Search results for ""Notorious""

A new look at the way in which medieval European literature depicts torture and brutality. An ugly subject, but one that needs to be treated thoroughly and comprehensively, with a discreet wit and no excessive relish. These needs are richly satisfied in Larissa Tracy's bold and important book. DEREK PEARSALL, ProfessorEmeritus, Harvard University. Torture - that most notorious aspect of medieval culture and society - has evolved into a dominant mythology, suggesting that the Middle Ages was a period during which sadistic torment wasinflicted on citizens with impunity and without provocation: popular museums displaying such gruesome implements as the rack, the strappado, the gridiron, the wheel, and the Iron Maiden can be found in many modern European cities.These lurid images of medieval torture have re-emerged within recent discussions on American foreign policy and the introduction of torture legislation as a weapon in the "War on Terror", and raised questions about its history and reality, particularly given its proliferation in some literary genres and its relative absence in others. This book challenges preconceived ideas about the prevalence of torture and judicial brutality in medieval society byarguing that their portrayal in literature is not mimetic. Instead, it argues that the depictions of torture and brutality represent satire, critique and dissent; they have didactic and political functions in opposing the statusquo. Torture and brutality are intertextual literary motifs that negotiate cultural anxieties of national identity; by situating these practices outside their own boundaries in the realm of the barbarian "Other", medieval and early-modern authors define themselves and their nations in opposition to them. Works examined range from Chaucer to the Scandinavian sagas to Shakespeare, enabling a true comparative approach to be taken. Larissa Tracy isAssociate Professor, Longwood University.

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In early modern Britain, there was an argument that war at sea, especially war in Spanish America, was an ideal means of warfare, offering the prospect of rich gains at relatively little cost whilst inflicting considerable damageon enemy financial resources. In early modern Britain, there was an argument that war at sea, especially war in Spanish America, was an ideal means of warfare, offering the prospect of rich gains at relatively little cost whilst inflicting considerable damageon enemy financial resources. This book examines that argument, tracing its origin to the glorious memory of Elizabethan maritime war, discussing its supposed economic advantages, and investigating its influence on British politics and naval policy during the War of the Spanish Succession (1702-13) and after. The book reveals that the alleged economic advantages of war at sea were crucial in attracting the support of politicians of different political stances. It shows how supporters of war at sea, both in the government as well as in the opposition, tried to implement pro-maritime war policy by naval operations, colonial expeditions and by legislation, and how their attempts wereoften frustrated by diplomatic considerations, the incapacity of naval administration, and by conflicting interests between different groups connected to the West Indian colonies and Spanish American trade. It demonstrates how, after the War of the Spanish Succession, arguments for active colonial maritime war continued to be central to political conflict, notably in the opposition propaganda campaigns against the Walpole ministry, culminating in the War of Jenkins's Ear against Spain in 1739. The book also includes material on the South Sea Company, showing how the foundation of this company, later the subject of the notorious 'Bubble', was a logical part of British strategy. Shinsuke Satsuma completed his doctorate in maritime history at the University of Exeter.

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'Powerful and Important' Guardian'Powerful' Financial Times'More twists and turns than a Hollywood spy thriller' Spectator'A story we all need to hear' New Statesman'Gripping... Araujo's accretion of detail has a powerful effect' New York Times*Shortlisted for the Moore Prize for Human Rights Writing*Deep in the heart of the Amazon, an entire region has lived under the control of one notorious land baron: Josélio de Barros. Josélio cut a grisly path to success: having arrived in the jungle with a shady past, he quickly made a name for himself as an invincible thug who grabbed massive tracts of public land, burned down the jungle and executed or enslaved anyone trying to stop him.Enter Dezinho, the leader of a small but robust farm workers' union fighting against land grabs, ecological destruction, and blatant human rights abuses. When Dezinho was killed in a shocking assassination, the local community held its breath. Would Josélio, whom everyone knew had ordered the hit, finally be brought to account? Or would authorities look the other way, as they had hundreds of times before?Dezinho's widow, Dona Joelma, was not about to let that happen. After his murder, she stepped into the spotlight, orchestrating a huge push to bring national media attention to the injustices in the Amazon.Set against the backdrop of Bolsonaro's devastating cuts to environmental protections, Brazil's rapidly changing place in the geopolitical spectrum, and the Amazon's crucial role in climate change, Masters of the Lost Land is both a gripping epic into one of the last wild places on Earth and an urgent illustration of how people are fighting for - and winning - justice for their futures and the environment.

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Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.

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Killer twists. Heroes to believe in. Trust Baldacci.Private Investigator and WWII veteran, Aloysius Archer, returns to solve a new case in Hollywood in Dream Town, a riveting thriller from international number 1 bestselling author, David Baldacci.All that glitters . . .1952, Los Angeles. It is New Year’s Eve and PI Aloysius Archer is dining with his friend and rising Hollywood actress Liberty Callahan when they’re approached by Eleanor Lamb, a screenwriter who would like to hire him, as she suspects someone is trying to kill her.Murder and mysteryA visit to Lamb’s Malibu residence leaves Archer knocked unconscious after he stumbles over a dead body in the hallway; and Lamb seems to have vanished. With the police now involved in the case, a close friend and colleague of Lamb’s employs Archer to find out what’s happened to the screenwriter.The City of Angels – or somewhere much, much darker?Archer’s investigation takes him from the rich, glamorous and glitzy LA to the seedy, dark side of the city, and onward to the gambling mecca of Las Vegas, just now hitting its stride as a hot spot for celebrities and a money-making machine for the mob. In a place where cops and crooks work hand in hand, Archer will cross paths with Hollywood stars, politicians and notorious criminals. He’ll almost die several times, and he’ll discover bodies and secrets from the canyons and beaches of Malibu and the luxurious mansions of Bel Air and Beverly Hills to the narcotics clubs of Chinatown.With the help of Liberty and his PI partner Willie Dash, Archer will risk everything and leave no stone unturned in finding the missing Eleanor Lamb, and in bringing to justice killers who would love nothing better than to plant Archer six feet under.

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Killer twists. Heroes to believe in. Trust Baldacci. Private Investigator and WWII veteran, Aloysius Archer, returns to solve a new case in Hollywood in this riveting thriller from international number 1 bestselling author, David Baldacci.All that glitters . . . 1952, Los Angeles. It is New Year’s Eve and PI Aloysius Archer is dining with his friend and rising Hollywood actress Liberty Callahan when they’re approached by Eleanor Lamb, a screenwriter who would like to hire him, as she suspects someone is trying to kill her.Murder and mysteryA visit to Lamb’s Malibu residence leaves Archer knocked unconscious after he stumbles over a dead body in the hallway; and Lamb seems to have vanished. With the police now involved in the case, a close friend and colleague of Lamb’s employs Archer to find out what’s happened to the screenwriter.The City of Angels – or somewhere much, much darker?Archer’s investigation takes him from the rich, glamorous and glitzy LA to the seedy, dark side of the city, and onward to the gambling mecca of Las Vegas, just now hitting its stride as a hot spot for celebrities and a money-making machine for the mob. In a place where cops and crooks work hand in hand, Archer will cross paths with Hollywood stars, politicians and notorious criminals. He’ll almost die several times, and he’ll discover bodies and secrets from the canyons and beaches of Malibu and the luxurious mansions of Bel Air and Beverly Hills to the narcotics clubs of Chinatown.With the help of Liberty and his PI partner Willie Dash, Archer will risk everything and leave no stone unturned in finding the missing Eleanor Lamb, and in bringing to justice killers who would love nothing better than to plant Archer six feet under.

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This book is part of a series of titles that are a spin-off of the Shingo Prize-winning book Leveraging Lean in Healthcare: Transforming Your Enterprise into a High Quality Patient Care Delivery System. Each book in the series focuses on a specific aspect of healthcare that has demonstrated significant process and quality improvements after a Lean implementation.Emergency departments have become notorious for long wait times and questionable quality of care. By adopting Lean manufacturing concepts, hospitals can turn the emergency department into a valuable service for the hospital and the community it serves.Leveraging Lean in the Emergency Department: Creating a Cost Effective, Standardized, High Quality, Patient-Focused Operation supplies a functional understanding of Lean emergency department processes and quality improvement techniques. It is ideal for healthcare executives, leaders, process improvement team members, and inquisitive frontline workers who want to implement and leverage Lean.Supplying detailed descriptions of Lean tools and methodologies, the book identifies powerful Lean solutions specific to the needs of the emergency department. The first section provides an overview of Lean concepts, tools, methodologies, and applications.The second section focuses on the application of Lean in the emergency department within the confines of the hospital or clinic. Presenting numerous examples, stories, case studies, and lessons learned, it examines the normal operation of each area in emergency departments and highlights the areas where typical problems occur.Next, the book walks readers through various Lean initiatives and demonstrates how Lean tools and concepts have been used to achieve lasting improvements to processes and quality of care. It also supplies actionable blueprints that readers can duplicate or modify for use in their own institutions. Illustrating leadership’s role in achieving departmental goals, this book will provide you with a well-rounded understanding of how Lean can be applied to achieve significant improvements throughout the entire continuum of care.

