Search results for ""bloomsbury publishing""

A concise and accessible introduction, this "Reader's Guide" takes students through Kierkegaard's most important work and a key nineteenth century philosophical text. Soren Kierkegaard was without question one of the most important and influential thinkers of the nineteenth century. "Fear and Trembling" is a classic text in the history of both philosophical and religious thought that still challenges readers with its original philosophical perspective and idiosyncratic literary style. Kierkegaard's "Fear and Trembling: A Reader's Guide" offers a concise and accessible introduction to this hugely important and notoriously demanding work. Written specifically to meet the needs of students coming to Kierkegaard for the first time, the book offers guidance on: philosophical and historical context; key themes - reading the text; reception and influence; and, further reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

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This title presents an accessible and informative introduction to two texts from one of America's most experimental and provocative authors. This guide to Annie Proulx's novel "Postcards" and her short story "Brokeback Mountain" features a biography of the author, a full-length analysis of the texts, a summary of the their popular and critical reception, a discussion of the recent film adaptation of "Brokeback Mountain" and its reception and a great deal more. If you're studying either text, reading them for your book club, or if you simply want to know more, you'll find this guide informative, intelligent, and helpful.

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John Stuart Mill is best known for his moral and political writings, and is a central figure in political philosophy. However, the full ambition of his thought is often neglected in favour of an assessment based largely on contemporary liberal theorizing, while the more subtle and manifold elements of his thought remain inaccessible or incoherent to many students of his work. Mill: A Guide for the Perplexed is a clear and thorough account of Mill's thought, his major works, and the common ideas that permeate them, providing a guide to this important and complex thinker. The book introduces the key concepts and themes in Mill's social, political and moral thought, exploring his distinctive doctrines and the ideas he brings together from classical Greek thought, French positivism, Romanticism, as well as British liberalism. Geared towards the requirements of students who are familiar with the basic concepts of political theory, but unfamiliar with his work, the book serves as a clear and concise introduction to Mill's major writings.

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John Stuart Mill is best known for his moral and political writings, and is a central figure in political philosophy. However, the full ambition of his thought is often neglected in favour of an assessment based largely on contemporary liberal theorizing, while the more subtle and manifold elements of his thought remain inaccessible or incoherent to many students of his work. Mill: A Guide for the Perplexed is a clear and thorough account of Mill's thought, his major works, and the common ideas that permeate them, providing a guide to this important and complex thinker. The book introduces the key concepts and themes in Mill's social, political and moral thought, exploring his distinct doctrine and the ideas he brings together from classical Greek thought, French positivism, Romanticism, as well as British liberalism. Geared towards the requirements of students who are familiar with the basic concepts of political theory, but unfamiliar with his work, the book serves as a clear and concise introduction to Mill's major writings.

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This is a new and comprehensive reconsideration of Graham Greene's use of Catholic and theological issues in his fictions and other writings from the 1920s until the 1980s. This major new reconsideration of Graham Greene's writings, from the 1920s until the 1980s, focuses both on his best known novels and his less familiar works, including his short stories, plays, poetry, film scripts and reviewing, journalism and personal correspondence. It explores the major issues of Catholic faith and doubt, particularly in relation to his portrayal of secular love and physical desire, and examines the religious and secular issues and plots involving trust, betrayal, love and despair. Although Greene's female characters have often been underestimated, Brennan argues that while sometimes abstract, symbolic and two-dimensional, these figures often prove central to an understanding of the moral, personal and spiritual dilemmas of his male characters. Finally, he reveals how Greene was one of the most generically ambitious writers of the twentieth century, experimenting with established forms but also believing that the career of a successful novelist should incorporate a great diversity of other categories of writing. Offering a new and original perspective on the reading of Greene's literary works and their importance to English twentieth-century fiction, this will be of interest to anyone studying Greene.

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This period of British history saw dramatic social, political, and cultural changes, characterized by the great movement of peoples. The Stone Age peoples, Bronze Age peoples, Celts, Scots, Picts, Irish, Roman, Anglo-Saxon, Danes and Normans all arrived, settled, and (to some degree) intermingled. Each of these peoples has a complex history partly separate and partly shared, sometimes obscure, sometimes distorted in the popular imagination, and the purpose of the encyclopedia is to both highlight specific details and clarify the overall picture. The geographic scope of the encyclopedia is Britain and Ireland, and chronologically covers everything from the Neolithic period to 1154. A section of longer essays on key themes is followed by an A-Z section of shorter entries on specific topics. Entries vary in length from about 400 words to about 7,500 words. Each entry includes a brief bibliography. This encyclopedia will be a useful reference for nearly every level of research, from gene

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Covering Western and Eastern Europe, this book looks at the Holocaust on the local level. It compares and contrasts the behaviour and attitude of neighbours in the face of the Holocaust. Topics covered include deportation programmes, relations between Jews and Gentiles, violence against Jews, perceptions of Jewish persecution, and reports of the Holocaust in the Jewish and non-Jewish press.

