Search results for ""Author Richard"

Richard III is England's most controversial king. Forever associated with the murder of his nephews, the Princes in the Tower, he divides the nation. As spectacular as his death at Bosworth in August 1485 - the last king of England to die in battle - the astonishing discovery of his bones under a Leicester car park five centuries later renewed interest in him and re-opened old debates. Is he the world's most wicked uncle; or is he (in the words of the man who most smeared him) 'a prince more sinned against than sinning'? Richard was not born in the North; neither did he die there, but this detailed look at his life, tracing his steps over the thirty-three years that he lived, focuses on the area that he loved and made his own. As Lord of the North, he had castles at Middleham and Sheriff Hutton, Penrith and Sandal. He fought the Scots along the northern border and on their own territory. His son was born at Middleham and was invested as Prince of Wales at York Minster, where Richard planned to set up a college of 100 priests. His white boar device can be found in obscure corners of churches and castles; his laws, framed in the single parliament of his short reign, gave rights to the people who served him and loved him north of the Trent. And when he felt threatened or outnumbered by his enemies during the turbulent years of the Wars of the Roses, it was to the men of the North that he turned for support and advice. They became his knights of the body; members of the Council of the North which outlived Richard by a 150 years. They died with him at Bosworth. Although we cannot divorce Richard from the violent politics of the day or from events that happened far to the South, it was in the North that Richard's heart lay. The North was his home. It was the place he loved.

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The gripping new psychological suspense novel from the bestselling author of breakout hit HE SAID/SHE SAIDThis novel was previously published as Stone Mothers in hardback.Gripping, terrifying and moving back through time to reveal twists you'll never see coming, We Know You Know delivers shocks and suspense from a master of thriller writing.*********** 'Addictively scary and thrillingly audacious' Nicci French'Captivating, cleverly constructed' Paula Hawkins'One of the best writers in the genre. Properly chilling' Red'I heard the swish of falling paper. I grazed my knuckles retrieving a beige folder, its grubby white ribbon loose. Looping doctor's handwriting. Addresses. Dates. Names. Photographs! I had found the patients whose notes would bring the past back to life.' A lifetime ago, a patient escaped Nazareth mental asylum. They covered their tracks carefully. Or so they thought. Thirty years ago, Marianne Smy committed a crime then fled from her home to leave the past behind. Or so she thought. Now, Marianne has been forced to return. Nazareth asylum has been converted to luxury flats, but its terrible hold on her is still strong. A successful academic, a loving mother and a loyal wife, she fears her secret being revealed and her world shattering.She is right to be scared.'Kelly is a master' Observer'So CLEVER ... and the writing is perfection' Marian Keyes 'Another twisty, layered, nuanced story' Ruth Ware

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Richard Meier, Architect: Volume 8 comprehensively documents Meier s work since 2017. This extensively illustrated presentation vividly conveys the purity and power of Meier s unique and celebrated vision. Thirty residential, commercial, and civic projects are featured in a dazzling variety of scales and locales, including Manhattan, Los Angeles, the Hamptons, Las Vegas, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among many other venues. The development and significance of Meier s work is discussed in authoritative essays by the distinguished architectural historian and curator Kurt W. Forster and world-renowned architect Alberto Campo Baeza. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

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To wander the streets of a bankrupt, often lawless, New York City in the early 1970s wearing a T-shirt with PLEASE KILL ME written on it was an act of determined nihilism, and one often recounted in the first reports of Richard Hell filtering into the pre-punk UK. Pete Astor, an archly nihilistic teenager himself at the time, was most impressed. The fact that it emerged (after many years) that Hell himself had not worn the T-shirt but had convinced junior band member Richard Lloyd to do so, actually fitted very well with Astor’s older, wiser self looking back at Blank Generation. Richard Hell was an artist who could not only embody but also frame the punk urge; having seeded and developed the essential look and character of punk since his arrival in New York in the late 1960s, he had just what was needed to make one of the defining records of the era. This study combines objective, academic perspectives along with culturally centred subjectivities to understand the meanings and resonances of Richard Hell and the Voidoids’ Blank Generation.