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Crime perpetrated by healthcare professionals is increasingly pervasive in today’s hospitals and other healthcare settings. Patients, coworkers, and employers are vulnerable to exploitation, fraud, abuse, and even murder. Investigative journalist Kelly M. Pyrek interviews experts who provide accounts concerning the range of criminality lurking in the healthcare setting in Healthcare Crime: Investigating Abuse, Fraud, and Homicide by Caregivers. Examines the root causes and the opportunitiesThe book begins by offering perspectives on how the stressors inherent in the healthcare profession can contribute to aberrant behavior by medical practitioners. It then examines breaches of patient privacy, which can easily occur in today’s age of technology. Highlighting appalling cases of exploitation, the book also suggests guidelines to safeguard patient privacy. Identifies the victims most at risk, and those who are their greatest threats In a chapter on abuse and assault, the book cites psychological studies that explain the root causes of victimization. It highlights the patient populations most at risk: disabled, psychiatric, and elderly, and identifies the chief victimizers: physicians, psychiatrists, dentists, pediatricians, and nursing assistants and aides. The book also examines the types of financial fraud and theft that can be perpetrated against not only patients but also employers and government agencies, and provides expert insight on how to take preventative measures. Discusses notorious serial murders in the medical professionProviding accounts of well-known healthcare-related homicides and suspicious deaths, the book also presents insights from forensic and serial murder experts as to why these incidents occur, warning signs to watch out for, and how to conduct a proper investigation. The final chapter examines simple, straightforward strategies for improving the level of quality of care and safety provided by healthcare institutions. With greater accountability and oversight, patients can once again feel secure that their providers are embracing the maxim "Above all, do no harm."

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Was Richard Nixon actually a madman, or did he just play one?When Richard Nixon battled for the presidency in 1968, he did so with the knowledge that, should he win, he would face the looming question of how to extract the United States from its disastrous war in Vietnam. It was on a beach that summer that Nixon disclosed to his chief aide, H. R. Haldeman, one of his most notorious, risky gambits: the madman theory. In On Nixon's Madness, Zachary Jonathan Jacobson examines the enigmatic president through this theory of Nixon's own invention. With strategic force and nuclear bluffing, Nixon attempted to coerce his foreign adversaries through sheer unpredictability. As his national security advisor Henry Kissinger noted, Nixon's strategy resembled a poker game in which he "push[ed] so many chips into the pot" that the United States' foes would think the president had gone "crazy." From Vietnam, Pakistan, and India to the greater Middle East, Nixon applied this madman theory. Foreign relations were not a steady march toward peaceful coexistence but rather an ongoing test of mettle. Nixon saw the Cold War as he saw his life, as a series of ordeals that demanded great risk and grand gestures. For decades, journalists, critics, and scholars have searched for the real Nixon behind these acts. Was he a Red-baiter, a worldly statesman, a war criminal or, in the end, a punchline? Jacobson combines biography and intellectual and cultural history to understand the emotional life of Richard Nixon, exploring how the former president struggled between great effusions of feeling and great inhibition, how he winced at the notion of his reputation for rage, and how he used that ill repute to his advantage.

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Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama. Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

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From the classical dialogues of Plato to current political correctness, manipulating language to advance a particular set of values and ideas has been a time-honored practice. During times of radical social and political change, the terms of debate themselves become sharply contested: how people reject, redefine, and reappropriate key words and phrases gives important symbolic shape to their vision of the future. Especially in cataclysmic times, who one is or wants to be is defined by how one writes and speaks. The language culture of early Soviet Russia marked just such a tenuous state of symbolic affairs. Partly out of necessity, partly in the spirit of change, Bolshevik revolutionaries cast off old verbal models of identity and authority and replaced them with a cacophony of new words, phrases, and communicative contexts intended to define and help legitimatize the new Soviet order. Pitched to an audience composed largely of semiliterate peasants, however, the new Bolshevik message often fell on deaf ears. Embraced by numerous sympathetic and newly empowered citizens, the voice of Bolshevism also evoked a variety of less desirable reactions, ranging from confusion and willful subversion to total disregard. Indeed, the earliest years of Bolshevik rule produced a communication gap that held little promise for the makings of a proletarian dictatorship. This gap drew the attention of language authorities—most notably Maxim Gorky—and gave rise to a society-wide debate over the appropriate voice of the new Soviet state and its citizenry. Drawing from history, literature, and sociology, Gorham offers the first comprehensive, interdisciplinary analysis of this critical debate, demonstrating how language ideologies and practices were invented, contested, and redefined. Speaking in Soviet Tongues shows how early Soviet language culture gave rise to unparalleled verbal creativity and utopian imagination while sowing the seeds for perhaps the most notorious forms of Orwellian "newspeak" known to the modern era.

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What if political rhetoric is unavoidable, an irreducible part of politics itself? In contrast to the familiar denunciations of political horse-trading, grandstanding, and corporate manipulation from those lamenting the crisis in liberal democracy, this book argues that the “politics of politics,” usually associated with rhetoric and sophistry, is, like it or not, part of politics from the start. Denunciations of the sorry state of current politics draw on a dogmatism and moralism that share an essentially metaphysical and Platonic ground. Failure to deconstruct that ground generates a philosophically and politically debilitating selfrighteousness that this book attempts to understand and undermine. After a detailed analysis of Foucault’s influential late concept of parrhesia, which is shown to be both philosophically and politically insufficient, close readings of Heidegger, Kierkegaard, and Derrida trace complex relations between sophistry, rhetoric, and philosophy; truth and untruth; decision; madness and stupidity in an exploration of the possibility of developing an affirmative thinking of politics that is not mortgaged to the metaphysics of presence. It is suggested that Heidegger’s complex accounts of truth and decision must indeed be read in close conjunction with his notorious Nazi commitments but nevertheless contain essential insights that many strident responses to those commitments ignore or repress. Those insights are here developed—via an ambitious account of Derrida’s often misunderstood interruption of teleology—into a deconstructive retrieval of the concept of dignity. This lucid and often witty account of a crucial set of developments in twentieth-century thought prepares the way for a more general re-reading of the possibilities of political philosophy that will be undertaken in Volume 2 of this work, under the sign of an essential scatter that defines the political as such.

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Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records.Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies.Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp

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This long-awaited study, the magnum opus of a leading railroad historian, describes the conception, construction, and early operation of the first narrow gauge railroads in northern California. It is lavishly illustrated by some 600 photographs and drawings, almost three-quarters of which have never before been published. The topic is approached through an unusual lens: the history of the relatively small but extraordinarily inventive contracting and engineering firm of the brothers Thomas and Martin Carter. The Carters were able to reduce the cost and complexity of light railroad construction to the point where local narrow gauge lines could initially compete with the state’s notorious railroad monopolies. Pioneering a mobile manufacturing operation that could supply locally funded short lines with rolling stock (which traditionally came from East Coast manufacturers), the Carter Brothers began with a line to serve Salinas Valley wheat farmers, desperate to achieve an independent means for conveying their crops to the wharf in Monterey. The narrow gauge railroad that resulted was an act of political and economic defiance, but ultimately a hopeless assault on the "Octopus"—the Central Pacific and Southern Pacific Railroads. Rallying around the example set in Monterey, a narrow gauge movement in California flourished in the mid-1870s, with the rapid launching of five more companies—the North Pacific Coast, the Santa Cruz Railroad, the Santa Cruz & Felton, the Nevada County Narrow Gauge, and the South Pacific Coast—all of which drew on the Carter Brothers for manufacturing and engineering. Soon, Thomas and Martin Carter were not only selling railroad supplies and engineering to all six short lines, but had won management positions with the strongest, the South Pacific Coast. Until personal and financial disaster overtook them in 1880, the Carters were at the forefront of not just a new business, but a new technology.

