Search results for ""Author Pete"

'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque and catholic cleverness' Roger Lewis, The Times'One of the foremost prose stylists of his age in any register . . . Probably we don’t deserve Meades, a man who apparently has never composed a dull paragraph' Steven Poole, Guardian'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph'Such a useful and important critic . . . He is very much on the reader’s side, bringing his full wit to bear on every single thing he writes' Nicholas Lezard, SpectatorThis landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life.Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang.From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

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'Anna Jacobs' books are deservedly popular. She is one of the best writers of Lancashire sagas around' - Historical Novels Reviews'Anna Jacobs' books have an impressive grasp of human emotions' - Sunday Times'Catherine Cookson fans will cheer!' - Peterborough Evening Telegraph***************The heartwarming third instalment of the Rivenshaw series from bestselling saga writer Anna Jacobs.After a stray bomb scored a direct hit on his childhood home in Hertfordshire, the only thing that has kept Francis Brady going while he works day and night salvaging what he can from the rubble is the thought that soon he'll be joining war-time friends Mayne, Daniel and Victor as electrician in their new dream building firm in Lancashire. But things are not going to plan: Mayne isn't answering any of his letters; Francis' wife is having a change of heart about moving up north - and her parents seem set on destroying his reputation... A lot of marriages are breaking up in these times of change, and Francis is loathe for his to be one of them... But how can he turn down the opportunity of a new life and career in Rivenshaw? Meanwhile in Rivenshaw itself, newly married Mayne and Judith's plans to convert Esherwood house into flats have come to an abrupt halt. While clearing out the house in readiness for the rebuild, they've discovered that someone has been stealing valuables and hiding them in the old Nissen hut. But who hid them there - and are they planning on returning for them? And are they also responsible for something else found in the shelter: a body, buried in a shallow grave...With so much going against them, can these four friends ever turn their dreams into reality?

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'I love Fiona Griffiths' Sharon BoltonA crime from the past. A murder from the future. DS Fiona Griffiths is bored. It's been months since she had a good corpse. Then she gets news; not just of a murder, but of a decapitation, and one committed with an antique sword no less. All that, and, a murder scene laid out like a gruesome crossword clue.Gaynor Charteris was an archaeologist excavating a nearby iron-age site. Genial, respected, well-liked, it was hard to see why anyone would want to kill her. But as Fiona starts to investigate, she finds evidence of a crime that seems to have its origins in King Arthur's greatest battle - a crime so bizarre that getting her superiors to take it seriously is going to be her toughest job. Especially since the crime hasn't yet been committed.Praise for the Fiona Griffiths mystery series:'Compelling and claustrophobic. Without a doubt, Fiona Griffiths is one of crime's most memorable heroines' Sarah Hilary'Compelling...a new crime talent to treasure' Daily Mail 'In a word - brilliant. One of the most enjoyable crime novels I've read in a while' James Oswald'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today'Gripping...Fiona Griffiths kept me hooked to the last page and left me hungry for more' Rachel AbbottFans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead2. Love Story, With Murders3. The Strange Death of Fiona Griffiths4. This Thing of Darkness5. The Dead House 6. The Deepest Grave (coming soon!)If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.** Each Fiona Griffiths thriller can be read as a standalone or in series order **

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A hanged man. A stolen painting. An impossible crime.A marine engineer is found hanged in a locked apartment. Some artwork is stolen, then mysteriously returned. And a security guard is found dead at the base of a Welsh cliff.When Fiona Griffiths is tasked to look through a stackload of cold cases, her bosses don't expect her to find anything of interest. But then she discovers that an impossible robbery really happened. That the supposed suicide was anything but. That the dead security guard was almost certainly murdered.Before long, Fiona is embroiled in what will become the most terrifying case of her career so far - one that forces her to enter the heart of darkness, and a journey that will test her mental toughness to its very limits.Praise for the Fiona Griffiths mystery series: 'A stunner with precision plotting, an unusual setting, and a deeply complex protagonist' The Seattle Times'This cleverly plotted police procedural introduces a likeable, maverick detective destined for a bestseller following' Choice'Compelling...a new crime talent to treasure' Daily Mail 'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'An original and complex character; a different kind of policewoman. Fiona Griffiths is a truly fascinating character' ShotsFans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead2. Love Story, With Murders3. The Strange Death of Fiona Griffiths4. This Thing of Darkness5. The Dead House 6. The Deepest Grave (coming soon!)If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.** Each Fiona Griffiths thriller can be read as a standalone or in series order **

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The Civil War fascinates Americans like no other war in their history. Many Americans are still fighting some of the war's issues in an Odyssey that stretches back to the first settlement and will persist until the end of time. The war itself was an Iliad of brilliant generals like Grant, Sherman, and Sheridan for the Union, or Lee, Jackson, and Forrest for the Confederacy; epic battles like Gettysburg and Chickamauga; epic sieges like Vicksburg and Petersburg; and epic naval combats such as Monitor versus Merrimack, or Kearsarge versus Alabama. It was America's most horrific war, with more dead than all others combined. Around 625,000 soldiers and 125,000 civilians died from various causes, bringing the total to 750,000 people. Of 31 million Americans, 2.1 million northerners and 880,000 southerners donned uniforms. Why did eleven states eventually ban together to rebel against the United States? President Jefferson Davis began an answer when he said: If the Confederacy falls, there should be written on its tombstone, Died of a Theory.' That theory justified the enslavement of blacks by whites as a natural right and duty of a superior race over an inferior race; a theory, it was believed, that morally and economically elevated both races. Although slavery was the Civil War's core cause, there were related chronic conflicts over the nature of government, citizenship, liberty, property, equality, wealth, race, identity, justice, crime, voting, power, and history - some of which issues have never entirely gone away. America's Unending Civil War is unique among thousands of books on the subject. None before has explored the Civil War's related and enduring conflicts of ideas and principles through four centuries of a nation's history.

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A unique compendium of foundational and contemporary writings in global justice, newly revised and expanded The Global Justice Reader is the first resource of its kind to focus exclusively on this important topic in moral and political philosophy, providing an expertly curated selection of both classic and contemporary work in one comprehensive volume. Purpose-built for course work, this collection brings together the best in the field to help students appreciate the philosophical dimensions of critical global issues and chart the development of diverse concepts of justice and morality. Newly revised and expanded, the Reader presents key writings of the most influential writers on global justice, including Thomas Hobbes, Immanuel Kant, John Stuart Mill, Martha C. Nussbaum, and Peter Singer. Thirty-nine chapters across eleven thematically organized sections explore sovereignty, rights to self-determination, human rights, nationalism and patriotism, cosmopolitanism, global poverty, women and global justice, climate change, and more. Features seminal works from the moral and political philosophers of the past as well as important writings from leading contemporary thinkers Explores critical topics in current discourses surrounding immigration and citizenship, global poverty, just war, terrorism, and international environmental justice Highlights the need for shared philosophical resources to help address global problems Includes a brief introduction in each section setting out the issues of concern to global justice theorists Contains complete references in each chapter and a fully up-to-date, extended bibliography to supplement further readings The revised edition of The Global Justice Reader remains an ideal textbook for undergraduate and graduate courses in global justice and human rights, cosmopolitanism and nationalism, environmental justice, and social justice and citizenship, and an excellent supplement for general courses in political philosophy, political science, social science, and law.

