Search results for ""Author Various"

Whether in the form of Christmas trees in town squares or prayer in school, fierce disputes over the separation of church and state have long bedeviled this country. Both decried and celebrated, this principle is considered by many, for right or wrong, a defining aspect of American national identity. Nearly all discussions regarding the role of religion in American life build on two dominant assumptions: first, the separation of church and state is a constitutional principle that promotes democracy and equally protects the religious freedom of all Americans, especially religious outgroups; and second, this principle emerges as a uniquely American contribution to political theory. In Please Don't Wish Me a Merry Christmas, Stephen M. Feldman challenges both these assumptions. He argues that the separation of church and state primarily manifests and reinforces Christian domination in American society. Furthermore, Feldman reveals that the separation of church and state did not first arise in the United States. Rather, it has slowly evolved as a political and religious development through western history, beginning with the initial appearance of Christianity as it contentiously separated from Judaism.In tracing the historical roots of the separation of church and state within the Western world, Feldman begins with the Roman Empire and names Augustine as the first political theorist to suggest the idea. Feldman next examines how the roles of church and state variously merged and divided throughout history, during the Crusades, the Italian Renaissance, the Protestant Reformation, the British Civil War and Restoration, the early North American colonies, nineteenth-century America, and up to the present day. In challenging the dominant story of the separation of church and state, Feldman interprets the development of Christian social power vis--vis the state and religious minorities, particularly the prototypical religious outgroup, Jews.

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Among maternal deities of the Greek pantheon, the Mother of the Gods was a paradox. She is variously described as a devoted mother, a chaste wife, an impassioned lover, and a virgin daughter; she is said to be both foreign and familiar to the Greeks. In this erudite and absorbing study, Mark Munn examines how the cult of Mother of the Gods came from Phrygia and Lydia, where she was the mother of tyrants, to Athens, where she protected the laws of the Athenian democracy. Analyzing the divergence of Greek and Asiatic culture at the beginning of the classical era, Munn describes how Kybebe, the Lydian goddess who signified fertility and sovereignty, assumed a different aspect to the Greeks when Lydia became part of the Persian empire. Conflict and resolution were played out symbolically, he shows, and the goddess of Lydian tyranny was eventually accepted by the Athenians as the Mother of the Gods, and as a symbol of their own sovereignty. This book elegantly illustrates how ancient divinities were not static types, but rather expressions of cultural systems that responded to historical change. Presenting a new perspective on the context in which the Homeric and Hesiodic epics were composed, Munn traces the transformation of the Asiatic deity who was the goddess of Sacred Marriage among the Assyrians and Babylonians, equivalent to Ishtar. Among the Lydians, she was the bride to tyrants and the mother of tyrants. To the Greeks, she was Aphrodite. An original and compelling consideration of the relations between the Greeks and the dominant powers of western Asia, The Mother of the Gods, Athens, and the Tyranny of Asia is the first thorough examination of the way that religious cult practice and thought influenced political activities during and after the sixth and fifth centuries B.C.

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An in-depth look at how U.S. Latino advocacy groups are using ethnoracial demographic projections to bring about political change in the presentFor years, newspaper headlines, partisan speeches, academic research, and even comedy routines have communicated that the United States is undergoing a profound demographic transformation—one that will purportedly change the “face” of the country in a matter of decades. But the so-called browning of America, sociologist Michael Rodríguez-Muñiz contends, has less to do with the complexion of growing populations than with past and present struggles shaping how demographic trends are popularly imagined and experienced. Offering an original and timely window into these struggles, Figures of the Future explores the population politics of national Latino civil rights groups.Based on eight years of ethnographic and qualitative research, spanning both the Obama and Trump administrations, this book investigates how several of the most prominent of these organizations—including UnidosUS (formerly NCLR), the League of United Latin American Citizens, and Voto Latino—have mobilized demographic data about the Latino population in dogged pursuit of political recognition and influence. In census promotions, get-out-the-vote campaigns, and policy advocacy, this knowledge has been infused with meaning, variously serving as future-oriented sources of inspiration, emblems for identification, and weapons for contestation. At the same time, Rodríguez-Muñiz considers why these political actors have struggled to translate this demographic growth into tangible political gain and how concerns about white backlash have affected how they forecast demographic futures.Figures of the Future looks closely at the politics surrounding ethnoracial demographic changes and their rising influence in U.S. public debate and discourse.

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Recently, a travel account and 700 photographs came to light by the hand of Leo Boer, a former student of the École Biblique et Archéologique Française in Jerusalem who, at the age of 26 in 1953–4 visited many archaeological sites in the area of present-day Israel and the Palestinian Territories. These documents inspired 20 internationally-renowned scholars – many of whom excavated at the sites they describe – to report on what we know today of nine particular sites chosen from the many that Leo Boer visited 60 years ago: Jerusalem, Khirbet et-Tell (Άi?), Samaria & Sebaste, Tell Balata (Shechem), Tell es-Sultan (Jericho), Khirbet Qumran, Caesarea, Megiddo, and Bet She’an. Rather than focusing on the history of these sites, the contributors describe the history of the archaeological expeditions. Who excavated these sites over the years? What were the specific aims of their campaigns? What techniques and methods did they use? How did they interpret these excavations? What finds were most noteworthy? And finally, what are the major misconceptions held by the former excavators? Several themes are interwoven amongst the contributions and variously discussed, such as‘identification of biblical sites’, ‘regional surveys’, ‘underwater archaeology’, ‘archaeothanatology’, ‘archaeology and politics’, ‘archaeology and science’, and ‘heritage management’. This unique collection of images and essays offers to scholars working in the region previously unpublished materials and interpretations as well as new photographs. For students of archaeology, ancient or Biblical history and theology it contains both a detailed archaeological historiography and explores some highly relevant, specific themes. Finally, the superb quality of Boer’s photography provides an unprecedented insight into the archaeological landscape of post-war Palestine for anyone interested in Biblical history and archaeology.

