Search results for ""Notorious""

Unscrupulous bounty hunter. Cunning rogue trader, Sadistic interrogator. They're adversaries to avoid, but now they've found Jenna Stannis and Cally. The Amagons deceive enemies and allies alike. Dorian's glamour disguises his danger. And there's no hiding Shrinker's brutal intentions. These villains will have no mercy when they encounter our heroes. Contains three stories: 1. The Amagon Queen by Trevor Baxendale. Smugglers. Slave-traders. Bounty hunters. Jenna Stannis knows from personal experience that you just can’t trust the Amagons. So why has she delivered herself alone into the hands of the infamous Amagon Queen? And can Cally help her escape before a Federation commander and his ruthless mutoid track them all down? 2. The Deal with Dorian by Mark B Oliver. Jenna Stannis and Cally need supplies to repair the damaged Liberator, and treacherous dealer Dorian is the only one who can help. But he has dangerous plans of his own at a remote Federation research station. Will Cally and Jenna realise the danger they’re in before they fall under Dorian’s influence? 3. Everyone Talks to Shrinker by Andrew Smith. Captured and alone, Jenna Stannis is defenceless in the Federation’s clutches. Cally’s desperate to find her friend – and they are both far from the Liberator. In a hostile Federation battleground, Jenna discovers there can be no escape from her cruel interrogator, the notorious Shrinker. CAST: Sally Knyvette (Jenna Stannis), Jan Chappell (Cally), Laura Aikman (Mutoid/Pesh), Nicholas Asbury (Robard), Nigel Betts (Shrinker/Patrol Leader), Gabrielle Glaister (Skillane), Nicola Goodchild (Lana Tremayne), Matthew Gravelle (Dorian), Ahmed Hamad (Kelver/Young Shrinker), Alistair Lock (Zen/Orac), Tania Rodrigues (Mandala), Duncan Wisbey (Zander/Makavat), Shane Zaza (Spindler/Amagon King). Other parts played by members of the cast.

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'Atkinson on her finest form. A marvel of plate-spinning narrative knowhow, a peak performance of consummate control.' OBSERVER'This is the perfect novel for uncertain times.' THE TIMES'I can think of few writers other than Dickens who can match it' SUNDAY TIMES'Brilliant' RICHARD OSMAN'Kate Atkinson is simply one of the best writers working today, anywhere in the world' GILLIAN FLYNN____1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time.At the heart of this glittering world is notorious Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie's empire faces threats from without and within. For beneath the dazzle of Soho's gaiety, there is a dark underbelly, a world in which it is all too easy to become lost.With her unique Dickensian flair, Kate Atkinson brings together a glittering cast of characters in a truly mesmeric novel that captures the uncertainty and mutability of life; of a world in which nothing is quite as it seems._____'Seduction, betrayal, and larger-than-life characters that will have you hooked until the last page' SUNDAY TELEGRAPH'This book is one to savour, for the energy, for the wit, for the tenderness of characterisation that make Atkinson enduringly popular' GUARDIAN'As vividly filthy, populous, dangerous as anything described by Dickens, but writing is closer to Thackeray's...Atkinson is a novelist of unrivalled immediacy, authority, and skill.' FINANCIAL TIMES

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A FINANCIAL TIMES BEST BOOK OF THE YEAR "Powerful, important, and searing." -General David Petraeus, U.S. Army (ret.), former commander, U.S. Central Command, former CIA directorIn 2015, the White House claimed triumphantly "the longest war in American history is over." But for some, it was just the beginning of a new and covert war, fought far from public view, with limited resources, little governmental oversight, and contradictory orders.Take Hutch, a battle-worn Green Beret on his fifth combat tour in 2015, tasked with a high-stakes mission: lead a small band of men into Kunduz, recapture the city from the Taliban, and turn it over to the Afghan government. The U.S. role was meant to be a secret-after all, the war was over. Then, disaster struck. He called in an airstrike on a Doctors Without Borders hospital, killing dozens of doctors and patients.Or Caleb, who stepped on a bomb during a raid on a Taliban hideout in notorious Sangin. Or Andy, trapped in Marjah with a crashed Black Hawk and no air support. From Hutch to Caleb to Andy, Eagle Down is a dramatic and intimate portrayal of this ongoing forgotten war that moves from the desperate battlegrounds in muddy Afghan villages all the way to the White House.Pulitzer Prize Finalist Jessica Donati, with big picture insight and on-the-ground grit, reveals how America came to rely on U.S. Special Forces, through successive policy directives that ramped up the war under the Obama and Trump administrations. Donati shows how the covert war failed to stabilize Afghanistan, and undermined U.S. interests both at home and abroad.Relying on Donati's daring on-the-ground reporting, first-hand accounts from Special Forces, military documents, and declassified reports, Eagle Down is an account of the heroism, sacrifice, and tragedy experienced by those that fought America's longest war.

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'Drawing on the stories of the soldiers who were there, this dramatic history of the SAS is full of bravado. Forged to fight guerrillas in the sweltering jungles of Malaya... Ryan writes with the authority of a man familiar with every nuance of the regiment's tactics, training, weapons and equipment.' - Sunday Times CultureTasked with storming mountain strongholds in the desert. Trained to hunt down the world's most wanted terrorists. This is the extraordinary story of 22 SAS. The history of the modern SAS is one of the great successes of post-war Britain. Since it was revived in 1950 to combat Communist insurgents, the Regiment has gone from strength to strength, fighting covert wars in Oman, Borneo, Northern Ireland, the Falklands, the Persian Gulf and beyond. In the process, it has become one of the most indispensable, and at times controversial, units in the British armyToday, the SAS is regarded as the world's leading Special Forces unit, renowned for its demanding Selection course and its relentless ability to adapt to the changing nature of warfare. More than anything else, however, it is the determination and ingenuity of the SAS soldiers that has made the Regiment what it is today. Drawing on his extensive network of contacts and his own experiences, Chris Ryan tells the story of the men on the ground. From the earliest patrols in the Malayan jungle, through to the storming of the Iranian Embassy, the daring raids behind enemy lines in the Gulf War, and up-to-minute missions to capture or kill notorious terrorists - this is the gripping, no-holds-barred account of Regiment operations. Above all, it is a story of elite soldiers fighting, and triumphing, against seemingly impossible odds.

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From the detective who helped catch the Golden State Killer, a memoir about investigating America's toughest cold cases, and the rewards - and toll - of a life spent solving crime.For a decade, from 1973, The Golden State Killer stalked and murdered Californians in the dead of night, leaving entire communities afraid to turn off the lights. Then he vanished, and the case remained unsolved.In 1994, when cold-case investigator Paul Holes came across the old file, he swore he would unmask GSK and finally give these families closure. Twenty-four years later, Holes fulfilled that promise, identifying 73-year-old Joseph J. DeAngelo. Headlines blasted around the world: one of America's most prolific serial killers had been caught.That case launched Paul's career into the stratosphere, turning him into an icon in the true-crime world. But while many know the story of the capture of GSK, until now, no one has truly known the man behind it all.In UNMASKED, Paul takes us through his memories of a storied career and provides an insider account of some of the most notorious cases in contemporary American history, including Laci Peterson's murder and Jaycee Dugard's kidnapping. But this is also a revelatory profile of a complex man and what makes him tick: the drive to find closure for victims and their loved ones; the inability to walk away from a challenge - even at the expense of his own happiness. This is a story about the gritty truth of crime solving when there are no 'case closed' headlines. It is the story of a man and his commitment to his cases, and to the people who might have otherwise been forgotten.