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For the last three decades Brian Clough has been the most charismatic manager in football. Funny, outrageous, sentimental, he stands out sharply from the bland men in suits. Though his talent has earned him a fortune, he remains a working-class hero. As a player he was one of the most gifted forwards of his day. He scored 251 goals in 274 League appearances - and would have scored more had a cruel injury not forced him to retire.As a manager his record was full of superlatives. He took both Derby County and then Nottingham Forest out of the doldrums of the Second Division and made them world-beaters. Tactically brilliant, Clough had an unmatched ability to motivate players. He is the best manager England never had. Behind his back, they call him Old Big 'Ead. He has never been far from controversy, and some of his rows, particularly with his long-standing managerial partner Peter Taylor, are the stuff of tabloid legend. Not so long ago he was televised running onto the pitch to wallop some unruly supporters. More recently he has taken legal advice to counter rumours about illegal ticket deals. Dull he isn't. Despite his outgoing nature, Clough has always guarded his privacy. At last he has decided to tell his full story: from terraced council house in Middlesbrough, to luxurious mansion in an exclusive suburb of Derby; from fitter to socialist millionaire. He speaks of the influence of his strong, proud mother, his courtship and marriage to his glamorous wife Barbara, his children, particularly his goal-scoring son Nigel, and his health, which has been the subject of press speculation and concern. This is an extraordinary life, told by an extraordinary man.

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‘One of the boldest thriller writers working today’ TESS GERRITSEN‘Her characters, plot, and pacing are unrivalled’ MICHAEL CONNELLY__________________________________A darkly comic tale about Mr Less-Than-Average in an average world from the No. 1 Bestseller.Crime fiction obsessive Martin Reed is the proverbial butt of everyone's jokes. Working as a glorified accountant at Southern Toilet Supply and still living with his cantankerous mother, he has become resigned to the world in which he lives - the school bullies now pick on him in the workplace, women still spurn him and his arch enemy is now his supervisor.But then he arrives at work one morning to find the police on site. A co-worker has been brutally murdered and her body abandoned in a ditch. And the overwhelming evidence points to Martin - especially when he can't or won't admit that he has an alibi. When a second victim is found in the company bathroom, things really conspire against Martin. The one bright star on his otherwise bleak horizon is the beautiful and sympathetic Detective Anther Albada, but even she's beginning to have her doubts about his innocence. Could Martin be guilty? Or is he just misunderstood?_________________________________________Crime and thriller masters know there’s nothing better than a little Slaughter:‘I’d follow her anywhere’ GILLIAN FLYNN‘Passion, intensity, and humanity’ LEE CHILD ‘A writer of extraordinary talents’ KATHY REICHS ‘Fiction doesn't get any better than this’ JEFFERY DEAVER ‘A great writer at the peak of her powers’ PETER JAMES ‘Raw, powerful and utterly gripping’ KATHRYN STOCKETT ‘With heart and skill Karin Slaughter keeps you hooked from the first page until the last’ CAMILLA LACKBERG ‘Amongst the world‘s greatest and finest crime writers’ YRSA SIGURÐARDÓTTIR

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Colonial Countryside is a book of commissioned poems and short stories produced by ten global majority writers featuring National Trust houses with significant colonial histories. This includes properties whose owners engaged in the slavery business, in colonial administration or who were involved with the East India Company or British rule in India. Historians have accompanied these pieces with commentaries detailing the evidence upon which each creative commission was based. The book ends with a photo essay by the project’s commissioned photographer, Ingrid Pollard, the Turner Prize shortlisted artist who has pioneered critical interventions into the supposed whiteness of the British countryside. Peter Kalu’s story gives an account of Richard Watt of Speke Hall reflecting on his Jamaican experiences; Karen Onojaife’s story is set in Charlecote Park where a once-favoured Black page finds himself cut adrift; Jacqueline Crooks’ magical realist tale brings together an abused Indian princess and enslaved African employed in the mahogany trade; Ayanna Lloyd Banwo has written about Diego, the Spanish-speaking African who became Drake’s closest confidante; Masuda Snaith’s short story cycle tracks the cross-currents of empire across Lord Curzon’s Kedleston Hall; Maria Thomas’s account of Penrhyn Castle links past and present. It is a gothic tale of history biting back. Malachi’s story features a young Black man who dates a white girl with a taste for country house visiting, including Calke Abbey. Other contributions include poetic meditations on artefacts to be found in country houses. Hannah Lowe reflects on the taste for Chinoiserie, Seni Seneviratne gives voice to the enslaved children trapped within the frames of 18 th century art and Andre Bagoo makes connections between William Blathwayt of Dyrham Park and two stands featuring kneeling African men, brought to the house by his uncle in the seventeenth century.

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Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

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This book is an invaluable ‘tool of the trade’ for anyone trying to identify or interpret photos. – Peter Hart, Military Historian This fascinating and impressively-researched volume will become an invaluable resource for all on a quest to find out about family members who served as well as those who have a fascination with the details of British military history. - Col. Richard Kemp CBE former military head of COBR and commander British Forces, Afghanistan Identifying Cap Badges is the book that has been missing from the bookshelves of family historians, military enthusiasts, and badge collectors alike. It is quite easy to find an erudite book on military cap badges, but you could spend hours, if not days, plodding through hundreds of pictures to find a match for the one you hold. Sometimes you may not find it at all! These learned badge collector's books have one major flaw; they are pictured and discussed in 'order of precedence', that is to say, from the earliest formed regiments to the latest, with separate sections on medical, engineers, cavalry, infantry, etc. This can be most confusing to those uninitiated into the 'dark arts' of military badges. Thus, if you do not know the name or 'original number' of your regiment in this order of precedence, you can be flummoxed! This, combined with all the different crowns, laurels, animals, mythological beasts and castles, can prove more than a little daunting, even to ex soldiers themselves! In this book you will find badges ordered by what is on the badge itself; be it a dragon, sphinx or castle, horse, lion or tiger. This is badge identification in minutes, rather than hours, with added information on dating badges and many comparison photographs alongside all the pictures of the badges. Added to these pictures are short histories of the regiments and 'family trees' plotting the antecedents of today's units.

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'A thrilling new talent' PETER JAMES'Creepy, twisted and gripping' SUN'Dark, compelling and expertly paced' M. W. CRAVEN ___________________On a cold winter's morning, the body of a young boy is discovered in Epping Forest. The body is pristine and peaceful, his head resting gently on a pillow, an angel pendant clenched in his small fist. It is a murder as carefully planned as it is brutal, and there's one person DI Bishop needs back on his team to help solve such a calculated crime. Holly Wakefield, criminal psychologist for the Met Police, is better than anyone Bishop knows at getting inside the brains of psychopaths. But with the body count rising, it's going to take all their strength and resolve to stop the serial killer before any more angels are put to their rest . . .A breathtaking, page-turning thriller perfect for fans of Mark Billingham, Stuart MacBride and Robert Bryndza.___________________What readers are saying:'Wow . . . An astonishingly gripping novel that grabbed me by the throat from the get-go''Awestruck, I finished this book with shaking hands and a pounding heart. Edge-of-your-seat stuff. Simply brilliant''A dark, riveting and absolutely compulsive must-read''I read it in one sitting as I couldn't wait to find out how it would end''Absolute must read . . . you won't be disappointed''Total page turner from start to finish''An immensely satisfying read and an absolutely gripping thriller''Unputdownable . . . would highly recommend''Amazing . . . I read it in a day''What a brilliant read, full of tension as the investigation gains pace, great characters, dark humour, and grips you right from the start to the end''Mark Griffin strikes again. Phenomenal''The writing is more expertly crafted, drawing you deeper into the darkness and walking with the characters as the desperate events unfold''Another masterpiece from Mark Griffin''Such a thrilling read that I couldn't put it down''Tightly plotted, intricate twists and turns, very human characters'