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Over the years, Edward Fowler, an American academic, became a familiar presence in San'ya, a run-down neighborhood in northeastern Tokyo. The city's largest day-labor market, notorious for its population of casual laborers, drunks, gamblers, and vagrants, has been home for more than half a century to anywhere from five to fifteen thousand men who cluster in the mornings at a crossroads called Namidabashi (Bridge of Tears) in hopes of getting work. The day-labor market, along with gambling and prostitution, is run by Japan's organized crime syndicates, the yakuza. Working as a day laborer himself, Fowler kept a diary of his experiences. He also talked with day laborers and local merchants, union leaders and bureaucrats, gangsters and missionaries. The resulting oral histories, juxtaposed with Fowler's narrative and diary entries, bring to life a community on the margins of contemporary Japan. Located near a former outcaste neighborhood, on what was once a public execution ground, San'ya shows a hidden face of Japan and contradicts the common assumption of economic and social homogeneity. Fowler argues that differences in ethnicity and class, normally suppressed in mainstream Japanese society, are conspicuous in San'ya and similar communities. San'ya's largely middle-aged, male day-laborer population contains many individuals displaced by Japan's economic success, including migrants from village communities, castoffs from restructuring industries, and foreign workers from Korea and China. The neighborhood and its inhabitants serve as an economic buffer zone—they are the last to feel the effects of a boom and the first to feel a recession. They come alive in this book, telling urgent stories that personify such abstractions as the costs of modernization and the meaning of physical labor in postindustrial society.

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In an original and provocative reading of Vladimir Nabokov's work and the pleasures and perils to which its readers are subjected, Eric Naiman explores the significance and consequences of Nabokov's insistence on bringing the issue of art's essential perversity to the fore. Nabokov's fiction is notorious for the interpretive panic it occasions in its readers, the sense that no matter how hard he or she tries, the reader has not gotten Nabokov "right." At the same time, the fictions abound with characters who might be labeled perverts, and questions of sexuality lurk everywhere.Naiman argues that the sexual and the interpretive are so bound together in Nabokov's stories and novels that the reader confronts the fear that there is no stable line between good reading and overreading, and that reading Nabokov well is beset by the exhilaration and performance anxiety more frequently associated with questions of sexuality than of literature. Nabokov's fictions pervert their readers, obligingly training them to twist and turn the text in order to puzzle out its meanings, so that they become not better people but closer readers, assuming all the impudence and potential for shame that sexually oriented close-looking entails.In Nabokov, Perversely, Naiman traces the connections between sex and interpretation in Lolita (which he reads as a perverse work of Shakespeare scholarship), Pnin, Bend Sinister, and Ada. He examines the roots of perverse reading in The Defense and charts the enhanced attention to the connection between sex and metafiction in works translated from the Russian. He also takes on books by other authors—such as Reading Lolita in Tehran—that misguidedly incorporate Nabokov's writing within frameworks of moral usefulness. In a final, extraordinary chapter, Naiman reads Dostoevsky's The Double with Nabokov-trained eyes, making clear the power a strong writer can exert on readers.

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In the decade before the Civil War, Concord, Massachusetts, was a center of abolitionist sentiment and activism. To Set this World Right is the first book to recover and examine the voices, events, and influence of the antebellum antislavery movement in Concord. In addressing fundamental questions about the origin and nature of radical abolitionism in this most American of towns, Sandra Harbert Petrulionis frames the antislavery ideology of Henry Thoreau and Ralph Waldo Emerson—two of Concord's most famous residents—as a product of family and community activism and presents the civic context in which their outspoken abolitionism evolved. In this historic locale, radical abolitionism crossed racial, class, and gender lines as a confederation of neighbors fomented a radical consciousness, and Petrulionis documents how the Thoreaus, Emersons, and Alcotts worked in tandem with others in their community, including a slaveowner's daughter and a former slave. Additionally, she examines the basis on which Henry Thoreau—who cherished nothing more than solitary tramps through his beloved woods and bogs—has achieved lasting fame as a militant abolitionist. This book marshals rich archival evidence of the diverse tactics exploited by a small coterie of committed activists, largely women, who provoked their famous neighbors to action. In Concord, the fugitive slave Shadrach Minkins was clothed and fed as he made his way to freedom. In Concord, the adolescent daughters of John Brown attended school and recovered from their emotional distress after their father's notorious public hanging. Although most residents of the town maintained a practiced detachment from the plight of the enslaved, women and men whose sole objective was the moral urgency of abolishing slavery at last prevailed on the philosophers of self-culture to accept the responsibility of their reputations.

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American constitutionalism rests on premises of popular sovereignty, but serious questions remain about how the "people" and their rights and powers fit into the constitutional design. In a book that will radically reorient thinking about the Constitution and its place in the polity, Wayne Moore moves away from an exclusive focus on courts and judges and considers the following queries: Who is included among the people? How are the people politically configured? How may the people act? And how do the people relate to government and other representative structures? Going beyond though not excluding relevant discussions of specific constitutional texts (such as the preamble, articles V and VII, and the ninth, tenth, and fourteenth amendments), Moore examines historical material from the antebellum period, such as the opinions of U.S. Supreme Court justices in the notorious Dred Scott case and significantly different perspectives from the writings and speeches of Frederick Douglass. He also looks at influential thinking from the founding period and examines precedents set during prominent controversies involving the establishment of a national bank, regulations of the economy, and efforts to limit sexual and reproductive choices. The penultimate chapter explores issues raised by claims of state interpretive autonomy, and the conclusion models various dimensions of the constitutional order as a whole. The book offers fresh insights into central problems of constitutional history, theory, and law. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The infamous Rape of Nanjing looms like a dark shadow over the history of Asia in the 20th century, and is among the most widely recognized chapters of World War II in China. By contrast, the story of the month-long campaign before this notorious massacre has never been told in its entirety. Nanjing 1937 by Peter Harmsen fills this gap. This is the follow-up to Harmsen's best-selling Shanghai 1937: Stalingrad on the Yangtze, and begins where that book left off. In stirring prose, it describes how the Japanese Army, having invaded the mainland and emerging victorious from the Battle of Shanghai, pushed on toward the capital Nanjing in a crushing advance that confirmed its reputation for bravery and savagery in equal measure. While much of the struggle over Shanghai had carried echoes of the grueling war in the trenches two decades earlier, the Nanjing campaign was a fast-paced mobile operation in which armor and air power played mayor roles. It was blitzkrieg two years before Hitler's invasion of Poland. Facing the full might of modern, mechanized warfare, China's resistance was heroic, but ultimately futile. As in Shanghai, the battle for Nanjing was more than a clash between Chinese and Japanese. Soldiers and citizens of a variety of nations witnessed or took part in the hostilities. German advisors, American journalists and British diplomats all played important parts in this vast drama. And a new power appeared on the scene: Soviet pilots dispatched by Stalin to challenge Japan's control of the skies. This epic tale is told with verve and attention to detail by Harmsen, a veteran East Asia correspondent who consolidates his status as the foremost chronicler of World War II in China with this path-breaking work of narrative history.

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The image of the witch - crook-nosed, unpleasant of disposition and with a penchant for harming her neighbours - is well established in the popular imagination. For hundreds of years the accusation of witchcraft has been levelled against women throughout the British Isles: such women were feared, persecuted, revered and reviled, with many ending their journeys at the stake or noose. Far from a mass of pitiable, faceless victims however, each case tells its own story, with a distinct woman at its heart, spanning the centuries down to the present. What did it really mean to be accused as a witch? Why, and by whom, were such accusations made? Was it possible to survive, and what awaited those who did? Prepare to delve into the captivating history of witchcraft with an in-depth exploration of some of the most fascinating and notorious women accused of being witches from across the British Isles. On a journey from 14th century Ireland to 20th century Hampshire, Accused examines the why, the how, and, most importantly, the who of these tantalising and evocative cases. Using trial documents, contemporary pamphlets, church and census records and a wealth of other sources, eleven accused women are brought to life in a biographical approach that will take the reader back in time. Meticulously researched and skilfully and painstakingly woven, this book will be indispensable to anyone with an interest in the popular topic of the history of witchcraft and a love of fascinating and diverse individuals. Setting each of the accused in their social and historical context, Willow Winsham delivers a fresh and revealing look at her subjects, bringing her unique style and passion for detail to this captivating read.

