Search results for ""author paul"

In Mexican Americans with Moxie Frank P. Barajas argues that Chicanas and Chicanos of the 1960s and 1970s expressed politics distinct from the Mexican American generation that came of age in the decades prior. Barajas focuses on the citrus communities of Fillmore and Santa Paula and the more economically diversified and populated rurban municipalities of Oxnard, Simi Valley, and Ventura, illustrating Ventura County’s relationship to Los Angeles and El Movimiento’s ties to suburbanization, freeway construction, and the rise of a high-tech and defense-industry corridor. Mexican Americans with Moxie devotes particular attention to cross-cultural dynamics that transcended space and generation. The residents of Ventura County became involved with national issues such as the Vietnam War, school desegregation, labor, and electoral politics. The actions of Black students at the community colleges of Moorpark and Ventura and other area universities inspired Mexican American youth of Ventura County to assess their own activism.Mexican Americans with Moxie situates the Chicana-Chicano movement within the nation’s struggle to achieve social justice. From this history, readers will gain a new appreciation for how leadership development spans generations and contributes to the identity formation of communities.

Read more less

A stylish and informative guide to the best of Midcentury Modern chair design. These are the top 100 most interesting, most controversial, or simply most beautiful chairs from the period spanning 1930–1970, according to expert curator and chair addict Lucy Ryder Richardson. Get to know the designers of the Modern era, and find out about the controversies, drama, gossip and intrigue that accompanied these fascinating figures. Featuring a range of top international names, including Robin Day, Charles and Ray Eames, Ernest Race, Arne Jacobsen, Pierre Paulin, Finn Juhl, Harry Bertoia, Ero Saarinen and Norman Cherner. There is also an exploration into materials and manufacturing processes, plus lots of information about the manufacturers that brought chair designs to the masses, such as Knoll, Herman Miller, Fritz Hansen and Asko. Packed full of design details, historical facts, quotes and anecdotes – you can even find out the position in which the designers intended you to sit in their chairs! With a ‘chair timeline’, showcasing the very best of European, Scandinavian, Japanese and American design, this is the perfect book for collectors, enthusiasts and design junkies alike. Word count: 50,000

Read more less

The volume tells the stories of eighteen parishes in the southern part of Holderness wapentake, the wedge of Yorkshire between the North Sea and the Humber. The low--lying landscape has changed repeatedly during the historical period, with lands along the north bank of the Humber being washed away or growing, lesser watercourses silting up, new drains being made, the steady erosion of the cliff along the sea coast, and the cyclical breaching, destruction,and redeposit of the long spit of land at Spurn Head. The church of Kilnsea and several small settlements have gone with the receding cliff. Sunk Island, which forms part of the Crown Estate, is a parish consisting entirely of newground thrown up by the Humber. In the Middle Ages the land comprised the liberty of Holderness, with a centre at Burstwick manor house, and belonged to the counts of Aumale before passing to the Crown. The counts' extensive privileges in Holderness included the right to exclude the royal sheriff. Within the parish of Preston a medieval borough was established by the count at Hedon, but access for ships from the Humber was difficult and the town later decayed; it is noteworthy for its magnificent church, dubbed 'the king of Holderness'. Another borough and port established by the count was Ravenser Odd, at Spurn head, but that was later destroyed by the sea. There was a haven alsoat Patrington, a large village distinguished by its fine 14th-century church, 'the queen of Holderness'. In the part of the area near Hull, Thorngumbald, in Paull parish, and Keyingham have grown into large dormitory villages. Withernsea, in Hollym and Owthorne parishes, was developed from the 1850s as a seaside resort used mainly by residents of Hull. Other places of which the volume contains accounts are Easington, Halsham, Holmpton, Ottringham, Skeffling, Welwick, and Winestead.

Read more less

‘Joe Goldberg is my guilty pleasure, my strange addiction. If loving him is wrong, I don’t want to be right’ Erin KellyJOE GOLDBERG IS BACK, AND THIS TIME HE'S WRITING HIS OWN HAPPILY EVER AFTER . . . Joe Goldberg is ready for a change. Instead of selling books, he’s writing them. And he’s off to a good start. Invited to join a tight-knit writing fellowship at Harvard, Joe thinks he’s finally found a place where talent matters more than pedigree. Where anything is possible, even happy endings. At least until he meets his uber-privileged, already-published, already-distinguished peers. Thankfully, Wonder enters the picture. They have so much in common: no college degrees, no pretensions, just a love for literature. They could be those rare literary soulmates who never fall prey to their demons. If only Wonder could just commit herself to the writing life. But Joe has faith in Wonder. He will sacrifice his art for hers. And, if he must, he will kill her darlings for her. With her trademark biting wit, Caroline Kepnes explores why vulnerable people bring out the worst in others as Joe sets out to make this small, elite world a fairer place. And if a little crimson runs in the streets of Cambridge, who can blame him? Love doesn’t conquer all. Often, it needs a little push. PRAISE FOR CAROLINE KEPNES AND THE YOU SERIES: ‘Crazy, sexy, cool: Caroline Kepnes gets better – and Joe Goldberg gets worse – with every book’ ERIN KELLY ‘Caroline Kepnes writes with such malevolent energy, such dark grace and such ink-black humour. An utterly unique character and an utterly unique writer, in a marriage made somewhere between heaven and hell’ RICHARD OSMAN ‘Fiendish, fast-paced, and very funny’ PAULA HAWKINS ‘Another dark, thrilling, and blackly hilarious adventure from everyone's favourite murderer’ CLAIRE MCGOWAN ‘My new favourite writer’ COLLEEN HOOVER

Read more less

Three generations of women from the Skelfs family take over the family funeral home and PI businesses in the first book of a taut, gripping page-turning and darkly funny new series. ***Shortlisted for the McIlvanney Prize for Best Scottish Crime Book of the Year*** ***Shortlisted for the Amazon Publishing Capital Crime Awards*** ‘An engrossing and beautifully written tale that bears all the Doug Johnstone hallmarks in its warmth and darkly comic undertones’ Herald Scotland ‘Gripping and blackly humorous’ Observer ‘I was addicted from the first page; gripping, gritty and darkly funny as hell’ Erin Kelly ‘A Dark Matter showcases a writer at the peak of his powers, except that with every book, Doug Johnstone just gets better’ Val McDermid _________________ Meet the Skelfs: well-known Edinburgh family, proprietors of a long-established funeral-home business, and private investigators… When patriarch Jim dies, it’s left to his wife Dorothy, daughter Jenny and granddaughter Hannah to take charge of both businesses, kicking off an unexpected series of events. Dorothy discovers mysterious payments to another woman, suggesting that Jim wasn’t the husband she thought he was. Hannah’s best friend Mel has vanished from university, and the simple adultery case that Jenny takes on leads to something stranger and far darker than any of them could have imagined. As the women struggle to come to terms with their grief, and the demands of the business threaten to overwhelm them, secrets from the past emerge, which change everything… A compelling, tense and shocking thriller and a darkly funny and warm portrait of a family in turmoil, A Dark Matter introduces a cast of unforgettable characters, marking the start of an addictive new series. _________________ ‘A fiendish mystery that is also deeply moving and laced with suitably dark humour … set to be one of the books of the year’ Mark Billingham 'Emotionally complex, richly layered and darkly funny. An addictive blend of Case Histories and Six Feet Under’ Chris Brookmyre ‘This dark but touching thriller makes for a thoroughly enjoyable slice of Edinburgh noir’ Mary Paulson-Ellis ‘This enjoyable mystery is also a touching and often funny portrayal of grief, as the three tough but tender main characters pick up the pieces and carry on: more, please’ Guardian ‘A tense ride … strong, believable characters’ Kerry Hudson, Big Issue ‘They are all wonderful characters: flawed, funny, brave — and well set up for a series. I wouldn’t call him cosy, but there’s warmth to Johnstone’s writing’ Sunday Times

