Search results for ""author louise"

THE TWISTY NEW THRILLER AND TOP 5 SUNDAY TIMES BESTSELLERIN A VILLAGE WITH THIS MANY SECRETS, A MURDER IS JUST THE BEGINNING . . .On New Year's Eve, Rhys Lloyd has a house full of guests.He's celebrating the success of his lakeside holiday homes, and has generously invited the village to drink champagne with their wealthy new neighbours.By midnight, Rhys will be floating dead in the freezing waters of the lake.On New Year's Day, DC Ffion Morgan has a village full of suspects.She grew up in the tiny community, so the murder suspects are her neighbours, friends and family - and Ffion has her own secrets to protect.With a lie uncovered at every turn, soon the question isn't who wanted Rhys dead . . . but who finally killed him.A GAME OF LIES, THE NEXT DC FFION MORGAN THRILLER, IS OUT NOW!'Superb, devilishly clever, with echoes of Agatha Christie' PATRICIA CORNWELL'Wickedly enjoyable' THE TIMES'Mackintosh is just getting better and better with every book' PETER JAMES'Leo and Ffion make a storming debut in this twisty tale' BELINDA BAUER'A dark delight of a murder mystery!' JANICE HALLETT'Warm, atmospheric, ingenious - this is the new crime series you need in your life' WILL DEAN'Insanely gripping' ERIN KELLY'Mackintosh is a genius' FIONA CUMMINS'An absolute triumph' CLAIRE DOUGLAS'Brilliant, so atmospheric' RUTH WARE'Whipsmart' LINWOOD BARCLAY'DC Ffion Morgan is complicated, funny and very sweary' LOUISE CANDLISH'Twists that blindside you all the way' MARI HANNAH'Every chapter ends on a cliff hanger' GOOD HOUSEKEEPING

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'Prepare for your heart rate to rise reading this edge-of-your-seat psychological thriller!' The Sun'If you're looking for a page-turner, this is it!' Hello!'The perfect choice for fans of C.L. Taylor and Louise Candlish' Woman's Weekly'A superbly pacy thriller that will keep you looking over your shoulder' Sunday MirrorYOU HAVEN'T FORGOTTEN.THEY HAVEN'T FORGIVEN. Leah Wallace has just achieved her dream of becoming editor at a regional paper. On her first day a 15-year-old girl, Hope Hooper-Smith, is reported missing. The police fear that she has been abducted. Hours later, another teenage girl goes missing. But this girl, Tilly Bowers, is from a troubled background and is a habitual runaway. Leah decides to run the Hope's abduction on the front page, while Tilly only gets a small mention on page eighteen. The next day, Hope is found unharmed at a train station. But Tilly is never seen or heard from again.Sixteen years later, a TV documentary questions Leah's decision not to give Tilly's case immediate coverage, implying that she could have cost Tilly her life, and Leah starts receiving death threats online. Then mysterious paper dolls begin appearing, cut from the newspapers Leah used to edit, and she suspects that an intruder has been in the house. Leah becomes convinced that someone wants to punish her for the part she played in Tilly's disappearance. But just how far will they go to make her pay? A gripping and chilling psychological thriller, perfect for fans of Lisa Jewell and C.L. Taylor.

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THE NUMBER ONE BESTSELLER'It is hard to imagine a more timely novel. A fascinating exploration of all sides of a particularly knotty, politicized issue.' Jodi Picoult'A knock-out twist' Gillian McAllister'Will have book clubs across the country in hot debate! Brilliant.' Clare Mackintosh****Two best friendsElizabeth and Bryony are polar opposites but their unexpected friendship has always worked. They're the best of friends, and godmothers to each other's daughters - because they both trust that the safety of their children is their top priority.One little secretLittle do they know that they differ radically over one very important issue. And when Bryony, afraid of being judged, tells what is supposed to be a harmless white lie before a child's birthday party, the consequences are more catastrophic than either of them could ever have imagined.Every parent's worst nightmare . . . ****'Compelling and nuanced. A hugely impressive page-turner' Ashley Audrain'Really beautifully written, compassionately told and incredibly thought provoking. A truly immersive telling of both sides of a story' Susan Lewis'Insightful, compassionate and nuanced. The Herd is so good.' Louise O'Neill'A genuine rollercoaster that asks big moral questions with beautifully drawn characters.' Sharon Horgan, co-creator of CATASTROPHEHere's what readers are saying about The Herd:'A timely and dramatic novel showing both sides of an ongoing debate. Loved this read!' *****'Such a genuine tale with such high stakes emotion and sensitivity' *****'A fantastic, thought-provoking and gripping book which would make a cracking book club read' *****'A complex, layered, wholly character-driven look at a complicated and controversial subject' *****