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A box of 100 delightful, nostalgic postcards featuring artwork from the bright and busy illustrated world of beloved children's book author Richard Scarry.For more than fifty years, millions of children have learned their words from Richard Scarry’s classic picture books. With this box of 100 postcards, fans can revisit and share his funny, frenzied characters with loved ones.With fifty unique designs featuring favorite characters like Huckle Cat, Lowly Worm, Gold Bug, and more, Richard Scarry's Busy, Busy Box of Postcards will delight new and old Busytown fans alike. Fifty unique designs each repeat so you can keep one and send one. Send cards to friends and family, use them as gift tags or in craft projects, or frame and keep them for yourself!

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Richard Rorty is one of the most influential and provocative figures in contemporary intellectual life. He argues that many of philosophy's traditional concerns are redundant, and that the goal of inquiry should not be truth but human betterment. In this collection a distinguished team of scholars grapples with the implications of his writings for social and political thought. Avoiding mindless adulation or ritual denunciation, they offer careful but critical investigations of the meaning of Rorty's work for a range of important issues. Topics explored include anti-foundationalism; irony and commitment; justice; liberalism and utopianism; reason and aesthetics; humanism and anti-humanism; the Holocaust; the theory of international relations; social democracy and the pragmatist tradition. Each essay is followed by a reply written for this volume by Rorty. The volume also includes a substantial essay by Rorty on 'Justice as a Larger Loyalty'. This volume is indispensable for any reader interested in Rorty's work, or in contemporary debates in social, political or ethical theory. Contributors: Molly Cochran; Daniel Conway; Matthew Festenstein; Norman Geras; John Horton; David Owen; Richard Rorty; Kate Soper; Simon Thompson.

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'Here are characters who are real and likeable, even when they are complicated and flawed. Paula Hawkins is a genius'Lisa JewellIT'S THE QUIET ONES YOU HAVE TO WATCHThree women, connected by one brutal crime.Three women, determined to right the wrongs done to them.Three women, with everything to hide.When it comes to revenge, even good people are capable of terrible things.But only one person killed Daniel Sutherland.How long can their secrets smoulder, before they explode into flame?The new SCORCHING bestseller from #1 author of THE GIRL ON THE TRAIN and INTO THE WATER__________'This twisted story with its cast of damaged characters builds to a brilliant conclusion.'Shari Lapena'From the first sentence to the last, this explosive, startling novel grabs you by the throat and doesn't let go. Fiendishly clever'Kate Mosse'Shocking, moving, full of heart'Observer'Twists and turns like a great thriller should, but it's also deep, intelligent and intensely human'Lee Child'Gripping and intriguing, I loved every moment'S J Watson'Superbly told... utterly compelling'Daily Mail'Paula Hawkins' best novel yet'Harriet Tyce

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Among the greats of twentieth century horror and fantasy, few names stand above Richard Matheson. Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and into the darkened streets and suburbs we recognize as our own. He infuses tales of the fantastic and supernatural with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world.

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What do doctors do all day?Meet Mr and Mrs Dr Doctor!Mrs Dr Doctor attends to Freddie Fox. Mr Dr Doctor rides in an ambulance . . . and Mrs Dr Doctor has a baby!Two enchanting stories outlining just how vital doctors are to our lives. Another classic from one of the founding fathers of children's illustration.'An awe-inspiring legacy.' Dapo Adeola'Treasure troves of detail.' Chris Mould'A delight.' Sara Ogilvie'What a talent.' David Tazzyman'The epitome of charm.' Sheena Dempsey'One of my favourite illustrators.' Allen Fatimaharan'So much fun.' Neal Layton'Zen-like chaos.' Rikin Parekh'Extraordinarily detailed illustrations.' Arthur Robins

