Search results for ""author louise"

Jane Addams was the first American woman to receive the Nobel Peace Prize. Now Citizen, Louise W. Knight's masterful biography, reveals Addams's early development as a political activist and social philosopher. In this book we observe a powerful mind grappling with the radical ideas of her age, most notably the ever-changing meanings of democracy.Citizen covers the first half of Addams's life, from 1860 to 1899. Knight recounts how Addams, a child of a wealthy family in rural northern Illinois, longed for a life of larger purpose. She broadened her horizons through education, reading, and travel, and, after receiving an inheritance upon her father's death, moved to Chicago in 1889 to co-found Hull House, the city's first settlement house. Citizen shows vividly what the settlement house actually was—a neighborhood center for education and social gatherings—and describes how Addams learned of the abject working conditions in American factories, the unchecked power wielded by employers, the impact of corrupt local politics on city services, and the intolerable limits placed on women by their lack of voting rights. These experiences, Knight makes clear, transformed Addams. Always a believer in democracy as an abstraction, Addams came to understand that this national ideal was also a life philosophy and a mandate for civic activism by all.As her story unfolds, Knight astutely captures the enigmatic Addams's compassionate personality as well as her flawed human side. Written in a strong narrative voice, Citizen is an insightful portrait of the formative years of a great American leader.“Knight’s decision to focus on Addams’s early years is a stroke of genius. We know a great deal about Jane Addams the public figure. We know relatively little about how she made the transition from the 19th century to the 20th. In Knight’s book, Jane Addams comes to life. . . . Citizen is written neither to make money nor to gain academic tenure; it is a gift, meant to enlighten and improve. Jane Addams would have understood.”—Alan Wolfe, New York Times Book Review“My only complaint about the book is that there wasn’t more of it. . . . Knight honors Addams as an American original.”—Kathleen Dalton, Chicago Tribune

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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth.As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch.Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

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The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers. The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe. Here are Rumi and Rilke on the rose; Herrick and Louise Glück on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Brontë on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock... Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world. Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.

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'One of the most exciting new voices of the decade' Erin Kelly'Ambitious and arresting' Beth Underdown'Utterly engrossing' Louise Nealon'Brilliantly written... compelling' Kate Sawyer'Painfully real' Hanna Jameson'A visceral slice of female friendship' StylistEveryone's got that history, I guess. Everyone's got a story.When Emily meets enigmatic and dazzling actress Tamsin, her life changes. Drawn into Tamsin's world of Soho living, boozy dinners, and cocktails at impossibly expensive bars, Emily's life shifts from black and white to technicolour and the two women become inseparable.Tamsin is the friend Emily has always longed for; beautiful, fun, intelligent and mysterious and soon Emily is neglecting her previous life - her work assisting vulnerable women, her old friend Lucy - to bask in her glow. But when a bombshell news article about a decades-old sexual assault case breaks, Emily realises that Tamsin has been hiding a secret about her own past. A secret that threatens to unravel everything . . .Young Women is a razor sharp novel that slices to the heart of our most important relationships, and asks how complicit we all are in this world built for men.Praise for Jessica Moor'A fabulous new writer' Richard Osman'Compelling, tense and pacy read' The Observer, 10 Best Debut Novelists of 2020'Powerful and chilling, an important story, well told' Guardian'Vastly impressive . . . Deeply affecting and superbly told, it demands to be read' Daily Mail'Jessica Moor is a new young writer I believe in' Jeanette Winterson'Tense, beautiful and lyrical. Everyone should read this book' Sara Collins'Made me rage and weep and understand a little better. A powerful book telling stories that need to be heard' Rosamund Lupton

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'Nikola's best yet . . . I was immediately drawn into the story, rooting for the characters all the way to the end. Atmospheric and compelling. I loved it!' Lorna Cook'A fascinating novel packed with intrigue, heart and emotion . . . brought the realities and attitudes of post-war London to life through a complex and delightful character for whom I was rooting all the way' Louise Fein'This beautiful story stole my heart. A compelling read for anyone who loves great stories, love and romance, mysteries and secrets . . . I tore through it!' Lizzie PageIt's 1953. Memories of the war are beginning to fade. Young Queen Elizabeth has just ascended to the throne. Isobel McIntyre is a doctor-in-training at a London teaching hospital. It's not easy being a woman working in medicine. And Isobel carries the additional burden of a shocking secret . . . One night three years ago, Isobel took on the identity of someone else. By the time she understood the implications, it was too late to turn back. Now the secret she's been hiding for so long threatens everything - her career, new-found friendships, and a love affair that promises the kind of joy Isobel thought was only for others. Love and happiness can't thrive in a world of lies. But does Isobel have the courage to tell the truth, whatever the consequences?Readers love The Life I Stole:'I loved this book from the beginning . . . I wouldn't hesitate to recommend Nikola Scott's books to anyone' ⭐ ⭐ ⭐ ⭐ ⭐'A fascinating novel packed with intrigue, heart and emotion . . . Scott's historical detail from extensive research shines through on every page, transporting her reader through time and place' ⭐ ⭐ ⭐ ⭐ ⭐'I tore through the book . . . this is a compelling read' ⭐ ⭐ ⭐ ⭐ ⭐

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'Delightful' A HISTORY BOOK OF THE YEAR / BOOK OF THE WEEK, Daily Mail'Goodwood curator James Peill writes with a wonderfully light touch . . . The Goodwood story is extraordinary and rightly celebrated' Country LifeThe history of Goodwood, England's greatest sporting estateGoodwood has been the home of English sport for centuries. The story of how a small hunting lodge became the iconic location for the globally-renowned Festival of Speed, Glorious Goodwood and Goodwood Revival events is inextricably intertwined with the tale of the Dukes of Richmond. The Dukes were, variously, patrons of the arts, political influencers, royal confidantes, architectural innovators, horticultural enthusiasts and stewards of the community. Above all, they were passionate about the sports for which Goodwood is best known: horseracing, motor sports, foxhunting, cricket, shooting and golf. Drawing upon the wealth of the Goodwood archives, James Peill vividly captures the character of each Duke, some radical and others staunchly traditional, and the wide-ranging impact they had on the Goodwood of today.The broader context is a sweeping history of England, and one family's part in it. Beginning with Charles II and his mistress Louise de Keroualle, the parents of the first Duke, Glorious Goodwood takes the reader on a journey through time, from the seventeenth century to present day, via the Jacobite Rising, the Battle of Waterloo and the First and Second World Wars. There are cameo appearances from George Stubbs, Canaletto, Alexander, Emperor of Russia, Queen Victoria, Jackie Stewart and Edward VII, who famously hosted Privy Council meetings in the Tapestry Drawing Room during race week.Glorious Goodwood is a vivid and intimate portrait of a house and its inhabitants set against a dazzling, panoramic backdrop of English history. At the heart of this colourful and compelling story is a rich sense of the British heritage Goodwood embodies.