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"...a great resource for the art and textile enthusiast..." Classic Stitches, 2010. The most gifted textile designer of her generation, Shirley Craven won a string of awards during the 1960's. This book celebrates her remarkable achievements at Hull Traders and documents her arresting hand screen-printed furnishing fabrics in full. Big bold abstracts were her speciality, striking in colour and breathtakingly original in style. A visionary small company with high ideals, Hull Traders made its mark initially with designs by artists Eduardo Paolozzi, Nigel Henderson and Ivon Hitchens. Under Craven's direction Hull Traders issued a string of ground-breaking textiles during the 1960's by forty artist-designers, recorded here in their entirety for the first time. Contributors included Althea McNish, John Drummond, Peter McCulloch, Doreen Dyall, Roger Limbrick, Cliff Holden, Richard Allen and Dorothy Carr. In 1966 Hull Traders branched out into furniture with the launch of Bernard Holdaway's revolutionary tomotom range made of painted cardboard tubes - an icon of the Swinging Sixties, based entirely on circular forms, sold all over the world. Drawing on pioneering new research by leading post-war design historian Lesley Jackson, this book traces the fascinating, hitherto untold story of Hull Traders and its unique creative alliance with Shirley Craven and Bernard Holdaway. Featuring stunning new photography and rare archive photographs, it captures the explosion of creativity during the 1960's and provides a visual feast of inspirational post-war pattern and form. Beautifully designed, Shirley Craven and Hull Traders is a companion volume to Jacqueline Groag ISBN: 9781851495900, Zandra Rhodes: Textiles Revolution, Medals, Wiggles and Pop 1961-1971, Artists' Textiles: In America and Britain 1945-1976 ISBN: 9781851496297 and Pop! Design, Culture, Fashion 1955-1976 ISBN: 9781851496907, all recently published, to great acclaim, by Antique Collectors' Club.

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'I am insanely in love with George Cross, a perfect detective for our time and for all time' Stephen Fry A ransacked room. A dead politician. A burglary gone wrong – or a staged murder? THE DETECTIVE DS George Cross loves puzzles – he's good at them – and he immediately spots one when he begins investigating the death of former mayor Peggy Frampton. It looks like a burglary that went horribly wrong to most but George can see what others can't – that this was murder. THE PUZZLE After her political career ended, Peggy became a controversial blogger whose forthright opinions attracted a battalion of online trolls. And then there's her family: an unfaithful husband and a gambling-addicted son. With yet more enemies in her past, the potential suspects are unending. THE SUSPECTS Cross must unpick the never-ending list of seedy connections to find her killer – but the sheer number of suspects is clouding his usually impeccable logic. He's a relentlessly methodical detective, but no case can last forever. And politics can be a dangerous game – especially for people who don't know the rules... Perfect for fans of M.W. Craven, Peter James and Joy Ellis, The Politician is part of the DS George Cross thriller series, which can be read in any order. Why readers love George Cross . . . 'A clever mystery full of tension but also humour and compassion. George Cross is becoming one of my favourite detectives.’ Elly Griffiths 'In DS George Cross, Tim Sullivan has created a character who is as endearing as any I’ve ever come across in this genre. His quirks are his gift, and with Sullivan’s tremendous plotting and superb writing, this series is a gift to readers.' Liz Nugent 'Compelling, full of twists and turns, I couldn’t put this down. Sullivan has created a truly original and endearing detective in George Cross.' Simon McCleave

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‘The deliciously simple conceit — pop facts from every day of the year — lets Lewis roam wide and free, to fascinating effect.’ Daily Mail, 2023’s best history books With entries for every day of the year, ranging from mini-essays to pithy and engaging sentences, Don’t Stop the Music is a novel musical companion – a way of charting your year through the major events and tiny incidents in the lives and careers of pop stars and recording artists. Whether it be when pop became newsworthy; when future stars attended notable gigs; when that K-Pop act issued their first single; or when Elvis Presley found himself on TV singing ‘Hound Dog’ to a basset hound, there are surprising and enlightening events from the history of popular music for every single day of the year. And esteemed music writer Justin Lewis has compiled them all for you, informatively and divertingly. *** ‘A wonderful ride through our pop universe amongst thousands of bright stars, gnarled debris and twinkling nuggets of music and events made distant over time. Lewis has made all of it up-close and vivid through this indispensable companion for anyone who loves music and popular culture. Whatever the age of the reader, it’s brimming with new discoveries and triggering classics: memories and signposts make this an intoxicating music journey!’ Peter Curran ‘This is an astonishing book, a calendar of pop, an almanac of songs, a day by day in the life of music. A book of events that’s an event in itself.’ David Quantick ‘An absolute must for all music fans, Lewis' addictive volume is packed to the gills with facts, trivia, notable events and pure pop nuggets.’ Waterstones ‘A brilliant musical almanac, compiled by an engaging writer whose musical knowledge is not just detailed but wide-ranging and generous.’ Jonathan Coe

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'For me, the life of Jesus Christ, the Prince of Peace, is an inspiration and an anchor in my life. A role-model of reconciliation and forgiveness, he stretched out his hands in love, acceptance and healing.' The Queen's Christmas Broadcast, December 2014 An inspiring and collectible volume to mark the first anniversary of the death of Her Majesty Queen Elizabeth II, Majesty is a beautifully presented anthology of Christian artworks and wisdom, interlaced with quotes from the Queen's Christmas broadcasts. Images and text are brought together by the expert commentary of former Bishop of Oxford and House of Lords life peer Richard Harries. Written with a deep sense of respect and gratitude to Her Majesty, this book celebrates the Queen's spiritual legacy, spanning over eight decades. In a life given over to service, her steadfast faithfulness was rooted in her Christian faith, the beating heart of her spiritual life and reign as monarch. From Caravaggio to Van Gogh, Raphael to Rembrandt, Majesty features high-quality images of 50 iconic paintings, from both the Royal Collection and museums around the globe, including The Met and MOMA in New York, the National Gallery and Victoria and Albert Museum in London, Vatican Museums in Rome, the Hermitage in St Petersburg, and many more. The artworks illustrate key scenes from the life of Christ, accompanied by the words and teachings of Jesus that are found in the Gospels. With these, Richard Harries juxtaposes words from Her Majesty's Christmas broadcasts, relating her faith to the life of Christ and his wisdom, while simultaneously reflecting on how the artists have depicted the scenes. The perfect gift for admirers of the Queen throughout the world, and especially those who share her faith and admiration for the life of Jesus, Majesty brings together the inspiring words of Queen Elizabeth II with the beauty of Christian art and teachings from the Gospels.

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A chance encounter leads to a fight for her life...Kit Finn plays it safe in her personal life; any risky moves are saved for her work. But when she meets handsome Matt Healy on a business trip she decides she’s tired of being careful. Kit acts on her instincts and the two share a night of passion.They agree to meet again when they are back home in New York City, but when Kit arrives at Matt’s apartment she is greeted by a total stranger claiming he is the real Matt. Realising she has been duped Kit decides to put the encounter behind her. But when the police ask her to identify a man killed in a hit and run, with only her business card in his possession, Kit is shocked to recognise the victim as the genuine Matt Healy.Kit fears she has become unintentionally embroiled in a sinister web of deceit. With no real evidence to take to the police, Kit resolves to unravel the mystery herself. But can she do so before more lives, including her own, are put in danger?For fans of psychological suspense and compulsive mysteries, don’t miss this tense and page-turning novel. If you love Peter Swanson and Shari Lapena, then you will love Kate White.Praise for Kate White‘A nerve-jangling adrenaline rush!’ Lisa Gardner‘Utterly compelling.’ Karin Slaughter‘A terrifying psychological thriller.’ Harlan Coben‘Taut, tense and utterly gripping.’ Jessica Knoll‘Suspenseful, twisty and sharply observed.’ Gilly Macmillan'I read this is one sitting. Utterly gripping. I wouldn’t hesitate to recommend.' Reader review'I could not put this book down... It's a clever book with some great characters, I could definitely imagine this on the big screen!' Reader review'Gripping story from the beginning with plenty of twists.' Reader review'An excellent well-written quality read. I didn't want it to end!' Reader review