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This biography of Minna Planer, Richard Wagner's wife of 30 years, reveals her as a self-assured woman and artist who was vital to her husband's creative life. When Richard Wagner first met Minna Planer in 1834, he was an unknown conductor, she a popular actress. His hectic pursuit of her affections culminated in marriage in 1836. Minna endured poverty with him, nursed him through chronic illness, followed him across Europe as he fled from creditors and pursued his artistic goals, and sought to provide him with the stable domestic and erotic life that he craved. He played his works to her as he wrote them, up to Tannhäuser and Lohengrin, and set store by her opinions. But when he went on the run as a wanted revolutionary, Minna only reluctantly followed him into Swiss exile. Domestic peace tentatively prevailed, but was ultimately destroyed by Wagner's passion for Mathilde Wesendonck. In 1858, he and Minna separated, she returned home to Germany, and subsequent efforts at reconciliation proved ultimately impossible. They remained married, however, until Minna's death in 1866. Despite having been at Richard's side as he matured into the composer of the Ring and Tristan, Minna has been given short shrift by most Wagner commentators. In Eva Rieger's acclaimed biography, translated into English by Chris Walton, the author reveals Minna as a self-assured woman and artist who played a crucial role in the creative life of her husband.

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The illustrated story of the life and times of architect Richard Morris Hunt, his forty-year career, and his impact on American culture after the Civil War.

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The Arden Shakespeare, in association with the Shakespeare Birthplace Trust, presents a new series of volumes on Shakespeare's plays in performance.The series discusses and analyses the wide range of theatrical interpretation stimulated and provoked by the most frequently performed plays. Each volume explores how different directors, designers and actors have interpreted and adapted an individual play in terms of narrative focus, themes and characters, scenery and costume. The focus is on productions at Stratford-upon-Avon since 1945, on the basis that the record of Shakespeare performances at Stratford's theatres offers a wider, fuller and more various range of interpretation than is offered by any other theatre company. The volumes also set this record in a wider geographical and chronological context by means of a historical overview of earlier productions and of productions beyond Stratford.Published in conjunction with the Shakespeare Birthplace Trust, each volume features a wealth of photographs (many of them not previously seen in print) drawn from the archive of RSC performance materials held in the Trust's library at the Shakespeare Centre in Stratford.Shakespeare at Stratford will surprise, inform and delight both students and scholars of Shakespeare and performance history and the general reader with an interest in theatre.

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The iconic life and career of the famed guitarist of the Rolling Stones is detailed in this compilation of interviews that spans the last 50 years. Featuring articles from GQ, Melody Maker, and Rolling Stone, as well as interviews that have never previously appeared in print, it charts Keith Richards's journey from gauche, young pretender and swaggering epitome of the zeitgeist to beloved elder statesman of rock. Initially overshadowed by band mates Mick Jagger and Brian Jones, Richards gained popularity as half of the second-most important songwriting team of the 1960s, and in 1967 the drug bust at his house and his subsequent trial and imprisonment made him a household name. His interviews match his outlaw image: free of banality and euphemism, they revel in frank stories of drugs and debauchery. Yet they also reveal an unexpectedly warm, unpretentious, articulate, and honest man. This collection amply illustrates the magic and charm of Keith Richards.

