Search results for ""Author Frances"

Far from being a discipline focusing on the past, archaeology has boundless potential for engaging with people in the present. Encounters between archaeologists and the public with different pasts have the potential to create diverse participative dynamics. From the involvement of citizens as excavators and re-enactors to the co-organisation of research campaigns and outreach activities, public participation in archaeology has become a well-represented practice, fully incorporated into European and national cultural policies. However, the impact of this practice remains underexplored. Unforgettable Encounters demonstrates how evaluating participation can critically influence daily practice on fieldwork, enrich the academic discussion in public archaeology, and inform the decision-making process in community-based planning. The book proposes an operational workflow, aiming to serve as a benchmark for archaeologists delivering collaborative programs in excavation-based projects. It offers a flexible set of tools, analyses, and visualisation boards which can provide a range of information about public participation and can inform the daily practice of fieldwork and the development of community projects. Three Italian case studies present the application of the operational workflow, testing its flexibility and effectiveness. By focusing on Italian community archaeology, this book aims to raise awareness of the importance of evaluating public participation in a country where this commitment has always been evident—especially in excavations—but where research on community archaeology itself has developed only in the last few years.

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Unapologetically sensual and forthright, Bell explores desire, loss, faith, doubt, tenderness, and violence; and sex as experience, metaphor, and magnifying lens for relationships. Bright Stain may or may not become the Sex and the City of poetry, but this knock-your-socks-off debut will likely inspire debate—perhaps controversy―as it inhabits some startling points of view, including those of pedophile priests, serial killers, and prison inmates. Those who miss reading these breathtaking, visceral poems won’t know what their friends are raving about. *FINALIST in Poetry for the Washington State Book Awards*

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La Calisto

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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and NGOs, and by engaging their respective labs at ETH Zürich and the University of Hong Kong as key research locations, both offices investigate new forms of cooperation and dialogue as crucial strategies for design.51N4E and RUF work at the seams of urbanization, with projects situated in transitional settlements in Ulaanbaatar, the rural regions of China, the transforming neighborhoods of Brussels, and Albania’s shifting public spaces. This publication compares their research and design processes in order to question the extents and certainties of architecture against backdrops of indeterminate notions of citizenship, unstable stages of urbanization, and insecure economies and ecologies. The Things Around Us: 51N4E and Rural Urban Framework is co-published with the Canadian Centre for Architecture (CCA) in Montreal.

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Freya is an ordinary girl living in modern Britain, but with a twist: people still worship the Viking gods. One evening, stuck with her dad on his night shift at the British Museum, she is drawn to the Lewis Chessmen and Heimdall's Horn. Unable to resist, she blows the horn, waking three chess pieces from their enchantment; the slaves Roskva and Alfi, and Snot the Berserk. They are all summoned to Asgard, land of the Viking gods, and told they must go on a perilous journey to restore the gods to youth. If Freya refuses she will be turned into an ivory chess piece but, if she accepts her destiny and fails, the same terrible fate awaits her.

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A page-turning literary fantasy filled with terror and wonder, set in a sun-baked Southern Italy, for fans of The Girls by Emma Cline, The Magus by John Fowles and The Great Believers by Rebecca Makkai.It’s been labelled a doomsday cult, but the Bastion might be humanity’s last hope. Amidst all the lies and chaos, come hear their true story, in their own words.On the rural coast of Puglia, Italy, Becca and Ric run the Bastion, offering solace and a home for lost souls. Each year they welcome new members to join the Open Feast, where they teach them to release their burdens and create a better world, in a journey of self-discovery and spiritual teachings.But the Bastion has secrets. The Bastion has a destiny. Deep in the Inner Pinewood, a place of real magic and beauty, they are all that stands against the dark forces that would tear the sky wide openAnd what of those who call Becca and Ric liars? Cult leaders and c

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A bittersweet gothic fantasy of family, friendship, memory, and the uncanny told from the perspective of a blind teenager in Puglia, Southern Italy, set in the same world as The Book of Hidden Things, perfect for readers of Neil Gaiman, Donna Tartt and Haruki Murakami. Praise God, never the wind 1996 - Luca Saracino is thirteen and has been completely blind for eight months when his parents move to a Southern Italian farmhouse they dream of turning into a hotel. With his brother dropping out of university and the family reeling from Luca’s diagnosis, they are chasing dreams of rebirth and reinvention. As Luca tells his story without sight - experiencing the world solely through hearing, smell, taste and touch - he meets the dauntless Ada Guadalupi, who takes him out to explore the rocky fields and empty beaches. But Luca and Ada find they can’t escape the grudges that have lasted between their families for generations, or the gossiping of the town. And Luca is preyed upon by the feral Wanderer, who walks the vineyards of his home. As Luca's family starts to crack at the seams, Luca and Ada have to navigate new lands and old rivalries to uncover the truths spoken as whispers on the wind.