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Imagine sitting with an esteemed writer on his or her front porch somewhere in the world and swapping life stories. Dr. Wayne Flynt got the opportunity to do just this with Nelle Harper Lee. In a friendship that blossomed over a dozen years starting when Lee relocated back to Alabama after having had a stroke, Flynt and his wife Dartie became regular visitors at the assisted living facility that was Lee’s new home. And there the conversation began. It began where it always begins with Southern storytellers, with an invitation to "Come in, sit down, and stay a while."The stories exchanged ranged widely over the topics of Alabama history, Alabama folklore, family genealogy, and American literature, of course. On the way from beginning to end there were many detours: talks about Huntingdon College; The University of Alabama; New York City; the United Kingdom; Garden City, Kansas; and Mobile, Alabama, to name just a few. Wayne and his wife were often joined by Alice Lee, the oldest Lee sister, a living encyclopedia on the subject of family genealogy, and middle sister Louise Lee Conner. The hours spent visiting, in intimate closeness, are still cherished by Wayne Flynt. They yielded revelations large and small, which have been shaped into Afternoons with Harper Lee. Part memoir, part biography, this book offers a unique window into the life and mind and preoccupations of one of America’s best-loved writers. Flynt and Harper Lee and her sisters learned a great deal from each other, and though this is not a history book, their shared interest in Alabama and its history made this extraordinary work possible.

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Shane K. Bernard's Teche examines this legendary waterway of the American Deep South. Bernard delves into the bayou's geologic formation as a vestige of the Mississippi and Red Rivers, its prehistoric Native American occupation, and its colonial settlement by French, Spanish, and, eventually, Anglo-American pioneers. He surveys the coming of indigo, cotton, and sugar; steam-powered sugar mills and riverboats; and the brutal institution of slavery. He also examines the impact of the Civil War on the Teche, depicting the running battles up and down the bayou and the sporadic gunboat duels, when ironclads clashed in the narrow confines of the dark, sluggish river.Describing the misery of the postbellum era, Bernard reveals how epic floods, yellow fever, racial violence, and widespread poverty disrupted the lives of those who resided under the sprawling, moss-draped live oaks lining the Teche's banks. Further, he chronicles the slow decline of the bayou, as the coming of the railroad, automobiles, and highways reduced its value as a means of travel. Finally, he considers modern efforts to redesign the Teche using dams, locks, levees, and other water-control measures. He examines the recent push to clean and revitalize the bayou after years of desecration by litter, pollutants, and invasive species. Illustrated with historic images and numerous maps, this book will be required reading for anyone seeking the colorful history of Louisiana and the Gulf Coast.As a bonus, the second part of the book describes Bernard's own canoe journey down the Teche's 125-mile course. This modern personal account from the field reveals the current state of the bayou and the remarkable people who still live along its banks.

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Louisiana's Chenier Plain is a 2,200-square-mile region of marshes and oak-covered ridges (cheniers) that stretches along the Gulf of Mexico from Sabine Lake to Vermilion Bay. Its inhabitants, some 6,000 people of Cajun and other ancestries, retain strong economic and cultural ties to the land and its teeming wildlife. They call it paradise...but it is a vulnerable paradise. In this multifaceted study, Gay Gomez explores the interaction of the land, people, and wildlife of the Chenier Plain, revealing both the uniqueness of the region and the challenges it faces.After describing the geography and history of the Chenier Plain, Gomez turns to the lifeways of its people. Drawing on their words and stories, she tells how the chenier dwellers combine modern occupations with traditional pursuits such as alligator and waterfowl hunting, fur trapping, and fishing. She shows how these traditions of wildlife use provide both economic incentives for conservation and a source of personal and place identity. This portrait of a "working wetland" reveals how wildlife use and appreciation can give rise to a stewardship that balances biological, economic, and cultural concerns in species and habitat protection.

