Search results for ""Author Paul"

As the world faces another water crisis, it is easy to understand why this precious and highly-disputed resource could determine the fate of entire nations. In reality, however, water conflicts rarely result in violence and more often lead to collaborative governance, however precarious. In this comprehensive and accessible text, David Feldman introduces readers to the key issues, debates, and challenges in water politics today. Its ten chapters explore the processes that determine how this unique resource captures our attention, the sources of power that determine how we allocate, use, and protect it, and the purposes that direct decisions over its cost, availability, and access. Drawing on contemporary water controversies from every continent – from Flint, Michigan to Mumbai, Sao Paulo, and Beijing –the book argues that cooperation and more equitable water management are imperative if the global community is to adequately address water challenges and their associated risks, particularly in the developing world. While alternatives for enhancing water supply, including waste-water re-use, desalination, and conservation abound, without inclusive means of addressing citizens' concerns, their adoption faces severe hurdles that can impede cooperation and generate additional conflicts.

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From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik

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From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik

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Building on Paulo Freire’s educational theory and critical pedagogy movements, this book provides a short and accessible introduction to ecopedagogy – Freirean environmental teaching and environmentalism overall. Ecopedagogy offers a political and educational vision that strives for a critical, culturally relevant forms of knowledge centred on sustainability for securing the future of our planet, ending all forms of oppression, and ensuring peace globally. Using examples from around the globe, Misiaszek shows how different populations (e.g., gender, race, ethnicity) are affected in unbalanced ways by ongoing environmental destruction and argues that these systematic socio-environmental inequalities are ignored in much of environmental teaching. He argues through reinventing Freire’s work that environmental justice is inseparable to social justice and should be seen as part of wider debates around, for example, globalization, development, citizenship, racism, feminism, neo/colonialization, and linguistics. The book calls for global and local approaches to understanding socio-environmental issues beyond anthropocentric models (beyond humans) and epistemologies of the North (e.g., Western knowledges). Written for anyone with an interest in environmentalism this book offers news ways of thinking and teaching about environmental crises we are living through.

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LONGLISTED FOR THE POLARI FIRST BOOK PRIZE 2021'Beautiful, heart-breaking and hilarious.' SCARLETT CURTIS'A love-letter to our non-binary siblings.' PAULA AKPAN'Jamie is a pioneer' JUNO DAWSON"There is no one way to be non-binary, and that's truthfully one of the best things about it. It's an identity that is yours to shape."Combining light-hearted anecdotes with their own hard-won wisdom, Jamie Windust explores everything from fashion, dating, relationships and family, through to mental health, work and future key debates. From trying on clothes in secret to iconic looks, first dates to polyamorous liaisons, passports to pronouns, Jamie shows you how to navigate the world and your evolving identity in every type of situation.Frank, funny, and brilliantly feisty, this must-read book is a call to arms for non-binary self-acceptance, self-appreciation and self-celebration.

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We''re stressed! We all need to restWe keep getting tangled in tape.Oh it just isn''t fair! All toys should be square!But here comes another weird shape!Join the Christmas chaos in this flap-filled festive adventure!It's Christmas Eve but all is not well in Santa's workshop . . . The toy-building elves are exhausted, the gift-wrappers are tangled in tape and the reindeer-wranglers are ready to strike! Will Christmas be cancelled, or can one elf's quick thinking and festive spirit save the day? Lift the flaps to discover every corner of the workshop, from the reindeer stables to the wrapping room. Children will love this engaging, inventive story, and parents may well empathise with the stressed, overworked elves!This funny, festive book full of flaps pairs humorous text by Nicola Edwards with charming illustrations by Pauline Gregory to capture the essence

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THE SUNDAY TIMES BESTSELLING HILARIOUS AND HEARTFELT MEMOIR FROM LINDA ROBSON__________Linda Robson's nickname is Baggy Mouth for good reason.She may be one of the nation's favourite TV personalities whether playing Tracey Stubbs in Birds of a Feather or being a regular on Loose Women but she can't help hilariously oversharing. Luckily, this is an ideal trait for her first-ever memoir . . .Taking us back to the very beginning, growing up in a North London council house, Linda explains how she came to attend theatre school aged nine, where she met Pauline Quirke.As their friendship blossomed and evolved into a professional partnership, small parts in theatre and film productions culminated in the pair being cast in the enduring and beloved sitcom Birds of a Feather.With a wicked glint in her eye, Linda recounts the twists and turns of an actor's life, sharing tales of backstage antics, on-set stories and

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Celebrating the one-hundredth birthday of Brazil’s most important female architect and designer. The Italo-Brazilian architect Lina Bo Bardi (1914–1992) forged a unique path with her bold designs. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil, its culture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitions, and writings. On the occasion of Lina Bo Bardi’s one hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights iconic buildings, such as her own home, the so-called Casa de Vidro, the Museo de Arte de São Paulo, and the cultural center SESC Pompéia.

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'Brilliant'Paula HawkinsIn 1964, the eccentric American novelist Patricia Highsmith is hiding out in a cottage in Suffolk, to concentrate on her writing and escape her fans. She has another motive too - a secret romance with a married lover based in London. Unfortunately it soon becomes clear that all her demons have come with her. Prowlers, sexual obsessives, frauds, imposters, suicides and murderers: the tropes of her fictions clamour for her attention, rudely intruding on her peaceful Suffolk retreat. After the arrival of Ginny, an enigmatic young journalist bent on interviewing her, events take a catastrophic turn. Except, as always in Highsmith's troubled life, matters are not quite as they first appear . . .Masterfully recreating Highsmith's much exercised fantasies of murder and madness, Jill Dawson probes the darkest reaches of the imagination in this novel - at once a brilliant portrait of a writer and an atmospheric, emotionally charged, riveting tale.