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From the New York Times bestselling author of the beloved, million-copy selling Stark series, comes Dirtiest Secret, the provocative first book in the Stark S.I.N. series. For fans of Fifty Shades of Grey, Sylvia Day, Meredith Wild and Jodi Ellen Malpas.It was wrong for us to be together, but it was even harder to be apart.The memory of Dallas Sykes burns inside of me. Everyone knows him as a notorious playboy, a man for whom women and money are no object. But to me, he's still the one man I desperately crave - yet the one I can never have. Dallas knows me better than anyone else. We bear the same scars, the same darkness in our past. I thought I could move on by staying away, but now that we're drawn together once more, I can't fight the force of our attraction or the temptation to make him mine.We've tried to maintain control, not letting ourselves give in to desire. And for so long we've told ourselves no - but now it's finally time to say yes.Don't miss the entire sexy Stark S.I.N. series: Dirtiest Secret, Hottest Mess and Sweetest Taboo.Find out how it all began for Damien and Nikki Stark in J. Kenner's hot and addictive bestselling Stark series: Release Me, Claim Me, Complete Me, Take Me, Have Me, Play My Game, Seduce Me, Unwrap Me and Deepest Kiss.Return to the smoking hot Stark world with the Stark International trilogy: Say My Name, On My Knees and Under My Skin is the explosively emotional story of Jackson Steele and Sylvia Brooks.Don't miss J. Kenner's sizzling Most Wanted series of three enigmatic and powerful men, and the striking women who can bring them to their knees: Wanted, Heated and Ignited.

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The fourth book in Chris Ryan's Extreme series.The Chris Ryan Extreme books take you even further into the heart of the mission with more extreme action, more extreme language and more extreme pace. Like Call of Duty or Medal of Honour you'll feel part of the team.Chris Ryan Extreme: Silent Kill has previously been published as four separate shorter missions. Now in one book to keep you at the heart of the action. Northern Ireland, 1993. For high-flying MI5 officer Avery Chance the real war has only just begun. When Chance is abducted by the IRA's notorious Nutting Squad, her hopes lie in the hands of a young SAS recruit who must risk everything to bring her home. Twenty years after his act of self-sacrifice in Belfast ex-SAS legend John Bald is a scarred shadow of his former self. But when a face from the past appears and rescues him from deep trouble, Bald is offered one last shot at redemption. His target is Kurt Pretorius, a ruthless mercenary operating deep in the wilds of war-ravaged Somalia. In a world where rogue mercenaries operate beyond the reach of the law, Kurt Pretorius has transformed himself into a god. It is up to Bald to stop Pretorius before he turns Somalia into a terrorist haven. But Bald quickly finds himself sucked into a twisted game of survival, where the stakes could not be higher - and the price of failure is his life... With time running out, Bald must kill Pretorius before he brings down everyone around him. It's a mission Bald was born to do. Because sometimes, the only way to beat your deadliest enemy...is to be like your deadliest enemy.

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The Rape of the Lock and Other Major Writings is a collection of Alexander Pope's greatest works, edited with an introduction by Leo Damrosch in Penguin Classics.Alexander Pope was the greatest English poet of his age, whose acerbic insights into human nature have entered the language, and whose verse still astonishes with its energy and inventiveness centuries after his death. This new selection of Pope's work follows the path of his poetic genius over his lifetime. It contains early poems including the masterly mock-epic 'The Rape of the Lock', which satirizes a notorious society scandal through glorious heroic couplets, the brilliantly aphoristic 'An Essay on Criticism' and excerpts from his translation of the Iliad. Later poems represented include Pope's ironic adaptations of Horace's Epistles, Satires and Odes, and the remarkable 'Dunciad', a stinging attack on his literary rivals and the mediocrity of Grub Street hacks. Here too are selected prose works and letters from Pope to his contemporaries such as John Gay and Jonathan Swift.This edition contains a wide-ranging introduction that elucidates Pope's life, poetic art and contemporary contexts, as well as separate introductions to each piece, a chronology, further reading, a biography and extensive notes. Alexander Pope (1688-1744) was born in London in 1688, the son of a well-to-do Roman Catholic cloth merchant. In 1709 he launched his career with a set of four pastorals, followed by An Essay on Criticism, Windsor Forest and the mock-epic Rape of the Lock, which cemented his reputation as the greatest poet of the age. Later works included the Dunciad, Epistles to Several Persons and the ambitious Essay on Man.If you enjoyed The Rape of the Lock, you might like Jonathan Swift's Gulliver's Travels, also available in Penguin Classics.

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When the Emperor and his notorious apprentice, Darth Vader, find themselves stranded in the middle of insurgent action on an inhospitable planet, they must rely on each other, the Force, and their own ruthlessness to prevail.“It appears things are as you suspected, Lord Vader. We are indeed hunted.”Anakin Skywalker, Jedi Knight, is just a memory. Darth Vader, newly anointed Sith Lord, is ascendant. The Emperor’s chosen apprentice has swiftly proven his loyalty to the dark side. Still, the history of the Sith Order is one of duplicity, betrayal, and acolytes violently usurping their Masters—and the truest measure of Vader’s allegiance has yet to be taken. Until now.On Ryloth, a planet crucial to the growing Empire as a source of slave labor and the narcotic known as “spice,” an aggressive resistance movement has arisen, led by Cham Syndulla, an idealistic freedom fighter, and Isval, a vengeful former slave. But Emperor Palpatine means to control the embattled world and its precious resources—by political power or firepower—and he will be neither intimidated nor denied. Accompanied by his merciless disciple, Darth Vader, he sets out on a rare personal mission to ensure his will is done.For Syndulla and Isval, it’s the opportunity to strike at the very heart of the ruthless dictatorship sweeping the galaxy. And for the Emperor and Darth Vader, Ryloth becomes more than just a matter of putting down an insurrection: When an ambush sends them crashing to the planet’s surface, where inhospitable terrain and an army of resistance fighters await them, they will find their relationship tested as never before. With only their lightsabers, the dark side of the Force, and each other to depend on, the two Sith must decide if the brutal bond they share will make them victorious allies or lethal adversaries.

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***WINNER OF THE CRIME WRITERS' ASSOCIATION ALCS GOLD DAGGER FOR NON-FICTION***'Meticulous and gripping - a thriller that disturbs for revelations about a singular act of murder, and the national security state which we call home' Philippe Sands, author of East West StreetA groundbreaking examination of a terrifying murder and its aftermath by the bestselling author of Hanns and Rudolf and The House by the Lake.On 14 June 2006, police were called to 9 Downshire Hill in Hampstead. The owner, Allan Chappelow, was a writer and notorious recluse who had not been seen for several weeks. Inside the darkened house, officers found piles of rubbish, trees growing through the floor, and the body of Chappelow, battered to death, partially burned and buried under four feet of paper.The man eventually arrested on suspicion of his murder was a Chinese dissident named Wang Yam, who claimed to be the grandson of one of Mao’s closest aides. His trial was the first in modern British history to be held ‘in camera’: closed, carefully controlled, secret. Wang Yam was found guilty, but has always protested his innocence. Did Wang Yam do it? Or was he framed for a crime he didn't commit?When everything is hidden, how do we know what's really true?www.bloodonthepage.com_________________'An In Cold Blood for our time – a brilliant and unflinching anatomy of a murder that is both brutal true crime and heartbreaking human tragedy' Tony Parsons'A fine and fascinating read, bolstered by exemplary research and nuanced insights.' Observer‘A real-life procedural... which might have important implications for us all.’ Guardian'Reads like a thriller... a rigorous investigation... a revealing piece of social history.' Sunday Times'Detailed, painstaking and fascinating.' Evening Standard

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Rather than providing a dictionary of superstitions, of which there are already numerous excellent, exhaustive and, in many cases, academic works which list superstitions from A to Z, Bainton gives us an entertaining flight over the terrain, landing from time to time in more thought-provoking areas. He offers an overview of humanity's often illogical and irrational persistence in seeking good luck and avoiding misfortune. While Steve Roud's two excellent books - The Penguin Dictionary of Superstitions and his Pocket Guide - and Philippa Waring's 1970 Dictionary concentrate on the British Isles, Bainton casts his net much wider. There are many origins which warrant the full back story, such as Friday the thirteenth and the Knights Templar, or the demonisation of the domestic cat resulting in 'cat holocausts' throughout Europe led by the Popes and the Inquisition. The whole is presented as a comprehensive, entertaining narrative flow, though it is, of course, a book that could be dipped into, and includes a thorough bibliography. Schoenberg, who developed the twelve-tone technique in music, was a notorious triskaidekaphobe. When the title of his opera Moses und Aaron resulted in a title with thirteen letters, he renamed it Moses und Aron. He believed he would die in his seventy-sixth year (7 + 6 = 13) and he was correct; he also died on Friday the thirteenth at thirteen minutes before midnight.As Sigmund Freud wrote, 'Superstition is in large part the expectation of trouble; and a person who has harboured frequent evil wishes against others, but has been brought up to be good and has therefore repressed such wishes into the unconscious, will be especially ready to expect punishment for his unconscious wickedness in the form of trouble threatening him from without.'