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**PRE-ORDER DAWNLANDS, THE STUNNING NEW NOVEL FROM PHILIPPA GREGORY, OUT NOVEMBER 2022** 'Gregory is an experienced storyteller and doesn’t let you down. Tidelands is a gripping and intelligent portrait of a woman fighting to survive in a hostile world' THE TIMESTHE BRAND NEW SERIES FROM THE SUNDAY TIMES NUMBER ONE BESTSELLING AUTHOR England 1648. A dangerous time for a woman to be different . . . Midsummer’s Eve, 1648, and England is in the grip of civil war between renegade King and rebellious Parliament. The struggle reaches every corner of the kingdom, even to the remote Tidelands – the marshy landscape of the south coast. Alinor, a descendant of wise women, crushed by poverty and superstition, waits in the graveyard under the full moon for a ghost who will declare her free from her abusive husband. Instead she meets James, a young man on the run, and shows him the secret ways across the treacherous marsh, not knowing that she is leading disaster into the heart of her life. Suspected of possessing dark secrets in superstitious times, Alinor’s ambition and determination mark her out from her neighbours. This is the time of witch-mania, and Alinor, a woman without a husband, skilled with herbs, suddenly enriched, arouses envy in her rivals and fear among the villagers, who are ready to take lethal action into their own hands. ‘The first in a planned series . . . The author crafts her material with effortless ease. Her grasp of social mores is brilliant, the love story rings true and the research is, as ever, of the highest calibre' Elizabeth Buchan, Daily Mail‘Vivid and beguiling – Philippa Gregory at her best’ woman&home'A compelling novel that shines a light on the struggles of 17th century women' Daily Mirror 'The novel's power lies in Gregory's evocative portrayal of the tidelands and the everyday lives of those who are bound to them' Sunday Express'Philippa Gregory returns with an English Civil War novel that excels in everything she does best. Historical events are written with breathless immediacy, keeping the reader enthralled even if they know the outcome. She pays close attention to the plight of women in the past, so often unchanged despite men's wars, and gives them a voice . . . Fans will not be disappointed' Alys Key, The i'Shines a light on the struggles of 17th century women . . . If this novel is the first sign of what's to come then readers are in for a treat' Emma Lee-Potter, Daily Express'Tidelands evokes a world of suspense and superstition. Its fascinating fictional heroine, Alinor, is caught in a net of in-between spaces . . . I was completely swept up in this wonderful, immersive story set in the English Civil War when women who lived unconventional lives risked being accused of witchcraft' Tina Jackson, Writing Magazine

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The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offer authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from the early texts - wide-ranging introduction discusses the play's historical contexts, political significance, characters, sources, and language - detailed stage history designed to meet the needs of students and theatre professionals - on-page commentary and notes explain meaning, allusions, staging, and much else - illustrated with production photographs, historical portraits, textual facsimiles, and map - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The bloody Wars of the Roses between the Houses of Lancaster and York ended with the killing of Richard III. With the recent discovery of his skeleton, and the consequent controversy over his final resting place, it is time to re-examine the life of Richard as a duke and king. Was Richard the grotesque usurper and murderer of the Princes in the Tower, as depicted by Shakespeare just over a hundred years after his death in battle? Or has his name been blackened over the years, as claimed by his apologists, the Richard III Society? This biography sifts the contemporary evidence, placing Richard in the context of his times, and assesses the other candidates put forward to have killed the Princes in the Tower. John Locke wrote that ‘the actions of men are the best interpreters of their thoughts’ and upon this basis the investigation leads to one conclusion.

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The Follies of Richard Wadsworth showcases Nick Maandag's signature blend of deadpan satire and exceedingly unexpected plot twists. In Night School, a Modern Managerial Business Administration and Operational Leadership class goes awry when a fire alarm brings the Chief to school and he decides to stick around to teach the students a thing or two about leadership--and discipline. The Follies of Richard Wadsworth follows the title character, a professor of philosophy, as he begins work as a contract instructor at yet another university. When Wadsworth finds himself smoking reefer at his student's party and discovers she works at a rub 'n' tug, an off-kilter plan is hatched. And in The Disciple, a yarn about a coed Buddhist monastery, Brother Bananas, the resident gorilla, isn't the only one having difficulty keeping his lust tucked safely under his robe. In Maandag's hands--hands that love to toy with morally ambiguous characters and flirt with absurdity--troubled men make poor decisions, unlikable characters gain our sympathies through their very haplessness, and riotous laughs ensue. Maandag has achieved cult acclaim through his self-published and micro-published comics, and The Follies of Richard Wadsworth is his debut book. His mechanical, affectless characters and economical artwork efficiently deliver cringes, heightening the awkward silence and stillness of his hilarious comics.