Read more less

In Icons of Hope: The “Last Things” in Catholic Imagination, John Thiel, one of the most influential Catholic theologians today, argues that modern theologians have been unduly reticent in their writing about “last things”: death, judgment, heaven, and hell. Beholden to a historical-critical standard of interpretation, they often have been reluctant to engage in eschatological reflection that takes the doctrine of the “last things” seriously as real events that Christians are obliged to imagine meaningfully and to describe with some measure of faithful coherence. Modern theology’s religious pluralism leaves room for a speculative style of interpretation that issues in icons of hope—theological portraits of resurrected life that can inform and inspire the life of faith. Icons of Hope presents an interpretation of heavenly life, the Last Judgment, and the communion of the saints that is shaped by a view of the activity of the blessed dead consistent with Christian belief in the resurrection of the body, namely, the view that the blessed dead in heaven continue to be eschatologically engaged in the redemptive task of forgiveness. Thiel offers a revision of the traditional Catholic imaginary regarding judgment and life after death that highlights the virtuous actions of all the saints in their heavenly response to the vision of God. These constructive efforts are fostered by Thiel’s conclusions on the disappearance of the concept of purgatory in large segments of contemporary Catholic belief, a disappearance attributable to the emergence of a noncompetitive spirituality in postconciliar Catholicism, which has eclipsed the kinds of religious sensibilities that made belief in purgatory a practice in earlier centuries. This noncompetitive spirituality—one that recovers traditional Pauline sensibilities on the gratuitousness of grace—encourages an eschatological imaginary of mutual, ongoing forgiveness in the communion of the saints in this life and in the life to come.

Read more less

Jesus Becoming Jesus, Volume 3 follows upon the previous two volumes of this series entitled Jesus Becoming Jesus. Volume 1 was a theological interpretation of the Gospels of Matthew, Mark and Luke, and volume 2 was a theological interpretation of the Prologue and Book of Signs of John's Gospel (chapters 1–12). Unlike many conventional biblical commentaries, Weinandy concentrates on the theological content contained within John's Gospel. This is accomplished through a close reading of John's Gospel, theologically interpreting each chapter of the Gospel sequentially. In so doing he also takes into account the Johannine corpus as a whole. He also relates John's Gospel to relevant material found within the Synoptic Gospels, the Pauline Corpus and other New Testament writings.In this present volume, Weinandy's original theological interpretation focuses first on the Evangelist's narrative of the Last Supper, which includes Jesus' washing of his disciples' feet, followed upon his lengthy farewell address and his ensuing High Priestly Prayer (chapter 13–17). Although Jesus speaks of his leaving his disciples, yet their hearts should not be troubled, for he is going to prepare a place for them in his Father's house, and he will also send them another Counselor, the Holy Spirit. The Holy Spirit will not only convict the world sin, but he will also empower the disciples to profess their faith in Jesus as the Father's Son, even in the midst of persecution. All that Jesus tells his disciple in his final discourse, he then prays that his Father will accomplish through his forthcoming death and resurrection—above all that his disciples will share in the same oneness of love that he and his Father possess.Weinandy masterfully treats John's Passion and Resurrection Narratives. He not only theologically interprets the uniqueness of the Evangelist's narratives, but also how his narratives insect with the Synoptic accounts. Moreover, Weinandy's theological reading of Jesus' crucifixion and resurrection weaves together John's soteriology, ecclesiology, and sacramentality—all of which are founded upon the Incarnation, that Jesus is the Father's Spirit-filled incarnate Son. As the title suggests, Jesus, being named Jesus, in his death and resurrection, definitively enacts his name and so becoming who he is—YHWH-Saves.

Read more less

The first book in English to consider the full extent of the accomplishments and influence the Chilean cultural icon, Violeta Parra. Violeta Parra was an extraordinary figure. She is best known for her contribution to the Latin American New Song movement and for her visual art, which was exhibited in the Musée des Arts Décoratifs of the Louvre gallery in 1964. Parra spent her early career singing Mexican songs in bars and researching traditional Chilean culture. All the different phases of Parra's life and work are discussed in this book, with analyses of her music, paintings, sculptures, embroideries (arpilleras), and poetry. Her exhibition in the Louvre gallery and the music venue that she set up before she died, La Carpa de la Reina, are also covered. Among the individual essays collected here are seminal works by Patricio Manns and Leonidas Morales, which have been translated into English for the first time. These works introduce the historical and biographical context for Parra's work. Other essays feature thelatest research and findings by Catherine Boyle, Ericka Verba, Paula Miranda, Serda Yalkin, Romina A. Green, and Lorna Dillon. The book also includes an interview with Violeta Parra's brother, the influential poet Nicanor Parra and a Foreword by Marjorie Agosín. Lorna Dillon earned her PhD at King's College London. She is currently a network facilitator and associate lecturer at the University of Kent.

Read more less

The New Curator: Exhibiting Architecture and Design examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation.In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences.To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.

Read more less

Winner, 2023 Columbia University Press Distinguished Book AwardFinalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History SocietyShortlisted, Historical Nonfiction Legacy Award, Hurston / Wright FoundationRalph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

Read more less

We find ourselves square in the middle of one of the greatest periods in music packaging. Events such as Record Store Day have pushed collectible packaging back to the cultural forefront; millennials have started buying physical records; and hip clothing outlets devote massive amounts of space to record players and racks of LPs. The designers collected here are at the forefront of this movement. Some have been working in the music industry for decades, while others are fresh on the scene. They all share a desire to elevate the simple record cover and the wrapping that surrounds these products into something more, something special, something unique, something memorable. Lifelong music fans, they pour every ounce of creative energy into coming up with solutions worthy of the music inside. They also need to be inventive in how they accomplish this. Coming up with a great concept in a sketch during a meeting and actually seeing it to fruition and sitting on a shelf in a record store are two different things. As Paula Scher details in her interview, today’s designers are faced with a very different task than the record sleeve designers of the past. Outside of the mega stars, budgets are more or less non-existent, yet the pressure to deliver something jaw-dropping and mind-blowing remains. Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

