Search results for ""Author Frances"

'A fabulous closed-room mystery that will keep you guessing' - DENISE MINA 'Fabulous Dublin-based crime. Very much in the vein of Tana French' - JO SPAIN 'This creeps up on you until you're hooked' - HEAT THEY DID IT TO THEMSELVES BUT SOMEONE WAS WATCHING The Macnamara sisters hadn't been seen for months before anyone noticed. It was Father Timoney who finally broke down the door, who saw what had become of them. Berenice was sitting in her armchair, surrounded by religious tracts. Rosaleen had crawled under her own bed, her face frozen in terror. Both had starved themselves to death. Francesca Macnamara returns to Dublin after decades in the US to find her family in ruins. Meanwhile, Detectives Vincent Swan and Gina Considine are convinced that there is more to the deaths than suicide. Because what little evidence there is, shows that someone was watching the sisters die... A compelling mystery that will keep you reading late into the night, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain. ________________________________________ *** SUNDAY TIMES CRIME CLUB STAR PICK *** *** AN IRISH TIMES CRIME BOOK OF THE YEAR *** 'A terrific new gem of Irish noir, written with a light touch' - SUNDAY TIMES 'Sombre, psychological nuanced and compassionate... gripping' - IRISH TIMES 'Intriguing, compelling and highly entertaining. Formidably impressive' - LIZ NUGENT 'Thrilling... will keep you guessing until the very end' - MY WEEKLY 'Infused with depth, darkness and acute psychological drama' - HERALD

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For fans of Daniel Silva and David Baldacci comes a gripping thriller based on real world events that will have you riveted until the final page is turned. When NYPD detectives Paul Rossi and Hamilton P. Turner begin investigating the Sutton Place murder of an Italian air force pilot, the last thing they expect is that they will and find themselves sucked into the potential cover-up of the Ustica massacre, the most horrific aviation crime in Italian history, in which all 81 souls on board perished, where Italian President Francesco Cossiga blamed a missile deployed by the French Navy for the disaster. But as they begin investigating, Rossi, recovering from a broken marriage, and Turner, an African-American opera buff, poet, and former lawyer with ambitions to be mayor, come up against NYPD bureaucratic obstacles and stonewalling by the Italian Consulate in NYC. Lieutenant Laura Muro, the policewoman sister of the victim, comes to New York to aid the investigation, but soon the trio find themselves in the crosshairs of the Gladio, Italy’s powerful, shadowy political cabal whose reach extends to the highest reaches of New York political and ruling class. From New York to Italy, Rossi, Turner, and Muro must uncover the shocking truth about one of the most notorious disasters in airline history, and how this infamous act ties to the present-day murder. Riveting, erudite, and surprising at every turn, THE MAN IN MILAN announces a major new voice in international thriller fiction.

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Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

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The increase in the number of non-binary children and adults in our society raises important treatment questions as well as much controversy. It seems essential that analysts and candidates grapple with the challenges this change in society presents. As we struggle in our psychoanalytic societies to diversify our membership and broaden our understanding of difference, this collection offers an opportunity for further discussion and study of one of the most important issues of our time. The opening essay by editor Shari Thurer provides a clear overview of recent cultural changes and the evolution of thinking about gender identification by the American Psychoanalytic Association. Next is an autobiographical essay by long-term non-binary individual Robin Haas plus a clinical reflection on Haas’ contribution by Rita Teusch. A recent account of an individual becoming non-binary from Francesca Spence is followed by the reactions of their parents, L. Harry Spence and Robin Ely. After that are psychoanalytic thoughts about the body and gender by Malkah Notman and reflections on gender from Dan Jacobs. The book ends with an extensive bibliography on the subjects of transsexuality and non-binary gender by Oren Gozlan Beyond the Binary: Essays on Gender introduces readers to current ideas about gender fluidity and choice, as well as giving voice to those who have chosen to be non-binary. This is a must-read for all practising clinicians that will help broaden their perspective on this growing issue. This is the fourth publication sponsored by the Library Committee of the Boston Psychoanalytic Society and Institute and the first published by Phoenix.