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At a time when women could not vote and very few were involved in the world outside the home, Annie Montague Alexander (1867-1950) was an intrepid explorer, amateur naturalist, skilled markswoman, philanthropist, farmer, and founder and patron of two natural history museums at the University of California, Berkeley. Barbara R. Stein presents a luminous portrait of this remarkable woman, a pioneer who helped shape the world of science in California, yet whose name has been little known until now. Alexander's father founded a Hawaiian sugar empire, and his great wealth afforded his adventurous daughter the opportunity to pursue her many interests. Stein portrays Alexander as a complex, intelligent, woman who - despite her frail appearance - was determined to achieve something with her life. Along with Louise Kellogg, her partner of forty years, Alexander collected thousands of animal, plant, and fossil specimens throughout western North America. Their collections serve as an invaluable record of the flora and fauna that were beginning to disappear as the West succumbed to spiraling population growth, urbanization, and agricultural development. Today at least seventeen taxa are named for Alexander, and several others honor Kellogg, who continued to make field trips after Alexander's death. Alexander's dealings with scientists and her encouragement - and funding - of women to do field research earned her much admiration, even from those with whom she clashed. Stein's extensive use of archival material, including excerpts from correspondence and diaries, allows us to see Annie Alexander as a keen observer of human nature who loved women and believed in their capabilities. Her legacy endures in the fields of zoology and paleontology and also in the lives of women who seek to follow their own star to the fullest degree possible.

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The Sunday Times Bestseller'Enchanting, evocative and utterly magical, When The Curtain Falls is a theatrical delight... I LOVED this book!' Miranda Dickinson'Carrie Hope Fletcher has carved out a lovely niche with her fantastical novels. But this new one - set in the West End showbiz world - sees her brilliance go up a notch. Bewitching.' Heat Magazine'A brilliant book' Louise Pentland******Theatres have a certain kind of magic. When the curtain rises, we are all enraptured by the glare of the lights and the smell of the greasepaint but it's when the curtain falls that the real drama begins . . . In 1952 two young lovers meet, in secret, at the beautiful Southern Cross theatre in the very heart of London's West End. Their relationship is made up of clandestine meetings and stolen moments because there is someone who will make them suffer if he discovers she is no longer 'his'. But life in the theatre doesn't always go according to plan and tragedy and heartache are waiting in the wings for all the players . . . Almost seventy years later, a new production of When the Curtain Falls arrives at the theatre, bringing with it Oscar Bright and Olive Green and their budding romance. Very soon, though, strange things begin to happen and they learn about the ghost that's haunted the theatre since 1952, a ghost who can only be seen on one night of the year. Except the ghost is appearing more often and seems hell bent on sabotaging Oscar and Olive. The young couple realise they need to right that wrong from years gone by, but can they save themselves before history repeats itself and tragedy strikes once more?Moulin Rouge meets Phantom of the Opera in this spellbinding and magical story of unrequited love and revenge. When the Curtain Falls is Carrie Hope Fletcher at her romantic best - it will take your breath away.

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From Baroness Pontalba to Kate Chopin to Mahalia Jackson, More than Petticoats: Remarkable Louisiana Women celebrates the women who shaped the Pelican State. Short, illuminating biographies and archvial photographs and paintings tell the stories of women from across the state who served as teachers, writers, entrepreneurs, and artists.

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Silver Medal Winner for Poetry at the 2022 Nautilus Book Awards.A powerful new anthology depicting how love over the past two-and-a-half millennia has found its expression in the words of the world's greatest poets.No, Love Is Not Dead is a timely affirmation of the great linguistic diversity of poetry and its ability to express passionate love, the most extreme of human emotions. With influential, award-winning poets including Kim Hyesoon, Laura Tohe and Warsan Shire, and languages ranging from Amharic, Akkadian and Ancient Greek to Yankunytjatjara, Yiddish and Yoruba, this unique anthology engages the reader in reflective tales of unlikely love stories and impossible love, love in a time of politics, surrealist love, visual love and free love, offering an intuitive insight into both historical and present-day perceptions of love across cultures. Including over 50 poets, writing on each of the world's continents, this new anthology of poems about love features a diverse range of original poems written in a variety of languages - modern, ancient, endangered and constructed -, accompanied by English translations and commentaries.Poets included in the book: Apollinaire; Nicole Brossard; Augusto de Campos; Catullus; Chaucer; Dante; Robert Desnos; Ali Cobby Eckermann; Goethe; Kim Hyesoon; Louise Labé; Federico Garcia Lorca; Vladimir Mayakovsky; Miklós Radnóti; Kutti Ravathi; Sappho; Warsan Shire; Laura Tohe; Marina Tsvetaeva.Languages included in the book: Akkadian; Amharic; Ancient Greek; Faroese; French; German; Hungarian; Italian; Japanese; Latvian; Maori; Persian; Polari; Portuguese; Russian; Sanskrit; Scots; Scottish Gaelic; Serbian; Spanish; Welsh; Yoruba.Foreword by Laura Tohe, the current Navajo Nation Poet Laureate and Professor Emeritus with Distinction at Arizona State University, who has won awards including the 2020 Academy of American Poetry Fellowship, the 2019 American Indian Festival of Writers Award, and the Arizona Book Association's Glyph Award for Best Poetry.

