Search results for ""Author Various"

Outsourcing the Polity offers a new account of social outsourcing in post-independence Myanmar, demonstrating how the bankrupt post-socialist junta mediated market reform in the 1990s and 2000s and forced private and non-state actors to take the burden for social welfare. Informed by research during Myanmar''s decade of partial civilian rule (20112021), Gerard McCarthy examines how ideals and practices of non-state welfare can both sustain democratic resistance and undermine social reform over time. Rather than expand government-led social action funded by direct taxation, grassroots activists and democratic leaders after 2011 variously framed government social action as ineffective, undesirable, and even corrosive of civic norms. They instead encouraged citizens to be self-reliant and support each other, including during disasters. Powerful tycoons filled the social gap, using public philanthropy to remake their reputations and to defend their ongoing ex

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Taking an interdisciplinary approach that looks at film, television, and commercial advertisements as well as more traditional media such as painting, The Tiger in the Smoke provides an unprecedented analysis of the art and culture of post-war Britain. Art historian Lynda Nead presents fascinating insights into how the Great Fogs of the 1950s influenced the newfound fashion for atmospheric cinematic effects. She also discusses how the widespread use of color in advertisements was part of an increased ideological awareness of racial differences. Tracing the parallel ways that different media developed new methods of creating images that variously harkened back to Victorian ideals, agitated for modern innovations, or redefined domesticity, this book’s broad purview gives a complete picture of how the visual culture of post-war Britain expressed the concerns of a society that was struggling to forge a new identity. Published in association with the Paul Mellon Centre for Studies in British Art

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African cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankwá's fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies.

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The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Jennifer Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the ''Free World'', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration's aid programs for South Vietnam to survey the craft industry in South Vietnam and mana

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZEIn this astonishing collection of essays, the award-winning poet and novelist Kei Miller explores the silence in which so many important things are kept. He examines the experience of discrimination through this silence and what it means to breach it: to risk words, to risk truths. And he considers the histories our bodies inherit - the crimes that haunt them, and how meaning can shift as we move throughout the world, variously assuming privilege or victimhood. Through letters to James Baldwin, encounters with Liam Neeson, Soca, Carnival, family secrets, love affairs, white women's tears, questions of aesthetics and more, Miller powerfully and imaginatively recounts everyday acts of racism and prejudice. With both the epigrammatic concision and conversational cadence of his poetry and novels, Things I Have Withheld is a great artistic achievement: a work of beauty which challenges us to interrogate what seems unsayable and why - our actions, defence mechanisms, imaginations and interactions - and those of the world around us.

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Glass is hard and brilliant, and can be cut and polished like a gem. When variously shaped and colored pieces are combined to create a design or image, the results can be stunning. Creating these glass works can use one of two different methods: lead and copper foil (the method made famous by Louis Comfort Tiffany). This book demystifies both in detail by explaining the underlying principles of this specialized field, providing an overall view of the methods and techniques from an educational viewpoint, and building confidence for working directly with glass. Step-by-step instruction for six different leaded glass projects is included, covering the complete process. From the initial plan to the finished object, each step is broken into simple and easy to follow procedures. Once mastered, these steps are readily applicable for creating your own leaded glass pieces from your own designs! A collected gallery of inspirational leaded glass projects and a section of resources completes this valuable guide.

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With an emphasis on peer–produced content and collaboration, Wikipedia exemplifies a departure from traditional management and organizational models. This iconic "project" has been variously characterized as a hive mind and an information revolution, attracting millions of new users even as it has been denigrated as anarchic and plagued by misinformation. Have Wikipedia's structure and inner workings promoted its astonishing growth and enduring public relevance? In Common Knowledge?, Dariusz Jemielniak draws on his academic expertise and years of active participation within the Wikipedia community to take readers inside the site, illuminating how it functions and deconstructing its distinctive organization. Against a backdrop of misconceptions about its governance, authenticity, and accessibility, Jemielniak delivers the first ethnography of Wikipedia, revealing that it is not entirely at the mercy of the public: instead, it balances open access and power with a unique bureaucracy that takes a page from traditional organizational forms. Along the way, Jemielniak incorporates fascinating cases that highlight the tug of war among the participants as they forge ahead in this pioneering environment.

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This up-to-date and lively text focuses on a wide range of issues, such as politics as theater, the economic forces shaping contemporary political media, the rhetoric of the "War on Terrorism," and the growth of new media. Separate chapters explore a range of contexts, including the presidency, Congress and the courts, foreign news reporting, and political art. The text concludes with ways to open up additional pathways for imagining our national life, ranging from Internet-supported activism to innovative uses of documentary film. Center Stage: Media and the Performance of American Politics examines political and mediated communication as forms of representational theater. Taking the dramatic orientation to politics seriously, Woodward explores how American civic culture is variously enriched and diminished by the ways practitioners and journalists organize narratives, or stories, about our civic life.

