Search results for ""author paul"

An epicenter in present-day Pauline scholarship is the issue of the Law. The interpretation of this contentious issue started before Paul's letters and found its way into them by his citing how others perceived of his theology, and in Paul rendering rumors and criticism, and also interacting with them. To this reception-oriented perspective belong also punitive actions taken against Paul by synagogues. As a reception of Paul, Acts is included, leaving a more complex picture than argued by advocates of Paul within Judaism. Thus Karl Olav Sandnes uncovers the first interpretation or reception of Paul's view on Torah. It is limited in its scope, but provides a critical and necessary view on common trends in Pauline scholarship. Paul's decentering of the Torah was considered endangering for morality, for Jews and Gentiles alike. Perceptions of Paul's theology must be accounted for in Pauline studies.

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B. J. Oropeza presents the concepts of apostasy and perseverance in the light of recent interpretative and intertextual methods. He argues that the Pauline messages include warnings to congregation members who are in danger of falling away. Paul often considers these members to be authentic converts to the early Christian message. A prime example of this is presented in the apostle's use of the Exodus-wilderness traditions in 1 Corinthians 10:1-13. In an effort to persuade the members against apostasy, Paul echoes examples from the Jewish traditions regarding Israel's divine election and punishments. The Corinthians are exhorted not to conduct themselves in a manner that parallels the Israelites who, after crossing the Red Sea, were rejected by God in the wilderness because they committed vices. If the Corinthians commit the same vices in their own spiritual journey, they will suffer divine judgment before the culmination of the eschaton. This language is located within larger rhetoric

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The reception of Paul in the first century is a highly debated issue. In this collection of essays, Daniel Marguerat defends the position of a threefold reception of Paul in parallel ways: documentary (the canon of Pauline writings), biographical (the book of Acts and the apocryphal Acts of the Apostles) and doctoral (Deutero-Pauline and Pastoral Letters). Marguerat advocates that the value of the phenomena of reception be appreciated, in particular the figure of Paul in Acts. It should not systematically be compared to the apostle's writings, even though this image evolves from a Lukan reinterpretation. It actually gives us an aspect of Paul which forges the background of the epistolary literature, especially concerning his rapport with Judaism. The essays in this book concern the literary and theological construction of the narrative of Acts, focusing on the figure of Paul: his rapport with the Torah, the Socratic model, the Lukan character construction, the resurrection as a central theme in Acts, the significance of meals. In his analysis, Marguerat combines narratology and historical criticism. He is highly attentive to how Christology emerges as narrative Christology. Some of the essays treat classical or less classical themes of Pauline theology: Paul the mystic, the justification by faith, imitating Paul as father and mother of the community, and the affair of the woman's veil in Corinth. Concerning the statute of the Torah, Marguerat debates with the "New Perspective on Paul". He also sheds a fresh light on less known aspects of the apostle: his mystic dimension and the emotional impact in his correspondence to the Thessalonians.

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The tensions and self-contradictions in Paul's statements on the Torah are analysed in this book in detail, which also critically discusses a vast body of scholarly literature on the subject. The contradictions in Paul cannot be explained away, neither by dialectical interpretive devices nor by way of development theories. Rather, they must be taken seriously as real contradictions and as pointers to Paul's unsolved theological problems. Different statements owe their origin largely to different needs, mostly polemical ones, arising in changing situations."Anyone who has studied Paul knows that probably the most complex problem he develops is his view of the law and its purpose. The beauty of Räisänen's work is that he recognizes and respects this complexity without himself becoming too dense to understand. R. finds that Paul's radicalized, negative criticism of the law is peculiar to him, unparalleled in the NT and without precedent in Jewish thought. With careful, patient examination of various contexts, R. leads his readers to see that Paul has an oscillating, even inconsistent view of the law. [...] This book is well-written in clear, readable English. It is an important book, recommended to any serious student of Paul. Its strength is in R.'s willingness to abandon preconceptions of what Paul's view on the law should be according to some consistent plan and in allowing Paul to speak for himself." Mary Ann Getty in The Catholic Biblical Quarterly 47 (1985).

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Within the framework of Paul's use of Scripture, the contexts of biblical narratives are of great significance, although this has long been underestimated. This conference volume deals with the reception of traditions about Moses in the letters of the apostle to the Gentiles, especially the exodus and Sinai traditions. It focuses on the important and much-discussed passages about the danger of idolatry in 1 Corinthians 10 as well as on the glory of Paul's apostolic ministry in 2 Corinthians 3. The collected essays are methodologically oriented towards the issue of the relationship between education/formation and religion, and they thus perceive Paul's use and interpretation of those biblical traditions as a process of religious education. Tradition-historical backgrounds and the contexts of the situations are also taken into consideration, as well as literary structures and communicative intentions.