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A unique, easy-to-use guide to radar tracking and Kalmanfiltering This book presents the first truly accessible treatment of radartracking; Kalman, Swerling, and Bayes filters for linear andnonlinear ballistic and satellite tracking systems; and thevoltage-processing methods (Givens, Householder, and Gram-Schmidt)for least-squares filtering to correct for computer round-offerrors. Tracking and Kalman Filtering Made Easy emphasizes thephysical and geometric aspects of radar filters as well as thebeauty and simplicity of their mathematics. An abundance of designequations, procedures, and curves allows readers to design trackingfilters quickly and test their performance using only a pocketcalculator! The text incorporates problems and solutions, figures andphotographs, and astonishingly simple derivations for variousfilters. It tackles problems involving clutter returns, redundanttarget detections, inconsistent data, track-start and track-droprules, data association, matched filtering, tracking with chirpwaveform, and more. The book also covers useful techniques such asthe moving target detector (MTD) clutter rejection technique. Allexplanations are given in clear and simple terms, including: * The voltage-processing approach to least-squares filtering * The correlation between such procedures as discrete orthogonalLegendre polynomial (DOLP) and voltage processing * The mathematical sameness of tracking and estimation problems onthe one hand, and sidelobe canceling and adaptive array processingon the other * The massively parallel systolic array sidelobe canceler processor * Important computational accuracy issues * An appended comparison between the Kalman and the Swerlingfilters, written by Dr. Peter Swerling Tracking and Kalman Filtering Made Easy is invaluable forengineers, scientists, and mathematicians involved in trackingfilter design. Its straightforward approach makes it an excellenttextbook for senior-undergraduate and first-year graduate courses.

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Toussaint Louverture's life was one of hardship, triumph, and contradiction. Born into bondage in Saint-Domingue (present-day Haiti), the richest colony in the Western Hemisphere, he witnessed first-hand the torture of the enslaved population. Yet he managed to secure his freedom and establish himself as a small-scale planter. He even purchased slaves of his own.In Toussaint Louverture , Philippe Girard reveals the dramatic story of how Louverture transformed himself from lowly freedman to revolutionary hero. In 1791, the unassuming Louverture masterminded the only successful slave revolt in history. By 1801, he was general and governor of Saint-Domingue, and an international statesman who forged treaties with Britain, France, Spain, and the United States,empires that feared the effect his example would have on their slave regimes. Louveture's ascendency was short-lived, however. In 1802, he was exiled to France, dying soon after as one of the most famous men in the world, variously feared and celebrated as the Black Napoleon."As Girard shows, in life Louverture was not an idealist, but an ambitious pragmatist. He strove not only for abolition and independence, but to build Saint-Domingue's economic might and elevate his own social standing. He helped free Saint-Domingue's slaves yet immediately restricted their rights in the interests of protecting the island's sugar production. He warded off French invasions but embraced the cultural model of the French gentility.In death, Louverture quickly passed into legend, his memory inspiring abolitionist, black nationalist, and anti-colonialist movements well into the 20th century. Deeply researched and bracingly original, Toussaint Louverture is the definitive biography of one of the most influential people of his era, or any other.

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This book is the first to offer a concise, accessible overview of the evolution of the Soviet Union as a multiethnic empire. It reflects on how the Soviet Union was home to many ethnic minorities, and how their fates, and that of the USSR itself, were bound to the question of how the Soviet state responded variously throughout its existence to the fundamental question of ethnic difference across its vast and diverse territory. The book then examines how the Soviet collapse in 1991 fractured the Union along markedly national lines, leading to a variety of new nation-states – including the Russian Federation – being born. Brigid O’Keeffe explains how and why the Bolsheviks inscribed ethnic difference into the bedrock of the Soviet Union and explores how minority peoples experienced the potential advantages and disadvantages of ethnic politics within the Soviet Union. Ukrainians and Georgians, Jews and Roma, Chechens and Poles, Kazakhs and Uzbeks – these and many other minority groups all distinctively shaped and were shaped by the Soviet and post-Soviet politics of ethnic difference. The Multiethnic Soviet Union and its Demise gives you the historical context necessary to understand contemporary Russia’s relationships and conflicts with its ‘post-Soviet’ neighbors and the wider world beyond.

