Search results for ""bloomsbury publishing""

Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.

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The creation of a new history of the Church at the beginning of the third millennium is an ambitious but necessary project. Perhaps nowhere is it needed more than in re-describing the Church's development - its life and its thinking - in the period that followed the end of the 'early Church' in antiquity. The cultural, social and political dominance of Christendom in what we now call 'the West', from about 600-1300, made the Christian Church a shaper of the modern world in respects which go far beyond its religious influence. Writing with her customary authority, and with a magisterial grasp of the original sources, G. R. Evans brings this formative era vividly to life both for the student of religious history and general reader. She concentrates as much on the colourful human episodes of the time as on broader institutional and intellectual developments. The result is a compelling and thoroughly modern introduction to devotional and theological thought in the early Middle Ages as well as to ecclesiastical and pastoral life at large.

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Bada bing! What drama. "The most important work of American popular culture in fifty years" is how the "New York Times" describes "The Sopranos". Critically-acclaimed, award-winning, and the most watched show on HBO, the mobster drama swirls around the middle-aged Mafioso, Tony Soprano (James Gandolfini). Having to negotiate two families, both at home and at work, is it any wonder he is suffering an epic midlife crisis involving Prozac and visits to a therapist? The series quickly became compulsory watching when it first screened back in 1999 and has since gone on to become an international hit and subject of intense discussion. Coinciding with the sixth and penultimate series, "Reading The Sopranos" offers a timely response to one of the most talked about shows on television. This book explores how "The Sopranos" has rewritten the rules of television drama and changed attitudes about television itself. Contributors present fresh perspectives on psychotherapy and dreams; racism and the Italian-American community; Carmela and post-feminism; "The Sopranos" as an HBO brand; racism; the full cast of 'gangsters Italianate' that people Sopranos' New Jersey; and much more. Reading "The Sopranos" also features a timeline, character list and complete episode guide, as well as editor David Lavery's up to date 'Intertextual Moments and Allusions on The Sopranos'.

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Philip Kennedy, here, offers the first book that any student - with or without religious convictions - can profitably use to get quickly to grips with the essentials of the Christian religion: its history and its key thinkers, its successes and its failures. Most existing undergraduate textbooks of theology begin from essentially traditional positions on the Bible, doctrine, authority, interpretation, and God. What makes Philip Kennedy's book both singularly important and uniquely different is that it has a completely new starting-point. The author contends that traditional Christian theology must extensively overhaul many of its theses because of a multitude of modern social, historical and intellectual revolutions. Offering a grand historical sweep of the genesis of the modern age, and writing with panache and a magisterial grasp of the relevant debates, conflicts and controversies, "A Modern Introduction to Theology" moves a tired and increasingly incoherent discipline in genuinely fresh and exciting directions, and will be welcomed by students and readers of the subject.

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The Regent's Canal, the Limehouse Cut, the Hertford Union and the Lee Navigation collectively cut a swathe through north and east London. This 14-mile path, cycle and waterway is a journey full of intriguing contrasts: - From the amateur sports fields of Regent's Park to London's new Olympic Park. - From the studio where Hitchcock directed some of his early films to MTV in Camden Lock. - From fine period housing to industrial wasteland, social housing and new canalside builds. - From the pleasure boats chugging to Camden to the sleek Eurostars roaring off to Paris. The use of canals has changed dramatically over the past fifty years from one of industrial transportation to waterfront living and leisure activities. The canals in this book have undergone major phases of rebirth with new developments at King's Cross, Limehouse and the Queen Elizabeth Olympic Park in Newham. Illustrator and writer David Fathers offers a snapshot of how the canals were formed and how they appear today, in a series of arresting and information-packed pages following a course from Little Venice to the River Thames at Limehouse, and on to the Olympic Park.