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John W. Yates explores the meaning and significance of the Apostle Paul's description of the divine Spirit as "life-giving". He argues that with this designation Paul develops a tradition present in the literature of Ancient Judaism and identifies the Spirit as the divine agent who brings about a new creation through resurrection of the dead. In the first half of his work, the author assesses the origin and development of the "breath of life" tradition in Ancient Judaism, with particular focus on the use of Genesis 2:7 and Ezekiel 36-37. In the second half, he demonstrates how Paul develops this strand of tradition and elevates it to a place of prominence in his description of the divine Spirit. This begins with an analysis of Paul's citation of Genesis 2:7 at 1 Corinthians 15:45, is followed by an examination of the letter/Spirit contrast in 2 Corinthians 3 and concludes with a careful reading of Paul's most thorough description of the life-giving Spirit in Romans 8. Yates offers final reflections on the significance of this study for understanding divine identity in Paul's letters and on the possible implications of this study for Pauline scholarship more widely.

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An irreverent and provocative drama questioning the basis of Christianity, by the author of The Romans in Britain. The most famous conversion in history - when Saul became Paul on the road to Damascus - was a trick. It was actually Jesus appearing to him. Jesus did not die on the cross but was rescued and sheltered by his brother James, by Peter and by Peter's wife, Mary Magdalene. But they prefer to keep Paul in the dark because, although he is mistakenly preaching that Christ rose again, at least it keeps him busy and gets the Christian message out there... Now imprisoned by Nero, Peter finally tells Paul the truth before they go to their deaths as the first Christian Martyrs. Howard Brenton's play Paul was first performed at the National Theatre, London, in 2005.

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Translated from German into English for the first time, this monograph seeks to reclaim the original sense of humility as an ethical mindset that is of community-building value. This exploration of humility begins with a consideration of how the concept plays into current cultural crises before considering its linguistic and philosophical history in Western culture. In turning to the roots of Christian humility, Eve-Marie Becker focuses on Philippians 2, a passage in which Paul appeals to the lowliness of Christ to encourage his fellow Christians to persevere. She shows that humility both formed the basis of the ethic Paul instilled in Christ-believing communities and acted as a mimetic device centered on Jesus' example that was molded into the earliest Christian identity and community.

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This conference volume features cutting edge research from an international cohort of scholars on the still-controversial debates regarding Paul's relationship with Judaism. Taken together, the contributions represent a sympathetic but critical assessment of the Paul within Judaism approach to Pauline interpretation. They take up many of the key questions germane to the debate, including different perspectives on Jewish identity, ethnicity, Torah-observance, halakha, the relationship between Jewish and non-Jewish followers of Christ, and the contested character of Jewish identity in antiquity. By combining a broad swath of both German- and English-language scholarship, the volume attempts to bring different perspectives into conversation with each other.

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Kowalski addresses the Pauline understanding of S/spirit in Romans 8, as compared to the Stoic idea of pneuma. The author first analyzes the Stoic views on pneuma perceived in a variety of life-giving, cognitive-ethical, unifying, reproductive and inspiring functions. The aforementioned features are taken as a starting point for the comparison with Paul to which, however, the third element is added, the Jewish texts of the Second Temple period. These include the Old Testament but also The Book of Enoch, The Book of Jubilees, Qumran, The Testaments of the Twelve Patriarchs, The Psalms of Solomon, Philo of Alexandria, Flavius Josephus, LAB, Joseph and Aseneth, 4 Book of Ezra and 2 Book of Baruch. Such a rich comparative material contributes to the novelty of the book and enables the reader to discover both the similarities and differences between Paul, Greco-Roman and Jewish authors. The study analyzes Romans 8 in its rhetorical context and brings to light the novelty of the Pauline view of the Spirit. The apostle portrays it in its primary cognitive-ethical and communitarian function of making the believers similar to Christ and inculcating in them the Lord’s mindset and attitudes. Paul presents the Spirit as dwelling within a person, similarly to God inhabiting the Jerusalem temple, and as the mediator of the resurrected life. In the original Pauline take the Spirit enables a close union between God and human beings in which the latter keep their freedom and distinctive personal traits.

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Nearing thirty-five years ago, E. P. Sanders famously stated that the center of thought within Paul's theology is participatory in nature - which, of course, caused no small debate within broad strands of Pauline scholarship. Sanders also suggested that we have no modern conception of what this thought might mean for us today. These two axioms of Sanders loosely organize the essays in this volume which seek to explore the complex notions of union and participation within Pauline theology through exegesis, highlights in reception history, and theological reflection. This collection of essays aims at teasing out the complex web of meaning conveyed through Paul's theological vision of union and participation - both in their relationship and in their distinction with one another. Taken as a whole, this edited volume constitutes a multi-disciplinary reflection and exploration of Paul's theological vision of participation and union. But it is precisely as a multi-disciplinary exploration that this volume hopes to chart new ground and make new connections within Pauline thought with the hope that further research might contest and/or clarify its findings.