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No one in Lochdubh expects Dorothy to stay for long...She is, after all, entirely unsuitable. She's an uptown girl, used to a fancy lifestyle in the big city of Glasgow. She'll never fit in. And how is that work-shy rogue Hamish Macbeth supposed to get anything done when his new assistant is such a distraction? The village needs a police sergeant who can get on with his job, not one who's constantly swooning over his pretty young constable.Yet PC Dorothy McIver quickly shows how determined she is to win over the locals, and she certainly seems to bring out the best in Macbeth. Then comes a brutal murder and the pair find themselves plunged into a tangled web of conspiracy that acquires a sinister strand when the chilling shadow of Glasgow's underworld creeps to the Highlands and the peaceful village of Lochdubh.Through it all, the bond between Hamish and Dorothy grows ever stronger. Has Hamish Macbeth finally found the love of his life - and can he track down the murderer before any hope he has for a blissful future is destroyed?'This Hamish Macbeth novel maintains Beaton's distinctive voice and includes the usual village eccentrics, loads of Scottish lore, and the light humor that Beaton fans have loved through the years. . . A definite purchase for all mystery collections' Starred Review, Library Journal'Unmissable!' Peterborough Telegraph Praise for the Hamish Macbeth series:'First rate ... deft social comedy and wonderfully realized atmosphere.' Booklist'It's always a treat to return to Lochdubh.' New York Times'Readers will enjoy the quirks and unique qualities of the cast ... Beaton catches the beauty of the area's natural geography and succinctly describes its distinct flavour.' Library Journal'Befuddled, earnest and utterly endearing, Hamish makes his triumphs sweetly satisfying.' Publishers Weekly

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The razor-sharp first novel in the New York Times bestselling Night Angel series from master of modern fantasy Brent Weeks - an astonishing and epic tale of magic, violence and revenge.The perfect killer has no friends. Only targets. For Durzo Blint, assassination is an art. And he is the city's most accomplished artist, his talents required from alleyway to courtly boudoir.For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned the hard way to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint.But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics - and cultivate a flair for death.'Brent Weeks has a style of immediacy and detail that pulls the reader relentlessly into his story. He doesn't allow you to look away' Robin Hobb'Nobody does break-neck pacing and amazingly-executed plot twists like Brent Weeks' Brian McClellan'Weeks creates a rich blend of politics, culture and character . . . then throws in magic-using assassins' Peter V. Brett'Unforgettable characters, a plot that kept me guessing, non-stop action and the kind of in-depth storytelling that makes me admire a writer's work' Terry Brooks'Weeks has truly cemented his place among the great epic fantasy writers of our time' British Fantasy SocietyFor more from Brent Weeks, check out:Night AngelThe Way of ShadowsShadow's EdgeBeyond the ShadowsThe Kylar ChroniclesNight Angel NemesisPerfect Shadow: A Night Angel NovellaThe Way of Shadows: The Graphic NovelLightbringerThe Black PrismThe Blinding KnifeThe Broken EyeThe Blood MirrorThe Burning White

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SHORTLISTED FOR THE BOOKER PRIZE 2019'Expect vibrant, vivid and eye-opening descriptions of Middle Eastern life propelled by a tender storyline, all in Shafak's haunting, beautiful and considered prose' Vanity Fair'Incredibly sensuous and poetic and evocative' Pandora Sykes'Richly uplifting... truly beautiful writing' Nicola Sturgeon'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore...'For Leila, each minute after her death recalls a sensuous memory: spiced goat stew, sacrificed by her father to celebrate the birth of a yearned-for son; bubbling vats of lemon and sugar to wax women's legs while men are at prayer; the cardamom coffee she shares with a handsome student in the brothel where she works. Each fading memory brings back the friends she made in her bittersweet life - friends who are now desperately trying to find her . . .'Simply magnificent, a truly captivating work of immense power and beauty, on the essence of life and its end' Philippe Sands'Elif Shafak brings into the written realm what so many others want to leave outside. Spend more than ten minutes and 38 seconds in this world of the estranged. Shafak makes a new home for us in words' Colum McCann 'Elif Shafak's extraordinary 10 Minutes, 38 Seconds in this Strange World is a work of brutal beauty and consummate tenderness' Simon Schama'A rich, sensual novel... This is a novel that gives voice to the invisible, the untouchable, the abused and the damaged, weaving their painful songs into a thing of beauty.' Financial Times'One of the best writers in the world today' Hanif Kureishi 'Haunting, moving, beautifully written. A masterpiece' Peter Frankopan 'Extraordinary' Guardian'Life-affirming' Stylist*** ELIF SHAFAK'S NEW NOVEL, THERE ARE RIVERS IN THE SKY, IS AVAILABLE FOR PRE-ORDER NOW ***

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'Ingenious and compelling' THE TIMES, SCIENCE FICTION BOOKS OF THE MONTH'Mind-bendingly clever and utterly gripping' DAILY MAIL, SCI-FI BOOKS OF THE MONTH'A fascinating and assured debut' THE GUARDIAN, BEST RECENT SCIENCE FICTIONIt's 1962 and physics student Grace Pulansky believes she has met the man of her dreams, Robert Jones, while serving up slices of pecan pie at the local diner. But then the FBI shows up, with their fedoras and off-the-rack business suits, and accuses him of being a bomb-planting mass-murderer.Finding herself on the run with Jones across America's Southwest, the discoveries awaiting Gracie will undermine everything she knows about the universe. Her story will reveal how scores of lives - an identity-swapping rock star, a mourning lover in ancient China, Nazi hunters in pursuit of a terrible secret, a crazed artist in pre-revolutionary France, an astronaut struggling with a turbulent interplanetary future, and many more - are interconnected across space and time by love, grief, and quantum entanglement.Spanning continents, centuries, and dimensions, this exquisitely crafted and madly inventive novel - a triple-disk, concept-album of a book - is a profound yet propulsive enquiry into the nature of reality - the perfect immersive read for fans of David Mitchell, Emily St. John Mandel, Neil Gaiman and Margaret Atwood.'A book designed to be more than the sum of its parts, and one that achieves that because love is the thing that binds it together. Vitally fresh' DOMINIC NOLAN'With strong echoes of David Mitchell, Haruki Murakami or Emily St John Mandel...this is a madcap ride to somewhere new with thrills to spare and a gallery of truly fascinating characters. One for the ages.' CRIME TIME'A trans-dimensional, kaleidoscopic mystery-box of a novel.... wholly and riotously original. Haddon is a mad scientist of genre and his epic is a tour de force.' PETER HO DAVIES

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NEW YORK TIMES BESTSELLER Power couple Marlo Thomas and Phil Donahue have created a compelling and intimate collection of intriguing conversations with famous couples about their enduring marriages and how they have made them last through the challenges we all share.What makes a marriage last? Who doesn’t want to know the answer to that question? To unlock this mystery, iconic couple Marlo Thomas and Phil Donahue crisscrossed the country and conducted intimate conversations with forty celebrated couples whose long marriages they’ve admired—from award-winning actors, athletes, and newsmakers to writers, comedians, musicians, and a former U.S. president and First Lady. Through these conversations, Marlo and Phil also revealed the rich journey of their own marriage. What Makes a Marriage Last offers practical and heartfelt wisdom for couples of all ages, and a rare glimpse into the lives of husbands and wives we have come to know and love. Marlo and Phil’s frequently funny, often touching, and always engaging conversations span the marital landscape—from that first rush of new love to keeping that precious spark alive, from navigating hard times to celebrating triumphs, from balancing work and play and family to growing better and stronger together. At once intimate, candid, revelatory, hilarious, instructive, and poignant, this book is a beautiful gift for couples of every age and stage.Featuring interviews with:Alan and Arlene Alda • Kevin Bacon and Kyra Sedgwick President Jimmy and Rosalynn Carter • James Carville and Mary Matalin Deepak and Rita Chopra • Patricia Cornwell and Staci Gruber Bryan Cranston and Robin Dearden • Billy and Janice Crystal Jamie Lee Curtis and Christopher Guest • Ted Danson and Mary Steenburgen Viola Davis and Julius Tennon • Gloria and Emilio EstefanMichael J. Fox and Tracy Pollan • Chip and Joanna Gaines Sanjay and Rebecca Gupta • Mariska Hargitay and Peter Hermann Neil Patrick Harris and David Burtka • Ron and Cheryl Howard Jesse and Jacqueline Jackson • Elton John and David Furnish John and Justine Leguizamo • LL COOL J and Simone I. Smith Melissa McCarthy and Ben Falcone • John McEnroe and Patty Smyth Mehmet and Lisa Oz • Rodney and Holly Robinson Peete Letty Cottin Pogrebin and Bert Pogrebin • Rob and Michele Reiner Kelly Ripa and Mark Consuelos • Al Roker and Deborah Roberts Ray and Anna Romano • Tony Shalhoub and Brooke Adams Judges Judy and Jerry Sheindlin • George Stephanopoulos and Ali Wentworth Sting and Trudie Styler • Capt. Chesley “Sully” and Lorrie Sullenberger Lily Tomlin and Jane Wagner • Judith and Milton Viorst Judy Woodruff and Al Hunt • Bob Woodward and Elsa Walsh