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Based on a sweeping range of archival, visual, and material evidence, Wild Frenchmen and Frenchified Indians examines perceptions of Indians in French colonial Louisiana and demonstrates that material culture—especially dress—was central to the elaboration of discourses about race. At the heart of France's seventeenth-century plans for colonizing New France was a formal policy—Frenchification. Intended to turn Indians into Catholic subjects of the king, it also carried with it the belief that Indians could become French through religion, language, and culture. This fluid and mutable conception of identity carried a risk: while Indians had the potential to become French, the French could themselves be transformed into Indians. French officials had effectively admitted defeat of their policy by the time Louisiana became a province of New France in 1682. But it was here, in Upper Louisiana, that proponents of French-Indian intermarriage finally claimed some success with Frenchification. For supporters, proof of the policy's success lay in the appearance and material possessions of Indian wives and daughters of Frenchmen. Through a sophisticated interdisciplinary approach to the material sources, Wild Frenchmen and Frenchified Indians offers a distinctive and original reading of the contours and chronology of racialization in early America. While focused on Louisiana, the methodological model offered in this innovative book shows that dress can take center stage in the investigation of colonial societies—for the process of colonization was built on encounters mediated by appearance.

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Written by an expert author team with over 50 years’ combined classroom experience, Busy Ant Maths is a flexible, whole-school mathematics programme that ensures conceptual understanding and mathematical fluency from the start. The Busy Ant Maths programme ensures confidence from the start for teachers and pupils, embedding best practice across the school. Using the digital content together with this guide offers you a complete solution for planning and delivering inspiring maths lessons, helping promote learning and raising attainment for all children. The 2nd edition incorporates the ready-to-progress criteria, built into Unit Overviews and Lesson Plans, to highlight the most important knowledge and understanding in the national curriculum.

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Away from the game and the players for which it was crafted, the baseball bat is a sleek but humble creation. Yet in the hands of batters both young and old who have been stepping to the plate on diamonds around the world for more than a century, the bat is a powerful tool, capable of yielding lasting memories or making legends of a lifetime. And no bat has had more impact on baseball and the players of the game than Louisville Slugger, the tool of the trade used by millions-from the major leagues to college and youth leagues. In accordance with Louisville Slugger's 125th anniversary, the complete history of the bat, its impact on the game, and the on-going story of Hillerich and Bradsby's family business is told in these pages. Blending firsthand stories from former and current major leaguers with details from more than 100 years of craftsmanship and contribution, this comprehensive history of baseball's bat and its impact on America's game is a must-have and must-read for anyone who has ever stood at the plate waiting on a pitch-or watched as a fan-hoping for a miracle.

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It Happened in Louisiana takes readers on a rollicking, behind-the-scenes look at some of the characters and episodes from the Pelican State's storied past. Including both famous tales, and famous namesâand little-known heroes, heroines, and happenings.

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'If you've ever felt like the only person in the world who isn't perfect . . . this is what you need to read' Daisy BuchananMeet Robin Wilde: mum, newly-appointed official girlfriend, make-up artist extraordinaire and general plate-spinning, life-juggling, balance-seeking badass. Or so she likes to think.Everything seems to be slotting into place, not just for Robin but for her close-knit little world of friends and family too. Yet despite all that, she still feels like she's blagging it.Although things seem pretty great on paper, cracks are beginning to show. Robin's best friend Lacey is struggling to bond with her baby, her Auntie Kath suddenly seems distant and her daughter Lyla is finding it hard to adapt to having a man in their lives. For once everybody is depending on Robin, but the pressure is mounting and she's starting to feel overwhelmed.So, when Robin's asked to go to the States for work, it seems like the getaway they all need. Look out New York, Robin and her girls are on their way! But will the city that never sleeps make or break them? *** This is what you've been saying about the Robin Wilde books:'Amazing''Had me gripped from start to end''I just loved it so much''So real, so relatable, so inspiring''Uplifting, touching and very true to life''Witty and heart-warming'Praise for the Robin Wilde books:'Warm, engaging . . . [Robin Wilde] is a chatty winning yet poignant heroine'SOPHIE KINSELLA'I fell in love with Robin and her family before the end of the first page . . . A fabulous mix of escapism and relatability, this is a hug of a book'DAISY BUCHANAN'Wonderfully written and full of humour. Funny, heartfelt, tender and empowering'GIOVANNA FLETCHER'Hilarious, moving and extremely well written'SUNDAY TIMES STYLE 'If it's great big belly laughs you're after, then meet Robin Wilde'FABULOUS MAGAZINECan't wait to read more from Louise Pentland? Look out for her new non-fiction book, MumLife: What Nobody Ever Tells You About Being A Mum. Search 9781788702928.

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To celebrate FSG's 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry list-past, present, and future Poetry has been at the heart of Farrar, Straus and Giroux's identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. to the company. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux's first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank Bidart, Louise Glück, Thom Gunn, Ted Hughes, Yusef Komunyakaa, Mina Loy, Marianne Moore, Paul Muldoon, Les Murray, Grace Paley, Carl Phillips, Gjertrud Schnackenberg, James Schuyler, C. K. Williams, Charles Wright, James Wright, and Adam Zagajewski. Today, Henri Cole, francine j. harris, Ishion Hutchinson, Maureen N. McLane, Ange Mlinko, Valzhyna Mort, Rowan Ricardo Phillips, and Frederick Seidel are among the poets who are continuing FSG's tradition as a discoverer and promoter of the most vital and distinguished contemporary voices. This anthology is a wide-ranging showcase of some of the best poems published in America over the past three generations. It is also a sounding of poetry's present and future.

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In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time, writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O'Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O'Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O'Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as ""anti-Catholic,"" continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.

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Times have changed. A choice was made and the universe diverged. And now all of history is at war. One man stands at the centre of it all. But whose side is he one? Is he with the angels? Or the demons? And does anyone even know which is which? He was a Doctor once, but now he is Doctor no more, He is the Warrior. The Doctor of War. 2.1 Who Am I? by Nigel Fairs. The Tesh and the Sevateem are at war, obeying the orders of their God Xoanon. But they cannot know their battle has a higher purpose, one led by the Time Lord responsible for Xoanon's condition. A Time Lord called... the Master. 2.2 Time Killers by Lizzie Hopley. Arriving on Marinus in search of a temporal weapon, the Warrior and the Master are confronted by a place where time literally is money. As the Master finds himself in changed circumstances, the Warrior finds himself with a deadly decision to make. 2.3 The Key to Key to Time by Tim Foley. As battle continues to rage across the history of the cosmos, the White Guardian opts to provide the Warrior with a way out... located at the end of a dangerous quest, with an even more dangerous companion. But can a Time War ever truly end? CAST: Colin Baker (The Doctor/The Warrior), Geoffrey Beevers (The Master), Nicholas Briggs (The Daleks), Jason Forbes (Gentek/Captain), Philip Hurd-Wood (Jabel/Sole), Louise Jameson (Leela), Akshay Khanna (Riffort), Lara Lemon (Horol/Coraine/Young Otia), Nichola McAuliffe (Otia/Guide), Deelvya Meir (Xoanon 2/Parama), Sadie Miller (Sarah), Remmie Milner (Castellan), Terry Molloy (Davros), Christopher Naylor (Harry), Justin Salinger (President), Anna Savva (The Guardian), Alisdair Simpson (Andor/Mannig). Other parts played by members of the cast.

