karakhamun and Karabasken in the Twenty Sixth Dynasty. The volume focuses particularly on the reconstruction of the ritual of the Hours of the Day and Night and BD 125 and 32 in the tomb of Karakhamun, the textual program of the tomb of Karabasken, as well as Coptic ostraca, faience objects, pottery, and animal bones found in the necropolis.Contributors: Julia Budka, Mansour Bureik, Diethelm Eigner, Erhart Graefe, Kenneth Griffin, Salima Ikram, Matthias Muller, Paul Nicholson, Elena Pischikova, Miguel Molinero Polo Elena Pischikova is the director of the American-Egyptian South Asasif Conservation Project. She is currently a research scholar at the American University in Cairo, and teaches at Fairfield University in Connecticut. She is the author of Tombs of the South Asasif Necropolis: Thebes, Karakhamun (TT 223), and Karabasken (TT 391) in the Twenty-fifth Dynasty (AUC Press, 2013).

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Peter Fortune is a daydreamer. He's a quiet ten year old who can't help himself from dropping out of reality and into the amazing world of his vivid imagination. His daydreams are fantastic and fascinating - only in the bizarre and disturbing world of dreams can he swap bodies with the family cat and his baby cousin, Kenneth, or wipe out his entire family with vanishing cream.

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The dead are never far away. Catherine knows that the face she glimpsed in a crowd can’t be her dear friend Hugh because he’s dead. Kenneth is more concerned about someone who might still turn up one day, while Helen hopes that Joe, who certainly isn’t dead, will come back. All three are waiting for the message that will free them.

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Drama Classics: The World's Great Plays at a Great Little Price Bored with her sheltered existence, Miss Julie attempts to seduce the footman, but gets far more than she bargained for... August Strindberg's classic naturalistic play Miss Julie was written in 1888, and first performed at Strindberg's experimental theatre in Copenhagen, Denmark, in 1889, despite being banned by the censor. This English version, translated and introduced by Kenneth McLeish, is published in the Nick Hern Books Drama Classics series. The volume also includes Strindberg's Preface.

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Roger Kimball and Hilton Kramer select the very best cultural criticism from the first 25 years of America's premier literary magazine. The many contributors include Brooke Allen, Stefan Beck, James Bowman, Theodore Dalrymple, Guy Davenport, John Derbyshire, Ben Downing, Paul Dean, Daniel Mark Epstein, Joseph Epstein, John Gross, Laura Jacobs, William Logan, Harvey Mansfield, Kenneth Minogue, Jay Nordlinger, Eric Ormsby, Cynthia Ozick, David Pryce-Jones, Mordecai Richler, Roger Scruton, John Simon, Mark Steyn, and David Yezzi.

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The book presents the principles of unit operations as well as the application of these principles to real-world problems. The authors have written a practical introductory text exploring the theory and applications of unit operations for environmental engineers that is a comprehensive update to Linvil Rich's 1961 classic work, "Unit Operations in Sanitary Engineering". The book is designed to serve as a training tool for those individuals pursuing degrees that include courses on unit operations. Although the literature is inundated with publications in this area emphasizing theory and theoretical derivations, the goal of this book is to present the subject from a strictly pragmatic introductory point-of-view, particularly for those individuals involved with environmental engineering. This book is concerned with unit operations, fluid flow, heat transfer, and mass transfer. Unit operations, by definition, are physical processes although there are some that include chemical and biological reactions. The unit operations approach allows both the practicing engineer and student to compartmentalize the various operations that constitute a process, and emphasizes introductory engineering principles so that the reader can then satisfactorily predict the performance of the various unit operations equipment. "This is a definitive work on Unit Operations, one of the most important subjects in environmental engineering today. It is an excellent reference, well written, easily read and comprehensive. I believe the book will serve well those working in engineering disciplines including those beyond just environmental and chemical engineering. Bottom-line: A must for any technical library".—Kenneth J. Skipka, CCM