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In rabbinic parlance, A"Japheth in the tents of ShemA" (Genesis 9:27) has become a proverbial expression for the interaction between Greek and Jewish cultures. The present volume contains 15 studies exploring a wide variety of aspects of the meeting of these cultures in antiquity. In the past 30 years the manifold manifestations of 'Jewish Hellenism' have become the focus of intensive research. The author of this book has played an active part in this field and the essays presented here are the fruits of his most recent research. He investigates, among other things, the extent to which Greek had become the daily language of the Jews (and the Samaritans) in Hellenistic and Roman Palestine; the knowledge of Greek medical lore and science among the rabbis; the development of Greek forms of the synagogal Eighteen Benedictions; the Jewish participation in the Hellenistic-Roman debate about antediluvian knowledge ('wisdom from before the flood'); the background of the surprising phenomenon of voluntary celibacy among ancient Jews; the role of the veneration of the tombs of biblical prophets in Jewish popular religion; the work of the Judaeo-Greek alchemist Maria, who happens to be the first female Jewish author we know of; the life and works of the most notorious anti-Semite from pagan antiquity, Apion, and Josephus' response to him; the Samaritan diaspora in Rome; the attractiveness of Judaism for Christians; et multa cetera. Pieter W. van der Horst (1946) is professor of New Testament and of the Jewish and Hellenistic world of early Christianity at the Faculty of Theology of Utrecht University. He published some 250 articles and books in the fields of early Judaism, ancient Christianity, and Graeco-Roman culture, with a special emphasis on their interactions. He is a member of the Royal Netherlands Academy of Arts and Sciences.

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Contemporarily Theology and Political Sciences are on the way of reinventing Erik Peterson (1890-1960) as a central figure in the discourses of 1920s to 1950s. The volumes of his "Ausgewählte Schriften" give us insight into a thinking of high inner tensions, which was developed in an intellectual exchange with many important dialogue partners. First of all, Peterson's concept of the Political is of a high interest. Peterson formed this concept in a constant discussion with the famous and notorious jurist Carl Schmitt. In the early 30s their friendship an intellectual partnership broke because of their different statements to the totalized Political and the national socialist ideology. Peterson confronted the political Totalitarianism with an apocalyptical concept and image of the church as an independent public sphere, which has its main publicity through the worship in front of God's throne in the community of the earthly church and the heavenly assembly of angels. From this specific concept of publicity Peterson got an eminently critical power of judgement against political totalitarianism, which he viewed as the consequent self fulfilment of modernity. On his way Peterson converted from Lutheran Protestantism to Roman Catholicism in 1930. Until today his strongly liturgical and dogmatical shaped theology is a challenge for the search for a forthcoming ecumenical church.This volume is the first monograph about Peterson from a protestant perspective. Roger Mielke focuses on the concepts of the public and the political in Peterson's work - especially in relationship to Schmitt's project of a "Political Theology" and the intellectual exchange between Peterson and Schmitt. The author views the different contemporary discourses where the motives of Peterson's work are influential and has a special interest in the "Radical Orthodoxy"-discourse which is not yet received broadly in German speaking theology.

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A stunning investigation of the life and legend of Mexican kingpin Joaquín Archivaldo “El Chapo” Guzmán Loera, building on Noah Hurowitz’s revelatory coverage for Rolling Stone of El Chapo’s federal drug-trafficking trial.This is the true story of how El Chapo built the world’s wealthiest and most powerful drug-trafficking operation, based on months’ worth of trial testimony and dozens of interviews with cartel gunmen, Mexican journalists and political figures, Chapo’s family members, and the DEA agents who brought him down. Over the course of three decades, El Chapo was responsible for smuggling hundreds of tons of cocaine, marijuana, heroin, meth, and fentanyl around the world, becoming in the process the most celebrated and reviled drug lord since Pablo Escobar. El Chapo waged ruthless wars against his rivals and former allies, plunging vast areas of Mexico into unprecedented levels of violence, even as many in his home state of Sinaloa continued to view him as a hero. This unputdownable book, written by a great new talent, brings El Chapo’s exploits into a focus that previous profiles have failed to capture. Hurowitz digs in deep beyond the legends and delves into El Chapo’s life and legacy—not just the hunt for him, revealing some of the most dramatic and often horrifying moments of his notorious career, including the infamous prison escapes, brutal murders, multi-million-dollar government payoffs, and the paranoia and narcissism that led to his downfall. From the evolution of organized crime in Mexico to the militarization of the drug war to the devastation wrought on both sides of the border by the introduction of synthetic opioids like fentanyl, this book is a gripping and comprehensive work of investigative, on-the-ground reporting.

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Madness and Power. Can the insane rule? Can insanity be a leadership quality? Scott Rank says yes (well, sometimes) in this fascinating look at nine of history’s most notorious rulers, from the Roman emperor Caligula to the North Korean Communist dictator Kim Jong-il. Rank paints intimate portraits of these deeply flawed but powerful men, examining the role that madness played in their lives, the repercussions of their madness on history, and what their madness can tell us about the times in which they lived. In History’s 9 Most Insane Rulers, you will meet: • King Charles VI of France, who thought he was made of glass • Sultan Ibrahim I, who was driven mad by the sadistic succession battles of the Ottoman Empire • Caligula, who built temples to himself and whose reign highlighted the lethal tensions between the power of the new Imperial Rome and the prerogatives of the old Roman Republic • The Russian tsar who became known as Ivan “the Terrible” • King George III of Britain, who not only lost his American colonies, but lost his mind as well • Bavaria’s “Mad” King Ludwig II, who left the world richer for his fabulous fairy tale castles and his patronage of the composer Richard Wagner Insane rulers did not die off with the last of the mad monarchs who inherited their power. Rank also examines the rise to power of crazed modern rulers, such as Idi Amin, who began as a lowly army cook and rose to the presidency of Uganda, and Saparmurat Niyazov, who ruled Turkmenistan and promoted a bizarre cult of personality around himself. Both entertaining and illuminating, History’s 9 Most Insane Rulers is a must-read for anyone interested in the role insanity has played in history.

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Most of us spend our lives talking ourselves out of things. But what could you accomplish if you never held yourself back? What if, despite your fears, you went for broke every time? You might live a life as extraordinary as the one Stanley Weiss has lived for nearly a century. A skinny Jewish kid from Philadelphia training to fight and likely die in the U.S. invasion of Japan in 1945, Stanley Weiss came home to the death of his loving but weak father, who left his mother penniless. Vowing on the spot not to let his insecurities limit him as they had his father, Weiss pledged that his mother would never have to worry. Later, a humiliation suffered at the hands of his wealthy girlfriend's famous father ignited in him a determination to better himself in every way and live life to the fullest. Inspired by a Humphrey Bogart movie, Weiss moved to a foreign country to hunt for treasure -- where Rule Number One was "Don't Die". Along the way, his zest for living has taken him from the company of legendary artists and poets in Mexico, to writers and beatniks in 1960s San Francisco and Hollywood; from drunken nights with a notorious spy to friendships with three of the men who played James Bond; from glamorous parties in Gstaad and Phuket to power politics in London and Washington, DC. A story of growth, tenacious focus, and good humour, it stretches from the days of "Don't Die" to Weiss's response when asked why business executives were interested in preventing nuclear war: "Being dead is bad for business". For those who believe the world is shaped by ordinary people who push themselves to do extraordinary things, Stanley Weiss's story will inspire and surprise while reminding us all that being dead is bad for business -- and being boring is bad for life.