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Despite the wealth of historical literature on the Second World War, the subject of religion and churches in occupied Europe has been undervalued – until now. This critical European history is unique in delivering a rich and detailed analysis of churches and religion during the Second World War, looking at the Christian religions of occupied Europe: Catholicism, Lutheranism, Calvinism, and Orthodoxy. The authors engage with key themes such as relations between religious institutions and the occupying forces; religion as a key factor in national identity and resistance; theological answers to the Fascist and National Socialist ideologies, especially in terms of the persecution of the Jews; Christians as bystanders or protectors in the Holocaust; and religious life during the war. Churches and Religion in the Second World War will be of great value to students and scholars of European history, the Second World War and religion and theology.

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This book provides a concise analysis of the making of Kurdistan, its peoples, historical developments and cultural politics. Under the Ottoman Empire Kurdistan was the name given to the autonomous province in which the Kurdish princes ruled over a cosmopolitan population. But re-mapping, wars and the growth of modern nation-states have turned Kurdistan into an imagined homeland. The Kurdish question is one that continually reappears on the international stage because of the strategic location of Kurdistan. In describing the ways in which Kurdistan and its history have been represented and politicized, the author traces the vital role of the nationalist States of Turkey, Iran and Iraq in the crafting of political actors in the region.

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Digital media are rapidly changing the world in which we live. Global communications, mobile interfaces and Internet cultures are re-configuring our everyday lives and experiences. To understand these changes, a new theoretical imagination is needed, one that is informed by a conceptual vocabulary that is able to cope with the daunting complexity of the world today. This book draws on writings by leading social and cultural theorists to assemble this vocabulary. It addresses six key concepts that are pivotal for understanding the impact of new media on contemporary society and culture: information, network, interface, interactivity, archive and simulation. Each concept is considered through a range of concrete examples to illustrate how they might be developed and used as research tools. An inter-disciplinary approach is taken that spans a number of fields, including sociology, cultural studies, media studies and computer science.

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Social researchers can hardly afford to ignore the Internet, as it has become an intrinsic part of everyday life. This new site of social interactions is begging to be researched and explored. At the same time it can be a moral minefield and a quality control nightmare even for researchers skilled in established methods. Virtual Methods offers a detailed exploration of the problems and opportunities surrounding Internet-based research. Can offline and online observations be combined? Are online interviews able to produce high quality data? How does a researcher sort through the vast mass of material available? From hyperlink analysis to the sex industry online, case studies sensitively highlight the difficulties researchers face, point out the opportunities to be seized, and offer practical solutions. Virtual Methods provides concrete advice for all stages of the research process. Anyone planning a research project involving the Internet will find this book an essential guide.

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In this stimulating account of his life's experiences, renowned scholar and pioneer Africanist archaeologist Merrick Posnansky takes his readers on an unusual journey across the world, from his origins in a small Jewish community in Manchester to his adventures on archaeological sites in the villages of Africa before finally settling down to teach in Los Angeles.A Jewish British expatriate in an African social world, Posnansky struggled to establish his racial identity in the British colonial world where Jewish communities were rare. He crossed racial and religious boundaries by marrying a Christian woman from Uganda, a highly unusual step at that time.Written in a refreshing, candid style, these memoirs provide a fascinating glimpse into the changes taking place in modern Africa. "Africa and Archaeology" is a first hand account of the racial and religious prejudices of the twentieth century.

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The Nile Basin is a vast and varied area of 350 million people. Parts of the basin have become the very symbols of African misery, suffering drought, genocide, state failure and aid dependency. At its heart lies the Nile itself. Yet whilst the importance of the river is well documented for the colonial period there is no comprehensive account of its management after independence. "The River Nile in the Post-Colonial Age" details the modern development of the Nile Basin and the efforts to manage its waters. With important new material by researchers from each of the countries through which the Nile passes, it provides an indispensable aid to understanding the complex history of the basin, the politics surrounding it and the efforts being made to jointly manage it.

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'History is the version of past events that people have decided to agree upon', said Napoleon. Yet the actual writing of history, especially ancient history, is a practice that often prompts more discord than assent. In his new textbook, Luke Pitcher aims to overcome the hostility which exists between two rival camps in their study of classical historiography. The first camp looks at the classical historians with an eye to what data they can provide about the ancient world. The second camp examines the ancient writers as literary texts in their own right, employing the tools of literary criticism and engaging with such matters as narrative artistry.Attempting to fuse these two - mutually suspicious - approaches, Luke Pitcher's attractive introduction offers undergraduate students of classics the first comprehensive introduction to historiography in antiquity on the market. It unites the nitty-gritty of the historian's trade (the finding and managing of data) to an awareness of the importance of style, form, allusion and composition. The book also seeks to do justice to individual classical historians, and discusses such important figures as Livy, Tacitus, Herodotus, Cicero, Plutarch and Lucian. A comprehensive bibliography and glossary are included. "Writing Ancient History" at last does full justice to the mechanics of history-writing in the ancient world.