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Williams wrote: “This is a play about love in its purest terms.” It is also Williams’s robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women’s college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin (“the world’s oldest living and practicing poet”), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author’s original Foreword, the short story “The Night of the Iguana” which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch. “I’m tired of conducting services in praise and worship of a senile delinquent—yeah, that’s what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this…this…this angry, petulant old man.” —The Rev. T. Lawrence Shannon, from The Night of the Iguana

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An updated edition of this classic title on the origins of 20th-century ideas in architecture and the applied arts. The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, leading to the emergence of two contrasting styles: Art Nouveau and the International Style. Professor Nikolaus Pevsner brings clarity to this period of dynamic change by tracing the origins of twentieth-century ideas in architecture and the applied arts. Featuring a new foreword by the distinguished architectural historian Kenneth Frampton, this classic title has now been updated with colour illustrations throughout.

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The publication of the first book by Kenneth Arrow and Hervé Raynaud, in 1986, led to an important wave of research in the field of axiomatic approach applied to managerial logic. Managerial Logic summarizes the prospective results of this research and offers consultants, researchers, and decision makers a unified framework for handling the difficult decisions they face. Based on confirmed results of experimental psychology, this book places the problem in a phenomenological framework and shows how the influence of traditional methods has slowed the effective resolution of these problems. It provides a panorama of principal concepts and theorems demonstrated on axiomatized methods to guide readers in choosing the best alternatives and rejecting the worst ones. Finally, it describes the obtained extensions, often paradoxical, reached when these results are extended to classification problems. The objective of this book is also to allow the decision maker to find his way through the plethora of “multicriterion methods” promoted by council organizations. The meta-method it proposes will allow him to distinguish the wheat from the chaff. The collaboration with Kenneth Arrow comes essentially from the fact that his work influenced all subsequent works quoted in this book. His famous impossibility theorem, his gem of a PhD thesis, and his various other works resulted in him receiving the Nobel Prize for economy just before meeting Hervé Raynaud who was at that time a visiting professor at Berkeley University in California. Their mutual publications serve as the basis for the axiomatic approach in multicriterion decision-making.

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The Italian Renaissance has come to occupy an almost mythical place in the popular imagination. The outsized reputations of the best-known figures from the period—Michelangelo, Niccolo Machiavelli, Lorenzo the Magnificent, Pope Julius II, Isabella d'Este, and so many others—engender a kind of wonder. How could so many geniuses or exceptional characters be produced by one small territory near the extreme south of Europe at a moment when much of the rest of the continent still labored under the restrictions of the Middle Ages? How did so many of the driving principles behind Western civilization emerge during this period—and how were they defined and developed? And why is it that geniuses such as Leonardo, Raphael, Petrarch, Brunelleschi, Bramante, and Palladio all sustain their towering authority to this day? To answer these questions, Kenneth Bartlett delves into the lives and works of the artists, patrons, and intellectuals—the privileged, educated, influential elites—who created a rarefied world of power, money, and sophisticated talent in which individual curiosity and skill were prized above all else. The result is a dynamic, highly readable, copiously illustrated history of the Renaissance in Italy—and of the artists that gave birth to some of the most enduring ideas and artifacts of Western civilization.

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Strange, outdated laws from each of the 50 U.S. states-some overturned, some still on the books, and some merely the stuff of legends-are depicted with sly wit by Olivia Locher. Incisive, ironic, and gorgeous, these images will appeal to art buffs and trivia fans alike. A foreword from American poet Kenneth Goldsmith and an interview with the artist by Eric Shiner, former director of the Andy Warhol Museum, contextualize rising-star Locher's photography. From serving wine in teacups in Kansas to licking a toad in Kentucky or perming a child's hair in Nebraska, breaking the law has never looked so good.

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Drama Classics: The World's Great Plays at a Great Little Price The story of the mythical Greek king of Thebes, the archetypal tragic hero who accidentally fulfills a prophecy that he will end up killing his father and marrying his mother, thereby bringing disaster down upon his city and family. This volume, in the Nick Hern Books Drama Classics series, contains two plays by Sophocles, Oedipus Rex and Oedipus at Colonos, in English translations by Kenneth McLeish. It also includes an introduction to the plays.

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How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.