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'It has been slowly dawning on me over many years that there is a fundamental problem deep at the heart of Christian faith and practice as I have known them . . . we have all forgotten what the four Gospels are about.' With that surprising assertion, Tom Wright launches this ground-breaking work in which he helps us to see the gospel story in radically a new light, and to acknowledge that, for many generations, the Church has been avoiding its full impact and holding back from proclaiming its full meaning. 'Classic Wright: clear, accessible, robust, engaging and challenging.' Paula Gooder in Third Way 'Scholarly, accessible, insightful and provocative.' Christianity 'Wright argues compellingly that the twin themes of kingdom and cross are inseparably linked. . . This is a much-needed reorientation. The book makes its case for 'rethinking' cogently and deserves widespread attention.' Theology

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How the actions of a few in Europe destroyed the prosperity of the many (and how it's happening again now in America) After the fall of the Roman Empire, vicious barbaric tribes including the Hunds lead by Atilla, the Mongols, Charlemagne and the Vikings invaded Europe, plundering property and destroying homes. But, they didn't just steal and destroy property in the villages; they also stole and destroyed any prosperity the villagers had previously enjoyed. What's worse is the barbarians of the Dark Ages did all of this not out of any deeply held religious or political belief, but, rather, for the oldest reason in the book – their own personal financial gain. Some things never change. Barbarians of Wealth examines how the greedy, self-serving decisions of a select group of politicians and financial institutions negatively impacts the economy and, ultimately, destroys America's prosperity and the American way of life. Compelling and engaging, the book Details how Goldman Sachs peddled mortgage backed securities up and down Wall Street while secretly betting against their demise Discusses how Sanford Weill, founder of Citigroup spent $100 million lobbying for the repeal of the Glass-Steagall Act that prevented the merger of commercial and investment banks and got his way. Examines Christopher Dodd, head of the U.S. Senate Banking Committee, has enriched himself while driving down the prosperity of his constituents Offers up examples of other modern barbarians, including the Federal Reserve, Alan Greenspan, Hank Paulson, and Timothy Geithner. Highlights greed driven tactics of Wall Street corporations including JP Morgan, Merrill Lynch, and Salomon Brothers. Barbarians of Wealth is a timely must read for hard-working Americans concerned with their prosperity, as well as for those fascinated with the inner workings of Washington and Wall Street.

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Self-portraiture has long been a means for the male artist to assert an identity as masterful creator or tortured soul; women have overwhelmingly been presented as objects, and rarely as subjects of self-portraiture. In recent years, however, women artists have used their work to disrupt this tradition. With 43 illustrations of works by Louise Bourgeois, Frida Kahlo, Alice Neel, Cindy Sherman, and Jo Spence, among others, "The Art of Reflection" is the first sustained inquiry into the appropriation of self-portraiture by women. In suggestive critical meditations on paintings, photographic work, sculpture, performance art, and body art, Marsha Meskimmon shows how twentieth-century women artists have undermined male-centered definitions of how "the artist" depicts the self.Drawing upon feminist theory and philosophy from Simone de Beauvoir to Luce Irigaray, "The Art of Reflection" casts doubt on the idea of self-portrait as a mirror, in which the static self is rendered accurately and naturalistically. Meskimmon evokes a series of myths about what an artist is, how "he" should be represented, and how "his" work is to be read as autobiography. Through close readings of the imaginative self-representations of women artists - as male artist and god, as central player in the studio and in the Christian passion - she shatters these myths. In an absorbing assessment of the ways women artists have negotiated the complex group of roles ascribed to "woman," Meskimmon considers the partially nude painting by pregnant artist Paula Modersohn-Becker and performance artist Annie Sprinkle's confrontation of the thin line between celebration of female sexuality and objectification of the female body. As a nuanced appreciation of the interpretations of self-portraiture among women artists, "The Art of Reflection" will prove an invaluable resource on a subject that has received little attention from art criticism. Meskimmon's work also presents a bold challenge to critical tradition, compelling readers to rethink the meaning of the genre as a whole.

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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This dazzling visual compendium highlights the work of designers and 3-D render artists around the globe who visualize utopian architectural, landscape, and interior designs set in dreamlike and futuristic environments. This compilation book is curated by London-based designer Charlotte Taylor, whose Instagram account @maison_de_sable features many of her own designs and collaborations with render artists as well as those of her contemporaries. Featured designers and artists include the following listed per their influential Instagram accounts: @sixnfive, @paulmilinski, @teaaalexis, @joemortell and many more. 3D architectural renderings were originally conceived as a communication tool between designers and clients to help them visualize a proposed buildable design. This genre continues to be extremely useful for this purpose but has now also become an art form in its own right that can convey dreamlike imaginary settings. This collection features many of the most prolific and skilled 3D artists that showcase a high-end, modern and futuristic aesthetic that blurs the line between reality and fantasy. In this virtual world, building and budget constraints do not impede the imagination of the creators. Design Dreams is an inspirational and aspirational volume for architects and designers as well as fans of high design in interiors, furniture, landscape, travel, and lifestyle. UNIQUE VIEWPOINT: This book captures the growing genre of architectural visualizations from an international roster of 3-D render artists around the world who create evocative and coveted dream homes and fantasy destinations. Perfect for: Digital design enthusiasts Design-savvy shoppers Decorators and interior design fans Architects Designers A distinctive special occasion, holiday, or birthday gift for someone interested in 3D render software, and design visualization. Instagram followers of @maison_de_sable and other influential accounts

