Search results for ""Author Richard"

The perfect, feel-good, comforting read to cosy up with as the nights draw in. Escape to 1990, Notting Hill, first love, and hope.'Every time I have read one of Eva Rice’s books it has felt like a modern classic. Tender, and acutely observed, the characters of This Could Be Everything have stayed with me. Reading it every night felt like wrapping myself a comfort blanket' JOJO MOYES ‘The most gorgeous feel-good story about love and grief and how the smallest things can start a journey of healing.’ GEORGINA MOORE, author of The Garnett Girls'I finished it in a breathless emotional gulp. Truly wonderful, incredibly moving...funny, witty, wise and superbly written...The age beautifully evoked' STEPHEN FRY'You will rejoice as February gradually finds happiness again, consoled by two little canaries, the treadmill of the Top 40, the rare beauties of Nineties London and finally true love. Eva’s latest story HAS everything' JILLY COOPER ‘Exquisite. Enchanting. Quite possibly perfect. The next One Day/Me Before You’ VERONICA HENRY It’s 1990. The Happy Mondays are in the charts, a 15-year-old called Kate Moss is on the cover of the Face magazine, and Julia Roberts wears thigh-boots for the poster for a new movie called Pretty Woman. February Kingdom is nineteen years old when she is knocked sideways by family tragedy. Then one evening in May she finds an escaped canary in her kitchen and it sparks a glimmer of hope in her. With the help of the bird called Yellow, Feb starts to feel her way out of her own private darkness, just as her aunt embarks on a passionate and all-consuming affair with a married American drama teacher. THIS COULD BE EVERYTHING is a coming-of-age story with its roots under the pavements of a pre-Richard Curtis-era Notting Hill that has all but vanished. It’s about what happens when you start looking after something more important than you, and the hope a yellow bird can bring… Praise for This Could Be Everything: 'A beautiful, atmospheric, brilliantly observed thing of joy. Eva Rice is a fantastic observer and relayer of the human experience. Absolutely wonderful' Mel Giedroyc 'A beautiful balm of a book full of hope and possibility, This Could Be Everything will break your heart and piece it back together again with wit, warmth and magic. The way Rice weaves together fiction and reality is delicious, with details on every page that will have pop fans, Londoners and 90s nostalgics squealing with delight. Nobody captures the exhilaration of first love and teen fandom quite like her' Lauren Bravo ‘A reason to be cheerful - THIS COULD BE EVERYTHING is the book I've been waiting my whole life for, a perfect 90s period piece about sisters, it's glam, gorgeous, a little bit melancholic and a lot charming’ Daisy Buchanan ‘This moving, hopeful and brilliantly told story inhabits the West London of my youth. I loved it’ Betty Boo ‘A gorgeous story about first love and hope’ Red ‘A moving novel about sisterhood, grief and first love’ Good Housekeeping 'The story of loss, love - and ultimately hope - is beautifully told. You won't be able to put it down' Heat

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The dramatic story of Richard III, England's last medieval king, captured the world's attention when an archaeological team led by the University of Leicester identified his remains in February 2013. The Bones of a King presents the official behind-the-scenes story of the Grey Friars dig from the team of specialists who discovered and identified his remains The most extensive and authoritative book written for non-specialists by the expert team who discovered and analysed the remains of Richard III Features more than 40 illustrations, maps and photographs Builds an expansive view of Richard's life, death and burial, as well as accounts of the treatment of his body prior to burial, and his legacy in the public imagination from the time of his death to the present Explains the scientific evidence behind his identification, including DNA retrieval and sequencing, soil samples, his wounds and his scoliosis, and what they reveal about his life, his health and even the food he ate A behind-the-scenes look at one of the most exciting historical discoveries of our time

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A great new edition of this classic Scarry title, with a beautiful, retro cover. Sam Cat and Dudley Pig are on the trail of a thief! The perfect gift for any child or Scarry collector, The Great Big Mystery book is a collection of Richard Scarry’s mystery stories starring the loveable Sam and Dudley. Packed full with all the original artwork, this beautiful book will be treasured for years to come.