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Reciprocity was at the heart of all forms of benevolence in the ancient Greco-Roman world. The bestowal of gifts usually initiated long-term relationships that involved mutual obligations and clear status differentials between the parties concerned. The leadership of the Jerusalem church requests at the so-called Jerusalem meeting " not to forget the poor" (Gal. 2:10), was interpreted by Paul in terms of these principles.In response to their benefactions, the Jerusalem church demanded that Paul address the needs of the socially destitute in their midst. In order to fulfill these obligations towards Jerusalem, but also in view of the fact that the church in Antioch did not live up to their responsibilities in this regard, Paul then took it upon himself to organize a collection in the Christian communities under his control.Paul utilized specific rhetorical strategies and contextual 'theologies' in the course of the collection project to ensure its completion, but also to secure his role as benefactor of Jerusalem.Paul and Jerusalem's conflicting ideologies threatened the eventual success of the collection. In anticipation of a possible rejection of the collection, Paul offered a new ideological angle of incidence to this project. In a 'Christian' reinterpretation of the basic principles of benefit exchange, Paul turned the collection into an 'eleventh hour success' within the framework of his communities.Although Luke is not well-informed on the Pauline collection, he presents us with the basic outlines of Paul's final visit to Jerusalem to deliver the collection. From the available information it may be deduced that Paul devised an emergency solution to ensure the eventual acceptance of the collection by the Jerusalem church. However, Paul's imprisonment brought an abrupt end to this imaginative project.

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In this close reading of Second Corinthians and examination of prevailing attitudes toward death in Greco-Roman Corinth, Richard I. Deibert proposes Paul's physical mortality as the window through which to understand both the mystery of his collapsing authority in Corinth and the heart of his gospel. In his own experience of physical dying, Paul experiences the "deadness" of the resurrected Jesus, which paradoxically communicates life to him and through him to his congregations. Paul discovers that death has been transfigured into a source of life and, consequently, that human mortality has been infused with saving power. This study of human mortality clarifies, both for Paul's day and for our own, how crucial it is to guard the human person as an inseparable unity of body and soul, and to keep theology grounded in experience. Richard I. Deibert's work is of vital interest not only to students of early Christian and New Testament history, but also to students of anthropology, philosophy, and theology.

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Drawing from Michel Foucault's understanding of power, David A. Kaden explores how relations of power are instrumental in forming law as an object of discourse in the Gospel of Matthew and in the Letters of Paul. This is a comparative project in that the author examines the role that power relations play in generating discussions of law in the first century context, and in several ethnographies from the field of the anthropology of law from Indonesia, Mexico, the Philippines, and colonial-era Hawaii. Discussions of law proliferate in situations where the relations of power within social groups come into contact with social forces outside the group. David A. Kaden's interdisciplinary approach reframes how law is studied in Christian Origins scholarship, especially Pauline and Matthean scholarship, by focusing on what makes discourses on law possible. For this he relies heavily on cross-cultural, ethnographic materials from legal anthropology.

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Acts of Paul is a collection of early Christian traditions that were not included in the canonized Acts: the Acts of Paul and Thekla, 3 Corinthians, the Martyrdom of Paul, and other fabulous stories, such as Paul baptizing a lion. By the end of the second century, there was a rumor in North Africa that "Acts of Paul" had been fabricated by a presbyter in Asia Minor (Tertullian, De baptismo 17.5); and to this day, it is alleged that Acts of Paul is later than and inferior to the traditions preserved in Acts - historically, theologically, and otherwise. But what evidence is there for the composition and reception of Acts of Paul? In this study Glenn E. Snyder critically examines Greek, Latin, and Coptic witnesses to Acts of Paul from the second to sixth centuries, with chapters on the independently circulating acts, extant collections, and other evidence for the formation of Acts of Paul.

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The critically acclaimed debut novel from the T.S. Eliot Prize-shortlisted poet -- Frances is a graduate student spending a summer volunteering in rural France, in the hope that tending vegetables and harvesting honey will distract her from a scandal that drove her out of Paris, her research unfinished and her sense of self unmoored. At the eco-farm Noa Noa, she comes under the influence of its charismatic and domineering owner, Paul. As his hold over her tightens and her plans come unstuck, she finds herself entangled in a strange, uneven relationship. On a fraught road trip across the South of France, both are forced to reckon with uncomfortable truths. A compelling and perturbing story of power, passivity and the cage of being 'good', Paul introduces a novelist of extraordinary perspicacity and lyricism.

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James R. Harrison investigates the collision between Paul's eschatological gospel and the Julio-Claudian conception of rule. The ruler's propaganda, with its claim about the 'eternal rule' of the imperial house over its subjects, embodied in idolatry of power that conflicted with Paul's proclamation of the reign of the risen Son of God over his world. This ideological conflict is examined in 1 and 2 Thessalonians and in Romans, exploring how Paul's eschatology intersected with the imperial cult in the Greek East and in the Latin West. A wide selection of evidence - literary, documentary, numismatic, iconographic, archeological - unveils the 'symbolic universe' of the Julio-Claudian rulers. This construction of social and cosmic reality stood at odds with the eschatological denouement of world history, which, in Paul's view, culminated in the arrival of God's new creation upon Christ's return as Lord of all. Paul exalted the Body of Christ over Nero's 'body of state', transferring to the risen and ascended Jesus many of the ruler's titles and to the Body of Christ many of the ruler's functions. Thus, for Paul, Christ's reign challenged the values of Roman society and transformed its hierarchical social relations through the Spirit.