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A practical guide to involving babies and children in all sorts of adventures, whether it be cycling, camping, paddling, hiking, swimming or outdoor holidays.As soon as Bex Band, founder of the UK's largest women's adventure community, Love Her Wild, announced she was pregnant with her first child, the sympathy began. Enjoy your adventures while you can', It's going to be a big shock not being able to travel as much', and Aren't you going to miss adventuring?'It seemed as though having children was a death sentence when you're an outdoor adventurer. But it really doesn't have to be that way. Yes, it's a scary prospect how do you keep them safe? Where do they sleep? What equipment do you need? - but it's totally doable.When Bex''s daughter was just a few weeks old, Bex and her husband took her camping. Now age 2, she's been wild camping on Dartmoor, cycling along the coast, swimming in rural lakes and even carried in a backpack on a multi-day Negev de

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From the Northern Lights to whirling coastal birds, and sunken villages to the annual deer rut, the UK is home to some of the world's finest natural spectacles. With this guide and a little luck, you too can experience the magic of seeing something truly extraordinary. Start planning your spectacular year with the help of this practical guide to the UK’s most magical natural phenomena. This guide shows you when and where to go, and how to maximise your chances of a sighting, as well as explaining why these amazing spectacles occur in the first place. Sections cover: - Space: meteor showers, eclipses and supermoons, Northern Lights - Weather: hidden currents, mountain waves, named winds - Tides: tidal bores, tidal races, low tide walks - Land: autumn colours, wildflower displays, rutting deer - Rivers and lakes: salmon runs, sunken villages, waterfall wonders - Coast: wheeling waterbirds, seabird cities, seal pups Each spectacle is graded according to how easy it is to spot, and the author gives expert tips on achieving the best sighting. Scientific insights describe the astronomical, meteorological and ecological causes of events, which are brought to life through the stories of the people who know them best, from the glider pilots who ride mountain waves to the King’s Guides who help people navigate the dangerous sands of Morecombe Bay. This is your starting point for some truly phenomenal adventures.

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Around the Coast in 80 Days is an indispensable guide to the very best of Britain’s diverse coastline. Whether you have just an afternoon, a whole day, a free weekend, or a whole week to explore our wonderful country, this book will guide you to 80 of the most interesting, fun and picturesque seaside spots our coast has to offer. Starting at Liverpool, one of the most fashionable tourist destinations in Europe, the book travels clockwise up to Scotland, down the east coast, across the southern shores, up through Wales and back to the northwest of England. It calls in at exciting seaside towns like Blackpool, Brighton and Newquay, and also invites you to explore the more tranquil coastal stretches, such as Balnakeil, Gower Peninsula and the Lizard. Covering nine coastal regions of Britain, chapters provide insights into the history, culture and key features of each place, how to get to there, where to eat – including the best places for fish and chips, and where to stay. Accompanied by beautiful photography and a handy map, and introduced with an entertaining and evocative Foreword by Ian McMillan, the book will delight families, couples and solo explorers of all ages and with all budgets. We all know there’s so much more to explore and enjoy in our beautiful country – this book will help you do just that.

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The Many Lives of the Batman (1991) was a pioneer within cultural and comic book scholarship. This fresh new sequel retains the best of the original chapters but also includes images, new chapters and new contributions from the Batman writers and editors. Spanning 75 years and multiple incarnations, this is the definitive history of Batman.

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In the first dedicated title on this landmark political comedy, James Walters provides an in-depth study of the programme's achievements, by examining its power and influence within society and evaluating its legacy as a work of television art.

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Television is a massive industry in China, yet fewer people are watching television screens. This ground-breaking study explores how television content is changing, how the Chinese government is responding to the challenges presented by digital media, and how businesses are brokering alliances in both traditional and new media sectors.

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The first computer-generated animated feature film, Toy Story (1995) sustains a dynamic vitality that proved instantly appealing to audiences of all ages. Like the great Pop Artists, Pixar Studios affirmed the energy of modern commercial popular culture and, in doing so, created a distinctive alternative to the usual Disney formula. Tom Kemper traces the film's genesis, production history and reception to demonstrate how its postmodern mishmash of pop culture icons and references represented a fascinating departure from Disney's fine arts style and fairytale naturalism. By foregrounding the way in which Toy Story flipped the conventional relationship between films and their ancillary merchandising by taking consumer products as its very subject, Kemper provides an illuminating, revisionist exploration of this groundbreaking classic.