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The crusades influenced western European society in the middle ages far beyond the military campaigns themselves. Reactions and involvement did not always follow the assumptions of ideology or supporters, medieval or modern. In this wide ranging collection of articles spanning thirty years, Christopher Tyerman explores the relationships between action and perception, ambition and practice, propaganda and support. One section concentrates on the role the crusade played in the politics and elite culture of the early fourteenth century, particularly in France. A further series of essays examines the nature of crusading as a phenomenon from the twelfth to the sixteenth centuries, notably the contrasts between official, literary and popular reception, and how it was variously understood by contemporaries and promoted by apologists in England, continental Europe and the Baltic. Finally, the structure of crusading armies is explored in a sequence that analyses the organisation of expeditions, including communal decision-making on the First Crusade, the sociology of recruitment and, in a previously unpublished major study, the importance of pay to crusaders from 1096 onwards.The crusades influenced western European society in the middle ages far beyond the military campaigns themselves. Reactions and involvement did not always follow the assumptions of ideology or supporters, medieval or modern. In this wide ranging collection of articles spanning thirty years, Christopher Tyerman explores the relationships between action and perception, ambition and practice, propaganda and support. One section concentrates on the role the crusade played in the politics and elite culture of the early fourteenth century, particularly in France. A further series of essays examines the nature of crusading as a phenomenon from the twelfth to the sixteenth centuries, notably the contrasts between official, literary and popular reception, and how it was variously understood by contemporaries and promoted by apologists in England, continental Europe and the Baltic. Finally, the structure of crusading armies is explored in a sequence that analyses the organisation of expeditions, including communal decision-making on the First Crusade, the sociology of recruitment and, in a previously unpublished major study, the importance of pay to crusaders from 1096 onwards.

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Making Place for Muslims in Contemporary India looks at how religion provides an arena to make place and challenge the majoritarian, exclusionary, and introverted tendencies of contemporary India. Places do not simply exist. They are made and remade by the acts of individuals and communities at particular historical moments. In India today, the place for Muslims is shrinking as the revanchist Hindu Right increasingly realizes its vision of a Hindu nation. Religion enables Muslims to re-envision India as a different kind of place, one to which they unquestionably belong. Analyzing the religious narratives, practices, and constructions of religious subjectivity of diverse groups of Muslims in Old Delhi, Kalyani Devaki Menon reveals the ways in which Muslims variously contest the insular and singular understandings of nation that dominate the sociopolitical landscape of the country and make place for themselves. Menon shows how religion is concerned not just with the divine and transcendental but also with the anxieties and aspirations of people living amid violence, exclusion, and differential citizenship. Ultimately, Making Place for Muslims in Contemporary India allows us to understand religious acts, narratives, and constructions of self and belonging as material forces, as forms of the political that can make room for individuals, communities, and alternative imaginings in a world besieged by increasingly xenophobic understandings of nation and place.

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Making Place for Muslims in Contemporary India looks at how religion provides an arena to make place and challenge the majoritarian, exclusionary, and introverted tendencies of contemporary India. Places do not simply exist. They are made and remade by the acts of individuals and communities at particular historical moments. In India today, the place for Muslims is shrinking as the revanchist Hindu Right increasingly realizes its vision of a Hindu nation. Religion enables Muslims to re-envision India as a different kind of place, one to which they unquestionably belong. Analyzing the religious narratives, practices, and constructions of religious subjectivity of diverse groups of Muslims in Old Delhi, Kalyani Devaki Menon reveals the ways in which Muslims variously contest the insular and singular understandings of nation that dominate the sociopolitical landscape of the country and make place for themselves. Menon shows how religion is concerned not just with the divine and transcendental but also with the anxieties and aspirations of people living amid violence, exclusion, and differential citizenship. Ultimately, Making Place for Muslims in Contemporary India allows us to understand religious acts, narratives, and constructions of self and belonging as material forces, as forms of the political that can make room for individuals, communities, and alternative imaginings in a world besieged by increasingly xenophobic understandings of nation and place.

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In contemporary debates, communication is variously invoked as a panacea for the problems of both democracy and love, as a dream of a new information society brought about by new technologies, and as a wistful ideal of human relations. How, and why, did communication come to shoulder the load it carries? In John Durham Peters's work, the teachings of Socrates and Jesus, the theology of Saint Augustine, the political philosophy of Locke, and the American tradition from Emerson through William James all become relevant for understanding communication in our age. Peters finds that thinkers across the centuries have struggled with the same questions - how we can hope for contact with others, what has become of human beings in increasingly technological times, how new modes of communication have altered the ways the world is imagined and how we relate to others - and he weaves intellectual history and communications history together. The book traces the yearning for contact not only through philosophy and literature but also by exploring the cultural reception of communication technologies from the telegraph to the radio. The history of communication, Peters shows, is not a triumphant progress toward global harmony but rather a collection of uncanny devices that conjure angels, spirits and alien intelligences. His is an account of a complex concept that has both shaped us and been shaped by us.

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Gene Therapy Technologies, Applications and Regulations From Laboratory to Clinic Edited by Anthony Meager Division of Immunobiology, The National Institute for Biological Standards and Control, South Mimms, UK The development of gene-based technologies has been rapid over the past decade and has consequently resulted in a surge of interest in human gene therapy, the deliberate transfer of genes to somatic cells to cure or alleviate disease symptoms. Hundreds of clinical protocols involving variously designed vectors for efficient gene transfer have been developed. However, the use of such complex 'gene medicines' containing potentially heritable genes has raised numerous concerns regarding quality, efficacy and safety. Encompassing recent developments in the field and addressing current concerns this book: * surveys many of the current technologies for preparing vectors for use in gene therapy protocols * reviews the application of gene-mediated therapies to a range of medical conditions * considers the regulatory aspects of gene therapy including product quality and safety requirements * appraises the transfer of technologies from laboratory to clinic with regard to the attendant requirements and facilities for: * good laboratory practice (GLP) conditions in the R&D laboratory * large-scale production methods and good manufacturing practice (GMP) * current in-process and final product testing Written by international experts knowledgeable about many aspects of human somatic gene therapy, this book will be an essential guide for those embarking on gene therapy technologies relevant to specifications of production and testing of products (and procedures) required to meet existing regulations, including quality, efficacy and safety considerations.