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Peter Frick argues hermeneutically that the key issue to which the apostle Paul correlates the death and resurrection of Jesus Christ is the power of sin. Understood in the tradition of Heidegger, sin (singular) is an ontological-existential category and distinct from sins (plural). For the death of Jesus to be effective in overcoming the death sentence of the power of sin, salvation is established strictly in the resurrection of Jesus. The correlation between plight and solution lies on the ontological level. Just as sin is an ontological structure unto death, so the resurrection provides a new ontological structure towards life. In the resurrection, death itself died. If so, an ontological foundation of salvation raises the question of the meaning of Jesus' life, suffering, and violent death. The questions discussed in the second part of the book include the significance of Christ/Messiah vis-à-vis sin, sins, and Torah, how faith is related to salvation, how a Christian ethic must be conceived on the basis of an ontological understanding of sin, and what life in view of a new creation might look like. These questions will be examined from an existential perspective in view of our contemporary existence.

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A critical reconsideration of the repeated use of the biblical letters of Paul. The letters of Paul have been used to support and condone a host of evils over the span of more than two millennia: racism, slavery, imperialism, misogyny, and anti-Semitism, to name a few. Despite, or in some cases because of, this history, readers of Paul have felt compelled to reappropriate his letters to fit liberal or radical politics, seeking to set right the evils done in Paul’s name. Starting with the language of excrement, refuse, and waste in Paul’s letters, Profaning Paul looks at how Paul’s “shit” is recycled and reconfigured. It asks why readers, from liberal Christians to academic biblical scholars to political theorists and philosophers, feel compelled to make Paul into a hero, mining his words for wisdom. Following the lead of feminist, queer, and minoritized scholarship, Profaning Paul asks what would happen if we stopped recycling Paul’s writings. By profaning the status of his letters as sacred texts, we might open up new avenues for imagining political figurations to meet our current and coming political, economic, and ecological challenges.

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The collection of essays highlights a dimension of Paul's theology of justification which has been rather neglected in earlier decades: that his teaching emerged as an integral part of his understanding of his commission to preach the gospel to non-Jews; and that his dismissal of justification 'by works of the law' was directed not so much against Jewish 'legalism' but rather against his fellow Jews' assumption that the law remained a dividing wall separating Christian Jews from Christian Gentiles. The long opening essay interacts with critiques of this 'new perspective on Paul' and seeks to carry forward the debate on Jewish soteriology ('covenantal nomism'), on the relation of justification by faith to judgment 'according to works', on Christian 'fulfilment' of the law, and on the crucial role of Christ, his death and resurrection."This book is a wonderful resource for anyone wishing to become acquainted in particular with the work of James Dunn, and in general with the so-called 'new perspective' on Paul."Preston Sprinkle in Europäische Theologische Zeitschrift 15. Jg. (2006), S. 171"Es ist zu wünschen, dass die über die kontroverstheologischen Fixierungen des 20. Jh.s weit hinausführenden Anregungen von den Vertretern der anderen theologischen Disziplinen aufgegriffen und produktiv rezipiert werden."Karl-Wilhelm Niebuhr in Theologische Literaturzeitung 132. Jg. (2007), S. 168

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František Ábel explores one of the topical issues of Paul's theology, namely the role and influence of the Jewish Pseudo-epigraphs, literature written during Greek and early Roman periods (4th century BCE to the 2nd century CE), on Paul's theological thinking. Within this corpus the idea of eschatological concepts, such as the concept regarding the coming of the Messiah and the Last Judgment in particular, arises frequently. It is similar in the case of the Psalms of Solomon with the Last Judgment as the main topic of this pseudepigraphon. Through close analysis and exploration of particular parts of this work, the author proposes that this deuterocanonical writing could form a considerable background for the proper understanding of Paul's messianic ethics. From this point of view, Paul's teaching on justification should be understood as one that is reflective of God's grace, while at the same time expressing faith and deeds as necessary for salvation.

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His paintbrush set everything in motion: the landscape of Provence, the colourful still lifes, his portraits and the picturesque coast of southern France. More than any other artist, Paul Cézanne, the “Father of Modernism”, captured the light and the play of colours of the South in his pictures and lent them through his new pictorial language a liveliness and dynamism which continue to fascinate viewers to this day. Paul Cézanne (1839 – 1906) painted the Montagne Sainte-Victoire, a rocky massif near his birthplace Aix-en-Provence, some 80 times. The artist translated the interplay of sunlight and shadow on the constantly changing stone into pictures on the threshold of abstraction. Today they are seen as icons of art history and they underline Cézanne’s reputation as one of the most important pioneers of Classical Modernism. Countless artists, including Matisse, Derain, Picasso, Braque and Léger found inspiration in Cézanne’s ideas on colour modulation and pictorial composition. In this publication the author Christoph Wagner positions Cézanne as an artistic genius who opened up for future generations a completely new view of the world through his paintings and watercolours.

