Search results for ""author frances"

Get up off the sofa and start moving with former Blue Peter presenter Radzi Chinyanganya, in his first children's book.Learn to walk like a crab, swing like a monkey, and slide like a penguin in this book from the Winter Olympics presenter that helps children have fun and get active, all the while learning about favourite animals. Simple exercises show children different activities they can easily do, any time and any place, with no extra equipment required!Inside the pages of this entertaining children's book, you'll discover: - 40 delightful activities where readers mimic the movements of their favourite animals- A fun fusion of animal facts (science) and physical education to create an engaging and unique experience- Charming illustrations and step-by-step instructions that show children how to do different posesAll of the moves in the book are modelled on the natural movements of the animals and can be easily integrated into the day, with an exercise to do when you wake up, suggestions for ones to do during the day, and a relaxing exercise to help children settle down for bedtime. Radzi wants every child to enjoy the amazing way exercise can make you feel. Illustrations by Francesca Rosa accompany the exercises, showing young readers exactly what they need to do for each one. Ideal for both active kids and children who are a bit more reluctant to go out and play, this exciting new book teaches them about the natural world as they have fun moving their bodies.

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Age range 4 to 8Abridged to read in 5 minutes or less, this is an invaluable collection of lavishly illustrated nursery rhymes, fables, and tales for young children!Perfect for a quick read together at bedtime or anytime, these famous stories and nursery rhymes will captivate your child with their playful illustrations of cute animals and engaging storylines—and best of all, they can be read in just five minutes! Whether you're on the go, trying to calm kids down before bed, or just need an activity to beat boredom, this treasury of tales is sure to be a welcome addition to any child's library. Crack it open, and enter a world of magic, imagination, and wonder with your little ones.Included are well-known and time-honored stories such as: The Tortoise and the Hare (Aesop) The Ugly Duckling (Hans Christian Andersen) Eenie, Meenie, Miney, Mo (Mother Goose) Hickory, Dickory, Dock (Mother Goose) The Itsy Bitsy Spider (Mother Goose) Goldilocks and the Three Bears (Joseph Cudnall) The Three Little Pigs (Joseph Jacobs) Puss in Boots (Giovanni Francesco Straparola) The Tale of Peter Rabbit (Beatrix Potter) And many more!

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An initiation signals a beginning: a door opens and you step throughAmanda Yates Garcia's mother initiated her into the goddess-worshipping practice of witchcraft when she was thirteen years old, but Amanda's true life as a witch only began when she underwent a series of spontaneous initiations of her own.Descending into the underworlds of poverty, sex work and misogyny, Initiated describes Amanda's journey to return to her body, harness her natural power, and finally reclaim her witchcraft to create the magical world she envisioned. Peppered with mythology, tales of the goddesses and magical women throughout history, Initiated stands squarely at the intersection of witchcraft and feminism. Amanda shows that practising magic is about more than spells and potions; magic is nothing less than claiming power for oneself and taking back our planet in the name of Love. Initiated is both memoir and manifesto, calling the magical people of the world to take up their wands, be brave, and create the enchanted world they long to live in.'Godesses, ecstasies, fairy tales: Initiated is full of my favourite things, told with savage grace. This book will change your life.' FRANCESCA LIA BLOCK

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ADVENTURE SET TO THE MUSIC OF TIME!Time waits for no one, but for the residents of 17th-century Europe, the future comes calling—ahead of time! Due to a temporal disturbance known as the Ring of Fire, the 20th-century town of Grantville, West Virginia, finds itself transported through time and space to Central Europe in the year 1632. Massive political and social upheavals take place. But change happens on a smaller, human scale, too.In “The Flight of the Nightingale” down-timer Francesca Caccini is inspired by the arrival of Grantville to seek a different destiny from what would have been her lot in a future without the up-timer intrusion—that is, to die with a reputation as a brilliant composer and performer, but to later be essentially forgotten by all but the cognoscenti. And in “Bach to the Future,” Johann and his brothers commit themselves to preserve, protect, and promote their family’s heritage from the future, even if in this future there will be no Johann Sebastian Bach!Two novels set in Eric Flint’s best-selling Ring of Fire series shine a light on the overlooked corners of the Ring of Fire universe, where small actions can have life-altering consequences. About 1636: The Devil's Opera, by Eric Flint and David Carrico:“Another engaging alternate history from a master of the genre.”—Booklist“. . . an old-style police-procedural mystery, set in 17th century Germany. . . . the threads . . . spin together . . . to weave an addictively entertaining story. . . . a strong addition to a fun series.”—The Galveston County Daily News

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The volume, investigating the extraordinary season of the Italian Renaissance, highlights the great contribution offered to the culture of that period by the Jewish world, still little documented in today's studies. Indeed, there is no doubt that Judaism, with its long-lasting identity and tradition strongly rooted in territorial states, has made a peculiar contribution to the sphere of arts, literature and humanistic philosophy, contributing to giving many original and inimitable intonations to the Italian Renaissance. The investigation proposed here focuses on the relationship - harmonious in some cases and conflicting in others - between the Christian majority society and the Jewish identity in the period between the early fifteenth and mid-sixteenth centuries, meaning from the full affirmation of the Humanism to the conclusion of the Council of Trento, offering at the same time a precise geographical overview of the phenomenon. The volume is divided into thematic chapters, it contains a rich catalogue of testimonies ranging from liturgical objects to those of daily use, from manuscripts to furnishings to some art masterpieces, and is supplemented by bibliographical apparatus. Essays by: Guido Bartolucci, Giulio Busi, Donatella Calabi, Saverio Campanini, J.H. Chajes, Andreina Contessa, Miriam Davide, Silvana Greco, Maria Giuseppina Muzzarelli, Mauro Perani, David B. Ruderman, Angela Scandaliato, Salvatore Settis, Giacomo Todeschini, Francesca Trivellato, Giuseppe Veltri, Gianni Venturi, Joanna Weinberg.

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CONTENTS: Abdol Rauh Yaccob, British policy on Arabia before the First World War: an internal argument; Adrian G. Parker &. Jeffrey I. Rose, Climate change and human origins in southern Arabia; Alexandrine Guérin & Faysal Abdallah al-Na’imi, Nineteenth century settlement patterns at Zekrit, Qatar: pottery, tribes and territory; Anthony E. Marks, Into Arabia, perhaps, but if so, from where?; Audrey Peli, A history of the Ziyadids through their coinage (203– 442/818–1050); Aurelie Daems & An De Waele, Some reflections on human-animal burials from pre-Islamic south-east Arabia (poster); Brian Ulrich, The Azd migrations reconsidered: narratives of ‘Amr Muzayqiya and Mālik b. Fahm in historiographic context; Christian Darles, Derniers résultats, nouvelles datations et nouvelles données sur les fortifications de Shabwa (Hadramawt); Eivind Heldaas Seland, The Indian ships at Moscha and the Indo-Arabian trading circuit; Fabio Cavulli & Simona Scaruffi, Stone vessels from KHB-1, Ja’lān region, Sultanate of Oman (poster); Francesco G. Fedele, Wādī al-Tayyilah 3, a Neolithic and Pre-Neolithic occupation on the eastern Yemen Plateau, and its archaeofaunal information; Ghanim Wahida, Walid Yasin al-Tikriti & Mark Beech, Barakah: a Middle Palaeolithic site in Abu Dhabi Emirate; Jeffrey I. Rose & Geoff N. Bailey, Defining the Palaeolithic of Arabia? Notes on the Roundtable Discussion; Jeffrey I. Rose, Introduction: special session to define the Palaeolithic of Arabia; Julie Scott-Jackson, William Scott-Jackson, Jeffrey Rose & Sabah Jasim, Investigating Upper Pleistocene stone tools from Sharjah, UAE: Interim report; Krista Lewis & Lamya Khalidi, From prehistoric landscapes to urban sprawl: the Masn’at Māryah region of highland Yemen; Michael J. Harrower, Mapping and dating incipient irrigation in Wadi Sana, Hadramawt (Yemen); Mikhail Rodionov, The jinn in Hadramawt society in the last century; Mohammed A.R. al-Thenayian, The Red Sea Tihami coastal ports in Saudi Arabia; Mohammed Maraqten, Women’s inscriptions recently discovered by the AFSM at the Awām temple/Mahram Bilqīs in Marib, Yemen; Nasser Said al-Jahwari & Derek Kennet, A field methodology for the quantification of ancient settlement in an Arabian context; Rémy Crassard, The “Wa’shah method”: an original laminar debitage from Hadramawt, Yemen; Saad bin Abdulaziz al-Rāshid, Sadd al-Khanaq: an early Umayyad dam near Medina, Saudi Arabia; Ueli Brunner, Ancient irrigation in Wādī Jirdān; Vincent Charpentier & Sophie Méry, A Neolithic settlement near the Strait of Hormuz: Akab Island, United Arab Emirates; Vincent Charpentier, Hunter-gatherers of the “empty quarter of the early Holocene” to the last Neolithic societies: chronology of the late prehistory of south-eastern Arabia (8000–3100 BC); Yahya Asiri, Relative clauses in the dialect of Rijal Alma’ (south-west Saudi Arabia); Yosef Tobi, Sālôm (Sālim) al-Sabazī’s (seventeenth-century) poem of the debate between coffee and qāt; Zaydoon Zaid & Mohammed Maraqten, The Peristyle Hall: remarks on the history of construction based on recent archaeological and epigraphic evidence of the AFSM expedition to the Awām temple in Mārib, Yemen