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Leadership is a slippery concept. Researchers disagree on its essence, describing it variously as behaviours, character traits or styles. Effective leaders understand that we make meaning of our experiences by creating stories we believe to be true, but which are largely based on fragmentary evidence filtered through our biases, beliefs and dispositions. Rewriting Leadership with Narrative Intelligence draws on a range of disciplines and scholarly traditions to build a compelling case for a new perspective on leadership, seeing it as a deeply embodied, intuitive skill of curating shared narratives, in influence relationships. Defining narrative intelligence as 'our ability to evaluate the efficacy of the stories we create to serve our needs, our capacity to rewrite them, and the practical skill to take effective action', this book methodically outlines how leaders cultivate their own narrative intelligence to: Become the person they seek to be by aligning narratives and core values with actions Navigate through the challenging leadership space of populism and the erosion of traditional values Ethically curate the narrative others hold of them Strengthen self-efficacy, take more effective actions, and avoid stories which inadvertently undermine goals Communicate with trust and influence Build energy and alignment within teams by generating shared narratives Cultivate a culture of narrative intelligence This book will prepare leaders to reshape their own and others' stories to be more aligned with achieving goals and wellbeing. It will prove a useful resource to undergraduates and post-graduates in courses on leadership and management, as well as organizational development consultants and senior executives.

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The Upadesasahasri or Thousand Teachings of the great eighth-century sage Adi Shankaracharya is a distillation of the ancient Upanishads, intended for use by teachers and seekers in the Hindu tradition of Advaita Vedanta. It has been variously interpreted as a major theological treatise, an elevated philosophical exposition, or a guidebook to mystical experience. Liturgy of Liberation offers a fresh reading and commentary on the Upadesasahasri in terms of oral performance and sacramental practice, placing its sacred, scripted dialogues into conversation with the Apostle Paul and other witnesses from the Christian tradition. What results is not merely new appreciation for Shankara and his radical message of non-duality, but also a renewed sense of the scandal of the cross, the subversive power of the word, and the mystery of Christian discipleship. Beyond this, Liturgy of Liberation explores the potential of dialogue itself to disclose the intimate, liberating presence of God at the heart of creation and the core of every human being.

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Winner, J.M. Abraham Atlantic Poetry AwardIn this experimental long poem sequence, Alyda Faber transforms the portrait poem into runic shapes, ice shelved, sculpted, louvered on a winter shoreline. Twenty years after her mother’s death, Faber untethers herself from the mother she thinks she knows with wild analogies: depicting her mother variously as King Lear’s Kent, a Camperdown elm, a black-capped chickadee, Neil Peart, Pope Innocent X, and a funnel spider. While embodying the passionate relationship between mother and daughter, Faber’s poems also expose the thorn in the flesh — the inability of mother and daughter to give each other what they most want to give. Endlessly discovered, yet ultimately unknowable, the poet’s mother is complex, mystifying, and unwavering: courageous in her decision to leave all that she knew behind; bewildering in her fidelity to a damaging marriage; steadfast in her devotion to a God who is at once adamant and the source of ephemeral beauty.

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From the very beginning, Carmen Cicero made an impression in the art world. He joined the acclaimed Periodot Gallery on Madison Avenue in New York in 1957 and by 1965, Cicero had won two Guggenheim Memorial Foundation Fellowships and a Ford Foundation prize, and was in important exhibitions at such venues as the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Whitney Museum of American Art. After a fire destroyed his studio and a large body of his work in 1971, Cicero returned to figurative expressionism in the later 1970s before embarking on a new approach to his work in the late 1980s: A kind of expression difficult to define and variously termed by critics as "fantasy," "mystery," "surrealism" and "visionary." These works produce a peculiar atmosphere, a strange, enigmatic spell—images that linger in the unconscious mind. Filled with beautiful pieces—watercolors, paintings, drawings, and collages—this fine book offers an expansive survey of the life work of Carmen Cicero.

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A new, thoroughly updated second edition of Bradt's Australian Wildlife, covering habitats, mammals, birds, reptiles, amphibians, invertebrates, the marine environment and where to go. Wildlife writer Stella Martin combines the encyclopaedic knowledge of David Attenborough with the enthusiasm of the late Steve Irwin to offer a unique guide which, compared to others, is variously more portable and more detailed, has a broader scope, goes beyond identification notes and includes an in-depth guide to ecosystems. It also covers all regions of Australia. Background chapters explain how Australia's wildlife evolved in isolation and how the geology, soil and climate affect its natural history. There is also a close look at Australia's infamously dangerous creatures, avoiding the clichés and putting their threat into perspective: although most of the world's most venomous snakes are found in Australia, they are by no means the deadliest. Essential advice is offered for avoiding hazardous wildlife and there are also useful first aid tips. Up-to-date information on conservation is included, including fire and its role in the Australian ecology and the effect of exotic feral animals and weeds. And there are tips on how to find, enjoy and identify wildlife with a 'where to go' section featuring a state-by-state overview of key wildlife sites, with maps. With a focus on interesting information about the general biology and behaviour of the animals - with some detail about the most commonly seen species - and explaining how the different ecosystems 'work', this guide is for visitors who want to know more about what they see but don't have room for an entire library of reference books. It is a book to read in bed - and encourage you to be up at dawn.