Read more less

Completely updated and expanded, the second edition of David Airey’s Logo Design Love contains more of just about everything that made the first edition so great: more case studies, more sketches, more logos, more tips for working with clients, more insider stories, and more practical information for getting the job and getting it done right. In Logo Design Love, David shows you how to develop an iconic brand identity from start to finish, using client case studies from renowned designers. In the process, he reveals how designers create effective briefs, generate ideas, charge for their work, and collaborate with clients. David not only shares his personal experiences working on identity projects–including sketches and final results of his own successful designs–he also uses the work of many well-known designers such as Paula Scher, who designed the logos for Citi and Microsoft Windows, and Lindon Leader, creator of the current FedEx identity, as well as work from leading design studios, including Moving Brands, Pentagram, MetaDesign, Sagmeister & Walsh, and many more. In Logo Design Love, you’ll learn: Best practices for extending a logo into a complete brand identity system Why one logo is more effective than another How to create your own iconic designs What sets some designers above the rest 31 practical design tips for creating logos that last

Read more less

LONGLISTED FOR THE THEAKSTONS CRIME NOVEL OF THE YEAR ‘The year’s best debut’ SUNDAY TIMES ‘The best crime novel of the year’ INDEPENDENT ‘Sensational. Gripping, haunting, and beautifully written’ RICHARD OSMAN CHOSEN AS A BEST BOOK OF 2021 BY THE TIMES, THE FT, THE GUARDIAN, THE INDEPENDENT, STYLIST AND MORE! ‘The biggest mystery thriller since Gone Girl’ ELLE ‘The novel you’ll stay up reading until 3am’ SUNDAY TIMES ‘An astonishing achievement.’ JESSIE BURTON ‘Gripping, beautifully written perfection.’ SOPHIE HANNAH ‘A masterpiece.’ LOUISE O’NEILL ‘Fantastic.’ PAULA HAWKINS ‘Girl A,’ she said. ‘The girl who escaped. If anyone was going to make it, it was going to be you.’ I am Lex Gracie: but they call me Girl A.I grew up with my family on the moors.I escaped when I was fifteen years old. NOW SOMETHING IS PULLING ME BACK… RIGHTS SOLD IN 36 TERRITORIES SOON TO BE A TV SHOW DIRECTED BY JOHAN RENCK (Chernobyl) ‘Incendiary, beautifully written debut’ Guardian ‘Psychologically astute, adroitly organised, written with flair’ Sunday Times ‘Terrifyingly gripping’ SUSIE STEINER ‘Beautiful’ ADELE PARKS ‘Incredibly well written, devastating in a good way, and intriguing to the last page’ LIZ NUGENT ‘I was obsessed by it. As close to perfect as thrillers get’ JOHN MARRS ‘A gripping debut’ Oprah magazine One of Marie Claire, Waterstones and Grazia’s best books for 2021 A Sunday Times No.2 bestseller for w/e 6/2/21 A New York Times bestseller

Read more less

HOW BAD DO YOU WANT IT? revisits some of the most extraordinary moments from the history of endurance sports to show how mental strength allows some athletes to perform at a level way beyond their physical limits - to will their body to do what was previously thought biologically impossible. Drawing on cutting-edge scientific research it suggests concrete habits and tactics we can use to cultivate our own mental strength, whilst providing thrilling accounts of some of the most inspiring and astonishing feats in sporting history. In 2010 Sammy Wanjiru entered the Boston Marathon suffering from injuries to his knee and his lower back, a stomach virus that prevented him from training and a lifestyle that meant he spent more time in nightclubs than on the track. He shouldn't have even been able to finish the race, and at times he seemed as if he literally had nothing left to give, yet in an epic battle he crossed the finishing line first. How did he manage it? HOW BAD DO YOU WANT IT? describes a new 'psychobiological' model of endurance performance connecting the mind, body and brain. Compelling accounts from triathlon, cycling, running, rowing and swimming are viewed through the lens of this model shedding new light on what science has to say about mental fortitude in sports. Featured athletes include: Sammy Wanjiru, Jenny Barringer, Greg LeMond, Willie Stewart, Cadel Evans, Joseph Sullivan, Paula Newby-Fraser, Ryan Vail, Thomas Voeckler, Ned Overend, Steve Prefontaine

Read more less

“Editorial design is the art of storytelling, and DJ’s brand of it is uniquely American. Western American. It starts out slow and builds. It wins you with a bit of humility (almost ‘shucks-gee-whiz’) and then comes back at you with a surprise punch. The pacing and analogies feel like a Will Rogers narrative. . . . When he first began presenting his work to his London Pentagram partners, they thought he could have just as easily been from the moon. But the storytelling was so strong, so funny, so completely designed but guileless at the same time that the Londoners, and the rest of us, found ourselves confronted with something real, authoritative, and probably definable only as pure American Graphic Design.” —Paula Scher, from the introductionAn internationally renowned graphic designer and partner in Pentagram, the world’s most famous graphic design firm, DJ Stout is a fifth-generation Texan whose strong sense of place has inspired his design work for over thirty-five years. His contributions to Texas Monthly, where he was art director for thirteen years, helped the magazine win three National Magazine Awards. American Photo magazine named Stout one of its “100 Most Important People in Photography,” and I.D. (International Design) magazine selected him for “The I.D. Fifty,” its annual listing of design innovators. The Society of Illustrators honored Stout with the national Richard Gangel Art Director Award, and he was made a Fellow of the Austin chapter of the AIGA (American Institute of Graphic Arts) for his lifetime achievements.Variations on a Rectangle presents both a career retrospective of DJ Stout’s work and his inimitable, often humorous perspectives on publication design. Using nearly eight hundred images to illustrate more than two hundred fifty major design projects, Stout describes the inspiration and creative process behind his highly innovative designs for magazines, books, brochures, posters, and even a fiberglass “batcow.” He tells fascinating, behind-the-scenes stories of Texas personalities such as Tommy Lee Jones, Sissy Spacek, and Ann Richards, who figured prominently in Texas Monthly’s pages, while also discussing how his Texas heritage has influenced his more recent design work US and international clients. An essential primer for younger graphic designers and a revelation for everyone who values exceptional design, Variations on a Rectangle proves Stout’s maxim, “A publication without style is just a document, and documents don’t do well on the newsstand. And that’s why you need editorial art directors. Amen.”

Read more less

Joaquim Nabuco, for more than three decades a dominant figure in the literary, intellectual and political life of Brazil, was born in Recife in the country's Northeast in 1849 and died in Washington in 1910. He was what we would now call a public intellectual, indeed given that he spent half his adult life in Europe and the United States a trans-national public intellectual and from a country on the periphery of the world system. Nabuco is best known as the inspirational leader of the campaign in the 1880s for the abolition of slavery in Brazil, which after abolition in the United States and Cuba was the last remaining slave state in the Americas. Eighteen months after slavery was finally ended in 1888 the Brazilian Empire was overthrown and Nabuco, a committed monarchist, believing--wrongly--that his public career was over (from 1899 until his death he was to serve the Republic with distinction as Brazilian minister in London and Brazil's first ambassador to the Washington), devoted himself in 'internal exile' to writing, including a series of newspaper articles on his education, his early intellectual development, his discovery of the world outside Brazil and his life as a young diplomat and politician. These articles, together with some later additions, were published as Minha Formacao (My Formative Years) in 1900. In twenty six chapters Nabuco examines (though not in chronological order): the first eight years of his life in Massangana, a sugar plantation in Pernambuco worked by slaves and his return there, as a student aged twenty, which he claimed determined his decision to devote himself to the abolition of slavery in Brazil; his education in the Law Faculties in Rio de Janeiro and Sao Paulo; the influence of Walter Bagehot s The English Constitution (1867) on his political thinking; his introduction to French literature and history (besides Portuguese he wrote his first poems and plays in French); his first visit to Europe in 1873-4, primarily a Grand Tour of Italy and France but ending in London where, he wrote, he was touched by the beginnings of anglomania (he was to visit and reside in London on seven separate occasions during the next 20 year before his six years as Brazilian minister there); his two years (1876-8) as attache in the Brazilian legations in Washington and London; the beginning of his political career in Pernambuco, contesting and winning election to the Chamber of Deputies in 1878 at the age of 29 and becoming a self-styled 'English liberal in the Brazilian Parliament'; the influence of English and North American abolitionists on his thinking about slavery and abolition; and the eventually successful parliamentary struggle to end slavery. A concluding chapter ('The last ten years 1889-1899') briefly considers his life after the abolition of slavery and the fall of the Empire.