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This book is about religious change. More particularly it is about the changes brought about when Christianity was introduced to a remote tribal group in the highlands of what is now Irian Jaya, Indonesia. These people who are members of a tribal group that has become known as the Western Dani, entered into a process, through their contact with missionaries, that has been the shared experience of hundreds of tribal groups for the past two thousand years. This process has been variously labelled as the "indigenizing of Christianity," the "inculturation of Christianity,^D> " or as the "contextualizing of Christianity." This book uses the term vernacular Christianity in order to emphasize the anthropological perspective that characterizes the study, and the socio-cultural processes that transpire when two belief systems come in contact. Through the use of ethnographical methodology, this study seeks to ascertain as accurately as possible the Dani perspective on what they do and what they believe in their religious perspectives, commonly spoken of as an emic perspective. It records both their pre-Christian beliefs, as well as their own vernacular form of Christianity. It is a study that also seeks to represent the position of the missionaries, often citing their own records at length. Chapter topics include detailed studies of Dani cosmology, myths, religious rituals, sacred paraphernalia, religious specialists, and the problem of cargoism in socio-religious change. Co-published with the American Society of Missiology.

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Nearly three-quarters of college students cheat during their undergraduate careers, a startling number attributed variously to the laziness of today’s students, their lack of a moral compass, or the demands of a hypercompetitive society. For James Lang, cultural or sociological explanations like these are red herrings. His provocative new research indicates that students often cheat because their learning environments give them ample incentives to try—and that strategies which make cheating less worthwhile also improve student learning. Cheating Lessons is a practical guide to tackling academic dishonesty at its roots.Drawing on an array of findings from cognitive theory, Lang analyzes the specific, often hidden features of course design and daily classroom practice that create opportunities for cheating. Courses that set the stakes of performance very high, that rely on single assessment mechanisms like multiple-choice tests, that have arbitrary grading criteria: these are the kinds of conditions that breed cheating. Lang seeks to empower teachers to create more effective learning environments that foster intrinsic motivation, promote mastery, and instill the sense of self-efficacy that students need for deep learning.Although cheating is a persistent problem, the prognosis is not dire. The good news is that strategies which reduce cheating also improve student performance overall. Instructors who learn to curb academic dishonesty will have done more than solve a course management problem—they will have become better educators all around.

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The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins. He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original. He also shows how the late eighteenth-century discovery of a proto-language (Indo-European) for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized. Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America.

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Financial Times Best Books of 2023 in Economics The global battle among the three dominant digital powers—the United States, China, and the European Union—is intensifying. All three regimes are racing to regulate tech companies, with each advancing a competing vision for the digital economy while attempting to expand its sphere of influence in the digital world. In Digital Empires, her provocative follow-up to The Brussels Effect, Anu Bradford explores a rivalry that will shape the world in the decades to come. Across the globe, people dependent on digital technologies have become increasingly alarmed that their rapid adoption and transformation have ushered in an exceedingly concentrated economy where a few powerful companies control vast economic wealth and political power, undermine data privacy, and widen the gap between economic winners and losers. In response, world leaders are variously embracing the idea of reining in the most dominant tech companies. Bradford examines three competing regulatory approaches—the American market-driven model, the Chinese state-driven model, and the European rights-driven regulatory model—and discusses how governments and tech companies navigate the inevitable conflicts that arise when these regulatory approaches collide in the international domain. Which digital empire will prevail in the contest for global influence remains an open question, yet their contrasting strategies are increasingly clear. Digital societies are at an inflection point. In the midst of these unfolding regulatory battles, governments, tech companies, and digital citizens are making important choices that will shape the future ethos of the digital society. Digital Empires lays bare the choices we face as societies and individuals, explains the forces that shape those choices, and illuminates the immense stakes involved for everyone who uses digital technologies.

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Visual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race." She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.

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Waste makes an outsized contribution to the study of postwar Japanese history... will be essential reading for students of modern Japan as well as our current era more broadly.―The Journal of Asian Studies Waste is an elegant history of how people lived—how they made sense of, gave meaning to, and found value in the acts of the everyday. In Waste, Eiko Maruko Siniawer innovatively explores the many ways in which the Japanese have thought about waste—in terms of time, stuff, money, possessions, and resources—from the immediate aftermath of World War II to the present. She shows how questions about waste were deeply embedded in the decisions of everyday life, reflecting the priorities and aspirations of the historical moment, and revealing people’s ever-changing concerns and hopes. Over the course of the long postwar, Japanese society understood waste variously as backward and retrogressive, an impediment to progress, a pervasive outgrowth of mass consumption, incontrovertible proof of societal excess, the embodiment of resources squandered, and a hazard to the environment. Siniawer also shows how an encouragement of waste consciousness served as a civilizing and modernizing imperative, a moral good, an instrument for advancement, a path to self-satisfaction, an environmental commitment, an expression of identity, and more. From the late 1950s onward, a defining element of Japan’s postwar experience emerged: the tension between the desire for the privileges of middle-class lifestyles made possible by affluence and dissatisfaction with the logics, costs, and consequences of that very prosperity. This tension complicated the persistent search for what might be called well-being, a good life, or a life well lived.