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The eleventh volume in this ground-breaking series pays special attention to politically engaged poetry, written during a turbulent period which saw the Constitutional Revolution in Iran as well as the rise to power of Reza Shah and his attempts to implement reform. Throughout this time, poets began to turn their attention towards the country's ordinary people, rather than concentrate on its elites. This volume also examines the prose fiction of the period, which saw the rise of the novel and short story. Additionally, Persian satire began to grow in importance, especially with the increased popularity of poets and novelists such as Iraj Mirza and Sadeq Hedayat. This wide-ranging volume is an invaluable companion for anyone who wants to understand how the Persian literary scene changed at the beginning of the twentieth century, reflecting the social and political contexts in which this literature was created

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Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves. A History of Persian Literature answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience. It includes extensive, revealing examples with contributions by prominent scholars who bring a fresh critical approach to bear on this important topic. The third volume in this ground-breaking series explores mainly the poems written in the couplet form (mathnavi) including narrative mathnavis, allegorical mathnavis such as The Conference of the Birds by Attar as well as didactive mathnavis such as Sa'di's Bustan and Rumi's Mathnavi-ye Ma'navi.Included in this volume are also Strophic Poetry, Satirical and Invective Poems and Occasional Poems (qat'e) and some rarer forms of Persian poetry. This volume is an invaluable companion for anyone who wants to understand the continuing relevance and influence of Classical Persian Poetry.

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Clint Eastwood is one of the world's most popular action stars, who has matured into a fine American producer-director. Entertaining, illuminating and packed with information, up to and including "The Changeling", this is the first book to cover his full life in the movies, from his beginnings in 1950s B-movies and in TV's "Rawhide" to "Gran Torino" showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Howard Hughes follows Eastwood's craft through over 50 movies. He looks at his launch into superstardom in Sergio Leone's 1960s spaghetti westerns. Back in America, he built on his success as western hero with such films as "High Plains Drifter" and "The Outlaw Josey Wales", winning an Oscar for "Unforgiven" in 1992. He blasted his way through the seventies and eighties as Inspector Harry Francis Callahan, the last hope for law enforcement in San Francisco. He also monkeyed around in two phenomenally popular films with Clyde the orang-utan, which brought tough-guy Eastwood to a whole new audience and made him the biggest box office star of his generation. "Aim for the Heart" also looks at Eastwood's more unusual roles, including "The Beguiled", "The Bridges of Madison County" and "Million Dollar Baby". Since 1970, he has enjoyed parallel success as director-producer of his own Malpaso Productions, with "Bird", "Mystic River" and "Letters from Iwo Jima", demonstrating formidable directing credentials. "Aim for the Heart" covers all Eastwood's movies of many genres in detail, and Eastwood's story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. "Aim for the Heart" also includes the most comprehensive credits filmography has ever compiled on Eastwood's work, as star and director.

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From the end of the 1930s through the 1940s, the New York fashion industry came into its own. Sportswear, which had evolved from its sporting origins to include simple casual wear for town and country, travel and leisure, was at the centre of this shift. Sportwear provided busy career women, college girls and housewives with clothes that could be worn on all occasions.Drawing on a wonderful array of sources, from fashion magazines to department store records, this book is the rich and absorbing narrative and analysis of how New York sportswear evolved to become the definitive American style and how a modern fashion aesthetic was born. The story that unfolds reveals, with the aid of some wonderful illustrations, how New York's emergent style became dynamic and modern, like the city itself, expressive of the American ideal of athletic, long-limbed women; and how it tapped into both metropolitan Americanness and the America of wide-open spaces.It explores the designers, such as Claire McCardell, Clare Potter and Tina Leser, themselves embodiments of the modern, active woman, and how they gave middle class American women New York sportswear as an alternative to Parisian-inspired designs. It looks for the first time at how its style connected not just to ideals of patriotism and democracy, but to current notions of cleanliness and hygiene, and for example, to 1930s theories of body image, and contemporary dance.

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Relations between Muslims and the Russian government have long been a source of tension and never more so than today. This penetrating examination of the conflict between the central authority of the Russian Empire and its Muslim regions before, during and immediately after the Russian Revolution illuminates this important relationship. It is essential reading for anyone wishing to understand the complex dynamic between Islam and the State.This definitive history of the politics and administration of the state of Bukhara and its highly organised religious life is a source of many insights. It is also a superlative study of a Muslim reform movement in the context of Muslim modernism in other societies. "Islam and the Russian Empire" fills an important gap in our understanding of the Muslim question in the former Soviet Union and its influence on Russia's relations with other Muslim countries.The relationship between Islam and the State in Russia is highly topical. Author is a leading scholar and the acclaimed expert on this subject. This title includes wonderful endorsements.

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The Asian TV industry is 'unstoppable' reported Variety in 2008, yet still most people living in the West have no idea what the rest of the world is watching on TV: what makes them laugh and cry every day. East Asia, as this book demonstrates, produces drama that is watched by vast audiences. The dramas themselves are diverse in form and content, have value that is local as well as transcultural and strongly appeal, in terms of their aesthetics, storytelling, acting and cinematography to non-Asian as well as Asian audiences. Reading Asian Television Drama offers an informative overview of East Asian television drama and its cultural impact. It examines both the text and context of TV dramas from such countries as Hong Kong, Taiwan, Japan, China and South Korea. Chapters analyse various internationally popular dramas including South Korean 'hallyu' shows like Jewel in the Palace, Winter Sonata and Wedding. Other chapters focus on Asian TV networks within Asia, as well as Asian global cultural exchange and the international consumption of East Asian television drama. They also provide full and varied coverage of the major issues relating to contemporary East Asian television and its cultural formation within Asia as well as in the West.

