Search results for ""author louise"

Mark Twain's visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson's Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain's iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain's river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume.Thomas Ruys Smith's Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive narrative account of Twain's intimate and long-lasting creative engagement with the Mississippi. This expansive study traces two separate but richly intertwined stories of the river as America moved from the aftermath of the Civil War toward modernity. It follows Twain's remarkable connection to the Mississippi, from his early years on the river as a steamboat pilot, through his most significant literary statements, to his final reflections on the crooked stream that wound its way through his life and imagination. Alongside Twain's evolving relationship to the river, Deep Water details the thriving cultural life of the Mississippi in this period, from roustabouts to canoeists, from books for boys to blues songs, and highlights a diverse collection of voices each telling their own story of the river. Smith weaves together these perspectives, putting Twain and his creations in conversation with a dynamic cast of river characters who helped transform the Mississippi into a vibrant American icon.By balancing evocative cultural history with thought-provoking discussions of some of Twain's most important and beloved works, Deep Water gives readers a new sense of both the Mississippi and the remarkable writer who made the river his own.

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Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Publication of Volume III of The Complete Poems of Christina Rossetti brings to a conclusion the first definitive, variorum edition of the poems of this greatest woman poet of the Victorian Age.R.W. Crump divides the final volume, containing the poems Christina did not include in her published collections of verse, into three main sections. In the first are those poems Christina published separately in anthologies, periodicals, or her own prose works, such as Commonplace, and Other Short Stories. The second group consists of privately printed poems, including, most notably, those from the 1847 Verses: Dedicated to Her Mother. The extant poems that Christina never published make up the third and by far largest section of Volume III. Crump's voluminous textual notes and appendixes give the variant readings and provide additional information on the poems.A special feature of Volume III is the incorporation of the texts of poems in the hitherto unknown 375-page Verses manuscript of 1893, a major discovery made since Volume II was published in 1986. Some of the material in the appendixes updates the first two volumes in light of this discovery.

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When a crowd began to gather outside the jail in Tulsa, Oklahoma, on the evening of May 31, 1921, the fate of one of its prisoners, a young black male, seemed assured. Accused of attempting to rape a white woman, Dick Rowland was with little doubt about to be lynched. But in another part of town, a small group of black men, many of them World War I veterans, decided to risk lives for a different vision of justice. Before it was all over, Tulsa had erupted into one of America's worst racial nightmares, leaving scores dead and hundreds of homes and businesses destroyed. Exhaustively researched, Death in a Promised Land is the compelling story of racial ideologies, southwestern politics, and yellow journalism, and of an embattled black community's struggle to hold onto its land and freedom. More than just the chronicle of one of the nation's most devastating race riots, this critically acclaimed study of American race relations is, above all, a gripping story of terror and lawlessness, and of courage, heroism, and human perseverance.

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In 1932 a young Fonville Winans (1911-1992) left his home in Fort Worth and set out on the waterways of south Louisiana searching for adventure and fortune. This journal recounts, in his own words, how the now-renowned photographer and his two friends - first mate Bob Owen and second mate Don Horridge - ventured onto untamed Louisiana waters aboard a leaking, rudderless sailboat, the Pintail. Fonville was shooting footage for a movie that he felt certain would make them rich and famous, telling the story of subtropical south Louisiana's remote coastal landscapes and its curious people. The project was ambitious and risky - just the right combination for three young Texans with hopes of stardom. Developing his photographic skill, Fonville traveled during the summers of 1932 and 1934 to swamps, barrier islands, and reefs, from Grand Isle to New Orleans to the Atchafalaya, making friends and taking pictures. The journal, in effect, layers Fonville's unique voice over his now-iconic visual record of moving images and stills. Robert L. Winans selected more than one hundred photos to accompany his father's diary entries, offering a fascinating inner look at Fonville Winans's world.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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From meatball po'boys to Creole red gravy, the influence of Sicilian foodways permeates New Orleans, one of America's greatest food cities. Nana's Creole Italian Table tells the story of those immigrants and their communities through the lens of food, exploring the ways traditional Sicilian dishes such as pasta and olive salad became a part of—and were in turn changed by—the existing food culture in New Orleans.Sicilian immigrants—Elizabeth M. Williams's family among them—came to New Orleans in droves in the late nineteenth and early twentieth centuries, fleeing the instability of their own country and hoping to make a new home in America. This cookbook shares Williams's traditional family recipes, with variations that reveal the evolution and blending of Sicilian and Creole cuisines. Baked into every recipe is the history of Sicilian American culture as it has changed over the centuries, allowing each new generation to incorporate its own foodways and ever-evolving tastes.

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The first comprehensive examination of a workhouse in the United States, offering a critical history of the institution in the Gilded Age and Progressive Era. Using the Old St. Louis Workhouse as a representative example, Gregg Andrews brings to life individual stories of men and women sentenced to this debtors' prison.

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Po'Boy tells the story of how a humble sandwich became a symbol of New Orleans culture, history, and cuisine. Invented to help feed a crowd of out-of-work individuals in New Orleans's streetcar industry, the po'boy is a submarine-like sandwich served on French bread, with common fillings that include fried seafood, roast beef and gravy ("debris"), and hot sausage. Rich with historical detail, Po'Boy welcomes readers into the world of the city's most iconic sandwich.