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Selected by editor John Barton, the 2023 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2021.“My goal,” writes guest editor John Barton of his long career as a literary magazine editor, “was always to be jostled awake, and I soon realized that I was being jostled awake for two—myself and the reader … I came to understand that my job description included an obligation to expose readers to wide varieties of poetry, to challenge their assumptions while expanding their taste.” In selecting this year’s edition of Best Canadian Poetry, Barton brings the same catholic spirit to his survey of Canadian poems published by magazines and journals in 2021. From new work by Canadian favourites to exciting new talents, this year’s anthology offers fifty poems to challenge and enlarge your sense of the power and possibility of Canadian poetry.Featuring:Leslie Joy Ahenda • Billy-Ray Belcourt • Bertrand Bickersteth • Tawahum Bige • Stephanie Bolster • Susan Braley • Moni Brar • Jake Byrne • Helen Cho • Conyer Clayton • Lucas Crawford • Sophie Crocker • Michael Dunwoody • Evelyna Ekoko-Kay • Tyler Engström • Triny Finlay • Elee Kraljii Gardiner • Lise Gaston • Susan Gillis • Beth Goobie • Patrick Grace • Laurie D. Graham • River Halen • Eva H.D. • Louise Bernice Halfe—Skydancer • Sarah Hilton • Karl Jirgens • Mobólúwajídìde D. Joseph • Penn Kemp • Jeremy Loveday • Randy Lundy • Helen Han Wei Luo • Colin Morton • Jordan Mounteer • Samantha Nock • Kathryn Nogue • Michelle Porter • Rebekah Rempel • Armand Garnet Ruffo • Richard Sanger • Nedda Sarshar • K.R. Segriff • Christina Shah • Sandy Shreve • Adrian Southin • J.J. Steinfeld • Sarah Yi-Mei Tsiang • Eric Wang • Tom Wayman • Jan Zwicky

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The Louisiana & Arkansas Railway, known as "The Better Way," ran its first trains at the turn of the century and expanded over the years to connect New Orleans to Dallas. Well-maintained and enduringly profitable, this regional railroad succeeded because of the tenacity of three men who consecutively oversaw all aspects of operations. The story of the L&A is largely a collective biography of William Edenborn, William Buchanan, and Harvey Couch—the men who built and extended the line by shrewd acquisitions. These successful businessmen combined wisdom, foresight, and propensity for hard word—traits they had first demonstrated in other careers—with their longtime love for trains. Each applied remarkable talents for industry and commerce toward the development of the L&A to mold it into a model regional railroad. In this first history of the L&A, Fair traces the line's development from the early boom days of railroading to its dissolution in the modern era of takeovers. Although for much of its existence the L&A operated under the control of a parent company, the KCS, it long maintained independence. The eventual takeover by the superline in 1992 finally dissolved the L&A entirely.

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When Josiah Quincy adopted the word veritas (meaning truth) as Harvard’s motto in the mid-nineteenth century, he saw the mission of the college as seeking new knowledge in order to come closer to God. It was a radical proposition. The imperatives of veritas are openness, freedom of thought, clash of opinions, resolution, truth-telling. In Veritas, Andrew Schlesinger traces some of the conflicts in Harvard‘s history between the forces of veritas and the inertial forces, the impediments to truth—sectarianism, statism, aristocracy, racism, sexism, ethnocentrism, the "shackles of ancient discipline." With this theme in mind, Mr. Schlesinger tells the fascinating story of Harvard College as an American institution. He examines the important actions and decisions of its leadership from Puritan times to the present, and provides lively details of its college life since 1636. There was no guarantee that Harvard would become a great university. But the commitment to veritas compelled the institution to change in the face of new knowledge or cease to be. Mr. Schlesinger’s book is about how Harvard changed. The tale includes a great many familiar names: Cotton Mather, John Adams and John Quincy Adams, John Hancock, Ralph Waldo Emerson, Robert Gould Shaw, Elizabeth Cary Agassiz, Henry Adams, William James, Theodore Roosevelt and Franklin Roosevelt, W. E. B. Du Bois, Ada Louise Comstock, James Conant, John Kennedy. Mr. Schlesinger punctuates his narrative with a great many marvelous anecdotes: George Burroughs, Class of 1670, condemned as a witch and hung on Gallows Hill; the "Butter Rebellion" of the undergraduates; President Willard receiving a sack of coins from the Charles River Bridge toll as his salary; Teddy Roosevelt getting tipsy at his Porcellian initiation; the l939 Communist cell that included the future Librarian of Congress. The men and women who shaped Harvard and were shaped by it were in many cases fine writers, speechmakers, preachers, journalists, historians, correspondents, diarists, and memoirists, providing a high tone to the proceedings. The history of Harvard is the story of the quintessential American university. With 32 black-and-white illustrations.