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In this book, the author has published extensively on American cinema. It covers a range of well-known films and film-makers. This is the first book to analyse the relationship and interaction between Independent film and Hollywood.Indiewood is the place where Hollywood and the American independent sector meet, where lines blur and two very different kinds of cinema come together in a striking blend of creativity and commerce. This is an arena in which innovative, sometimes challenging cinema reaches out to the mainstream. Or, alternatively, a zone of duplicity and compromise in which the 'true' heritage of the indie sector is co-opted as an offshoot of Hollywood."Indiewood" is the first book to provide objective analysis of this distinctive region of the contemporary American film landscape. Case studies include the work of Quentin Tarantino, Charlie Kaufman and Steven Soderbergh and the output of the studio 'specialist' divisions Miramax and Focus Features.From the stylized violence and cult film referencing of "Kill Bill" to the literary resonances of "Shakespeare in Love" and from the mind-bending scripts of Kaufman ("Being John Malkovich", "Adaptation", "Eternal Sunshine of the Spotless Mind") to Soderbergh's "Traffic" and "Solaris", Geoff King examines the way Indiewood features combine mainstream with more unconventional features in an attempt to have it both ways: to remain accessible while offering markers of distinction designed to appeal to more particular, niche-audience constituencies.

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Is Saudi Arabia really a homogeneous Wahhabi dominated state? In 1932 the Al Saud family incorporated the kingdom of Hijaz, once the cultural hub of the Arabian world, in to the kingdom of Saudi Arabia. The urban, cosmopolitan Hijazis were absorbed in to a new state whose codes of behavior and rules were determined by the Najdis, an ascetic desert people, from whom the Al Saud family came. But the Saudi rulers failed to fully integrate the Hijaz, which retains a distinctive identity to this day. In "Cradle of Islam", the product of years spent in Mecca, Medina, Jeddah and Taif, Mai Yamani traces the fortunes of the distinctive and resilient culture of the Hijazis, from the golden age of Hashemite Mecca to Saudi domination to its current resurgence. The Hijazis today emphasise their regional heritage in religious ritual, food, dress and language as a response to the 'Najdification' of everyday life. The Hijazi experience shows the vitality of cultural diversity in the face of political repression in the Arab world.

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Jose Antonio Conde's classic 3 volume work is a pioneering history of the Arabs in Spain (700-1500). It was under Arab rule that the Iberian peninsular experienced a golden era that saw a blossoming of artistic, scientific and intellectual pursuits. Conde was concerned that the history of this period was available only through works that were unreliable and prejudiced against the Arabs and his aim was to provide an accurate account of what was an important period in the history of Europe and of Islam. War and the passage of time had destroyed many of the important libraries but Conde undertook extensive research to locate and make use of original Arabic manuscripts and he was the first person to use them for a coherent history of the period. The three volumes represent an important milestone in Hispano-Arabic studies and they have had a lasting influence. Their re-issue will be welcomed by scholars and all with an interest in this fertile and formative period. The new Introduction by Professor Richard Hitchcock, a leading scholar of Hispano -Arabic studies, provides an important a re-appraisal of Conde, whose role in unearthing the history of al-Andalus, he feels, has been much undervalued.

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How should we understand genocide in the modern world? As an aberration from the norms of a dominant liberal international society? Or rather as a guide to the very dysfunctional nature of the international system itself? "The Meaning of Genocide" is the first work of its nature to consider the phenomenon within a broad context of world historical development. In this book, Mark Levene sets out the conceptual issues in the study of genocide, addressing the fundamental problems of defining genocide and understanding what we mean by perpetrators and victims, before placing it in the context of world history. "The Meaning of Genocide" is the first of a major four-volume survey which will become the definitive work on the subject.

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From India to Iraq, from London to Lahore, the relationship between religion and violence is one of the most bitterly contested and casually misrepresented issues of our times. This groundbreaking volume brings together expert perspectives from a variety of fields to probe it. It seeks to shift analytical focus on to the contexts in which violence is expressed, enacted and reported. Ranging from Islam to Buddhism to new religious movements in the West, "Dying for Faith" offers a comprehensive and highly original account of a complex phenomenon that has so far attracted sensational media coverage but scant academic attention.