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In the first major critical reading of Italian American narrative literature in two decades, Fred L. Gardaphé presents an interpretive overview of Italian American literary history. Examining works from the turn of the twentieth century to the present, he develops a new perspective—variously historical, philosophical, and cultural—by which American writers of Italian descent can be read, increasing the discursive power of an ethnic literature that has received too little serious critical attention. Gardaphé draws on Vico’s concept of history, as well as the work of Gramsci, to establish a culture-specific approach to reading Italian American literature. He begins his historical reading with narratives informed by oral traditions, primarily autobiography and autobiographical fiction written by immigrants. From these earliest social–realist narratives, Gardaphé traces the evolution of this literature through tales of “the godfather” and the mafia; the “reinvention of ethnicity” in works by Helen Barolini, Tina DeRosa, and Carole Maso; the move beyond ethnicity in fiction by Don DeLillo and Gilbert Sorrentino; to the short fiction of Mary Caponegro, which points to a new direction in Italian American writing.The result is both an ethnography of Italian American narrative and a model for reading the signs that mark the “self-fashioning” inherent in literary and cultural production. Italian Signs, American Streets promises to become a landmark in the understanding of literature and culture produced by Italian Americans. It will be of interest not only to students, critics, and scholars of this ethnic experience, but also to those concerned with American literature in general and the place of immigrant and ethnic literatures within that wide framework.

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The Japanese invasion of Shanghai in 1937 led some thirty million Chinese to flee their homes in terror, and live—in the words of artist and writer Feng Zikai—“in a sea of bitterness” as refugees. Keith Schoppa paints a comprehensive picture of the refugee experience in one province—Zhejiang, on the central Chinese coast—where the Japanese launched major early offensives as well as notorious later campaigns. He recounts stories of both heroes and villains, of choices poorly made amid war’s bewildering violence, of risks bravely taken despite an almost palpable quaking fear.As they traveled south into China’s interior, refugees stepped backward in time, sometimes as far as the nineteenth century, their journeys revealing the superficiality of China’s modernization. Memoirs and oral histories allow Schoppa to follow the footsteps of the young and old, elite and non-elite, as they fled through unfamiliar terrain and coped with unimaginable physical and psychological difficulties. Within the context of Chinese culture, being forced to leave home was profoundly threatening to one’s sense of identity. Not just people but whole institutions also fled from Japanese occupation, and Schoppa considers schools, governments, and businesses as refugees with narratives of their own.Local governments responded variously to Japanese attacks, from enacting scorched-earth policies to offering rewards for the capture of plague-infected rats in the aftermath of germ warfare. While at times these official procedures improved the situation for refugees, more often—as Schoppa describes in moving detail—they only deepened the tragedy.

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Selected by Choice magazine as an Outstanding Academic Book for 2000 Chinese glazes have been admired throughout history for their extraordinary qualities and colors—not least in China itself, where their appearance has been compared variously to jade, to tea-dust, to hare's fur, or to the "color of the sky after the rain." Some Chinese glazes are vibrant and brilliant in tone, while others are deep, complex, and subtle, their properties seeming to change according to ambient light. Chinese glazes have long presented a technical challenge to Western potters, and this book is the most complete account yet of their nature and their reconstruction. The story of Chinese glazes is also the story of Chinese ceramics itself, one of the most fascinating and influential traditions in ceramic history. Chinese Glazes traces the development of China's great high-fired glaze tradition from its roots in the Bronze Age, through the famous monochrome stoneware glazes of the Song dynasty, to the fine porcelain glazes of southern China. The book also examines in detail the story of China's low-fired glazes, from the time of China's first emperor to the present day. The book shows clearly how the potters of ancient China were able to work their ceramic miracles from the simplest recipes, and how modern potters can use and adapt these principles for their own work. The book contains hundreds of recipes for formulating Chinese glazes with Western materials, simple and advanced calculation techniques, as well as efficient blending procedures with local materials. The book is lavishly illustrated, with nearly three hundred photographs, one hundred in full color. These depict examples of the Chinese arts as found in pottery ranging from simple earthenware jars excavated at Neolithic sites to exquisitely designed dishes found in imperial tombs. They also show examples of modern Western ware that employ these remarkable glazing techniques.

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Lord Derby, Lancashire's highest-ranked nobleman and its principal royalist, once offered the opinion that the English civil wars had been a 'general plague of madness'. Complex and bedevilling, the earl defied anyone to tell the complete story of 'so foolish, so wicked, so lasting a war'. Yet attempting to chronicle and to explain the events is both fascinating and hugely important. Nationally and at the county level the impact and significance of the wars can hardly be over-stated: the conflict involved our ancestors fighting one another, on and off, for a period of nine years; almost every part of Lancashire witnessed warfare of some kind at one time or another, and several towns in particular saw bloody sieges and at least one episode characterised as a massacre.Nationally the wars resulted in the execution of the king; in 1651 the Earl of Derby himself was executed in Bolton in large measure because he had taken a leading part in the so-called massacre in that town in 1644. In the early months of the civil wars many could barely distinguish what it was that divided people in 'this war without an enemy', as the royalist William Waller famously wrote; yet by the end of it parliament had abolished monarchy itself and created the only republic in over a millennium of England's history. Over the ensuing centuries this period has been described variously as a rebellion, as a series of civil wars, even as a revolution.Lancashire's role in these momentous events was quite distinctive, and relative to the size of its population particularly important. Lancashire lay right at the centre of the wars, for the conflict did not just encompass England but Ireland and Scotland too, and Lancashire's position on the coast facing Catholic, Royalist Ireland was seen as critical from the very first months. And being on the main route south from Scotland meant that the county witnessed a good deal of marching and marauding armies from the north. In this, the first full history of the Lancashire civil wars for almost a century, Stephen Bull makes extensive use of new discoveries to narrate and explain the exciting, terrible events which our ancestors witnessed in the cause either of king or parliament. From Furness to Liverpool, and from the Wyre estuary to Manchester and Warrington...civil war actions, battles, sieges and skirmishes took place in virtually every corner of Lancashire.