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The Viennese gallery Slavik has been exhibiting international contemporary jewellery art of the highest quality for 20 years. The rotating bronze disc above the entrance beckons the visitor to enter into a unique universe and into a singular architectonic design concept. As a meeting place for artists, collectors and museum professionals from all over the world, it is the goal of the gallery owner Renate Slavik to provide a deeper understanding of the fascinating nature of contemporary jewellery art. Since 1990 the former antique dealer has supported unique, handcrafted jewellery with her enthusiasm and vision. "Art on the body" made of paper, synthetic material, tin as well as traditional "ingredients" like gold, pearls and diamonds are displayed in her changing exhibitions. In the gallery artistic impetus has been provided by Annelies Planteydt and Gijs Bakker from Holland; from international masters of studio jewellery such as Giampaolo Babetto or from the Padua School of Francesco Pavan. The gallery's repertoire includes avant-garde jewellery by Annamaria Zanella, Jacqueline Ryan, Stefano Marchetti and Giovanni Corvaja as well as the geometrical creations of David Watkins or the golden bracelet discs by Okinari Kurokawa. The Catalan Massana School of Joaquim Capdevila and Ramon Puig Cuyas with their colourful, narrative style; Helfried Kodre's brooches and ring sculptures as a three-dimensional, spatially-extended implementation of geometry; Michael Becker's clear, architectonic language of form; or the works with moving surfaces by Yasuki Hiramatsu represent different expressions of contemporary jewellery work. The doors stand wide open to the up-and-coming generation of craftsmen - one of the gallery owner's favourite tasks is to scout out young talent such as Miriam Hiller or Isabell Schaupp.

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What is "the artist type"? How is an artist's mind structured? What are the links between creativity and mental health? Are there particular personality traits and psychological experiences that great artists have in common? Are most artists really mad? What defines the artist's personality? This book answers these questions by way of a deep, multi-angled, psychological analysis of the personality-based roots of creativity and the creative process. It draws on decades of scientific research focused on the central, mysterious trait of Openness, the true unifying glue behind everything creative. Featuring dozens of notable creators such as John Coltrane, Diane Arbus, Francesca Woodman, David Bowie, Frida Kahlo, Jack Kerouac, John Lennon, and others, this book showcases the nuances of an artist's mind beyond oversimplified formulas that falsely connect art to mental illness, painting a more authentic picture of the structure of the artist's psychology. Ultimately, this book reveals that the "torture" in an artist's perceived image has more to do with personality, creative processes, states of mind, and a need to express trauma symbolically, repeating it in the form of art. As an eminent psychobiographer with an award-winning career as a personality and creativity psychologist, Dr. William Todd Schultz yet again offers his unique perspective on a fascinating topic that is both engaging and insightful. In exploring the precise nature of inner chaos in a wide range of renowned artists, this book takes an enchanting dive into the artistic abyss for all those interested in creativity, personality, and psychology, including both general and academic readers.

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'A writer of great subtlety and intelligence, who understands that emotional power comes from the steady accretion of detail' Kamila Shamsie, Guardian'She writes elegantly and intelligently whatever the subject matter' Francesca Angelini, The Times'A compulsively readable novel' Manil Suri, New York Times'A horse was in flames. It roamed beneath the ocean breathing fire . . . 'When he wakes up, Elango knows his life has changed. His dream will consume him until he gives it shape. The potter must create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind – the Mahabharata, or Trojan legend, or his anonymous potter-ancestors. Nor can he say where it belongs – in a temple compound, within a hotel lobby, or with Zohra, whom he despairs of ever marrying.The astral, indefinable force driving Elango towards forbidden love and creation has unleashed other currents. A neighbourhood girl begins her bewildering journey into adulthood, developing a complicated relationship with him. A lost dog adopts him, taking over his heart. Meanwhile, his community is driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife's edge and the consequences of daring to dream against the tide are cataclysmic.Moving between India and England, The Earthspinner reflects the many ways in which the East encounters the West. It breathes new life into ancient myths, giving allegorical shape to the war of fanaticism against reason and the imagination.An intricate, wrenching novel about the changed ways of loving and living in the modern world.

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'A writer of great subtlety and intelligence, who understands that emotional power comes from the steady accretion of detail' Kamila Shamsie, Guardian'She writes elegantly and intelligently whatever the subject matter' Francesca Angelini, The Times'A compulsively readable novel' Manil Suri, New York Times'A horse was in flames. It roamed beneath the ocean breathing fire . . . 'When he wakes up, Elango knows his life has changed. His dream will consume him until he gives it shape. The potter must create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind – the Mahabharata, or Trojan legend, or his anonymous potter-ancestors. Nor can he say where it belongs – in a temple compound, within a hotel lobby, or with Zohra, whom he despairs of ever marrying.The astral, indefinable force driving Elango towards forbidden love and creation has unleashed other currents. A neighbourhood girl begins her bewildering journey into adulthood, developing a complicated relationship with him. A lost dog adopts him, taking over his heart. Meanwhile, his community is driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife's edge and the consequences of daring to dream against the tide are cataclysmic.Moving between India and England, The Earthspinner reflects the many ways in which the East encounters the West. It breathes new life into ancient myths, giving allegorical shape to the war of fanaticism against reason and the imagination. It is an intricate, wrenching novel about the changed ways of loving and living in the modern world.

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The consequences of the federal Housing Act of 1949—which supported the clearance and redevelopment of “blighted” areas across the nation—were felt by communities of all sizes, not just large cities. The Many Geographies of Urban Renewal presents a more comprehensive view of the federal urban renewal program by situating the experiences of large cities like Baltimore, MD and Philadelphia PA alongside other geographies, such as the small city of Waterville, ME, suburban St. Louis County in Missouri, the State of New York, the Commonwealth of Puerto Rico, and others. Chapters identify trends and connections that cut across jurisdictional boundaries, investigate who used federal funds, how those funds were used, and examine the profound short and long-term consequences of the program. Taken as a whole, the essays showcase the unexpected diversity of how different communities used the federal urban renewal program. The Many Geographies of Urban Renewal allows us to better understand what was arguably the most significant urban policy of the 20th century, and how that policy shaped the American landscape. Contributors include Francesca Russello Ammon, Brent Cebul, Robert B. Fairbanks, Leif Fredrickson, Colin Gordon, David Hochfelder, Robert K. Nelson, Benjamin D. Lisle, Stacy Kinlock Sewell and the editor.

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How grace shaped the Renaissance in Italy"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work.Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world.Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society.

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Opera developed during a time when the position of women--their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality--was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts--by Ovid, Virgil, Tacitus, and Diodorus Siculus--form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).

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The world of wealth and patronage that we associate with sixteenth- and early seventeenth-century Italy can make the Renaissance seem the exclusive domain of artists and aristocrats. Revealing a Renaissance beyond Michelangelo and the Medici, Sarah Gwyneth Ross recovers the experiences of everyday men and women who were inspired to pursue literature and learning.Ross draws on a trove of original unpublished sources—wills, diaries, household inventories, account books, and other miscellany—to reconstruct the lives of over one hundred artisans, merchants, and others on the middle rung of Venetian society who embraced the ennobling virtues of a humanistic education. These men and women sought out the latest knowledge, amassed personal libraries, and passed both their books and their hard-earned wisdom on to their families and heirs.Physicians were often the most avid—and the most anxious—of professionals seeking cultural legitimacy. Ross examines the lives of three doctors: Nicolò Massa (1485–1569), Francesco Longo (1506–1576), and Alberto Rini (d. 1599). Though they had received university training, these self-made men of letters were not patricians but members of a social group that still yearned for credibility. Unlike priests or lawyers, physicians had not yet rid themselves of the taint of artisanal labor, and they were thus indicative of a middle class that sought to earn the respect of their peers and betters, protect and advance their families, and secure honorable remembrance after death.