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"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History

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The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

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Anne’s diagnosis of terminal cancer shines a spotlight onto fractured relationships with her daughter and granddaughter, with surprising, heartwarming results. A moving, elegant and warmly funny novel by the Norwegian Anne Tyler. ‘Helga Flatland writes with such astuteness … Her portrayal of a fractured family trying to cope through emotional personal circumstances was perfect. I devoured this in two sittings and was overwhelmed with feelings for the characters’ Nina Pottell, Prima ‘Sometimes you simply don’t have words to express the beauty and experience of a book – this is one of them’ Louise Beech _______________ Anne’s life is rushing to an unexpected and untimely end. But her diagnosis of terminal cancer isn’t just a shock for her – and for her daughter Sigrid and granddaughter Mia – it shines a spotlight onto their fractured and uncomfortable relationships. On a spur-of-the moment trip to France the three generations of women reveal harboured secrets, long-held frustrations and suppressed desires, and learn humbling and heart-warming lessons about how life should be lived when death is so close. With all of Helga Flatland’s trademark humour, razor-sharp wit and deep empathy, One Last Time examines the great dramas that can be found in ordinary lives, asks the questions that matter to us all – and ultimately celebrates the resilience of the human spirit, in an exquisite, enchantingly beautiful novel that urges us to treasure and rethink … everything. For fans of Elena Ferrante, Maggie O’Farrell, Mike Gayle, Joanna Cannon, Sally Rooney and Carol Shields. _______________ ‘The most beautiful, elegant writing I’ve read in a long time. If you love Anne Tyler, you will ADORE this’ Joanna Cannon ‘Flatland is hailed as “the Norwegian Anne Tyler”, but, for me, she writes like Flatland, which is more than good enough’ Saga ‘A poignant and beautifully written story ... intimate, evocative and moving’ Kristin Gleeson ‘Helga Flatland possesses a pen made from fluent wisdom, subtle humour and elegance’ Carol Lovekin ‘Absolutely loved its quiet, insightful generosity’ Claire King 'So perceptive and clever' Rónán Hession ‘A thoughtful and reflective novel about parents, siblings and the complex – and often challenging – ties that bind them’ Hannah Beckerman, Observer ‘This is a super exploration of families that I’d urge you to read for the subtle prose, with well defined characters and a strong storyline’ Sheila O’Reilly ‘Love the sophistication, directness and tenderness of this book’ Claire Dyer ‘The most clear-eyed, honest, yet sympathetic examination of relationships that I have ever read’ Sara Taylor ‘The author has been dubbed the Norwegian Anne Tyler and for good reason … If you love books about dysfunctional families, you’ll love this’ Good Housekeeping ‘In quiet prose, Helga Flatland writes with elegance and subtle humour to produce a shrewd and insightful examination of the psychology of family and of loss’ Daily Express

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When the body of a woman is discovered in a fisherman’s net in Quebec’s Gaspé Peninsula, new recruit Detective Sergeant Joaquin Moralès is thrown in at the deep end… First in a beautifully written, atmospheric and addictive new series. ***Runner-up for the Scott Moncrieff Prize for Translations from French*** ‘Wonderfully atmospheric … I genuinely couldn’t put this book down’ Gill Paul 'You might want to grab this release if you've read everything by Louise Penny and need more Quebecois noir to feed your crime-loving tendencies’ Crime Fiction Lover ________________ Truth lingers in murky waters… As Montrealer Catherine Day sets foot in a remote fishing village and starts asking around about her birth mother, the body of a woman dredges up in a fisherman’s nets. Not just any woman, though: Marie Garant, an elusive, nomadic sailor and unbridled beauty who once tied many a man’s heart in knots. Detective Sergeant Joaquin Moralès, newly drafted to the area from the suburbs of Montreal, barely has time to unpack his suitcase before he’s thrown into the deep end of the investigation. On Quebec’s outlying Gaspé Peninsula, the truth can be slippery, especially down on the fishermen’s wharves. Interviews drift into idle chit-chat, evidence floats off with the tide and the truth lingers in murky waters. It’s enough to make DS Moralès reach straight for a large whisky… Both a dark and consuming crime thriller and a lyrical, poetic ode to the sea, We Were the Salt of the Sea is a stunning, page-turning novel, from one of the most exciting new names in crime fiction. ________________ Praise for Roxanne Bouchard: ‘Colourful, authentic characters with the kind of flavour that can only be inspired by real locals. So good it’ll make you want to pack your bags and drive straight to the seaside’ Journal de Montréal ‘Lyrical and elegiac, full of quirks and twists’ William Ryan ‘Asks questions right from page one’ Quentin Bates ‘An isolated Canadian fishing community, a missing mother, and some lovely prose. Very impressed by this debut so far’ Eva Dolan 'A tour de force of both writing and translation’ Su Bristow 'The translation from French has retained a dreamily poetic cast to the language, but it's det-fic for all that, as DS Joaquin Morales, transplanted from balmy Mexican shores to a remote Quebecois fishing community, investigates a woman's death at sea. This is the first book by Bouchard, renowned Canadian playwright and author, to be translated into English' Sunday Times 'Characters are well-drawn, from Moralès, the cop, and his sturdy inspector, Marlène, to the husky fishermen who were Marie's devoted suitors three decades ago. There's a comic element: the chef at the bistro, a mine of misleading information; the alcoholic priest who was never ordained - and the appalling undertaker who was once a used-car salesman and never forgot the spiel … An exotic curiosity, raw nugget’ Shots Mag