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This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyoshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gokan (bound books), and ninjobon (books of romance and sentiment). The anthology also offers a rich array of poetry-waka, haiku, senryu, kyoka, kyoshi-and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyoshi and gokan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.

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This title is inspired by the courage of a young woman, known variously as "Khwezi" and "the complainant", who took a principled decision to lay a charge of rape against Jacob Zuma, a man who was to her a father-figure, a family friend, a comrade, and the Deputy President of South Africa. She took on the fight against considerable odds. Zuma is one of the most popular and powerful political leaders of his time. She could not have known, however, the immense strength she would need to face the prolonged public attacks on her. As the Zuma supporters spat the words "Burn the Bitch" outside the courtroom, the young woman faced an interrogation inside. Her accusers, and the judge, concurred that having worn a kanga that evening, the complainant had, like so many other women, "asked for it'. This title speaks truth to power - not just male power, but political power, religious and cultural power, imperial and military power. By using the trial of Jacob Zuma as a mirror, the title reveals the hidden yet public forms of violence against women in their homes, marriages, churches and political organisations. Caught in the crossfire of the nation's political succession battle, the young woman refused to back down. By speaking out, she amplified the muffled screams of many other women who have been raped by those who parade their power in the corridors of parliament, government, corporations, and religious and traditional institutions. Crushed and conquered by the mechanics of power, she was forced by a so-called free country to flee into exile. We hope that in reading the story of this trial and seeing the particular ways in which women can be subjugated by power, South Africans will have the opportunity to reflect on, and demand better of, the kind of leaders and leadership they deserve.

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In this groundbreaking analysis, Marco Portales examines the way in which education and the media act as immobilizing social forces to shape the Latino world that exists despite the best efforts of many Mexican Americans and other Latinos. The delicate relationships between what Latinos are and what they seem to be, as perceived both by the larger society and by Latinos themselves, create and craft a culture that students of American culture have not sufficiently studied or understood. As bandidos or gigolos, drug users or unwed mothers, Latinos continue to figure in the public consciousness primarily as undesirables. Despite decades of effort by Spanish-speaking Americans to improve their image in the United States, Mexican Americans and other resident Latinos are still largely perceived by other Americans as poverty-stricken immigrants and second-class citizens. Accordingly, the great majority of Latino citizens receive substandard educations, equipping them for substandard jobs in substandard living environments. The lives of Mexican Americans and other Latinos, Portales contends, can best be illuminated by looking at the history of Chicanos and particularly Chicano literature, which dramatizes the impact of education and the media on Latinos. Like Irish literature, Chicano literature has sought to articulate and to establish itself as a postcolonial voice that has struggles for national attention. Through psychological and sociopolitical representations, Chicano writers have variously used anger, indifference, fear, accommodation, and other conflicting emotions and attitudes to express how it feels to be seen as an immigrant or a foreigner in one's own country. Portales looks at four Chicano literary works -- Americo Paredes' George Washington Gomez, Anthony Quinn's The Original Sin, Sandra Cisnero's House on Mango Street, and Ana Castillo's Massacre of the Dreamers -- to focus attention on social issues that impede the progress of Latinos. By doing so, he hopes to engage both Latino and non-Latino Americans in an overdue dialogue about the power of education and the media to form perceptions that can either empower or repress Latino citizens.

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Human Factors in Systems Engineering shows how to integrate humanfactors into the design of tools, machines, and systems so thatthey match human abilities and limitations. Unlike virtually allother books on human factors, which leave the implementation ofgeneral guidelines to engineers and designers with little or nohuman factors expertise, this unique book shows that the properrole of the human factors specialist is to translate generalguidelines into project specific design requirements to whichengineers can design. Again, while other human factors books ignorethe standards, specifications, requirements, and other workproducts that must be prepared by engineers, this book emphasizesthe methods used to generate the human factors inputs forengineering work products, and the points in the developmentprocess where these inputs are needed. Comprehensive in its scope, Human Factors in Systems Engineeringuses the systems engineering process to provide a broadunderstanding of the way human factors are used in the developmentprocess. It describes the full cycle of a design and shows whathuman factors inputs engineers and designers need at each stage ofdevelopment. Well-organized and clearly written, this invaluable text is fullysupported by over a hundred illustrations, thirty tables, handyappendices, and extensive bibliographies. Its practical, hands-onapproach makes it an indispensable resource for professionals andadvanced students in human factors, ergonomics, industrialengineering, and systems engineering. A unique, step-by-step guide to the application of human factors inthe system development process Human Factors in Systems Engineering Unlike most current texts which provide general human factorsrecommendations but leave their interpretation to designers who areusually not trained for it, this book shows the reader how toprepare project specific system requirements that engineers can useeasily and effectively. In addition, it fully explains the variouswork products--the standards and specifications--that engineersmust produce during development, and shows what human factorsinputs are required in each of them. Focusing on the entire systemsengineering process, Human Factors in Systems Engineering offersprofessionals and advanced students a fresh, much-needed approachto the role of human factors in the design of tools, machines, andsystems.