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The story of the Renaissance city and palace of Urbino, and the life of the extraordinary man who created it: Federico da Montefeltro. 'Painstakingly researched and yet unfailingly readable' Ross King 'An insight into one of Renaissance Italy's most glamorous courts' Catherine Fletcher 'The perfect tour guide to the past' Literary Review 'A fabulous merging of seductive design with bravura scholarship' Alexandra Harris 'A superior study... Packed with detail' TLS The one-eyed mercenary soldier Federico da Montefeltro, lord of Urbino between 1444 and 1482, was one of the most successful condottiere of the Italian Renaissance: renowned humanist, patron of the artist Piero della Francesca, and creator of one of the most celebrated libraries in Italy outside the Vatican. From 1460 until her early death in 1472 he was married to Battista, of the formidable Sforza family, their partnership apparently blissful. In the fine palace he built overlooking Urbino, Federico assembled a court regarded by many as representing a high point of Renaissance culture. For Baldassare Castiglione, Federico was la luce dell'Italia – 'the light of Italy'. Jane Stevenson's affectionate account of Urbino's flowering and decline casts revelatory light on patronage, politics and humanism in fifteenth-century Italy. As well as recounting the gripping stories of Federico and his Montefeltro and della Rovere successors, Stevenson considers in details Federico's cultural legacy – investigating the palace itself, the splendours of the ducal library, and his other architectural projects in Gubbio and elsewhere.

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The volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues, such as the historicity of aesthetics itself, interculturality, and the place of the ugly, are themes of the third part. In the fourth, practicing artists discuss beauty in painting, music, poetry, and film. The final essay, by a theologian, reflects on the relation between beauty and God. Contributors: Vittorio Hösle, Robert P. Langlands, Mario Livio, Dieter Wandschneider, Christian Illies, Francesco Pellizzi, Bjarne Sode Funch, Peter Landau, Holger Bonus, Pradeep A. Dhillon, Mark W. Roche, Maxim Kantor, Claus-Steffen Mahnkopf, Mary Kinzie, Dudley Andrew, and Cyril O’Regan.

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Reading a range of Italian works, Rubini considers the active transmittal of traditions through generations of writers and thinkers. Rocco Rubini studies the motives and literary forms in the making of a “tradition,” not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but instead as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at prominent humanists in between—including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce—Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an expanse of writings to uncover deeper transhistorical continuities that span six hundred years. Whether reading work from the fourteenth century, or from the 1930s, Rubini elucidates the interplay of creation and the reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions that connect thinkers across time. Building on his award-winning book, The Other Renaissance, this will prove a valuable contribution for intellectual historians, literary scholars, and those invested in the continuing humanist legacy.

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"I went to Noma and interviewed René (Redzepi). We were talking about art and food but the restaurant was closed. Everybody asked me how was the food, what did you eat - and he basically gave me some marmite. The best marmite I've ever had." - David Shrigley “This is not a coffee table book….notions of ‘taste’ get a grilling, while there are some fruity artist interviews....that make for entertaining accompaniments.” - Melanie Gerlis, The Financial Times “This comprehensive and expansive explorations of art restaurants marries the nourishment of senses, both visual and taste, along with the meeting of minds.” - Chris Corbin, Corbin and King group “A new and unique book.” - Layla Maghribi, The National News This is the definitive guide to Art Restaurants — a new way to appreciate food. Christina Makris, collector of art and a Patron of The Tate and RA, takes the reader on a tour of 25 of the world's greatest art restaurants, from New York to Hong Kong and Cairo to London. Makris traces their stories, details the art highlights, and meets artists, restaurateurs and chefs including Vik Muniz, Julian Schnabel and Tracy Emin. A captivating guide to where great art and memorable food meet. Restaurants featured include: Abou el Sid, Cairo; Bibo, Hong Kong; Casa Lever, New York; Chateau la Coste, Aix en Provence; Colombe d'Or, St Paul de Vence; Currency Exchange Café, Chicago; del Cambio, Turin; Dooky Chase, New Orleans; Gunton Arms, Norwich; Hix Soh, London; Kronenhalle, Zurich; Langan's, London; Lucio's, Sydney; Michael's, Santa Monica; Mr Chow, London; Osteria Francescana, Modena; Paris Bar, Berlin; Red Rooster, New York; Scott's, London; Sketch­, London; The Ivy, London. Including interviews with: Ai Weiwei; Antony Gormley; Beatriz Milhazes; Bill Jacklin; Conrad Shawcross; Damien Hirst; David Bailey; David Hockney; David Shrigley; Gary Hume; John Beard; John Olsen; Julian Schnabel; Maggi Hambling; Michael Craig-Martin; Michael Landy; Peter Blake; Polly Morgan; Sanford Biggers; Tracey Emin; Vik Muniz.

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A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

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Sunday Times Art Book of the Year 2018'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.

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The Italian scholar and poet Francesco Petrarch (1304–1374) is best remembered today for vibrant and impassioned love poetry that helped to establish Italian as a literary language. Petrarch inspired later Renaissance writers, who produced an extraordinary body of work regarded today as perhaps the high-water mark of poetic productivity in the European West. These "Petrarchan" poets were self-consciously aware of themselves as poets—as craftsmen, revisers, and professionals. As William J. Kennedy shows in Petrarchism at Work, this commitment to professionalism and the mastery of poetic craft is essential to understanding Petrarch’s legacy. Petrarchism at Work contributes to recent scholarship that explores relationships between poetics and economic history in early-modern European literature. Kennedy traces the development of a Renaissance aesthetics from one based upon Platonic intuition and visionary furor to one grounded in Aristotelian craftsmanship and technique. Their polarities harbor economic consequences, the first privileging the poet’s divinely endowed talent, rewarded by the autocratic largess of patrons, the other emphasizing the poet’s acquired skill and hard work. Petrarch was the first to exploit the tensions between these polarities, followed by his poetic successors. These include Gaspara Stampa in the emergent salon society of Venice, Michelangelo Buonarroti in the "gift" economy of Medici Florence and papal Rome, Pierre de Ronsard and the poets of his Pléiade brigade in the fluctuant Valois court, and William Shakespeare and his contemporaries in the commercial world of Elizabethan and early Stuart London. As Kennedy shows, the poetic practices of revision and redaction by Petrarch and his successors exemplify the transition from a premodern economy of patronage to an early modern economy dominated by unstable market forces.

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Quatre-vingts ans après la parution de l'ouvrage toujours fondamental de Pierre Chantraine intitulé La Formation des noms en grec ancien (1933), le colloque international de Rouen (17-18 octobre 2013) s'est donné pour objectif de présenter quelques-uns des progrès effectués dans l'étude des suffixes qui servent à former les substantifs, les adjectifs et les adverbes en grec ancien, et d'observer ceux-ci sur la longue période qui va du grec mycénien jusqu'à la koiné. Les contributions réunies dans ce volume traitent de plusieurs séries suffixales importantes et sont précédées par des réflexions générales sur l'accentuation et sur le fonctionnement de la dérivation. L'étymologie n'est pas négligée puisqu'elle permet d'insérer des termes synchroniquement obscurs dans des séries dérivationnelles connues. La formation des noms en grec ancien n'est donc pas un sujet clos. Il importait de montrer que des progrès se font chaque jour et qu'il y a bien de nouveaux acquis. Les contributions réunies sont dues à des hellénistes de grand nom et à de jeunes espoirs talentueux, Francesco Dedè (Milan), Éric Dieu (Toulouse), José Luis García Ramón (Cologne), Nicole Guilleux (Caen), Daniel Kölligan (Cologne), Claire Le Feuvre (Paris), Audrey Mathys (Paris), Michael Meier-Brügger (Berlin), Georges-Jean Pinault (Paris), Christina Skelton (Los Angeles), Brent Vine (Los Angeles), Rémy Viredaz (Genève), ainsi qu'aux deux éditeurs du volume, Alain Blanc, professeur de linguistique des langues anciennes à l'Université de Rouen, et Daniel Petit, professeur de linguistique indo-européenne à l'École Normale Supérieure de Paris et directeur d'études à l'École Pratique des Hautes Études.