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Business lately has been deadly for Ike Kelly. Recent unexpected gunplay has whittled his detective agency down to a single operative: a man named John Henry Cole. Cole is the only man left when a new assignment comes in from a former lover of Kelly’s, a woman operating an escort service in the new mining camp of Deadwood in Dakota Territory. Three of the young women working for her have been murdered, and someone is trying to cover up their deaths.It’s a dangerous job, and Cole is advised that he must take every precaution—as if he needed such advice. The legendary Wild Bill Hickok was recently murdered at Deadwood, and Calamity Jane Canary and Doc Holliday are among Cole’s potential suspects. Add that to a corrupt constable and a bounty hunter who just happens to be an old enemy of Cole’s, and it’s clear there are many who will not welcome his arrival in Deadwood. Cole is a lonely man in a lonely profession, and finding a murderer in the wild mining camp could be less of a challenge than simply staying alive.Using real-life characters and settings from one of the most notorious times in the history of the Wild West, veteran author Bill Brooks spins another edge-of-your-seat thriller.Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Lust and adventure meet history in this ride through roughshod America that rings truer than any history book.Uncovered from the ashes of the British Consulate in Trieste, an archaeological excavation has found the once-thought destroyed and very private journal of Richard Burton, a man regarded as perhaps one of the greatest intellects, rogues, and colorful adventurers of the nineteenth century. In the journal’s pages a different man comes to light: here is Richard Burton unplugged and uncensored—the Renaissance man of his age fully revealed.Presented as a transcription of the once-lost journal, Ruffian Dick follows the famous British adventurer into the true wilderness of American politics and the Wild West, all while the country is on the brink of the Civil War. Based on the historical fact that Burton actually did visit the United States in 1860, and traveled cross-country to study and write about the then-notorious polygamous Mormons in their stronghold at Salt Lake City, Joseph Kennedy’s Doctorow-esque mixture of fact and fiction takes the reader deep into that place and time.With Kennedy’s research and eye for historic detail, Ruffian Dick (as Burton was known to his contemporaries) is an adventure tale that brings to light a side of the famed explorer never seen before.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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A New York Times Best Seller! Implicating Robert F. Kennedy in Marilyn Monroe’s murder, this is the first book to name the LAPD officers who accompanied him to her home, provide details about how the Kennedys used bribes to silence one of the ambulance drivers, and specify how the cover-up was aided by a noted pathologist’s lies.Since Marilyn Monroe died among suspicious circumstances on the night of August 4, 1962, there have been queries and theories, allegations and investigations, but no definitive evidence about precisely what happened and who was involved . . . until now.Here renowned MM expert Jay Margolis and New York Times bestselling author Richard Buskin finally lay to rest more than fifty years of wild speculation and misguided assertions by actually naming, for the first time, the screen goddess’s killer while utilizing the testimony of eye-witnesses to exactly what took place inside her house on Fifth Helena Drive in Los Angeles’ Brentwood neighborhood.This blockbuster volume blows the lid off the world’s most notorious and talked-about celebrity death, and in the process exposes not only the truth about an iconic star’s tragic final hours, but also how a legendary American politician used powerful resources to protect what many still perceive as his untarnished reputation.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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With the war between the Mexican state and the drug traffickers operating within its borders having claimed over 70,000 lives since 2006, noted journalist and author Michael Deibert zeroes in on the story of the notorious Gulf Cartel, their deadly war with their former allies Los Zetas, the cartel's connections in Mexican politics and what its trajectory means for Mexico’s--and America’s--future. Punctuated by the disappearance of busloads of full of people from Mexican highways, heavy-weapon firefights in once-picturesque colonial towns and the discovery of mass graves, nowhere has the violence of Mexico’s drug war been more intense than directly across the border from East Texas, the scene of a scorched-earth war between two of Mexico’s largest drug trafficking organizations: The Gulf Cartel, a criminal body with roots stretching back to Prohibition, and Los Zetas, a group famous for their savagery and largely made up of deserters form Mexico's armed forces. From the valleys and sierras of rural Tamaulipas and Nuevo León to the economic hub of Monterrey, the violence rivals anything seen in the more well-known narco war in Ciudad Juárez, 830 miles to the west. Combining dozens of interviews that the author has conducted over the last six years in Mexico and other countries in the region along with a vast reserve of secondary source material, In the Shadow of Saint Death gives U.S. readers the story of the war being waged along our border in the voices of the cartel hitmen, law enforcement officials, politicians, shopkeepers, migrants and children living inside of it year-round. Through their stories, the book will pose provocative questions about the direction and consequence of U.S. drug policy and the militarized approach to combating the narcotics trade on both sides of the border.

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The camps at Auschwitz-Birkenau were an important part of the Nazis' final solution to the Jewish question. Over one million people were murdered in its gas chambers and tens of thousands of prisoners were worked to death in the nearby sub-camps. Others were held in the quarantine area before they were deported to work in the Third Reich. This is the story of the development of Auschwitz from a Polish prison camp into a concentration camp, and a thorough account of the building of Birkenau and the gas chambers, which grew into industrial killing machines. Rawson relates what life was like for prisoners, revealing where the unsuspecting new arrivals came from and how they were greeted at the camp with the humiliating selection process; how many were tricked into entering the gas chambers, while others were stripped of their identity and put to work; how prisoners struggled to survive on a poor diet and no health care; how they faced a grinding daily routine with frequent punishments; and how the camps were organized from the commandants, their assistants and the guards, to the kapos and stuben who supervised work parties and the barracks.He details how a few brave souls tried to resist, how even fewer made a break for freedom and the heartbreaking story of liberation and life afterwards. There are instructions on how to get to nearby Krakow - an ideal base - and Auschwitz-Birkenau. Information on how best to spend your time there is also included, making this an invaluable book that is both a vivid account of life in the concentration camps and an essential guide for visitors who want to explore the past of this notorious site.

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Artist John Decker was born in Germany in 1895, but found his fame in Hollywood during the 1930s and '40s. At the age of 13, he was abandoned by his parents in London, where he found work painting scenery for the theatre circuit. Taken under the wing of a talented forger, Decker developed a remarkable ability to recreate works by the old Masters—a skill that helped land him in jail, but also brought him thousands of dollars throughout his life. After stowing away to America in 1921, Decker became a caricaturist for a New York paper. In 1928 he left for Hollywood and became friends with many of its biggest names, including John Barrymore, Errol Flynn, and W. C. Fields. Though Decker struggled to find film work as an artist and set designer, his drawings appeared in numerous publications from coast to coast. He was commissioned to do paintings of, among others, the Marx Brothers, Greta Garbo, Mickey Rooney, and Charlie Chaplin (who bought twelve of his portraits). Eventually, Decker's paintings were exhibited in Rome, New York, and Los Angeles, and his creations graced museum walls alongside many of the great artists, including Van Gogh, Rembrandt, and Daumier. Stories on Decker, his art, and his exhibitions, appeared in all the major newspapers, as well as such magazines as Esquire, Time, and Newsweek. With all of his amazing talent—and scandalous exploits—it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief—but eccentric—life of this neglected painter, caricaturist, and sculptor.

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In this blockbuster fantasy series, perfect for fans of Firekeeper’s Daughter and Iron Widow, fate binds two Black teenagers together as they journey into a magical jungle to hunt down a vicious monster.“Rich in magic and mythos, Beasts of Prey is a feast for all the senses.” —Renée Ahdieh, New York Times bestselling author of The BeautifulAn Instant New York Times and Indie BestsellerThere’s no such thing as magic in the broken city of Lkossa, especially for sixteen-year-old Koffi, who indentured to the notorious Night Zoo, knows the fearsome creatures in her care and paying off her family's debts to secure their eventual freedom can be her only focus. But the night those she loves are gravely threatened by the Zoo’s cruel master, Koffi unleashes a power she doesn’t fully understand, upending her life completely.As the second son of a decorated hero, Ekon is all but destined to become a Son of the Six—an elite warrior—and uphold a family legacy. But on the night of his final rite of passage, Ekon encounters not only the Shetani—a vicious monster that has plagued the city for nearly a century and stalks his nightmares—but Koffi who seems to have the power to ward off the beast. Koffi’s power ultimately saves Ekon, but his choice to let her flee dooms his hopes of becoming a warrior.Desperate to redeem himself, Ekon vows to hunt the Shetani and end its reign of terror, but he can’t do it alone. Koffi and Ekon form a tentative alliance and together enter the Greater Jungle, a world steeped in wild, frightening magic and untold dangers. The hunt begins. But it quickly becomes unclear whether they are the hunters or the hunted.“The hunt for your next YA fantasy book trilogy obsession has ended.” —Entertainment Weekly