Read more less

Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a ‘tourist of photography’. This epithet has been used repeatedly by commentators on Hipkins’ work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, ‘an iconographer of desire, travel, time and … modern communities’, and a tourist within the medium, ‘a great manipulator of the photographic artifact itself’.Accompanying a major survey of Hipkins’ work at The Dowse Art Museum (November 2017 – March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins’ ever-evolving practice – which takes in a great variety of photographic media, from slide transparencies to moving image – but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999–2000), Hipkins’ study of Brutalist architecture on New Zealand universities; The Homely (1997–2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000–2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins’ first feature-length film, an experimental adaptation of Samuel Butler’s anonymously published 1872 novel Erewhon. Hipkins’ work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand’s most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.

Read more less

The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change. With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow. Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Viganò. Topics range from the European historic city to the Las Vegas Strip and the megacity of São Paulo, taking in the global sustainable city.

Read more less

Pauline Kael, Andrew Sarris, and Roger Ebert were three of America’s most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Throughout the 1930s and ’40s, Ferguson, Agee, Farber, and Tyler scrutinized what was on the screen with an intensity not previously seen in popular reviewing. Although largely ignored by the arts media of the day, they honed the sort of serious discussion of films that would be made popular decades later by Kael, Sarris, Ebert and their contemporaries. With The Rhapsodes, renowned film scholar and critic David Bordwell—an heir to both those legacies—restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the “Rhapsodes” for the passionate and deliberately offbeat nature of their vernacular prose. Each broke with prevailing currents in criticism in order to find new ways to talk about the popular films that contemporaries often saw at best as trivial, at worst as a betrayal of art. Ferguson saw in Hollywood an engaging, adroit mode of popular storytelling. Agee sought in cinema the lyrical epiphanies found in romantic poetry. Farber, trained as a painter, brought a pictorial intelligence to bear on film. A surrealist, Tyler treated classic Hollywood as a collective hallucination that invited both audience and critic to find moments of subversive pleasure. With his customary clarity and brio, Bordwell takes readers through the relevant cultural and critical landscape and considers the critics’ writing styles, their conceptions of films, and their quarrels. He concludes by examining the profound impact of Ferguson, Agee, Farber, and Tyler on later generations of film writers.The Rhapsodes allows readers to rediscover these remarkable critics who broke with convention to capture what they found moving, artful, or disappointing in classic Hollywood cinema and explores their robust—and continuing—influence.

Read more less

A perfect holiday novel about dogs, romance and starting over. If you loved Jacqueline Sheehan’s Lost and Found or Meg Donohue’s Dog Crazy, this is the book for you. He stood in the doorway, overweight, depressed, nearly homeless. He was a pug named Teddy Roosevelt, and he was Brydie Benson’s new full-time, four-legged housemate. True, Teddy was a bit gassy, a bit grumpy, but Brydie figured he was no worse than her ex-husband and probably more faithful. Plus, he was part of the deal: housesit Teddy and live in a lovely home rent-free.Navigating her newly single world wasn’t easy, but Brydie knew a few things: first, she was a darn good baker. Second, she wasn’t going to let circumstances get the better of her. So she began to rebuild her world—making new friends, like cute local vet Nathan Reid, and Teddy’s irascible owner, Pauline Newman. As Halloween turned to Christmastime, Brydie’s disdain for Teddy turned to a love. She realized that baking for Teddy could be just as satisfying as baking for humans—after all, dogs rarely complain. And somewhere, in between gluten free dog bones, crisp apple tarts, and Nate’s company, Brydie found the life she’d never known she always wanted.

Read more less

In everyday language, masochism is usually understood as the desire to abdicate control in exchange for sensation—pleasure, pain, or a combination thereof. Yet at its core, masochism is a site where power, bodies, and society come together. Sensational Flesh uses masochism as a lens to examine how power structures race, gender, and embodiment in different contexts. Drawing on rich and varied sources—from 19th century sexology, psychoanalysis, and critical theory to literary texts and performance art—Amber Jamilla Musser employs masochism as a powerful diagnostic tool for probing relationships between power and subjectivity. Engaging with a range of debates about lesbian S&M, racialization, femininity, and disability, as well as key texts such as Sacher-Masoch’s Venus in Furs, Pauline Réage’s The Story of O, and Michel Foucault's History of Sexuality, Musser renders legible the complex ways that masochism has been taken up by queer, feminist, and critical race theories. Furthering queer theory’s investment in affect and materiality, she proposes “sensation” as an analytical tool for illustrating what it feels like to be embedded in structures of domination such as patriarchy, colonialism, and racism and what it means to embody femininity, blackness, and pain. Sensational Flesh is ultimately about the ways in which difference is made material through race, gender, and sexuality and how that materiality is experienced.

Read more less

A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

Read more less

A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

Read more less

A classic in gender studies in music Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged. Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano. A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.

Read more less

Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski's system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play. From this foundation, readers will learn to distinguish the big picture of a script, dissect and 'score' smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers. Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles' Oedipus the King, Shakespeare's Twelfth Night, Henrik Ibsen's Hedda Gabler, Georg Büchner's Woyzeck, Oscar Wilde's The Importance of Being Earnest, Tennessee Williams's A Streetcar Named Desire, and Paula Vogel's How I Learned to Drive, among others. Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.

Read more less

150 works – mostly unpublished before – signed by the Moroccan contemporary artist Fouad Bellamine in a rich, complete monograph. Moroccan contemporary artist, Fouad Bellamine, was born in Fez in 1950 and was raised amidst varied artistic and creative influences in the Medina of his home town. Bellamine came from a family of skilled craftsmen, and he learned many of his painting techniques from his father who was a talented artist. Pursuing his passion for art, from 1967 Fouad Bellamine studied at the School of Applied Arts in Casablanca, going on to the University of Paris where he completed a masters degree in the history and theory of art. He later became a professor of history and art at the University of Rabat. His first exhibition in 1972 in Rabat featured a selection of his abstract landscapes, which were well received by critics. Throughout the 1970s Bellamine explored the use of different materials in art and it is during this experimental period that he developed his unique style of minimalism with bold single-colour brush strokes which is still evident in his current work. He has been exhibiting extensively throughout Morocco, France, Belgium and the U.K. as well as worldwide such as in Spain, Portugal, Finland, the Middle East and Egypt, Senegal, California, Tunis. In 1987, he participated to the Biennale of São Paulo in Brazil. Since he had returned to Morocco in 1989, Bellamine contributed actively to the promotion of contemporary art in his country. In 1997, he initiated the creation of a permanent collection of contemporary art in the Children’s Hospital of Rabat, first experience of its kind in Morocco. His works have been acquired by several public and corporate collections such as Moroccan institutions as well as the Museum of the Arab World Institution (IMA), the National Fund for Contemporary Art (FNAC), the Museum of Modern Art, the Museum of Africa and Oceania all of them in Paris, the Kinda Foundation. He lives and works in Rabat.