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The ecstatic face of a disco dancer in Berlin; a rural panorama in Derry, where a country road has been made into a Pollock-like canvas of red, white and blue; an ashtray, framed by a lacy spray of blood in a Barcelona toilet. Paul Graham uses and abuses classic genres of photography - the portrait, the landscape, the still life - to map a cultural topography. His jewel-like colours and unsettling compositions reveal how social relations and political trauma are inscribed in the everyday. This book brings together for the first time all of Graham's successive series, from his journey along the A1 in Britain to intimate studies of Japan. Graham's work has been celebrated in exhibitions around the world, including The Museum of Modern Art, New York, and Tate Britain, London.Art historian Andrew Wilson has written extensively on contemporary European art and is the author of Gustav Metzger: Damaged Nature, Auto-Destructive Art. He charts the development of Graham's most significant series as defined by the journeys the artist has taken, weaving relations between an emerging aesthetic and the specifics of time and place. In the Interview, Paul Graham speaks with British artist Gillian Wearing, internationally renowned for her photographs and videos that explore the imaginary worlds of ordinary people. Focusing on a triptych from the New Europe series is the celebrated American writer Carol Squiers, Senior Editor at American Photo magazine and editor of The Critical Image: Essays on Contemporary Photography. In juxtaposition with this work, Graham has chosen texts by Japanese authors Kazuo Ishiguro and Haruki Murakami. A series of notes by the artist and an interview with Lewis Baltz provide further insight.

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In this definitive biography, renowned Bible scholar, Anglican bishop, and bestselling author N. T. Wright offers a radical look at the apostle Paul, illuminating the humanity and remarkable achievements of this intellectual who invented Christian theology—transforming a faith and changing the world.For centuries, Paul, the apostle who "saw the light on the Road to Damascus" and made a miraculous conversion from zealous Pharisee persecutor to devoted follower of Christ, has been one of the church’s most widely cited saints. While his influence on Christianity has been profound, N. T. Wright argues that Bible scholars and pastors have focused so much attention on Paul’s letters and theology that they have too often overlooked the essence of the man’s life and the extreme unlikelihood of what he achieved.To Wright, "The problem is that Paul is central to any understanding of earliest Christianity, yet Paul was a Jew; for many generations Christians of all kinds have struggled to put this together." Wright contends that our knowledge of Paul and appreciation for his legacy cannot be complete without an understanding of his Jewish heritage. Giving us a thoughtful, in-depth exploration of the human and intellectual drama that shaped Paul, Wright provides greater clarity of the apostle’s writings, thoughts, and ideas and helps us see them in a fresh, innovative way.Paul is a compelling modern biography that reveals the apostle’s greater role in Christian history—as an inventor of new paradigms for how we understand Jesus and what he accomplished—and celebrates his stature as one of the most effective and influential intellectuals in human history.

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This volume collects sixteen essays published by Troels Engberg-Pedersen between 1994 and 2023 in which he analyses Pauline texts and themes philosophically, often using ancient philosophy (particularly Stoicism) as a comparison to invigorate traditional theological exegesis of Paul. Published in chronological order, the essays are preceded by a substantial introduction tracing their analytical development. This leads to a final account of Paul's message, bringing all the issues together in a single strand. Among the central themes tackled are the relationship between 'theology' and 'ethics', the logical form of Pauline 'moral exhortation', the understanding of 'flesh' and 'spirit', the logic of action, personhood and Paul's soteriology. Along the way, Paul's 'apocalypticism' and his relationship with Judaism gain in importance, with the analysis reaching its goal in an explication of the notion of the 'Christ circle'.

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Paul Gauguin (1848-1903) was one of the most important artists of the late 19th century, and one whose work was to have a profound influence on the development of art in the 20th century. This title collects some of the most important works by Gauguin.

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Paul Foot was one of the most influential investigative reporters of his generation. For nearly fifty years, he was the scourge of corrupt politicians and dodgy businessmen, a champion of the underdog.In this, the first biography of Paul Foot, journalist Margaret Renn traces Foot’s personal, political and professional trajectories, placing his life and works within the long arc of postwar Britain. Drawing on extensive interviews with those close to him, and utilizing her unparalleled knowledge of his prodigious output, the book brings the many different faces of Paul Foot together into a single portrait.A prolific writer for the Daily Mirror, Private Eye, the Guardian and Socialist Worker, Foot’s investigations broke numerous major stories. He wrote about ordinary people caught up in extraordinary events, and the issues in some of his campaigns maintained their prominence long after his death in 2004: police corruption in the Step

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The latest in Karma's acclaimed series of overviews, this 424-page clothbound volume is the first comprehensive survey of New York–based minimalist painter Paul Mogensen (born 1941). Born in Los Angeles, Mogensen arrived in New York in 1966 already associated with such peers as David Novros and (through Novros) Brice Marden. His first solo exhibition at the Bykert Gallery came the following year. Since that time, Mogensen has created often colorful works that follow rule-based progressions (such as the “n + 1” method) to generate sharply executed geometric abstractions. In a text for this volume, the artist Lynda Benglis usefully summarizes the special character of Mogensen’s art: “Paul is a colorist who is measured in his method. It may be said that he is a decorative painter as well a painter of a philosophical disposition. He is stringent in his approach, as stringent as a mechanic might be with a Ferrari. There are no accidents.”