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When Head-On (Gegen die Wand, 2004) won the Golden Bear at the Berlin International Film Festival, it was hailed as a turning point for German cinema. Not only was this unconventional love story the first German film in eighteen years to win the prestigious award, but the success of writer-director Fatih Akin was also celebrated as the revival of German auteur cinema. Meanwhile Turkey claimed Akin as its own prodigal son and his film a victory for Turkish cinema.Daniela Berghahn provides a detailed and entertaining account of the film's artistic inspirations, its production history and the debates that surrounded it in the German and Turkish press. Arguing that much of the media discourse on Turkish German identity politics detracted from Akin's remarkable artistic achievement, Berghahn instead situates Head-On in the critical contexts of global art cinema and transnational melodrama. This comparative approach excavates new layers of meaning and offers highly original insights into Aki

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Stephen Groening is Assistant Professor of Film and Media Studies at George Mason University, USA. He has published a number of articles in academic journals and edited anthologies.

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This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women’s and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.

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The technical crafts of sound in classical Hollywood cinema have, until recently, remained largely ‘unsung’ by histories of the studio era. Yet film sound – voice, music and sound effects – is a crucial aspect of film style and has been key to engaging and holding audiences since the transition to sound by Hollywood’s major studios in 1929. This innovative new text restores sound technicians to Hollywood’s creative history. Exploring a range of films from the early sound period (1931) through to the late studio period (1948), and drawing on a wide range of archival sources, the book reveals how Hollywood’s sound designers worked and why they worked in the ways that they did. The book demonstrates how sound technicians developed conventions designed to tell stories through sound, placing them within the production cultures of studio era filmmaking, and uncovering a history of collective and collaborative creativity. In doing so, it traces the emergence of a body of highly skilled sound personnel, able to apply expert technical knowledge in the science of sound to the creation of cinematic soundscapes that are alive with mood and sensation.

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Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic on Citizen Kane (1992; 2012).

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Martin Shingler is Senior Lecturer in Radio& Film Studies at the University of Sunderland (UK). He has specialist expertise in Hollywood melodrama and the woman's film, screen acting, the star system, film sound, radio drama and comedy. He is the co-author of two books, On Air: Methods and Meanings of Radio, with Cindy Wieringa, (Arnold, 1998) and Melodrama: Genre, Style& Sensibility, with John Mercer (Wallflower Press, 2004). He has also published essays on the Hollywood film star Bette Davis in the books Hollywood Spectatorship, eds. Melvyn Stokes and Richard Maltby (BFI, 2001) and Screen Acting, eds. Alan Lovell and Peter Kramer, (Routledge 1999), and in the journals Screen, the Journal of American Studies, the Journal of Film& Video, Theatre Annual and Film History. He has edited a dossier on Bette Davis for the journal Screen (2008) and an edition of the Radio Journal (2008). In addition to his work as a writer and editor, Shingler has been involved in organising four major intern

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With as little plot as its creator Alan Plater could get away with and as much jazz as he could manage, the 1985 television drama The Beiderbecke Affair had a far-reaching impact, inspiring sequels, novels, albums and even jazz tours. Much like its Bix Beiderbecke-style soundtrack, Plater's quietly joyous drama was unconventional, free: its narrative following the lives and relationships of its leading characters – teachers-turned-amateur detectives Trevor Chaplin (James Bolam) and Jill Swinburne (Barbara Flynn) – with a gentle, whimsical humour. William Gallagher's illuminating study is the first critical account of this much-loved series. Drawing on interviews with cast members and musicians, the production team and Yorkshire TV executives, as well as on insights from Plater himself, Gallagher explores Beiderbecke's origins in Plater's 1981 tv drama Get Lost! before moving on to an in-depth analysis of the series itself, to reveal why such an unassuming series remains one of the best-loved examples of British television drama. The book also includes a previously unpublished BBC Radio 4 short story featuring the character of Jill Swinburne, 'A Brief Encounter with Richard Wagner'.

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An American in Paris (1951) was a landmark film in the careers of Vincente Minnelli, Gene Kelly and Leslie Caron. A joyous celebration of George Gershwin's music, French art, the beauty of dance and the fabled City of Light, the film was heralded as a rare example of entertainment 'for mass and class alike'. Choreographed by Kelly at the height of his career, it gave new stature to the Hollywood musical, and showcased as never before the artistic ambition, technical skills, creative imagination and collaborative ethos of MGM's pioneering Arthur Freed Unit. Sue Harris draws on archival material to trace the film's development from conception to screen. Offering new insights into the design process in particular, she shows how An American in Paris established the cinematic template for a city with which Hollywood would become increasingly infatuated in the decades to follow.