Read more less

In Bodies in Dissent Daphne A. Brooks argues that from the mid-nineteenth century to the early twentieth, black transatlantic activists, actors, singers, and other entertainers frequently transformed the alienating conditions of social and political marginalization into modes of self-actualization through performance. Brooks considers the work of African American, Anglo, and racially ambiguous performers in a range of popular entertainment, including racial melodrama, spectacular theatre, moving panorama exhibitions, Pan-Africanist musicals, Victorian magic shows, religious and secular song, spiritualism, and dance. She describes how these entertainers experimented with different ways of presenting their bodies in public—through dress, movement, and theatrical technologies—to defamiliarize the spectacle of “blackness” in the transatlantic imaginary.Brooks pieces together reviews, letters, playbills, fiction, and biography in order to reconstruct not only the contexts of African American performance but also the reception of the stagings of “bodily insurgency” which she examines. Throughout the book, she juxtaposes unlikely texts and entertainers in order to illuminate the complicated transatlantic cultural landscape in which black performers intervened. She places Adah Isaacs Menken, a star of spectacular theatre, next to Sojourner Truth, showing how both used similar strategies of physical gesture to complicate one-dimensional notions of race and gender. She also considers Henry Box Brown’s public re-enactments of his escape from slavery, the Pan-Africanist discourse of Bert Williams’s and George Walker’s musical In Dahomey (1902–04), and the relationship between gender politics, performance, and New Negro activism in the fiction of the novelist and playwright Pauline Hopkins and the postbellum stage work of the cakewalk dancer and choreographer Aida Overton Walker. Highlighting the integral connections between performance and the construction of racial identities, Brooks provides a nuanced understanding of the vitality, complexity, and influence of black performance in the United States and throughout the black Atlantic.

Read more less

'Fast-paced, detailed and brilliantly written [for] fans of Bernard Cornwell, George R.R. Martin, and especially Theodore Brun' HISTORICAL NOVEL SOCIETY When you can't protect everyone, who will you save? Iceland, AD 935 Einar Unnsson is destined to be great. When he fights, a frenzy comes upon him. It makes him lethal in battle – so lethal he just defeated the man his own father sent to kill him. Now, with Einar exiled from his kingdom, his father turns his vengeance on Einar's mother – his escaped former bedslave. Yet Einar is in no position to protect her. He's made an enemy of the powerful King Eirik and must fight for his own life before he can save her. Einar depends on the Wolf Coats, a band of fearsome, bloodthirsty warriors, but they're convinced the fates have cursed them. Will Einar's skill in battle be enough to save his mother? Or will the Wolf Coats' superstition destroy them all? PRAISE FOR TIM HODKINSON: 'A brilliantly written historical adventure which will appeal to fans of Bernard Cornwell, George R.R. Martin, and especially Theodore Brun' HISTORICAL NOVEL ASSOCIATION 'A gripping action adventure like the sagas of old; and once finished, you just want to go back and read it all over again' MELISENDE'S LIBRARY 'An excellently written page-turner, with a feel for the period which invites you into the era and keeps you there' HISTORICAL WRITERS ASSOCIATION READERS LOVE THE WOLF HUNT: 'Fantastically written! This book will have you hooked from the very first page!... 5 stars all the way, buy it, read it, love it, recommend it!' 5 stars -Paula Cwikla, Netgalley Reviewer 'Hodkinson weaves his spell so intricately that you are drawn in before you know it – and pages and hours have passed in no time at all... This is a series worth investing in!' 4 stars - Melisende d'Outremer, Netgalley Reviewer 'This is right down my street! I loved it, what a tale, excellent character depth, brilliantly written and full of action, what more could I want. Excellent work Tim!' 5 stars - Stephen Walker, Netgalley Reviewer

Read more less

Join maverick inventor Steve Mushin as he tackles climate change with an avalanche of mind-bending, scientifically plausible inventions to rewild cities and save the planet.Jump intohisbrain as he designs habitat-printing robot birds and water-filtering sewer submarines, calculates how far compost cannons can blast seed bombs (over a kilometre), brainstorms biomaterials with scientists and engineers, studies ecosystems and develops a deadly serious plan to transform cities into jungles, rewilding them into carbon-sucking mega-habitats for all species, and as fast as possible.Through marvellously designed and hilarious engineering ideas, Mushin shares his vision for super-high-tech urban rewilding, covering the science of climate change, futuristic materials and foods, bio reactors, soil, forest ecosystems, mechanical flight, solar thermal power and working out just how fast we could actually turn roads into jungles, absorb carbon and reverse climate change.Developed over seven years, Ultrawild is an optimistic book about creative thinking, science, technology, engineering and maths (STEM) and the potential for massive change. Filled with laugh-out-loud design-ridiculousness, it aims to empower and excite a new generation of designers, scientists, engineers and ultra-wild thinkers.'If this book does not fire your imagination, nothing will. Steve Mushin doesn't hold back when thinking about our green future; humanity needs all the ideas it can get to bring climate change under control, and this book is packed with them!' Professor James Renwick, climate scientist 'Abrain-meltingly intricate and inspiring compendium of the gigantic ideas needed to repair the planet by rewilding every city on Earth. From compost-firing cannons to water-filtering sewer submarines, Mushin's bonkers, brilliant, boundary-breaking inventions give permission to eager 9+ conservationists to push their imaginations to the limit, rather than yield to despair.'The Guardian'The most astonishing children's book I have read in ages. I am astonished by the wildness of ideas, the creative energy, the exuberant movement of thought, the feet in science and the YES in imagining. Enter the wilds of Ultrawild and you will see the world afresh because this book is a clear response to climate change, the loss of habitats, outdated power sources, a need to care for forest ecosystems, over-roading, resource depleting. It is like imagination gets political and the political gets imaginative.' Paula Green, Poetry Box NZ'This visionary, intricate, outrageous road map for integrated thinking is mind blowing. It's funny, it's a melding of engineering, hi-tech, botany, zoology and pure creative thinking. Required reading for everyone, most especially political leaders and those feeling like we've run out of ideas: this book proves we really haven't.' Claire Mabey, The Spin Off, Aotearoa Books of the Year, 2023'The ideas, conversations and inventions in Ultrawild belong in every school, home, waiting room, library, community house, bedroom, car and loo. The perfect gift for curious kids. Don't walk - RUN to grab your copy!' Kids' Book Review