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Located at the junction of North America and the Caribbean, the vast territory of colonial Louisiana provides a paradigmatic case study for an Atlantic studies approach. One of the largest North American colonies and one of the last to be founded, Louisiana was governed by a succession of sovereignties, with parts ruled at various times by France, Spain, Britain, and finally the United States. But just as these shifting imperial connections shaped the territory's culture, Louisiana's peculiar geography and history also yielded a distinctive colonization pattern that reflected a synthesis of continent and island societies. Louisiana: Crossroads of the Atlantic World offers an exceptional collaboration among American, Canadian, and European historians who explore colonial and antebellum Louisiana's relations with the rest of the Atlantic world. Studying the legacy of each period of Louisiana history over the longue durée, the essays create a larger picture of the ways early settlements influenced Louisiana society and how the changes in sovereignty and other circulations gave rise to a multiethnic society. Contributors examine the workings of empire through the examples of slave laws, administrative careers or on-the-ground political negotiations, cultural exchanges among landowners, slave holders, and slaves, and the construction of race through sexuality, marriage, and household formation. As a whole, the volume makes the compelling argument that one cannot write Louisiana history without adopting an Atlantic perspective, or Atlantic history without referring to Louisiana. Contributors: Guillaume Aubert, Emily Clark, Alexandre Dubé, Sylvia R. Frey, Sylvia L. Hilton, Jean-Pierre Le Glaunec, Cécile Vidal, Sophie White, Mary Williams.

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From the spires of Churchill Downs and the Cathedral of the Assumption, to the bluegrass farms of its outlying areas and the blueblood roots of its historic districts, Louisville has something to offer every native and visitor. Over 200 vintage hand-tinted and black and white postcards from the 1900s to the 1940s take readers on a journey back in time to tour old Louisville, showcasing some of the city's most famous landmarks and sites. Tour an antebellum plantation house, have a Hot Brown at the Brown Hotel, travel on a steamboat down the Ohio River, walk the grounds of Fort Knox or on a lawn of Kentucky blue grass, and cheer on the longshot from the stands of Churchill Downs.

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Marching across occupied France in 1944, American GI Leroy Stewart had neither death nor glory on his mind: he was worried about his underwear. “I ran into a new problem when we walked,” Stewart wrote, “the shorts and I didn’t get along. They would crawl up on me all the time.” Complaints of physical discomfort like Stewart’s—or worse—pervade infantrymen’s memories of the European theater, whether the soldiers were British, American, German, or French. Wet, freezing misery with no end in sight—this was life for millions of enlisted men. Crawling underwear may have been a small price to pay for the liberation of millions of people, but in the utter wretchedness of the moment, it was quite natural for soldiers like Stewart to lose sight of that end. ​ Sheer Misery trains a humane and unsparing eye on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the war. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Feet became too swollen to march, fingers too frozen to pull triggers; stomachs cramped, and diarrhea stained underwear and pants. Turning away from the accounts of high-level military strategy that dominate many WWII histories, acclaimed historian Mary Louise Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the “screaming meemies,” the acrid smell of cordite, and the shockingly mundane sight of rotting corpses. As Roberts writes, “For soldiers who fought, the war was above all about their bodies. It was as bodies that they had been recruited, trained, and deployed. Their job was to injure and kill bodies but also be injured and killed.” Told in inimitable style by one of our most distinctive historians of the Second World War, Sheer Misery gives readers both an unprecedented look at the ground-level world of the common soldier and a deeply felt rendering of the experience of being a body in war.