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The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu [1890-1959], tracing the evolution of his musical language and including detailed analyses of all six symphonies. Over the past few decades the music of the Czech composer Bohuslav Martinu (1890-1959) has enjoyed a slow but steady rise in popularity, and his six symphonies, written between 1942 and 1953, have now been recorded many times; concert performances are on the increase, too. But Martinu and the Symphony is not only the first book in English intended to help the music-lover to a deeper understanding of these glorious works - it is by far the most comprehensive work on the subject in any language. Each Symphony is examined in turn, the analyses revealing what makes each creation so individual yet also so clearly part of a close-knit family of works and identifying the elements of his melodic, harmonic and instrumental style which produce Martinu's very personal vibrant and organic symphonic manner. Martinu and the Symphony is illustrated with almost 200 musical examples, taken not only fromthe Symphonies but also from his other works for large orchestra. His path to symphonic mastery is examined in unprecedented detail: attention is at last paid to the early orchestral works which, although largely unperformed andunpublished even now, afford fascinating glimpses of the composer to come. A study of the late triptychs The Frescoes of Piero della Francesca and The Parables rounds out this appraisal of Martinus enthralling symphonic and orchestral legacy.

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Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

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Surveying print and digital graphic life narratives about people who become ‘othered’ within Western contexts, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works may unconsciously reproduce Western neo-colonial presentations of the ‘other,’ Olga Michael focuses on gender, death, space, and border violence within graphic life narratives depicting suffering across different geo- and biopolitical locations. Combining the familiar with the lesser-known, this book covers works by artists such as Joe Sacco, Thi Bui, Mia Kirshner, Phoebe Gloeckner, Kamel Khélif, Francesca Sanna, Gabi Froden, Benjamin Dix and Lindsay Pollock, as well as Safdar Ahmed and Ali Dorani/Eaten Fish. Interdisciplinary in its consideration of life writing, comics and human rights studies, and comparative in approach, this book explores such topics as the aesthetics of visualised suffering; spatial articulations of human rights violations; the occurrence of violations whilst crossing borders; the gendered dimensions of visually captured violence; and how human rights discourses intersect with graphic depictions of the dead. In so doing, Michael establishes how to read human rights and social justice comics in relation to an escalating global crisis and deftly complicates negotiations of ‘otherness.’ A vitally important work to the humanities sector, this book underscores the significance of postcolonial decolonized reading acts as forms of secondary witness.

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States of Memory illuminates the construction of national memory from a comparative perspective. The essays collected here emphasize that memory itself has a history: not only do particular meanings change, but the very faculty of memory—its place in social relations and the forms it takes—varies over time. Integrating theories of memory and nationalism with case studies, these essays stake a vital middle ground between particular and universal approaches to social memory studies.The contributors—including historians and social scientists—describe societies’ struggles to produce and then use ideas of what a “normal” past should look like. They examine claims about the genuineness of revolution (in fascist Italy and communist Russia), of inclusiveness (in the United States and Australia), of innocence (in Germany), and of inevitability (in Israel). Essayists explore the reputation of Confucius among Maoist leaders during China’s Cultural Revolution; commemorations of Martin Luther King Jr. in the United States Congress; the “end” of the postwar era in Japan; and how national calendars—in signifying what to remember, celebrate, and mourn—structure national identification. Above all, these essays reveal that memory is never unitary, no matter how hard various powers strive to make it so.States of Memory will appeal to those scholars-in sociology, history, political science, cultural studies, anthropology, and art history-who are interested in collective memory, commemoration, nationalism, and state formation.Contributors. Paloma Aguilar, Frederick C. Corney, Carol Gluck, Matt K. Matsuda, Jeffrey K. Olick, Francesca Polletta, Uri Ram, Barry Schwartz, Lyn Spillman, Charles Tilly, Simonetta Falasca Zamponi, Eviatar Zerubavel, Tong Zhang

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When a poet addresses a living person--whether friend or enemy, lover or sister--we recognize the expression of intimacy. But what impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy--George Herbert with God, Walt Whitman with a reader in the future, John Ashbery with the Renaissance painter Francesco Parmigianino? In Invisible Listeners, Helen Vendler argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. Through brilliantly insightful and gracefully written readings of these three great poets over three different centuries, Vendler maps out their relationships with their chosen listeners. For his part, Herbert revises the usual "vertical" address to God in favor of a "horizontal" one-addressing God as a friend. Whitman hovers in a sometimes erotic, sometimes quasi-religious language in conceiving the democratic camerado, who will, following Whitman's example, find his true self. And yet the camerado will be replaced, in Whitman's verse, by the ultimate invisible listener, Death. Ashbery, seeking a fellow artist who believes that art always distorts what it represents, finds he must travel to the remote past. In tones both tender and skeptical he addresses Parmigianino, whose extraordinary self-portrait in a convex mirror furnishes the poet with both a theory and a precedent for his own inventions. By creating the forms and speech of ideal intimacy, these poets set forth the possibility of a more complete and satisfactory human interchange--an ethics of relation that is uncoerced, understanding, and free.

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'A fabulous closed-room mystery that will keep you guessing' - DENISE MINA 'Fabulous Dublin-based crime. Very much in the vein of Tana French' - JO SPAIN 'This creeps up on you until you're hooked' - HEAT THEY DID IT TO THEMSELVES BUT SOMEONE WAS WATCHING The Macnamara sisters hadn't been seen for months before anyone noticed. It was Father Timoney who finally broke down the door, who saw what had become of them. Berenice was sitting in her armchair, surrounded by religious tracts. Rosaleen had crawled under her own bed, her face frozen in terror. Both had starved themselves to death. Francesca Macnamara returns to Dublin after decades in the US to find her family in ruins. Meanwhile, Detectives Vincent Swan and Gina Considine are convinced that there is more to the deaths than suicide. Because what little evidence there is, shows that someone was watching the sisters die... A compelling mystery that will keep you reading late into the night, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain. ________________________________________ *** SUNDAY TIMES CRIME CLUB STAR PICK *** *** AN IRISH TIMES CRIME BOOK OF THE YEAR *** 'A terrific new gem of Irish noir, written with a light touch' - SUNDAY TIMES 'Sombre, psychological nuanced and compassionate... gripping' - IRISH TIMES 'Intriguing, compelling and highly entertaining. Formidably impressive' - LIZ NUGENT 'Thrilling... will keep you guessing until the very end' - MY WEEKLY 'Infused with depth, darkness and acute psychological drama' - HERALD

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For fans of Daniel Silva and David Baldacci comes a gripping thriller based on real world events that will have you riveted until the final page is turned. When NYPD detectives Paul Rossi and Hamilton P. Turner begin investigating the Sutton Place murder of an Italian air force pilot, the last thing they expect is that they will and find themselves sucked into the potential cover-up of the Ustica massacre, the most horrific aviation crime in Italian history, in which all 81 souls on board perished, where Italian President Francesco Cossiga blamed a missile deployed by the French Navy for the disaster. But as they begin investigating, Rossi, recovering from a broken marriage, and Turner, an African-American opera buff, poet, and former lawyer with ambitions to be mayor, come up against NYPD bureaucratic obstacles and stonewalling by the Italian Consulate in NYC. Lieutenant Laura Muro, the policewoman sister of the victim, comes to New York to aid the investigation, but soon the trio find themselves in the crosshairs of the Gladio, Italy’s powerful, shadowy political cabal whose reach extends to the highest reaches of New York political and ruling class. From New York to Italy, Rossi, Turner, and Muro must uncover the shocking truth about one of the most notorious disasters in airline history, and how this infamous act ties to the present-day murder. Riveting, erudite, and surprising at every turn, THE MAN IN MILAN announces a major new voice in international thriller fiction.

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Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

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The increase in the number of non-binary children and adults in our society raises important treatment questions as well as much controversy. It seems essential that analysts and candidates grapple with the challenges this change in society presents. As we struggle in our psychoanalytic societies to diversify our membership and broaden our understanding of difference, this collection offers an opportunity for further discussion and study of one of the most important issues of our time. The opening essay by editor Shari Thurer provides a clear overview of recent cultural changes and the evolution of thinking about gender identification by the American Psychoanalytic Association. Next is an autobiographical essay by long-term non-binary individual Robin Haas plus a clinical reflection on Haas’ contribution by Rita Teusch. A recent account of an individual becoming non-binary from Francesca Spence is followed by the reactions of their parents, L. Harry Spence and Robin Ely. After that are psychoanalytic thoughts about the body and gender by Malkah Notman and reflections on gender from Dan Jacobs. The book ends with an extensive bibliography on the subjects of transsexuality and non-binary gender by Oren Gozlan Beyond the Binary: Essays on Gender introduces readers to current ideas about gender fluidity and choice, as well as giving voice to those who have chosen to be non-binary. This is a must-read for all practising clinicians that will help broaden their perspective on this growing issue. This is the fourth publication sponsored by the Library Committee of the Boston Psychoanalytic Society and Institute and the first published by Phoenix.