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This work centres on the post-Roman period of Narbonne and its territory, up to its capture by the Arabs in 720, encompassing not only recent archaeological findings but also perspectives of French, Spanish and Catalan historiography that have fashioned distinct national narratives. Seeking to remove Narbonne from any subsequent birth of France, Catalonia and Spain, the book presents a geopolitical region that took shape from the late fifth century, evolving towards the end of the eighth century into an autonomous province of the nascent Carolingian Empire. Capturing this change throughout a 300-year period somewhat lacking in written sources, the book takes us beyond an exclusive depiction of the classical city to an examination of settlement in various forms. Discourses of literary criticism also lie behind aspects of this study, mapped around textual commentaries which highlight a more imaginative biography of a city. Narbonne's role as a point of departure and travel across the Mediterranean is examined through a reading of the correspondence of Paulinus of Nola and the writings of Sulpicius Severus, enabling the reader to gain a fuller picture of the city and its port. The topography of Narbonne in the fifth century is surveyed together with Bishop Rusticus’s church-building programme. Later chapters emphasise the difficulties in presenting a detached image of Narbonne, as sources become mainly Visigothic, defining the city and its region as part of a centralised kingdom. Particular attention is given to the election of Liuva I as king in Narbonne in 568, and to the later division into upper and lower sub-kingdoms shared by Liuva and his brother Leovigild, a duality that persisted throughout the sixth and seventh centuries. The study therefore casts new light on Narbonne and its place within the Visigothic Kingdom of Toledo, suggesting that it was the capital of a territory with roots in the post-Roman settlement of barbarian successor states.

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The instant Sunday Times bestselling debut novel 'A page-turning read about the dark side of social media' STYLIST ‘The Book Of The Summer’ VOGUE ‘Topical, heartfelt, provocative’ BERNARDINE EVARISTO ‘Impossible to put down’ PAULA HAWKINS ‘A page-turner that you can’t second guess’ THE TIMES ‘Fans of Yellowface will love The List’ RED MAGAZINE ONLINE RUMOURS. REAL LIFE TROUBLE. Ola Olajide, a high-profile journalist, is marrying the love of her life in one month's time. Young, beautiful, successful – she and her fiancé Michael seem to have it all. That is, until one morning when they both wake up to the same message: ‘Oh my god, have you seen The List?’ It began as a list of anonymous allegations about abusive men. Now it has been published online. Ola made her name breaking exactly this type of story. She would usually be the first to cover it, calling for the men to be fired. Except today, Michael’s name is on there. With their future on the line, Ola gives Michael an ultimatum to prove his innocence by their wedding day, but will the truth of what happened change everything for both of them? An Evening Standard and The Times book of the year. *SOON TO BE A MAJOR TV SERIES* ‘Explosive … Every book club should read this’ SYMEON BROWN ‘The book that everyone’s talking about’ INDEPENDENT ‘As taut as a thriller’ IRISH TIMES ‘Addictive, ultra-modern and hyper-relatable’ EVENING STANDARD ‘A razor-sharp, witty page-turner’ BOLU BABALOLA READERS ARE OBSESSED WITH THE LIST: ‘WOW! I could not put this down. I would give it six stars if I could!’ ‘Gripping, with twists and turns that keep you hooked until the very end’ ‘SO GOOD. Perfect for book clubs, especially ones who liked Such a Fun Age’ ‘A first class novel’ ‘Will find itself on every end of the year list!’

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These are the stories that defy conventional logic. The proverbial vanished without a trace incidences, which happen a lot more (and a lot closer to your backyard) than almost anyone thinks. These are the missing whose situations are the hardest on loved ones left behind. The cases that are an embarrassment for park superintendents, rangers and law enforcement charged with Search & Rescue. The ones that baffle the volunteers who comb the mountains, woods and badlands. The stories that should give you pause every time you venture outdoors.Through Jacob Gray's disappearance in Olympic National Park, and his father Randy Gray who left his life to search for him, we will learn about what happens when someone goes missing. Braided around the core will be the stories of the characters who fill the vacuum created by a vanished human being. We'll meet eccentric bloodhound-handler Duff and R.C., his flagship purebred, who began trailing with the family dog after his brother vanished in the San Gabriel Mountains. And there's Michael Neiger North America's foremost backcountry Search & Rescue expert and self-described "bushman" obsessed with missing persons. And top researcher of persons missing on public wildlands Ex-San Jose, California detective David Paulides who is also one of the world's foremost Bigfoot researchers.It's a tricky thing to write about missing persons because the story is the absence of someone. A void. The person at the heart of the story is thinner than a smoke ring, invisible as someone else's memory. The bones you dig up are most often metaphorical. While much of the book will embrace memory and faulty memory--history--The Cold Vanish is at its core a story of now and tomorrow. Someone will vanish in the wild tomorrow. These are the people who will go looking.