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Michael Lawrence is Lecturer in Film Studies at the University of Sussex, UK.

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LEE GRIEVESON is Director of Film Studies at University College London.COLIN MACCABEis Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium

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LEE GRIEVESON is Director of Film Studies at University College London. COLIN MACCABE is Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium.

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SIMON BROWN is Director of Studies for Film and Television at Kingston University. His work has been published in the journals Film History, Film Studies, Science Fiction Film and Television, Early Popular Visual Culture and Critical Studies in Television. He is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Sarah Street and Liz Watkins) and author of the Technical Appendix in Sarah Street's Colour Films in Britain: The Negotiation of Innovation 190055 (2012). SARAH STREET is Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 190055 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of Briti

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RAMON LOBATO Research Fellow at the Swinburne Institute for Social Research, Swinburne University of Technology, Melbourne, Australia.

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HELEN WOOD is Reader in Media and Communication at De Montfort University, Leicester, UK. She is the author of Talking With Television: Women, Talk Shows, and Modern Self-Reflexivity (2009).BEVERLEY SKEGGS is Professor of Sociology at Goldsmiths, University of London, UK. Her publications include Formations of Class and Gender: Becoming Respectable (1997) and Class, Self, Culture (2004), and she is the co-editor of the journal Sociological Review.

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Hollywood is facing unprecedented challenges – and is changing rapidly and radically as a result. In this major new study of the contemporary film industry, leading film historian Tino Balio explores the impact of the Internet, declining DVD sales and changing consumer spending habits on the way Hollywood conducts its business. Today, the major studios play an insignificant role in the bottom lines of their conglomerate parents and have fled to safety, relying on big-budget tentpoles, franchises and family films to reach their target audiences. Comprehensive, compelling and filled with engaging case studies (TimeWarner, DreamWorks SKG, Spider Man, The Lord of the Rings, IMAX, Netflix, Miramax, Sony Pictures Classics, Lionsgate and Sundance), Hollywood in the New Millennium is a must-read for all students of film studies, cinema studies, media studies, communication studies, and radio and television.

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STEVEN COHAN is Professor of English at Syracuse University, USA. His books include Telling Stories: A Theoretical Analysis of Narrative (1988, co-authored with Linda M. Shires), Masked Men: Masculinity and the Movies in the Fifties (1997), Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical (2005) and CSI: Crime Scene Investigation (2008).

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CHRIS BERRYis Professor of Film and Television Studies, Goldsmiths, University of London, UK. He is the author and editor of many books, including Cinema and the National: China on Screen (co-authored with Mary Farquhar, Columbia University Press and Hong Kong University Press, 2006) and Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004).

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STEVEN COHAN is Professorof English at Syracuse University. He is the author of a number of books including Incongruous Entertainment: Camp, Cultural Value and the MGM Musical (2005) and Masked Men: Masculinity and the Movies in the Fifties (1997).

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Maggie Brown is one of the UK's leading media journalists. She writes for the Guardian's media section and website, and also contributes to a range of other publications including the Evening Standard, The Stage and Radio Times. She was one of the founders of The Independent and, as its first media editor, started its media section. She is a trustee of the Sandford St Martin's Trust, which promotes excellence in religious broadcasting, and a regular jury member for the BAFTA and Royal Television Society awards.

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Ever since John Grierson popularized the term 'documentary,' British non-fiction film has been renowned, sometimes reviled, but seldom properly appreciated. '100 British Documentaries 'provides a uniquely accessible, occasionally provocative introduction to a rich and surprisingly varied tradition by considering 100 examples taken from across a century's worth of output. The 100 films range from the Victorian period to the present day. Alongside such classics as 'Night Mail 'and 'Touching the Void 'are documentaries that illustrate the many uses to which it has been put from pro-gram-filler to political propaganda to classroom teaching aid and the many styles and viewpoints it has embraced. While the focus is on the documentary 'film,' several television productions are included, indicating how the genre has developed on the small screen.