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The Absinthe Frappé examines the history of absinthe, its origins, and its influences, culminating in the story of the iconic New Orleans cocktail. Marielle Songy reveals how bartender Cayetano Ferrér invented the concoction and delves into the early days of the drink and its first home, the Old Absinthe House in the Crescent City. She explores the ban on absinthe in the United States and Europe and the misguided reasoning behind it, all in the context of New Orleans's response to national Prohibition more broadly. Finally, Songy discusses the lifting of the restrictions on absinthe in 2007, a move largely spearheaded by New Orleans scientist and master distiller Theodore Breaux, who dispelled long-held notions that the Green Fairy invariably drove its connoisseurs to madness.

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Founded in 1917, Paramount Records incongruously was one of several homegrown record labels of a Wisconsin chair-making company. The company pinned no outsized hopes on Paramount. Its founders knew nothing of the music business, and they had arrived at the scheme of producing records only to drive sales of the expensive phonograph cabinets they had recently begun manufacturing.Lacking the resources and the interest to compete for top talent, Paramount's earliest recordings gained little foothold with the listening public. On the threshold of bankruptcy, the label embarked on a new business plan: selling the music of Black artists to Black audiences. It was a wildly successful move, with Paramount eventually garnering many of the biggest-selling titles in the "race records" era. Inadvertently, the label accomplished what others could not, making blues, jazz, and folk music performed by Black artists a popular and profitable genre. Paramount featured a deep roster of legendary performers, including Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. Scott Blackwood's The Rise and Fall of Paramount Records is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music etched into the shellacked grooves of a 78 rpm record. With Paramount Records, Black America found its voice. Through creative nonfiction, Blackwood brings to life the gifted artists and record producers who used Paramount to revolutionize American music. Felled by the Great Depression, the label stopped recording in 1932, leaving a legacy of sound pressed into cheap 78s that is among the most treasured and influential in American history.

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Help Me, Information is propelled by the speed and motion of the poems that define earlier acclaimed books by David Kirby, poems that move the way the mind does on a good day, puddle-jumping from one topic to another and then coming in for a nice soft landing. Colloquial in tone, balancing narrative breadth with precise detail, Kirby's poetry displays his voracious curiosity about history, science, literature, and popular culture. Yet here he also reinvents himself with poems that recall the compactness of Jack Gilbert, the sweep of Allen Ginsberg, and the introspection of Frank O'Hara.Help Me, Information presents a fresh Kirby, familiar yet new.

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The West Bank has been a vital part of greater New Orleans since the city's inception, serving as its breadbasket, foundry, shipbuilder, railroad terminal, train manufacturer, and even livestock hub. At one time it was the Gulf South's St. Louis, boasting a diversified industrial sector as well as a riverine, mercantilist, and agricultural economy. Today the mostly suburban West Bank is proud but not pretentious, pleasant if not prominent, and a distinct, affordable alternative to the more famous neighborhoods of the East Bank. Richard Campanella is the first to examine the West Bank holistically, as a legitimate subregion with its own story to tell. No other part of greater New Orleans has more diverse yet deeply rooted populations: folks who speak in local accents, who exhibit longstanding cultural traits, and, in some cases, who maintain family ownership of lands held since antebellum times- even as immigrants settle here in growing numbers. Campanella demonstrates that West Bankers have had great agency in their own place ­-making, and he challenges the notion that their story is subsidiary to a more important narrative across the river. The West Bank of Greater New Orleans is not a traditional history, nor a cultural history, but rather a historical geography, a spatial explanation of how the West Bank's landscape formed: its terrain, environment, land use, jurisdictions, waterways, industries, infrastructure, neighborhoods, and settlement patterns, past and present. The book explores the drivers, conditions, and power structures behind those landscape transformations, using custom maps, aerial images, photographic montages, and a detailed historical timeline to help tell that complex geographical story. As Campanella shows, there is no ""greater New Orleans"" without its cross ­-river component. The West Bank is an essential part of this remarkable metropolis.

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Over the summer of 1821, a cash-strapped John James Audubon worked as a tutor at Oakley Plantation in Louisiana's rural West Feliciana Parish. This move initiated a profound change in direction for the struggling artist. Oakley's woods teemed with life, galvanizing Audubon to undertake one of the most extraordinary endeavors in the annals of art: a comprehensive pictorial record of America's birds. That summer, Audubon began what would eventually become his four-volume opus, Birds of America.In A Summer of Birds, Danny Heitman recounts the season that shaped Audubon's destiny, sorting facts from romance to give an intimate view of the world's most famous bird artist. A new preface marks the two-hundredth anniversary of that eventful interlude, reflecting on Audubon's enduring legacy among artists, aesthetes, and nature lovers in Louisiana and around the world.

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Brown v. Board of Education, which ended legally sanctioned segregation in American public schools, brought issues of racial equality to the forefront of the nation's attention. Beyond its repercussions for the educational system, the decision also heralded broad changes to concepts of justice and national identity. ""Brown v. Board"" and the Transformation of American Culture examines the prominent cultural figures who taught the country how to embrace new values and ideas of citizenship in the aftermath of this groundbreaking decision.Through the lens of three cultural ""first responders,"" Ben Keppel tracks the creation of an American culture in which race, class, and ethnicity could cease to imply an inferior form of citizenship. Psychiatrist and social critic Robert Coles, in his Pulitzer Prize--winning studies of children and schools in desegregating regions of the country, helped citizens understand the value of the project of racial equality in the lives of regular families, both white and black. Comedian Bill Cosby leveraged his success with gentle, family-centric humor to create televised spaces that challenged the idea of whiteness as the cultural default. Public television producer Joan Ganz Cooney designed programs like Sesame Street that extended educational opportunities to impoverished children, while offering a new vision of urban life in which diverse populations coexisted in an atmosphere of harmony and mutual support.Together, the work of these pioneering figures provided new codes of conduct and guided America through the growing pains of becoming a truly pluralistic nation. In this cultural history of the impact of Brown v. Board, Keppel paints a vivid picture of a society at once eager for and resistant to the changes ushered in by this pivotal decision.