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Claw your way to the top of the animal kingdom! Fans of beloved illustrator Richard McGuire will revel in this wild deck featuring animals from a range of environments (ocean, forest, jungle, savannah, and Arctic), ranked by their order in the food chain. The highest cards take the lowest cards, but the "Wild Cards" take all! An irresistible tin package, cards adorned with striking art, and brilliant pops of Pantone colors serve up a card game experience that can't be tamed!

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Classic Richard Scarry: find out who in Busytown has the best manners!Join Richard Scarry''s beloved characters Huckle Cat, Lowly Worm and more on a very busy day in Busytown as they learn how to be polite, helpful, stay safe and have a great time!A beautifully produced FaberScarry publication.Praise for Richard Scarry:Awe-inspiring.' Dapo AdeolaEvery page delights with elegant, fun-filled chaos.' Jim SmithScarrily brilliant!' Andy StantonA delight.' Sara OgilvieTreasure troves of detail.' Chris MouldWhat a talent.' David TazzymanOne of my favourite illustrators.' Allen Fatimaharan

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“I am often asked what is the most memorable photograph I have ever taken. This is difficult to decide because many photos meant personal involvement. My Inuit photos to me are most meaningful. They were taken under difficult conditions. I came to know the people. We lived together and shared hardships.” —Richard Harrington, 1998. German-born Richard Harrington (1911–2005) was a renowned documentary photographer. He traveled to more than 120 countries, and his work has appeared in the Toronto Star, Life, Look, National Geographic, Paris Match, Der Stern and Parade Magazine. Some of his most memorable photographs were captured between 1948 and 1953, when Harrington took five expeditions to the Arctic. His work documents not only the transitioning lifestyles of the locals, as western influences encroached on traditional ways of living, but also a terrible famine that struck the Padleimuit in the Northwest Territories in 1950 — when the caribou, the main source of food for the Padleimuit, did not follow their usual migration path. The moving photographs from this series document dignity, acceptance and love in the face of starvation. Richard Harrington: Arctic Photography is a curated selection of some of Harrington’s most stirring and compelling photographs from his years in the Arctic. With an introduction by renowned curator and artist Gerald McMaster and a short biography written by Stephen Bulger, the primary representative of Harrington’s estate, this collection of masterful photographs is an important and timely re-examination of Harrington’s work in the face of a changing climate and renewed Indigenous activism.

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The Richard and Judy Bestseller. 'Outstandingly good. Part-thriller, part-love story, I guarantee you will not be able to put it down' SunThey were identical in every wayUntil the unthinkable tore them apartIsolte and Viola are twins. Inseparable as children, they've grown into very different adults: Isolte, a successful features writer for a fashion magazine with a photographer boyfriend and a flat in London, and Viola, desperately unhappy and struggling with a lifelong eating disorder.What happened all those years ago to set the twins on such different paths to adulthood? As both women start to unravel the escalating tragedies of a half-remembered summer, terrifying secrets from the past come rushing back - and threaten to overwhelm their adult lives...***Pre-order Saskia Sarginson's heart-rending new novel, The Bench, now - a tragic love story spanning three decades***'Convincing and compelling . . . building tension that resonates even after the novel ends' Stylist'This book got its hooks into us and wouldn't let go. Hypnotic, with real emotional punch' Star 'Gripping' Marie Claire'Stunning in its insight and beautifully written' Judy Finnigan'Touching and extremely readable' Sunday Mirror

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Richard III, King of England from 1483 to 1485, made good laws that still protect ordinary people today. Yet history concentrates on the fictional hunchback as depicted by Shakespeare: the wicked uncle who stole the throne and killed his nephews in the Tower of London.Voices have protested during the intervening years, some of them eminent and scholarly, urging a more reasoned view to replace the traditional black portrait. But historians, whether as authors or presenters of popular TV history, still trot out the old pronouncements about ruthless ambition, usurpation and murder.After centuries of misinformation, the truth about Richard III has been overdue a fair hearing. Annette Carson seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. She traces the actions and activities of the principal characters, investigating facts and timelines revealed in documentary evidence. She also dares to investigate areas where historians fear to tread, and raises some controversial questions.In 2012 Carson was a member of Philippa Langley’s Looking For Richard Project, which provided important new answers from the DNA-confirmed discovery of the king’s remains. Her involvement in Langley’s Missing Princes Project, with its international research initiative on the ‘princes in the Tower’, has now informed her revelatory extra chapter.