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From award-winning actress Denise Nicholas: a ten-year anniversary reissue of her powerful and dramatic coming of age story set in Mississippi during the Freedom Summer of 1964. Freshwater Road has been called one of the best novels written about the Civil Rights Movement. Nicholas herself has been praised repeatedly over the years for her beautiful prose and is continually mentioned along with Alice Walker and Ernest J. Gaines as the most important novelists documenting this era. When University of Michigan sophomore Celeste Tyree travels to Mississippi to volunteer her efforts in Freedom Summer, she's assigned to help register voters in the small town of Pineyville, a place best known for a notorious lynching that occurred only a few years earlier. As the long, hot summer unfolds, Celeste befriends several members of the community, but there are also those who are threatened by her and the change that her presence in the South represents. Finding inner strength as she helps lift the veil of oppression and learns valuable lessons about race, social change, and violence, Celeste prepares her adult students for their showdown with the county registrar. All the while, she struggles with loneliness, a worried father in Detroit, and her burgeoning feelings for Ed Jolivette, a young man also in Mississippi for the summer. By summer's end, Celeste learns there are no easy answers to the questions that preoccupy her-about violence and nonviolence, about race, identity, and color, and about the strength of love and family bonds. In Freshwater Road, Denise Nicholas has created an unforgettable story that-more than ten years after first appearing in print-continues to be one of the most cherished works of Civil Rights fiction.

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With the end of the Cold War and the disintegration of the Soviet Union, newly formed governments throughout Eastern Europe and the former Soviet states have created constitutions that provide legal frameworks for the transition to free markets and democracy. In Constitution-Making in the Region of Former Soviet Dominance, Rett R. Ludwikowski offers a comparative study of constitution-making in progress and provides insight into the complex political and social circumstances that are shaping its present and future. The first study of these recent constitutional developments, this book also provides an appendix of all newly ratified constitutions in the region, an essential new reference source for scholars, students, and professionals.Beginning with a review of the constitutional traditions of Eastern and Central Europe, Ludwikowski goes on to offer analysis of the recent process of political change in the region. A second section focuses specifically on the the new constitutions and such issues as the selection of the form of government, concepts of divisions of power, unicameralism vs. bicameralism, the flexibility or rigidity of constitutions as working documents, and the process of reviewing the constitutionality of laws. Individual states as framed in these documents are analyzed in economic, political, and cultural terms. Although it is too soon to fully consider the implementation of these constitutions, special attention is devoted to the effect of reform on human rights protection, a notorious problem of continuing concern in the region. A final section offers an insightful comparative study of constitutional law by reviewing the post-Soviet process of constitution-making against the backdrop of Western constitutional traditions. Constitution-Making in the Region of Former Soviet Dominance is both a comprehensive study of constitutional developments in the former Soviet bloc and a primary reference tool for scholars of constitutional law, and Eastern European and post-Soviet studies.

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The main purpose of this book is to validate a reading of Joyce in negative terms. Central to the enquiry is an examination of the roles of irony and of indeterminacy. Irony, interpreted in metaphysical rather than merely rhetorical terms, is envisaged as deriving from two separate if related orientations, one associated with Friedrich Schlegel, the other with Gustave Flaubert. Insofar as Joyce's work (including "Ulysses") owes more to the latter than the former, it forgoes the genial humour central to Schlegel's theories, and embraces instead the ironic detachment and formal control of a Flaubertian perspective. Such irony (which entails a suspicion of sentiment and a related dehumanisation of character, as in some of the stories in Dubliners) becomes normative in Joyce, and along with a similarly deflationary parody pervades "Ulysses". In addition, a persistent indeterminacy is established as early as 'The Dead', so that it becomes impossible in that story to adjudicate between not just contradictory but mutually exclusive interpretations. Such indeterminacy is pushed to further extremes in "Ulysses", with its notorious proliferation of narrative perspectives. As a corollary to the work's encyclopaedic inclusiveness and quotidian particularism, every detail tends to assume the same significance as every other; the consequence being that (in Gyorgy Lukacs' famous formulation) we lose all sense of any 'hierarchy of meaning'. From that it is but a step to Franco Moretti's assessment that in "Ulysses" everyday existence remains 'inert, opaque - meaningless', and that in fact the whole point is to represent the meaningless precisely 'as meaningless'. Indeterminacy, in effect, ushers in the possibility of nihilism. The analysis of "Ulysses" culminates with the attempt (unavailing in both cases) to discover in either Bloom or Molly a genuine source of countervailing affirmation. The study concludes with a brief consideration of the polysemic vocabulary of "Finnegans Wake" as a logical extrapolation of the poetics of indeterminacy.

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The instant Sunday Times bestseller A Times, New Statesman and Spectator Book of the Year 'Simply the best popular history of the Middle Ages there is' Sunday Times 'A great achievement, pulling together many strands with aplomb' Peter Frankopan, Spectator, Books of the Year 'It's so delightful to encounter a skilled historian of such enormous energy who's never afraid of being entertaining' The Times, Books of the Year 'An amazing masterly gripping panorama' Simon Sebag Montefiore 'A badass history writer... to put it mildly' Duff McKagan 'A triumph' Charles Spencer Dan Jones's epic new history tells nothing less than the story of how the world we know today came to be built. It is a thousand-year adventure that moves from the ruins of the once-mighty city of Rome, sacked by barbarians in AD 410, to the first contacts between the old and new worlds in the sixteenth century. It shows how, from a state of crisis and collapse, the West was rebuilt and came to dominate the entire globe. The book identifies three key themes that underpinned the success of the West: commerce, conquest and Christianity. Across 16 chapters, blending Dan Jones's trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive western powers thrived by attracting – or stealing – the most valuable resources, ideas and people from the rest of the world. It casts new light on iconic locations – Rome, Paris, Venice, Constantinople – and it features some of history's most famous and notorious men and women. This is a book written about – and for – an age of profound change, and it asks the biggest questions about the West both then and now. Where did we come from? What made us? Where do we go from here? Also available in audio, read by the author.

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After the publication of his best-selling novel, Joseph Heller usually chose to deny that any of his richly drawn characters were based on his actual war mates. However, to those who served with Heller in the 340th Bomb Group the novel’s characters were indeed recognisable; from the hard-drinking, vengeful, and disillusioned Chief White Half Oat; young, sliced-in-half Kid Sampson; shrieking, frenzied Hungry Joe; to Colonel Cathcart, Doc Dreedle, Yossarian and that capitalist supreme, Milo Minderbinder.In this book we finally encounter the real men and combat missions on which the novel was based. Blending fact, fancy and history with full-blown original illustrations and rare, previously unpublished photos of these daring USAAF flyers and their Corsican-based B-25 Marauders, along with descriptions of the 340th’s real wartime events, the work includes twelve men of the Bomb Group relating twelve richly told tales of their own.Now all of the men upon whom Heller based his characters are gone. However, the last survivor, George L. Wells, was an extraordinary combat pilot and the model for Catch-22s Capt. Wren, and he is the common thread who weaves through this book, allowing the reader to truly feel the war and even thumb through George’s well-worn mission book describing attacks on Axis ports, ships, bridges, and the notorious Brenner Pass.Author Patricia Chapman Meder has been a professional artist in both fine and commercial art for the past 35 years,13 of them in Europe. When Catch-22 was published it was quickly apparent that this book was based on the Bomb Group her father commanded in World War II. This true-life parallel book thus begged to be written.

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Discover the sizzling brother's-best-friend, small town romance that went viral on TikTok - now in a special edition with an exclusive sneak peek at the next book in the series and a Q&A with the author!She's off-limits, but he's never been good at following the rules . . .'A sweet slow burn . . . sunshine in written form' - Lana Ferguson, USA Today bestselling author For the first time in her life, Clementine 'Emmy' Ryder has no idea what she's doing. She's accomplished everything on her to-do list. She left her small hometown of Meadowlark, Wyoming, went to college, and made a career for herself by doing her favorite thing: riding horses. But after an accident makes it impossible for her to get back into the saddle, she has no choice but to return to the hometown she always wanted to escape.Luke Brooks is Meadowlark's most notorious bad boy, bar owner, and bachelor. He's also the unofficial fifth member of the Ryder family. As Emmy's older brother's best friend, Luke spent most of his childhood antagonizing her. It's been years since he's seen her, but when she walks into his bar and back into his life, he can't take his eyes off her. Against his better judgment, he wants to do a whole lot more than just look at her. As things between Emmy and Brooks heat up, it gets more difficult for him to keep his hands off of her. Can he help her get her spark back? Or will they both go up in flames?5* READER REVIEWS FOR DONE AND DUSTED'SUCH a joy to read''The plot . . . amazing, the characters . . . amazing and the spice . . . AMAZING''This was so cute!!!''I am absolutely + utterly obsessed with this book''I ate this book up!'