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Proceedings of the Seminar for Arabian Studies Volume 41 2011, Papers from the forty-fourth meeting, held at the British Museum, London, 22–24 July 2010. Contents: 1) Some observations on women in Omani sources (Olga Andriyanova); 2) Archaeological landscape characterization in Qatar through satellite and aerial photographic analysis, 2009 to 2010 (Paul Breeze, Richard Cuttler & Paul Collins); 3) Fishing kit implements from KHB-1: net sinkers and lures (poster) (Fabio Cavulli & Simona Scaruffi); 4) The distribution of storage and diversion dams in the western mountains of South Arabia during the Himyarite period (Julien Charbonnier); 5) Assessing the value of palaeoenvironmental data and geomorphological processes for understanding Late Quaternary population dynamics in Qatar (Richard Cuttler, Emma Tetlow & Faisal al-Naimi); 6) Les fortifications de Khor Rorī – ‘Sumhuram’ (poster) (Christian Darles); 7) Places of contact, spheres of interaction. The Ubaid phenomenon in the central Gulf area as seen from a first season of reinvestigations at Dosariyah (Dawsāriyyah), Eastern Province, Saudi Arabia (Philipp Drechsler0; 8) khushub musannadah (Qurān 63. 4) and Epigraphic South Arabian ms3nd (Orhan Elmaz); 9) Walled structures and settlement patterns in the south-western part of Dhofar, Oman (poster) (Roman Garba & Peter Farrington);10) The wall and talus at Barāqish, ancient Yathill (al-Jawf, Yemen): a Minaean stratigraphy (Francesco G. Fedele); 11) Through evangelizing eyes: American missionaries to Oman (Hilal al-Hajri); 12) Quantified analysis of long-term settlement trends in the northern Oman peninsula (Nasser Said al-Jahwari); 13) Yeha and Hawelti: cultural contacts between Saba and DMT – New research by the German Archaeological Institute in Ethiopia (Sarah Japp, Iris Gerlach, Holger Hitgen & Mike Schnelle); 14) The Kadhima Project: investigating an Early Islamic settlement and landscape on Kuwait Bay (poster) (Derek Kennet, Andrew Blair, Brian Ulrich & Sultan M. al-Duwīsh); 15) Typology of incense-burners of the Islamic period (Sterenn Le Maguer); 16) A geomorphological and hydrological underpinning for archaeological research in northern Qatar (Phillip G. Macumber); 17) Recent investigations at the prehistoric site RH-5 (Ras al-Hamrā, Muscat, Sultanate of Oman) (Lapo Gianni Marcucci, Francesco Genchi, Émilie Badel & Maurizio Tosi); 18) Geoarchaeological investigations at the site of Julfār (al-Nudūd and al-Matāf), Ras al-Khaymah, UAE: preliminary results from the auger-hole survey (poster) (Mike Morley, Robert Carter & Christian Velde); 19) Conserving and contextualizing national cultural heritage: the 3-D digitization of the fort at al-Zubārah and petroglyphs at Jabal al-Jusāsiyyah, Qatar (poster) (Helen Moulden, Richard Cuttler & Shane Kelleher); 20) Reassessing Wādī Debayan (Wādī al-Dabayān): an important Early Holocene Neolithic multi-occupational site in western Qatar (poster) (Faisal al-Naimi, Kathryn M. Price, Richard Cuttler & Hatem Arrock); 21) Research on an Islamic period settlement at Ras Ushayriq in northern Qatar and some observations on the occurrence of date presses (Andrew Petersen); 22) Relations between southern Arabia and the northern Horn of Africa during the last millennium BC (David W. Phillipson); 23) Bayt Bin Ātī in the Qattārah oasis: a prehistoric industrial site and the formation of the oasis landscape of al-Ain, UAE (Timothy Power & Peter Sheehan); 24) The Sabaic inscription A–20–216: a new Sabaean-Seleucid synchronism (Alessia Prioletta); 25) Al-Suwaydirah (old al-Taraf) and its Early Islamic inscriptions (Saad bin Abdulaziz al-Rashid); 26) Investigations in al-Zubārah hinterland at Murayr and al-Furayhah, north-west Qatar (poster) (Gareth Rees, Tobias Richter & Alan Walmsley); 27) Pearl fishers, townsfolk, Bedouin, and shaykhs: economic and social relations in Islamic al-Zubārah (Tobias Richter, Paul Wordsworth & Alan Walmsley); 28) Contemporary tribal versions of local history in Hadramawt (Mikhail Rodionov); 29) A view of the defence strategy of Muharraq, a tribal town in the Gulf (poster); 30) Solaiman Abd al-Rahmān al-Theeb, New Nabataean inscriptions from the site of al-Sīj in the region of al-Ulā, Saudi Arabia (Abdulla Al-Sulaiti); 31) Al-Zubārah Archaeological Park as a UNESCO World Cultural Heritage Site – a master plan for its site management, preservation, and presentation (poster) (Ingolf Thuesen & Moritz Kinzel); 32) Oman and Bahrain in Late Antiquity: the Sasanians’ Arabian periphery (Brian Ulrich); 33) From the port of Mocha to the eighteenth-century tomb of Imām al-Mahdī MuΉammad in al-Mawāhib: locating architectural icons and migratory craftsmen (Nancy Um); 34) Drummers of the Najd: musical practices from Wādī al-Dawāsir, Saudi Arabia (Lisa Urkevich); 35) The Jewel of Muscat Project: reconstructing an early ninth-century CE Shipwreck (Tom Vosmer, Luca Belfioretti, Eric Staples & Alessandro Ghidoni); 36) Lateral fricatives and lateral emphatics in southern Saudi Arabia and Mehri (Janet C.E. Watson & Munira Al-Azraqi).

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'⭐ ⭐ ⭐ ⭐ ⭐ Heart-pounding . . . Definitely one of the best books this year' 'A tense, propulsive and twisty story . . . I was utterly drawn to Boweridge and its simmering secrets' ALI LOWE----A MURDERED WOMAN. A MISSING GIRL.A SMALL TOWN WITH A DARK PAST . . . Summer, 1972. Sister Francesca Pepitone was found strangled in a parking lot on the outskirts of Boweridge. A week later, seventeen-year-old Minna Larson disappeared. No one has seen or heard from her since. The cases were never linked, and neither was solved. For some, it was a scar that never healed. Others simply forgot.Now, over forty years later, Minna's niece Maggie learns that days before vanishing, Minna was telling people she knew who had murdered Sister Fran, and that she had the evidence to prove it.Except no one believed her because there was one thing everyone could agree on . . . Minna LiesHOW LONG CAN A SMALL TOWN BURY ITS PAST?----Readers are HOOKED on The Summer She Vanished'⭐ ⭐ ⭐ ⭐ ⭐ A tangled tale of dark secrets . . . a captivating page-turner''⭐ ⭐ ⭐ ⭐ ⭐ Family secrets, small towns . . . Jessica has hit the nail on the head' '⭐ ⭐ ⭐ ⭐ ⭐ Just got better and better . . . And the ending? I never saw that coming!''⭐ ⭐ ⭐ ⭐ ⭐ Gripped me from page one . . . A must-read''⭐ ⭐ ⭐ ⭐ ⭐ Such a twisty plot''⭐ ⭐ ⭐ ⭐ ⭐ A wonderful blend of cold case, police procedural, and cozy mystery that unravelled in perfect time''⭐ ⭐ ⭐ ⭐ ⭐ Dramatic and full of twists . . . I really didn't want to put it down'A blistering and shocking thriller that takes you on a taut and compelling journey to find the truth behind the story of a missing teen, a murdered nun, and the dark secret that connects them. Perfect for fans of SWEET LITTLE LIES, THE ROANOKE GIRLS and THE GIRLS WHO DISAPPEARED.