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A Critical Introduction proposes a new didactic and dynamic way of reading the great twentieth-century poet Fernando Pessoa (1888-1935). The aim is to present a holistic vision of this complex poet, promoting his literary geniality in order to better understand his orthonymic-heteronymic poetry. A guiding motif is Pessoa's own Be as plural as the universe. In leading the reader through the poet's published literary work, Jerónimo Pizarro allows an intimate perspective, alongside an academic one, to better understand the workings of Pessoa's mind and life. Discussion centres on the dilemmas an editor faces when editing posthumously. A prime question revolves around the genesis of Pessoa's heteronyms and orthonyms. Understanding is revealed by a critical perspective on the unity that exists in all of Pessoa's literary work. Interpretations of the poems; explanation of the profundity of The Book of Disquiet; and his isms of Paulism, Caeirism, Intersectionism and Cessationism, are discussed and analysed. The issue of Pessoa's astrological predictions his birth year and the effects of this event on Portuguese national history is debated. A chapter is devoted to the effect that translating Omar Khayyám's Rubáiyát had on the poet. The work contains eleven texts written by Pessoa in English (including an autobiographical note from 1935), a substantive dual language bibliography, and is highly illustrated with facsimiles of the poet's own written material. A Critical Introduction is essential reading for all scholars and students of Pessoa's literary output and life circumstances. The work has been written to appeal to cultural studies (arts and aesthetics) enthusiasts in general at both undergraduate and postgraduate level, but given the engagement of new critical material it also provides a structured resource for future research.

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In Unchecked and Unbalanced, Arnold Kling provides a blueprint for those who are skeptical of political and financial elitism. At the heart of Kling's argument is the growing discrepancy between two phenomena: knowledge is becoming more diffuse, while political power is becoming more concentrated. Kling sees this knowledge/power discrepancy at the heart of the financial crisis of 2008. Financial industry executives and regulatory officials lacked the ability to fathom the complexity of the system that had emerged. And, in response, Treasury Secretary Henry Paulson and Federal Reserve Board Chairman Ben Bernanke, said that they required still more power, including $700 billion to purchase "toxic assets" from banks. Kling warns that increased concentration of power is a problem, not a panacea, for our modern world and suggests reforms designed to curb the growth of government and allow citizens greater control over the allocation of public goods. Published in cooperation with the Hoover Institution

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This compact, pocket-sized Hong Kong & Macau travel guidebook is ideal for travellers on shorter trips and those trying to make the most of Hong Kong & Macau. It''s light, easily portable and comes equipped with a pull-out map. This Hong Kong & Macau guidebook covers: Hong Kong Island: Central to Kennedy Town, Hong Kong Island: Wan Chai, Causeway Bay and Happy Valley, Hong Kong Island: the south side, Kowloon: Tsim Sha Tsui, Kowloon: Jordan to Diamond Hill, The New Territories, Lantau, Lamma and Cheung Chau, Macau.Inside this Hong Kong & Macau travel book you will find:- Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Hong Kong & Macau - Views from The Peak, Star Ferry, São Paulo façade, Maritime Museum, Lan Kwai Fong, Fireworks at Chinese New Year

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'In this magisterial work Paulo Sandler continues to distinguish himself as a foremost scholar on the works of Bion. Already well known for his encyclopedic zeal, this present book continues Sandler's tireless search of Bion's contributions by this noteworthy clinical application of Bion's ideasE 'A major feature of Sandler's approach to studying Bion has been to contextualise the background of Bion's assumptions. In so doing, he extensively investigates the cultural and historical antecedents, especially including the philosophical and scientific points of view. From them Sandler selects Romanticism and its dialectical relationship with the Enlightenment. Among the many characteristics of Romanticism is imagination, at best creative, but also idealisation and hyperbole. 'Sandler also discusses Bion's way of being "scientific", one notable aspect of which is his distinctive use of theories, which he distinguishes from models. 'Sandler has written another brilliant textbook on Bion's thinking that constitutes a highly useful and practical handbook on the subject.' From the foreword by James Grotstein

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Autonomy: Capital, Class and Politics explores and critiques one of the most dynamic terrains of political theory, sometimes referred to as 'Autonomist Marxism' or post-Operaismo. This theory shot to prominence with the publication of Empire by Hardt and Negri and has been associated with cutting edge developments in political and cultural practice; yet there exists no work that critically examines it in its contemporary breadth. Taking three divergent manifestations of Autonomist Marxism found in the works of Antonio Negri and Paulo Virno, the Midnight Notes Collective and John Holloway, David Eden examines how each approach questions the nature of class and contemporary capitalism and how they extrapolate politics. Not only is such juxtaposition both fruitful and unprecedented but Eden then constructs critiques of each approach and draws out deeper common concerns. Suggesting a novel rethinking of emancipatory praxis, this book provides a much needed insight into the current tensions and clashes within society and politics.

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A NATIONAL BESTSELLERI could not put this book down. It's so funny Ru PaulI LOVE this book for its honesty and dark (and light!) comedy Rachel Dratch (Instagram)It's f*cking great!!! Raw, intimate, hilarious, actually inspiring. Jon StewartA RECOMMENDED READ FROM: NPR * PUREWOW * USWEEKLY * PEOPLE * BUSTLE * SHEREADS * NYLON * BOOKRIOT * AND MOREThe dynamic memoir-in-essays by comedian, screenwriter, and podcaster Chelsea Devantez, detailing her tumultuous upbringing and uproarious career path into Hollywood. There are things Chelsea Devantez probably shouldn't be telling you. Many of them are in this book: some are embarrassing (like when she tried to break her three year spell of celibacy using a guide of seduction tips). Some are confessional (getting sentenced to the hell hill at Mormon church camp). Some are TMI (a series of outrageous doctor visits that ended with one doctor misdiagnosing her as pregnant. Woopsies!). Then there are things Chelsea really shouldn't be telling y

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From a personal obsession with film, to an unorthodox mentorship with the legendary Pauline Kael, to establishing himself with the upstart Entertainment Weekly, Movie Freak is the memoir by veteran film critic Owen Gleiberman that will speak to anyone whose life has been changed by a great film. What molds a critic? Perhaps it takes parents willing to buy nine-year-old Gleiberman drive-in tickets for Rosemary's Baby. Like millions of us, Gleiberman loves movies and in this frank and funny memoir he not only reveals the details of how he became a critic but attempts to show why we find cinema so defining as a society. As one of the premiere tastemakers for more than three decades, Gleiberman, a self-confessed movie freak, explains why he, and so many others, equate film with life. Readers will revel in the juicy details of the behind-the-scenes life of a critic and cheer as he lifts the curtain on life along the red carpet.