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Thirty poets from around the world read to you in person. This is a new concept in publishing: your own personal poetry festival brought into your home. Each poet reads to you for about ten minutes - up to half a dozen poems chosen from across the range of their work. "In Person" is a collaboration between Bloodaxe Books and award-winning film-maker Pamela Robertson-Pearce. Her style of filming combines directness and simplicity, sensitivity and warmth - the perfect combination for these intimate readings. It is as if the poet were sitting in the room with you, reading just to you, and sometimes saying a few things about the poems. Apart from one recording taken from a live public performance, all the films present informal, one-to-one readings. They enhance your appreciation of the poetry. You hear how the poems sound; you see how the poets read and present their work. T.S. Eliot once described poetry as 'one person talking to another', while W.H. Auden believed it was essential to hear poetry read aloud, for 'no poem, which when mastered, is not better heard than read is good poetry'. "In Person" presents the oral art of poetry in that spirit. There are four hours of readings on two DVDs pouched inside the back cover, and all the poems are printed in this book. "In Person" celebrates 30 years of poetry from a pioneering press. Founded in 1978, Bloodaxe has published nearly a thousand titles by three hundred writers. Until now you wouldn't be able to see or hear readings by many of Bloodaxe's international range of poets. "In Person" makes that possible for the first time, presenting readings by 30 essential voices from Britain, Ireland, America, Spain, Hungary, Palestine, Pakistan, China, New Zealand and the Caribbean. Four out of the 30 short films present the poets' work bilingually. Menna Elfyn's reading alternates between her Welsh poems and their English translations. Joan Margarit reads in Catalan in tandem with his translator Anna Crowe reading her English translations. Palestinian poet Taha Muhammad Ali reads in Arabic and then re-inhabits each poem as it is read in English by his translator Peter Cole. Yang Lian introduces his work in English, and reads the poems in Chinese. This anthology presents all their poems in both languages in a parallel-text format, enabling you to follow either language as the poems are read on the film. All the other readings are in English only, and in many varieties of English which will add greatly to your enjoyment and appreciation of the poetry: not just poems read in Scottish, Welsh and Irish English by Jackie Kay, W.N. Herbert, Gwyneth Lewis, Brendan Kennelly and Micheal O'Siadhail, but also George Szirtes' Hungarian-inflected English, Benjamin Zephaniah's melding of Jamaican and Birmingham, and the Caribbean lilt of John Agard and James Berry. The musical range of American voices is just as diverse, ranging from urban Detroit (Philip Levine) to the Ozark Mountains (C.D. Wright). There's also a 'bonus track': a short film of Bloodaxe's first poet, Ken Smith, made by Ivor Bowen just before Ken's untimely death.

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A deep dive into the creative world and personal archive of the master of horror Clive Barker, from Hellraiser and Candyman to today"I've seen the future of horror . . . and his name is Clive Barker." In the mid-1980s, Stephen King inducted a young English novelist into the world of great genre writers, and since then, this genius creator has only continued to expand his field of activity. Created by his two most loyal collaborators, Phil and Sarah Stokes, Clive Barker’s Dark Worlds is the first book to shed light on the massive scope of Barker’s creative work. With the help of Barker himself, this book contains exclusive insight from those who have worked with him creatively and professionally, alongside analyses of his works and comments over four decades from industry contemporaries and friends such as Ramsey Campbell, Quentin Tarantino, Neil Gaiman, China Miéville, Peter Straub, Armistead Maupin, J.G. Ballard, Wes Craven, and many more. The book spans Barker’s world, highlighting classics such as the character Pinhead, an icon in the pantheon of horror cinema; the Hellraiser series of ten films and a forthcoming HBO miniseries; and the cult films Nightbreed and Candyman, the latter of which was rebooted as a Jordan Peele production in 2021. In literature, Barker has written the horror anthology series Books of Blood, which was recently adapted by Hulu, as well as numerous fantasy sagas. Weaveworld and The Great and Secret Show have become instant genre classics, and Abarat is a beloved bestselling series for young adults. In the world of comics, Barker has partnered with major publishers such as Marvel and BOOM! Studios. This tireless creator has also dipped his toes into the worlds of toys, video games, and art, and his incredible collection of paintings, drawings, and photographs have been exhibited in galleries over the world.

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HR thought leader Dave Ulrich — bestsellingauthor of HR Champions, The Why of Work, HR from the Outside In, and more--is back with his international colleagues to unpack and distill the finest, most up-to-the-moment thinking from the HR world. Indeed, this book looks at best practices from companies on every continent, offering an expert survey of universal andregional HR dos and don'ts.Because new and developing global circumstances often require adaptability and changes in best practices, Global HR Competencies documents the decisionandpolicymaking of some of the world's foremost, leading-edge HR practitioners. Together with his team of researchers, Ulrich has broken down all there is to know about best HR practices around the world--and how they might take shape in the future. Global HR Competencies will teach you: The guiding principles that HR's next generations can't afford to be without How HR professionals integrate across all levels of business life in each major region of the world HR's impact on short-term individual and business performance, and how it can have sustainable impact oncustomers and society as a whole How to best employ, develop, and make the most of HR professionals, giving you and your organization themaximum advantage — wherever you are in the world Advance Praise for Global HR Competencies"An invaluable resource for crafting sustainable organizations in a world of fast-moving technological change and innovation." -- Paul Norman, Chief Human Resources & Corporate Affairs, MTN Group (Africa)"[Global HR Competencies] brings important research to life with the injection of regional context and local knowledge, turning the findings into lessons for the profession globally." -- Peter Wilson, National President, Australian Human Resources Institute (Australia)"Provides both the gold standard in global HR competencies, as well as a compelling overview of how these competencies apply to China. Outstanding!" -- Bo Lianming, President, TCL Corporation (China)"An invaluable guide to boosting the understanding of the nuanced role the HR function plays in different markets. . . . Highly informative." -- William S. Allen, Group Senior Vice President, Group HR, A.P. Møller – Mærsk (Europe)"An excellent research-based account of how contemporary HR practices are helping corporations across the world excel and globalize. . . . A must-read for CEOs and HR professionals alike." -- Adi Godrej, Chairman, Godrej Group, and President, Confederation of Indian Industry (India)"Should be read by any HR professional who has a true interest in the standards of excellence of the HR function in each region." -- Eduardo Villar, HR VP, Hochschild Mining (Latin America)"Will greatly assist any company achieve its strategic goals and objectives." -- Khalid S. Al-Mudaifer, President & CEO, Ma'aden Saudi Arabian Mining Co. (Middle East)"This is a must-read for any leader who is responsible for managing global businesses." -- Dennis W. Shuler, Chief HR Officer and Senior Vice President, The Kellogg Company (North America)"A must-read for HR professionals." -- Murat Ulker, Chairman of the Board of Directors, Yildiz Holding (Turkey)