Read more less

The Pulitzer Prize-winning biographer turns his eye to the seventeenth-century Dutch Golden Age Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age.As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail?The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

Read more less

The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions.Contributors. Jafari S. Allen, Marlon M. Bailey, Zachary Shane Kalish Blair, La Marr Jurelle Bruce, Cathy J. Cohen, Jennifer DeClue, Treva Ellison, Lyndon K. Gill, Kai M. Green, Alexis Pauline Gumbs, Kwame Holmes, E. Patrick Johnson, Shaka McGlotten, Amber Jamilla Musser, Alison Reed, Ramón H. Rivera-Servera, Tanya Saunders, C. Riley Snorton, Kaila Story, Omise'eke Natasha Tinsley, Julia Roxanne Wallace, Kortney Ziegler

Read more less

Since N. Scott Momaday’s 1969 Pulitzer Prize for House Made of Dawn brought Native American fiction squarely into mainstream culture, the genre has expanded in different ways and in new directions. The result is a Native American–written literature that requires a variety of critical approaches, including a discussion of how this canon differs from the familiar, established canons of American literature. Drawing on personal experience as well as literary scholarship, John Lloyd Purdy brings the traditions of Native American fiction into conversation with ideas about the past, present, and future of Native literatures. By revisiting some of the classics of the genre and offering critical readings of their distinctive qualities and shades of meaning, Purdy celebrates their dynamic literary qualities. Interwoven with this personal reflection on the last thirty years of work in the genre are interviews with prominent Native American scholars and writers (including Paula Gunn Allen, Simon Ortiz, Gerald Vizenor, Sherman Alexie, and Louis Owens), who offer their own insights about Native literatures and the future of the genre. In this book their voices provide the original, central conversation that leads to readings of specific novels. At once a journey of discovery for readers new to the canon and an intimate, fresh reunion with important novels for those well versed in Native studies, Writing Indian, Native Conversations invites all comers to participate in a communal conversation.

Read more less

Miroslav Holub was the Czech Republic's most important poet, and also one of her leading immunologists. His fantastical and witty poems give a scientist's bemused view of human folly and other life on the planet. Mixing myth, history and folktale with science and philosophy, his plainly written, sceptical poems are surreal mini-dramas often pivoting on paradoxes. Poems Before & After covers thirty years of his poetry. Before are his poems from the fifties and sixties, poems written before the Soviet invasion of Czechoslovakia: first published in English in his Penguin Selected Poems (1967) and in Bloodaxe's The Fly (1987), with some additional poems. After are translations of his later poetry, all written after 1968, including not only those from his two Bloodaxe editions, On the Contrary (1984) and Supposed to Fly (1996), but also the entire texts of two late collections published by Faber, Vanishing Lung Syndrome (1990) and The Rampage (1997). With additional translations by David Young, Dana Hábová, Rebekah Bloyd and Miroslav Holub. 'A laying bare of things, not so much the skull beneath the skin, more the brain beneath the skull; the shape of relationships, politics, history; the rhythms of affections and disaffection; the ebb and flow of faith, hope, violence, art' – Seamus Heaney 'Miroslav Holub is one of the half dozen most important poets writing anywhere' – Ted Hughes 'One of the sanest voices of our time' – A. Alvarez 'He is a magnificent, astringent genius and this volume sings with an oblique and cutting candour, a tubular coolness we must praise again and again' – Tom Paulin

Read more less

From a variety of historically grounded perspectives, After the Imperial Turn assesses the fate of the nation as a subject of disciplinary inquiry. In light of the turn toward scholarship focused on imperialism and postcolonialism, this provocative collection investigates whether the nation remains central, adequate, or even possible as an analytical category for studying history. These twenty essays, primarily by historians, exemplify cultural approaches to histories of nationalism and imperialism even as they critically examine the implications of such approaches. While most of the contributors discuss British imperialism and its repercussions, the volume also includes, as counterpoints, essays on the history and historiography of France, Germany, Spain, and the United States. Whether looking at the history of the passport or the teaching of history from a postnational perspective, this collection explores such vexed issues as how historians might resist the seduction of national narratives, what—if anything—might replace the nation’s hegemony, and how even history-writing that interrogates the idea of the nation remains ideologically and methodologically indebted to national narratives. Placing nation-based studies in international and interdisciplinary contexts, After the Imperial Turn points toward ways of writing history and analyzing culture attentive both to the inadequacies and endurance of the nation as an organizing rubric. Contributors. Tony Ballantyne, Antoinette Burton, Ann Curthoys, Augusto Espiritu, Karen Fang, Ian Christopher Fletcher, Robert Gregg, Terri Hasseler, Clement Hawes, Douglas M. Haynes, Kristin Hoganson, Paula Krebs, Lara Kriegel, Radhika Viyas Mongia, Susan Pennybacker, John Plotz, Christopher Schmidt-Nowara, Heather Streets, Hsu-Ming Teo, Stuart Ward, Lora Wildenthal, Gary Wilder

Read more less

Who was Edmond J. Safra? “The greatest banker of his generation,” in the estimation of a former World Bank President. The founder of four massive financial institutions on three continents, and a proud child of Beirut’s Jewish quarter. An innovative avatar of financial globalization, and a faithful heir to a tradition of old-world banking. The leading champion and protector of the Sephardic diaspora. In A Banker’s Journey, financial journalist and historian Daniel Gross, who, like Safra, traces his heritage to Aleppo, Syria, reconstructs the public life of an intensely private man. With exclusive access to Safra’s personal archives, Gross tracks the banker’s remarkable journey from Beirut to Milan, São Paulo, Geneva, and New York—to the pinnacle of global finance.Edmond Safra was fifteen in 1947, when his father sent him to establish a presence in Milan, Italy. Fluent in six languages, and with an eye for value, managing risk, and personal potential, Safra was in perpetual motion until his tragic death in 1999. The modern, global financial empire he built was based on timeless principles: a banker must protect his depositors and avoid excessive leverage and risk. In an age of busts and bailouts, Safra posted remarkable returns while rarely suffering a credit loss.From a young age, Safra assumed the mantle of leadership in the Syrian-Lebanese Jewish community, providing personal aid, supporting the communities that formed in exile, and championing Sephardic religious and educational efforts in Israel and around the world. Edmond J. Safra’s life of achievement in the twentieth century offers enduring lessons for those seeking to make their way in the twenty-first century. He inspired generations to make the world a better place.

Read more less

AD 60. Britannia. The Boudica Revolt begins . . .Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger.As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow.Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance.'An outstanding book with the vivid battle scenes proving a highlight' ⭐ ⭐ ⭐ ⭐ ⭐'This is action packed and unputdownable . . . from the first page, you are transported back in time. A captivating book full of heroism and sacrifice' ⭐ ⭐ ⭐ ⭐ ⭐'Vigorous plot with unexpected twists' ⭐ ⭐ ⭐ ⭐ ⭐'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday TimesSIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

Read more less

Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed. The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome overturns many long-held assumptions about pagan and Christian culture in the late antique West.

Read more less

At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States."