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We have misunderstood Paul, badly. We have read his words through our own set of assumptions. We need to begin with Paul's world view, to see things the way he saw them. - What if 'original sin' was never part of Paul's thinking? - What if the idea that we are saved by faith in Christ, as Luther argued, was based on a mistranslation of Paul's words and a misunderstanding of Paul's thinking? 'Over the centuries,' writes Steve Chalke, 'the Church has repeatedly failed to communicate, or even understand, the core of Paul's message. Although Paul has often been presented as the champion of exclusion, he was the very opposite. He was the great includer.' Steve Chalke MBE is a Baptist minister, founder and leader of the Oasis Charitable Trust, and author of more than 50 books.

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The classic poem in a newly illustrated edition. Paul Revere and his famous ride were immortalized by Henry Wadsworth Longfellow in a poem published in 1861, more than eighty years after the even. Longfellow wrote the poem at the time of the Civil War. He hoped that his story of an ordinary citizen who comes to the aid of his country would stir patriotic feelings and support for the Union. He was right. In face, if it hadn't been for Longfellow, Paul Revere may have remained a local legend. The poem fired the imaginations of Americans and a national hero was born. This illustrated edition of the classic poem features vivid oil paintings by Monica Vachula, whose research into period and place can be seen in the smallest detail. A concluding note by historian Jayne Triber, author of A True Republican: The Life of Paul Revere, explores the poem and Paul Revere's place in American history.

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Paul Siebeck (1855-1920), ursprünglich mit seinem Schwager J. Gustav Kötzle Inhaber der H. Laupp'schen Buchhandlung in Tübingen, erwarb 1878 den Verlag J.C.B. Mohr und ging mit ihm 1880 nach Freiburg, während Kötzle mit der H. Laupp'schen Buchhandlung in Tübingen blieb. Paul Siebeck nannte seine Firma Akademische Verlagsbuchhandlung von J. C. B. Mohr, Inhaber Paul Siebeck, was er - im Stil der Zeit - alsbald auf J. C. B. Mohr (Paul Siebeck) verkürzte. Er baute den Verlag zu einem wissenschaftlichen Fachverlag aus, der schwerpunktmäßig Werke der liberalen Theologie, des Kulturprotestantismus, der südwestdeutschen Neukantianer, der Nationalökonomen um Max Weber sowie der Privat- und Staatsrechtswissenschaft veröffentlichte. Max Weber wurde nach 1895 zu Paul Siebecks wichtigstem Berater, und seine Gesamtausgabe (MWG) bildet noch heute einen der Eckpfeiler des Verlagsprogramms. 1899 kehrte Paul Siebeck nach Tübingen zurück und leitete die Firmen Mohr und Laupp gemeinsam in Tübingen weiter bis 1920.Der knapp 100 Jahre später in Mohr Siebeck umbenannte Verlag erhielt durch den erfolgreichen Unternehmer Paul Siebeck die Umrisse seiner bis heute vitalen Gestalt. Indem Konrad Hammann den Lebensweg dieses bedeutenden Managers in die gesamte Verlagsgeschichte einbettet, zeichnet er ein tiefenscharfes Bild vom kulturwirtschaftlichen Panorama des späten Kaiserreichs. Die Darstellung widmet sich schwerpunktmäßig der von Paul Siebeck betriebenen Spezialisierung seines Wissenschaftsverlags auf die vier Kernbereiche der Theologie, Philosophie, Rechtswissenschaft und Nationalökonomie. Das vorliegende Lebens- und Unternehmensportrait, das aus umfangreichen, zumeist erstmals ausgewerteten Archivbeständen erarbeitet ist, vermittelt einen gleichermaßen soliden und erfrischenden Einblick in die geistesgeschichtliche Komplexität des frühen 20. Jahrhunderts.

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"A biography of St Paul by his greatest living interpreter: it is a dream come true." Tom Holland This compelling reconstruction of the life and thought of St Paul paints a vivid picture of the Roman world in which he preached his revolutionary message. It explains the significance of Paul's lasting impact on both the Church and the world. Elegantly written by arguably the most influential Pauline scholar in the world today - Paul a Biography is Tom Wright at his very best. This gripping historical life story will appeal to both believers and historians, painting a picture that provides insight and new understanding of both the man Paul and the world in which he lived.