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Today complex numbers have such widespread practical use--from electrical engineering to aeronautics--that few people would expect the story behind their derivation to be filled with adventure and enigma. In An Imaginary Tale, Paul Nahin tells the 2000-year-old history of one of mathematics' most elusive numbers, the square root of minus one, also known as i. He recreates the baffling mathematical problems that conjured it up, and the colorful characters who tried to solve them. In 1878, when two brothers stole a mathematical papyrus from the ancient Egyptian burial site in the Valley of Kings, they led scholars to the earliest known occurrence of the square root of a negative number. The papyrus offered a specific numerical example of how to calculate the volume of a truncated square pyramid, which implied the need for i. In the first century, the mathematician-engineer Heron of Alexandria encountered I in a separate project, but fudged the arithmetic; medieval mathematicians stumbled upon the concept while grappling with the meaning of negative numbers, but dismissed their square roots as nonsense. By the time of Descartes, a theoretical use for these elusive square roots--now called "imaginary numbers"--was suspected, but efforts to solve them led to intense, bitter debates. The notorious i finally won acceptance and was put to use in complex analysis and theoretical physics in Napoleonic times. Addressing readers with both a general and scholarly interest in mathematics, Nahin weaves into this narrative entertaining historical facts and mathematical discussions, including the application of complex numbers and functions to important problems, such as Kepler's laws of planetary motion and ac electrical circuits. This book can be read as an engaging history, almost a biography, of one of the most evasive and pervasive "numbers" in all of mathematics.

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A dramatic intellectual biography of Victorian jurist Travers Twiss, who provided the legal justification for the creation of the brutal Congo Free StateEminent jurist, Oxford professor, advocate to the Archbishop of Canterbury, Travers Twiss (1809–1897) was a model establishment figure in Victorian Britain, and a close collaborator of Prince Metternich, the architect of the Concert of Europe. Yet Twiss’s life was defined by two events that threatened to undermine the order that he had so stoutly defended: a notorious social scandal and the creation of the Congo Free State. In King Leopold’s Ghostwriter, Andrew Fitzmaurice tells the incredible story of a man who, driven by personal events that transformed him from a reactionary to a reformer, rewrote and liberalised international law—yet did so in service of the most brutal regime of the colonial era.In an elaborate deception, Twiss and Pharaïlde van Lynseele, a Belgian prostitute, sought to reinvent her as a woman of suitably noble birth to be his wife. Their subterfuge collapsed when another former client publicly denounced van Lynseele. Disgraced, Twiss resigned his offices and the couple fled to Switzerland. But this failure set the stage for a second, successful act of re-creation. Twiss found new employment as the intellectual driving force of King Leopold of Belgium’s efforts to have the Congo recognised as a new state under his personal authority. Drawing on extensive new archival research, King Leopold’s Ghostwriter recounts Twiss’s story as never before, including how his creation of a new legal personhood for the Congo was intimately related to the earlier invention of a new legal personhood for his wife.Combining gripping biography and penetrating intellectual history, King Leopold’s Ghostwriter uncovers a dramatic, ambiguous life that has had lasting influence on international law.

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One didn't dare to inhale for fear of breathing it in. It was the sound of eighteen hundred airplanes approaching Hamburg from the south at an unimaginable height. We had already experienced two hundred or even more air raids, among them some very heavy ones, but this was something completely new. And yet there was an immediate recognition: this was what everyone had been waiting for, what had hung for months like a shadow over everything we did, making us weary. It was the end.Novelist Hans Erich Nossack was forty-two when the Allied bombardments of German cities began, and he watched the destruction of Hamburg—the city where he was born and where he would later die—from across its Elbe River. He heard the whistle of the bombs and the singing of shrapnel; he watched his neighbors flee; he wondered if his home—and his manuscripts—would survive the devastation. The End is his terse, remarkable memoir of the annihilation of the city, written only three months after the bombing. A searing firsthand account of one of the most notorious events of World War II, The End is also a meditation on war and hope, history and its devastation. And it is the rare book, as W. G. Sebald noted, that describes the Allied bombing campaign from the German perspective.In the first English-language edition of The End, Nossack's text has been crisply translated by Joel Agee and is accompanied by the photographs of Erich Andres. Poetic, evocative, and yet highly descriptive, The End will prove to be, as Sebald claimed, one of the most important German books on the firebombing of that country. "A small but critical book, something to read in those quiet moments when we wonder what will happen next."—Susan Salter Reynolds, Los Angeles Times

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The only way to appreciate the legendary Mark E Smith is to encounter the man in his own words.'Ranting, raging, burning...relentlessly splenetic, a long and sustained rant... may also be the funniest music book ever written' - Observer'Unutterably funny... a riot of aimings and blamings and score-settlings. Smith manages to have a right laff, and reveal himself as a figure of dazzling sociological import' - Independent on SundayThe Fall are one of the most distinctive British bands ever, their music - odd, spare, cranky and repetitious - an acknowledged influence on The Smiths, The Happy Mondays, Nirvana and Franz Ferdinand. And Mark E. Smith IS The Fall - 66 members came and went over the years yet he remained its charismatic leader until his death in 2018.'If it's me and yer granny on bongos, it's The Fall.' - Mark E. SmithMark was a professional outsider and all-round enemy of compromise, a true enigma. There have been a number of biographies of the legendary Smith, but this is the first time he opened up in a full autobiography. For the first time we hear his full, candid take on the ups and downs of a band as notorious for its in-house fighting as for its great music; and on a life that endured prison in America, drugs, bankruptcy, divorce, and the often bleak results of a legendary thirst.'Remarkable, brilliant. A provocative joy. Smith's rant gushes like a furious fountain of razor-sharp invective over his childhood and the early days of The Fall, relationships/ marriage, the record industry/ musicians and his views on everything from football to mobile phones, from drinking and drugs to driving, from books to bankruptcy, from Paul Morley to pubs. Unbeatable' - Time Out 'Engrossing, exhausting, dense with fascinating detail. As both memoir and cultural history, Renegade is a remarkable achievement' - Daily Telegraph

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AN INSTANT #1 NEW YORK TIMES AND #1 USA TODAY BESTSELLERIn the follow-up to It Happened One Summer, Tessa Bailey delivers another deliciously fun rom-com about a former player who accidentally falls for his best friend while trying to help her land a different man…King crab fisherman Fox Thornton has a reputation as a sexy, carefree flirt. Everyone knows he’s a guaranteed good time—in bed and out—and that’s exactly how he prefers it. Until he meets Hannah Bellinger. She’s immune to his charm and looks, but she seems to enjoy his… personality? And wants to be friends? Bizarre. But he likes her too much to risk a fling, so platonic pals it is.Now, Hannah's in town for work, crashing in Fox’s spare bedroom. She knows he’s a notorious ladies’ man, but they’re definitely just friends. In fact, she's nursing a hopeless crush on a colleague and Fox is just the person to help with her lackluster love life. Armed with a few tips from Westport’s resident Casanova, Hannah sets out to catch her coworker’s eye… yet the more time she spends with Fox, the more she wants him instead. As the line between friendship and flirtation begins to blur, Hannah can't deny she loves everything about Fox, but she refuses to be another notch on his bedpost. Living with his best friend should have been easy. Except now she’s walking around in a towel, sleeping right across the hall, and Fox is fantasizing about waking up next to her for the rest of his life and… and… man overboard! He’s fallen for her, hook, line, and sinker. Helping her flirt with another guy is pure torture, but maybe if Fox can tackle his inner demons and show Hannah he’s all in, she'll choose him instead?