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In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

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Dear Regina offers a remarkable window into the early years of one of America’s best-known literary figures. While at the University of Iowa Writer’s Workshop from 1945 to 1948, Flannery O’Connor wrote to her mother Regina Cline O’Connor (who she addressed by her first name) nearly every day and sometimes more than once a day. The complete correspondence of more than six hundred letters is housed at the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University. From that number, Miller selects 486 letters to show us a young adult learning to adjust to life on her own for the first time. In these letters, O’Connor shares details about living in a boardinghouse and subsisting on canned food and hot-plate dinners, and she asks for advice about a wide range of topics, including how to assuage her relatives’ concerns about her well-being and how to buy whiskey to use for cough medicine.These letters, which are being published for the first time with the unprecedented permission of the Mary Flannery O’Connor Charitable Trust, also offer readers important insights into O’Connor’s intellectually formative years, when her ideas about writing, race, class, and interpersonal relationships were developing and changing. Her preoccupation with money, employment, and other practical matters reveals a side of O’Connor that we do not often see in her previously published letters. Most importantly, the letters show us her relationship with her mother in a much more intimate, positive light than we have seen before. The importance of this aspect of the letters cannot be overstated, given that so much literary analysis conflates her and Regina with the "sour, deformed daughters and self-righteous mothers" that critic Louise Westling sees so often in O’Connor’s work.

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Japonisme, the 19th-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the 21st-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d’Ennery (1823–98), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d’Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a 50-year patron of Parisian dealers of Asian art, d’Ennery’s struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand-Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d’Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists—Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few— took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women—and many others—actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.

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At the heart of a great love lies a devastating secret . . . Fans of Lucinda Riley, Santa Montefiore and Louise Douglas will be gripped by Muna Shehadi's stunning new novel of twisting family secrets.'Clear your schedule and dive into Muna Shehadi's latest triumph, The First Wife! Her vivid characters walk right off the page and into your heart . . . I love this book!' VICKI LEWIS THOMPSON, New York Times bestselling authorReaders are captivated by The First Wife:'A fabulous read full of twists and turns . . . A great book . . . I loved it. Definitely a 5 star read''This is a great read, it was well written with a great storyline and well developed characters that I took to my heart . . . I couldn't put this book down, it was truly compelling''I was absolutely captivated by the atmosphere, and the characters . . . My advice is not to start reading this unless you have time to go to the end!''You will not be able to stop reading this book!'.............................................Holly Penny expects that attending the funeral of her ex-husband at the elegant mountain resort they enjoyed together so often will be momentous and emotional. Lyle was the love of her life; they were happier than she'd ever imagined being, until a split second changed their lives and eventually destroyed their marriage. Surrounded by luxury she could once take for granted, what Holly doesn't expect is to discover that Lyle kept their long, loving relationship a secret from the two women he married after her. Even more troubling, stories the other wives tell bear little resemblance to the man Holly knew so well. As the weekend unfolds, guided by detailed instructions Lyle left behind, new jarring surprises surface and new connections are formed that will force Holly to redefine both her future and, more wrenchingly, her past..............................................'I absolutely ADORED this beautiful book. Profoundly moving and very wise, this stunningly original and touching tale is one to savour and re-read. An immersive delight of a book' RENITA D'SILVA'A wonderfully heartfelt, multi-layered story of greed and grief, love and loss . . . tantalises the reader with its clever twists and turns - impossible to put down!' SARAH STEELE 'Captivating right out of the gate. This unique and beautifully told tale, laced with mystery and secrets, will keep readers hooked . . . A deeply moving and insightful story that will stay with me for a long time' ALISON RAGSDALE 'I loved the combination of mystery and love story - every time I put it down, I couldn't wait to get back to it . . . A compelling mystery, wrapped up in a beautiful romance!' EMMA ROBINSON 'From the very first page The First Wife seduced me with its promise of revelations to come; part mystery, part romance but above all the story of one woman's lifelong mission to be true to herself' JULIE BROOKS