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“Cultural agency” refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases and thereby making them available as inspirations for more constructive theory and more innovative practice. Creativity supports democracy because artistic, administrative, and interpretive experiments need margins of freedom that defy monolithic or authoritarian regimes. The ingenious ways in which people pry open dead-ends of even apparently intractable structures suggest that cultural studies as we know it has too often gotten stuck in critique. Intellectual responsibility can get beyond denunciation by acknowledging and nurturing the resourcefulness of common and uncommon agents. Based in North and South America, scholars from fields including anthropology, performance studies, history, literature, and communications studies explore specific variations of cultural agency across Latin America. Contributors reflect, for example, on the paradoxical programming and reception of a state-controlled Cuban radio station that connects listeners at home and abroad; on the intricacies of indigenous protests in Brazil; and the formulation of cultural policies in cosmopolitan Mexico City. One contributor notes that trauma theory targets individual victims when it should address collective memory as it is worked through in performance and ritual; another examines how Mapuche leaders in Argentina perceived the pitfalls of ethnic essentialism and developed new ways to intervene in local government. Whether suggesting modes of cultural agency, tracking exemplary instances of it, or cautioning against potential missteps, the essays in this book encourage attentiveness to, and the multiplication of, the many extraordinary instantiations of cultural resourcefulness and creativity throughout Latin America and beyond.Contributors. Arturo Arias, Claudia Briones, Néstor García Canclini, Denise Corte, Juan Carlos Godenzzi, Charles R. Hale, Ariana Hernández-Reguant, Claudio Lomnitz, Jesús Martín Barbero, J. Lorand Matory, Rosamel Millamán, Diane M. Nelson, Mary Louise Pratt, Alcida Rita Ramos, Doris Sommer, Diana Taylor, Santiago Villaveces

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________________________*'NEW MUM, YOU'RE DOING BRILLIANTLY'* Reassuring, funny and down-to-earth, THE NEW MUM'S NOTEBOOK is everything you need for the first year of life with a baby.‘It is hands down THE best book I was given as a new mum. I feel it should be issued to all mums on leaving hospital.’ (Louise, Amazon review)_________________________What do new mums want most of all (apart from sleep)? They want someone to tell them what they’re feeling is ‘normal’. That they’re doing ok. That they will be ok. The New Mum’s Notebook, written by Amy Ransom – mum of three and creator of the Surviving Motherhood blog – does all this and more. From night feeds, napping and weaning, to which films to cue up on Netflix, finding some headspace and getting all the support, coffee and cake you need, Amy has been there – and this is the book she wishes she’d had by her side. Divided into the first 12 months of motherhood, with 304 pages of reassurance, love and humour, as well as spaces to scribble thoughts, feelings and memories from those crazy early days, The New Mum’s Notebook will nurture a new mum in however she chooses to raise her baby. Whether it’s her first or her fifth. Word on the street is it’s almost worth having another baby for... 'You've created the book that we all wish we'd had.' – Clemmie, mum of two ‘My go-to present for my new mummy friends’ – Kate, mum of two ‘I've had loads of baby record books and never ever filled one in. This book feels so different. I love it.’ – Annabel, mum of five * Perfect for expectant mothers and new mums * Gorgeous colour pages including lots of reassurance, self-care advice, journal pages, affirmations and simple recipes * Divided into 12 months to take you through every stage of a new mum and baby’s first year * Eight journal pages per month with space to write notes, thoughts, memories and all those ‘to-dos’ * 12 months of milestone charts for mum and baby

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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Discover art that dared to be different, risked reputations and put careers in jeopardy. This is what happens when artists take tradition and rip it up. ArtQuake tells the stories of 50 pivotal works that shook the world, telling the fascinating stories behind their creation, reception and legacy. The books begin with the rebels who struck out against Victorian conformism, daring painters and sculptors like Manet and Rodin, Van Gogh and Courbet, who experimented with expressionist and realist art styles as well as controversial subjects. Moving into the fin de siècle and the 20th century, we study the truly iconic works and turbulent lives of artists like Munch and Klimt, Picasso and Egon Schiele, whose work into abstraction, surrealism and cubism shocked and scandalized, but ultimately changed the course of western art forever. Moving into the second half of the 20th Century, we see spectacular works of conceptual rebellion, absurdity and political protest, from Andy Warhol and the Pop Art movement to Marina Abramovic, whose often visceral and violent works of performance art laid bare the savagery of the patriarchy and the human condition. In the 21st century, we see how iconoclastic creators have pushed the boundaries of art even further, from Banksy to Louise Bourgeoise, from self-destructing paintings to experimental works of computerized art. Complete with beautiful reproductions of their iconic works, as well as a glossary of terms and movements at the back, meet the huge egos, uncompromising feminists, gifted recluses, spiritualists, anti-consumerists, activists and satirists who have irrevocably carved their names into the history of art around the world. In telling the history of modern and contemporary art through the works that were truly disruptive, and explaining the context in which each was created, ArtQuake demonstrates the heart of modern art, which is to constantly question and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is FilmQuake, which tells the stories of 50 key films that consciously questioned the boundaries, challenged the status quo and made shockwaves we are still feeling today.

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‘Heart-warming and life-affirming, full of humour and compassion’ ADELE PARKS, PLATINUM ‘A beautifully warm-hearted tale of friendship and hope’ MY WEEKLY ‘I loved this incredibly touching book…[it’s] a life-belt that will help any reader through a tough patch’ VERONICA HENRY *** In life’s stormy waters, it’s your friends who keep you afloat… Maddy Wolfe’s life has just capsized. After her twenty-year marriage suddenly implodes, she heads to Brighton to search for her estranged son, Jamie. But he’s nowhere to be found and for the first time, she’s totally alone. That is, until she meets the Salty Sea-Gals, a group of feisty sea-swimmers. Seventy-two-year old Helga is determined not to slow down, while thirty-something Tor is still figuring out who she is. Bereaved Dominica is trying to find a reason to carry on, and busy mum Claire is learning to put herself first for a change. As their regular cold-water plunges become a lifeline for them all, Maddy starts to realise that these brave women might just help her find both Jamie and herself. Together, will they turn the tide? 'Inspiring, heart-warming, utter joy' TAMMY COHEN ‘A beautiful read. You’ll love this one’ LOUISE BEECH ‘An absolute delight of a book!’ CELIA ANDERSON ‘Oh, this is such a wonderful read’ BISHOP’S STORTFORD INDEPENDENT *** Readers LOVE Josie Lloyd’s heart-warming novels: 'Inspiring and warm, heartfelt and real. I really loved this story' 'I rarely cry when reading but I was so emotionally impacted by this read I had a few cries in the bath reading it… a heart-warming portrayal of true friendship' 'Expect tears, laughter and a lot of fist pump in the air moments!’ 'A bloody brilliant, inspirational book of friendship and hope' 'Heartfelt and empowering' 'Affirming and inspiring… this book will give you all the feels!' 'I loved this book from the very beginning to the very end; it is a story that will resonate with every woman' 'Full of humour and compassion… I laughed and I cried' 'I absolutely loved this book. A testament to the power of friendship'