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'For fans of Maggie O'Farrell and Jojo Moyes, this is a sweeping book of love, motherhood, death and hope' STYLIST'Wonderfully assured' THE TIMES'Pass the tissues...' EVENING STANDARD'Lovely novel. Highly recommend' JENNI MURRAY'Beautifully written' THE SUN'Prepare for heartbreak' WOMAN & HOME'A beautiful story' LAURA PEARSON'Brilliant' BELLABecause there's never enough time to say goodbye... Sylvia knows that she's running out of time. Very soon, she will exist only in the memories of those who loved her most and the pieces of her life she's left behind. So she begins to write her husband a handbook for when she's gone, somewhere to capture the small moments of ordinary, precious happiness in their married lives. From raising their wild, loving son, to what to give their gentle daughter on her eighteenth birthday - it's everything she should have told him before it was too late. But Sylvia also has a secret, one that she's saved until the very last pages. And it's a moment in her past that could change everything...Praise for For When I'm Gone:'Beautifully written, with powerful messages of hope' KATHERINE WEBB'A moving portrait of a modern family in crisis' FRANCESCA HORNAK'Ley took my breath away. Exquisitely written and deeply effective' KATE WEINBERG'Heart-breaking. Beautifully written. Reminded me of Maggie O'Farrell' REBECCA THORNTON'A beautiful, sharply observed tale of motherhood, complicated women and family dynamics' CHARLOTTE PHILBY'Heartbreaking and yet uplifting... Rebecca Ley has written a wonderful debu't JENNY QUINTANA'Rebecca Ley explores the need for love, forgiveness and remembrance that's within us all' WOMAN'S WEEKLY

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'This book will make you rethink everything the world has erroneously told you about ageing' Farrah Storr, Editor of Elle *****When we look in the mirror we want to see a fresh-faced, radiant and confident version of ourselves and Dr Vicky Dondos has spent fifteen years helping her clients see just that. In The Positive Ageing Plan she shares her advice for how you can enjoy an effortless, confident glow, at every age.The aim isn't to look younger, but to look and feel good about yourself and your appearance throughout your life. In this empowering guide, Dr Vicky demystifies the ageing process, reveals the products that are worth investing in and shows you how to create your own personalized programme, so that you can care for your own health and appearance in a way that works for you, your schedule and your budget.The expert advice in this book will help you:- Better understand your own skin- Find the skincare approach that works for you- Learn radiance-boosting lifestyle tips- Get the lowdown on the cosmetic treatments available to you- Above all, appreciate your own natural beautyWhatever your reasons for picking up this book, it is a science-based, straight-talking, judgement-free guide to finding the best options for your skin and will help you grow the confidence that comes with looking great.*****'Tatler's finest ... one of the most rigorous, skilled, clever and charming specialists out there.' Francesca White, Tatler Beauty Editor 'A brilliant book! I thoroughly enjoyed reading it and learned so much. I finished it feeling empowered and in control' Lily Boulle, Founder & Managing Director of Sleep Siren

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This volume includes: Olga Levaniouk, “The Dreams of Barčin and Penelope”; Paul K. Hosle, “Bacchylides’ Theseus and Vergil’s Aristaeus”; Vayos Liapis, “Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus”; Nino Luraghi, “The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias”; Andrea Capra, “The Staging and Meaning of Aristophanes’ Assemblywomen”; Konstantine Panegyres, “Moses, Pharaoh, and the Waters of the Nile: Artapanus FGrHist 726 F 3”; Roy D. Kotansky, “Underworld and Celestial Eschatologies in the ‘Orphic’ Gold Leaves”; Vittorio Remo Danovi, “New Citations from the Libri Etruscorum and Varro in Vergilian Scholia”; T. H. M. Gellar-Goad, “Tears and Personified Nature in Juvenal 15.131–140 and Lucretius 3.931–962”; Tristan Power, “Textual Conjectures on Catullus 55.9-12”; Francesco Rotiroti, “From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil”; J. S. C. Eidinow, “The Critic and the Farmer: Horace, Maecenas, and Virgil in Horace Carm. 1.1”; Shirley Werner, “The Rules of the Game: Imitation and Mimesis in Horace Epistles 1.19”; Francis Newton, “Ovid Met. 1: Jupiter’s Plebeians, the Titles of Augustus, and the Poet’s Exile”; Simona Martorana, “Omission and Allusion: When Statius’ Hypsipyle Reads Ovid’s Heroides 6”; Michael Zellmann-Rohrer, “The Chronokratores in Greek Astrology, in Light of a New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1–2”; Konstantine Panegyres, “ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1”; Andrew C. Johnston, “Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance.”

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The Fitzgeralds are buttressed by wealth and privilege, but they are also buffeted by crisis after crisis, many of their own creation. Even so, they live large, in love and in strife, wielding power, combating adversaries and each other. The Good Family Fitzgerald is a saga of money and ambition, crime and the Catholic Church, a sprawling, passionate story shaped against a background of social discord.Padraic Fitzgerald is the up-from-nothing, aging patriarch whose considerable business interests appear anything but legitimate, but he has bigger problems than law enforcement. A widower, Paddy becomes enmeshed with a young woman who will force him to re-examine his cardinal assumptions. Meanwhile, he has cultivated thorny relationships with his four children, all of whom struggle over the terms of connection with their father. Anthony—oldest son, principled criminal defense attorney, designated prince of the family—and his cherished Francesca are devastated by tragedy. In the aftermath, Frankie comes to play a vital role in Fitzgerald lore. Philip is a charismatic Catholic priest spectacularly torn between his lofty ideals and aspirations and his all-too-human flaws and longings. Matty has wandered aimlessly, but once he finds his purpose, he precipitates turmoil in all quarters. Colleen, the youngest, is a seeker who styles herself the outsider and the conscience of the clan. Her hands are full, as no Fitzgerald is left untested or unscathed, and by the end the whole family, as well as those venturing into their realm, will be stunned into illumination.

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Accompanying an exhibition of drawings by Guercino from the collection of the Morgan Library & Museum, Guercino: Virtuoso Draftsman offers an overview of the artist’s graphic work, ranging from his early genre studies and caricatures, to the dense and dynamic preparatory studies for his paintings, and on to highly finished chalk drawings and landscapes that were ends in themselves. Giovanni Francesco Barbieri, known as Guercino (1591-1666), was arguably the most interesting and diverse draftsman of the Italian Baroque era, a natural virtuoso who created brilliant drawings in a broad range of media. The Morgan owns more than twenty-five works by the artist, and these are the subject of a focused exhibition, supplemented by a handful of loans from public and private New York collections, to be held at the Morgan in the autumn of 2019. This volume accompanies that exhibition. It includes an introductory essay on Guercino’s work as a draftsman followed by entries on the Guercino drawings in the Morgan’s collection. These include sheets from all moments of the artist’s career. His early awareness of the work of the Carracci in Bologna is documented by figures drawn from everyday life as well as brilliant caricatures; two drawings for Guercino’s own drawing manual are further testament to his interest in questions of academic practice. Following his career, a range of preparatory drawings includes studies made in connection with his earliest altarpieces as well as his mature masterpieces, including multiple studies for several projects, allowing the visitor to see Guercino’s mind at work as he reconsidered his ideas. The Morgan’s holdings also include studies for engravings as well as highly finished landscape and figure drawings that were independent works. Guercino: Virtuoso Draftsman continues a series of exhibition catalogues focused on highlights from the Morgan’s collection. Previous volumes include Power and Grace: Drawings by Rubens, Van Dyck, and Jordaens and Thomas Gainsborough: Experiments in Drawing, also published by Paul Holberton. While some of the Morgan’s Guercino drawings are well known, they have never been exhibited or published as a group, and the selection includes a number of new acquisitions.

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Hailed by Peter Schjeldahl in The New Yorker as “the most original, controversial, and expensive American artist of the past three and a half decades,” Jeff Koons has come to reign as a master of the market, a wry puppeteer with a “formidable aesthetic intelligence.” His elaborate, exquisitely produced sculptures draw from a contemporary lexicon of consumerism — often featuring large-scale reproductions of toys, household items, or luxury goods — while simultaneously holding up a mirror to the very culture from which they are extracted. These references to popular media are evidenced not merely in his choice of subject matter but also in his visual techniques: his sculptures frequently comprise smooth, mirrored surfaces, and his paintings employ bright and saturated colors. Jeff Koons: Gazing Ball — the first catalogue on the artist’s work to be published by David Zwirner — was produced on the occasion of the major 2013 exhibition at the gallery in New York, which marked the world debut of his Gazing Ball series, a brand new body of work that occupies an important place in the trajectory of his practice. Conceptually derived from the mirrored ornaments encountered on many suburban lawns, including those of Koons’s childhood hometown in rural Pennsylvania, every sculpture is anchored by a blue “gazing ball” of hand-blown glass. These are situated atop large, white-plaster sculptures that have been alternately modeled after iconic works from the Greco-Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman. Created in close collaboration with Koons, this elegant publication echoes the classic design of a 1970 Picasso catalogue that the artist admires. Inside, vivid color plates of the sculptures in situ capture the stark contrast between the pristine whiteness of the plaster and the highly reflective spheres. In their perfect contours and smooth, glistening surfaces, the gazing balls implicate audience as well as context — mirroring both and offering playful yet powerful meditations on the dialogue between gaze and reflection. “While all of the sculptures are grounded in their own distinct narratives, derived from Art History and suburban towns,” writes Francesco Bonami in his catalogue essay, “the seemingly fragile and delicate gazing ball establishes that sense of uncertain equilibrium that exists between history and fantasy, magic and materiality, mass culture and exclusive beauty.”