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In Beyond Casablanca, Kevin Dwyer explores the problems of creativity in the Arab and African world, focusing on Moroccan cinema and one of its key figures, filmmaker M. A. Tazi. Dwyer develops three themes simultaneously: the filmmaker's career and films; filmmaking in postcolonial Morocco; and the relationship between Moroccan cinema, Third World and Arab cinema, and the global film industry. This compelling discussion of Moroccan cinema is founded upon decades of anthropological research in Morocco, most recently on the Moroccan film sector and the global film industry, and exhibits a sensitivity to the cultural, political, social, and economic context of creative activity. The book centers on a series of interviews conducted with Tazi, whose career provides a rich commentary on the world of Moroccan cinema and on Moroccan cinema in the world. The interviews are framed, variously, by presentations of Moroccan history, society, and culture; the role of foreign filmmakers in Morocco; thematic discussions of cinematic issues (such as narrative techniques, the use of symbols, film as an expression of identity, and problems of censorship); and the global context of Third World filmmaking.

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Jenny King was born in London during the Blitz. Her parents, both teachers, encouraged her to write poetry as a child and overcame wartime paper rationing to make her a book to write them in. Her poems view the world calmly, thoughtfully. They consider memory, peace and its opposite, the inwardness and variety of the natural world, and how an individual relates to others. All the poems are concerned with the interest and excitement of language itself. Some use traditional patterns in unexpected ways, sometimes including rhyme, sometimes in more fluid forms. They work for clarity and memorable perception. Accessible language and natural rhythms are always important though used variously. Looking into the known - or half known - past of family history, the poem can disclose the fallibility of memory but also how present relates to past and how the present with its difficulties intrudes on any consideration of how to live. These poems result from a long writing life and study of both past and contemporary poets.

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Contrary to popular belief--and despite the expulsion, emigration, or death of many German mathematicians--substantial mathematics was produced in Germany during 1933-1945. In this landmark social history of the mathematics community in Nazi Germany, Sanford Segal examines how the Nazi years affected the personal and academic lives of those German mathematicians who continued to work in Germany. The effects of the Nazi regime on the lives of mathematicians ranged from limitations on foreign contact to power struggles that rattled entire institutions, from changed work patterns to military draft, deportation, and death. Based on extensive archival research, Mathematicians under the Nazis shows how these mathematicians, variously motivated, reacted to the period's intense political pressures. It details the consequences of their actions on their colleagues and on the practice and organs of German mathematics, including its curricula, institutions, and journals. Throughout, Segal's focus is on the biographies of individuals, including mathematicians who resisted the injection of ideology into their profession, some who worked in concentration camps, and others (such as Ludwig Bieberbach) who used the "Aryanization" of their profession to further their own agendas. Some of the figures are no longer well known; others still tower over the field. All lived lives complicated by Nazi power. Presenting a wealth of previously unavailable information, this book is a large contribution to the history of mathematics--as well as a unique view of what it was like to live and work in Nazi Germany.

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From windswept tundra to humid subtropical everglades, fromgracious coniferous forests to austere deserts, North America isblessed with an incredibly diverse array of natural environments,each supporting a unique system of plant and animal life. Thesesystems--also known as biomes--are tightly woven webs of life thathave taken millennia to evolve. This lavishly illustrated bookintroduces readers to this extraordinary array of naturalcommunities and to the subtle interactions of minerals, plants, andanimals that take place within them. Professor Eric Bolen takes a qualitative, intuitive approach to hissubject, beginning with an overview of essential ecological termsand concepts, such as competitive exclusion, taxa, niches, andsuccession. Then, biome by biome, he covers the entirety of Canadaand the United States, starting with the tundra of the far northand working his way south and then west to conclude in the desertsand chaparral of southern California. Along the way, he delves intopertinent conservation issues and features fascinating historicalvignettes and original documents detailing human impact on variousenvironments--for instance, the role of John Deere's plow insettling grasslands, and the use of fur records from Hudson's BayCompany. Throughout, he enlivens the text with dozens of exquisitephotographs and illuminating maps, graphs, charts, andtables. Ecology of North America is an ideal first text for studentsinterested in natural resources, environmental science, andbiology, and it is a useful and attractive addition to the libraryof anyone interested in understanding and protecting the naturalenvironment.

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Nietzsche's Ecce Homo was published posthumously in 1908, eight years after his death, and has been variously described ever since as useless, mad, or merely inscrutable. Against this backdrop, Nicholas D. More provides the first complete and compelling analysis of the work, and argues that this so-called autobiography is instead a satire. This form enables Nietzsche to belittle bad philosophy by comic means, attempt reconciliation with his painful past, review and unify his disparate works, insulate himself with humor from the danger of 'looking into abysses', and establish wisdom as a special kind of 'good taste'. After showing how to read this much-maligned book, More argues that Ecce Homo presents the best example of Nietzsche making sense of his own intellectual life, and that its unique and complex parody of traditional philosophy makes a powerful case for reading Nietzsche as a philosophical satirist across his corpus.