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The estranged grandson of a wealthy collector of human curiosities becomes fascinated with teenaged twin sisters, leading them into a web of dark obsessions. A dazzlingly dark gothic novel from the bestselling author of The Somnambulist. 'Makes skilful use of the tropes of Victorian gothic fiction… a story of society’s outsiders seeking acceptance and redemption' Sunday Times Book of the Month ‘Mysterious, sometimes shocking, full of surprises and twists … brimming with Victorian wonders!’ Sean Lusk ‘A magical, macabre masterpiece’ A.J. West ‘Fascinating and immersive’ Anna Mazzola ________________________________Victorian England. A world of rural fairgrounds and glamorous London theatres. A world of dark secrets and deadly obsessions… Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn't grown a single inch since she was five. Coerced into promoting their father's quack elixir as they tour the country fairgrounds, at the age of fifteen the girls are sold to a mysterious Italian known as ‘Captain’. Theo is an orphan, raised by his grandfather, Lord Seabrook, a man who has a dark interest in anatomical freaks and other curiosities … particularly the human kind. Resenting his grandson for his mother’s death in childbirth, when Seabrook remarries and a new heir is produced, Theo is forced to leave home without a penny to his name. Theo finds employment in Dr Summerwell’s Museum of Anatomy in London, and here he meets Captain and his theatrical ‘family’ of performers, freaks and outcasts. But it is Theo’s fascination with Tilly and Keziah that will lead all of them into a web of deceits, exposing the darkest secrets and threatening everything they know… Exploring universal themes of love and loss, the power of redemption and what it means to be unique, The Fascination is an evocative, glittering and bewitching gothic novel that brings alive Victorian London – and darkness and deception that lies beneath… ________________________________ ‘Essie Fox follows in the footsteps of Angela Carter and AS Byatt with an adult fairy tale that delves into the darkest compulsions of human nature … an opium trance of a novel, a vivid fantasmagoria’ Noel O’Reilly ‘Deliciously dark, full of twists and surprises’ Liz Hyder ‘Filled with gothic darkness and glorious hope’ Liz Fenwick ‘Rich, dark and heady … a glorious gothic carnival’ Kate Griffin ‘Truly unexpected and original’ Kate Forsyth ‘Beautifully researched, full of horrors and delights … a chilling, thrilling slice of Victorian gothic’ Bridget Walsh ‘A cast of characters Dickens would be proud of’ Frances Quinn ‘A dizzying potion of a novel’ Polly Crosby ‘A twisty, gothic treat … wild and wonderful cast of characters’ Rebecca John ‘Rich in peril, tempered with strange, theatrical beauty’ Kate Mascarenhas ‘A wonderful, captivating carnival’ Elizabeth Fremantle ‘Haunting and emotive’ Gill Paul ‘A gorgeously gothic slice of Victoriana’ Katherine Clements ‘Beautifully controlled … exceptional storytelling, exquisitely told’ Nydia Hetherington ‘A beautiful, haunting tale peopled by a thrilling set of living, breathing characters … very fine historical fiction’ Emma Carroll ‘So inventive and surprising … beautiful writing, unforgettable characters’ Juliet West ‘A sumptuous, gothic treat that will reel you in and not let you go until the final page. Bravo!’ Caroline Green ‘Essie Fox is the mistress of gothic Victoriana … utterly beguiling and rendered in exquisite detail … a wonderful, captivating carnival of a novel’ Elizabeth Fremantle ‘Wonderfully vivid and touching … extraordinary’ Adele Geras ‘I loved this story of a group of wonderful “others” fighting to find their place and purpose in a glittering, but unforgiving, Victorian England’ Marika Cobbold ‘Atmospheric, gripping and ultimately uplifting’ Karen Coles ‘Richly detailed, beautifully written … a fascinating read’ Michael J Malone ‘The very best kind of gothic’ Lianne Dillsworth ‘Masterful’ Louise Swanson ‘A kaleidoscopic, twisting, devilish novel guaranteed to dazzle and delight. I was utterly beguiled’ Dan Bassett, Bookseller

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DON’T MISS SARAH CLARKE’S NEW THRILLER THE SKI TRIP AVAILABLE NOW ‘Tense and shocking’ Catherine Cooper ‘An intensely gripping thriller’ Philippa East Beth has the perfect life. She has constructed it carefully over the last eighteen years. But one night she makes a choice that risks everything. When Kat sees an article about that night online, buried memories begin to surface. She and Beth were friends once. Things ended badly then, but now she has a chance to make them right. Kat introduces herself to Beth. Not as her old friend, but as a stranger. Beth has no idea Kat isn’t who she says she is. But then neither is Beth. ‘A gripping read, exposing the dark lies at the heart of a supposedly perfect life . . . The perfect thriller!’ Louise Mumford ‘An incredibly tense psychological thriller that grips you from the very first page. The suspense is utterly breathtaking.’ Victoria Dowd ‘A carefully crafted, clever novel with plenty of twists, suspense and red herrings. A sparkling and satisfying read.’ Diane Jeffrey ‘A dark and clever thriller that kept me turning the pages late into the night.’ Sophie Flynn Readers LOVE Sarah Clarke’s thrillers! 'Spine tingling mystery with twist and turns!!!' NetGalley reviewer,⭐⭐⭐⭐⭐ 'I honestly didn’t want this book to end.' NetGalley reviewer,⭐⭐⭐⭐⭐ 'So many secrets, so much tension and some really great reveals. Highly recommend.' NetGalley reviewer,⭐⭐⭐⭐⭐ 'Loved it very much. I think it's a must read for everyone.' NetGalley reviewer,⭐⭐⭐⭐⭐

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The story of what happened at the colonial fortified town of Louisbourg between 1749 and 1758 is one of the great dramas of the history of Canada, indeed North America. The French stronghold on Cape Breton Island, strategically situated near the entrance to the Gulf of St. Lawrence, was from soon after its founding a major possession in the quest for empire. The dramatic military and social history of this short-lived and significant fortress, seaport, and community, and the citizens who made it their home, are woven together in A. J. B. Johnston’s gripping biography of the colony’s final decade, presented from both French and British perspectives. Endgame 1758 is a tale of two empires in collision on the shores of mid-eighteenth-century Atlantic Canada, where rival European visions of predominance clashed headlong with each other and with the region’s Aboriginal peoples. The magnitude of the struggle and of its uncertain outcome colored the lives of Louisbourg’s inhabitants and the nearly thirty thousand combatants arrayed against it. The entire history comes to life in a tale of what turned out to be the first major British victory in the Seven Years’ War. How and why the French colony ended the way it did, not just in June and July 1758, but over the decade that preceded the siege, is a little-known and compelling story.