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A captivating photographic odyssey spanning fashion, Hollywood and travel, this is the first publication in almost 40 years on the work of George Hoyningen-Huene, the photographer whose images defined an era. Baron George Hoyningen-Huene (19001968), known simply as Huene, worked during the golden age of couture fashion and Hollywood cinema. He was born in St Petersburg to a wealthy family, but they had to flee their home during the Russian revolution in 1917. Huene spent time in England before moving to Paris, where he was employed to create photographs for Vogue and Vanity Fair and rapidly established himself as a visual innovator, fusing elements of neoclassicism and surrealism to create chic, arresting images. In 1935, Huene joined Harper's Bazaar magazine, where he remained a contributor until 1946, following which he settled in California and embarked on a second career as a colour coordinator for Hollywood films. Supported by an international exhibition opening at Chanel Ne

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How and why was outdated racial content - and specifically blackface minstrelsy - not only permitted, but in fact allowed to thrive during the 1930s and 1940s despite the rigid motion picture censorship laws which were enforced during this time? Introducing a new theory of covert minstrelsy, this book illuminates Hollywood's practice of capitalizing on the Africanist aesthetic at the expense of Black lived experience. Through close examination of the musicals made during this period, this book shows how Hollywood utilized a series of covert "guises" or subterfuges-complicated and further masked by a film's narrative framing and novel technology to distract both censors and audiences from seeing the ways in which they were being fed a nineteenth-century White narrative of Blackness. Drawing on the annals of Hollywood's most popular and its extremely rare films, Behind the Screen uncovers a half century of blackface application by delicately removing the individual layers of disguise through close analyses of films which paint tap dance, swing, and other predominantly Africanist forms in a negative light. This book goes beneath the image of recognizable White performers including Al Jolson, Eddie Cantor, Fred Astaire, and Eleanor Powell, exploring the high cost of their onscreen representational politics. The book also recuperates the stories of several of the Black artists whose labor was abused during the choreographic and filming process. Some of the many newly documented stories include those of The Three Chocolateers, The Three Eddies, The Three Gobs, The Peters Sisters, Jeni Le Gon, and Cora La Redd. In stripping away the various disguises involved during Hollywood's Golden Age, Behind the Screen recovers the visibility of Black artists whose names Hollywood omitted from the credits and whose identities America has written out of the national narrative.

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The Human Tradition in the Civil War and Reconstruction brings alive this decisive period in American history by taking the reader beyond the realm of generals, presidents, and the other towering figures of history and introducing fourteen individuals who represent the variety of people who made up the great mass of the nation in the middle of the nineteenth century. Readers will meet women like LaSalle Pickett, whose activities not only reveal a good deal about marriage and gender during the period but also offer a fascinating look at the postwar southern propaganda effort on behalf of the 'Lost Cause.' A chronicle of the home front is offered in the piece on journalist, poet, and novelist Lucy Virginia French. The abolition movement, particularly as an outgrowth of religious conviction, is covered in the sketch of Charles Grandison Finney. The chapters on Robert Smalls and Willis Augustus Hodges illustrate the roles played by African Americans during the war and Reconstruction. Francis Nicholls's virulent southernism is counterpointed in the sketch of Charles Henry Foster, whose unionism in a southern state highlights the complexity of choices and motivations of Americans in the Civil War era. Readers will also meet people like Winfield Scott Hancock and Richard S. Ewell, whose experiences illustrate the challenges confronted by mid-ranking military commanders. The naval war, often a neglected aspect of the era, is the focus of the piece on Raphael Semmes and a chapter on common soldier Peter Welsh reflects the important part played by immigrants in this conflict. An excellent resource for courses on this tumultuous era, The Human Tradition in the Civil War and Reconstruction examines a side of this historical period rarely seen in standard texts.

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This title comes with a new Introduction by Bethan Griffiths and Peter Milington. We are fortunate today that there is a far greater understanding and appreciation of our heritage, and how it should be cared for, than there was at the time J. Starkie Gardner's book was written. For the many people interested in and involved with the care and conservation of heritage ironwork "English Ironwork of the Seventeenth and Eighteenth Centuries" is an invaluable reference, not just for researching specific pieces but also for understanding the historic context of the ironwork of the period. It is also full of illustrations of once surviving examples in need of repair, and these photographs can give clues to their original form. Where ironwork has gone missing, the information can help to inform the design of replica work. There are few books on decorative historical ironwork and the small number there are highlight the fact that, overall, the subject of wrought ironwork has been insufficiently studied and is a rich field for cataloguing and research. Within the pages of Starkie Gardner's book are clues to the identification of further pieces of ironwork, particularly the many he did not cover, from which there is still much to learn. It is hoped that reissue of the book acts as an inspiration to those involved with the study, care and refurbishment of ironwork to continue the work he started in the recording and sharing of ironwork discoveries. However, the huge amount of surviving work of the nineteenth and twentieth centuries should not be forgotten as of this also too little is known; here again there is need for further cataloguing and research.

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This study investigates six German Jewish writers' negotiation of Jewish-German-Communist identity in post-Holocaust East Germany. This study investigates the negotiation of Jewish-German-Communist identity in post-Holocaust Germany, specifically East Germany. After an introduction to the political-historical context, it highlights the conflicted writings of six East German Jewish writers: Anna Seghers (1900-1983), Stefan Heym (1913-2001), Stephan Hermlin (1915-1997), Jurek Becker (1937-1997), Peter Edel (1921-1983), and Fred Wander (1917-2006). All were Holocaust survivors. All lost family members in the Holocaust. All were important writers who played a leading role in East German cultural life, and all were loyal citizens and committed socialists, although their definitions of and maneuvers regarding Party loyalty differed greatly. Good soldiers, they viewed their writing as contributing to the social-political revolution taking place in East Germany. Informed by Holocaust and trauma studies, as well as psychology and deconstruction, this study looks for moments when Party discipline falters and other, repressed, thoughts and emotions surface, decentering the works. Some recurring questions addressed include: What is the image of Germans? Do the works evidence revenge fantasies? How does the negotiation of ostensibly mutually exclusive identities play out? Is there acknowledgment of the insufficiency of Communist theory to explain antisemitism, as well as recognition of Stalinist or other forms of Communist antisemitism? Although these writers ultimately established themselves in East Germany, attaining positions of privilege and even power, their best works nonetheless evince an acute sense of endangerment and vulnerability; they are documents both created and marked by trauma.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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"I had the privilege of working closely with Marvin and McKinsey for many years. This book makes Marvin come to life and perpetuates him as a role model." -Peter F. Drucker "A wonderful book about a wonderful man. In many ways, Marvin's McKinsey framed the hypotheses in our own search for excellence-for example, passion for values, belief in people as the prime resource, and willingness to let people experiment. As well as I thought I knew Marvin, however, this remarkable book, drawing on the collective memories of those who worked most closely with him, taught me a ton about how extraordinary the man really was and what made him that way. Many have called Drucker the man who invented management; I think history will conclude that both he and Marvin Bower share that pedestal." -Bob Waterman, coauthor of In Search of Excellence "Marvin Bower became a legend, not just within McKinsey & Company, but within professional services and the business world more broadly. In everything he did and said, he embodied the professional approach and the importance of values. This book sheds remarkable insight on a remarkable man and on the power of constancy of purpose." -Ian Davis, Worldwide Managing Director, McKinsey & Co. "It is as Marvin would have wanted it-simple, honest, fact-based, wonderful stories with a long-term perspective. An insightful read about the father of management consulting." -Lois Juliber, retired COO, Colgate-Palmolive "This book provides fascinating insight into the early days of modern management consulting. It is an extremely enlightening look at the origin of one of America's most important professions and one of America's most innovative leaders." -Thomas H. Lee, founder, Chairman, and President, Thomas H. Lee Partners L.P.