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With over 2.5 million copies sold worldwide, Who Moved My Cheese? is a simple parable that reveals profound truths It is the amusing and enlightening story of four characters who live in a maze and look for cheese to nourish them and make them happy. Cheese is a metaphor for what you want to have in life, for example a good job, a loving relationship, money or possessions, health or spiritual peace of mind. The maze is where you look for what you want, perhaps the organisation you work in, or the family or community you live in. The problem is that the cheese keeps moving. In the story, the characters are faced with unexpected change in their search for the cheese. One of them eventually deals with change successfully and writes what he has learned on the maze walls for you to discover. You'll learn how to anticipate, adapt to and enjoy change and be ready to change quickly whenever you need to. Discover the secret of the writing on the wall for yourself and enjoy less stress and more success in your work and life. Written for all ages, this story takes less than an hour to read, but its unique insights will last a lifetime. Spencer Johnson, MD, is one of the world's leading authors of inspirational writing. He has written many New York Times bestsellers, including the worldwide phenomenon Who Moved My Cheese? and, with Kenneth Blanchard, The One Minute Manager. His works have become cultural touchstones and are available in 40 languages.

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The events of the last several years on Wall Street make a compelling case for comprehensive, fundamental reform in the oversight of financial firms. In Bankruptcy Not Bailout, a group of expert contributors show why, if a new addition to the bankruptcy laws—Chapter 14—were implemented along with other genuine reforms, the changes could strengthen the US financial system and provide the impetus the US economy needs to thrive once again. The authors reveal the weaknesses in Dodd-Frank Title II, showing how the current law creates an elaborate, and potentially cumbersome, bureaucratic procedure for triggering seizure of a financial company—and tell why Chapter 14 could greatly improve that process, creating greater financial stability and reducing the likelihood of bailouts. They lay the groundwork for a return to a clearer, more rules-based oversight regime that relies more on real capital and true market forces and urge adoption of a Chapter 14 even were Dodd-Frank left untouched. CONTRIBUTORS: Andrew Crockett, Darrell Duffie, Thomas H. Jackson, William F. Kroener III, Kenneth E. Scott, David A. Skeel, Kimberly Anne Summe, John B. Taylor, Kevin M. Warsh

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"The market never ceases to befuddle and beguile. These twovenerable works are fixtures on the short lists for most valuablebooks on the securities markets, and investors continue to cherishthem." -From the Introduction by Martin S. Fridson ManagingDirector, Merrill Lynch & Co. Author of InvestmentIllusions Exploring the sometimes hilarious, sometimes devastating impact ofcrowd behavior and trading trickery on the financial markets, thisbook brilliantly combines two all-time investment classics.Extraordinary Popular Delusions and Confusión de Confusionestake us from Tulipmania in 1634-when tulips actually traded at ahigher price than gold-to the South Sea "bubble" of 1720, andbeyond. Securities analyst and author Martin Fridson guides you ona quirky, entertaining, and intriguing journey back throughtime. Chosen by the Financial Times as Two of the Ten Best Books EverWritten on Investment Critical Praise . . . "This is the most important book ever written about crowdpsychology and, by extension, about financial markets. A seriousstudent of the markets and even anyone interested in the extremesof human behavior should read this book!" -Ron Insana, CNBC "In combining 'Extraordinary' with 'Confusion,' the result is notextraordinary confusion. Instead, with clarity, the book sears intomodern investor minds the dangers of following the crowd." -GregHeberlein, The Seattle Times "You will see between its staid lines (written in ye olde Englishand as ponderable as Buddha's navel) that, despite what the mediasays, nothing really important has changed in the financial marketsin centuries." -Kenneth L. Fisher, Forbes

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Far from fading with time, Kenneth Grahame's classic tale of fantasy has attracted a growing audience in each generation. Rat, Mole, Badger and the preposterous Mr Toad (with his ‘Poop-poop-poop’ road-hogging new motor-car), have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall. Grahame's book was later dramatised by A. A. Milne, and became a perennial Christmas favourite, as Toad of Toad Hall. It continues to enchant and, above all perhaps, inspire great affection.