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The phonecall came from out of the blue, just when Sir Hilary Synnott was looking forward to retirement after helping steer India and Pakistan back from the verge of nuclear war. "It's about Iraq. We need a King of the South..."Bad Days in Basra" is the story of Synnott's time as Britain's most senior representative in Southern Iraq, trying to keep the region together as the rest of the country descended in to murderous violence. By turns wryly comic, revealing and heart-breaking, it offers a never seen before glimpse in to the high politics of the occupation. Shuttling between the gilded palaces of the Green Zone and the leaky outhouses which constituted Coalition HQ in Basra, Synnott had to negotiate his boss, Paul Bremer's brash indifference to what was going outside Baghdad, the indecisiveness of his London masters, and the brutal political realities of a country under occupation.Bearing witness for the first time to the chaotic fashion in which the coalition was run at the highest levels, Synnott's unique insider account is the most important primary source we yet have on how the South was lost. It offers new insights in to the style and motivations of key characters such as Bremer himself, US commander General David Petraeus and the then UK Foreign Minister Jack Straw. It provides an entertaining and witty portrait of the absurdities of life inside the occupying coalition, a devastating critique of CPA policies and controversial revelations about the real relationship between the two occupying powers, Britain and America.

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Many important right-wing political figures from the late nineteenth century and inter-war period have been over-shadowed in history by Nazi Germany and Adolf Hitler. Rebecca Haynes here assesses the careers of seventeen of the most important figures in right-wing politics in Central and Eastern Europe during this period and reveals the significance of leaders whose impact has been overlooked. Some of these were Nazi-sympathisers; others rejected German National Socialism in favour of rival nationalist and right-wing ideologies and programmes. But all played a role in modern European political history that cannot be ignored. This book seeks to draw some of the leading right-wing politicians and thinkers in Central and Eastern Europe out from under Hitler's shadow.

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Lyotard's claims concerning the postmodern have often been misunderstood or misrepresented. Lyotard Reframed provides an analysis of Lyotard's most influential writings on the postmodern alongside a detailed commentary on his broader philosophy, demonstrating and clarifying his work's ongoing relevance to creative endeavour and debates concerning the value and significance of the visual arts. It also situates Lyotard's discussion of the postmodern within the context of his other key concepts: the figural, the libidinal and the sublime. Accessible in style and approach, Lyotard Reframed employs numerous examples drawn from the arts to critically examine and evaluate the nature, history and significance of these important concepts and explore their respective links with phenomenology, Marxism, structuralism, psychoanalysis and deconstruction.

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Modern Lebanese cinema can best be explored in the context of the Civil War, in part because almost all the Lebanese films made since its outset in 1975 have been about this war. Lina Khatib takes 1975 Beirut as her starting point, and takes us right through to today for this, the first major book on Lebanese cinema and its links with politics and national identity.She examines how Lebanon is imagined in such films as Jocelyn Saab's "Once Upon a Time, Beirut", Ghassan Salhab's "Terra Incognita", and Ziad Doueiri's "West Beirut". In so doing, she re-examines the importance of cinema to the national imagination. Also, and using interviews with the current generation of Lebanese filmmakers, she uncovers how in the Lebanese context cinema can both construct and communicate a national identity and thereby opens up new perspectives on the socio-political role of cinema in the Arab world.

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When Englishman and Turk fell side by side in the killing fields of the Crimea, it was not the first time that Christian and Muslim blood was shed, and intermingled, in the cause of battling a common foe. It is fashionable today to talk of a 'clash of civilizations', and of an unbridgeable chasm between the Islamic world and Christendom. But in this bold and iconoclastic book Ian Almond demonstrates that in Europe, the heart of the west, Muslims and Christians were often comrades-in-arms, repeatedly forming alliances to wage war against their own faiths and peoples. As we read of savage battles, deadly sieges and many acts of individual heroism, we learn of Arab troops rallying in their thousands to the banner of a Christian emperor outside the walls of Verona. Of Spanish Muslims standing shoulder to shoulder with their Christian Catalan neighbours in opposition to Castilians. Of Greeks and Turks forming a steadfast bulwark against Serbs and Bulgarians, their mutual enemy. And of tens of thousands of Hungarian Protestants assisting the Ottomans in their implacable and terrifying march on Christian Vienna. As the author shows, any notion that 'Christian Europe' has long been opposed by a 'Muslim non-Europe' grossly misrepresents the facts of a rich, complex and - above all - shared history. The motivations for these interfaith alliances were dictated by shifting diplomacies, pragmatic self-interest and realpolitik, not by jihad or religious war. This insight has profound ramifications for our understandings of global politics and current affairs, as well as of religious history and the future shape of Europe.

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The fateful duel of 1809 between Lord Castlereagh and George Canning is one of the great puzzles of 19th-century British politics. What made these two titans of the political scene - close colleagues and both highly effective members of the Cabinet - draw arms against each other? Canning was Foreign Secretary while Castlereagh was Secretary of State for War and the Colonies: what were they thinking on that ominous morning and what was important enough to provoke two Cabinet ministers to such extraordinary behaviour?This detailed history of the famous duel is the first to examine fully the careers of these two great men and the political conflicts that brought them to fire shots at each other on Putney Heath. Drawing on previously overlooked private papers, Giles Hunt traces what happened on that eventful day and its consequences for British politics. Castlereagh is traditionally depicted as an old-fashioned Tory reactionary, Canning as a brilliant but ambitious liberal. "The Duel" analyses how much truth there is in these descriptions and examines the roots of the political and personal rivalry which led these two men to face each other with pistols early in the morning of 21st September 1809 in one of the strangest and most significant duels of history.