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Get into gear and learn all about vehicles that go, go, go in Go!Block from the bestselling Abrams Block Book series! Like other books in the hugely popular Block Book series, Go!Block features die-cut shapes on every spread and has durable, interactive gatefolds, perfect for curious hands. In this small but sturdy block-shaped board book, young readers are introduced to an incredible array of vehicles big and small. From airplanes, buses, and cars to subways, rail trains, and unicycles, follow our protagonists as they travel using human-powered and motor-powered vehicles alike to get to their destination: a hot air balloon ride that overlooks a constantly in-motion town! Illustrated in Peski Studio’s bright, graphic style, this is a must-have book for transportation enthusiasts everywhere. Collect the whole series:Alphablock * Countablock * Dinobloc

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HORNY LIZARDS AND HEADLESS CHICKENS is a vile and disgusting compendium of the world's most unpleasant creatures, diseases, hideous tortures and every other type of horrifying, nauseating fact imaginable. Questions posed in the book address revolting matters such as:* Do flies really puke on your food?* Which worm can eat its way through the human eye?* And how long does a head remain conscious after being guillotined?In HORNY LIZARDS AND HEADLESS CHICKENS, readers can explore a huge range of horrible subjects, which most books have the good sense to avoid, including Aztec sacrifices, bizarre medical treatments, body snatchers, cannibalism, and eye-wateringly unpleasant execution methods. You are guaranteed a brilliantly sickening read.

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A collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival. Hector Berlioz (18031869) has long been a difficult figure to place and interpret. Famously, in Richard Wagner's estimation, he hovered as a transient, marvelous exception, a composer woefully and willfully isolated. In the assessment of German composer Ferdinand Hiller, he was a fleeting comet who does not belong in our musical solar system, the likes of whom would never be seen again. For his contemporaries, as for later critics, Berlioz was simply too strangeand too noisy, too loud, too German, too literary, too cavalier with genre and form, and too difficult to analyze. He was, in many ways, a composer without a world. Berlioz and His World takes a deep dive into the composer's complex legacy, tracing lines between his musical and literary output and the scientific, sociological, technological, and political influences that shaped him. Compri

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A solarpunk masterpiece from a writer who champions a positive, inclusive and deep-thinking version of future possibilities.The Pulldogs leave Rome to embrace a new condition: leaving no trace of their passage, they shape a new challenging lifestyle: wandering around the world as neo-nomads to spread their solarpunk way of living and to engage on a never-ending mission to save endangered human cultures with nanites. But the vision of Alan and Nicolas about how the Pulldogs should live collide, and as a consequence, they split in two groups: one goes North to live in the beautiful wilderness of Siberia and Mongolia, while the other goes South to save the Dogon tribe from a possible extinction due to climate change in Central Africa. But at the end everybody - including a new generation of Pulldogs - will have to come back to Rome, where their incredible transformation started many years before. Sequel to the celebrated The Roamers.FLAME TREE PRESS is the im

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Text in Arabic. Nona's house broke when she hit a rock in her running competition. With winter approaching, she became worried! How will she face the cold and rain without a warm house to protect her? Nona asked her friends: Can any of you host me in her house? What their answers were! A fun book about friendship and hospitality.

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Off-Piste skiing and ski mountaiuneering has become more and more popular in the Lombardia area (Italy) recent years... it is a huge area with some very established resorts which act as convienient bases for the adventurous skier. This new guidebook from Versante Sud describes 50 off-piste routes and includes all the information a visiting skier will need including starting points, any ascent necessary, information on the chosen descent plus any possible variations that may be of interest. The guidebook is illustrated in full colour throughout and the text is in Italian and English...

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Enzo Mari was an inventor of languages, a constructor of grammars - intended as methods or sets of rules -, deeming these instruments necessary to “communicate knowledge with improved quality and efficiency”.It is impossible to define his discipline or his profession: he is an artist, an industrial designer, a graphic designer, an architect, but also a theorist, a pedagogue, an intellectual, possibly a philosopher, certainly a utopian who knew how to programme quiet revolutions which are, even today, often misunderstood when not totally unknown; these are some of the many facets of a complex and revolutionary personality. The root of his design methodology, which characterises the process of all the studies he later conducted, originates in his initial research into the field of visual arts, i.e. the research into the perceptual ambiguity of three-dimensional space that he undertook in the early 1950s, when he was still a scenography student at the Brera Academy of Fine Arts. What characterises Mari’s design process is a “scientific” method made up of codes, theorems, theses, the construction of tools and instruments, tests, the comparison of models and the transcription of results deriving from his observations. This volume intend to return to the public a mnemonic atlas, a mapping system that can be used to explore and understand the complex nuances of the research conducted by Mari. Semantic research and verifications that have resulted in the programming of art, and which constitute the basis of the method that defines a process common to all the research, disciplines and utopias he pursued. Text in English and Italian.

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Pinelli's painting offers the image of an energy source that seems to arise spontaneously from the spirit of the place. Considered today as work that moves in real space with the lightness of a gesture that suddenly takes shape, depositing itself on the walls of places in which it happens to be, Pino Pinelli's painting offers the image of an energy source that seems to arise spontaneously from the spirit of the place, displaying its infinite possibilities of being, breathing, imagining, and generating new solutions; the fruit, as Pinelli's friend, the poet Carlo Invernizzi, said in one of his first interventions dedicated to the artist at the end of the 1980s, "of an irrepressible yearning to be de-localised, so as to be a wandering centre on the margins and beyond the boundaries in a prefiguration of the world that is created as a possibility of the boundlessness." In this, Pinelli's painting never fails to go beyond the sensory perception one can have of space, of material-colour, even beyond the idea of painting itself. Text in English and Italian.

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