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Paul and Steve are back to solve the latest hard-hitting case of robbery and murder. After a heist goes down at Harkdale bank, a gang of thieves flee and a car chase ensues. As police close in on them, the thieves come to a screeching dead end. All the police have to do is retrieve the money … but the only thing the thieves have on them is an Oxford Dictionary! And when Paul Temple returns home, he finds the dead body of one of the robbers…

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Mandalas are mystical symbols that have come to represent wholeness and unified energy. Typically circular and geometric in form, they have played a role in Eastern spiritual development for centuries and are widely favored as focal points in meditation because of their balancing and calming effects. The mandala has become Paul Heussenstamm's signature motif among his thousands of unique and spiritual paintings. For him, mandalas open the doorway into the symbolic language of the soul. The 12 mandalas featured in this calendar offer peace and tranquility every day of the year.

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Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896–1958) was an alchemist of desire. Color was integral to his aesthetic allure, embracing the complex tri-color-carbro process to create a seductive surface of texture and tone. His quest was for “artificial paradises”—a perfection of form, with a surreal edge. This concise monograph introduces Outerbridge’s unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York’s highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge’s innovative style through Cubist still life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge’s particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of color photographs.

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In 1883 Paul Gauguin abandons his prominent banking career and decides that »from now on I will pai nt every day«. The co - founder of Synthetism and trailblazer of Expressionism turns his back on the bourgeois world, leaves his wife and children, and, in 1891, sets out for the South Sea, financing his journey through the sale of thirty paintings. His thou ghts on art, his existential worries, his discovery of color and his search for paradise come to life again in the excerpts from his letters and statements compiled in this volume. Together with some forty color reproductions of his works, his biography, a nd a preface by an expert, the book introduces readers in a very special way to Gauguin’s universe.

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Verano de 1976. Paul tiene 16 años y sólo sueña con una cosa: una moto Kawasaki KE-100 para escapar de su rutina diaria y de unos padres agobiantes. Con Marc, un nuevo amigo al que ha conocido en la escuela secundaria, Paul pasará ese periodo difícil de su adolescencia con menos conflictos. Le esperan viajes en autoestop, veladas entre amigos y nuevas experiencias, todo ello con los juegos olímpicos y la música de Peter Frampton de fondo.Tras casi dieciocho años de vida, la serie de libros de Paul, de Michel Rabagliati, constituye una invitación a descubrir las aventuras de la vida cotidiana a la vez que muestra el ambiente y la atmósfera de su Quebec natal a través de los hitos más destacados de su vida y su país.

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London, November 1966. John Lennon can't speak, he can't take his eyes off a photo of a car in flames with the body of Paul McCartney inside. His friend is no longer there, and that means the Beatles are no longer there, either. But John wants to know the truth, and with George and Ringo, he starts to re-examine the final hours in Paul's life. Set in the magical atmosphere of Abbey Road Studios during the writing sessions for Sgt. Pepper, the definitive version of the legend of the Paul McCartney's death.

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Paul's anthropological assumptions influence the rest of his thought, and in this study, Samuel D. Ferguson follows a growing interest in the corporate, non-autonomous nature of his doctrine of humanity. In a further departure from strictly individualistic interpretations, the author explores the bounded and relational aspects of Paul's anthropology. An array of "relations" ranging from those with the Creator, world, cosmic forces, other persons, and Christ, are shown as impacting human agency, identity, and volition, evidencing what this study terms "Relational Anthropology." The work of the Spirit further demonstrates this phenomenon, as texts from Romans 8 and First Corinthians 12 witness to Spirit-wrought relationships that actualize the new life of a believer, including the Spirit-generated relation of sonship and Spirit-sustained relations of interdependence experienced through shared charismata.

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In 1 Thess 1:8 Paul claims: "In every place your faith toward God has gone forth, so that we have no need to speak a word." We can smile at a call to stop missionary activity based on that verse. Lauri Thurén argues that Paul and his original addressees would smile at us for the very same reason, were they aware of many of the problems of modern Pauline scholarship. Expressions, which were never meant to be taken at their face value, may have promoted sophisticated but erroneous theological and historical reflections. This is due not only to the scholars' ignorance of ancient rhetorical and epistolary conventions, but also to their static attitude to the text itself.Lauri Thurén offers a different study which is based on a natural, dynamic view of Paul's letters. In order to describe any theology beyond the texts, they need to be derhetorized. This means an identification of the persuasive devices in Pauline texts in order to filter out their effect on the theological ideas expressed. This principle is applied to a controversial issue in Pauline theology, the question of law. Lauri Thurén claims that Paul's exaggerated statements correspond to his hyperbolic way of thinking. His search for consistency in the Old Testament was a major reason for his revolt against the law.