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This book shows you how to harness the power of linked data and web-scale discovery systems to manage and link widely varied content across your library collection. Libraries are increasingly using web-scale discovery systems to help clients find a wide assortment of library materials, including books, journal articles, special collections, archival collections, videos, music and open access collections. Depending on the library material catalogued, the discovery system might need to negotiate different metadata standards, such as AACR, RDA, RAD, FOAF, VRA Core, METS, MODS, RDF and more. In Managing Metadata in Web-Scale Discovery Systems, editor Louise Spiteri and a range of international experts show you how to: maximize the effectiveness of web-scale discovery systems provide a smooth and seamless discovery experience to your users help users conduct searches that yield relevant results manage the sheer volume of items to which you can provide access, so your users can actually find what they need maintain shared records that reflect the needs, languages, and identities of culturally and ethnically varied communities manage metadata both within, across, and outside, library discovery tools by converting your library metadata to linked open data that all systems can access manage user generated metadata from external services such as Goodreads and LibraryThing mine user generated metadata to better serve your users in areas such as collection development or readers' advisory.The book will be essential reading for cataloguers, technical services and systems librarians and library and information science students studying modules on metadata, cataloguing, systems design, data management, and digital libraries. The book will also be of interest to those managing metadata in archives, museums and other cultural heritage institutions.

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'I loved it!' Marian Keyes'Laugh-out-loud funny, sharp as a tack and compulsively readable ... I loved it.' Louise O'Neill'I loved The Snag List. It's a sharp, funny story of female friendship at its best, with characters you'll fall in love with.' Beth O'Leary'Astutely observed, whip-smart and very, very funny.' Sarah Breen'Laugh-out-loud hilarious ... White's pages fizz with earthy wit and [Marian] Keyes fans will definitely find plenty to enjoy here' Sunday IndependentIf you could go back and follow the road not taken ... would you?For thirty-somethings Lindy, Ailbhe and Roe, the move to new, hyper-polished, luxury housing development Monteray Valley feels like slow death by Netflix, neighbourhood Whatsapp groups and Saturday nights in. The potential for exciting new possibilities seems to be withering faster than you can say 'postnatal dryness' as the women's lives are consumed by other halves and domestic obligations.Lindy's realising that her ambitions have been hijacked by her son's career. He's eleven.Meanwhile, despite years of self-sabotage, Ailbhe 'has it all': a successful business, a husband, a baby. If only having it all didn't also include having a fairly colossal secret.Then there's Roe who is busy trying for a baby -- a risky business when you're not sure you want one.Compiling a snag list to send to their builder sees the new friends contemplating their own personal snag lists -- their regrets and unfulfilled dreams - and inspires a business idea that's about to see life in Monteray Valley get a lot more interesting.Getting a second chance to carpe diem is irresistible, but can do-overs ever really work? And will revisiting past regrets threaten the lives they've made now?

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'Brilliant' DAILY MAIL 'Moving . . . the characters are so vivid and memorable, I couldn't stop thinking of them' GOOD HOUSEKEEPING 'An elegant, assured novel about family, friendships, secrets and the push-pull of home' PRISCILLA MORRISJenny's world is falling apart.Ravenspurn is falling into the sea. The little town is perched on a remote cliff, and every day, frequent storms are claiming more land, more homes and more livelihoods. The news of her father's sudden death forces Jenny's return to her hometown from London, but the ravaged landscape now feels like a foreign place. In a small town like Ravenspurn, the rifts between her and those she once knew are so deep they threaten to swallow her whole. Jenny is now responsible for her late father's small pub, and its staff, Alex and Si - her former best friend and ex-boyfriend, now a couple. She's stuck living in her childhood bedroom, orbiting awkwardly around her distant mother. Her boyfriend is still in London, separated by more than just distance. Each day that Jenny remains, the town seems to shrink around her, but she knows soon the pandemic will be over. Soon, she'll be able to return to her real life.But the secrets and the unspoken regrets that have come to haunt Jenny are not so easily escaped. In the claustrophobia of Ravenspurn, where can she turn? A timely story of a home pushed to the breaking point; Things We Lose in Waves explores how you keep afloat when your world is falling away from underneath your feet.'Filled with complex characters and exquisite writing' LOUISE HARE'Emotionally rich . . . this is a beautiful, atmospheric work' ELIZABETH MCKENZIE'A writer to watch' LAURIE PETROU

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Lose yourself in the Cornish countryside with this gorgeous new novel from the Richard and Judy Book Club champion. If you love Rebecca by Daphne du Maurier, you'll adore Roseland. __________'Utterly captivating' ADELE PARKS'Amazing, the descriptions of Cornwall were so vivid' Reader Review (5 stars)'There's nothing not to love about this book' SUSAN LEWIS'A captivating read' Reader Review (5 stars)'Evocative, enthralling and full of human insight' CELIA WALDEN'I read it in one day, could not put it down' Reader Review (5 stars)'Gloriously gripping' LIZ FENWICK'This book has Rebecca written all over it' Reader Review (5 stars)'Brimming with secrets, scandal and surprises' MARIANNE CRONIN__________The summers spent at Roseland, the sprawling ancestral home of her best friend, Eloise, were among the happiest of Cathy's life. Tucked away on the Cornish coastline and brimming with history, Roseland seemed to belong to another century.Cathy has barely been back since Eloise's death a decade ago. So she is shocked when Jack, the love of Eloise's life and father of her children, announces that he is getting married, and that the wedding will take place at Roseland. As Cathy and Eloise's family gather at the house for the first time in years, long buried secrets and resentments come to the surface. Nobody likes Jack's new bride, but is she really the imposter everybody claims, or are they merely haunted by memories of Eloise? And how can Cathy look to the future, when the past refuses to let go?Utterly captivating and beautifully told, with echoes of du Maurier's Rebecca, this is the gorgeous new novel from the bestselling book-club champion.__________PRAISE FOR JUDY FINNIGAN'Romantic and rain-lashed. . . a stirring and intriguing read' LOUISE CANDLISH'A haunting, pacy page-turner, with a real ghostly feel - a must read' FABULOUS MAGAZINE'Highly readable, incredibly moving' DOROTHY KOOMSON'A moving meditation of grief, family bonds, motherhood and female friendship' SUNDAY EXPRESS