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The final volume of The Papers of Jefferson Davis follows the former president of the Confederacy through the completion of his two monumental works on the history of the Confederate States of America. In the first, The Rise and Fall of the Confederate Government (1881), Davis sought to recast the Confederacy as a just and moral nation that was constitutionally correct in standing up for its rights. Himself the subject of heated debates about why the Confederacy lost, Davis also used the book to castigate Confederate government and military officials who he believed had failed the cause. Later, A Short History of the Confederate States (1890) attempted to burnish the image of the former Confederacy and to refute accusations of intentional mistreatment of Union prisoners. While completing these books, Davis attended and spoke at numerous Confederate memorial services and monument dedications, all the while waging a bitter feud with two of his former top generals-Joseph E. Johnston and P. G. T. Beauregard-over the reasons for the fall of the Confederacy. In late 1889, having returned to New Orleans from a trip to his plantation, Brierfield, Davis succumbed to pneumonia. His funeral procession attracted an estimated 150,000 mourners, a testament to the lasting popularity of the Confederacy's only president. In volume 14 of The Papers of Jefferson Davis, the editors have drawn from over one hundred manuscript repositories and private collections, in addition to numerous published sources, to offer a compelling portrait of Davis over the last decade of his life.

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The food markets of Barcelona host thousands of customers daily, from tourists eager to sample fresh fruits and grilled seafood to neighborhood cooks in search of high-quality ingredients. While other countries experienced major shifts away from the public-market model in the twentieth century, Barcelona's food markets remained fundamental to the city's identity, economy, and culture. Montserrat Miller's Feeding Barcelona, 1714-1975 examines the causes behind the extraordinary vibrancy and tenacity of the Barcelonan market system. Miller argues that recurrent revolutionary uprisings in Barcelona, beginning in the mid-eighteenth century, forced ongoing collaboration between the public and private sectors to ensure adequate and effective food distribution. Municipal support permitted small-scale food sellers in Barcelona to survive in a period more commonly characterized by increasing capitalization in food retail, while the importance of food markets to Barcelona's social networks enhanced vendors' ability to recognize and adapt to changing customer demands. In addition, a high number of stalls owned by women contributed both to the financial well-being of vendor families and to the sociability patterns that placed neighborhood food markets at the center of daily life in the city. The shared commitment of vendors, shoppers, and government officials to a market model of food sales created the lasting and unique market system that persists in Barcelona to this day. Drawing from extensive archival research and numerous interviews with individuals at all levels of the market system, Feeding Barcelona, 1714-1975 is the first detailed history of the historical and social influences that create urban food markets.

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Emory University professor Sally Wolff has carried on a fifty-year tradition of leading students on expeditions to ""Faulkner country"" in and around Oxford, Mississippi. Not long ago, she decided to invite alumni on one of these field trips. One response to the invitation surprised her: ""I can't go on the trip. But I knew William Faulkner."" They were the words of Dr. Edgar Wiggin Francisco III, and in talking with Wolff he revealed that as a child in the 1930s and 1940s he did indeed know Faulkner quite well. His father and Faulkner maintained a close friendship for many years, going back to their shared childhood, but the fact of their friendship has been unrecognised because the two men saw much less of each other after the early years of their marriages. In Ledgers of History, Wolff recounts her conversations with Dr. Francisco - known to Faulkner as ""Little Eddie"" - and reveals startling sources of inspiration for Faulkner's most famous works.Dr. Francisco grew up at McCarroll Place, his family's ancestral home in Holly Springs, Mississippi, thirty miles north of Oxford. In the conversations with Wolff, he recalls that as a boy he would sit and listen as his father and Faulkner sat on the gallery and talked about whatever came to mind. Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulkner's fiction.Faulkner also displayed an absorbing interest in a seven-volume diary kept by Dr. Francisco's great-great-grandfather Francis Terry Leak, who owned extensive plantation lands in northern Mississippi before the Civil War. Some parts of the diary recount incidents in Leak's life, but most of the diary concerns business transactions, including the buying and selling of slaves and the building of a plantation home. During his visits over the course of decades, Francisco recalls, Faulkner spent many hours poring over these volumes, often taking notes. Wolff has discovered that Faulkner apparently drew some of the most important material in several of his greatest works, including Absalom, Absalom! and Go Down, Moses, at least in part from the diary.Through Dr. Francisco's vivid childhood recollections, Ledgers of History offers a compelling portrait of the future Nobel Laureate near the midpoint of his legendary career and also charts a significant discovery that will inevitably lead to revisions in historical and critical scholarship on Faulkner and his writings.