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Scrumptious, healthy, crowd-pleasing recipes for people with diabetes and their loved ones The editors of Diabetic Gourmet Magazine understand that although people with diabetes must carefully monitor their eating habits, they still crave their favorite sweets and savory dishes. Now, with this all-new collection of healthy recipes that are perfect for everyday meals as well as for entertaining, you can enjoy making tasty dishes for yourself, your friends, and your family that are as good for you as they are delicious. The Diabetic Gourmet Cookbook features more than 200 original gourmet recipes complete with detailed nutritional information and diabetic exchanges for easy meal planning. By featuring healthy versions of traditional favorites-from pot roast to macaroni and cheese to banana cream pie-this mouthwatering collection shows how you can safely and effectively eat well if you have diabetes or special dietary needs and still enjoy wonderful food. You'll find easy-to-prepare recipes for appetizers, soups, salads, breads, desserts, sauces, and more along with a host of healthy cooking techniques-which makes The Diabetic Gourmet Cookbook essential for every health-conscious cook's kitchen. Pecan Winter Waffles * Huevos Rancheros * Blueberry Blintzes Topped with Lime Crema * Cranberry Apple Muffins * Baked Onion Rings * Brazilian Smoked Black Bean Soup * French Onion Soup * Refreshing Spring Tabbouleh * Spicy Thai Chicken * Crisp Cornmeal-Coated Catfish * Greek Gyros with Tzatziki Sauce * Chicken Francese * Creamy Coleslaw * Ginger-Lime Sugar Snap Peas * Cranberry-Orange Biscotti * Key Lime Cheesecake Squares * Georgia Peach Pie * Baklava * And many more tasty recipes!

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This volume includes: Olga Levaniouk, “The Dreams of Barčin and Penelope”; Paul K. Hosle, “Bacchylides’ Theseus and Vergil’s Aristaeus”; Vayos Liapis, “Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus”; Nino Luraghi, “The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias”; Andrea Capra, “The Staging and Meaning of Aristophanes’ Assemblywomen”; Konstantine Panegyres, “Moses, Pharaoh, and the Waters of the Nile: Artapanus FGrHist 726 F 3”; Roy D. Kotansky, “Underworld and Celestial Eschatologies in the ‘Orphic’ Gold Leaves”; Vittorio Remo Danovi, “New Citations from the Libri Etruscorum and Varro in Vergilian Scholia”; T. H. M. Gellar-Goad, “Tears and Personified Nature in Juvenal 15.131–140 and Lucretius 3.931–962”; Tristan Power, “Textual Conjectures on Catullus 55.9-12”; Francesco Rotiroti, “From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil”; J. S. C. Eidinow, “The Critic and the Farmer: Horace, Maecenas, and Virgil in Horace Carm. 1.1”; Shirley Werner, “The Rules of the Game: Imitation and Mimesis in Horace Epistles 1.19”; Francis Newton, “Ovid Met. 1: Jupiter’s Plebeians, the Titles of Augustus, and the Poet’s Exile”; Simona Martorana, “Omission and Allusion: When Statius’ Hypsipyle Reads Ovid’s Heroides 6”; Michael Zellmann-Rohrer, “The Chronokratores in Greek Astrology, in Light of a New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1–2”; Konstantine Panegyres, “ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1”; Andrew C. Johnston, “Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance.”