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PHIL WICKHAM is a TV Curator at the British Film Institute. He has written and lectured on British film and TV and is the author of the forthcoming BFI TV Classic on The Likely Lads.

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James Newman is Senior Lecturer in Media Communications and Cultural Studies at Bath Spa University, UK. His previous books include Videogames (2004) and Teaching Videogames (2006). Iain Simons is a writer and Director of the GameCity Festival at Nottingham Trent University, UK. He is the author of Inside Game Design (2007) and co-editor of Difficult Questions About Videogames (2004) with James Newman.

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Mark Wheeler is Senior Lecturer in the Department of Law, Governance and International Relations at London Metropolitan University, UK.

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Stella Bruzzi is Professor of Film Studies at Royal Holloway, University of London and her previous publications include Undressing Cinema: Clothing and Identity in the Movies, Routledge 1997; New Documentary: A Critical Introduction, Routledge 2000; Fashion Cultures: Theories, Explorations and Analysis (co-edited), Routledge 2000

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John Hill is Professor and Head of Research in the Department of Media Arts at Royal Holloway, University of London. He is the author and editor of a number of books, including Cinema and Ireland (1987); Border Crossing: Film in Ireland, Britain and Europe (1994); The Oxford Guide to Film Studies (1998); British Cinema in the 1980s (1999) and National Cinema and Beyond (2004).

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Jill Poppy has taught English, Media and Film studies at GCSE and AS/A2 levels and Film Studies to undergraduates. She is principal examiner for Film Studies and is a mentor for the British Film Institute panel of tutors. She contributes regularly to the British Film Institute teacher training programmes and student events and has provided in-service training for the English and Media Centre, NATE and other professional organisations. She has written a range of study guides.

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GLEN CREEBER is a Senior Lecturer in Film and Television Studies at the University of Wales, Aberystwyth. His books include Dennis Potter, Between Two Worlds (1998) and Serial Television: Big Drama on the Small Screen (2004). He is also editor of The Television Genre Book (2001) and 50 Key Television Programmes (2004).

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John Robison (1739-1805) was a pivotal figure in the rise of a new style of mathematical physics in Britain at the turn of the 19th century. He lectured on chemistry at the University of Glasgow in the 1760s and was professor of natural philosophy at the University of Edinburgh from 1773 until his death. Robison was also General Secretary to the Royal Society of Edinburgh and he did much to educate the broader public in the natural sciences through his many contributions to the Encyclopaedia Britannica (3rd edition). In 1822 one of Robison's former pupils, David Brewster, paid homage to his teacher by collecting Robison's contributions to the Britannica and publishing them under the title, "A System of Mechanical Philosophy". This work was generally seen in the early Victorian era as a reference point for the progress of scientific knowledge and its applications in the period. In our own day, the System serves not only to illuminate the history of the natural sciences and technology in Britain, but also to shed light on scientific culture in the Enlightenment and on Robison's outlook as a natural philosopher. For Robison's articles in the "Encylopaedia Britannica" reveal much about his own philosophical and scientific ideas in the course of dealing with almost all branches of the physical sciences, as well as the applied arts and many of the major scientific disputes of the late 18th century. Robison's System has become very hard to find in libraries, and this facsimile reprint with Paul Wood's new introduction should be welcomed by scholars of Enlightenment science and technology, and those interested in 18th and 19th-century studies more generally.

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Citizenship and the environment are hotly debated, as climate change places more responsibility on individuals and institutions in shaping policy. Using new evidence and cases from across the globe, Environment and Citizenship explores the new vocabulary of ecological citizenship and examines how successful environmental policy-making depends on the responsible actions of citizens and civil society organizations as much as on governments and international treaties. This accessible and thought-provoking book: - provides a comprehensive and timely guide to the debates on environmental and ecological citizenship, expertly combining examples of practice with theory; - examines how environmental movements have become increasingly involved in governance processes at the local, national, regional and intergovernmental levels; - explores the increasing importance of corporations and transnational networks through examples of stakeholding processes and participatory research in environmental decision-making; - calls on researchers, policy-makers and activists to face a new challenge: how to effectively link environmental justice with social justice. Breaking new ground, Smith and Pangsapa address how environmental responsibility operates through politics, ethics, culture and the everyday experiences of ctivists, as well as how awareness of environmental and social injustice only leads to responsible actions and strategic change through civic engagement.