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Virginians dominate the early history of the United States, with Washington, Jefferson, Madison, Monroe, Patrick Henry, George Mason, George Wythe, and John Marshall figuring prominently in that narrative. Fellow Virginian Spencer Roane (1762-1822), an influential jurist and political thinker, was in many ways their equal. Roane is nonetheless mostly absent in accounts of early America. The lack of interest in Roane is remarkable since he was the philosophical leader of the Jeffersonians, architect of states' rights doctrine, a legislator, essayist, and, for twenty-seven years, justice of the Virginia Supreme Court. He was the son-in-law of Henry, a confidant of Jefferson, founder of the influential Richmond Enquirer, and head of the ""Richmond Junto."" Roane's opinions established judicial review of legislative acts ten years before Supreme Court Chief Justice Marshall did the same in Marbury v. Madison. Roane also brought down Virginia's state-sponsored church. His descent into historical twilight is even more curious given his fierce criticism-both from the bench and in the Richmond Enquirer-of Marshall's nationalistic decisions. Indeed, the debate between these two judges is perhaps the most comprehensive discussion of federalism outside of the arguments that raged over the ratification of the United States Constitution. In Irreconcilable Founders, David Johnson uses Roane's long-lasting conflict with Marshall as ballast for the first-ever biography of this highly influential but largely forgotten justice and political theorist. Because Roane's legal opinions gave way to those of Marshall, historians have tended to either dismiss him or cast him as little more than an annoying gadfly. Equally to blame for his obscurity is the comparative inaccessibility of Roane's life: no single archive houses his papers, no scholars have systematically reviewed his legal opinions, and no one has methodically examined his essays. Bringing these and other disparate sources together for the first time, Johnson precisely limns Roane's career, personality, and philosophy. He also synthesizes the judge's wide-ranging jurisprudence and analyzes his predictions about the dangers of unchecked federal power and an activist Supreme Court. Although contemporary jurists and politicians disregarded Roane's opinions, many in today's political and legal arenas are unknowingly echoing his views with increasing frequency, making this reappraisal of his life and reassessment of his opinions timely and relevant.

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In Refusal, her searing new collection of poetry, Jenny Molberg draws on elements of the uncanny- invented hospitals, the Demogorgon of Dungeons & Dragons, an Ophelia character who refuses suicide- to investigate trauma, addiction, and forces of oppression. Exposing the effects of widespread toxic misogyny, this confrontational volume examines societal, cultural, and personal gaslighting in situations of domestic abuse. As Molberg writes in Loving Ophelia Is, ""love and hate simultaneously is the trick of abuse / and the trick of abuse is a vexation of the mind."" A sequence of epistolary poems looks to friendship as a safe haven from violent romantic relationships, while another series on a mother's struggle with addiction captures the complicated nature of a parent-child relationship affected by alcoholism. Refusal seeks to break silences and to interrogate a cultural misogyny that weighs heavily on a woman's position in the world.

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Killed in action at the bloody Battle of Shiloh, Confederate general Albert Sidney Johnston stands as the highest-ranking American military officer to die in combat. His unexpected demise had cascading negative consequences for the South's war effort, as his absence created a void in adequate leadership in the years that followed. In The Iron Dice of Battle, noted Civil War historian Timothy B. Smith reexamines Johnston's life and death, offering remarkable insights into this often-contradictory figure.As a commander, Johnston frequently faced larger and better-armed Union forces, dramatically shaping his battlefield decisions and convincing him that victory could only be attained by taking strategic risks while fighting. The final wager came while leading his army at Shiloh in April 1862. During a desperate gambit to turn the tide of battle, Johnston charged to the front of the Confederate line to direct his troops and fell mortally wounded after sustaining enemy fire.The first work to survey the general's career in detail in nearly sixty years, The Iron Dice of Battle builds on recent scholarship to provide a new and incisive assessment of Johnston's life, his Confederate command, and the effect his death had on the course of the Civil War in the West.

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From its looming above-ground cemeteries to the ghosts believed to haunt its stately homes, New Orleans is a city deeply entwined with death, the undead, and the supernatural. The reasons behind New Orleans's reputation as America's most haunted city are numerous. Its location near the mouth of the Mississippi River grants it a liminal status between water and land, while its Old World architecture and lush, moss-covered oak trees lend it an eerie beauty. Complementing the city's mysterious landscape, spiritual beliefs and practices from Native American, African, African American, Caribbean, and European cultures mingle in a unique ferment of the paranormal. An extremely high death rate in the eighteenth and nineteenth centuries and a long history of enslavement and oppression have also produced fertile soil for stories of the undead. Focusing on three manifestations of the supernatural in New Orleans--Voodoo, ghosts, and vampires--Robin Roberts argues that the paranormal gives voice to the voiceless, including victims of racism and oppression, thus encouraging the living not to repeat the injustices of the past.

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In the early nineteenth century, Rochester, New York, and St. Catharines, Canada West, were the last stops on the Niagara branch of the Underground Railroad. Both cities handled substantial fugitive slave traffic and were logical destinations for the settlement of runaways because of their progressive stance on social issues including abolition of slavery, women's rights, and temperance. Moreover, these urban centers were home to sizable free Black communities as well as an array of individuals engaged in the abolitionist movement, such as Frederick Douglass, Harriet Tubman, Anthony Burns, and Hiram Wilson. dann j. Broyld's Borderland Blacks explores the status and struggles of transient Blacks within this dynamic zone, where the cultures and interests of the United States, Canada, Great Britain, and the African diaspora overlapped.Blacks in the two cities shared newspapers, annual celebrations, religious organizations, and kinship and friendship ties. Too often, historians have focused on the one-way flow of fugitives on the Underground Railroad from America to Canada when in fact the situation on the ground was far more fluid, involving two-way movement and social collaborations. Black residents possessed transnational identities and strategically positioned themselves near the American-Canadian border where immigration and interaction occurred. Borderland Blacks reveals that physical separation via formalized national barriers did not sever concepts of psychological memory or restrict social ties. Broyld investigates how the times and terms of emancipation affected Blacks on each side of the border, including their use of political agency to pit the United States and British Canada against one another for the best possible outcomes.