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Richard Cornuelle has greatly impacted how we think about voluntary institutions in the United States. Through such works as 'Reclaiming the American Dream' and 'De-Managing America', and through his work with the Foundation for Economic Education and the Volker Fund, he has called important attention to the needs and possibilities of those organisations that exist to address social problems through non-governmental means. His latest work points to what he believes is a great liberating social transformation that is already underway. Approximate running time: 60 minutes.

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'Here is the English sovereign as a crusader, battling on the fringes of the known world; the warrior-king ... imbued with the heart of a lion'Even within his own lifetime Richard I, dubbed the 'Lionheart', attained a kind of semi-mythical status as a paragon of chivalry, yet his reign is both controversial and full of contradictions. Seeking to reconcile the conflicting evidence, Thomas Asbridge's incisive reappraisal of Richard I's career questions how the memory of his life came to be interwoven with myth.

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Only twenty-five at the time of his death in 1828, young Richard Parkes Bonington nevertheless was a seminal figure in the development of modernism in nineteenth-century French painting. This catalogue raisonné of his oil and watercolor paintings represents the first attempt to establish and present the artist’s complete known oeuvre. Drawing on 25 years of research, Patrick Noon catalogues, analyzes, and reproduces 400 artworks now indisputably attributed to Bonington. Many of these paintings have never before been published. The book sets Bonington’s achievement in the context of the intellectual, social, and artistic ferment of high romanticism in Paris and London, and it shows the profound effect of his style on his friend and contemporary, Eugène Delacroix, and many others. Noon’s detailed and accurate study will inform all future discourse on Bonington and his remarkable legacy.Published for the Paul Mellon Centre for Studies in British Art

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Professor Richard Quandt has made a unique contribution to the development of economics in the 20th century. The range and significance of his work has long required a collection of his essays which will allow his contribution to be assessed as a whole.Despite an early interest in microeconomic theory, Richard Quandt has devoted most of his career to econometrics and, in particular, to modal split estimation. More recently his work has focused on the econometrics of disequilibrium models with reference to both free market and planned economies. As well as presenting his many significant articles on microtheory, general econometrics, disequilibrium modelling, financial economics and the economics of planned economies, this collection will have a particular value for all scholars interested in the emergence of the new economies in Eastern Europe, a subject to which Professor Quandt has applied himself in recent years.This fascinating book includes an introduction by Professor Quandt describing his early life in Budapest and the circumstances which led him to study economics in America.

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Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from "Murder on the Orient Express" and "Far From the Madding Crowd" to "Equus" and "Four Weddings and a Funeral". For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being.

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No English king has so divided opinion, both during his reign and in the centuries since, more than Richard III.He was loathed in his own time for the never-confirmed murder of his young nephews, the Princes in the Tower, and died fighting his own subjects on the battlefield. This is the vision of Richard we have inherited from Shakespeare. Equally, he inspired great loyalty in his followers.In this enlightening, even-handed study, Rosemary Horrox builds a complex picture of a king who by any standard failed as a monarch. He was killed after only two years on the throne, without an heir, and brought such a decisive end to the House of York that Henry Tudor was able to seize the throne, despite his extremely tenuous claim. Whether Richard was undone by his own fierce ambitions, or by the legacy of a Yorkist dynasty which was already profoundly dysfunctional, the end result was the same: Richard III destroyed the very dynasty that he had spent his life so passionately defending.

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Antigua 1817Every harbour and estuary is filled with ghostly ships, the famous and the legendary now redundant in the aftermath of the war. In this uneasy peace, Adam Bolitho is fortunate to be offered the seventy-four gun Athena, and as flag captain to Vice-Admiral Sir Graham Bethune once more follows his destiny to the Caribbean.But in these haunted waters where Richard Bolitho and his 'band of brothers' once fought a familiar enemy, the quarry is now a renegade foe who flies no colours and offers no quarter, and whose traffic in human life is sanctioned by flawed treaties and men of influence. And here, and when Athena's guns speak, a day of terrible retribution will dawn for the innocent and the damned.