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If virtuality is being celebrated as heralding a radically new era, rich with new possibilities and futures hitherto unimagined through cybernetics, networking and digitalizaton, such claims are also being viewed with deep scepticism and countered by renewed interest in the groundedness and referentiality of the concept of the index. In this transdisciplinary book, major artists, filmmakers, film theorists, philosophers, literary critics, information theorists and cultural analysts examine the twists and turns of the contesting terms of virtuality and indexicality in contemporary cultural theory in relation to history, trauma, sexuality, textuality, anxiety, simulated lives, code, digital cinema, science fiction, and contemporary art. Antony Bryant, Juli Carson, N. Katherine Hayles, Anna Johnson, Mary Kelly, Brian Massumi, Claire Pajaczkowska, Griselda Pollock, Adrian Rifkin, Martha Rosler, Alison Rowley, Trinh T. Minha, Samuel Weber, and Paul Willemen, draw on concrete practices, ranging from film, video and chatrooms to airport spaces, conceptual art and textiles, to offer critically engaged, sometimes sceptical, analyses of contemporary image worlds in the light of a continuing allegiance to grounded histories and critical practice.

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There is a great deal at stake for everyone in the future of Arab television. Political and social upheavals in this central but unsettled region are increasingly played out on television screens and in the tussles over programming that take place behind them. Al-Jazeera is of course only one player among a still-growing throng of satellite channels, which now include private terrestrial stations in some Arab states. It is an industry urgently needing to be made sense of; this book does exactly this in a very readable and authoritative way, through exploring and explaining the evolving structures and content choices in both entertainment and news of contemporary Arab television. It shows how owners, investors, journalists, presenters, production companies, advertisers, regulators and media freedom advocates influence each other in a geolinguistic marketplace that encompasses the Arab region itself and communities abroad. Probing internal and external interventions in the Arab television landscape, the book offers a timely and compelling sequel to Naomi Sakr's "Satellite Realms: Transnational Television, Globalization and the Middle East", which won the Middle Eastern Studies Book Prize in 2003.

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In his seminal book "Television's Second Golden Age", Robert Thompson described quality TV as 'best defined by what it is not': 'it is not "regular" TV'. Audacious maybe, but his statement renewed debate on the meaning of this highly contentious term. Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the field of contemporary television to debate what we currently mean by quality TV. They go deep into contemporary American television fictions, from "The Sopranos" and "The West Wing", to "CSI" and "Lost" - innovative, sometimes controversial, always compelling dramas, which one scholar has described as 'now better than the movies!' But how do we understand the emergence of these kinds of fiction? Are they genuinely new? What does quality TV have to tell us about the state of today's television market? And is this a new Golden Age of quality TV? Original, often polemic, each chapter proposes new ways of thinking about and defining quality TV. There is a foreword from Robert Thompson, and heated dialogue between British and US television critics. Also included - and a great coup - are interviews with W. Snuffy Walden (scored "The West Wing" among others) and with David Chase ("The Sopranos" creator). "Quality TV" provides throughout groundbreaking and innovative theoretical and critical approaches to studying television and for understanding the current - and future - TV landscape.

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"The Delirious Museum" is a remarkable, illuminating work, which presents an original view of the idea of the museum in the twenty-first century, re-imagining the possibilities for museums and their displays and re-examining the blurred boundaries between museums and the cities around them. On his quest for the Delirious Museum, Storrie takes a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas. He encounters on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind, the exhibitions of El Lissitsky and of Frederick Kiesler, and the work of artists as varied as Marcel Duchamp, Andy Warhol, Marcel Broodthaers, Sophie Calle and Mark Dion.

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The notion of 'empire' has been at the forefront of world politics for over a century. Bernard Porter's landmark work traces the critical response to the British imperial project in the years leading up to World War I. Imperial adventures, including the intervention in Egypt and the Anglo-Boer War, together with the jingoistic clamour that surrounded them, attracted powerful hostility as well as support. "Criticism of Empire" is the subject of Porter's stimulating book. Long regarded as the classic account, the author has now added a substantial new Introduction. He demonstrates the power and influence of major critics such as J.A. Hobson - the acknowledged creator of the 'capitalist theory' of imperialism - E.D. Morel and Mary Kingsley and of organisations like the Congo Reform Association. With themes which are also highly relevant to the present day discourse on the American 'empire', this book will prove essential reading for all students of imperial and international history.

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The Great War was the first example of a total war in history, reflected in the cultures and literatures of Europe in the shape of propaganda. What began as civic patriotism developed into a weapon of war, programmed and organized by the state to devastating effect. In almost all countries, writers of different ideological hues were ready to undertake the job of representing the war, in accordance with the state's guidance. War propaganda in the Ottoman Empire, the most anachronistic belligerent of the war according to historians, was condemned to failure. In the underdeveloped and multi-ethnic Ottoman Empire, the Ottoman-Turkish intelligentsia could not produce adequate propaganda to support the battlefronts and the home front. Why did propaganda efforts die after 1915? Can this be explained with the laziness or cosmopolitanism of the cultural agents? Or did the lack of propaganda derive from reasons that are more material?Erol Koroglu seeks to address these questions in a unique interdisciplinary assessment of Turkish literature and propaganda, interpreting literary texts written by the representative writers of the period. These interpretations follow a literary cultural history method and give an analysis of the complex interaction between literary texts and the historical context. Koroglu discusses the subjects of First World War propaganda, Turkish nationalism and national identity construction. He concludes that the unfavourable conditions in the Ottoman-Turkish cultural sphere, the literature of the years 1914-1918, even if superficially full of propaganda aims, was essentially the continuation of a project to build a national culture, inherited from the pre-war years and never completed. Turkish literature therefore did not reflect powerful propaganda, but was more a difficult attempt to create 'national identity'.