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The first critical work to emphasize Richard Brook's literariness" Offers a critical assessment by well-known film scholars Explores Brooks's engagement with intellectual and cultural trends Discusses Brooks's engagement with genres ReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof, Lord Jim, and The Brothers Karamazov. "

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The first biography of a key and complex American religious figure of the nineteenth century, considered by many to be the "father of Shaker literature." Richard McNemar (1770–1839) led a remarkable life, replete with twists and turns that influenced American religions in many ways during the early nineteenth century. Beginning as a Presbyterian minister in the Midwest, he took his preaching and the practice of his congregation in a radically different, evangelical "free will" direction during the Kentucky Revival. A cornerstone of his New Light church in Ohio was spontaneous physical movement and exhortations. After Shaker missionaries arrived, McNemar converted and soon played a prominent role in expanding and raising public awareness of their religion by founding Shaker communities in the Midwest, becoming the first Shaker published author and the most prolific composer of Shaker hymns.Split between two opposing religious traditions—an evangelical movement attracting tens of thousands and Shakerism, which drew only hundreds to its villages—Richard McNemar's life poses a challenge for any biographer. Christian Goodwillie's mastery of the archival records surrounding McNemar and the Shakers allows him to tell McNemar's story in a way that fully captures the complexity of the man and the scope of his enduring legacy in American religious history.

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Prince explores American celebrity and desire through the lens of Times Square This new artist’s book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In an introductory essay titled "The Counterfeit Memory," first published in 1981, the artist describes wandering into the Orleans Theater, writing that "I'm not sure who I am when I'm there or if, in fact, I'm comfortable and want to be there at all. One's identity it seems is easily changed when what's in front of you is reversed and transparent, directed and produced." In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself." In The Entertainers' concluding essay, "The Lone Ranger," the artist states, "I think I'll go after third place ... leave first for the hero."

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The first book from Los Angeles based interior designer Richard Hallberg charts an evocative body of work that spans seaside, mountaintop, country, and urban locales and celebrates the sensual, boundary-defying aesthetic of a true original. In spaces that forgo easy categorization of traditional or contemporary, Hallberg uses art and objects from every genre and era eighteenth-century gilt consoles, African baskets, selenite-slab tables in a seductive interpretation of modernity that embodies the multifaceted, multicultural way we live today. Wrought by a native Californian with the heart of a classicist, these rooms reserve space for sunlight, foliage, and the sound of trickling water, which make the exalted approachable and revere the perfectly imperfect. Hallberg incorporates the finest natural and artisanal materials reclaimed wood, hand-troweled plaster, marble, limestone, crip linen, and sumptuous wool but understands that the greatest luxury of all is comfort. This volume chronicles the instinctual process of a designer who eschews hard-and-fast rules for the wonder of breaking them, who leaves no stone unturned in his uncompromising search for beauty, and whose lifelong pursuit of the magical, ineffable, and gorgeous has yielded an incomparable oeuvre.

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In the present era of warring and debate relating to Britain's intervention in Afghanistan and Iraq, this volume highlights how contemporary are the arguments of Henry Richard in the 19th century, and how progressive were his efforts for Wales, for education and for the Welsh language.

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'Here is the English sovereign as a crusader, battling on the fringes of the known world; the warrior-king ... imbued with the heart of a lion'Even within his own lifetime Richard I, dubbed the 'Lionheart', attained a kind of semi-mythical status as a paragon of chivalry, yet his reign is both controversial and full of contradictions. Seeking to reconcile the conflicting evidence, Thomas Asbridge's incisive reappraisal of Richard I's career questions how the memory of his life came to be interwoven with myth.