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The Fitzgeralds are buttressed by wealth and privilege, but they are also buffeted by crisis after crisis, many of their own creation. Even so, they live large, in love and in strife, wielding power, combating adversaries and each other. The Good Family Fitzgerald is a saga of money and ambition, crime and the Catholic Church, a sprawling, passionate story shaped against a background of social discord.Padraic Fitzgerald is the up-from-nothing, aging patriarch whose considerable business interests appear anything but legitimate, but he has bigger problems than law enforcement. A widower, Paddy becomes enmeshed with a young woman who will force him to re-examine his cardinal assumptions. Meanwhile, he has cultivated thorny relationships with his four children, all of whom struggle over the terms of connection with their father. Anthony—oldest son, principled criminal defense attorney, designated prince of the family—and his cherished Francesca are devastated by tragedy. In the aftermath, Frankie comes to play a vital role in Fitzgerald lore. Philip is a charismatic Catholic priest spectacularly torn between his lofty ideals and aspirations and his all-too-human flaws and longings. Matty has wandered aimlessly, but once he finds his purpose, he precipitates turmoil in all quarters. Colleen, the youngest, is a seeker who styles herself the outsider and the conscience of the clan. Her hands are full, as no Fitzgerald is left untested or unscathed, and by the end the whole family, as well as those venturing into their realm, will be stunned into illumination.

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Hailed by Peter Schjeldahl in The New Yorker as “the most original, controversial, and expensive American artist of the past three and a half decades,” Jeff Koons has come to reign as a master of the market, a wry puppeteer with a “formidable aesthetic intelligence.” His elaborate, exquisitely produced sculptures draw from a contemporary lexicon of consumerism — often featuring large-scale reproductions of toys, household items, or luxury goods — while simultaneously holding up a mirror to the very culture from which they are extracted. These references to popular media are evidenced not merely in his choice of subject matter but also in his visual techniques: his sculptures frequently comprise smooth, mirrored surfaces, and his paintings employ bright and saturated colors. Jeff Koons: Gazing Ball — the first catalogue on the artist’s work to be published by David Zwirner — was produced on the occasion of the major 2013 exhibition at the gallery in New York, which marked the world debut of his Gazing Ball series, a brand new body of work that occupies an important place in the trajectory of his practice. Conceptually derived from the mirrored ornaments encountered on many suburban lawns, including those of Koons’s childhood hometown in rural Pennsylvania, every sculpture is anchored by a blue “gazing ball” of hand-blown glass. These are situated atop large, white-plaster sculptures that have been alternately modeled after iconic works from the Greco-Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman. Created in close collaboration with Koons, this elegant publication echoes the classic design of a 1970 Picasso catalogue that the artist admires. Inside, vivid color plates of the sculptures in situ capture the stark contrast between the pristine whiteness of the plaster and the highly reflective spheres. In their perfect contours and smooth, glistening surfaces, the gazing balls implicate audience as well as context — mirroring both and offering playful yet powerful meditations on the dialogue between gaze and reflection. “While all of the sculptures are grounded in their own distinct narratives, derived from Art History and suburban towns,” writes Francesco Bonami in his catalogue essay, “the seemingly fragile and delicate gazing ball establishes that sense of uncertain equilibrium that exists between history and fantasy, magic and materiality, mass culture and exclusive beauty.”

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The best of the best from the Comedians' Comedian 2020'If you loved Jeremy Hardy, or if you know anyone who did, this is the most brilliant present because it's got every part of his voice in it' DAWN FRENCH'Well good evening, my name is Jeremy Hardy and I'm a comedian who likes to make wry witty satirical observations about the society we live in -- but I prefer to keep them to myself, thank you very much.'Edited by his wife, Katie Barlow and his long-time producer David Tyler, this comprehensive celebration of Jeremy Hardy's work is introduced by Jack Dee and Mark Steel. Further reflections on Jeremy come from Rory Bremner, Paul Bassett Davies, Jon Naismith, Francesca Martinez, Sandi Toksvig, Victoria Coren Mitchell, Andy Hamilton, Graeme Garden and Hugo Rifkind. Katie Barlow also provides a moving Afterword.Jeremy Hardy, who died in February 2019, was perhaps the most distinctive and brilliant comedian to arise from the 80s Alternative Comedy circuit. He regularly entertained the millions who heard his outrageous rants on The News Quiz, his legendary singing on I'm Sorry I Haven't a Clue, or his hilarious monologues and sketches on the award-winning Jeremy Hardy Speaks to The Nation and Jeremy Hardy Feels It. Often referred to as 'the comedian's comedian', Jeremy's comedy could be both personal and political, ranging in topics from prison reform to parenting, from British identity to sex. His comedy could be biting, provocative and illuminating, but it could also be surreal, mischievous and, at times, very silly. And while Jeremy's unwavering socialism was a thread that ran throughout his comedy, his greatest skill was that, whatever their political beliefs, Jeremy always brought his audience along with him.Jeremy Hardy Speaks Volumes is a fitting celebration of this brilliant comedian. Introduced by Jack Dee and Mark Steel and containing material from his stand-up to his radio monologues and political satire to the joyfully silly gems, as well as tributes from his friends and fellow comedians, it is curated to encompass everything about Jeremy that fans adored. Edited by Katie Barlow and David Tyler, Jeremy Hardy Speaks Volumes is wise, daft, outrageous, personal and, above all, very funny: like Jeremy himself.'Ground-breakingly brilliant, off-the-register funny' JACK DEE'A one-off. Part genius, part naughty schoolboy' SANDI TOKSVIG'Unfussy, unshowy, principled, self-deprecating, hugely loved and admired by his fellow comedians and funnier than the lot of us put together' RORY BREMNER