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As the first full-length study on Paul Schrader's films, this book examines the different styles of his work and the multiple influences on which it draws. A defining feature of Schrader's career is his capacity to engage in a range of collaborations and production contexts while returning to a consistent set of themes, character types, and dramatic scenarios. Going beyond the affirmation of a directorial vision, Schrader creates a cinema driven by issues of obsession, memory, and the difficult nature of experience. Representative of a new generation of American writer-directors of the 1970s, Schrader's films highlight the tension between old and new ways of telling a story and between the maintenance of commercial formulas and openness to individual expression. George Kouvaros draws on a personal interview conducted with Schrader and the director's prior commentary to trace common motivations and impulses behind such well-known films as Light Sleeper, American Gigolo, Affliction, Auto Focus, Taxi Driver, and Patty Hearst. Kouvaros reads Schrader's films not only in terms of a number of important themes such as male obsession and estrangement, but also in regard to harder to define issues that include melancholia, trauma, and the complex linkages of violence and guilt that bind individuals to places and each other.

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Humility in the modern world is neither well understood nor well received. Many see it as a sign of weakness; others decry it as a Western construct whose imposition onto marginalized persons only perpetuates oppression. This skepticism has a long pedigree: Aristotle, for instance, pointed to humility as a shameless front. What then are we to make of the New Testament's valorization of this trait?Translated from German into English for the first time, Paul on Humility seeks to reclaim the original sense of humility as an ethical frame of mind that shapes community, securing its centrality in the Christian faith. This exploration of humility begins with a consideration of how the concept plays into current cultural crises before considering its linguistic and philosophical history in Western culture. In turning to the roots of Christian humility, Eve-Marie Becker focuses on Philippians 2, a passage in which Paul appeals to the lowliness of Christ to encourage his fellow Christians to persevere. Becker shows that humility both formed the basis of the ethic Paul instilled in churches and acted as a mimetic device centered on Jesus' example that was molded into the earliest Christian identity and community.Becker resists the urge to cheapen humility with mere moralism. In the vision of Paul, the humble individual is one immersed in a complex, transformative way of being. The path of humility does not constrain the self; rather, it guides the self to true freedom in fellowship with others. Humility is thus a potent concept that speaks to our contemporary anxieties and discomforts.Not for sale in Europe.

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Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day’s Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally. Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world’s best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight. Through Benson’s lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975–76 “Wings Over America” tour, partying with the stars, and at the couple’s quiet farm in the UK in the early 1990s. On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world’s most popular music. A must for any music fan.

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Definitive monograph on America's most challenging and influential artist Los-Angeles-based artist Paul McCarthy (b.1945) creates Disneyesque installations, sculptures of animal/vegetable/human hybrids and slapstick performances in a purge of a national subconscious. The psycho-sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids. These works have been variously deployed: through live actions, often documented on video, and more recently in outsized figures and artificial rural environments, combined in overtly sexual ways. McCarthy's work echoes that of European artists such as Joseph Beuys or the Viennese Aktionistes, but gives 'action art' a postmodern twist. This new revised and expanded edition includes contributions by luminaries such as Kristine Stiles, Ralph Rugoff, Massimiliano Gioni and Robert Storr.

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Attending to the realia of ancient practices for reading Scripture, David Lincicum charts the effective history of Deuteronomy in a broad range of early Jewish authors in antiquity. By viewing Paul as one example of this long history of tradition, the apostle emerges as a Jewish reader of Deuteronomy. In light of his transformation by encounter with the risen Christ, Paul's interpretation of the end of the Pentateuch alternates between the traditional and the radical, but remains in conversation with his Jewish rough contemporaries. Specifically, Paul is seen to interpret Deuteronomy with a threefold construal as ethical authority, theological norm, and a lens for the interpretation of Israel's history. In this way, the volume sets Paul firmly in the history of Jewish biblical interpretation and at the same time provides a wide-ranging survey of the impact of Deuteronomy in antiquity.

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In the first scholarly treatment of the topic, Neil Martin argues that the regression language in Galatians holds the key to understanding Paul's perception of the underlying crisis. Repeated references to going backwards describe the reanimation of expectations intimately associated with the basic religious practices ( stoicheia) of his readers' pagan past. As the Galatians embraced the superficially-similar observances of Jewish Christianity, familiar practices were triggering the resumption of familiar modes of thought. With striking consequences for historic and contemporary debates about faith and works, the author finds a pagan misappropriation of Judaism, not Judaism itself, in the crosshairs of Paul's supposed anti-law polemic, uniting his warnings and commands in an integrated response to a pastoral emergency caused by the failure of the strong to accommodate the weakness of the weak.

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Paul Huxley RA (b.1938) has enjoyed a distinguished career both as a painter and a teacher. Huxley's fascinating artistic life, expertly surveyed by Jeremy Lewison, is at last given the attention that it deserves in this, the first monograph on the artist. Huxley's early interest in abstraction chimed with the dynamism that pulsed through London's art scene in the 1960s. Recognised as a new talent by pioneering curator Bryan Robertson, Huxley enjoyed early success in exhibitions including The New Generation, which opened at the Whitechapel Art Gallery in 1964. Building from this positive critical reception, and immersing himself in the vibrant artistic communities of London and New York, Huxley built a career characterised by an instinct to push boundaries and find new ways to advance the language of abstract painting. Constantly evolving, the artist's rich body of work, highlights of which are presented here, stands as testament to a life committed to tirelessly investigating and c

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