Read more less

#NiUnaMenos#Aufschrei#LoSHA Before #MeToo became the massive global movement we know today, these were the hashtags that represented mobilisations from Ukraine to Latin America that demanded accountability for the intersecting experiences of sexual violence and racism, xenophobia, and misogyny inflicted on women, transgender people, and girls. Lead by activists such as Tarana Burke, who coined the phrase "me too," the movement provided a call to action for survivors across the world to speak out about their experiences. In #MeToo and Beyond, M. Cristina Alcalde and Paula-Irene Villa bring together scholars and activists from various backgrounds to approach #MeToo from multiple spaces, positionalities, and areas of expertise, many from regions and contexts often overlooked and understudied in the mediascapes of the Global North. This volume includes perspectives from around the world and covers research spanning topics from masculinity, and trans issues, to Jewish communities. The editors and contributors heed Tarana Burke's call to center marginalised voices and experiences so that instead of becoming a footnote, these experiences guide activists to frame polyphony as central to understanding past, current, and future forms of gendered violence and resistance. The goal of #MeToo and Beyond is to examine both the profoundly universal and familiar experiences of sexual violence, and the specificity of these forms of violence and mobilisation against them across place, space, and experiences of participants. Activists and scholars will find this an important and necessary contribution to current and future discussions on sexual violence and global movements.

Read more less

Traditional literary theory holds that women writers of the Restoration and eighteenth century produced works of limited range and value: simple tales of domestic conflict, seduction, and romance. Bringing a broad range of methodologies (historical, textual, post-structuralist, psychological) to bear on the works of Eliza Haywood, Charlotte Smith, Sarah Fielding, Fanny Burney, Jane Austen, and others. Fetter'd or Free? encourages a re-evaluation of these elder sisters of the Brontes and Eliot. In addition to examining the relationship between the minor female writers and the acknowledged greats of the age, these twenty-three essays focus on such issues as politics and ideology in the novel; the social, cultural, and economic context of the female writer; female character types and iconography; fictional and rhetorical strategies; and the development of such recurrent themes as imprisonment and subversion. What emerges is a much clearer view than we have had of the predicament of the female writer in the eighteenth century, the constraints on her freedom and artistic integrity, and the means by which she recognized, expressed, and responded to the conditions of this turbulent age. The collection includes essays by Paula Backscheider, Patricia M. Spacks, Jerry C. Beasley, Margaret Anne Doody, Robert A. Day, and others. None of the essays has been previously published. In scope and variety, Fetter'd of Free? is unlike anything currently available. It will be of interest to both the specialist and the ambitious general reader and will initiate fresh dialogues among scholars of both eighteenth century literature and women's studies.

Read more less

The past thirty years have seen dozens of otherwise successful investors try to improve education through the application of market principles. They have funneled billions of dollars into alternative schools, online education, and textbook publishing, and they have, with surprising regularity, lost their shirts. In Class Clowns, professor and investment banker Jonathan A. Knee dissects what drives investors' efforts to improve education and why they consistently fail. Knee takes readers inside four spectacular financial failures in education: Rupert Murdoch's billion-dollar effort to reshape elementary education through technology; the unhappy investors-including hedge fund titan John Paulson-who lost billions in textbook publisher Houghton Mifflin; the abandonment of Knowledge Universe, Michael Milken's twenty-year mission to revolutionize the global education industry; and a look at Chris Whittle, founder of EdisonLearning and a pioneer of large-scale transformational educational ventures, who continues to attract investment despite decades of financial and operational disappointment. Although deep belief in the curative powers of the market drove these initiatives, it was the investors' failure to appreciate market structure that doomed them. Knee asks: What makes a good education business? By contrasting rare successes, he finds a dozen broad lessons at the heart of these cautionary case studies. Class Clowns offers an important guide for public policy makers and guardrails for future investors, as well as an intelligent expose for activists and teachers frustrated with the repeated underperformance of these attempts to shake up education.

Read more less

Pulitzer Prize–winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of 'this is who we are," the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt—as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US–Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian "nowhere." The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen.

Read more less

One of History Today's Best Books of 2022'I felt exquisitely anchored reading this wonderful book' Juno Roche'A thoughtful, fun, and refreshingly readable romp through the history of gender variance' Susan Stryker'A searing, reflexive read . . . that needs to be in everyone's hands expeditiously' Paula AkpanAcross the world today, people of all ages are doing fascinating, creative, messy things with gender. These people have a rich history - but one that is often left behind by narratives of trans lives that focus on people with stable, binary, uncomplicated gender identities. As a result, these stories tend to be recent, binary, stereotyped, medicalised and white.Before We Were Trans is a new and different story of gender, that seeks not to be comprehensive or definitive, but - by blending culture, feminism and politics - to widen the scope of what we think of as trans history by telling the stories of people across the globe whose experience of gender has been transgressive, or not characterised by stability or binary categories. Transporting us from Renaissance Venice to seventeenth-century Angola, from Edo Japan to North America, the stories this book tells leave questions and resist conclusions. They are fraught with ambiguity, and defy modern Western terminology and categories - not least the category of 'trans' itself. But telling them provides a history that reflects the richness of modern trans reality more closely than any previously written. Before We Were Trans is a history and celebration of gender in all its fluidity, ambiguity and complexity.

Read more less

The great-grandaughters of Emma Harte, the heroine of A Woman of Substance and Emma’s Secret, follow in her legendary footsteps… Evan Hughes, Emma's American great-grandaughter, is trying to integrate into the powerful Harte family. She is caught between her estranged parents, her new family, and new love. Meanwhile a dangerous enemy hovers in the background. Tessa Longden, Evan's cousin, is battling her husband for custody of their daughter, Adele. When Adele suddenly goes missing, Tessa seeks her sister Linnet's help. Linnet O'Neill, the most brilliant businesswoman of the four great-granddaughters, shows that she is the natural heir to her mother, Paula. But her glittering future at the helm of the vast Harte empire means many sacrifices. India Standish, the traditionalist in the family, falls in love with a famous British artist from a working-class background. Madly in love, India is determined to marry him. When Evan discovers letters from Emma Harte to her grandmother, the story is swept back to the 1950s. In the post-war boom years Emma builds her business empire, using a combination of determination and sheer nerve, and she embarks on a relationship with a handsome acquaintance from the war years. But it is the revelations in Emma's letters to her grandmother that give Evan a new perspective and help to set her free from her own past. This latest dramatic story in the on-going saga of an extraordinary family dynasty is full of love, passion and jealousy and is Barbara Taylor Bradford at her inimitable best.