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Civil War Supply and Strategy stands as a sweeping examination of the decisive link between the distribution of provisions to soldiers and the strategic movement of armies during the Civil War. Award-winning historian Earl J. Hess reveals how that dynamic served as the key to success, especially for the Union army as it undertook bold offensives striking far behind Confederate lines. How generals and their subordinates organized military resources to provide food for both men and animals under their command, he argues, proved essential to Union victory.The Union army developed a powerful logistical capability that enabled it to penetrate deep into Confederate territory and exert control over select regions of the South. Logistics and supply empowered Union offensive strategy but limited it as well; heavily dependent on supply lines, road systems, preexisting railroad lines, and natural waterways, Union strategy worked far better in the more developed Upper South. Union commanders encountered unique problems in the Deep South, where needed infrastructure was more scarce. While the Mississippi River allowed Northern armies to access the region along a narrow corridor and capture key cities and towns along its banks, the dearth of rail lines nearly stymied William T. Sherman's advance to Atlanta. In other parts of the Deep South, the Union army relied on massive strategic raids to destroy resources and propel its military might into the heart of the Confederacy. As Hess's study shows, from the perspective of maintaining food supply and moving armies, there existed two main theaters of operation, north and south, that proved just as important as the three conventional eastern, western, and Trans-Mississippi theaters. Indeed, the conflict in the Upper South proved so different from that in the Deep South that the ability of Federal officials to negotiate the logistical complications associated with army mobility played a crucial role in determining the outcome of the war.

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Maria Isabel Medina's chronicle of Loyola University New Orleans College of Law examines the prominent Jesuit institution across its hundred-year history, from its founding in 1914 through the first decade of the twenty-first century. With a mission to make the legal profession attainable to Catholics, and other working-class persons, Loyola's law school endured the hardships of two world wars, the Great Depression, the tumult of the civil rights era, and the aftermath of Hurricane Katrina to emerge as a leader in legal education in the state. Exploring the history of the college within a larger examination of the legal profession in New Orleans and throughout Louisiana, Medina provides details on Loyola's practical and egalitarian approach to education. As a result of the school's principled focus, Loyola was the first law school in the state to offer a law school clinic, develop a comprehensive program of legal-skills training, and to voluntarily integrate African Americans into the student body.The transformative milestones of Loyola University New Orleans College of Law parallel pivotal points in the history of the Crescent City, demonstrating how local culture and environment can contribute to the longevity of an academic institution and making Loyola University New Orleans College of Law a valuable contribution to the study of legal education.

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Deceptively straightforward and subtly pyrotechnic, the poems in Hannah Sanghee Park's debut collection captivate with their wordplay at first glance, then give rise to opportunities for extended reflection. ""If / truth be told, I can't be true,"" she writes, but her startling juxtapositions of sound and meaning belie that claim, necessitating a search for the truth behind her semantic games. Here are dozens of brief sentences that can serve as epigrams to undermine our ordinary ways of seeing, as Park's playfully deployed puns recall the sly paradoxes of Oscar Wilde. The Same-Different ranges from the wonders of the natural world to close human relationships, occasioning the kind of explorations offered in ""And A Lie"": ""The asking was askance. / And the tell all told. / So then, in tandem // Anathema, and anthem.

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A groundbreaking new study of Anglo-American relations during the Cold War, Diplomacy at the Brink argues for a reevaluation of Dwight D. Eisenhower's foreign policy toward allies and enemies alike. Contrary to his reputation as a level-headed moderate, the Eisenhower who emerges in David M. Watry's exhaustively researched book is a conservative ideologue, a leader whose aggressively anti-Communist and anticolonialist foreign policies represented a major shift away from the containment policy of the Truman presidency. Watry contends that Eisenhower worked closely with John Foster Dulles to engage in aggressive brinksmanship that diametrically opposed Winston Churchill's diplomacy of ""peaceful coexistence."" At a time when British economic interests favored cooperation with China, Eisenhower planned nuclear war against it; when Anthony Eden considered Gamal Abdel Nasser a Soviet agent and invaded Egypt, Eisenhower supported Arab nationalism and used economic and political blackmail to force Britain to withdraw. Such stances fractured the ""special relationship"" between America and Great Britain and played a vital role in the dissolution of the British Empire. Watry's thorough examination of the important clash of U.S.-U.K. foreign policy demonstrates that America's new anti-colonial policies and the unilateral use of American power against perceived Communist threats put Eisenhower and Dulles on a collision course with Churchill and Eden that rocked the world.

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Offering new insights into Florida's position within the cultural legacy of the South, The Struggle for Black Freedom in Miami explores the long fight for civil rights in one of the country's most popular tourist destinations. Chanelle N. Rose examines how the sustained tourism and rapid demographic changes that characterized Miami for much of the twentieth century undermined constructions of blackness and whiteness that remained more firmly entrenched in other parts of the South. The convergence of cultural practices in Miami from the American South and North, the Caribbean, and Latin America created a border community that never fit comfortably within the paradigm of the Deep South experience. As white civic elites scrambled to secure the city's burgeoning reputation as the ""Gateway to the Americas,"" an influx of Spanish-speaking migrants and tourists had a transformative effect on conventional notions of blackness. Business owners and city boosters resisted arbitrary racial distinctions and even permitted dark-skinned Latinos access to public accommodations that were otherwise off limits to nonwhites in the South. At the same time, civil-rights activists waged a fierce battle against the antiblack discrimination and violence that lay beneath the public image of Miami as a place relatively tolerant of racial diversity. In its exploration of regional distinctions, transnational forces, and the effect of both on the civil rights battle, The Struggle for Black Freedom in Miami complicates the black/white binary and offers a new way of understanding the complexity of racial traditions and white supremacy in southern metropolises like Miami.