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An uplifting and moving love story about second chances and destiny, perfect for fans of Jojo Moyes, Josie Silver and Holly Miller.'Emotionally heart wrenching!'⭐ ⭐ ⭐ ⭐ ⭐ reader review'It's been so long since a book properly made me cry . . . I was sobbing'⭐ ⭐ ⭐ ⭐ ⭐ reader review'I couldn't put it down. Emotional and beautifully written'⭐ ⭐ ⭐ ⭐ ⭐ reader review'A love story to remember'⭐ ⭐ ⭐ ⭐ ⭐ reader review________Have you ever wondered What If . . . ?Lou feels like she is stuck on the wrong path: alone, in a city far from home, watching other people being happy. When the man she's in love with announces his engagement to someone else, Lou is consumed by 'what ifs'.Then she finds herself slipping back in time to a night two years ago, where one small decision changed everything.Suddenly, Lou has a chance to fix her mistakes. But as she finds herself stuck in a loop, living out alternate versions of her life, her choices lead her down roads she could never have imagined.And in each life, she notices her path intersecting with one person again and again . . .Lou is about to realise that the greatest love stories aren't the ones we expect, but the ones we choose to fight for.________Readers are falling in LOVE with One Last Chance . . .'Reminiscent of Matt Haig's The Midnight Library and Rebecca Serle's In Five Years' Booklist'A heart-wrenching emotional rollercoaster' Ashley Winstead'Jost threads her novel with humour' The Times'An absorbing love story . . . Heartbreakingly poignant' Samantha Young'Tugs at the heartstrings' Publisher's Weekly'Captivating and poignant' Annette Christie'Gorgeous, heart-breaking' Saskia Sarginson'Moving, compelling' Francesca Hornak'Irresistible' Margarita Montimore'Full of hope and heart' Glendy Vanderah

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40 feminist writers come together to respond to the crisis of 2020 - and what happens next - in this unique and essential fundraising** collection edited by the Feminist Book Society! **20% from EVERY BOOK SOLD goes to Women's Aid and Imkaan** Spring 2020. The moment everything changed. The moment stark gender inequalities were brought ever more prominently to the fore, even as, all around the world, lives retreat behind closed doors. More important than ever was - and is - the message, to womxn of all backgrounds and experiences, you are not alone. How we can, and will, come together to fight inequalities has fundamentally changed. So, what happens now? Hard-hitting but ultimately uplifting, published on the one-year anniversary of lockdown for the US and the UK, This Is How We Come Back Stronger is an essential intersectional feminist collection for our times. In essays, interviews, fiction, and more, forty feminist writers from both sides of the Atlantic reflect on what matters most to them right now, and what comes next. With brand new contributions from:Akasha Hull, Amelia Abraham, Catherine Cho, Dorothy Koomson, Fatima Bhutto, Fox Fisher, Francesca Martinez, Gina Miller, Glory Edim, Hafsa Qureshi, Helen Lederer, Jenny Sealey, Jess Phillips, Jessica Moor, Jude Kelly, Juli Delgado Lopera, Juliet Jacques, Kate Mosse, Kerry Hudson, Kuchenga, Laura Bates, Lauren Bravo, Layla Saad, Lindsey Dryden, Lisa Taddeo, Mariam Khan, Melissa Cummings-Quarry and Natalie Carter, Michelle Tea, Mireille Harper, Molly Case, Radhika Sanghani, Rosanna Amaka, Sara Collins, Sarah Eagle Heart, Shirley Geok-lin Lim, Sophie Williams, Stella Duffy, Virgie Tovar, Yomi Adegoke . . .