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As the outbreak of a new and deadly form of coronavirus dominates headlines and triggers fear and global recession, now is a good time to reflect on the history and science of transmissible diseases. Behind every disease is a story, from the natural history of the disease and its course in the individual, to the tale of the disease's description, discovery and treatment. From the impact of tuberculosis on English dynastic history to the makeup of our DNA; from the deadliest plagues of the ancient world to twenty-first century pandemics; and from the ravages of the Black Death to the discovery of antibodies, transmissible diseases have an incredible variety of tales to tell. Contagion explores some of the most notorious, grisly, and pernicious communicable diseases in history, revealing their hidden stories. In addition to discussing their symptoms, causes, prevention, and treatment, Richard Gunderman also discusses their impact on notable figures in history, from soldiers to monarchs; the extraordinary contributions of the scientists and physicians who battled them; as well as their impacts on world history and human evolution. Here are the exploits of Edward Jenner, who invented the first vaccine; John Snow, the first person to study disease scientifically; Louis Pasteur, who established the germ theory of infection, along with a myriad other remarkable stories in the never ending struggle between humanity and disease. The narrative is brought right up to date with the desperate battle to stem the Covid-19 pandemic and discover a vaccine. Renowned medical expert Dr Richard Gunderman shows how disease has shaped the evolution of our species and, if we don't take the proper steps, may yet threaten our very existence on this planet.

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In 1827 the Duke of Wellington - former Commander-in-Chief of the British Army and British Prime Minister - ordered the withdrawal of British soldiers from the island of Ceylon after years of bloody conflict there. English cargo vessels, including the unarmed English Quaker ship _Morning Star_, were despatched to sail to Colombo to repatriate wounded British soldiers and a cargo of sealed crates containing captured treasure. By January 1828 , _Morning Star _was anchored at Table Bay, Cape Town, before joining an armed British convoy of East Indiamen, heading north. Heavily-laden, she struggled to keep up with the ships ahead. The notorious pirate Benito de Soto was the master of a heavily-armed pirate ship, lying in wait off Ascension Island in the mid-Atlantic to pick-off stragglers from passing convoys. _Morning Star_ was easily overhauled by the pirate and stopped with cannon fire. Her captain and officers were executed and the attackers fled to Spain with cargo stolen from the stricken ship. Later de Soto buried the treasure and travelled to British-ruled Gibraltar with forged identity documents to sell the spoils. The authorities, however, discovered his identity and he was arrested. Despite the absence of eye-witness evidence that he was the pirate captain, he was convicted of piracy before a British judge and jury and hanged at Gibraltar in early 1830\. It is clear that proof of de Soto's guilt in court was lacking, but astonishingly, when renovations were being carried out at de Soto's former home village in Galicia, Spain, in 1926, much of the treasures he had plundered from _Morning Star_ were found buried in the grounds there. Almost 100 years later, British justice administered in London and Gibraltar was vindicated

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Surrey is one of the smallest of the English counties, but also one of the most populous. However, it has managed to retain much of its open spaces and is the most densely wooded county in England. With this comes a rich history that stretches beyond the written record; it is no wonder that there is a wealth of folklore, legends, strange tales and unusual history about the county. The book will explore many of the fascinating stories that have built up around Surreyʼs ancient landscape, such as the giant sisters at St Catherineʼs and St Marthaʼs hills, the witch said to have inhabited Mother Ludlamʼs Cave and the Crowhurst Yew, the trunk of which once housed a room large enough for a table, chairs and more than a dozen people. Legendary heroes and heroines – and villains – of Surrey include Blanche Heriot and the infamous Mary Toft, the woman who gave birth to rabbits, the Godstone pirate, William Davis (the Golden Farmer) and Mary Frith, better known as Moll Cutpurse, the notorious highwaywoman. Spooky histories of places abound, such as Merstham Tunnel (scene of an unsolved murder in 1905), the haunting of Betchworth Castle, the ʻRailway of the Deadʼ at Brookwood, the Silent Pool, the Camberley Obelisk and a haunted house in Egham. Other unusual sites include Watts Cemetery Chapel, the Reigate Heath windmill church and Brockham Hill crater, where strange, foreign plants sprouted in the 1940s. Modern mysteries and urban legends have also entered into Surrey folklore, such as the A3 Ghost Crash of 2002, the Surrey Puma, the Thornton Heath Vampire, the disappearance of Agatha Christie, the Queenʼs ʻforgotten cousinsʼ in Royal Earlswood Asylum and the Reigate Martin Bormann. These strange and spooky stories are accompanied by illustrations of places, both present-day and historical, in this hugely entertaining book.

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'Utterly absorbing and deliciously erotic' Angela Knight'Hot, sexy, unique, intriguingly wicked' Christine Feehan _______________The #1 New York Times bestselling author of The Sinner brings another hot adventure of true love and ultimate sacrificeThe location of the glymera's notorious prison camp was lost after the raids. When a freak accident provides Nyx clues to where her sister may still be doing time, she becomes determined to find the secret subterranean labyrinth. Embarking on a journey under the earth, she learns a terrible truth- and meets a male who changes everything, forever.The Jackal has been in the camp for so long, he cannot recall anything of the freedom he once knew. Trapped by circumstances out of his control, he helps Nyx because he cannot help himself. After she discovers what happened to her sister, getting her back out becomes a deadly mission for them both.United by a passion they can't deny, they work together on an escape plan for Nyx- even though their destiny is to be forever apart. And as the Black Dagger Brotherhood is called upon for help, and Rhage discovers he has a half-brother who's falsely imprisoned, a devious warden plots the deaths of them all... even the Brothers. __________Find out why readers are OBSESSED with JR Ward 'Insanely good! . . . Intensely romantic and straight up flipping steamy, violent and gruesome, heartbreaking and deep. Her addictive writing tells a story like none other' Goodreads reviewer'I can't get enough of these sexy, tough, intriguing vampires' Amazon reviewer'Emotional by epic proportions' Kobo reviewer'The Black Dagger Brotherhood is a twisting, often surprising, but always awesome read' Amazon reviewer'A must read' Goodreads reviewer'The story had me captivated the whole way' Kobo reviewer'Each and every character is compelling' Amazon reviewer

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'Nothing gets me to a bookstore faster than Eloisa James' Julia Quinn The latest glittering, witty Regency romance from New York Times bestselling author Eloisa James . . . He wants a prim and proper duchess, not the Wildest of the Wildes!Already notorious for the golden hair that proves her mother's infidelity, Lady Joan can't seem to avoid scandals, but her latest escapade may finally ruin her: she's determined to perform the title role of a prince-in breeches, naturally.She has the perfect model in mind: Thaddeus Erskine Shaw, Viscount Greywick, a man who scorned the very idea of marrying her.Not that Joan would want such a dubious honour, of course.For years, Thaddeus has avoided the one Wilde who shakes his composure, but he's horrified when he grasps the danger Joan's putting herself in. Determined to keep her safe, he strikes a bargain: after one performance, the lady must return to her father's castle and marry one of three gentlemen whom he deems acceptable.Not including him, of course...Perfect for fans of Julia Quinn's Bridgertons and Eloisa's Desperate Duchesses The Wildes of Lindow Castle series:Wilde in LoveToo Wilde to WedBorn to Be WildeSay No to the DukePraise for Eloisa James: 'Eloisa James is extraordinary' Lisa Kleypas'Smart heroines, sensual heroes, witty repartee and a penchant for delicious romance have made James a fan favorite . . . readers will be hooked from beginning to end' RT Book Reviews'Romance writing does not get much better than this' People'Eloisa James writes with a captivating blend of charm, style, and grace that never fails to leave the reader sighing and smiling and falling in love' Julia Quinn'Charming, romantic and unexpectedly funny' Kirkus

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Few Americans and even fewer citizens of other nations understand the electoral process in the United States. Still fewer understand the role played by political parties in the electoral process or the ironies within the system. Participation in elections in the United States is much lower than in the vast majority of mature democracies. Perhaps this is because of the lack of competition in a country where only two parties have a true chance of winning, despite the fact that a large number of citizens claim allegiance to neither and think badly of both. Or perhaps it is because in the U.S. campaign contributions disproportionately favor incumbents in most legislative elections, or that largely unregulated groups such as the now notorious 527 organizations have as much impact on the outcome of a campaign as do the parties or the candidates' campaigns. For instance, in two of the last six presidential elections, the winner of the popular vote lost the election in the Electoral College; in two others, a change of fewer than 100,000 votes in selected states would have led to the same result. These factors offer a very clear picture of the problems that underlie our much trumpeted electoral system. The third edition of this Very Short Introduction analyzes these issues and more. Accounting for changes in electoral coalitions and the extent to which the American electorate is polarized in the wake of Donald Trump, L. Sandy Maisel explains how the system actually works while shining a light on some of its flaws. He also looks closely at turnout questions; efforts both to ease access to the ballot in some states and to restrict access in others; and the role of social media in campaign strategy.