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In the autumn of 1777, near Saratoga, New York, an inexperienced and improvised American army led by General Horatio Gates faced off against the highly trained British and German forces led by General John Burgoyne. The British strategy in confronting the Americans in upstate New York was to separate rebellious New England from the other colonies. Despite inferior organization and training, the Americans exploited access to fresh reinforcements of men and materiel, and ultimately handed the British a stunning defeat. The American victory, for the first time in the war, confirmed that independence from Great Britain was all but inevitable. Assimilating the archaeological remains from the battlefield along with the many letters, journals, and memoirs of the men and women in both camps, Dean Snow's 1777 provides a richly detailed narrative of the two battles fought at Saratoga over the course of thirty-three tense and bloody days. While the contrasting personalities of Gates and Burgoyne are well known, they are but two of the many actors who make up the larger drama of Saratoga. Snow highlights famous and obscure participants alike, from the brave but now notorious turncoat Benedict Arnold to Frederika von Riedesel, the wife of a British major general who later wrote an important eyewitness account of the battles. The author, an archaeologist who excavated on the Saratoga battlefield, combines a vivid sense of time and place--with details on weather, terrain, and technology--and a keen understanding of the adversaries' motivations, challenges, and heroism into a suspenseful, novel-like account. A must-read for anyone with an interest in American history, 1777 is an intimate retelling of the campaign that tipped the balance in the American War of Independence.

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A new look at the way in which medieval European literature depicts torture and brutality. An ugly subject, but one that needs to be treated thoroughly and comprehensively, with a discreet wit and no excessive relish. These needs are richly satisfied in Larissa Tracy's bold and important book. DEREK PEARSALL, ProfessorEmeritus, Harvard University. Torture - that most notorious aspect of medieval culture and society - has evolved into a dominant mythology, suggesting that the Middle Ages was a period during which sadistic torment wasinflicted on citizens with impunity and without provocation: popular museums displaying such gruesome implements as the rack, the strappado, the gridiron, the wheel, and the Iron Maiden can be found in many modern European cities.These lurid images of medieval torture have re-emerged within recent discussions on American foreign policy and the introduction of torture legislation as a weapon in the "War on Terror", and raised questions about its history and reality, particularly given its proliferation in some literary genres and its relative absence in others. This book challenges preconceived ideas about the prevalence of torture and judicial brutality in medieval society byarguing that their portrayal in literature is not mimetic. Instead, it argues that the depictions of torture and brutality represent satire, critique and dissent; they have didactic and political functions in opposing the statusquo. Torture and brutality are intertextual literary motifs that negotiate cultural anxieties of national identity; by situating these practices outside their own boundaries in the realm of the barbarian "Other", medieval and early-modern authors define themselves and their nations in opposition to them. Works examined range from Chaucer to the Scandinavian sagas to Shakespeare, enabling a true comparative approach to be taken. Larissa Tracy isAssociate Professor, Longwood University.

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In early modern Britain, there was an argument that war at sea, especially war in Spanish America, was an ideal means of warfare, offering the prospect of rich gains at relatively little cost whilst inflicting considerable damageon enemy financial resources. In early modern Britain, there was an argument that war at sea, especially war in Spanish America, was an ideal means of warfare, offering the prospect of rich gains at relatively little cost whilst inflicting considerable damageon enemy financial resources. This book examines that argument, tracing its origin to the glorious memory of Elizabethan maritime war, discussing its supposed economic advantages, and investigating its influence on British politics and naval policy during the War of the Spanish Succession (1702-13) and after. The book reveals that the alleged economic advantages of war at sea were crucial in attracting the support of politicians of different political stances. It shows how supporters of war at sea, both in the government as well as in the opposition, tried to implement pro-maritime war policy by naval operations, colonial expeditions and by legislation, and how their attempts wereoften frustrated by diplomatic considerations, the incapacity of naval administration, and by conflicting interests between different groups connected to the West Indian colonies and Spanish American trade. It demonstrates how, after the War of the Spanish Succession, arguments for active colonial maritime war continued to be central to political conflict, notably in the opposition propaganda campaigns against the Walpole ministry, culminating in the War of Jenkins's Ear against Spain in 1739. The book also includes material on the South Sea Company, showing how the foundation of this company, later the subject of the notorious 'Bubble', was a logical part of British strategy. Shinsuke Satsuma completed his doctorate in maritime history at the University of Exeter.

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'Powerful and Important' Guardian'Powerful' Financial Times'More twists and turns than a Hollywood spy thriller' Spectator'A story we all need to hear' New Statesman'Gripping... Araujo's accretion of detail has a powerful effect' New York Times*Shortlisted for the Moore Prize for Human Rights Writing*Deep in the heart of the Amazon, an entire region has lived under the control of one notorious land baron: Josélio de Barros. Josélio cut a grisly path to success: having arrived in the jungle with a shady past, he quickly made a name for himself as an invincible thug who grabbed massive tracts of public land, burned down the jungle and executed or enslaved anyone trying to stop him.Enter Dezinho, the leader of a small but robust farm workers' union fighting against land grabs, ecological destruction, and blatant human rights abuses. When Dezinho was killed in a shocking assassination, the local community held its breath. Would Josélio, whom everyone knew had ordered the hit, finally be brought to account? Or would authorities look the other way, as they had hundreds of times before?Dezinho's widow, Dona Joelma, was not about to let that happen. After his murder, she stepped into the spotlight, orchestrating a huge push to bring national media attention to the injustices in the Amazon.Set against the backdrop of Bolsonaro's devastating cuts to environmental protections, Brazil's rapidly changing place in the geopolitical spectrum, and the Amazon's crucial role in climate change, Masters of the Lost Land is both a gripping epic into one of the last wild places on Earth and an urgent illustration of how people are fighting for - and winning - justice for their futures and the environment.

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Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.

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Killer twists. Heroes to believe in. Trust Baldacci.Private Investigator and WWII veteran, Aloysius Archer, returns to solve a new case in Hollywood in Dream Town, a riveting thriller from international number 1 bestselling author, David Baldacci.All that glitters . . .1952, Los Angeles. It is New Year’s Eve and PI Aloysius Archer is dining with his friend and rising Hollywood actress Liberty Callahan when they’re approached by Eleanor Lamb, a screenwriter who would like to hire him, as she suspects someone is trying to kill her.Murder and mysteryA visit to Lamb’s Malibu residence leaves Archer knocked unconscious after he stumbles over a dead body in the hallway; and Lamb seems to have vanished. With the police now involved in the case, a close friend and colleague of Lamb’s employs Archer to find out what’s happened to the screenwriter.The City of Angels – or somewhere much, much darker?Archer’s investigation takes him from the rich, glamorous and glitzy LA to the seedy, dark side of the city, and onward to the gambling mecca of Las Vegas, just now hitting its stride as a hot spot for celebrities and a money-making machine for the mob. In a place where cops and crooks work hand in hand, Archer will cross paths with Hollywood stars, politicians and notorious criminals. He’ll almost die several times, and he’ll discover bodies and secrets from the canyons and beaches of Malibu and the luxurious mansions of Bel Air and Beverly Hills to the narcotics clubs of Chinatown.With the help of Liberty and his PI partner Willie Dash, Archer will risk everything and leave no stone unturned in finding the missing Eleanor Lamb, and in bringing to justice killers who would love nothing better than to plant Archer six feet under.