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The Austrian Centre was established in London in 1939 by Austrians seeking refuge from Nazi Germany, of whom 30,000 had reached Britain by the outbreak of World War II. It soon developed into a comprehensive social, cultural and political organisation with a theatre and a weekly newspaper of its own. A Communist-influenced organisation, it also followed a distinct political agenda. In the first book on the cultural and political life of Austrian refugees in Britain, "Out of Austria" assesses and evaluates the Austrian Centre's activities and achievements, while also examining the Austrians' often fraught relations with their British hosts. It gives a fascinating insight into such figures as Sigmund Freud, who became the Centre's Honorary President during his final months and the poet Erich Fried, then an unknown seventeen-year-old, k and sheds light on the interaction of politics and culture against the background of exile in wartime Britain.

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This timely book, newly revised for this edition, addresses the question of human rights in the international context, focusing in particular on the interaction between human rights as a value and norm in international relations and Islam as a constituent of political culture in particular societies. Katerina Dalacoura's argument proceeds at two levels. Firstly, it reaches a consistent normative position on the question of human rights. Secondly, the theoretical argument is reinforced through a detailed study both of the precepts of Islam and the role of Islam in the political process of 20th century Egypt and Tunisia. Dalacoura demonstrates that the interpretation of Islam in relation to human rights principles is not static, but is subject to reformulation.

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In the first work documenting Anglo-Turkish relations in the Middle East in the early Cold War period, Mustafa Bilgin identifies two very distinct stages in the relationship between Britain and Turkey. Before 1952, Turkey relied heavily on Britain to protect it from the 'Soviet menace'. In return for Britain's support, Turkey acted as an honest broker in Britain's increasingly difficult relations with key Middle Eastern states such as Egypt, Iran and Iraq. However Turkey's realisation that it could not rely on Britain, encouraged by Britain's blocking of Turkish membership of NATO in 1952, led to a new alliance between Turkey and the US. This is the first book to understand the development of the Cold War in the Middle East by exploring the Turkish case. "Britain and Turkey in the Middle East" is crucial to grasping the nature of Western strategy in general and British and Turkish strategy in particular during the crucial early years of the Cold War.

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It has long been acknowledged that in America the car is king. However, America's car-orientated and car-dependent lifestyle goes beyond the culture of fast cars and freeways. In "Addicted to Oil", Ian Rutledge explores the political, economic and social ramifications of the motorisation of the US economy. He argues that America's dependence on the car has created a lifestyle leading to oil needs which have heavily influenced US foreign policy in the modern era. Rutledge traces the origins of America's addiction throughout the twentieth century and explains how America's relations with the Middle East were developed through its quest for energy security. America's motorisation and its consequent demand for oil at predictable market prices was and continues to be an important influence on US policy towards Iraq - especially given the uncertainties relating to what has so far been the securest source of Middle East oil - Saudi Arabia. Ian Rutledge argues that the war in Iraq was neither a war for 'freedom' or 'democracy' nor was it a plot to 'steal Iraq's oil', but rather an attempt to establish a pliant and dependable oil protectorate in the Middle East which would underwrite the soaring demand from America's hyper-motorised consumers. "Addicted to Oil" is the first book to undertake an in-depth analysis of the motorisation of US society which explicitly links it to America's foreign policy adventures, past and present. "Addicted to Oil" is essential reading for an understanding of America's international political priorities and its fraught relations with the Middle East.

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Was the British left's support for the anti-Franco cause 'the most outstanding example of international solidarity in British history'? Here Lewis Mates considers this claim and argues that support for the anti-Franco cause was varied and multi-faceted. He analyses the 'Aid Spain movement': activities undertaken at grassroots level in support of the Spanish Republic. He explores the nature of grassroots support, its extent and depth, the motivations of activists, the institutions they operated through, and importantly, the role and impact of ideas on activism. Those within the British Left who did not embrace the Republic's cause are also examined as are the consequences of these divisions for the labour movement at its different levels from grassroots to national.Mates provides new perspectives on an important period of twentieth-century British history, contributing to debates about the nature of the British left, grassroots activism and popular political engagement in a contradictory epoch.