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Most people have a story to tell about a remarkable coincidence that in some instances changed the course of their lives. These uncanny occurrences have been variously interpreted as evidence of divine influence, fate, or the collective unconscious. Less common are explanations that explore the social situations and personal preoccupations of the individuals who place the most weight on coincidences. Drawing on a variety of coincidence stories, renowned anthropologist Michael Jackson builds a case for seeing them as allegories of separation and loss—revealing the hope of repairing sundered lives, reconnecting estranged friends, reuniting distant kin, closing the gap between people and their gods, and achieving a sense of emotional and social connectedness with others in a fragmented world.

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This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.

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Rosemary’s Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes. Newton’s close textual analysis explores the film's meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemary's Baby has become linked with the terrible murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director.

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Stalin's USSR and Hitler's Reich-- the populations of Estonia, Latvia and Lithuania had been subjected to a brutal Soviet occupation in 1940, Nazi invasion in 1941, and Soviet re-occupation in 1944, falsely branded as 'liberation'. Variously labelled 'freedom fighters' or 'Nazi bandits' by historians, the Baltic partisans who would become known as the Forest Brothers fought a long campaign against occupation that eventually failed under the might of the USSR. Much of this history of armed resistance, which was also a front in the intelligence war between East and West, is little known outside the region. Treachery, betrayal, heroism and lost futures all play a role in this fascinating tale, as Dan Kaszeta explores themes of independence, nationalism, Baltic identity, the fluidity of boundaries in Eastern Europe, and the comparative weight of Nazi and Soviet oppression. Drawing on extensive archival material rarely seen outside the Baltic states, 'The Forest Brotherhood' unpacks the forgotten story of this resistance movement, and reveals its continuing impact on today's world.

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This is a book of theory written from Africa. Its concern is the development of concepts for an understanding of emancipatory politics in Africa in particular, and in the Third World in general. ‘Politics’ here means consciousness, ideology, practice, choices and thought. The two core concepts which the book develops are the idea of ‘excess’ and that of ‘political sequence’. These are both made necessary by the underlying commitment to the axiom that ‘people think’ – that people are capable of thinking rationally beyond their interests as de?ned by their social location within a matrix of social relations regulated by the state. Drawing on the work of Alain Badiou and Sylvain Lazarus, the category of the sequence is used to provide an alternative to historicism in which ‘politics’ exists only as historical sequences which are discontinuous.These concepts are deployed variously in the history of anti-colonial and national liberation struggles and in contemporary experiences on the African continent. The book asserts that Africans, rather than having simply been the victims of modern history, have contributed to the universal history of humanity and continue to do so in original and inventive ways which provide important pointers for thinking human emancipation worldwide in the 21st century.

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Enter the extraordinary world of Arthurian legend in an adventure overflowing with knightly chivalry, the danger of jousting and the warmth of true love. But the Legend of Parzival is more than the tale of one knight's epic journey to find the elusive Holy Grail; along the way Parzival faces a challenging journey of self-discovery. He must conquer his ignorance and pride, and learn humility and compassion before he is finally worthy of becoming a Grail Knight.This accessible prose retelling of the medieval German epic brings the wonderful story of the Arthurian knight (known variously as Parzival, Parsifal and Percival) to life for today's readers, while faithfully preserving the story, characters and tone of Wolfram von Eschenbach's thirteenth century narrative poem.In Steiner-Waldorf education, Parzival's quest is seen as a metaphor for the difficult journey through life, which speaks strongly to the adolescent, and its study is at the heart of the Class 11 curriculum. As a hugely experienced Steiner-Waldorf teacher, Robin Cook's engaging retelling will provide valuable inspiration for other teachers and students, as well as enjoyment and enrichment for all readers.

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Plucking Chrysanthemums is a critical study of the life and works of Narushima Ryūhoku (1837–1884): Confucian scholar, world traveler, pioneering journalist, and irrepressible satirist. A major figure on the nineteenth-century Japanese cultural scene, Ryūhoku wrote works that were deeply rooted in classical Sinitic literary traditions. Sinitic poetry and prose enjoyed a central and prestigious place in Japan for nearly all of its history, and the act of composing it continued to offer modern Japanese literary figures the chance to incorporate themselves into a written tradition that transcended national borders. Adopting Ryūhoku’s multifarious invocations of Six Dynasties poet Tao Yuanming as an organizing motif, Matthew Fraleigh traces the disparate ways in which Ryūhoku drew upon the Sinitic textual heritage over the course of his career. The classical figure of this famed Chinese poet and the Sinitic tradition as a whole constituted a referential repository to be shaped, shifted, and variously spun to meet the emerging circumstances of the writer as well as his expressive aims. Plucking Chrysanthemums is the first book-length study of Ryūhoku in a Western language and also one of the first Western-language monographs to examine Sinitic poetry and prose (kanshibun) composition in modern Japan.