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Clementina, Viscountess Hawarden (1822–1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio—a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor’s hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden’s girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer—a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs’ interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden’s works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor’s voice unveils the peculiarities of the erotic in Lady Hawarden’s images through a writerly approach that remembers and rewrites adolescence as sustained desire. In turn autobiographical, theoretical, historical, and analytical, Mavor’s study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography.

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An uplifting and moving love story about second chances and destiny, perfect for fans of Jojo Moyes, Josie Silver and Holly Miller.'Emotionally heart wrenching!'⭐ ⭐ ⭐ ⭐ ⭐ reader review'It's been so long since a book properly made me cry . . . I was sobbing'⭐ ⭐ ⭐ ⭐ ⭐ reader review'I couldn't put it down. Emotional and beautifully written'⭐ ⭐ ⭐ ⭐ ⭐ reader review'A love story to remember'⭐ ⭐ ⭐ ⭐ ⭐ reader review________Have you ever wondered What If . . . ?Lou feels like she is stuck on the wrong path: alone, in a city far from home, watching other people being happy. When the man she's in love with announces his engagement to someone else, Lou is consumed by 'what ifs'.Then she finds herself slipping back in time to a night two years ago, where one small decision changed everything.Suddenly, Lou has a chance to fix her mistakes. But as she finds herself stuck in a loop, living out alternate versions of her life, her choices lead her down roads she could never have imagined.And in each life, she notices her path intersecting with one person again and again . . .Lou is about to realise that the greatest love stories aren't the ones we expect, but the ones we choose to fight for.________Readers are falling in LOVE with One Last Chance . . .'Reminiscent of Matt Haig's The Midnight Library and Rebecca Serle's In Five Years' Booklist'A heart-wrenching emotional rollercoaster' Ashley Winstead'Jost threads her novel with humour' The Times'An absorbing love story . . . Heartbreakingly poignant' Samantha Young'Tugs at the heartstrings' Publisher's Weekly'Captivating and poignant' Annette Christie'Gorgeous, heart-breaking' Saskia Sarginson'Moving, compelling' Francesca Hornak'Irresistible' Margarita Montimore'Full of hope and heart' Glendy Vanderah

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40 feminist writers come together to respond to the crisis of 2020 - and what happens next - in this unique and essential fundraising** collection edited by the Feminist Book Society! **20% from EVERY BOOK SOLD goes to Women's Aid and Imkaan** Spring 2020. The moment everything changed. The moment stark gender inequalities were brought ever more prominently to the fore, even as, all around the world, lives retreat behind closed doors. More important than ever was - and is - the message, to womxn of all backgrounds and experiences, you are not alone. How we can, and will, come together to fight inequalities has fundamentally changed. So, what happens now? Hard-hitting but ultimately uplifting, published on the one-year anniversary of lockdown for the US and the UK, This Is How We Come Back Stronger is an essential intersectional feminist collection for our times. In essays, interviews, fiction, and more, forty feminist writers from both sides of the Atlantic reflect on what matters most to them right now, and what comes next. With brand new contributions from:Akasha Hull, Amelia Abraham, Catherine Cho, Dorothy Koomson, Fatima Bhutto, Fox Fisher, Francesca Martinez, Gina Miller, Glory Edim, Hafsa Qureshi, Helen Lederer, Jenny Sealey, Jess Phillips, Jessica Moor, Jude Kelly, Juli Delgado Lopera, Juliet Jacques, Kate Mosse, Kerry Hudson, Kuchenga, Laura Bates, Lauren Bravo, Layla Saad, Lindsey Dryden, Lisa Taddeo, Mariam Khan, Melissa Cummings-Quarry and Natalie Carter, Michelle Tea, Mireille Harper, Molly Case, Radhika Sanghani, Rosanna Amaka, Sara Collins, Sarah Eagle Heart, Shirley Geok-lin Lim, Sophie Williams, Stella Duffy, Virgie Tovar, Yomi Adegoke . . .

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Papers from the 17th Symposium on Mediterranean Archaeology, SOMA 2013 held in Moscow, 25-27 April 2013. Contents: A project proposal for the construction of underwater archaeological nature routes into the Protected Marine Area of Santa Maria di Castellabate (Salvatore Agizza); A Recently Discovered Thirteenth Century Church at Myra (T. Engin Akyurek); Archaeological Findings of Thracian / Phrygian Tribes' Crossing of Bosporus (ITA) Istanbul Prehistoric Research Project (Haldun Aydingun); Routes And Harbour Archaeology: An Attempt to Identify Some Ancient Toponyms on the Eastern Adriatic Coast (Mattia Vitelli Casella); The Bath Buildings throughout the Cilician shoreline. The cases of Akkale (Tirtar) and Mylai (Manastir) and the problems of their preservation and fruition. Can the archaeological relevance help in preserving the ancient remains? (Emanuele Casagrande Cicci); Byzantine Small Finds From 'Church B' at Andriake (Myra / Antalya): First Results on the Ceramics (Ozgu Comezoglu); Management of Cultural Heritage in the Coastal Zone 'An investigation on the conservation of wooden house in Istanbul through the eyes of the population' (Pierre Emanuel Decombe); XII Scripta And Two Excavated Game Boards From Kibyra (Unal Demirer); Dionysus and Ariadne in Antiocheia and Zeugma Mosaics: a Contrastive Evaluation (Sehnaz Erarslan); Studying aspects of Pre-Roman History, Religion, Political Organization andTrading Contacts of some Ionian Colonies of 'Thracia Pontica': the case of Dionysopolis & Odessos (Maria Girtzi); 'The Time-traveler meets Emperor Justinian in Byzantine Era': an innovative museological project (Maria Girtzi and Athanasia Bountidou); Hun Originated/Influenced Objects Found In China: Ordos Bronze (Feyza Gorez); Attic Imports to the Black Sea area: the Construction of the Reference Framework (Filippo Giudice with the contribution of Elvia & Giada Giudice, Paolo Madella, Francesco Muscolino, Giuseppe Sanfilippo Chiarello, Rossano Scicolone and Sebastiano Luca Tata); Stoa Philosophy and Its Development Stages in Ancient Era (Ilker Isik); 18th and 19th Century Wall Paintings Featuring Views of Istanbul (Bilge Karaoz); Stazione Neapolis: A journey into the history of Naples from the Neolithic to the Modern Age (Alessandro Luciano); Fish sauces trade and consumption in the ager Mutinensis (Manuela Mongardi); Reconstruction of the Settlement Layout at Salat Tepe: An Interpretation of the Archaeological Evidence (A. Tuba Okse and Ahmet Gormus); Denizli - The Ilbadi Cemetery Namazgah (Kadir Pektas); The Role of the Corinthian Relief Ware in Sardinia as a Socio-Economic and Cultural Indicator of a 'Commissioned' Trade (Paola Puppo and Fabio Mosca); Underwater Archaeological Project at the Ancient City of Akra (Eastern Crimea) 2011-2012 188 (Sergey Solovyev and Viktor Vakhoneev); Management of Underwater Archaeological Heritage: An Environmental Approach to the Protection and Preservation of the Harbour Complex of Aegina (Ioannis Triantafillidis and Vassilis Tselentis); The Byzantine Castle in Akbas on Thracian Chersonessos (Ayse C. Turker); Agoras, Theaters, Baths and Gymnasia: A Case Study on the Urban Redevelopment Choices of Carian Benefactors in the Roman Age (Guray Unver); A Byzantine Monastery South-East of Jerusalem (Yehiel Zelinger); Local and Imported Art in the Byzantine Monastery Newly Discovered Near Jerusalem, Israel (Lihi Habas)