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Richard Scarry's classic book that takes readers all around town!Join Lowly Worm, Huckle Cat, and other beloved characters for a day in Richard Scarry's Busy, Busy Town. Visit the school, the farm, the post office, and many more fun and exciting places in this classic book that teaches little ones all about what goes on in their very own communities.A beautifully produced Faber-Scarry publication.Praise for Richard Scarry:'Awe-inspiring.' Dapo Adeola'Treasure troves of detail.' Chris Mould'A delight.' Sara Ogilvie'What a talent.' David Tazzyman'One of my favourite illustrators.' Allen Fatimaharan

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Lowly Worm is one of Richard Scarry's best loved characters, and the star of this lively collection of stories, in which he takes an unexpected ride on a hot-air balloon; helps Huckle find just the right gift for Mother Cat; rides the roller coaster at the fair and builds a castle at the beach. With everything from bike crashes to a big birthday surprise, these stories show exactly why Lowly is one special worm, loved the world over. Every page has something to delight over and discuss.

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Don't miss the unforgettable new novel from Jenny Eclair - INHERITANCE is out now___________'Both heart-rending and compelling' Clare Mackintosh'I loved it SO MUCH' Marian Keyes'It occupied my mind constantly' Jo Brand It only took one night to tear a family apart.Artist and illustrator Edwina Spinner used to have a busy family life. Now she lives alone, in a house that has grown too big for her. She has decided to sell it. As Edwina takes the estate agent from room to room, she finds herself transported back to her life as a young mother. Back to her twins, Rowena and Charlie, and a stepson she cannot bring herself to mention by name.As the house reveals its secrets, Edwina is forced to confront her family's past, and a devastating betrayal that changed everything. But Edwina doesn't know the whole story. And to discover the truth, she will have to face the one person she vowed never to see again.Praise for Jenny Eclair:'Wonderfully written, insightful and riveting' Daily Mail'Compelling, compassionate and keenly observed' Independent'Edwina's story is both heart-rending and compelling' Clare Mackintosh'I loved it SO MUCH' Marian Keyes'Witty, moving, dark and absorbing' Jo Brand'An elegant, gripping and mesmeric read' Helen Lederer'An absolute page-turner of a story' Judy Finnigan

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Richard I, the Lionheart, remains forever (and perhaps wrongly) the mythical king of England who preferred to wage war than to rule over his empire. The familiar epithet conveys all the principal features of his indomitable character: courage, valour, prowess, the pursuit of glory, the thirst for fame, generosity in war and peace, a sense of honour combined with a sort of haughty dignity made up of both arrogance and pride. In this book Jean Flori examines both Richard's role as prince and king in history and also analyses the different and sometimes controversial elements which, for the chroniclers of his day, helped to make Richard a true model of chivalry. Among the questions addressed are: What influences formed his character and determined his behaviour, real or assumed? Why did the image of Richard as a king who was also a knight so quickly and so soon supplant all others, creating a quasi-definitive point of reference? Why did Richard deliberately, it would appear, choose to present himself in this chivalric guise and disseminate this image of himself by what we would today call a 'media campaign', using all the methods then at his disposal, limited perhaps but by no means ineffective? Last but not least, what is the historical and ideological significance of the choice and, even more, success of this image, which has been adopted by history and disseminated by legend, an image based on historical accounts and documents in which history and legend are sometimes inextricably interwoven? Jean Flori's Richard Coeur de Lion was written to mark the eighth centenary of the death of the "knightly king". The book is a tour de force that provides the reader with a reappraisal of Richard's life as well as a study of the myth and reality of Richard's image as the personification of medieval chivalry. The first part of the book takes a straightforward chronological approach to Richard's life, from his birth in 1157, through conflict with his father, Henry II, and his brothers, to his coronation and his years of crusading and fighting the French; culminating in his death in battle in 1199. The second part analyses Richard's image in relation to medieval chivalry.

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King Richard III remains one of the most controversial figures in British history. Matthew Lewis’s new biography aims to become a definitive account by exploring what is known of his childhood and the impacts it had on his personality and view of the world. He would be cast into insecurity and exile only to become a royal prince before his tenth birthday. As Richard spends his teenage years under the watchful gaze of his older brother, Edward IV, he is eventually placed in the household of their cousin, the Earl of Warwick, remembered as the Kingmaker; but as the relationship between a king and his most influential magnate breaks down, Richard is compelled to make a choice when the House of York fractures. After another period in exile, Richard returns to become the most powerful nobleman in England. The work he involves himself in during the years that follow demonstrates a drive and commitment but also a dangerous naïveté. When crisis hits in 1483, it is to Richard that his older brother turns on his death bed. The events of 1483 remain contentious and hotly debated, but by understanding the Richard who began that year, it will become clearer what drove some of his actions and decisions. Returning to primary sources and considering the evidence available, this new life undoes the myths and presents a real man living in tumultuous times.