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Shortlisted for the Readings Prize for New Australian Fiction 2019Shortlisted for the Mascara Literary Review's Avant Garde Awards 2020The Flight of Birds is a novel in twelve stories, each of them compelled by an encounter between the human and animal worlds. The birds in these stories inhabit the same space as humans, but they are also apart, gliding above us. The Flight of Birds: A Novel in Twelve Stories explores what happens when the two worlds meet. Joshua Lobb’s stories are at once intimate and expansive, grounded in an exquisite sense of place. The birds in these stories are variously free and wild, native and exotic, friendly and hostile. Humans see some of them as pets, some of them as pests, and some of them as food. Through a series of encounters between birds and humans, the book unfolds as a meditation on grief and loss, isolation and depression, and the momentary connections that sustain us through them. Underpinning these interactions is an awareness of climate change, of the violence we do to the living beings around us, and of the possibility of transformation.The Flight of Birds will change how you think about the planet and humanity’s place in it.

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Trust occupies a unique place in contemporary discourse. Seen as both necessary and virtuous, it is variously depicted as enhancing the social fabric, lowering crime rates, increasing happiness, and generating prosperity. It allows for complex political systems, permits human communication, underpins financial instruments and economic institutions, and generally holds society together. Against these overwhelmingly laudable qualities, mistrust often goes unnoticed as a positive social phenomenon, treated as little more than a corrosive absence, a mere negative of trust itself. With this book, Matthew Carey proposes an ethnographic and conceptual exploration of mistrust that raises it up as legitimate stance in its own right. While mistrust can quickly ruin relationships and even dissolve extensive social ties, Carey shows that it might have other values. Drawing on fieldwork in Morocco's High Atlas Mountains as well as comparative material from regions stretching from Eastern Europe to Melanesia, he examines the impact of mistrust on practices of conversation and communication, friendship and society, and politics and cooperation. In doing so, he demonstrates that trust is not the only basis for organizing human society and cooperating with others. The result is a provocative but enlightening work that makes us rethink social issues such as suspicion, doubt, and uncertainty.

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Newly updated to incorporate recent additions to the English language, the Oxford Dictionary of Word Origins provides a fascinating exploration of the origins and development of over 3,000 words in the English language. Drawing on Oxford's unrivalled dictionary research programme and language monitoring it brings to light the intriguing and often unusual stories of some of our most used words and phrases. The A-Z entries include the first known use of the term along with examples, related lexes, and expressions which uncover the etymological composition of each word. Also featured are 22 special panels that give overviews of broad topic areas, 5 of which are completely new and that variously cover words from Oceania, word blends, eponyms, and acronyms. New findings in the OED since the previous edition have also been added, including emoji, mansplain, meeple, meme, and spam. An absorbing resource for language students and enthusiasts, but also an intriguing read for any person interested in the development of the English language, and of language development in general. It also includes an extended introduction on the history of the English language.

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Dr Jean Michel Massing is a Reader in the History of Art and a Fellow of King's College, Cambridge. The first volume of Studies in Imagery, Text and Images, consists of 25 "studies grouped under four sections: Classical Art and its Nachleben; Symbolic Languages; Saints and Devils; Comets, Dreams and Stars. The topics include the Celto-Roman "goddess Epona, the Calumny of Apelles and its reconstructions, the Triumph of Caesar, proverb illustration, the art of memory, emblematic and didactic imagery, the temptations of St Anthony, as well as dreams and celestial phenomena. They span a wide range of periods, from classical antiquity to the nineteenth century. Vol. 2, The World Discovered, deals variously with the relationship of European with non-European cultures, cartography in medieval and early modern times, the representation of foreign lands and people, and the collecting of exotic artefacts. A central theme involves the imagery of black Africans from the Middle Ages up to the nineteenth century.

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Dr Jean Michel Massing is a Reader in the History of Art and a Fellow of King's College, Cambridge. The first volume of Studies in Imagery, Text and Images, consists of 25 "studies grouped under four sections: Classical Art and its Nachleben; Symbolic Languages; Saints and Devils; Comets, Dreams and Stars. The topics include the Celto-Roman "goddess Epona, the Calumny of Apelles and its reconstructions, the Triumph of Caesar, proverb illustration, the art of memory, emblematic and didactic imagery, the temptations of St Anthony, as well as dreams and celestial phenomena. They span a wide range of periods, from classical antiquity to the nineteenth century. Vol. 2, The World Discovered, deals variously with the relationship of European with non-European cultures, cartography in medieval and early modern times, the representation of foreign lands and people, and the collecting of exotic artefacts. A central theme involves the imagery of black Africans from the Middle Ages up to the nineteenth century.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The world-famous French singer Édith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested ‘facts’ of her life. This book suggests new ways of understanding her. A ‘cultural history’ of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today? The book proposes the notion of an imagined Piaf. To a large extent, she was her own invention, not only by virtue of her talent but because she produced narratives about herself, building a mystery. But she was also the invention of others: of those she worked with but above all of her audiences, who made their own meanings from her carefully staged performances. Since her death, the world has been free to imagine new Piafs. From the 1930s until today, she has variously embodied conceptions of the ‘popular’ and of ‘chanson’ as a new kind of middlebrow, of gender, sexuality, national identity and the human condition.