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This pioneering translation of Plato’s Phaedrus, with detailed summary and full philological and exegetical notes taking into consideration all commentaries since Hermias, followed by a painstaking dialogical analysis of the text that shows what we must think at every moment in order to understand the thinking that brings the Greek text to life.In Kenneth Quandt’s treatment, Plato’s seminal work is allowed to create its own horizon and a new and profoundly unified interpretation emerges: Socrates’s conversation with Phaedrus reaches a vision of eros that explains the paradoxes of human nature, explodes the zero-sum game of master and slave, exposes the crabbed fetishism of the written word, and releases the mind to a life of contemplation fixed in a cloudless noon.

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'If we wish to know the force of human genius we should read Shakespeare' William HazlittA soldier of great standing and a newly married man, Othello seems to be in an enviable position. And yet, when his supposed friend sows doubts in his mind about his wife's fidelity, he is gradually consumed by suspicion. In this tragedy of strange, ornate beauty and remarkable psychological power, innocence is corrupted, and goodness and happiness are wantonly destroyed.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Kenneth Muir Introduction by Tom McAlindon

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"Printer's ink is the greater explosive."—Lawrence Ferlinghetti Lawrence Ferlinghetti founded the City Lights publishing house sixty years ago in 1955, launching the press with his now legendary Pocket Poets Series. First in the series was Pictures of the Gone World—and within a year, he had brought out two more volumes, translations by Kenneth Rexroth and then, poems by Kenneth Patchen. But it was the success and scandal of Number Four, Howl & Other Poems by Allen Ginsberg (1956), that put City Lights on the map, positioning the Pocket Poets Series at the forefront of the literary counterculture. A landmark sixtieth retrospective celebrating 60 years of publishing and cultural history, this edition provides an invaluable distillation of the energetic, iconoclastic and still fresh body of work represented in the ongoing series. Ferlinghetti has selected a handful of poems from each of the sixty volumes, including the work of Ginsberg, Kerouac, Corso, Pasolini, Voznesensky, Prévert, Mayakovsky, Cortázar, O'Hara, Ponsot, Levertov, di Prima, Duncan, Lamantia, Lowry, and more, all of the Pocket Poets Series' innovative, influential, and often ground-breaking American and international poets.

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Teachers can have a profound influence on children’s reading behaviour and attitudes to literature. Whether it’s to broaden children’s knowledge and understanding, or encourage reading for pleasure, reading in the classroom is becoming an increasing priority.This book looks at a wide range of children’s literature from picture books to classics to poetry. A diverse array of books is recommended for teachers to use in a broad variety of contexts to enhance learning across the curriculum, featuring beloved authors such as Michael Morpurgo, Tove Jansson and Kenneth Grahame, as well as introducing some who may be new to teachers.This book:•Recognises the key role of children’s literature within the curriculum and learning development •Explores examples through case studies of classroom practice and highlights children’s literature’s role in Personal, Social, Health and Economic (PSHE) education•Celebrates the range of voices and contexts that literature can represent in the classroom•Includes a ‘For your bookshelf’ section in each chapter which summarises key titles•Dedicates a chapter to the importance of creating children’s literature with and for childrenThe authors place emphasis on creating a literate environment in which children’s literature is a central feature. This is a must-read for teachers at all levels, as well as anyone who volunteers in schools to support readers. “Read on to enrich your practice right across the curriculum and find diverse books to engage and inspire children. Enjoy!”Professor Teresa Cremin, The Open University, UK “How do we make sure children today recognise the value of reading for pleasure when so many other mediums are competing for their attention? The answer lies within this excellent text.”Megan Stephenson, PGCE Primary ITT Lead, Leeds Trinity University, UK“It is an essential book for the primary school – needed now more than ever before.”Adam Bushnell, Author of Modelling Exciting Writing and Descriptosaurus: Story WritingRosemary Waugh is a retired teacher who has written extensively on children’s literature, spelling, punctuation and grammar. She is an avid collector of children’s literature. She works with David to lead workshops for reading volunteers in schools for the Open University, UK, and the charity Coram Beanstalk.David Waugh is a former deputy headteacher, education adviser and head of department, who is currently a professor at Durham University, School of Education, UK. He has written more than sixty books on primary English as well as six children’s novels, two of which were written with groups of children.