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The Rwandan genocide, the Holocaust, the lynching of African Americans, the colonial slave trade: these are horrific episodes of mass violence spawned from racism and hatred. We like to think that we could never see such evils again--that we would stand up and fight. But something deep in the human psyche--deeper than prejudice itself--leads people to persecute the other: dehumanization, or the human propensity to think of others as less than human. An award-winning author and philosopher, Smith takes an unflinching look at the mechanisms of the mind that encourage us to see someone as less than human. There is something peculiar and horrifying in human psychology that makes us vulnerable to thinking of whole groups of people as subhuman creatures. When governments or other groups stand to gain by exploiting this innate propensity, and know just how to manipulate words and images to trigger it, there is no limit to the violence and hatred that can result. Drawing on numerous historical and contemporary cases and recent psychological research, On Inhumanity is the first accessible guide to the phenomenon of dehumanization. Smith walks readers through the psychology of dehumanization, revealing its underlying role in both notorious and lesser-known episodes of violence from history and current events. In particular, he considers the uncomfortable kinship between racism and dehumanization, where beliefs involving race are so often precursors to dehumanization and the horrors that flow from it. On Inhumanity is bracing and vital reading in a world lurching towards authoritarian political regimes, resurgent white nationalism, refugee crises that breed nativist hostility, and fast-spreading racist rhetoric. The book will open your eyes to the pervasive dangers of dehumanization and the prejudices that can too easily take root within us, and resist them before they spread into the wider world.

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A masterpiece of transgressive, surrealist erotica, George Bataille's Story of the Eye was the Fifty Shades of Grey of its era. This Penguin Modern Classics edition is translated by Joachim Neugroschal, and published with essays by Susan Sontag and Roland Barthes.Bataille's first novel, published under the pseudonym 'Lord Auch', is still his most notorious work. In this explicit pornographic fantasy, the young male narrator and his lovers Simone and Marcelle embark on a sexual quest involving sadism, torture, orgies, madness and defilement, culminating in a final act of transgression. Shocking and sacrilegious, Story of the Eye is the fullest expression of Bataille's obsession with the closeness of sex, violence and death. Yet it is also hallucinogenic in its power, and is one of the erotic classics of the twentieth century.This edition also includes Susan Sontag's superb study of pornography as art, 'The Pornographic Imagination', as well as Roland Barthes' essay 'The Metaphor of the Eye'.Georges Bataille (1897-1962), French essayist and novelist, was born in Billom, France. He converted to Catholicism, then later to Marxism, and was interested in psychoanalysis and mysticism, forming a secret society dedicated to glorifying human sacrifice. Leading a simple life as the curator of a municipal library, Bataille was involved on the fringes of Surrealism, founding the Surrealist magazine Documents in 1929, and editing the literary review Critique from 1946 until his death. Among his other works are the novels Blue of Noon (1957) and My Mother (1966), and the essays Eroticism (1957) and Literature and Evil (1957).If you enjoyed Story of the Eye, you might like Anaïs Nin's Delta of Venus, also available in Penguin Modern Classics.'His black masterpiece ... [a] brilliant, exquisitely fetishistic tale of sexual agitaion'New Statesman

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'Well into MARTINA COLE territory' Independent'A cracking good read' JESSIE KEANEON THE STREETS OF LONDON, DANGER LURKS EVERYWHERE . . . Liv Anderson can take care of herself and she knows how to make money in a man's world. The daughter of a convicted murderer, she's made her way in one of the roughest parts of London by entrapping men and extorting them for money. But Liv is playing a dangerous game and soon finds herself in trouble with the city's most notorious gangster . . . To repay her debt, Liv is forced to pose as a secretary for a local property developer and report back on his movements. She has no idea what she's looking for, but she'll do anything to stay alive. And after the murder of a local prostitute and the disappearance of a friend, Liv is starting to think survival may be harder than she realised. But Liv isn't only concerned with repaying her debt - she also wants to know more about her father. As she desperately tries to uncover the truth about his past, her suspicious behaviour places her in grave danger. But when you're working with gangsters, who can you trust?Full of the same danger and grit as its London setting, this is Roberta Kray at the top of her game. Get ready for a KILLER read . . .Early reader reviews for DOUBLE CROSSED:'I absolutely love a Roberta Kray book . . . gangland at its finest''Highly recommended to all . . . You will not be disappointed!''A gritty crime novel that you can't put down . . . do yourself a favour and read it''Roberta Kray really knows her stuff. Gritty gangland is her forte . . . Recommendation is high for this one. 5*''If you love gangster books, this one is for you . . . another winner for the author'

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ARE YOU READY TO ENTER THE HALF BURNT HOUSE? . . .The spine-tingling new thriller from the internationally bestselling author of Richard & Judy pick THE WHISPER MAN'The Half Burnt House is Alex North at his best - a writer who can terrify you on one page and break your heart on the next' STEVE CAVANAGH'One of those books that made me wish I'd written it. North wields suspense like a blade. Breath-taking and terrifying' HELEN FIELDS'Dark, gripping, and twisty' CLARIE MCGOWAN'Endlessly intriguing' NEW YORK TIMES____________Katie Shaw always looked after her younger brother Chris - until she left him alone one carefree afternoon and he was savagely attacked. He hasn't spoken to her since.Now a mother, Katie vows not to repeat her mistakes. Carelessness cost her one family, and she won't let it destroy another.Then she receives a call from the police.They're investigating a particularly brutal murder, in a half-ruined house that once belonged to a notorious local serial killer. The case has thrown up many unsettling questions, but only one prime suspect: Chris.The detective wants Katie's help finding him, but she has only one thing on her mind: proving her brother's innocence, and finally making up for her negligence all those years ago. But soon it becomes clear that the killer isn't finished yet.Which means that even as she attempts to save her old family, Katie is placing her new one in deadly peril . . .____________'North's poetic way with even the most grotesque of situations is always a joy. The Half Burnt House is his best yet. I love it' ALEX MARWOOD'Thrilling, moving and utterly gripping; The Half Burnt House is a triumph' WILLIAM RYAN'A masterfully creepy, atmospheric rush of a read that will linger with you long after you've finished the last page' NEIL BROADFOOT

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Get ready to infiltrate the dangerous, secret world of criminals and cover identities by way of the Bureau of Alcohol, Tobacco, Firearms, and Explosives (ATF)—where the world's greatest undercover agents are known as RatSnakes. RatSnakes are rarely, if ever, visible to the public they move among and risk their lives to protect. In fact, thanks to their cover personas, they're often assumed to be members of the clandestine criminal world they investigate. Real-life undercover work is a far cry from the sexy, candy-colored world you've seen in Hollywood movies. Only those strong and clever enough get inside and survive. Vincent A. Cefalu would know. He spent 30 years as an ATF undercover operative, in assignments ranging from the Symbionese Liberation Army to Asian organized crime. He has infiltrated notorious outlaw motorcycle gangs as well as splinter groups of the Ku Klux Klan, and in RatSnakes he provides a transparent look at the organization and the operatives with whom he risked his life. Part field guide, part heart-pounding thrill-ride, Cefalu takes readers on a tour of what it's like to confront death on a daily basis. En route, he gives us a look at the on-the-job techniques of kicking in doors, orchestrating "street theater" to ensnare criminals, and making high-stakes gun buys. His irreverent, explicit stories from the inside are a mix of danger and unexpected hilarity that will have readers laughing one minute and then biting their nails when things break bad. Immersive and brutal, RatSnakes offers an in-depth and eye-opening look into the lives of an elite group of men and women who volunteer to do things most couldn't and wouldn't stomach. Civilians with common sense and good judgment run from danger, while RatSnakes sprint toward it—smiling.

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A shortage of affordable new housing, builders choosing to build larger, more profitable houses, and a diminishing stock of cheap houses for rent. All this sounds very familiar today, but at the end of the Great War, scarcely any houses had been built for four years and there was political pressure to build ‘Homes for Heroes’, impelled to a degree by fear of revolution. Council housing, supported by central government funding, was the chosen solution in 1919, and this study by Malcolm Graham, a leading Oxford local historian for many years, examines the consequences in Oxford, then a university city on the cusp of change. Behind the city’s Dreaming Spires image, housing for the working population was already in short supply, but an economy-minded and largely non-political City Council had always been reluctant to intervene in the housing market. In 1919, there was no hint of the city’s industrial future, and the City Council saw the replacement of substandard houses as its main challenge. The meteoric rise of the local motor industry in the early 1920s led to rapid population growth and created a massive new demand for cheap housing. Dr Graham examines the uneasy partnership between the City Council and Whitehall which led to the building of over 3,000 council houses in Oxford between the Wars. The provision of these ‘wholesome dwellings’ was a substantial, and lasting, achievement, but private builders were in fact catering for most housing need in and around the city by the 1930s. The notorious Cutteslowe Walls, built to exclude council tenants from an adjoining private estate, reflected the way in which the growing city was being socially segregated. Dr Graham provides a fascinating insight into how modern Oxford evolved away from the university buildings and college quadrangles for which the city is internationally renowned.