Read more less

Jesus Becoming Jesus, Volume 2: A Theological Interpretation of the Gospel of John: Prologue and the Book of Signs follows upon the first volume of this series entitled Jesus Becoming Jesus. The first volume was a theological interpretation of the Gospels of Matthew, Mark and Luke. Unlike many conventional biblical commentaries, Weinandy concentrates on the theological content contained within John’s Gospel. He does this in the light of the Church’s doctrinal and theological tradition, particularly in keeping with the Second Vatican Council’s Dogmatic Constitution, Dei Verbum. This is accomplished through a close reading of John’s Gospel, theologically interpreting each chapter of the Gospel sequentially. In so doing he also takes into account the Johannine corpus as a whole. He also relates John’s Gospel to relevant material found within the Synoptic Gospels, the Pauline Corpus and other New Testament writings.This original theological interpretation focuses primarily on the intertwining theological themes contained within John’s Gospel, specifically within the Prologue and the Book of Signs – light and darkness, the seven miracle-signs, the sacraments of baptism and the Eucharist, the seven “I Am” sayings, the contentious dialogues with the Jews, Jesus’ relationship to his Father as the Father’s incarnate Word and Son, etc. Within all of these interlocking themes one finds the importance of Jesus’ saving actions – the salvific works of his Father. The overarching theme of this book, as the title suggests, is that Jesus, being named Jesus, throughout his public ministry is enacting his name and so becoming who he is – YHWH-Saves.Weinandy offers a singular, vibrant, and luminous reading of John’s Gospel; one that reveals the Evangelist’s theological depth and doctrinal sophistication. In so doing, Weinandy makes manifest the particular beauty of the Gospel According to John.

Read more less

Chile has long been a centre for radical propaganda painting. As early as 1940 leading Mexican and Chilean artists, including David Alfaro Siqueiros, Fernando Marcos and Gregorio de la Fuente, were painting murals in Chile. Today, Latin American street art is as innovative as any in the world, and Chile plays a leading part. Much as Spain witnessed a boom in the arts post-Franco, so, since the end of Pinochet’s dictatorship in 1990, Chile has embraced an era of new freedoms. Chile has made up for lost time. The contemporary artists and graffiteros shown on these pages have their roots in Latin American propagandistic murals, but look forward. Artists such as Bomber West, Charqui Punk, Dana Pink, Elodio, Inti, Piguan, Pussyz Soul Food, Ritalin Crew, Vazko and Yisa are informed by Latin American, European and North American (especially West Coast) art and music, but have their own Chilean slant. Their carefully planned visual and verbal jokes, strategies and techniques are derived from an array of sources: Picasso, Surrealism, Pop, São Paulo’s Os Gêmoes, Vitche and Herbert, Brazilian pichaçao lettering, Peruvian photorealism, Argentine stencils, Bolivian hats and masks, US subway graffiti, hip hop, punk, Barcelona’s street art, Japanese animation, pornography, Gilbert & George, Brit art, Bansky. The resulting mixture is anarchic, accessible art. All parts of Chile are covered, from Arica to Punta Arenas, with special focus on Santiago and Valparaíso, both key centres of Latin American street art. Distinctive cities such as Iquique, Chillán, Concepción and Puerto Montt, and areas of the country rarely seen, are featured. The book includes an introduction to the history and flavour of Chilean street art; a glossary of graffiti terms; manifestos; and translations of all the graffiti shown.

Read more less

Refuting the common perception that the American left has a religion problem, Vaneesa Cook highlights an important but overlooked intellectual and political tradition that she calls "spiritual socialism." Spiritual socialists emphasized the social side of socialism and believed the most basic expression of religious values—caring for the sick, tired, hungry, and exploited members of one's community—created a firm footing for society. Their unorthodox perspective on the spiritual and cultural meaning of socialist principles helped make leftist thought more palatable to Americans, who associated socialism with Soviet atheism and autocracy. In this way, spiritual socialism continually put pressure on liberals, conservatives, and Marxists to address the essential connection between morality and social justice. Cook tells her story through an eclectic group of activists whose lives and works span the twentieth century. Sherwood Eddy, A. J. Muste, Myles Horton, Dorothy Day, Henry Wallace, Pauli Murray, Staughton Lynd, and Martin Luther King, Jr. spoke and wrote publicly about the connection between religious values and socialism. Equality, cooperation, and peace, they argued, would not develop overnight, and a more humane society would never emerge through top-down legislation. Instead, they believed that the process of their vision of the world had to happen in homes, villages, and cities, from the bottom up. By insisting that people start treating each other better in everyday life, spiritual socialists transformed radical activism from projects of political policy-making to grass-roots organizing. For Cook, contemporary public figures such as Senator Bernie Sanders, Pope Francis, Reverend William Barber, and Cornel West are part of a long-standing tradition that exemplifies how non-Communist socialism has gained traction in American politics.

Read more less

This volume contains fifteen papers presented at the seventh British Patristics Conference, held in Cardiff (Wales, UK) from 5 to 7 September 2018. The theme of the conference was Religion in Late Antiquity. The papers address topics such as transformation and innovation, interrelations between religions, and between religions and other areas of culture: philosophy, education, politics and science. Some deal with aspects of the pre-history of religion in late antiquity, others with the reception of late-antique religion in later periods of history. Consequently, alongside papers that treat more ‘traditional’ topics of Patristic Studies there are papers applying approaches and methodologies such as identity formation and reception theory. The volume thus offers a cross section of topics related to religion in late antiquity from the second to the thirteenth century and reflects the current state of research in this wide field. The papers are grouped in four sections, I. Ancient Philosophy, Early Christianity and Judaism; II. Christianity in its Cultural Context from the Second to the Fourth Century; III. Augustine and His Age; IV. The End of Antiquity and Beyond. Part I contains papers by Ilaria Ramelli, who compares pagan and Christians concepts of the ‘Logos/Nous One-Many’ in pagan and Christian philosophers of the second to fourth century, David Lloyd Dusenbury, who explores the concept of the World City in the thought of Nemesius of Emesa, and Susanna Towers, who compares the ‘Demoness’ found in eastern Manichaean texts with the pre-Rabbinic Jewish concept of Yetzer Hara. Part II begins with a paper by Josef Lössl on the juxtaposition of Greek and Barbarian Paideia in Tatian’s Ad Graecos. This is followed by a new discussion of the Cento attributed to Faltona Betitia Proba, in which Nicholas Baker-Brian situates the work firmly in the reign of Julian the Apostate and understands its criticism of Constantius II in this context. A third paper, by Zachary Esterson, compares the oeuvres of Victorinus of Pettau and Fortunatianus of Aquileia. A fourth, by James Wellington, offers a new, ontological, reading of Gregory of Nyssa’s refutation of slavery in In Ecclesiasten Homiliae IV; and in a final piece entitled ‘A Tale of Two Councils’, Sara Parvis compares the two Councils of Constantinople of 360 and 381. With Augustine, Part III moves from the fourth to the fifth century. In it, Philip Brown shows how Augustine’s sixth tractate on John contains an emerging ‘theology of friendship’. Georgiana Huian explores notions of ‘Deification’ in Sermo 23B (Mainz 13) also known as ‘Sermo Dolbeau 6’. Math Osseforth studies an example of intertextuality in the Confessions, the Vergilian concept of the Underworld. Marcin Wysocki compares strategies of survival in apocalyptic times in late-antique letter collections (Paulinus of Nola, Augustine, Jerome). Part IV contains papers from ‘the end of antiquity and beyond’. Georgios Siskos writes on Maximus the Confessor’s critique of Monothelitism, Michael Muthreich on an excerpt of Epistle VIII of the Dionysian corpus in Syriac, Helen Dayton on Nikitas Stithatos main work, 300 Kephalaia, and Andrej Kutarna on Theosis in John of Damascus and Thomas Aquinas.

Read more less