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There is something morbidly fascinating about the dark and grotesque. Although it is human nature to tiptoe around the uncomfortable (or avoid it altogether), some artists are inspired by the unsettling to create intriguing works of art that push the boundaries of normality and provoke viewers into exploring their fears and taboos. There are also others who use them as springboards of the imagination to express their innermost feelings and question the often-grim realities of existence.In conjunction with Victionary’s 20th anniversary, the new edition of ‘DARK INSPIRATION’ combines most of the projects from the first two best-selling titles of the same name along with new work into one meaty celebration of the macabre. Featuring chilling depictions of childhood reveries, folklore, mysteries, and death in a variety of styles and interpretations, each project serves unconventionally as a celebration of life in all its gruesome glory. With contributions from: Aitch, Akino Kondoh, Aleksandra Waliszewska, Alessandro Sicioldr Bianchi, Alex Garant, Alice Lin, Amandine Urruty, Audrey Kawasaki, Bene Rohlmann, Dadu Shin, Dan Hillier, Daniel Martin Diaz, Danny Van Ryswyk, David Ho, dromsjel, Eero Lampinen, Eika, Elisa Ancori, Erik Mark Sandberg, Evelyn Bencicova, Fabian Mérelle, Fiona Roberts, Francesco Brunotti, Francois Robert, Fuco Ueda, Gabriel Isak, Giacomo Carmagnola, Guim Tió Zarraluki, Hannes Hummel, Heiko Müller, James Jean, Januz Miralles, Jeff Mcmillan, Jesse Auersalo, Jim Johnson Tsang, Jon Beinart, Jules Julien, Justin Nelson, Kate Macdowell, Katy Horan, Kayan Kwok, Kim Simonsson, Kotaro Chiba, Lala Gallardo, Lola Dupre, Lostfish, Mariana Magdaleno, merve morkoç (Lakormis), Mia Mäkilo, Michael Reedy, Miranda Meeks, Nadja Jovanovic, Nicoletta Ceccoli, Oleg Dou, Olivia Knapp, Paola Rojas H & David Perez, Paul Hollingworth, Raffaello De Vito, Raul Oprea aka Saddo, Richard Colman, Ryan Oliver, Sergio Mora / Agency Rush, Tara McPherson, Till Rabus, Tim Lee, Yido, Yoshitoshi Kanemaki, Yuka Yamaguchi, Yury Ustsinau, and Zhou Fan

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Allow the award-winning Secret Venice guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Venice guide book and let our local experts show you the well-hidden treasures of an amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. Now in it's 6th edition, Secret Venice features 270+ secret and unusual locations. Inside Secret Venice : Discover the secrets of St. Mark's Basilica without any tourist, decipher the capitals of the palace of the Doges, take the only underground canal in Venice, look out for of the alchemical sculpture of the winged horse, open your eyes to traces of the Teriaca, this miracle drink that was long made in Venice, tear up the paintings of the Scuola di San Rocco according to the principles of the Hebrew Kabbalah or the construction of San Francesco della Vigna according to those of the musical Kabbalah, visit an underground graveyard, push the doors of palaces and monasteries to walk in unsuspected gardens, admire the extraordinary forgotten library of the Venice seminary, sleep in a sublime room hidden in a palace, go shopping at the women's prison market of the Giudecca, play petanque in the heart of the city, make a retreat in a wonderful monastery of the lagoon ... *Secret Venice was singled-out as the Travel Guide of the Year at the Independent Publisher Awards (2011)* Don't miss - Each chapter of this Secret Venice travel guide book corresponds to a different part of the city so that one can always find a hidden or secret place to discover. Perfectly planned walks - Make sure that you do not miss any Secret location, by discovering each one featured in this guide by planning a walking tour of each part of the city.

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The definitive overview of one of the world’s most experimental and distinctive graphic-design studios. Originally established in 1992 by Michaël Amzalag and Mathias Augustyniak as a graphic design studio, M/M (Paris) have since defied categorisation, becoming one of the most radical creative practices of today through their influential work across the contemporary cultural sphere. By collaborating with fashion designers and brands such as Alexander McQueen, Loewe, Louis Vuitton, Miuccia Prada, Jonathan Anderson, Nicolas Ghesquière and Yohji Yamamoto; musicians Björk, Étienne Daho, Kanye West, Lou Doillon, Madonna and Vanessa Paradis; contemporary artists including François Curlet, Philippe Parreno, Pierre Huyghe and Sarah Morris; and rethinking the iconic titles Interview magazine, Purple Fashion and Vogue Paris, M/M have been building a visual atlas of the creative landscape since the early 1990s. In this illustrated A to Z, beginning and ending with the letter M, interviews with Michaël Amzalag and Mathias Augustyniak frame over 850 images of their projects. A series of conversations with rarely heard luminaries – designers Peter Saville, Experimental Jetset, Cornel Windlin and Katsumi Asaba; fashion designers Miuccia Prada and Jonathan Anderson; artist Francesco Vezzoli; cinematographer Darius Khondji; chef Jean-François Piège; theatre director Arthur Nauzyciel and curator Hans Ulrich Obrist – are interspersed, providing a thought-provoking insight into the minds of one of the world’s most distinctive creative duos. A foreword by Donatien Grau and an afterword by Éric Troncy bookend contributions by Emanuele Coccia, Jo-Ann Furniss, Alison M. Gingeras, Étienne Hervy, Emily King, Philippe Rouyer and Akira Takamiya. Edited by Grace Johnston, volume two of M to M of M/M (Paris) completes the first volume of M/M’s monograph published in 2012, and now republished by Thames & Hudson.

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Winner, 2023 Robert L. Jervis and Paul W. Schroeder Best Book Award, International History and Politics Section, American Political Science AssociationHonorable Mention, 2023 Barrington Moore Award, Comparative and Historical Sociology Section, American Sociological AssociationHonorable Mention, 2023 Francesco Guicciardini Prize for Best Book in Historical International Relations, Historical International Relations Section, International Studies AssociationIt is widely believed that the political problems of the Middle East date back to the era of World War I, when European colonial powers unilaterally imposed artificial borders on the post-Ottoman world in postwar agreements. This book offers a new account of how the Great War unmade and then remade the political order of the region. Ranging from Morocco to Iran and spanning the eve of the Great War into the 1930s, it demonstrates that the modern Middle East was shaped through complex and violent power struggles among local and international actors.Jonathan Wyrtzen shows how the cataclysm of the war opened new possibilities for both European and local actors to reimagine post-Ottoman futures. After the 1914–1918 phase of the war, violent conflicts between competing political visions continued across the region. In these extended struggles, the greater Middle East was reforged. Wyrtzen emphasizes the intersections of local and colonial projects and the entwined processes through which states were made, identities transformed, and boundaries drawn. This book’s vast scope encompasses successful state-building projects such as the Turkish Republic and the Kingdom of Saudi Arabia as well as short-lived political units—including the Rif Republic in Morocco, the Sanusi state in eastern Libya, a Greater Syria, and attempted Kurdish states—that nonetheless left traces on the map of the region. Drawing on a wide range of sources, Worldmaking in the Long Great War retells the origin story of the modern Middle East.

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From the past hidden in their paws to the future predicted by their leftover kibble, discover the true magic of cats in this hilarious guide to feline divination. Pawmistry is a tongue-in-cheek guide to the feline oracle and the supernatural signs your cat may leave behind. Written and illustrated by the beloved creator of Cat Tarot Megan Lynn Kott, this playful and informative book offers instruction in a number of types of divination to practice with your cat, where messages and portents may be delivered by scattered cat toys, particular tail positions, and sleeping on your face. What does that barf in your shoe really mean? You may even consider learning the dark magic of their litterbox leavings (if you dare). Each section includes write-in pages to record your own cat's messages from the universe, and a removable, fold-out Feline Divination Board included with the book will allow you to take your arcane partnership to the next level. MAKE CAT PLAY TIME PAWMISTRY TIME: Using the easy step-by-step instructions, turn your cat's daily routine into opportunities for mystical discovery. Play with toys to consult the oracles! Discover messages from the universe in leftover kibble! Dare to read the dark portents hidden in their litterbox! FOR CAT LOVERS: This is a unique gift for the "crazy cat person" in your life—even if it's yourself! Learn the mystical meanings behind the "slow blink" or the past hidden in your kitty's bean toes, and celebrate the magic of cats. DIY SHAREABLE CONTENT: Along with playful instructions and illustrations, the book also includes a fold-out Feline Divination Board—a talking board for cats—which not only makes for a fun interactive element, but also a perfect photo opportunity to share with friends. GREAT GIFT: This playful book is perfect for a birthday present, white elephant gift exchange, or to celebrate a new cat adoption. Add it to the shelf alongside You Need More Sleep: Advice From Cats by Francesco Marciuliano, Ask Baba Yaga by Taisia Kitaiskaia, and Crafting with Cat Hair by Kaori Tsutaya and Amy Hirschman.

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