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During the nineteenth century, Albrecht Dürer’s art, piety, and personal character were held up as models to inspire contemporary artists and—it was hoped—to return Germany to international artistic eminence. In this book, Jeffrey Chipps Smith explores Dürer’s complex posthumous reception during the great century of museum building in Europe, with a particular focus on the artist’s role as a creative and moral exemplar for German artists and museum visitors.In an era when museums were emerging as symbols of civic, regional, and national identity, dozens of new national, princely, and civic museums began to feature portraits of Dürer in their elaborate decorative programs embellishing the facades, grand staircases, galleries, and ceremonial spaces. Most of these arose in Germany and Austria, though examples can be seen as far away as St. Petersburg, Stockholm, London, and New York City. Probing the cultural, political, and educational aspirations and rivalries of these museums and their patrons, Smith traces how Dürer was painted, sculpted, and prominently placed to accommodate the era’s diverse needs and aspirations. He investigates what these portraits can tell us about the rise of a distinct canon of famous Renaissance and Baroque artists—addressing the question of why Dürer was so often paired with Raphael, who was considered to embody the greatness of Italian art—and why, with the rise of German nationalism, Hans Holbein the Younger often replaced Raphael as Dürer’s partner.Accessibly written and comprehensive in scope, this book sheds new light on museum building in the nineteenth century and the rise of art history as a discipline. It will appeal to specialists in nineteenth-century and early modern art, the history of museums and collecting, and art historiography.

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This book examines the writings of the American novelist Ayn Rand, especially The Fountainhead (1943) and Atlas Shrugged (1957), which Rand considered her definitive statement about the need for an unregulated free market in which superior humans could fully realize themselves by living for no-one but themselves. It explores Rand’s conception of American identity, which exalted individualism and capitalism, and her solution for saving the modern American nation, which she believed was losing the spirit of its 18th- and 19th-century founders and frontiersmen, having been degraded morally and economically by the rampant socialism of the mid-20th-century world. Derek Offord crucially goes on to analyse how Rand’s writings functioned as a vehicle in which she, a Russian-Jewish writer born in St Petersburg in 1905, engaged with ideas that had long animated the Russian intelligentsia. Her conception of human nature and of a utopian community capable of satisfying its needs; her reversal of conventional valuations of self-sacrifice and selfishness; her division of humans into an extraordinary minority and the ordinary mass; her comparison of competing civilizations – in all these areas, Offord argues that Rand drew on Russian debates and transposed them to a different context. Even the type of novel she writes, the novel of ideas, is informed by the polemical methods and habits of the Russian intelligentsia. The book concludes that her search for a brave new world continues to have topicality in the 21st century, with its populist critiques of liberal democracies and acrimonious debates about countries’ moral, social, and economic priorities and their identities, inequalities, and social tensions.

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'A brilliant novel of deception, love and trust to join his supreme cannon' Evening Standard'Vintage le Carré. Immensely clever, breathtaking. Really, not since The Spy Who Came in from the Cold has le Carré exercised his gift as a storyteller so powerfully and to such thrilling effect' John Banville, GuardianPeter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, has retired to his family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him. Intelligence operations that were once the toast of secret London are to be scrutinised by a generation with no memory of the Cold War. Somebody must be made to pay for innocent blood once spilt in the name of the greater good.Interweaving past with present so that each may tell its own story, John le Carré has given us a novel of superb and enduring quality.'Utterly engrossing and perfectly pitched. There is only one le Carré. Eloquent, subtle, sublimely paced' Daily Mail'Splendid, fast-paced, riveting' Andrew Marr, Sunday Times'Remarkable. Vintage John le Carré. It gives the reader, at long last, pieces of a jigsaw puzzle that have been missing for 54 years. Like wine, le Carré's writing has got richer with age. Don't wait for the paperback' The Times'Perhaps the most significant novelist of the second half of the 20th century in Britain. He's in the first rank' Ian McEwan'The literary event of the Autumn' Evening Standard'One of those writers who will be read a century from now' Robert Harris

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter sets out for the Middle East in his latest adventure. Boom! Doctored petrol is blowing up vehicles all around the country. Determined to find the culprits, Tintin heads for the Middle East, but he is in for a nasty shock when he encounters a familiar face in the desert. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter faces the task of helping to protect a monarchy? Tintin travels to the Syldavia and uncovers a plot to dethrone King Muskar XII. But can he help the head of state before it’s too late? Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter is on the trail of the Blue Lotus. In India, Tintin gets drawn into a dangerous mystery revolving around a madness-inducing poison. He traces its origins to Shanghai and a nefarious web of opium traffickers. But can he outwit the crooks? Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter discovers that Professor Calculus is building a space rocket. Tintin and Captain Haddock are amazed to find that Professor Calculus is planning a top-secret project from the Sprodj Atomic Research Centre in Syldavia. And before our intrepid hero knows it, the next stop on this adventure is … Space. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter solves the mystery of the Black Island. Wrongly accused of a theft, Tintin is led to set out with Snowy on an adventure to investigate a gang of forgers. Can he save the day? Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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An important and informative survey of printmaking in Britain, featuring works by the major British artists of the century, from Paul Nash to Patrick Caulfield and David Hockney; and from Bridget Riley to Paula Rego and Tracey Emin. Showcasing over 200 highlights from the Arts Council Collection's renowned print holdings, A Century of Prints in Britain begins with an etching by Walter Sickert and takes us through the decades to a series of prints created by leading British artists for the London 2012 Olympics. The book features the iconic work of Paul Nash, Graham Sutherland and John Piper as they seek to spearhead a new sense of national identity during and after the Second World War, and the startling innovations of 1960s Pop artists such as Richard Hamilton, Eduardo Paolozzi and Bridget Riley. Prints from masterful series by Patrick Caulfield, David Hockney, Chris Ofili and Paula Rego are illustrated alongside striking portfolio works by YBAs such as Fiona Banner and Tracey Emin, among many others. Prints expert Julia Beaumont-Jones tells a fascinating and little-told story of a medium that democratised art in the post-war period, exploring how its widening popularity was linked to exciting developments in technique and subject matter. Featuring masters of the medium alongside lesser known practitioners, Prints in Britain provides a long-overdue survey of this popular form. Artists represented include Patrick Caulfield, Peter Blake, Fiona Banner, Helen Chadwick, Lucien Freud, Richard Hamilton, Damien Hirst, David Hockney, Gary Hume, Tess Jaray, R.B. Kitaj, John Minton, Chris Ofili, Julian Opie, Eduardo Paolozzi, Cornelia Parker, Ken Price, Paula Rego, Bridget Riley, Rachael Whiteread and many more.

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'Fascinating' Guardian, 'Book of the Day''A truly masterly book... A tour de force that will be read for a very long time.' Peter HennessySelected by the New Statesman as an essential read for 2022Britain shaped the modern Middle East through the lines that it drew in the sand after the First World War and through the League of Nations mandates over the fledgling states that followed. Less than forty years later, the Suez crisis dealt a fatal blow to Britain's standing in the Middle East and is often represented as the final throes of British imperialism. However, as this insightful and compelling new book reveals, successive prime ministers have all sought to extend British influence in the Middle East and their actions have often led to a disastrous outcome.While Anthony Eden and Tony Blair are the two most prominent examples of prime ministers whose reputations have been ruined by their interventions in the region, they were not alone in taking significant risks in deploying British forces to the Middle East. There was an unspoken assumption that Britain could help solve its problems, even if only for the reason that British imperialism had created the problems in the first place.Drawing these threads together, Nigel Ashton explores the reasons why British leaders have been unable to resist returning to the mire of the Middle East, while highlighting the misconceptions about the region that have helped shape their interventions, and the legacy of history that has fuelled their pride and arrogance. Ultimately, he shows how their fears and insecurities made them into false prophets who conjured existential threats out of the sands of the Middle East.