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The perfect, feel-good, comforting read to cosy up with as the nights draw in. Escape to 1990, Notting Hill, first love, and hope.'Every time I have read one of Eva Rice’s books it has felt like a modern classic. Tender, and acutely observed, the characters of This Could Be Everything have stayed with me. Reading it every night felt like wrapping myself a comfort blanket' JOJO MOYES ‘The most gorgeous feel-good story about love and grief and how the smallest things can start a journey of healing.’ GEORGINA MOORE, author of The Garnett Girls'I finished it in a breathless emotional gulp. Truly wonderful, incredibly moving...funny, witty, wise and superbly written...The age beautifully evoked' STEPHEN FRY'You will rejoice as February gradually finds happiness again, consoled by two little canaries, the treadmill of the Top 40, the rare beauties of Nineties London and finally true love. Eva’s latest story HAS everything' JILLY COOPER ‘Exquisite. Enchanting. Quite possibly perfect. The next One Day/Me Before You’ VERONICA HENRY It’s 1990. The Happy Mondays are in the charts, a 15-year-old called Kate Moss is on the cover of the Face magazine, and Julia Roberts wears thigh-boots for the poster for a new movie called Pretty Woman. February Kingdom is nineteen years old when she is knocked sideways by family tragedy. Then one evening in May she finds an escaped canary in her kitchen and it sparks a glimmer of hope in her. With the help of the bird called Yellow, Feb starts to feel her way out of her own private darkness, just as her aunt embarks on a passionate and all-consuming affair with a married American drama teacher. THIS COULD BE EVERYTHING is a coming-of-age story with its roots under the pavements of a pre-Richard Curtis-era Notting Hill that has all but vanished. It’s about what happens when you start looking after something more important than you, and the hope a yellow bird can bring… Praise for This Could Be Everything: 'A beautiful, atmospheric, brilliantly observed thing of joy. Eva Rice is a fantastic observer and relayer of the human experience. Absolutely wonderful' Mel Giedroyc 'A beautiful balm of a book full of hope and possibility, This Could Be Everything will break your heart and piece it back together again with wit, warmth and magic. The way Rice weaves together fiction and reality is delicious, with details on every page that will have pop fans, Londoners and 90s nostalgics squealing with delight. Nobody captures the exhilaration of first love and teen fandom quite like her' Lauren Bravo ‘A reason to be cheerful - THIS COULD BE EVERYTHING is the book I've been waiting my whole life for, a perfect 90s period piece about sisters, it's glam, gorgeous, a little bit melancholic and a lot charming’ Daisy Buchanan ‘This moving, hopeful and brilliantly told story inhabits the West London of my youth. I loved it’ Betty Boo ‘A gorgeous story about first love and hope’ Red ‘A moving novel about sisterhood, grief and first love’ Good Housekeeping 'The story of loss, love - and ultimately hope - is beautifully told. You won't be able to put it down' Heat

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A richly illustrated book about the celebrated connoisseur, collector and philanthropist Sir Richard Wallace (1818-1890), published by the Wallace Collection to mark the bicentenary of his birth. Includes 490 illustrations and new information on Wallace’s origins and life.

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Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from "Murder on the Orient Express" and "Far From the Madding Crowd" to "Equus" and "Four Weddings and a Funeral". For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being.

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Five centuries have passed since Richard III was King of England. He reigned for just two years. Then retribution swept away his throne, his life, his dynasty and, above all, his reputation. He has been vilified as a murderer and a monster. It is through Shakespeare's portrayal that subsequent generations knew Richard III as an evil king. Then, in this century, Richard III has found his advocates: those who regard him as more sinned against than sinning. The process of rehabilitation has begun. This study by an acclaimed scholar of Richard III strips away the legends, propaganda and the posturing of the centuries and rescues Richard from his critics and supporters alike and, by revealing contemporary evidence and attitudes, recreates the world of Ricardian politics and ideo­logical warfare, and seeks to explain Richard's bewildering transformation in his own lifetime from the model of nobility, via kingship, to tyrant and monster.

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