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THE SUNDAY TIMES TOP TEN BESTSELLERA RICHARD AND JUDY BOOKCLUB PICK'Utterly engrossing' GuardianIt is wash-day for the housemaids at Longbourn House, and Sarah's hands are chapped and raw. Domestic life below stairs, ruled with a tender heart and an iron will by Mrs Hill the housekeeper, is about to be disturbed by the arrival of a new footman, bearing secrets and the scent of the sea.What readers are saying:'A novel to be savoured''Highly recommended''Very enjoyable exploration of the background to Pride and Prejudice'

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A beautifully designed volume exploring the object collection of the influential American artist Richard Tuttle For Richard Tuttle (b. 1941), the object, as well as the work, is intended for communication. Where others find in history answers to the questions objects pose, Tuttle instead finds the questions that drive his art—asking us to think about what objects mean, and how. Richard Tuttle: What Is the Object? is the first publication to explore the influential American artist’s object collection and the cards on which he has recorded his thoughts about these items over the past five decades. This volume, designed by the Belgian book artist Luc Derycke as a “book as object,” carries forth the challenging question of the meaning of objects. It includes an interview with Tuttle, an analysis of objects in poetic nonfiction by Renee Gladman, and an essay about Tuttle’s art as the pursuit of a kind of philosophical exploration by Peter N. Miller, as well as poems by Tuttle and a short, surrealist tale about the artist’s objects. Tuttle’s objects and index cards are beautifully photographed throughout by Bruce M. White in this lavishly illustrated volume. Distributed for Bard Graduate CenterExhibition Schedule:Bard Graduate Center, New York (March 25–July 10, 2022)

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Richard Wilson was born in London in 1953. Descended on one side from a line of builders and on the other of artists, his work often comes closer to engineering or even architecture than it does to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange by the interventions he makes, whether in the internal space of a gallery, the structure of a building or in one of the ships with which he has a particular affinity. Perhaps his best-known work is 20:50, currently on show at, and probably the most popular exhibit in, the Saatchi Gallery in London. For 20:50, Wilson flooded a gallery space with oil, which has a highly reflective surface. Into the oil is built a kind of narrow pier or promenade down which one person at a time can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong sense of disorientation. Further along the River Thames, next to the Millennium Dome, is another Wilson piece that provides an unexpected sight. The skeletal ship A Slice of Reality, its sides removed and with the tides moving freely through it, is both a startling sculptural object in its own right and a comment on the vanished shipping industry that was once a mainstay of the river community. In Los Angeles, Wilson was inspired by one of the most ubiquitous symbols of Californian life, the swimming pool, suspending a fibreglass pool shell from a sixty foot-long pipe in MOCA's subterranean gallery (Deep End). In addition to and often in conjunction with these large-scale projects, Wilson makes films and sculpture, takes photographs and stages performance events and has been a formative influence on a generation of British artists. This lavishly illustrated career survey includes a new interview with Wilson and examines six key works in depth.

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An examination of the life of Richard Seager is important for two reasons. First, it provides a glimpse of a character of a member of the second generation of researchers to work in Cretan archaeology and, second, Seager and his generation helped form our own preconceptions about the early history of Greece. His underlying thesis, that the Early Minoan society was the first European civilization, thus the foundation of Greek and later Western history, is considered valid today.

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In 1824, John Cadbury opened a grocer's shop in Bull Street in Birmingham and started to sell tea, coffee and drinking chocolate alongside everything else. In 1831, he opened a factory and started to manufacture his own product, and by 1842 the company was selling almost 30 different types of drinking chocolate and cocoa. In 1861, the now floundering firm was taken over by two of his sons, Richard and George, who turned things around and continued to grow the company into the organisation we see today. There is a lot of information available about George Cadbury, but the only previously published biography of his older brother Richard is now out of print. The Life of Richard Cadbury is a brand-new biography hoping to put that straight, looking at the history and background behind the socialist, philanthropist and chocolatier.