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1952 saw the opening of a new Technical College in Hatfield, built on land donated by Alan S Butler, Chairman of the de Havilland Aircraft Company. With its roots in Britain's pioneering aeronautical industry, the College was soon established as an innovative force in education. Having been at the forefront of developing new subjects such as Computer Science, it evolved continually, being redesignated as Hatfield Polytechnic in 1969 and becoming the University of Hertfordshire in 1992. The institution has been forged over time out of its Hertfordshire-wide constituent colleges and campuses, which were variously founded to offer training and inspiration in teaching, medicine, the arts, business, science and the humanities. Now the University of Hertfordshire has become an internationally recognised leader in both research and teaching, exemplifying what a university can achieve through embracing a broad curriculum. This is the history of the University of Hertfordshire, relating the challenges and achievements of sixty years in further and higher education. At the same time, through its focus on a single institution, the book illustrates the importance of the post-1992 higher education sector in advancing the knowledge economy and cultural life of the country. The University has both been shaped by and has informed government policy as it has developed and it now takes its place in an international context as part of the global education system. Founded on principles of widening participation in higher education, in its sixtieth year the University celebrates the life-changing experience of education and its great cultural, social and economic value. Through the stories and memories of individual students and members of staff, the book also illuminates the experience of the hundreds of thousands of students who have graduated, and the contribution of academic and professional staff in making the College, Polytechnic and University a success. Over the decades there has been continuous growth and development - and, always, a vibrant culture of learning. Looking forward, the book explores how the University of Hertfordshire is drawing upon its heritage to shape its future.

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Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser. How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out.

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For Finance and Treasury professionals to effectively pitch, sell,and comprehend the true appeal and relevance of a particularsecurity, there is nothing more important than knowing how thevalue of said security has been determined. While punching numbersinto a computer may provide the information needed, it isnevertheless essential to have a firm grasp of the valuationconcepts in order to make the best, most informed decisions.Offering a straightforward, accessible approach not found anywhereelse, this comprehensive new book provides a clear-cut road mapthrough the mathematical concepts associated with the investmentssector of Treasury management. Written by an expert in the field, Investment Mathematics forFinance and Treasury Professionals explains the principles andformulae used in the fixedincome cash markets. It presents anin-depth, yet practical look at the applications associated withthese money and capital markets instruments. The book also coverscalculations and applications in the foreign exchange and equitiesmarkets. The same in-depth coverage is applied to the variousfixed-income and foreign exchange derivatives markets used as bothspeculative and hedging tools. Spanning the spectrum fromprice/yield changes to risk/return, and packed with numerousexamples that illustrate key concepts, this exhaustive resourceincludes: * Yield spread analysis--methods of price/yield quotation, yieldspreads by maturity, off-the-run vs. on-the-run * Price/yield sensitivity--hedge ratios, basis point value, dollarduration, convexity * Term structure of interest rates different yield curvestructures, zero coupon yield curve, Treasury trading STRIPS * Foreign exchange--crossrates, spot rates, forward points, coveredinterest arbitrage * Options--plain vanilla vs. exotic options, over-the-counter vs.exchange-traded options, understanding option valuation models, andoption hedging and trading strategies * Interest rate swaps, swaptions, caps, floors, collars, inversefloaters * Risk/return--valuation theory, capital asset pricing model, valueat risk Complete with supporting appendixes that contain statisticalinformation on such essentials as historical interest ratepatterns, conversion factors for Treasury bond futures, thestandard normal distribution, and day count basis for differentbonds, Investment Mathematics for Finance and TreasuryProfessionals is an indispensable reference for anyone involvedwith corporate and municipal treasury functions. Providing Finance and Treasury professionals the fundamentalinformation necessary to understand the mathematical concepts andapplications used in investment decisions, this in-depth andaccessible resource explains and clarifies the concepts behindinvestment mathematics. With numerous examples and comprehensiveappendixes containing important statistical data, InvestmentMathematics for Finance and Treasury Professionals coverseverything from price/yield changes and yield spread analysis toterm structure of interest rates, derivatives, and risk/return.

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How three white, non-elite American sailors turned their experiences of captivity into diverse career opportunities—and influenced America's physical, commercial, ideological, and diplomatic development.Winner of the John Lyman Book Award by the North American Society for Oceanic HistoryFrom 1784 to 1815, hundreds of American sailors were held as "white slaves" in the North African Barbary States. In From Captives to Consuls, Brett Goodin vividly traces the lives of three of these men—Richard O'Brien, James Cathcart, and James Riley—from the Atlantic coast during the American Revolution to North Africa, from Philadelphia to the Louisiana Territories, and finally to the western frontier. This first scholarly biography of American captives in Barbary sifts through their highly curated writings to reveal how ordinary individuals in extraordinary circumstances could maneuver through and contribute to nation building in early America, all the while advancing their own interests. The three subjects of this collective biography both reflected and helped refine evolving American concepts of liberty, identity, race, masculinity, and nationhood. Time and again, Goodin reveals, O'Brien, Cathcart, and Riley uncovered opportunities in their adversity. They variously found advantage first in the Revolution as privateers, then in captivity by writing bestselling captivity narratives and successfully framing their ordeal as a qualification for coveted government employment. They even used their modest fame as ex-captives to become diplomats, get elected to state legislatures, and survey the nation's territorial expansions in the South and West. Their successful self-interested pursuit of opportunities offered by the expanding American empire, Goodin argues, constitutes what he calls "the invisible hand of American nation building."Goodin shows how these ordinary men, lacking the genius of a Benjamin Franklin or Alexander Hamilton, depended on sheer luck and adaptability in their quest for financial independence and public recognition. Drawing on archival collections, newspapers, private correspondence, and government documents, From Captives to Consuls sheds new light on the significance of ordinary individuals in guiding early American ideas of science, international relations, and what it meant to be a self-made man.