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A second helping of tales on the joys and challenges of working, eating, and loving in France from the New York Times bestselling author of Pancakes in Paris.Craig Carlson set out to do the impossible: open the first American diner in Paris. Despite never having owned his own business before—let alone a restaurant, the riskiest business of all—Craig chose to open his diner in a foreign country, with a foreign language that also happens to be the culinary capital of the world. While facing enormous obstacles, whether its finding cooks who can navigate the impossibly petite kitchen (and create delicious roast Turkey for their Thanksgiving Special to boot), finding “exotic” ingredients like bacon, breakfast sausage, and bagels, and dealing with constant strikes, demonstrations, and Kafkaesque French bureaucracy, Craig and his diner, Breakfast in America, went on to be a great success—especially with the French. By turns hilarious and provocative, Craig takes us hunting for snails with his French mother-in-law and invites us to share the table when he treats his elegant nonagrian neighbor to her first-ever cheeseburger. We encounter a customer at his diner who, as a self-proclaimed anarchist, tries to stiff his bill, saying it’s his right to “dine and dash.” We navigate Draconian labor laws where bad employees can’t be fired (even for theft) and battle antiquated French bureaucracy dating back to Napoleon. When Craig finds love, he and his debonair French cheri find themselves battling the most unlikely of foes—the notorious Pigeon Man—for their sanity, never mind peace and romance, in their little corner of Paris. For all those who love stories of adventure, delicious food, and over-coming the odds, Let Them Eat Pancakes will satisfy your appetite and leave you wanting even more.

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The first incarnation of this Broadview edition of Heart of Darkness appeared in 1995, the second in 1999; both were widely acclaimed, and the Goonetilleke Heart of Darkness remained for many years one of Broadview's best-selling titles. For the third edition the book has been completely revised and updated to take account of the scholarship of the most recent generation. The introduction has been extensively rewritten, and the appendices of contextual materials thoroughly overhauled.The two previous editions of the Goonetilleke Heart of Darkness included a substantial selection of documents on the history of Benin, ranging from excerpts taken from Olaudah Equiano's eighteenth-century narrative to documents concerning the Benin massacre of 1897. Those documents concerning a neighboring Bantu society were included in large part because of the paucity of known late nineteenth-century documents concerning the Congo by black Africans - or indeed by black observers of any nationality. In place of those Benin-related materials, this new edition includes substantial excerpts from George Washington Williams's Letter to Leopold II, as well as substantial excerpts from an extraordinary document not included in any other edition of Heart of Darkness (but discussed extensively in two ground-breaking twenty-first century works of scholarship, David Van Reybrouck's Congo: The Epic History of a People and Maya Jasanoff's The Dawn Watch: Joseph Conrad in a Global World): the autobiography of Disasi Makulo. Makulo grew up near the shore of the Congo River in the 1880s and early 1890s, was enslaved by notorious ivory dealer Tippu Tip, and then was taken under the wing of Henry Morgan Stanley. Makulo's account - substantial excerpts of which are here translated into English for the first time - opens an unprecedented window on life in the equatorial forest of the Congo in the late nineteenth century.

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The New York Times bestselling author of The Library of Light and Shadow crafts “an enchanting glimpse of Jazz Age New York” (Christina Baker Kline, #1 New York Times bestselling author of Orphan Train) about a young painter whose traumatic past threatens to derail her career at a prestigious summer artists’ colony run by Louis Comfort Tiffany of Tiffany & Co. fame. New York, 1924: Twenty‑four‑year‑old Jenny Bell is one of a dozen burgeoning artists invited to Louis Comfort Tiffany’s prestigious artists’ colony. Gifted and determined, Jenny vows to avoid all distractions and take full advantage of the many wonders to be found at Laurelton Hall. But Jenny’s past has followed her there. Images of her beloved mother, her hard-hearted stepfather, murder, and the dank hallways of Canada’s notorious Andrew Mercer Reformatory for Women overwhelm Jenny’s thoughts, even as she is inextricably drawn to Oliver, Tiffany’s charismatic grandson. As the summer shimmers on, and the competition between the artists grows fierce as they vie for a spot at Tiffany’s New York gallery, a series of suspicious and disturbing occurrences suggest someone else knows about Jenny’s childhood trauma. Supported by her closest friend Minx Deering, a seemingly carefree socialite yet dedicated sculptor, and Oliver, Jenny pushes her demons aside. Between stolen kisses and jewels, the champagne flows and the jazz plays on until one moonless night when Jenny’s past and present are thrown together in a desperate moment, that will threaten her promising future, her love, her friendships, and her very life. “This fast-paced mystery, star-crossed romance, and love letter to Louis Comfort Tiffany will captivate Rose’s many fans and readers of 20th-century historical fiction” (Library Journal, starred review).

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Finally, a compelling narrative history of the Lincoln assassination that refuses to ignore John Wilkes Booth's motivation: his growing, obsessive commitment to white supremacy.On April 14, 1865, after nearly a year of conspiring, John Wilkes Booth shot Abraham Lincoln as the president watched a production of Our American Cousin at Ford's Theatre. Lincoln died the next morning. Twelve days later, Booth himself was fatally shot by a Union soldier after an extensive manhunt. The basic outline of this story is well known even to schoolchildren; what has been obscured is Booth's motivation for the act, which remains widely misunderstood nearly 160 years after the shot from his pocket pistol echoed through the crowded theater. In this riveting new book, John Rhodehamel argues that Booth's primary motivation for his heinous crime was a growing commitment to white supremacy. In alternating chapters, America's Original Sin shows how, as Lincoln's commitment to emancipation and racial equality grew, so too did Booth's rage and hatred for Lincoln, whom he referred to as "King Abraham Africanus the First." Examining Booth's early life in Maryland, Rhodehamel traces the evolution of his racial hatred from his youthful embrace of white supremacy through to his final act of murder. Along the way, he considers and discards other potential motivations for Booth's act, such as mental illness or persistent drunkenness, which are all, Rhodehamel writes, either insufficient to explain Booth's actions or were excuses made after the fact by those who sympathized with him.Focusing on how white supremacy brought about the Civil War and, later, betrayed the conflict's emancipationist legacy, Rhodehamel's masterful narrative makes this old story seem new again. The first book to explicitly name white supremacy as the motivation for Lincoln's assassination, America's Original Sin is an important and eloquent look at one of the most notorious episodes in American history.

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THINK YOU KNOW THE SAS?THINK AGAIN...From no.1 bestselling SAS hero Chris Ryan, comes MANHUNTER: the first book in an explosive new series featuring Josh Bowman, a battle-worn Regiment soldier hand-picked to join a shadowy unit within the SAS._________________When foreign governments act like gangsters, a new kind of SAS is needed . . .In London, assassins carry out a deadly chemical weapons attack at the royal wedding. All the signs point to a Kremlin-sanctioned hit. Their victim: a notorious mobster.'The Cell' is a shadowy unit within the SAS, dedicated to fighting global organised crime. In a world where the Russian government is the real mob, it's the job of the Cell to defend British interests at home and abroad. Only the elite are selected; only the very best will survive. For SAS staff sergeant Josh Bowman, whose young family was brutally murdered by an Albanian crime gang, it's a chance for revenge - and to bury his secret opioid addiction.But the Russians have only just begun. When the Cell uncovers a sinister plot against a British-backed tyrant in Africa, they are quickly drawn into a deadly race against time. Soon they find themselves fighting a terrifying enemy in a brutal fight to the death.Outnumbered, outgunned and with no military support, Bowman and his comrades are all that stand between Moscow and ultimate victory . . ._________________Praise for SAS legend Chris Ryan:'Ryan writes with the authority of a man familiar with every nuance of the regiment's tactics, training, weapons and equipment' - SUNDAY TIMES'Nobody takes you to the action better than Ryan' - EVENING STANDARD'Intelligent and enthralling' - FINANCIAL TIMES'The action comes bullet-fast' - THE SUN'Fearsome and fast-moving' - DAILY MAIL

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