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How was the remote past of Britain imagined in the eighteenth and nineteenth centuries? What part did the visual arts play in that process? In this book Sam Smiles argues that the ancient Britain of the romantic imagination was a contested world, variously seen as a noble epoch of wisdom and patriotism and as a period of unredeemed savagery and barbarism. The arts, says Smiles, not only reflected these historical debates but actively contributed to them by attempting to bring the archaic past to life.Smiles examines the interplay of antiquarian research, historiography, and the visual arts in constructing an image of Britain from prehistoric times to the arrival of the Saxons. He discusses such topics as the lengthening of prehistoric time in the contemporary view, the status of antiquarian learning, and the celebration of ancestral peoples as an offshoot of the growing sense of national identity. He describes the Celtic revival during the late eighteenth century, with its iconography that fashioned a pictorial repertoire for megaliths, bards, Druids, and the patriotic leaders Boadicea and Caractacus, who fought off the Romans. He also explains why the Victorians downgraded the Celts and replaced them with the Saxons, preferred by Victorians because they were Christians, because they were English (rather than British), and because they had established organized kingdoms. Illustrated with images from a wide range of sources, this is the first major interdisciplinary examination of the British image of antiquity that has a particular significance for art historians and historians alike. Published for the Paul Mellon Centre for Studies in British ArtPublished for the Paul Mellon Center for Studies in British Art

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Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis’s sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis’s intentions through analyses of her career and artwork, Buick illuminates Lewis’s fraught but active participation in the creation of a distinct “American” national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood.Buick considers the institutions and people that supported Lewis’s career—including Oberlin College, abolitionists in Boston, and American expatriates in Italy—and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis’s most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians’ assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.

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Born into terrible poverty, Millie Ash's hopes for a better life are threatened by a fatal accident in Dee Williams' heartrending new sagaMillie Ash, born into terrible poverty in the backstreets of the East End, has always wanted to better herself. She gets her chance when she lands a position as a lady's companion, her charge the disabled daughter of a well-to-do London family. Millie adores her work, and even starts to develop feelings for the son of the house. But years later a tragic accident causes Millie to lose her job and, along with it, the life she so loved. As she goes from job to job, working variously as a typist, factory worker and nurse, will she ever find happiness, and love, again?

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What if Beethoven had travelled to the United States? Taking up a commission to write a Biblical oratorio for Boston's Handel and Haydn Society?As Mr. Beethoven wrestles with his librettist and his muse, he comes to rely on two women. Thankful, who conducts his conversations using Martha's Vineyard sign language, and a kindred spirit: Mrs. Hill. Meanwhile all Boston waits in anxious expectation of a first performance Mr. Beethoven will never hear. Variously admonishing the amateur music society and laughing in the company of his hosts' children, the immortal composer is brought back to the fullness of life. Griffiths invents only what is strictly possible. His historiography weaves through the text in counterpoint, making this also a story about the fragility of the past and the remaining traces of the man: Mr. Beethoven.

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The Burdur Archaeological Museum holds material from a mountainous area of southwest Turkey where Pisidians in antiquity mingled with Phrygians, Lycians and other ancient peoples, coming to terms first with Greek and then with Roman culture. This volume presents its rich holdings of ancient inscriptions, ranging from Hellenistic royal letters and Roman imperial regulations to the votive offerings and gravestones of rural people. Larger cities such as Sagalassos and Kibyra are close to or just beyond the boundaries of Burdur province. The Museum collection is particularly strong in votive reliefs related to local rural cults; the most prolific is that of a club-bearing rider variously named as Herakles or Kakasbos, to which an extensive and penetrating excursus is devoted. As well as inscribed texts relief iconography is presented and discussed - indeed several items never carried an inscription. The physical form of votives and gravestones is also fully described, with more than 360 plates illustrating the range of monuments produced by local masons. Of the 350 monuments collected here, over 150 have not previously been published, and many of the rest have never been illustrated, so that the volume presents a substantial body of new evidence relating to the history, religion and culture of the area. All texts are translated into English and Turkish.

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The artist Beatrice Wood, born in 1893, lived and worked until the age of 105. She was known variously as the Mama of Dada and the Queen of Luster. In 1917 she was part of the avant-garde Dada movement in New York. By the mid-1950s she had become a leading practitioner of luster-glazed ceramics. Wood moved from being a debutante to joining one of the most bohemian circles of her day. Her work played with sexuality, but her aesthetic was often more comic than erotic. Now featured in over one hundred museums across the world, Wood is often quoted for her recipe to a long life: “art books, chocolates, and young men.”This book contains a collection of risqué drawings that document an intimate relationship she enjoyed with a married couple, Jack and Rhea Case, in Ojai, California, during the 1950s and 1960s. The collection was later acquired by Betsy Ross Rowland, who has sponsored this limited-edition book to benefit the ceramics educational programs of the nonprofit CFile Foundation.

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In a period often viewed by historians as one in which Catholics labored in an intellectual ghetto, shut off from mainstream American thought and culture, a number of Catholic intellectuals were thinking seriously about the relationship between Catholicism and its American context. Within the Market Strife examines these views on economic questions in the period 1891-1962, from populism and progressivism to the New Deal and post-World War II conservatism. The book uniquely contributes to the historical understanding of Catholicism — and of American intellectual history more generally — by examining the ways in which Catholic views variously mirrored and interacted with broader American (non-Catholic) views. Within the Market Strife combines Catholic and general American historiographies to discern the ways in which American Catholic economic thought was dependent on factors other than their adherence to the authoritative social teaching of their church, unique political loyalties, personal experience, and economic theories. This book is an essay in intellectual history that will prove itself invaluable to scholars interested in Catholic history, economic history, American religious history, and American intellectual history.