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Killer twists. Heroes to believe in. Trust Baldacci. Private Investigator and WWII veteran, Aloysius Archer, returns to solve a new case in Hollywood in this riveting thriller from international number 1 bestselling author, David Baldacci.All that glitters . . . 1952, Los Angeles. It is New Year’s Eve and PI Aloysius Archer is dining with his friend and rising Hollywood actress Liberty Callahan when they’re approached by Eleanor Lamb, a screenwriter who would like to hire him, as she suspects someone is trying to kill her.Murder and mysteryA visit to Lamb’s Malibu residence leaves Archer knocked unconscious after he stumbles over a dead body in the hallway; and Lamb seems to have vanished. With the police now involved in the case, a close friend and colleague of Lamb’s employs Archer to find out what’s happened to the screenwriter.The City of Angels – or somewhere much, much darker?Archer’s investigation takes him from the rich, glamorous and glitzy LA to the seedy, dark side of the city, and onward to the gambling mecca of Las Vegas, just now hitting its stride as a hot spot for celebrities and a money-making machine for the mob. In a place where cops and crooks work hand in hand, Archer will cross paths with Hollywood stars, politicians and notorious criminals. He’ll almost die several times, and he’ll discover bodies and secrets from the canyons and beaches of Malibu and the luxurious mansions of Bel Air and Beverly Hills to the narcotics clubs of Chinatown.With the help of Liberty and his PI partner Willie Dash, Archer will risk everything and leave no stone unturned in finding the missing Eleanor Lamb, and in bringing to justice killers who would love nothing better than to plant Archer six feet under.

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This book is part of a series of titles that are a spin-off of the Shingo Prize-winning book Leveraging Lean in Healthcare: Transforming Your Enterprise into a High Quality Patient Care Delivery System. Each book in the series focuses on a specific aspect of healthcare that has demonstrated significant process and quality improvements after a Lean implementation.Emergency departments have become notorious for long wait times and questionable quality of care. By adopting Lean manufacturing concepts, hospitals can turn the emergency department into a valuable service for the hospital and the community it serves.Leveraging Lean in the Emergency Department: Creating a Cost Effective, Standardized, High Quality, Patient-Focused Operation supplies a functional understanding of Lean emergency department processes and quality improvement techniques. It is ideal for healthcare executives, leaders, process improvement team members, and inquisitive frontline workers who want to implement and leverage Lean.Supplying detailed descriptions of Lean tools and methodologies, the book identifies powerful Lean solutions specific to the needs of the emergency department. The first section provides an overview of Lean concepts, tools, methodologies, and applications.The second section focuses on the application of Lean in the emergency department within the confines of the hospital or clinic. Presenting numerous examples, stories, case studies, and lessons learned, it examines the normal operation of each area in emergency departments and highlights the areas where typical problems occur.Next, the book walks readers through various Lean initiatives and demonstrates how Lean tools and concepts have been used to achieve lasting improvements to processes and quality of care. It also supplies actionable blueprints that readers can duplicate or modify for use in their own institutions. Illustrating leadership’s role in achieving departmental goals, this book will provide you with a well-rounded understanding of how Lean can be applied to achieve significant improvements throughout the entire continuum of care.

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Crime perpetrated by healthcare professionals is increasingly pervasive in today’s hospitals and other healthcare settings. Patients, coworkers, and employers are vulnerable to exploitation, fraud, abuse, and even murder. Investigative journalist Kelly M. Pyrek interviews experts who provide accounts concerning the range of criminality lurking in the healthcare setting in Healthcare Crime: Investigating Abuse, Fraud, and Homicide by Caregivers. Examines the root causes and the opportunitiesThe book begins by offering perspectives on how the stressors inherent in the healthcare profession can contribute to aberrant behavior by medical practitioners. It then examines breaches of patient privacy, which can easily occur in today’s age of technology. Highlighting appalling cases of exploitation, the book also suggests guidelines to safeguard patient privacy. Identifies the victims most at risk, and those who are their greatest threats In a chapter on abuse and assault, the book cites psychological studies that explain the root causes of victimization. It highlights the patient populations most at risk: disabled, psychiatric, and elderly, and identifies the chief victimizers: physicians, psychiatrists, dentists, pediatricians, and nursing assistants and aides. The book also examines the types of financial fraud and theft that can be perpetrated against not only patients but also employers and government agencies, and provides expert insight on how to take preventative measures. Discusses notorious serial murders in the medical professionProviding accounts of well-known healthcare-related homicides and suspicious deaths, the book also presents insights from forensic and serial murder experts as to why these incidents occur, warning signs to watch out for, and how to conduct a proper investigation. The final chapter examines simple, straightforward strategies for improving the level of quality of care and safety provided by healthcare institutions. With greater accountability and oversight, patients can once again feel secure that their providers are embracing the maxim "Above all, do no harm."

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Was Richard Nixon actually a madman, or did he just play one?When Richard Nixon battled for the presidency in 1968, he did so with the knowledge that, should he win, he would face the looming question of how to extract the United States from its disastrous war in Vietnam. It was on a beach that summer that Nixon disclosed to his chief aide, H. R. Haldeman, one of his most notorious, risky gambits: the madman theory. In On Nixon's Madness, Zachary Jonathan Jacobson examines the enigmatic president through this theory of Nixon's own invention. With strategic force and nuclear bluffing, Nixon attempted to coerce his foreign adversaries through sheer unpredictability. As his national security advisor Henry Kissinger noted, Nixon's strategy resembled a poker game in which he "push[ed] so many chips into the pot" that the United States' foes would think the president had gone "crazy." From Vietnam, Pakistan, and India to the greater Middle East, Nixon applied this madman theory. Foreign relations were not a steady march toward peaceful coexistence but rather an ongoing test of mettle. Nixon saw the Cold War as he saw his life, as a series of ordeals that demanded great risk and grand gestures. For decades, journalists, critics, and scholars have searched for the real Nixon behind these acts. Was he a Red-baiter, a worldly statesman, a war criminal or, in the end, a punchline? Jacobson combines biography and intellectual and cultural history to understand the emotional life of Richard Nixon, exploring how the former president struggled between great effusions of feeling and great inhibition, how he winced at the notion of his reputation for rage, and how he used that ill repute to his advantage.

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Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama. Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

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From the classical dialogues of Plato to current political correctness, manipulating language to advance a particular set of values and ideas has been a time-honored practice. During times of radical social and political change, the terms of debate themselves become sharply contested: how people reject, redefine, and reappropriate key words and phrases gives important symbolic shape to their vision of the future. Especially in cataclysmic times, who one is or wants to be is defined by how one writes and speaks. The language culture of early Soviet Russia marked just such a tenuous state of symbolic affairs. Partly out of necessity, partly in the spirit of change, Bolshevik revolutionaries cast off old verbal models of identity and authority and replaced them with a cacophony of new words, phrases, and communicative contexts intended to define and help legitimatize the new Soviet order. Pitched to an audience composed largely of semiliterate peasants, however, the new Bolshevik message often fell on deaf ears. Embraced by numerous sympathetic and newly empowered citizens, the voice of Bolshevism also evoked a variety of less desirable reactions, ranging from confusion and willful subversion to total disregard. Indeed, the earliest years of Bolshevik rule produced a communication gap that held little promise for the makings of a proletarian dictatorship. This gap drew the attention of language authorities—most notably Maxim Gorky—and gave rise to a society-wide debate over the appropriate voice of the new Soviet state and its citizenry. Drawing from history, literature, and sociology, Gorham offers the first comprehensive, interdisciplinary analysis of this critical debate, demonstrating how language ideologies and practices were invented, contested, and redefined. Speaking in Soviet Tongues shows how early Soviet language culture gave rise to unparalleled verbal creativity and utopian imagination while sowing the seeds for perhaps the most notorious forms of Orwellian "newspeak" known to the modern era.

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What if political rhetoric is unavoidable, an irreducible part of politics itself? In contrast to the familiar denunciations of political horse-trading, grandstanding, and corporate manipulation from those lamenting the crisis in liberal democracy, this book argues that the “politics of politics,” usually associated with rhetoric and sophistry, is, like it or not, part of politics from the start. Denunciations of the sorry state of current politics draw on a dogmatism and moralism that share an essentially metaphysical and Platonic ground. Failure to deconstruct that ground generates a philosophically and politically debilitating selfrighteousness that this book attempts to understand and undermine. After a detailed analysis of Foucault’s influential late concept of parrhesia, which is shown to be both philosophically and politically insufficient, close readings of Heidegger, Kierkegaard, and Derrida trace complex relations between sophistry, rhetoric, and philosophy; truth and untruth; decision; madness and stupidity in an exploration of the possibility of developing an affirmative thinking of politics that is not mortgaged to the metaphysics of presence. It is suggested that Heidegger’s complex accounts of truth and decision must indeed be read in close conjunction with his notorious Nazi commitments but nevertheless contain essential insights that many strident responses to those commitments ignore or repress. Those insights are here developed—via an ambitious account of Derrida’s often misunderstood interruption of teleology—into a deconstructive retrieval of the concept of dignity. This lucid and often witty account of a crucial set of developments in twentieth-century thought prepares the way for a more general re-reading of the possibilities of political philosophy that will be undertaken in Volume 2 of this work, under the sign of an essential scatter that defines the political as such.