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The Union army's overwhelming vote for Abraham Lincoln's reelection in 1864 has led many Civil War scholars to conclude that the soldiers supported the Republican Party and its effort to abolish slavery. In Emancipation, the Union Army, and the Reelection of Abraham Lincoln, Jonathan W. White challenges this reigning paradigm in Civil War historiography, arguing instead that the soldier vote in the presidential election of 1864 is not a reliable index of the army's ideological motivation or political sentiment. Although 78 percent of the soldiers' votes were cast for Lincoln, White contends that this was not wholly due to a political or social conversion to the Republican Party. Rather, he argues, historians have ignored mitigating factors such as voter turnout, intimidation at the polls, and how soldiers voted in nonpresidential elections in 1864.While recognizing that many soldiers changed their views on slavery and emancipation during the war, White suggests that a considerable number still rejected the Republican platform, and that many who voted for Lincoln disagreed with his views on slavery. He likewise explains that many northerners considered a vote for the Democratic ticket as treasonous and an admission of defeat.Using previously untapped court-martial records from the National Archives, as well as manuscript collections from across the country, White convincingly revises many commonly held assumptions about the Civil War era and provides a deeper understanding of the Union Army.

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Rice University, one of America's preeminent institutions of higher education, grew out of the vision, direction, and leadership of one man: Edgar Odell Lovett (1871--1957). University Builder is the fascinating story of this extraordinary educator and the unique school he created. Widely acknowledged, almost from its founding in 1912, as one of America's best universities, Rice is distinguished as both the smallest and the youngest institution in the top tier of American universities. In telling the tale of Lovett and his innovative, enduring vision for Rice, John Boles provides both a compelling biographical narrative and a refreshing new view of American higher education in the first half of the twentieth century.Lovett was not a Texan; he was not even a southerner. Rather, with two Ph.D.'s in hand, he was a rising star at Princeton University when the trustees of the newly founded Rice Institute--chartered in 1891 by wealthy Houston merchant William Marsh Rice--called him in 1907 to be the school's first president. Working with a significant endowment, a vague charter, a supportive board, and a visionary's gift for planning, Lovett set out on a fact-finding tour of educational institutions around the globe. He transformed the idea of the Institute into a complete university, one that emphasized research as much as teaching and aspired to world-class status. He sought the best architect available to design the campus, lured distinguished faculty from leading universities across the globe to Texas, and constructed a far-reaching vision of a small, carefully planned, elite university that incorporated the most advanced educational practices and shaped Rice's development for the next century. Lovett served as president of Rice for nearly forty years, proving himself to be an exemplary and charismatic leader who inspired two generations of students. He was the creator of Rice University in practically every way. Indeed, perhaps no other American university has been so shaped by its founder's vision. Boles's exceptional account of Lovett's remarkable academic achievement is a vital contribution to the legacy of Rice University and an important addition to the historiography of education in the early twentieth-century South.

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In 2018, while teaching her kids to swim and working on urban river restoration projects, Hannah S. Palmer began a journal of social encounters with water. As she found herself dangling her feet in a seemingly all-white swimming pool, she started to worry about how her young sons would learn to swim.

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An essential reference guide to one of New Orleans's most iconic Uptown neighborhoods, New Orleans Architecture: Volume IX documents the remarkable architectural history of the former city of Carrollton, once the seat of Jefferson Parish and now listed on the National Register of Historic Places.Following the format of previous volumes in the series, Robert J. Cangelosi Jr. divides the study into three sections. He begins in the early eighteenth century by chronicling the area's development as one of the many upriver communities just west of New Orleans. Its fields and plantations afforded early homesteaders tillable farmland and easy access to the Mississippi River. Later, during the War of 1812, American troops led by William Carroll encamped there, and the area was subsequently named for the general. In 1831, developers purchased the land, subdivided it, and began construction of a road and a canal linking the area to New Orleans. Local officials reorganized Carrollton in 1845 - by then a village of about 1,000 residents - as a town in Jefferson Parish, and in 1859 a charter officially incorporated it as a city. Just fifteen years later, the City of New Orleans annexed Carrollton - now replete with schools, public gardens, and brick-paved streets - as the Seventh Municipal District.The volume's second section consists of a ""Building Index,"" which gives the original owners, dates of construction, costs, designers, and builders for many of the structures erected in Carrollton since its founding. In the ""Selective Architectural Inventory,"" the book's final section, Cangelosi explores the history of nearly 420 historic homes and buildings in Carrollton, and shares thumbnail photographs, detailed sales records, and information on a variety of architectural styles.New Orleans Architecture: Volume IX serves as a valuable resource for the city's Historic District Landmark Commission and the State Historic Preservation Office, as well as home owners, real estate agents, guides, historians, and tourists.

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In North Carolina's Free People of Color, 1715- 1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as "negroes," "mulattoes," "mustees," "Indians," "mixed- ­bloods," or simply "free people of color." From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted- praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer's innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements- with whites placing themselves above persons of color- those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included.North Carolina's Free People of Color, 1715- 1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures- all of which, Milteer suggests, allowed them to adjust to and counter ever ­-evolving forms of racial discrimination.