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Everything stays the same for the tenants of The Beresford, a grand old apartment building just outside the city … until the doorbell rings… Will Carver returns with an eerie, deliciously and uncomfortably dark standalone thriller. ‘A gripping novel laced with humour and cutting character insight … a thrill from start to finish. Expect the unexpected!' Sarah Pinborough ‘Equally enthralling and appalling … unlike anything I’ve read in a very long while’ James Oswald ‘Ridiculously addictive’ S J Watson _______________ Just outside the city – any city, every city – is a grand, spacious but affordable apartment building called The Beresford. There’s a routine at The Beresford. For Mrs May, every day’s the same: a cup of cold, black coffee in the morning, pruning roses, checking on her tenants, wine, prayer and an afternoon nap. She never leaves the building. Abe Schwartz also lives at The Beresford. His housemate, Sythe, no longer does. Because Abe just killed him. In exactly sixty seconds, Blair Conroy will ring the doorbell to her new home and Abe will answer the door. They will become friends. Perhaps lovers. And, when the time comes for one of them to die, as is always the case at The Beresford, there will be sixty seconds to move the body before the next unknowing soul arrives at the door. Because nothing changes at The Beresford, until the doorbell rings… Eerie, dark, superbly twisted and majestically plotted, The Beresford is the stunning standalone thriller from one of crime fiction’s most exciting names. _______________ ‘Creepy and brilliant’ Khurrum Rahman ‘Reminiscent of The Shining … a creeping and perfectly crafted novel tinged with dark humour and malice’ Victoria Selman ‘A masterfully macabre tale’ Louise Mumford ‘I stepped into the imagination of Will Carver and it swallowed me whole’ Matt Wesolowski ‘Magnificently, compulsively chilling’ Margaret Kirk ‘Fans of Chuck Palahniuk will adore Carver … he is utterly brilliant’ Christopher Hooley ‘Devilishly dark and maniacally brilliant" Raven Crime Reads ‘Slick, stylish ... a sharply crafted and delectable slice of entertaining darkness’ The Tattooed Book Geek ‘Intense, brilliant, horrific, humorous and everything in between’ Liz Loves Books

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This is the first major anthology of Irish American poetry. It breaks new ground in the field of Irish American literary scholarship by collecting for the first time the work of over two hundred Irish American poets, as well as other American poets whose work enjoins Irish American themes. What does it mean to be an Irish American poet? The Book of Irish American Poetry answers this question by drawing together the best and most representative poetry by Irish Americans and about Irish America that has been written over the past three hundred years. The question is not merely rhetorical, claims Daniel Tobin in the introduction, for it raises the issue of a certain kind of imaginative identity that has rarely, if ever, been adequately explored. This anthology brings together exemplary poetry of the "populist period"of Irish American verse (in particular the work of poets such as John Boyle O'Reilly), with the work of those Irish Americans who have made an indelible imprint on American poetry: Robinson Jeffers, Marianne Moore, Louise Bogan, John Berryman, Thomas McGrath, John Montague, Robert Creeley, Frank O'Hara, Ted Berrigan, Charles Olson, Galway Kinnell, X. J. Kennedy, and Alan Dugan, among others. Finally, the anthology includes distinctive poems by contemporary Irish Americans whose work is most likely to stand the test of time: poets such as Tess Gallagher, Alice Fulton, Brendan Galvin, Marie Howe, Susan Howe, Billy Collins, Michael Ryan, Richard Kenney, and Brigit Pegeen Kelly. The poems in this collection cut across the broad spectrum of American poetry and place Irish Americans within every notable school of American poetry, from modernism to confessionalism and the Beats, from formalism to imagism, and from projectivism to the New York School and Language poets. The Book of Irish American Poetry recovers many poets who have been forgotten and places already notable figures in American poetry within the context of a distinctively Irish American tradition. This important work of literary scholarship will dominate the field for years to come.

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Called a fig leaf for inaction by many at its inception, the International Criminal Tribunal for the Former Yugoslavia has surprised its critics by growing from an unfunded U.N. Security Council resolution to an institution with more than 1,000 employees and a $100 million annual budget. With Slobodan Milosevic now on trial and more than forty fellow indictees currently detained, the success of the Hague tribunal has forced many to reconsider the prospects of international justice. John Hagan's Justice in the Balkans is a powerful firsthand look at the inner workings of the tribunal as it has moved from an experimental organization initially viewed as irrelevant to the first truly effective international court since Nuremberg.Creating an institution that transcends national borders is a challenge fraught with political and organizational difficulties, yet, as Hagan describes here, the Hague tribunal has increasingly met these difficulties head-on and overcome them. The chief reason for its success, he argues, is the people who have shaped it, particularly its charismatic chief prosecutor, Louise Arbour. With drama and immediacy, Justice in the Balkans re-creates how Arbour worked with others to turn the tribunal's fortunes around, reversing its initial failure to arrest and convict significant figures and advancing the tribunal's agenda to the point at which Arbour and her colleagues, including her successor, Carla Del Ponte (nicknamed the Bulldog), were able to indict Milosevic himself. Leading readers through the investigations and criminal proceedings of the tribunal, Hagan offers the most original account of the foundation and maturity of the institution.Justice in the Balkans brilliantly shows how an international social movement for human rights in the Balkans was transformed into a pathbreaking legal institution and a new transnational legal field. The Hague tribunal becomes, in Hagan's work, a stellar example of how individuals working with collective purpose can make a profound difference."The Hague tribunal reaches into only one house of horrors among many; but, within the wisely precise remit given to it, it has beamed the light of justice into the darkness of man's inhumanity, to woman as well as to man."—The Times (London)

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