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The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins. He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original. He also shows how the late eighteenth-century discovery of a proto-language (Indo-European) for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized. Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America.

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Published on the occasion of Damien Hirst's exhibition at White Cube in Hong Kong in the spring of 2013. Among many new works illustrated in the publication are pieces from some of Hirst's latest series: the Entomology paintings and the Blade paintings. Hirst began work on the Entomology paintings in 2009. Each piece is made by placing hundreds of varieties of insect and beetle species into household gloss paint, in intricate geometric patterns. The series is reminiscent of Hirst's iconic series of butterfly wing Kaleidoscope pieces, dating from 2001, which were originally inspired by Victorian tea trays. As with the butterfly--one of Hirst's most enduring "universal triggers"--the insects' appeal derives largely from the appearance of life they retain in death. However, whilst the iridescent beauty of the wings in the Kaleidoscope series evoke stained glass windows, and are often assigned spiritual titles, the Entomology paintings are named after phases and characters in Dante Alighieri's tortuous vision of the afterlife, The Divine Comedy. The works also allude to Hirst's longterm interest in the nineteenth-century fascination with natural history and the irony involved in having to kill something in order to look at it. The Blade paintings are amongst the newest series of works in Hirst's practice. Thousands of variously shaped scalpel blades are positioned on a canvas in spectacular, mandala-like patterns. In some of the works, intermittent areas of coloured gloss paint have been layered in between the blades. The Blade paintings reference two of Hirst's seminal earlier series. While their geometric patterns recall the earlier series of butterfly Kaleidoscope paintings, in their use of surgical instruments, Hirst also returns to one of his most recognisable themes: medicine, and its inevitable futility in the face of our mortality. The surgical materials, first used by Hirst in his early 90s instrument cabinets, are described by the artist as "phenomenal objects because they have to have this confidence and this belief. They are the best quality. They are brilliantly designed, for all the right reasons." With the Blade paintings, the instruments eventual inability to arrest decay is highlighted by their relegation to decorative status.

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Winner of the 2014 Guyana Prize for Fiction, Johnson's Dictionary is set variously in 18th century London and Demerara in British Guiana. It is a celebration of the skills of the enslaved as organisers, story-tellers, artists and mathematicians, hidden in the main from their white masters and mistresses, that is resonant with an undying human urge for freedom.Galley, gallery, gallimaufry: In a novel set in 18th century London and Demerara (in British Guiana), that might be dreamed or remembered by Manu, a revenant from Dabydeen’s epic poem, “Turner”, we meet slaves, lowly women on the make, lustful overseers, sodomites and pious Jews – characters who have somehow come alive from engravings by Hogarth and others.Hogarth himself turns up as a drunkard official artist in Demerara, from whom the slave Cato steals his skills and discovers a way of remaking his world.The transforming power of words is what enlightens Francis when his kindly (or possibly pederastic) master gifts him a copy of Johnson’s Dictionary, whilst the idiot savant, known as Mmadboy, reveals the uncanny mathematical skills that enable him to beat Adam Smith to the discovery of the laws of capital accumulation – and teach his fellow slaves their true financial worth. From the dens of sexual specialities where the ex-slave Francis conducts a highly popular flagellant mission to cure his clients of their man-love (and preach abolition), to the sugar estates of Demerara, Dabydeen’s novel revels in the connections of Empire, Art, Literature and human desire in ways that are comic, salutary and redemptive.David Dabydeen was born in Guyana in 1957. He is only the second West Indian writer, following VS Naipaul, to be named a fellow of the Royal Society of Literature. Turner: New and Selected Poems (Cape, 1994) was republished by Peepal Tree in 2002. His 1999 novel A Harlot's Progress was shortlisted for the James Tait Black Memorial Prize. His other novels include Disappearance (Peepal Tree, 2005) and Molly and the Muslim Stick (2008). He co-edited the Oxford Companion to Black British History (2007), and his documentaries on Guyana have appeared on BBC TV and radio. David is now Professor at the Centre for Caribbean Studies, University of Warwick.