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As one of the largest predators left in Britain, the fox is captivating: a comfortably familiar figure in our country landscapes; an intriguing flash of bright-eyed wildness in our towns.; Yet no other animal attracts such controversy, has provoked more column inches or been so ambiguously woven into our culture over centuries, perceived variously as a beautiful animal, a cunning rogue, a vicious pest and a worthy foe. As well as being the most ubiquitous of wild animals, it is also the least understood.; In Foxes Unearthed Lucy Jones investigates the truth about foxes in a media landscape that often carries complex agendas. Delving into fact, fiction, folklore and her own family history, Lucy travels the length of Britain to find out first-hand why these animals incite such passionate emotions, revealing our rich and complex relationship with one of our most loved - and most vilified - wild animals. This compelling narrative adds much-needed depth to the debate on foxes, asking what our attitudes towards the red fox say about us and, ultimately, about our relationship with the natural world.

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A fabulous collection of science projects, explorations,techniques, and ideas! Looking to wow the judges at the science fair this year? Everyone'sfavorite science teacher is here to help. Janice VanCleave's A+Science Fair Projects has everything you need to put together awinning entry, with detailed advice on properly planning yourproject, from choosing a topic and collecting your facts todesigning experiments and presenting your findings. Featuring all-new experiments as well as time-tested projectscollected from Janice VanCleave's A+ series, this easy-to-followguide gives you an informative introduction to the science fairprocess. You get thirty-five complete starter projects on varioustopics in astronomy, biology, chemistry, earth science, andphysics, including explorations of: * The angular distance between celestial bodies * The breathing rate of goldfish * Interactions in an ecosystem * Nutrient differences in soils * Heat transfer in the atmosphere * Magnetism from electricity * And much more! You'll also find lots of helpful tips on how to develop your ownideas into unique projects. Janice VanCleave's A+ Science FairProjects is the ideal guide for any middle or high school studentwho wants to develop a stellar science fair entry.

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In the first major critical reading of Italian American narrative literature in two decades, Fred L. Gardaphé presents an interpretive overview of Italian American literary history. Examining works from the turn of the twentieth century to the present, he develops a new perspective—variously historical, philosophical, and cultural—by which American writers of Italian descent can be read, increasing the discursive power of an ethnic literature that has received too little serious critical attention. Gardaphé draws on Vico’s concept of history, as well as the work of Gramsci, to establish a culture-specific approach to reading Italian American literature. He begins his historical reading with narratives informed by oral traditions, primarily autobiography and autobiographical fiction written by immigrants. From these earliest social–realist narratives, Gardaphé traces the evolution of this literature through tales of “the godfather” and the mafia; the “reinvention of ethnicity” in works by Helen Barolini, Tina DeRosa, and Carole Maso; the move beyond ethnicity in fiction by Don DeLillo and Gilbert Sorrentino; to the short fiction of Mary Caponegro, which points to a new direction in Italian American writing.The result is both an ethnography of Italian American narrative and a model for reading the signs that mark the “self-fashioning” inherent in literary and cultural production. Italian Signs, American Streets promises to become a landmark in the understanding of literature and culture produced by Italian Americans. It will be of interest not only to students, critics, and scholars of this ethnic experience, but also to those concerned with American literature in general and the place of immigrant and ethnic literatures within that wide framework.

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This is the third collection of articles by Bruce Campbell to appear in the Variorum series. Late medieval England was an overwhelmingly rural society. Never since has such a large proportion of the population lived in the countryside or relied so directly for its livelihood upon agriculture. The lot of a majority of that population was always a hard one - and never more so than during the first half of the 14th century, when peasants competed with each other for ever-scarcer land and work and a succession of major harvest failures jeopardised the survival of many. Nevertheless, experience varied considerably, both during this era of mounting population pressure and the century and more of population decline and stagnation that followed the demographic disaster of the Black Death. How well individual communities coped during these contrasting conditions of expansion and contraction owed much to the quality and composition of their natural-resource endowment, a good deal to their ability to take advantage of changing commercial opportunities, and sometimes almost everything to how exposed they were to military conflict. Always, however, much hinged upon how the twin feudal institutions of lordship and serfdom were mapped onto land and people via the manorial system. These are the themes variously explored by the eight essays assembled in this volume, which range from a case-study of a single crowded Norfolk manor to a consideration of the broad and, towards the end of the Middle Ages, widening contrasts that persisted between North and South.

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A short story collection exploring cultural complexities in China, the Chinese diaspora in America, and the world at large.In a vibrant and illuminating follow-up to her award-winning story collection, Useful Phrases for Immigrants, May-lee Chai’s latest collection Tomorrow in Shanghai explores multicultural complexities through lenses of class, wealth, age, gender, and sexuality—always tracking the nuanced, knotty, and intricate exchanges of interpersonal and institutional power. These stories transport the reader, variously: to rural China, where a city doctor harvests organs to fund a wedding and a future for his family; on a vacation to France, where a white mother and her biracial daughter cannot escape their fraught relationship; inside the unexpected romance of two Chinese-American women living abroad in China; and finally, to a future Chinese colony on Mars, where an aging working-class woman lands a job as a nanny. Chai's stories are essential reading for an increasingly globalized world.

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