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Charles II had at least twelve illegitimate children that we know of. Although his queen, Catherine of Braganza, fell pregnant several times she was not able to bear any children to full term. The king, who was known for his many mistresses, had his first recognised child out of wedlock in 1649; the child was James Croft who would become Duke of Monmouth and mastermind of an infamous rebellion. Not all of his children would gain such notoriety but they would live long and full lives creating a Stuart bloodline that descends to the present day. There was Nell Gywn's son, Charles Beauclerk, Duke of St Albans who was present at the siege of Belgrade in 1688\. The French mistress, Louise de Keroualle's son, Charles Lennox, Duke of Richmond who was an early patron of cricket. Catherine Pegge's son, Charles Fitzcharles, 1st Earl of Plymouth who was a colonel in the King's Own Royal Regiment and lost his life in Tangier and Moll Davis' daughter Mary Tudor, Countess of Derwentwater who separated from her husband because she refused to be a Catholic. Not to mention Charles's offspring by Barbara Villiers, Lady Castlemaine and later Duchess of Cleveland - there was Anne who had an affair with one of her father's mistresses, Charles who succeeded to the dukedom of Cleveland, Henry who became vice-admiral of England, George who was in the secret service in Venice, Barbara who after a torrid affair with the Earl of Arran gave birth to illegitimate twins and became a nun in France and Charlotte, who became Countess of Lichfield and had eighteen children! And then there are the stories of other children like James de la Cloche and Charlotte Boyle whose births and lives are shrouded in mystery and rumour. This book will bring to life the king's many illegitimate children and tell their stories.

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Of Queen Victoria's four sons, the eldest married a Danish princess, one a Russian Grand Duchess, and the other two princesses of German royal houses. The first to join the family of the Grandmama of Europe' was Alexandra, eldest daughter of the prince about to become King Christian IX of Denmark. Charming, ever sympathetic and widely considered one of the most attractive royal women of her time, she was prematurely deaf and suffered from a limp which was made fashionable by court ladies due to her popularity. Alexandra proved an ideal wife for the Prince of Wales, later King Edward VII. Grand Duchess Marie, daughter of Tsar Alexander II of Russia and wife of Alfred, Duke of Edinburgh and later Saxe-Coburg Gotha, was cultured and intelligent, but dowdy, haughty and, convinced of the Romanovs' superiority, resented having to give precedence at court to her in-laws. Louise of Prussia, a niece of William I, German Emperor, had the good fortune to escape from a miserable family life in Berlin and marry Arthur, Duke of Connaught, a dedicated army officer who was always the Queen's favourite among her children. Finally, Helen of Waldeck-Pyrmont, sister of Emma, Queen Consort of the Netherlands, became the wife of the cultured Leopold, Duke of Albany, but he was haemophiliac and their marriage was destined to be the briefest of all, cut short by his sudden death less than three years later. All four were very different personalities, proved themselves to be supportive wives, mothers and daughters-in-law in their own way, and dedicated workers for charity at home and abroad. Based partly on previously unpublished material from the Royal Archives at Windsor and Madrid, and the Leonie Leslie Papers, University of Chicago, this is the first book to study all four as a family group.

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Louisiana is the permanent or migratory home of 471 species of birds, including the state bird, the brown pelican. This beautifully illustrated guide highlights over 140 familiar and unique species and includes a map featuring prominent bird-viewing areas. Laminated for durability, this lightweight, pocket-sized folding guide is an excellent source of portable information and is ideal for field use by visitors and residents alike. Made in the USA.

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Jeanne Pitre Soileau, winner of the 2018 Chicago Folklore Prize and the 2018 Opie Prize for Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children’s Folklore and Play, vividly presents children’s voices in What the Children Said: Child Lore of South Louisiana. Including over six hundred handclaps, chants, jokes, jump-rope rhymes, cheers, taunts, and teases, this book takes the reader through a fifty-year history of child speech as it has influenced children’s lives.What the Children Said affirms that children's play in south Louisiana is acquired along a network of summer camps, schoolyards, church gatherings, and sleepovers with friends. When children travel, they obtain new games and rhymes, and bring them home. The volume also reveals, in the words of the children themselves, how young people deal with racism and sexism. The children argue and outshout one another, policing their own conversations, stating their own prejudices, and vying with one another for dominion. The first transcript in the book tracks a conversation among three related boys and shows that racism is part of the family interchange. Among second grade boys and girls at a Catholic school another transcript presents numerous examples in which boys use insults to dominate a conversation with girls, and girls use giggles and sly comebacks to counter this aggression.Though collected in the areas of New Orleans, Baton Rouge, and Lafayette, Louisiana, this volume shows how south Louisiana child lore is connected to other English-speaking places: England, Scotland, Ireland, Australia, and New Zealand, as well as the rest of the United States.