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Richard Yates was acclaimed as one of the most powerful, compassionate and accomplished writers of America's post-war generation. Whether addressing the smothered desire of suburban housewives, the white-collar despair of Manhattan office workers or the heartbreak of a single mother with artistic pretensions, Yates ruthlessly examines the hopes and disappointments of ordinary people with empathy and humour.

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This revised edition of King Richard II: Critical Tradition increases our the play was received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to Richard II since the 1990s to the present day, this volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The updated introduction offers an overview of recent criticism on the play in relation to feminist theory, queer theory, performance theory and ecocriticism. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Featuring criticism by A.C. Swinburne, Walter Pater, Oscar Wilde and W.B. Yeats, this volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

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The music reviews of Robert Schumann and Richard Wagner are central documents of 19th-century German musical culture. This book takes a closer look at the way these texts were written and explores the significant contributions Schumann and Wagner made to the discourse of musical appraisal. To that effect, the author raises fundamental questions that have thus far remained unaddressed: What textual features characterize the critical writings? How do Schumann and Wagner understand their roles as critics of music? And in what way do they reach out to the reader? Rather than understanding these critical writings exclusively as a gateway to the compositions and musical aesthetics of Schumann and Wagner, this book analyzes the texts through the lens of pragmatics, narratology and discourse analysis. Using this interdisciplinary perspective, the author proposes to understand Schumann and Wagner within the broader medial and discursive context of German ‘Kritik’. He challenges the dominant narrative that brands Schumann and Wagner as elitist Romantic critics, demonstrating instead that they actively encourage their readers to form their own judgements. This volume is an indispensable resource for scholars of German literature, periodicals and music alike.

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Richard Bell has established a significant reputation as a political commentator and 'enfant terrible' in Indigenous art over the past two decades. This stunningly illustrated catalogue features more than 26 colour plates of his provocative and often humorous works. With their bold use of images and text, they force viewers to face the troubling issue of racism in Australia. Bell's inspiration is complex and multi-layered. He is an avid appropriator, borrowing from other artists, periods and cultures, including Roy Lichtenstein, Jasper Johns, Jackson Pollock, and Aboriginal painter Emily Kam Kngwarreye, among others. He works across a wide range of media, including painting, performance, and video, producing powerful messages that confront and unsettle: about Aboriginal and non-Aboriginal Australians' relationship to each other, about their country's history and about art itself. Accompanies the first travelling exhibition dedicated to Richard Bell's work in the United States. Organized by the American Federation of Arts, it opens at the Tufts University Art Gallery, Medford, Massachusetts in September 2011

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From the script writer of the epic TV drama, VICTORIA comes Daisy Goodwin's THE FORTUNE HUNTER for readers of MY LAST DUCHESS (THE AMERICAN HEIRESS) and any novel by Georgette Heyer*A Richard and Judy Book Club title*'Pure, light-hearted, unpretentious entertainment' Sunday ExpressIn 1875, Sisi, the Empress of Austria is the woman that every man desires and every woman envies. Beautiful, athletic and intelligent, Sisi has everything - except happiness. Bored with the stultifying etiquette of the Hapsburg Court and her dutiful but unexciting husband, Franz Joseph, Sisi comes to England to hunt. She also comes looking for excitement and finds it in the dashing form of Captain Bay Middleton, the only man in Europe who can outride her. Ten years younger than her and engaged to the rich and devoted Charlotte, Bay has everything to lose by falling for a woman who can never be his. But Bay and the Empress are as reckless as each other, and their mutual attraction is a force that cannot be denied.