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From the beloved bestselling author Santa Montefiore comes a new novel filled with humour and heart. For fans of The Temptation of Gracie, Flappy now takes centre stage, more charismatic and competitive than ever. ‘Fresh, fun and fabulous! Flappy certainly kept me entertained!’ Heidi Swain, Sunday Times bestselling author of The Winter Garden Underneath her graceful exterior lies a passion nobody knew about, least of all Flappy herself… Flappy Scott-Booth is the self-appointed queen bee of Badley Compton, a picturesque Devon village. While her husband Kenneth spends his days on the golf course, she is busy overseeing her beautiful house and gardens, and organising unforgettable events, surrounded by friends who hang on to her every word. Her life is a reflection of herself – impossibly perfect. Until the day that Hedda Harvey-Smith and her husband Charles move into the village. Into an even grander home than hers. Taking the front seat on the social scene, quite literally. That simply will not do. Flappy is determined to show Hedda how things are done here in Badley Compton. But then she looks into Charles’s beautiful green eyes. And suddenly, her focus is elsewhere. She is only human, after all…Praise for Flappy Entertains: ‘Santa Montefiore is a born storyteller’ Woman’s Weekly ‘A friendly, undemanding read in unfriendly, demanding times’ Daily Mail ‘A keeping up with the Joneses tale that will life your spirits in no time’ New! ‘Another winner from the author who writes about relationships so astutely’ Belfast Telegraph 'Packed with wickedly funny insights and throwaway lines and written with an extra-large helping of heart, this is the perfect escape for anyone in need of of a book hug!' Lancashire Post ‘With its air of nostalgia, gentle humour and snobbery, this is a super but also surprising read’ NFOP magazinePraise for Santa Montefiore: 'Nobody does epic romance like Santa Montefiore' JOJO MOYES 'An enchanting read, overflowing with deliciously poignant moments' DINAH JEFFRIES 'Santa Montefiore hits the spot for me like few other writers' SARRA MANNING 'One of our personal favourites' The Times ‘Accomplished and poetic’ Daily Mail ‘Santa Montefiore is a marvel’ Sunday Express

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Cornwall has a special literary heritage. Its writers and poets seem to come from its rich, deep and ancient rock formations, unique geology and proximity to the sea. Cornwall's writers have been shaped by landscape, from its bardic tradition and ancient language of Kernewek to the present day. In the north, the literary giant Thomas Hardy lived and worked in St Juliot where he met and courted his first wife. This part of the county is also the setting for Winston Graham's extraordinarily popular Poldark' series of novels. Fowey in the south has been home to Daphne du Maurier, Q' (Sir Arthur Quiller-Couch), Kenneth Grahame and Mabel Lucie Attwell. John le Carré lived in Cornwall and his books often involve Cornish interludes. Visiting writers also drew inspiration from Cornwall, including Charles Dickens, Virginia Woolf and Arthur Conan Doyle. Cornwall's forgotten authors also have a place, from Derek Tangye's popular 1970s accounts of escaping the rat race and Crosbie Garstin's lost c

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'The greatest enterprise of its kind in history,' was the verdict of British prime minister Stanley Baldwin in June 1928 when The Oxford English Dictionary was finally published. With its 15,490 pages and nearly two million quotations, it was indeed a monumental achievement, gleaned from the efforts of hundreds of ordinary and extraordinary people who made it their mission to catalogue the English language in its entirety. In The Meaning of Everything, Simon Winchester celebrates this remarkable feat, and the fascinating characters who played such a vital part in its execution, from the colourful Frederick Furnivall, cheerful promoter of an all-female sculling crew, to James Murray, self-educated son of a draper, who spent half a century guiding the project towards fruition. Along the way we learn which dictionary editor became the inspiration for Kenneth Grahame's Ratty in The Wind in the Willows, and why Tolkien found it so hard to define 'walrus'. Written by the bestselling author of The Surgeon of Crowthorne and The Map That Changed the World, The Meaning of Everything is an enthralling account of the creation of the world's greatest dictionary.