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Ben Depp’s photographs capture the beauty, complexity, and rapid destruction of south Louisiana. His photographs communicate weather and seasonal changes - like the shifting high-water line, colour temperature, and softness of light.

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Returning to a theme featured in some of the earlier volumes in the Edinburgh Studies in Law series, this volume offers an in-depth study of 'mixed jurisdictions' -- legal systems which combine elements of the Anglo-American Common Law and the European Civil Law traditions. This new collection of essays compares key areas of private law in Scotland and Louisiana. In thirteen chapters, written by distinguished scholars on both sides of the Atlantic, it explores not only legal rules but also the reasons for the rules, discussing legal history, social and cultural factors, and the law in practice, in order to account for patterns of similarity and difference. Contributions are drawn from the Law Schools of Tulane University, Louisiana State University, Loyola University New Orleans, the American University Washington DC, and the Universities of Aberdeen, Strathclyde and Edinburgh. This title will be of interest to students of comparative law at senior undergraduate and postgraduate level, academics and researchers and also those who are interested in the mixed jurisdictions for the lessons they offer in the context of harmonisation of private law in Europe.

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Over the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Against the backdrop of ongoing anti-Blackness and Indigenous erasure that has sought to undermine this rich culture, Louisiana Creoles have found transformative ways to uphold solidarity, kinship, and continuity, retaking Louisiana Creole agency as a post-contact Afro-Indigenous culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, Louisiana Creole Peoplehood explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity. With interviews, essays, and autobiographic contributions from community members and scholars, Louisiana Creole Peoplehood tracks the sacred interweaving of land and identity alongside the legacies and genealogies of Creole resistance to bring into focus the Afro-Indigenous people written out of settler governmental policy. In doing so, this collection intervenes against the erasure of Creole Indigeneity to foreground Black/Indian cultural sustainability, agency, and self-determination.

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Evolutionary Psychology: A Beginner’s Guide is a uniquely accessible yet comprehensive guide to the study of the effects of evolutionary theory on human behaviour. Written specifically for the general reader, and for entry-level students, it covers all the most important elements of this interdisciplinary subject, from the role of evolution in our selection of partner, to the influence of genetics on parenting. The book draws widely on examples, case studies and background facts to convey a substantial amount of information, and is authored by the UK’s leading experts in the field, from the only dedicated research and teaching institute.

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Breaking the Codes is a cultural history of the fin-de-siecle that uses the "problem" of the criminal woman to examine both the debates around the appropriate place of women in French society and the ways in which issues of gender were central to the most important cultural transformations of the period. The author asserts that "female criminality" was a code that condensed and obscured larger concerns. For example, to what degree and in what ways did the symbolic overtones of female criminality connect to the substantive issues that appeared over and over again in the stories of women's crime? How were the crimes of domestic violence, infanticide, and abortion interpreted in the context of broader debates about divorce, depopulation, sexuality, and women's roles in the public sphere? What was the role of expert commentary - from the forensic psychiatrist, the criminologist, the legal scholar - in producing a normative code for female behavior? And how did this code accommodate or resist the newly recognized voice of popular opinion and changing notions of citizenship? This study demonstrates both the inadequacy of the categories of public and private as they have been conventionally used to segregate the subjects of historical inquiry and the artificiality of the boundaries between high and low culture. Instead, it moves between domestic life and public courtrooms, between social science literature and popular journalism, analyzing the complex responses to female crime among different constituencies and through different genres. In so doing, the author sheds light on various overlapping processes of cultural negotiation in a period of profound change.

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Louis Pete Rogers Browning, the original Louisville Slugger for whom the famous baseball bat was named, was one of the greatest baseball players of the nineteenth century. Yet his prowess and talent were often overshadowed by his drunken exploits and endless eccentricitieson and off the field. Over his thirteen-year career he won three batting titles, finished in the top three nine times, and was one of the greatest hitters of the premodern era. To this day, his.341 lifetime batting average remains in the MLB's top five for right-handed hitters. He acquired other nicknames such as the Gladiator and Prince of Bourbon, and when Browning was stolen from Louisville by Pittsburgh recruiters, the team became known as the Pittsburgh Pirates. He attributed his great abilities to many quirky and colorful habits. He drank tabasco sauce and washed his eyes with buttermilk, claiming that both improved his ability to hit. He named his bats after biblical characters and meticulously took care of the

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