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A must-read collection on contemporary threats to academic freedom.Academic freedom may be threatened like never before. Yet confusion endures about what professors have a defensible right to say or publish, particularly in extramural forums like social media. At least one source of the confusion in the United States is the way in which academic freedom is often intertwined with a constitutional freedom of speech. Though related, the freedoms are distinct.In Challenges to Academic Freedom, Joseph C. Hermanowicz argues that, contrary to many historical views, academic freedom is not static. Rather, we may view academic freedom as a set of relational practices that change over time and place. Bringing together scholars from a wide range of fields, this volume examines the current conditions, as well as recent developments, of academic freedom in the United States. • the sources of recurring threat to academic freedom; • administrative interference and overreach; • the effects of administrative law on academic work, carried out under the auspices of Title IX legislation, diversity and inclusion offices, research misconduct tribunals, and institutional review boards; • the tenuous tie between academic freedom and the law, and what to do about it; • the highly contested arena of extramural speech and social media; and• academic freedom in a contingent academy.Adopting varied epistemological bases to engage their subject matter, the contributors demonstrate perspectives that are, by turn, case study analyses, historical, legal-analytic, formal-empirical, and policy oriented. Traversing such conceptual range, Challenges to Academic Freedom demonstrates the imperative of academic freedom to producing outstanding scholarly work amid the concept's entanglements in the twenty-first century.Contributors: Patricia A. Adler, Peter Adler, Timothy Reese Cain, Dan Clawson, Joseph C. Hermanowicz, Philip Lee, Gary Rhoades, Laura Stark, John R. Thelin, Hans-Joerg Tiede, Gaye Tuchman, Stephen Turner, Eve Weinbaum

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For much of the twentieth century scientists sought to explain objects and processes by reducing them to their components—nuclei into protons and neutrons, proteins into amino acids, and so on—but over the past forty years there has been a marked turn toward explaining phenomena by building them up rather than breaking them down. This collection reflects on the history and significance of this turn toward “growing explanations” from the bottom up. The essays show how this strategy—based on a widespread appreciation for complexity even in apparently simple processes and on the capacity of computers to simulate such complexity—has played out in a broad array of sciences. They describe how scientists are reordering knowledge to emphasize growth, change, and contingency and, in so doing, are revealing even phenomena long considered elementary—like particles and genes—as emergent properties of dynamic processes. Written by leading historians and philosophers of science, these essays examine the range of subjects, people, and goals involved in changing the character of scientific analysis over the last several decades. They highlight the alternatives that fields as diverse as string theory, fuzzy logic, artificial life, and immunology bring to the forms of explanation that have traditionally defined scientific modernity. A number of the essays deal with the mathematical and physical sciences, addressing concerns with hybridity and the materials of the everyday world. Other essays focus on the life sciences, where questions such as “What is life?” and “What is an organism?” are undergoing radical re-evaluation. Together these essays mark the contours of an ongoing revolution in scientific explanation. Contributors. David Aubin, Amy Dahan Dalmedico, Richard Doyle, Claus Emmeche, Peter Galison, Stefan Helmreich, Ann Johnson, Evelyn Fox Keller, Ilana Löwy, Claude Rosental, Alfred Tauber

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Throughout recorded history, labor to produce goods and services has been a central concern of society, and questions surrounding the terms of labor—the arrangements under which labor is made to produce and to divide its product with others—are of great significance for understanding the past and the emergence of the modern world. For long periods, much of the world’s labor could be considered under the coercive control of systems of slavery or of serfdom, with relatively few workers laboring under terms of freedom, however defined. Slavery and serfdom were systems that controlled not only the terms of labor, but also the more general issues of political freedom. The nine chapters in this volume deal with the general issues of the causes and consequences of the rise of so-called free labor in Europe, the United States, and the Caribbean over the past four to five centuries, and point to the many complications and paradoxical aspects of this change. The topics covered are European beliefs that rejected the enslavement of other Europeans but permitted the slavery of Africans (David Eltis), British abolitionism and the impact of emancipation in the British West Indies (Seymour Drescher), the consequences of the end of Russian serfdom (Peter Kolchin), the definition and nature of free labor as seen by nineteenth-century American workers (Leon Fink), the effects of changing legal and economic concepts of free labor (Robert J. Steinfeld), the antebellum American use of the metaphor of slavery (David Roediger), female dependent labor in the aftermath of American emancipation (Amy Dru Stanley), the contrast between individual and group actions in attempting to benefit individual laborers (David Brody), and the link between arguments concerning free labor and the actual outcomes for laborers in nineteenth-century America (Clayne Pope).

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Winnie-the-Pooh can travel with you wherever you go with this mini pocket library containing six sweet books! The Winnie-the-Pooh Little Learners Pocket Library is the perfect way to introduce toddlers to early learning concepts. Young Pooh fans will love learning with Winnie-the-Pooh. This little slipcase contains six sturdy board books each based on a different early learning theme: ColoursWordsNumbersEmotionsShapesOpposites The Little Learners Pocket Library has bright appealing images of Pooh and friends with simple text. Young children will enjoy holding the books, turning the pages and pointing to the images. The small size of the slipcase and board books means it’s perfect for carrying in a bag or buggy, so it can be enjoyed by children wherever they go. This Pocket Library is eco-friendly as it doesn’t have plastic shrinkwrap on it. Instead, the cardboard slipcase has a flap that goes around the book spines and is held closed by a small sticker. The Little Learners Pocket Library helps the youngest Pooh fans learn about early concepts. Also collect the Winnie-the-Pooh Pocket Library that features books about Pooh and his friends, the perfect companion title for toddlers.ISBN 978 1 4052 8909 2 A.A.Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child’s imagination like no other story before or since. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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“If wilderness is outlawed, only outlaws can save wilderness.” Edward Abbey In a collection of gripping stories of adventure, Doug Peacock, loner, iconoclast, environmentalist, and contemporary of Edward Abbey, reflects on a life lived in the wild, asking the question many ask in their twilight years: “Was It Worth It?” Recounting sojourns with Abbey, but also Peter Matthiessen, Doug Tompkins, Jim Harrison, Yvon Chouinard and others, Peacock observes that what he calls “solitary walks” were the greatest currency he and his buddies ever shared. He asserts that “solitude is the deepest well I have encountered in this life,” and the introspection it affords has made him who he is: a lifelong protector of the wilderness and its many awe-inspiring inhabitants. With adventures both close to home (grizzlies in Yellowstone and jaguars in the high Sonoran Desert) and farther afield (tigers in Siberia, jaguars again in Belize, spirit bears in the wilds of British Columbia, all the amazing birds of the Galapagos), Peacock acknowledges that Covid 19 has put “everyone’s mortality in the lens now and it’s not necessarily a telephoto shot.” Peacock recounts these adventures to try to understand and explain his perspective on Nature: That wilderness is the only thing left worth saving. In the tradition of Peacock’s many best-selling books, Was It Worth It? is both entertaining and thought provoking. It challenges any reader to make certain that the answer to the question for their own life is “Yes!”

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The arrival of the Anthropocene brings the suggestion that we are only now beginning to speculate on an inhuman world that is not for us, only now confronting fears and anxieties of ecological, political, social, and philosophical extinction. While pointing out that reflections on disaster were not foreign to what we historically call romanticism, Last Things pushes romantic thought toward an altogether new way of conceiving the “end of things,” one that treats lastness as neither privation nor conclusion. Through quieter, non-emphatic modes of thinking the end of human thought, Khalip explores lastness as what marks the limits of our life and world. Reading the fate of romanticism—and romantic studies—within the key of the last, Khalip refuses to elegize or celebrate our ends, instead positing romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an archive on the side of disappearance, perishing, the inhuman, and lastness.

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