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From the past hidden in their paws to the future predicted by their leftover kibble, discover the true magic of cats in this hilarious guide to feline divination. Pawmistry is a tongue-in-cheek guide to the feline oracle and the supernatural signs your cat may leave behind. Written and illustrated by the beloved creator of Cat Tarot Megan Lynn Kott, this playful and informative book offers instruction in a number of types of divination to practice with your cat, where messages and portents may be delivered by scattered cat toys, particular tail positions, and sleeping on your face. What does that barf in your shoe really mean? You may even consider learning the dark magic of their litterbox leavings (if you dare). Each section includes write-in pages to record your own cat's messages from the universe, and a removable, fold-out Feline Divination Board included with the book will allow you to take your arcane partnership to the next level. MAKE CAT PLAY TIME PAWMISTRY TIME: Using the easy step-by-step instructions, turn your cat's daily routine into opportunities for mystical discovery. Play with toys to consult the oracles! Discover messages from the universe in leftover kibble! Dare to read the dark portents hidden in their litterbox! FOR CAT LOVERS: This is a unique gift for the "crazy cat person" in your life—even if it's yourself! Learn the mystical meanings behind the "slow blink" or the past hidden in your kitty's bean toes, and celebrate the magic of cats. DIY SHAREABLE CONTENT: Along with playful instructions and illustrations, the book also includes a fold-out Feline Divination Board—a talking board for cats—which not only makes for a fun interactive element, but also a perfect photo opportunity to share with friends. GREAT GIFT: This playful book is perfect for a birthday present, white elephant gift exchange, or to celebrate a new cat adoption. Add it to the shelf alongside You Need More Sleep: Advice From Cats by Francesco Marciuliano, Ask Baba Yaga by Taisia Kitaiskaia, and Crafting with Cat Hair by Kaori Tsutaya and Amy Hirschman.

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There is something morbidly fascinating about the dark and grotesque. Although it is human nature to tiptoe around the uncomfortable (or avoid it altogether), some artists are inspired by the unsettling to create intriguing works of art that push the boundaries of normality and provoke viewers into exploring their fears and taboos. There are also others who use them as springboards of the imagination to express their innermost feelings and question the often-grim realities of existence.In conjunction with Victionary’s 20th anniversary, the new edition of ‘DARK INSPIRATION’ combines most of the projects from the first two best-selling titles of the same name along with new work into one meaty celebration of the macabre. Featuring chilling depictions of childhood reveries, folklore, mysteries, and death in a variety of styles and interpretations, each project serves unconventionally as a celebration of life in all its gruesome glory. With contributions from: Aitch, Akino Kondoh, Aleksandra Waliszewska, Alessandro Sicioldr Bianchi, Alex Garant, Alice Lin, Amandine Urruty, Audrey Kawasaki, Bene Rohlmann, Dadu Shin, Dan Hillier, Daniel Martin Diaz, Danny Van Ryswyk, David Ho, dromsjel, Eero Lampinen, Eika, Elisa Ancori, Erik Mark Sandberg, Evelyn Bencicova, Fabian Mérelle, Fiona Roberts, Francesco Brunotti, Francois Robert, Fuco Ueda, Gabriel Isak, Giacomo Carmagnola, Guim Tió Zarraluki, Hannes Hummel, Heiko Müller, James Jean, Januz Miralles, Jeff Mcmillan, Jesse Auersalo, Jim Johnson Tsang, Jon Beinart, Jules Julien, Justin Nelson, Kate Macdowell, Katy Horan, Kayan Kwok, Kim Simonsson, Kotaro Chiba, Lala Gallardo, Lola Dupre, Lostfish, Mariana Magdaleno, merve morkoç (Lakormis), Mia Mäkilo, Michael Reedy, Miranda Meeks, Nadja Jovanovic, Nicoletta Ceccoli, Oleg Dou, Olivia Knapp, Paola Rojas H & David Perez, Paul Hollingworth, Raffaello De Vito, Raul Oprea aka Saddo, Richard Colman, Ryan Oliver, Sergio Mora / Agency Rush, Tara McPherson, Till Rabus, Tim Lee, Yido, Yoshitoshi Kanemaki, Yuka Yamaguchi, Yury Ustsinau, and Zhou Fan