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In this fascinating little book, John DeMers tells the story of the Vieux Carré cocktail against the evolving backdrop of the ever-rich cocktail culture of New Orleans. Mixologist Walter Bergeron created this distinctive drink in the 1930s at the Hotel Monteleone; it was later dubbed "the Cocktail that Spins" in honor of the slowly turning Carousel Bar at the hotel. It's an iconic cocktail that, in recent years, was rarely ordered or prepared, though that is changing as a new generation of cocktail enthusiasts rediscover the old ways.The Vieux Carré draws on the local proto-cocktail, the Sazerac, as well as several booze-forward classics including the Manhattan, the Old Fashioned, and, from Italy, the Negroni. DeMers tells all that is known of Walter Bergeron's early life and also examines the ingredients in this cocktail and how each of them made its way to the Crescent City.

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In Draining New Orleans, the first full-length book devoted to "the world's toughest drainage problem," renowned geographer Richard Campanella recounts the epic challenges and ingenious efforts to dewater the Crescent City. With forays into geography, public health, engineering, architecture, politics, sociology, race relations, and disaster response, he chronicles the herculean attempts to "reclaim" the city's swamps and marshes and install subsurface drainage for massive urban expansion.The study begins with a vivid description of a festive event on Mardi Gras weekend 1915, which attracted an entourage of elite New Orleanians to the edge of Bayou Barataria to witness the christening of giant water pumps. President Woodrow Wilson, connected via phoneline from the White House, planned to activate the station with the push of a button, effectively draining the West Bank of New Orleans. What transpired in the years and decades that followed can only be understood by examining the large swath of history dating back two centuries earlier—to the geological formation and indigenous occupation of this delta—and extending through the colonial, antebellum, postbellum, and Progressive eras to modern times. The consequences of dewatering New Orleans proved both triumphant and tragic. The city's engineering prowess transformed it into a world leader in drainage technology, yet the municipality also fell victim to its own success. Rather than a story about mud and machinery, this is a history of people, power, and the making of place. Campanella emphasizes the role of determined and sometimes unsavory individuals who spearheaded projects to separate water from dirt, creating lucrative opportunities in the process not only for the community but also for themselves.

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In The Last Fire-Eater, renowned historian of the American South William A. Link examines the life of Roger A. Pryor, a Virginia secessionist, Confederate general, and earnest proponent of postwar sectional reconciliation whose life involved a series of remarkable transformations. Pryor's journey, Link reveals, mirrored that of the South. At times, both proved puzzling and contradictory. Pryor recast himself during a crucial period in southern history between the 1850s and the close of the nineteenth century. An archetypical southern-rights advocate, Pryor became a skilled practitioner in the politics of honor. As a politician and newspaper editor, he engaged in duels and viewed the world through the cultural prism of southern honor, assuming a more militant and aggressive stance on slavery than most of his regional peers. Later, he served in the Confederate army during the Civil War, rising to the rank of brigadier general and seeing action across the Eastern Theater. Captured late in the conflict, Pryor soon after abandoned his fiery persona and renounced extremism. He then moved to New York City, where he emerged as a prominent lawyer and supporter of the sort of intersectional detente that stood as a central facet of what southern boosters labeled the "New South." Dramatic change characterized Pryor's long life. Born in 1828, he died four months after the end of World War I. He witnessed fundamental shifts in the South that included the destruction of slavery, the defeat of the Confederacy, and the redefinition of manhood and honor among elite white men who relied less on violence to resolve personal grievances. With Pryor's lifetime of remakings as its focus, The Last Fire-Eater serves as a masterful history of transformation in the South.

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Marlene Trestman's Most Fortunate Unfortunates is the first comprehensive history of the Jewish Orphans' Home of New Orleans. Founded in 1855 in the aftermath of a yellow fever epidemic, the Home was the first purpose-built Jewish orphanage in the nation. It reflected the city's affinity for religiously operated orphanages and the growing prosperity of its Jewish community. In 1904, the orphanage founded the Isidore Newman School, a coed, nonsectarian school that was also open to children, regardless of religion, whose parents paid tuition. By the time the Jewish Orphans' Home closed in 1946, it had sheltered more than sixteen hundred parentless children and two dozen widows from New Orleans and other areas of Louisiana and the mid-South.Based on deep archival research and numerous interviews of alumni and their descendants, Most Fortunate Unfortunates provides a view of life in the Jewish Orphans' Home for the children and women who lived there. The study also traces the forces that impelled the Home's founders and leaders—both the heralded men and otherwise overlooked women—to create and maintain the institution that Jews considered the "pride of every Southern Israelite." While Trestman celebrates the Home's many triumphs, she also delves deeply into its failures.Most Fortunate Unfortunates is sure to be of widespread interest to readers interested in southern Jewish history, gender and race relations, and the evolution of social work and dependent childcare.

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Poignant, exquisite, and endlessly witty - Kirkus Review (Starred Review)""People, the species defies logic!"" reflects the protagonist of one of the dazzling, intricate stories in Visitations. In this latest collection from Lee Upton, characters navigate often bewildering situations, from the homeschooled girl trying to communicate telepathically with an injured man she finds on the beach to the experimental theater troupe (called the Community Playas) composed primarily of actors the story's narrator has wronged or been wronged by.Upton's stories frequently draw inspiration from books, books as art objects or lost objects, as inspiration or points of contention. ""Night Walkers"" tells the story of the world's laziest book club, while ""A Story's End"" follows a woman's search for the last book read by her mother before her sudden death. Elsewhere, the ghosts of literature and writers past haunt the characters' present: ""The Tell-All Heart"" sees a woman falling in love with Edgar Allan Poe's discarded suit, and an unruly, unpredictable shadow creeps in a child's window to demand that he cut off the other hand of Captain Hook in ""A Shadow.""In the surreal yet playful tradition of Karen Russell and George Saunders, Visitations brings together seventeen incandescent short stories from a writer at the height of her powers.