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Foreword by Kenneth A. Feldman Not since Feldman and Newcomb's 1969 landmark book, TheImpact of College on Students has there been such acomprehensive resource available on what is known about the effectof college on students. In this book, Pascarella and Terenzini takeup where Feldman and Newcomb left off, synthesizing twenty moreyears of empirical research and over 2,600 studies, distilling whatis known about how students change and benefit as a consequence ofattending college.

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Leonid Hurwicz (1917-2008) was a major figure in modern theoretical economics whose contributions over sixty-five years spanned at least five areas: econometrics, nonlinear programming, decision theory, microeconomic theory, and mechanism design. In 2007, at age ninety, he received the Nobel Memorial Prize in Economics (shared with Eric Maskin and Roger Myerson) for pioneering the field of mechanism design and incentive compatibility. Hurwicz made seminal contributions in the other areas as well. In non-linear programming, he contributed to the understanding of Lagrange-Kuhn-Tucker problems (along with co-authors Kenneth Arrowand Hirofumi Uzawa). In econometrics, the Hurwicz bias in the least-squares analysis of time series is a fundamental and commonly cited benchmark. In decision theory, the Hurwicz criterion for decision-making under ambiguity is routinely invoked, sometimes without a citation since his original paper was never published. In microeconomic theory, Hurwicz (along with Arrow and H.D. Block) initiated the study of stability of the market mechanism, and (with Uzawa) solved the classic integrability of demand problem, a core result in neoclassical consumer theory. While some of Hurwicz's work were published in journals, many remain scattered as chapters in books which are difficult to access; yet others were never published at all. The Collected Papers of Leonid Hurwicz is the first volume in a series of four that will bring his oeuvre in one place, to bring to light the totality of his intellectual output, to document his contribution to economics and the extent of his legacy, with the express purpose to make it easily available for future generations of researchers to build upon.

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The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.

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What is the place of individual genius in a global world of hyper-information - a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, 'originality' begins to take a back seat to what can be done with other people's words - framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of 'unoriginal' writing. Paradoxically, she argues, such citational and often constraint-based poetry is more accessible and, in a sense, 'personal' than was the hermetic poetry of the 1980s and '90s. Perloff traces this poetics of 'unoriginal genius' from its paradigmatic work, Benjamin's encyclopedic Arcades Project, a book largely made up of citations. She discusses the processes of choice, framing, and reconfiguration in the work of Brazilian Concretism and Oulipo, both movements now understood as precursors of such hybrid citational texts as Charles Bernstein's opera libretto "Shadowtime" and Susan Howe's documentary lyric sequence "The Midnight". Perloff also finds that the new syncretism extends to language: for example, to the French-Norwegian Caroline Bergvall writing in English and the Japanese Yoko Tawada in German. "Unoriginal Genius" concludes with a discussion of Kenneth Goldsmith's conceptualist book Traffic - a seemingly 'pure' radio transcript of one holiday weekend's worth of traffic reports. In these instances and many others, Perloff shows us 'poetry by other means' of great ingenuity, wit, and complexity.

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New Jersey has roughly one hundred and thirty miles of coastline, including a wide array of habitats from marshes to ocean beaches, each hosting a unique ecosystem. Yet these coastal landscapes are quite dynamic, changing rapidly as a result of commercial development, environmental protection movements, and of course climate change. Now more than ever, it is vital to document these landscapes before they disappear. Based on numerous aerial images from helicopter and drone flights between 2015 and 2021, this book provides extensive photographs and maps of the New Jersey coast, from the Pine Barrens to the ocean beaches. The text associated with each exceptional image describes it in detail, including its location, ecological setting, and relative position within the larger landscape. Author Kenneth Able, director of the Rutgers University Marine Field Station for over thirty years, has thoroughly ground-truthed each image by observations made through kayaks, boats, and wading through marshes. Calling upon his decades of expertise, Able paints a compelling portrait of coastal New Jersey’s stunning natural features, resources, history, and possible futures in an era of rising sea levels.

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After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

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