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Polanski is one of the most talented and distinguished of modern film makers. A well-informed cultural traveller, interested in the position of the outsider, he is hard to pigeonhole: he moves easily between mass audience and art-house tastes, between settings and genres; his films, including 'Two Men and a Wardrobe', 'Cul de Sac', 'Rosemary?s Baby', 'The Pianist' and 'Oliver Twist', represent diverse characters and cinematic influences. Like a magpie, he?s interested in everything he encounters, but then easily discards his treasures and moves onward. Covering all Polanski?s films as director, this welcome book addresses the eclecticism, ambiguity and paradoxes of his cinema, while seeking out the common elements in his films. Ewa Mazierska examines the autobiographical effect of Polanski?s films, his characters and diverse narratives, and the place of absurdism, surrealism and the ?double life? of things in his cinema. She looks into the function of music, of religion, power, patriarchy and racism in the films, as well as Polanski?s literary adaptations and his use and subversion of film genres. Herself a Polish emigre, she uncovers Polanski's Polish roots and the extent of their influence on the cinema of this mercurial film maker, at large in the world.

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"Allenby's Military Medicine" examines a little-known feature of World War I as it was fought in the Middle East - the contribution made by the practice of military medicine to the success of Egyptian Expeditionary Force. In stark contrast with operations in the Boer War and some other First World War theatres of combat, which Eran Dolev describes as "medical disasters", the Palestine Campaign was marked by efficient and effective medical service. Dolev describes how this great achievement was inspired by General Allenby's uniquely attentive attitude towards the health of the troops and to military medicine. This is especially seen in the crucial area of fighting epidemic diseases like malaria, a major threat to a healthy fighting force at the time. Dolev also describes the general developments in military-medical organisation and surgery on the battlefield during these campaigns. The author's extensive and original research into military medicine is incorporated into an account of the campaign itself, demonstrating the degree to which the army's success depended on its medical support. The story of military medicine during the Palestine Campaigns is a story of exemplary relations between the command and the doctors in the field. The challenges they faced and their response constitute an exceptional chapter in the history of military medicine during the Great War.

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Despite increasingly frantic calls - especially after the London bombings of July 7, 2005 - for western leaders to 'understand Islam better', there is a still a critical distinction that needs to be made between 'Islam' as religion and 'Islamism' in the sense of militant mindset. As the author of this provocative new book sees it, it is not a more nuanced understanding of Islam that will help the western powers defeat the jihadi threat, but rather a proper understanding of Islamism: a political ideology which is quite distinct from religion. While Islamism may be draped in religious imagery and suffused by apocalyptic language, it nevertheless is similar in nature to secular ideologies of terror. And once, the author holds, this is properly appreciated, the ways to defeat it will become much better evident. Historically sophisticated and passionately argued, "Rethinking Islamism" makes a powerful case by a master theorist of political philosophy. It will be essential reading for students and policy-makers in the fields of politics, current affairs and religion.

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A remarkably talented linguist, foreign correspondant in Russia from 1904-1921 and Foreign Editor for 'The Times', 'Russia's Greatest Enemy?' traces the fascinating life and career of Harold Williams. This quiet and modest New Zealander played a central role in informing and influencing British opinion on Russia from the twilight of the Tsars, through War and Revolution, to the rise of the Soviet Union. The career of this keen Russophile and fierce opponent of Bolshevism illuminates the pre-World War One movement towards rapprochement with the Tsar, as well as the drive for intervention and isolation in the Soviet period. In this fascinating study Charlotte Alston explores the role of Williams as the interpreter of Russia to the British and the British to Russia in this turbulent period in the history of both countries Introduction 1. New Zealand, 1876-1900 2. Journalism, 1900-1914 3. Britain, Russia, War and Revolution, 1907-1917 4. From Revolution to Intervention, 1917-1921 5. The Times, 1921-1928 Conclusion Bibliography

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The US sees itself as being locked into a confrontation with Iran, its number one enemy since the invasion of Saddam Hussein's Iraq. But, as Roger Howard argues in this compelling and provocative new book, by attempting to isolate Iran, the US may in fact be undermining its own power. For, if the US forces the rest of the world to choose between Iran and America, Iran has a trump card to play: some of the largest deposits of gas and petroleum on the planet. With global energy demands at an all-time high and supplies becoming increasingly inaccessible, Iran's oil and gas have already started to lure former US allies such as Pakistan and India away from American influence. Over the next decade, Iran's energy supplies look set to radically reformulate the security and diplomatic relationships of Asia and the Middle East. Furthermore, because of US trade embargoes on Iran, it is only the US's rivals, such as China, who are able to fully exploit Iran's natural resources, thus powering a new alliance of countries which will act as a counterweight to US global power. By pursuing such a hostile agenda to a country with so much petro-clout, America is, according to Howard, writing its obituary as the world's only superpower.

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How did great academics come to love their subjects? How do they see their roles as educators? In this series of beautifully crafted autobiographies, "Burnt Orange Britannia" illuminates the forces that drive some of America's brightest minds. Through personal stories of remarkable ambition, resilience and achievement, top historians of the British experience at the University of Texas such as Elizabeth Fernea, former President of the Middle East Studies Association, and Toyin Falola a prolific author on Africa, reflect on their careers, students, and the sweeping changes in academic life that have changed the face of university education in the last 50 years. "Burnt Orange Britannia" is a candid and absorbing insight into life in the academic fast-stream, that will appeal to all those with an interest in history and the methods and philosophy of its teaching.

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