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Pardon me, but I'm shivering a bit at my core. These are restless, storm-hued stanzas, revelations of our dark cravings and hapless, woefully imperfect attempts at perfect love. Here are the dreams even our dreams won't reveal, flaunting wild edges and endings that nudge the soul, each fusing of lyric and lesson as potent as a backhand slap. And Mama watches everything. Mama sees it all."" - Patricia Smith""What's living without fear of getting lost?"" That's only one of many empowering moments in Jennifer Givhan's auspicious debut. Her ""blood magic"" ink delivers the hard truths that kick-start the healing of the ""splintered cactus"" that hurdles the path of a woman's journey. Landscape with Headless Mama blossoms with the ""strange alloys of sadness"" that devastate motherhood and femininity, and then nurture their wounds back to vibrant life."" - Rigoberto González""In Jennifer Givhan's Landscape with Headless Mama, the vivid truth of these poems evokes both the wince of pain and the head-rush of joy, the familial and the romantic disconnections we endure and those connections found in the same terrain that we, still, manage to cherish. If there's a line in these poems that doesn't surprise, I couldn't find it; one never knows where the poem will take us. I found myself tracing ""maps of the borderland into my body/ cliff dwelling, the taste of red brick on the tongue…."" Each figure rendered, each voice conjured comes to life with their distinct journey, and Givhan continues to remind us of yet another truth: ""There are other ways for the story to end."" Indeed, the possibilities seem limitless in this world she builds. If a collection of poems can be called a page-turner, this is what it feels like."" - A. Van Jordan""These are true border poems, restlessly crossing between the real and the surreal, the loved and the used up, the fertile and the infertile, and the hungry and the sated. Jennifer Givhan is a dangerous poet in all the necessary ways.""- Connie VoisineLandscape with Headless Mama explores the experiences of becoming and being a mother through the lens of dark fairy tales. Describing the book as ""a surreal survival guide,"" Givhan draws from the southwestern desert, incorporating Latin American fine art and folkloric influences. Drawing inspiration from Gloria Anzaldúa, Frida Kahlo, Leonora Carrington, tattoo artists, and comic book heroes, among other sources, this is a book of intelligence, humor, deep feeling, and, above all, duende.

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In comical and complex poems, David Kirby examines our extraordinarily human condition through the lens of our ordinary daily lives. These keenly observant poems range from the streets of India, Russia, Turkey, and Port Arthur, Texas, to the imaginations of fellow poets Keats and Rilke, and to ruminations on the mundane side of life via the imperfect sandwich. Whether remembering girls' singing groups of the 1950s or recounting a child asking his priest if his dog would go to heaven, Kirby has the ability to make us laugh, but he can also bring us to tears through our laughter.

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The poultry processing industry in El Dorado, Arkansas, was an economic powerhouse in the latter half of the twentieth century. It was the largest employer in the interconnected region of South Arkansas and North Louisiana surrounding El Dorado, and the fates of many related companies and farms depended on its continued financial success. We Just Keep Running the Line is the story of the rise of the poultry processing industry in El Dorado and the labor force -- composed primarily of black women -- upon which it came to rely.At a time when agricultural jobs were in decline and Louisiana stood at the forefront of rising anti-welfare sentiment, much of the work available in the area went to men, driving women into less attractive, labor-intensive jobs. LaGuana Gray argues that the justification for placing African American women in the lowest-paying and most dangerous of these jobs, like poultry processing, derives from longstanding mischaracterizations of black women by those in power. In evaluating the perception of black women as ""less"" than white women -- less feminine, less moral, less deserving of social assistance, and less invested in their families' and communities' well-being -- Gray illuminates the often-exploitative nature of southern labor, the growth of the agribusiness model of food production, and the role of women of color in such food industries.Using collected oral histories to allow marginalized women of color to tell their own stories and to contest and reshape narratives commonly used against them, We Just Keep Running the Line explores the physical and psychological toll this work took on black women, analyzing their survival strategies and their fight to retain their humanity in an exploitative industry.

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The poems in Fanatic Heart, Deboarah Pope's remarkably accomplished first collection of verse, are distinguished by their sensuous language, assured voice, and surpassing intelligence. ""These are poems with a definite edge to them,"" notes the poet Betty Adcock. Memory and identity, family and place, lives that encompass both ""the wingsweep of joy"" and ""the fierce hug of grief"", these are Pope's concerns. Hers are poems of pain and loss, but they are also, and more tellingly, poems of wonder, of love and passion in their various guises, of the ambiguity in every human relation, an ambiguity skillfully evoked in ""Signs"":In these woods we have chosen with scarcely more knowing than we chose each other, prospects will always promise more than they come to. The solidity of this house is surface, the permanence of anything is myth. We take our visions edged, at home in a light that curves. Still, as they gypsies say, good road.The poems are set in a carefully articulated natural world, those sensual beauty Pope captures in such lines as these from ""Peaches"":They will be all over the ground, gold-dusted, giving softly under the balls of our feet, size of apricots, no good for eating, but the smell will be delicious.Deborah Pope's poems give voice to a life deeply felt and fully realised, whose very personal yield universal claims. At the heart of this poetry's fanaticism is the search for the ground of intimacy and the configurations of identity. It is a measure of Pope's skill that each recognition seems powerfully right, not sought but given.

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This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.From the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. In tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he ""is a truly important poet. Familiar and strange."" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.

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