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A recently transitioned girl tries to figure out who she is—while trying to manage who everyone else wants her to be—in this funny, unexpected, and affecting new graphic novel from Eisner-nominated writer Magdalene Visaggio and artist Paulina Ganucheau.The last thing Phoebe Zito wants is to be noticed. The newest kid at Sally Ride High School, newly arrived in Los Angeles, and newly transitioned, she''s just trying to blend in while she figures out exactly who she is. But with her mom checked out, her dad still adjusting to having a daughter, and no guidebook on how to be a girl, that isn''t going to be easy.Enter Mackenize Ishikawa. She’s the girl who all girls want to be, and all the boys want to be with—and, Mackenzie has decided, Phoebe''s new best friend. Mackenzie knows what it takes to survive and thrive as a girl in high school, most of all that no matter who Phoebe wants to be, or who she wants to date, she''s going to

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The fourth psychological suspense novel from the phenomenal word-of-mouth bestselling Sophie Hannah. A must-read for fans of Clare Mackintosh and Paula Hawkins. 'Utterly gripping' The Times'Thrilling' Sunday TelegraphWhy would anyone confess to a murder that never happened?Ruth Bussey knows what it means to be in the wrong and to be wronged. She once did something she regrets, and her punishment nearly destroyed her. Now Ruth is rebuilding her life, and has found a love she doesn't believe she deserves: Aidan Seed. Aidan is also troubled by a past he hates to talk about, until one day he decides he must confide in Ruth. He tells her that years ago he killed someone: a woman called Mary Trelease.Ruth is confused. She's certain she's heard the name before, and when she realises why it sounds familiar, her fear and confusion deepen - because the Mary Trelease that Ruth knows is very much alive . . .

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Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public’s contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and “radically inclusive” theatre for all. One Public: New York’s Public Theater in the Era of Oskar Eustis presents the broader organization, its creative methodology, and its enormous growth over the past 20 years. Framed by the tenure and leadership of its current artistic director, the book tells the contemporary story, recorded over many interviews with iconic practitioners and performers ranging from Diane Paulus, Tony Kushner and Lynn Nottage to Kevin Kline, Chelsea Clinton and Lin-Manuel Miranda. Case-study driven, One Public uses oral history accounts and authorial experience to illuminate The Public Theater, Eustis and their cultural influence on the city of New York and the greater United States. The story highlights the successes and challenges of an institution at once espousing a mission of inclusivity and community-based arts creation, while also developing Broadway hits and international fame.

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Imagine a classroom that explores the twinned ideas of embodied teaching and a pedagogy of tenderness. Becky Thompson envisions such a curriculum--and a way of being--that promises to bring about a sea change in education. Teaching with Tenderness follows in the tradition of bell hooks's Teaching to Transgress and Paulo Freire's Pedagogy of the Oppressed, inviting us to draw upon contemplative practices (yoga, meditation, free writing, mindfulness, ritual) to keep our hearts open as we reckon with multiple injustices. Teaching with tenderness makes room for emotion, offers a witness for experiences people have buried, welcomes silence, breath and movement, and sees justice as key to our survival. It allows us to rethink our relationship to grading, office hours, desks, and faculty meetings, sees paradox as a constant companion, moves us beyond binaries; and praises self and community care.Tenderness examines contemporary challenges to teaching about race, gender, class, nationality, sexuality, religion, and other hierarchies. It examines the ethical, emotional, political, and spiritual challenges of teaching power-laden, charged issues and the consequences of shifting power relations in the classroom and in the community. Attention to current contributions in the areas of contemplative practices, trauma theory, multiracial feminist pedagogy, and activism enable us to envision steps toward a pedagogy of liberation. The book encourages active engagement and makes room for self-reflective learning, teaching, and scholarship.

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Winner, 2023 Columbia University Press Distinguished Book AwardFinalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History SocietyShortlisted, Historical Nonfiction Legacy Award, Hurston / Wright FoundationRalph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

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"A 'must have' in the design arsenal."—Cat Normoyle, Professor of Graphic Design, East Carolina University "Provides enough thinking techniques to break out of even the worst creative rut."—Creative Woman's Circle Legendary designer Ellen Lupton demystifies the creative process in another essential graphic design book. Graphic Design Thinking explores a variety of techniques to stimulate fresh thinking to arrive at compelling and viable solutions. Each approach is explained with a brief narrative text followed by a variety of visual demonstrations and case studies. Lupton's hands-on, close-up approach, made famous with Thinking with Type, makes the creative process accessible to anyone and removes the myth that creativity is an in-born talent. Presents a wide range of methods applicable to any brainstorming scenario. • Techniques are grouped around the three basic phases of the design process: defining the problem, inventing ideas, and creating form • From informal strategies that are ideal for quick, seat-of-the-pants thinking, to formal research methods • Learn to approach problems through focus groups, interviewing, brand mapping, and co-design Includes discussions with leading professional designers. Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Abbott Miller, Christoph Niemann, Paula Scher, and Martin Venezk reveal how they get ideas and overcome blocks to creativity. Graphic Design Thinking is directed at working designers, design students, and anyone who wants to apply inventive thought patterns to everyday creative challenges in the design process.