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Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records.Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies.Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp

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This long-awaited study, the magnum opus of a leading railroad historian, describes the conception, construction, and early operation of the first narrow gauge railroads in northern California. It is lavishly illustrated by some 600 photographs and drawings, almost three-quarters of which have never before been published. The topic is approached through an unusual lens: the history of the relatively small but extraordinarily inventive contracting and engineering firm of the brothers Thomas and Martin Carter. The Carters were able to reduce the cost and complexity of light railroad construction to the point where local narrow gauge lines could initially compete with the state’s notorious railroad monopolies. Pioneering a mobile manufacturing operation that could supply locally funded short lines with rolling stock (which traditionally came from East Coast manufacturers), the Carter Brothers began with a line to serve Salinas Valley wheat farmers, desperate to achieve an independent means for conveying their crops to the wharf in Monterey. The narrow gauge railroad that resulted was an act of political and economic defiance, but ultimately a hopeless assault on the "Octopus"—the Central Pacific and Southern Pacific Railroads. Rallying around the example set in Monterey, a narrow gauge movement in California flourished in the mid-1870s, with the rapid launching of five more companies—the North Pacific Coast, the Santa Cruz Railroad, the Santa Cruz & Felton, the Nevada County Narrow Gauge, and the South Pacific Coast—all of which drew on the Carter Brothers for manufacturing and engineering. Soon, Thomas and Martin Carter were not only selling railroad supplies and engineering to all six short lines, but had won management positions with the strongest, the South Pacific Coast. Until personal and financial disaster overtook them in 1880, the Carters were at the forefront of not just a new business, but a new technology.

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Over the years, Edward Fowler, an American academic, became a familiar presence in San'ya, a run-down neighborhood in northeastern Tokyo. The city's largest day-labor market, notorious for its population of casual laborers, drunks, gamblers, and vagrants, has been home for more than half a century to anywhere from five to fifteen thousand men who cluster in the mornings at a crossroads called Namidabashi (Bridge of Tears) in hopes of getting work. The day-labor market, along with gambling and prostitution, is run by Japan's organized crime syndicates, the yakuza. Working as a day laborer himself, Fowler kept a diary of his experiences. He also talked with day laborers and local merchants, union leaders and bureaucrats, gangsters and missionaries. The resulting oral histories, juxtaposed with Fowler's narrative and diary entries, bring to life a community on the margins of contemporary Japan. Located near a former outcaste neighborhood, on what was once a public execution ground, San'ya shows a hidden face of Japan and contradicts the common assumption of economic and social homogeneity. Fowler argues that differences in ethnicity and class, normally suppressed in mainstream Japanese society, are conspicuous in San'ya and similar communities. San'ya's largely middle-aged, male day-laborer population contains many individuals displaced by Japan's economic success, including migrants from village communities, castoffs from restructuring industries, and foreign workers from Korea and China. The neighborhood and its inhabitants serve as an economic buffer zone—they are the last to feel the effects of a boom and the first to feel a recession. They come alive in this book, telling urgent stories that personify such abstractions as the costs of modernization and the meaning of physical labor in postindustrial society.

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In an original and provocative reading of Vladimir Nabokov's work and the pleasures and perils to which its readers are subjected, Eric Naiman explores the significance and consequences of Nabokov's insistence on bringing the issue of art's essential perversity to the fore. Nabokov's fiction is notorious for the interpretive panic it occasions in its readers, the sense that no matter how hard he or she tries, the reader has not gotten Nabokov "right." At the same time, the fictions abound with characters who might be labeled perverts, and questions of sexuality lurk everywhere.Naiman argues that the sexual and the interpretive are so bound together in Nabokov's stories and novels that the reader confronts the fear that there is no stable line between good reading and overreading, and that reading Nabokov well is beset by the exhilaration and performance anxiety more frequently associated with questions of sexuality than of literature. Nabokov's fictions pervert their readers, obligingly training them to twist and turn the text in order to puzzle out its meanings, so that they become not better people but closer readers, assuming all the impudence and potential for shame that sexually oriented close-looking entails.In Nabokov, Perversely, Naiman traces the connections between sex and interpretation in Lolita (which he reads as a perverse work of Shakespeare scholarship), Pnin, Bend Sinister, and Ada. He examines the roots of perverse reading in The Defense and charts the enhanced attention to the connection between sex and metafiction in works translated from the Russian. He also takes on books by other authors—such as Reading Lolita in Tehran—that misguidedly incorporate Nabokov's writing within frameworks of moral usefulness. In a final, extraordinary chapter, Naiman reads Dostoevsky's The Double with Nabokov-trained eyes, making clear the power a strong writer can exert on readers.

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In the decade before the Civil War, Concord, Massachusetts, was a center of abolitionist sentiment and activism. To Set this World Right is the first book to recover and examine the voices, events, and influence of the antebellum antislavery movement in Concord. In addressing fundamental questions about the origin and nature of radical abolitionism in this most American of towns, Sandra Harbert Petrulionis frames the antislavery ideology of Henry Thoreau and Ralph Waldo Emerson—two of Concord's most famous residents—as a product of family and community activism and presents the civic context in which their outspoken abolitionism evolved. In this historic locale, radical abolitionism crossed racial, class, and gender lines as a confederation of neighbors fomented a radical consciousness, and Petrulionis documents how the Thoreaus, Emersons, and Alcotts worked in tandem with others in their community, including a slaveowner's daughter and a former slave. Additionally, she examines the basis on which Henry Thoreau—who cherished nothing more than solitary tramps through his beloved woods and bogs—has achieved lasting fame as a militant abolitionist. This book marshals rich archival evidence of the diverse tactics exploited by a small coterie of committed activists, largely women, who provoked their famous neighbors to action. In Concord, the fugitive slave Shadrach Minkins was clothed and fed as he made his way to freedom. In Concord, the adolescent daughters of John Brown attended school and recovered from their emotional distress after their father's notorious public hanging. Although most residents of the town maintained a practiced detachment from the plight of the enslaved, women and men whose sole objective was the moral urgency of abolishing slavery at last prevailed on the philosophers of self-culture to accept the responsibility of their reputations.

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American constitutionalism rests on premises of popular sovereignty, but serious questions remain about how the "people" and their rights and powers fit into the constitutional design. In a book that will radically reorient thinking about the Constitution and its place in the polity, Wayne Moore moves away from an exclusive focus on courts and judges and considers the following queries: Who is included among the people? How are the people politically configured? How may the people act? And how do the people relate to government and other representative structures? Going beyond though not excluding relevant discussions of specific constitutional texts (such as the preamble, articles V and VII, and the ninth, tenth, and fourteenth amendments), Moore examines historical material from the antebellum period, such as the opinions of U.S. Supreme Court justices in the notorious Dred Scott case and significantly different perspectives from the writings and speeches of Frederick Douglass. He also looks at influential thinking from the founding period and examines precedents set during prominent controversies involving the establishment of a national bank, regulations of the economy, and efforts to limit sexual and reproductive choices. The penultimate chapter explores issues raised by claims of state interpretive autonomy, and the conclusion models various dimensions of the constitutional order as a whole. The book offers fresh insights into central problems of constitutional history, theory, and law. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The infamous Rape of Nanjing looms like a dark shadow over the history of Asia in the 20th century, and is among the most widely recognized chapters of World War II in China. By contrast, the story of the month-long campaign before this notorious massacre has never been told in its entirety. Nanjing 1937 by Peter Harmsen fills this gap. This is the follow-up to Harmsen's best-selling Shanghai 1937: Stalingrad on the Yangtze, and begins where that book left off. In stirring prose, it describes how the Japanese Army, having invaded the mainland and emerging victorious from the Battle of Shanghai, pushed on toward the capital Nanjing in a crushing advance that confirmed its reputation for bravery and savagery in equal measure. While much of the struggle over Shanghai had carried echoes of the grueling war in the trenches two decades earlier, the Nanjing campaign was a fast-paced mobile operation in which armor and air power played mayor roles. It was blitzkrieg two years before Hitler's invasion of Poland. Facing the full might of modern, mechanized warfare, China's resistance was heroic, but ultimately futile. As in Shanghai, the battle for Nanjing was more than a clash between Chinese and Japanese. Soldiers and citizens of a variety of nations witnessed or took part in the hostilities. German advisors, American journalists and British diplomats all played important parts in this vast drama. And a new power appeared on the scene: Soviet pilots dispatched by Stalin to challenge Japan's control of the skies. This epic tale is told with verve and attention to detail by Harmsen, a veteran East Asia correspondent who consolidates his status as the foremost chronicler of World War II in China with this path-breaking work of narrative history.