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The New York Editions borrows its title from The New York Edition, Henry James’s name for Scribner’s 1907-09 re-issue of his life-long output of novels and shorter fiction. If the homage of Snediker’s second book of poems to the Jamesian oeuvre seems self-evident or obscure, to conceive of this poetry as a translation of James’s prose somewhat misses the mark in terms of the former’s unfolding investment in the vision of a dreamlike field belonging to neither one nor the other, so much as the deep sea dive of language in between, in the throes. These mesmeric poems are experimental meditations on the limbo of lost-in-translation as a multi-axial bardo between multiples lives and texts and those that follow, which they might foreseeably become were these poems not so distinctly wed to a jewel-like present tense driven by no single aesthetic principle save the one it immanently navigates. The multiple voices that call to us from this place are ghostlike, to the extent that the force of their coiled abandon feels tethered to bodies in no familiar way. Even at their most seductively wry or pining, these semblances of speech wash over the landscapes they’re embedded in like a film’s post-production score or the heady excrescence of lilies calling one’s attention to an open window. At the same time, such lurid, queerly disembodied phenomena are richly studded, one might say, with a singular, uncanny material of their own, shot through with the tenacious, not-quite-phantom élan of desolation, remediating mirth and the renegade confusion of each with their respective, recollected forms. These are vigilant elegies, rough odes, songs of experience shy toward neither their own felt urgency nor the latter’s tendency to spoil: baroque trauerspiel meets ghost-story in reverse, moonlight gleaming with the otherworldly shine of James Bidgood’s lambent, mineral-oiled sea-bed. The New York Editions chronicles the effort of inhabiting while doing justice to the approximate wilderness of all those variously perceptible disturbances that set the world ajar just enough to feel the draught of an adjacent universe pouring in. “… and hope is the/ shells each morning small and cool// into which we hermits/ retract the startling// need of our/ claws.”

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In the shadows of war, loss and longing, a poet seeking his homeland finds his memories and dreams of its distinctive beauty refracted through a second language. These subtle, elusive and potent poems build bridges of imagery and language between the past and present, the lost and found."Here is a rich legacy bypassing Milorad's difficult final years. The poems seem driven, necessary; Croatia and its language call him back, his distinctively developed English finds image after pertinent image. The book is a bounty of metaphor as he is led by Moses and by delight and necessity of observation and discovery; the natural world seems to come to him to be named. I wonder if the frequent 'you' is himself or an other - or heightened to an Other - or these variously. I understand from this book that if we do not see, hear, experience in our own truthful way and make poems with the openness of these poems, then in some crucial sense many of the human world's possibilities cease to exist."David Hart."I can't stop reading these poems. This is work of atmosphere and tone first, narrative second, but it's a narrative that combines deep melancholy with a hard-won sense of joy in the slightest shaft of light, and the thought it provokes. At times it's like trying to recall a receding dream or encountering an oracle with an urgent, impossible message for you alone. It's difficult for me to separate the poems from Milorad's generosity, gentleness and intense imagination, and in a sense that doesn't matter as these are so clearly poems by a man who found beauty, saw mystery and took dignity even in confinement."Luke Kennard.Milorad Krystanovich was born in 1950 in Dalmatia, then part of the former Yugoslavia. After conflict engulfed the region, Milorad was sent to safety with relations in the UK in 1992. He learnt English and later joined The Cannon Poets, becoming a founder member of Writers Without Borders and an active and well-respected figure within Birmingham's poetry and writing community.Hailed by Jonathan Morley in 2007 as "Birmingham's finest émigré poet", Milorad's published work includes three volumes published by Writers Without Borders. Heaventree Press published the bilingual Four Horizons / Četiri Vidika (2005) and, in English, The Yasen Tree (2007). His penultimate volume, Improvising Memory, was published by Nine Arches Press in 2010. Milorad also taught Croatian, Bosnian and Serbian at the Brasshouse Language Centre in Birmingham and wrote numerous plays and novels for children and young people. Milorad Krystanovich was diagnosed with a brain tumour in 2009 and died in September 2011.

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Neither Nature nor Grace operates at the intersection of systematic and philosophical theology, exploring in particular how St. Thomas Aquinas variously uses the latter in service to the clarification and faithful advancement of the former. More specifically, Neither Nature nor Grace explores the overlooked logical difficulties that have followed the late modern debates in ecumenical Christian theology as to whether knowledge of God is available solely through God’s gracious self-revelation (e.g., Jesus Christ and Holy Scripture), or through revelation and the deliverances of natural reason. Van Wart takes the prominent French Dominican Reginald Garrigou-Lagrange as paradigmatic for the case that knowledge of God can be had by both revelation and natural reason. Representing the opposing position, that God can only be known through divine revelation, Van Wart highlights the work of influential Protestant theologian Karl Barth. By placing these two imposing 20th century theologians in conversation, and by providing a careful theo-philosophical analysis of the logical mechanics of each thinker’s respective arguments, Van Wart shows how both inadvertently overreach their self-professed epistemological bounds and just so run into significant problems maintaining the coherence of their relative theological positions. That is, against their expressed intentions to the contrary, both thinkers unwittingly evacuate the divine essence of the mystery Christian tradition has always previously claimed it to have, effectively reducing the being of God to mere creaturely being writ large. As a contrasting corrective to this problem, Van Wart proffers a constructive grammatical reading of Aquinas’s measured account of the crucial but often overlooked logical differences between what can be said of the divine, on the one hand, versus what can be known of God, on the other. While many recent works have attempted to solve the ongoing arguments which Garrigou-Lagrange and Barth epitomize regarding the epistemic use of God’s effects, Van Wart’s contribution constructively pushes the conversation to a different level in showing how Aquinas’s grammar of God provides a salutary means of dissolving and moving beyond these contentious debates altogether.

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