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Real, compulsive and intense: Cat Clarke is the queen of emotional suspense. For fans of Jandy Nelson, Paula Hawkins, and Megan Abbott.'Emotive, creepy AND funny. A quality page-turner' SARAH CROSSAN'A new Cat Clarke novel is always something to celebrate and Girlhood could be her best yet' JUNO DAWSONHarper has tried to forget the past and fit in at expensive boarding school Duncraggan Academy. Her new group of friends are tight; the kind of girls who Harper knows have her back. But Harper can't escape the guilt of her twin sister's Jenna's death, and her own part in it - and she knows noone else will ever really understand. But new girl Kirsty seems to get Harper in ways she never expected. She has lost a sister too. Harper finally feels secure. She finally feels...loved. As if she can grow beyond the person she was when Jenna died. Then Kirsty's behaviour becomes more erratic. Why is her life a perfect mirror of Harper's? And why is she so obsessed with Harper's lost sister? Soon, Harper's closeness with Kirsty begins to threaten her other relationships, and her own sense of identity. How can Harper get back to the person she wants to be, and to the girls who mean the most to her?A darkly compulsive story about love, death, and growing up under the shadow of grief.

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Pizza is a $35 billion a year business, and nowhere is it taken more seriously than New York City. Journalist Peter Genovese surveys the city’s pizza scene—the food, the business, the culture—by profiling pizza landmarks and personalities and rating pizzerias in all five boroughs.In this funny, fascinating book, Genovese explores the bloggers who write about New York pizza, the obsessive city dwellers who collect and analyze the delivery boxes, Mark Bello’s school where students spend a day making pies from scratch, and Scott Wiener’s pizza bus tours. Along the way, readers learn the history of legendary Totonno’s on Coney Island (Zagat’s number-one pizzeria for 2012), along with behind-the-scenes stories about John’s on Bleecker Street, Joe’s on Carmine, Lombardi’s, Paulie Gee’s, Motorino, and more than a dozen other favorite spots and their owners. Throughout these profiles, Genovese presents a brief history of how pizza came to the city in 1905 and developed into a major attraction in Little Italy, a neighborhood that became a training ground for many of the city’s best-loved pizzerias. Enjoyable facts and figures abound. Did you know that Americans put 250 million pounds of pepperoni on their pies every year? Or that Domino’s has more outlets per capita in Iceland than in any other country?Beyond the stories and tidbits, Genovese provides detailed, borough-by-borough reviews of 250 pizzerias, from simple “slice shops” with scant atmosphere to gourmet pizzerias, including shops that use organic ingredients and experiment with new variations of crusts and toppings. Complemented by hundreds of current and never-before-seen archival photos, the book gives the humble slice its proper due and will leave readers overwhelmed by a sudden desire for New York pizza.

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Four millennial plays from the French side of the language divide in Belgium. This anthology captures the tendencies of contemporary European playwright in the beginning of the new millennium, as interracial, intercontinental marriage, the privileges afforded to society's leaders, the resurgence of the Extreme Right, and creative ways of juggling love relationships are presented in a variety of accessible styles. The Magnolia by Jacques de Decker: Marie-Antoinette has two boyfriends, neither of whom knows that the other exists. She's Marie to Adrian, and Antoinette to Julian. This arrangement, though it suits her perfectly, can't last forever. Her vain efforts to keep her novel way of life running according to plan yield great hilarity. Marie-Antoinette finds she'll just have to eat cake. The Sorcerers by Serge Goriely: Luc brings his bride Paula back from Nigeria to live in Brussels. His family, open-minded, urbane, and liberal as they are, cast a spell on her, bringing about her sickness and demise. This shocking drama provides an intimate, unvarnished look at black/white relationships in contemporary Europe subsequent to the colonial era. Patriot's Cafe by Jean-Marie Piemme: A view into the lives of members of the Extreme Right in Wallonia. Forging an innovative, lyrical style, this play reveals the personal motives -- the quest for power, a longing for significance, the need to belong to something larger -- that cause ordinary people to succumb to the lure of totalitarian rhetoric. This Is Not A Real Pipe by Pascal Vrebos: A famous French statesman reminiscent of Dominique Strauss-Kahn finds himself alone with a cleaning lady in his New York hotel room. Various possible scenarios ensue, none of which may be the real "pipe." The gears of class, race and gender disparities grind away in this prismatic comedy-drama of epic proportions -- a signature tale for our times.