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The image of the witch - crook-nosed, unpleasant of disposition and with a penchant for harming her neighbours - is well established in the popular imagination. For hundreds of years the accusation of witchcraft has been levelled against women throughout the British Isles: such women were feared, persecuted, revered and reviled, with many ending their journeys at the stake or noose. Far from a mass of pitiable, faceless victims however, each case tells its own story, with a distinct woman at its heart, spanning the centuries down to the present. What did it really mean to be accused as a witch? Why, and by whom, were such accusations made? Was it possible to survive, and what awaited those who did? Prepare to delve into the captivating history of witchcraft with an in-depth exploration of some of the most fascinating and notorious women accused of being witches from across the British Isles. On a journey from 14th century Ireland to 20th century Hampshire, Accused examines the why, the how, and, most importantly, the who of these tantalising and evocative cases. Using trial documents, contemporary pamphlets, church and census records and a wealth of other sources, eleven accused women are brought to life in a biographical approach that will take the reader back in time. Meticulously researched and skilfully and painstakingly woven, this book will be indispensable to anyone with an interest in the popular topic of the history of witchcraft and a love of fascinating and diverse individuals. Setting each of the accused in their social and historical context, Willow Winsham delivers a fresh and revealing look at her subjects, bringing her unique style and passion for detail to this captivating read.

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From award-winning actress Denise Nicholas: a ten-year anniversary reissue of her powerful and dramatic coming of age story set in Mississippi during the Freedom Summer of 1964. Freshwater Road has been called one of the best novels written about the Civil Rights Movement. Nicholas herself has been praised repeatedly over the years for her beautiful prose and is continually mentioned along with Alice Walker and Ernest J. Gaines as the most important novelists documenting this era. When University of Michigan sophomore Celeste Tyree travels to Mississippi to volunteer her efforts in Freedom Summer, she's assigned to help register voters in the small town of Pineyville, a place best known for a notorious lynching that occurred only a few years earlier. As the long, hot summer unfolds, Celeste befriends several members of the community, but there are also those who are threatened by her and the change that her presence in the South represents. Finding inner strength as she helps lift the veil of oppression and learns valuable lessons about race, social change, and violence, Celeste prepares her adult students for their showdown with the county registrar. All the while, she struggles with loneliness, a worried father in Detroit, and her burgeoning feelings for Ed Jolivette, a young man also in Mississippi for the summer. By summer's end, Celeste learns there are no easy answers to the questions that preoccupy her-about violence and nonviolence, about race, identity, and color, and about the strength of love and family bonds. In Freshwater Road, Denise Nicholas has created an unforgettable story that-more than ten years after first appearing in print-continues to be one of the most cherished works of Civil Rights fiction.

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With the end of the Cold War and the disintegration of the Soviet Union, newly formed governments throughout Eastern Europe and the former Soviet states have created constitutions that provide legal frameworks for the transition to free markets and democracy. In Constitution-Making in the Region of Former Soviet Dominance, Rett R. Ludwikowski offers a comparative study of constitution-making in progress and provides insight into the complex political and social circumstances that are shaping its present and future. The first study of these recent constitutional developments, this book also provides an appendix of all newly ratified constitutions in the region, an essential new reference source for scholars, students, and professionals.Beginning with a review of the constitutional traditions of Eastern and Central Europe, Ludwikowski goes on to offer analysis of the recent process of political change in the region. A second section focuses specifically on the the new constitutions and such issues as the selection of the form of government, concepts of divisions of power, unicameralism vs. bicameralism, the flexibility or rigidity of constitutions as working documents, and the process of reviewing the constitutionality of laws. Individual states as framed in these documents are analyzed in economic, political, and cultural terms. Although it is too soon to fully consider the implementation of these constitutions, special attention is devoted to the effect of reform on human rights protection, a notorious problem of continuing concern in the region. A final section offers an insightful comparative study of constitutional law by reviewing the post-Soviet process of constitution-making against the backdrop of Western constitutional traditions. Constitution-Making in the Region of Former Soviet Dominance is both a comprehensive study of constitutional developments in the former Soviet bloc and a primary reference tool for scholars of constitutional law, and Eastern European and post-Soviet studies.

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The main purpose of this book is to validate a reading of Joyce in negative terms. Central to the enquiry is an examination of the roles of irony and of indeterminacy. Irony, interpreted in metaphysical rather than merely rhetorical terms, is envisaged as deriving from two separate if related orientations, one associated with Friedrich Schlegel, the other with Gustave Flaubert. Insofar as Joyce's work (including "Ulysses") owes more to the latter than the former, it forgoes the genial humour central to Schlegel's theories, and embraces instead the ironic detachment and formal control of a Flaubertian perspective. Such irony (which entails a suspicion of sentiment and a related dehumanisation of character, as in some of the stories in Dubliners) becomes normative in Joyce, and along with a similarly deflationary parody pervades "Ulysses". In addition, a persistent indeterminacy is established as early as 'The Dead', so that it becomes impossible in that story to adjudicate between not just contradictory but mutually exclusive interpretations. Such indeterminacy is pushed to further extremes in "Ulysses", with its notorious proliferation of narrative perspectives. As a corollary to the work's encyclopaedic inclusiveness and quotidian particularism, every detail tends to assume the same significance as every other; the consequence being that (in Gyorgy Lukacs' famous formulation) we lose all sense of any 'hierarchy of meaning'. From that it is but a step to Franco Moretti's assessment that in "Ulysses" everyday existence remains 'inert, opaque - meaningless', and that in fact the whole point is to represent the meaningless precisely 'as meaningless'. Indeterminacy, in effect, ushers in the possibility of nihilism. The analysis of "Ulysses" culminates with the attempt (unavailing in both cases) to discover in either Bloom or Molly a genuine source of countervailing affirmation. The study concludes with a brief consideration of the polysemic vocabulary of "Finnegans Wake" as a logical extrapolation of the poetics of indeterminacy.

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The instant Sunday Times bestseller A Times, New Statesman and Spectator Book of the Year 'Simply the best popular history of the Middle Ages there is' Sunday Times 'A great achievement, pulling together many strands with aplomb' Peter Frankopan, Spectator, Books of the Year 'It's so delightful to encounter a skilled historian of such enormous energy who's never afraid of being entertaining' The Times, Books of the Year 'An amazing masterly gripping panorama' Simon Sebag Montefiore 'A badass history writer... to put it mildly' Duff McKagan 'A triumph' Charles Spencer Dan Jones's epic new history tells nothing less than the story of how the world we know today came to be built. It is a thousand-year adventure that moves from the ruins of the once-mighty city of Rome, sacked by barbarians in AD 410, to the first contacts between the old and new worlds in the sixteenth century. It shows how, from a state of crisis and collapse, the West was rebuilt and came to dominate the entire globe. The book identifies three key themes that underpinned the success of the West: commerce, conquest and Christianity. Across 16 chapters, blending Dan Jones's trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive western powers thrived by attracting – or stealing – the most valuable resources, ideas and people from the rest of the world. It casts new light on iconic locations – Rome, Paris, Venice, Constantinople – and it features some of history's most famous and notorious men and women. This is a book written about – and for – an age of profound change, and it asks the biggest questions about the West both then and now. Where did we come from? What made us? Where do we go from here? Also available in audio, read by the author.

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