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His private interests are music and animal welfare. He writes often on opera, on the plight of endangered bears, tigers and apes, and on the exploitation of farm animals. He raises funds for the rescue and rehoming of abandoned and ill-treated domestic pets in one of the most deprived areas of London and keeps three rescued bitches. At a time when figurative painting has long been out of fashion in British art schools and among the curators of the nation's galleries of modern art, Richard Harrison has been one of the very few younger contemporary artists to hold to this ancestral tradition. His early work was essentially abstract, and abstract values have formed the armature of all of his later work, but in subject he has moved from an interest in the texture and manipulable qualities of the simple materials of a painting to biblical and mythical narratives that were common among European painters from the High Renaissance to the High Olympus of Victorian art. As a student at Chelsea School of Art, Harrison was noticed in 1987 by the critic Brian Sewell, then searching for young painters for an exhibition; they have remained in contact ever since. This affectionate but dispassionate and critical book, part analysis and part account of an often alarming life, represents a comprehensive record of Harrison's intellectual and aesthetic development.

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Richard Rolle - the Yorkshire hermit, visionary and transmitter of religious counsel - was widely recognised in the later English Middle Ages as a major spiritual author. However, this influential figure poses difficulties for scholars and remains a largely untapped literary resource. Encompassing over one hundred and twenty books, Rolle's work is central to the largely uninvestigated sacred culture of that period and provides scholars with a rich source of insight. Ralph Hanna has collected and catalogued this important body of work following detailed research of the manuscript evidence over two decades. Rolle's status makes it appropriate that he will be the only Middle English author other than Chaucer to have an author-based bibliography. The catalogue describes each of Rolle's books and includes full details of contents and codicology. The book also includes an introduction to Rolle’s work explaining its significance, examining the transmission of his writings, and providing a guide to the conventions of presentation used in the catalogue. A series of indexes provides useful additional resources.

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The poem that Richard Maidstone wrote on the metropolitan crisis of 1392 reports information about the royal entry that concluded the crisis in greater detail than any other source. The poem is not primarily a report, however; like Maidstone's other writings, it is above all an ideologically driven literary intervention, produced at a particular moment, addressing a particular political circumstance. Maidstone's Concordia shows Anglo-Latin poetry, on a specific occasion, in the process of making itself a public poetry a broadly appealing, flexible, legible medium for addressing public issues.

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An "excellent new biography" (Keith Thomas, New York Review of Books) of the wily and formidable prince who unexpectedly became monarch—the most infamous king in British history“An intricately detailed account of Richard’s every recorded move on his journey from younger son of the powerful Duke of York to the last of England’s mediaeval monarchs.”—Mark Jones, Albion Magazine The reign of Richard III, the last Yorkist king and the final monarch of the Plantagenet dynasty, marked a turning point in British history. But despite his lasting legacy, Richard only ruled as king for the final two years of his life. While much attention has been given to his short reign, Michael Hicks explores the whole of Richard’s fascinating life and traces the unfolding of his character and career from his early years as the son of a duke to his violent death at the battle of Bosworth. Hicks explores how Richard—villainized for his imprisonment and probable killing of the princes—applied his experience to overcome numerous setbacks and adversaries. Richard proves a complex, conflicted individual whose Machiavellian tact and strategic foresight won him a kingdom. He was a reformer who planned big changes, but lost the opportunity to fulfill them and to retain his crown.

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The appeal of woodturning is simple: with only a few hand tools and a lathe, remarkable results can be quickly achieved, including beautiful bowls, boxes in the round, lamp bases, and furniture parts. And for over 20 years, woodturners have been turning to Richard Raffan for expert advice and inspiration. Revised and updated to embrace the increase and improvement in turning tools and lathes now on the market, this updated and expanded edition of his 1985 classic covers everything from the lathe - how it works and how to choose the right model - to fixings, cutting tools, safety, measuring, centerwork, and more. Raffan also includes a brand new chapter on crafting hollow vessels.

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Left for dead at the sack of Drogheda, Richard Talbot later ingratiated himself with the future James II by plotting to assassinate Oliver Cromwell. Using fresh primary sources The Last Cavalier: Richard Talbot (1631-91) traces how Talbot, though a gallant, gamester and 'cunning dissembling courtier', grew to be more than just another Restoration rake. He took on the cause of reconciling his countrymen's allegiance to London and to Rome and, under a Catholic king, clawing back their lost status and power. Talbot, now Earl of Tyrconnell and viceroy, almost succeeded but after the Boyne (where he led the Jacobite army in battle) he lost his grip. The Last Cavalier is the first full-scale biography of a great though not a good man.

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