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Arranged in chronological order from the early Greek mathematicians, Euclid and Archimedes through to present-day Nobel Prize winners, 100 Science Discoveries That Changed the World charts the great breakthroughs in scientific understanding. Each entry describes the story of the research, the significance of the science and its impact on the scientific world. There is also a resume of each scientist’s career along with their other achievements, sometimes – in the case of Isaac Newton – in a completely unrelated field (laws of motion and the component parts of light). The book covers all branches of science: geometry, number theory, cosmology, the laws of motion, particle physics, electricity, magnetism, the laws of gasses, optical theory, cell biology, conservation of energy, natural selection, radiation, quantum theory, special relativity, superconductivity, thermodynamics, genomes, plate tectonics, and the uncertainty principal. Scientists include: Albert Einstein, Alessandro Volta, Alexander Fleming, Amedeo Avogrado, Andre Geim, Antoine Lavoisier, Antony van Leeuwenhoek, Archimedes, Benoit Mandelbrot, Carl Friedrich Gauss, Charles Darwin, Christian Doppler, Copernicus, Crick and Watson, Dmitri Mendeleev, Edwin Hubble, Enrico Fermi, Ernest Rutherford, Erwin Schrodinger, Euclid, Fermat, Frederick Sanger, Galileo Galilei, Georg Ohm, Georges Lemaitre, Heike Kamerlingh, Isaac Newton, Jacques Charles, James Clerk Maxwell, James Prescott Joule, Jean Buridan, Johanes Kepler, John Ambrose Fleming, John Dalton, John O’Keefe, Joseph Black, Josiah Gibbs, Lord Kelvin, Lord Rayleigh, Louis Pasteur, Marie Curie, Martinus Beijerinck, Michael Faraday, Murray Gell-Mann & George Zweig, Neils Bohr, Nicholas Steno, Peter Higgs, Pierre Curie, Ptolemy, Robert Boyle, Robert Brown, Robert Hooke, Roger Bacon, Rudolf Clausius, Seleucus, Shen Kuo, Stanley Miller, Tyco Brahe, Werner Heisenberg, William Gilbert, William Harvey, William Herschel, William Rontgen, Wolfgang Pauli.

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La decadencia del analfabetismo y La importancia del Demonio, dos magistrales ensayos del mejor estilo aforístico bergaminiano, fueron publicados en 1933 en la revista Cruz y Raya. El primer ensayo de este libro opone la cultura espiritual y analfabeta propia del niño, que ejercita la palabra y el pensamiento como puro juego, al monopolio de la cultura literal, letrada o literaria, que se inició a partir del sigloXVIII con el Siglo de las Luces y que desde entonces la persigue para erradicarla. Para Bergamín, la decadencia paulatina del analfabetismo supone la quiebra de todos los valores espirituales, pues las letras muertas ;el orden alfabético; sustituyen a la palabra viva, y eso es sencillamente la muerte de la poesía. El segundo es una aguda reflexión sobre la conveniencia de entender cabalmente al Demonio y así comprendernos mejor y comprender cómo es el mundo. Para Bergamín, el Demonio está en todas partes, pues este Príncipe o principio de las tinieblas, que representa entre ot

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El presente libro se propone desentrañar un misterio: el sentido último que da coherencia y dota de significado a una de las trayectorias de cine más sugerentes del Hollywood de los últimos tiempos. Detrás de la filmografía de David Mamet como director, jalonada primero por hitos como "Casa de juego" o "Las cosas cambian" y escorada paulatinamente hacia entretenimientos muchos más sombríos y profundos de lo que parece a primera vista ("El último golpe", "Spartan", la serie televisiva "The Unit"), se esconde una figura compleja y heterodoxa. Su difícil catalogación se debe tanto a su multidisciplinar formación, fundamentada en su famosa carrera como autor teatral ("Glengarry Glen Ross", "American Buffalo", "Oleanna"), como al hecho de hallarnos ante una de las voces más aceradas del cine americano contra la Modernidad imperante. Este libro no sólo pretende situar a David Mamet dentro del hábitat fílmico al que pertenece, sino desvelar sus preocupaciones e inquietudes sobre problemas de

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El mosaico de las piezas de este libro, ordenadas en la sucesión cronológica en la que fueron escritas, adquiere su sentido en el contexto de los Apuntes para una autobiografía? que cerraron mi libro ?Elogio del Ateísmo? (1995). Contribuye así a comprender el trayecto de la andadura intelectual de una vida intensamente vinculada a los avatares históricos de una generación sometida a los virajes de un camino accidentado. Los capítulos de la primera mitad aproximada del libro testimonian del paulatino deslizamiento desde una tradición cultural en la que el autor estaba hondamente enraizado, hasta su ruptura radical con los factores más definitorios de esa tradición. Los capítulos de la segunda mitad discurren temáticamente por los meandros que iba dibujando el curso de una trabajosa, y en ocasiones vacilante, toma de conciencias del significado real de mi percepción madura del mundo. La simple lectura del Índice mostrara las coordenadas básicas de esa conciencia, reflejada en textos aún

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The Last of Us: la humanidad en juego, ensayo escrito por Cristina Ferragut Anglada, Igone Martínez Marín, Jose Luis Ortega López, Álvaro Alonso Pradas y Paula Sáez Pérez y coordinado por Diego González, nos sumerge en el mundo del aclamado videojuego creado por Naughty Dog para explorar los temas e implicaciones de una historia que nos obliga a reflexionar sobre lo que significa ser humano en un mundo al borde del abismo. A través de un análisis detallado de la narrativa, los personajes y la jugabilidad, descubrimos cómo el juego ofrece una visión única sobre la naturaleza humana, la relación entre la empatía y la violencia, y el papel de la familia y la comunidad en momentos de crisis.Además, el libro examina cómo The Last of Us se inscribe dentro de la evolución del género de los videojuegos, tanto en términos de su mecánica como de su narrativa. Asimismo, se analiza cómo el juego utiliza técnicas cinematográficas para crear una experiencia inmersiva que desafía nuestras expectat