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This book paints a vivid picture of women's active involvement in reshaping intimate and public sexual life in East Asia. In bringing together exciting new feminist research on sexuality from East Asia and making it available to a wider audience, East Asian Sexualities unsettles stereotypes, rectifies lack of awareness and demonstrates that East Asia matters. The chapters address the diversity and variety of everyday sexual lives and sexual politics in China, Hong Kong, Taiwan, Korea and Japan. They range from workplace sexual cultures, trans-national sexual relations, the conditions of sex-work and the emergence of new sexual desires, cultures and movements. The contributors highlight the gendered and sexual consequences of globalization and rapid social change. In doing so, they engage with western debates on late modernity while also exploring the contested understandings of modernization and westernization in the East. This is a collection which illuminates the local situations in which women's sexual lives are lived and offers fresh perspectives on global issues.

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The civil war that raged in Yugoslavia following the German invasion in 1941 was brutal, uncompromising and complex, pitting royalists, fascists communists, ethnic groups, and the Axis powers against one another in a shifting and bloody theatre of war. The Partisan forces under the command of Josip Broz Tito were a constant thorn in the side of the Wehrmacht divisions in the Balkans, prompting numerous anti-partisan operations. Using primary source material, stunning contemporary images and personal accounts, this book explores a well-known but little published subject for the first time, bringing to light the development, training, weaponry, tactics and combat experiences of Tito''s formidable guerrilla force, and the events of this bloody theatre of World War II (1939-1945).

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Since WWII tanks have proved themselves in every conflict - Korea, Vietnam, Afghanistan, the Gulf, the Arab-Israeli wars. This book concentrates on how to model accurately not just postwar technical developments but also changing tactical uses.

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The essays which appear in this work are based on the papers presented at a two-day conference held in Liverpool in July 2007 to celebrate the 50th anniversary of the signing of the Treaty of Rome establishing the EEC. The collection reflects critically upon some of the EU's historic characteristics and speculates imaginatively on some of the diverse challenges facing the Union in the future. Contributions from both established and emerging scholars of EU law and policy are united by two main themes: the paradox of the resilient yet unstable basis of the Union's constitutional fundamentals, and the ever-contested balance between the EU's core economic mission and its broader social values and aspirations. For any student, scholar or practitioner interested in the dynamic nature of the constitutional relationship between the Union and its Member States, and in the complex tensions underpinning the EU's substantive policies, these essays will be essential reading.

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This book examines powers and remedies available to a liquidator or administrator that render 'vulnerable' the company's prior contractual commitments or proprietary dispositions so as to enhance the asset pool available to creditors. In the process,the book does two things. First, it offers comprehensive accounts of the relevant causes of action: undervalue transactions, preferences, late floating charges, unregistered charges, transactions defrauding creditors, gratuitous corporate transactions and post-petition dispositions in liquidation. Secondly, it seeks to raise issues about the context and purpose of these causes of action, many of which have not yet been fully explored in the case law or academic literature. These are considered through a discussion of their relationship to the pari passu principle; a restitutionary analysis of the remedial provisions; and issues arising specifically in cross-border and international insolvency proceedings. The book is thus a source of reference both for insolvency litigators and for transactional lawyers seeking advice on potential vulnerability. The thematic approach and rigorous analysis will also make it of interest to an academic readership.

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European consumer law has become a vital part of both legal education and practice. This Casebook details the most fundamental judgments of the Court of Justice on consumer law to date and their effect on national legal systems. It contains twenty leading European cases and is then followed by concise analyses of the effect of these decisions on some of the national legal systems of the Member States,and how national legislatures and national courts have reacted to this ever burgeoning area of European law. The focus of the book is private law, including consumer contracts, advertisement law, European product liability and consumer dispute resolutions. The Casebook is an essential guide for students and practitioners alike. It provides the reader with an overview of the most important cases and analyses in the area of European consumer law on both European and national levels. The editors and contributors to the country reports are members of the EU- funded research network 'Common Principles of European Private Law'.

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