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* A menudo se olvida lo provocativos que resultaron los lienzos impresionistas cuando se expusieron por primera vez, en 1874. Los defensores del nuevo estilo rechazaron los principios artísticos establecidos que prevalecían por aquel entonces en Francia. Los impresionistas tuvieron el valor de utilizar el color y las pinceladas rápidas para ejecutarus obras al aire libre, creando pinturas con las que captaron los efectos transitorios de la luz de los sentimientos. Ralph Skea nos muestra cómo los artistas impresionistas transformaron los temas cotidianos y traza el recorrido del movimiento desde sus orígenes, en Francia, hasta su propagación por todo el mundo. El impacto inicial que provocó el impresionismo fue dando paso de forma paulatina a la aceptación y a la popularidad generalizada. Su influencia en el arte moderno es imponderable. En cada apartado se brindan una sucinta explicación, obras características y una lista relevante de artistas destacados, rasgos, disciplinas y coleccio

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Roland Fischer’s “Façades” are spectacular photographic pict ures: a visual grammar of architectural structures, an alphabet of abstract forms full of art ‐ historical references. Roland Fischer (b. 1958), whose work is exhibited worldwide in important museums, lives and works in Munich and Beijing. Since the 1990s t he artist has been photographing the exteriors of buildings, of banks, corporate headquarters and museums in the metropolises of the world, including Beijing, Tokyo, Shanghai, New York, Hong Kong, Melbourne, Osaka, Boston, Brasilia, Los Angeles, Paris, São Paulo, Singapore, Dallas, Madrid, Washington, Mexico City, Chicago, Toronto, Chongqing and Montreal. The results of this breathtaking project form an unusual series of some 100 façades: a vocabulary of global architecture, an inventory of city landmarks. The structures and colours of the contemporary metropolitan universe are transformed into pictures that resemble abstract painting

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This book explores the threat of Christian conversion to Islam in twelve early modern English plays. This book explores the threat of Christian conversion to Islam in 12 early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate worse than death and as a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals, and even the Knights of Malta.

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Beyond Respectability charts the development of African American women as public intellectuals and the evolution of their thought from the end of the 1800s through the Black Power era of the 1970s. Eschewing the Great Race Man paradigm so prominent in contemporary discourse, Brittney C. Cooper looks at the far-reaching intellectual achievements of female thinkers and activists like Anna Julia Cooper, Mary Church Terrell, Fannie Barrier Williams, Pauli Murray, and Toni Cade Bambara. Cooper delves into the processes that transformed these women and others into racial leadership figures, including long-overdue discussions of their theoretical output and personal experiences. As Cooper shows, their body of work critically reshaped our understandings of race and gender discourse. It also confronted entrenched ideas of how--and who--produced racial knowledge.

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Financial market behavior and key trading strategies—illuminated by interviews with top hedge fund expertsEfficiently Inefficient describes the key trading strategies used by hedge funds and demystifies the secret world of active investing. Leading financial economist Lasse Heje Pedersen combines the latest research with real-world examples to show how certain tactics make money—and why they sometimes don’t. He explores equity strategies, macro strategies, and arbitrage strategies, and fundamental tools for portfolio choice, risk management, equity valuation, and yield curve trading. The book also features interviews with leading hedge fund managers: Lee Ainslie, Cliff Asness, Jim Chanos, Ken Griffin, David Harding, John Paulson, Myron Scholes, and George Soros. Efficiently Inefficient reveals how financial markets really work.

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Praise for We Make the Road by Walking: 'innovative and refreshing' - Christianity magazineIn his 2014 book We Make the Road by Walking Brian McLaren gave a basic orientation on what it means to be 'a new kind of Christian' through 52 sermons, working within the framework of the church year and providing a Genesis-Revelation overview of the Bible. It was designed to be used in church services and small groups, and was praised by New Testament scholar Paula Gooder and enthusiastically adopted by many. Seeking Aliveness is a repurposing of this material for use by individuals, breaking up the text into daily devotions, along with the original suggested Bible readings and with a prayer, thought or action point for each day. Brian's original writing is transformed beautifully into a daily read, for admirers of the original book as well as a new audience. 'An ideal resource' - Church Times

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This timely volume reviews current data on the effects of estrogen on the central nervous system, highlighting clinical aspects of this topic. Experts from the fields of psychiatry, pharmacology, neurology, and geriatrics collaborate to clarify the known risks and benefits of hormone therapy and explore questions that remain to be elucidated. Among the topics discussed:" Preclinical data on estrogen's effects on cognitive performance" The short-lived effects of hormone replacement therapy on cognitive function" Structural and functional brain imaging data regardingestrogen's effects on the central nervous system " Preclinical efforts to develop effective NeuroSERMs for the brain " The effects of estrogen on mood Citing the ongoing confusion over the risks and benefits of estrogen therapy, the contributors emphasize the need for additional research on medication, doses, preparations, methods of administration, alternative therapies, and supplements. This volume educates researchers, clinicians, and students on the current knowledge-including the effects of estrogen on mood, cognition, and brain metabolism-and provides guidelines for clinical practice and future research. Contributors: Roberta Diaz Brinton, Ph.D., University of Southern California; Cheri L. Geist, B.A., David Geffen School of Medicine, University of California at Los Angeles; Robert B. Gibbs, Ph.D., University of Pittsburgh School of Pharmacy; Eva Hogervorst, Ph.D., University of Loughborough and University of Oxford; Pauline M. Maki, Ph.D., Neuropsychiatric Institute, University of Illinois-Chicago; Peter J. Schmidt, M.D., National Institute of Mental Health; Daniel H. S. Silverman, M.D., Ph.D., David Geffen School of Medicine, University of California at Los Angeles; Katherine E. Williams, M.D., Stanford University School of Medicine; Kristine Yaffe, M.D., University of California, San Francisco, and San Francisco VA Medical Center; Laurel N. Zappert, B.A., Stanford University School of Medicine; Liqin Zhao, Ph.D., University of Southern California

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