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Allow the award-winning Secret Venice guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Venice guide book and let our local experts show you the well-hidden treasures of an amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. Now in it's 6th edition, Secret Venice features 270+ secret and unusual locations. Inside Secret Venice : Discover the secrets of St. Mark's Basilica without any tourist, decipher the capitals of the palace of the Doges, take the only underground canal in Venice, look out for of the alchemical sculpture of the winged horse, open your eyes to traces of the Teriaca, this miracle drink that was long made in Venice, tear up the paintings of the Scuola di San Rocco according to the principles of the Hebrew Kabbalah or the construction of San Francesco della Vigna according to those of the musical Kabbalah, visit an underground graveyard, push the doors of palaces and monasteries to walk in unsuspected gardens, admire the extraordinary forgotten library of the Venice seminary, sleep in a sublime room hidden in a palace, go shopping at the women's prison market of the Giudecca, play petanque in the heart of the city, make a retreat in a wonderful monastery of the lagoon ... *Secret Venice was singled-out as the Travel Guide of the Year at the Independent Publisher Awards (2011)* Don't miss - Each chapter of this Secret Venice travel guide book corresponds to a different part of the city so that one can always find a hidden or secret place to discover. Perfectly planned walks - Make sure that you do not miss any Secret location, by discovering each one featured in this guide by planning a walking tour of each part of the city.

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The definitive overview of one of the world’s most experimental and distinctive graphic-design studios. Originally established in 1992 by Michaël Amzalag and Mathias Augustyniak as a graphic design studio, M/M (Paris) have since defied categorisation, becoming one of the most radical creative practices of today through their influential work across the contemporary cultural sphere. By collaborating with fashion designers and brands such as Alexander McQueen, Loewe, Louis Vuitton, Miuccia Prada, Jonathan Anderson, Nicolas Ghesquière and Yohji Yamamoto; musicians Björk, Étienne Daho, Kanye West, Lou Doillon, Madonna and Vanessa Paradis; contemporary artists including François Curlet, Philippe Parreno, Pierre Huyghe and Sarah Morris; and rethinking the iconic titles Interview magazine, Purple Fashion and Vogue Paris, M/M have been building a visual atlas of the creative landscape since the early 1990s. In this illustrated A to Z, beginning and ending with the letter M, interviews with Michaël Amzalag and Mathias Augustyniak frame over 850 images of their projects. A series of conversations with rarely heard luminaries – designers Peter Saville, Experimental Jetset, Cornel Windlin and Katsumi Asaba; fashion designers Miuccia Prada and Jonathan Anderson; artist Francesco Vezzoli; cinematographer Darius Khondji; chef Jean-François Piège; theatre director Arthur Nauzyciel and curator Hans Ulrich Obrist – are interspersed, providing a thought-provoking insight into the minds of one of the world’s most distinctive creative duos. A foreword by Donatien Grau and an afterword by Éric Troncy bookend contributions by Emanuele Coccia, Jo-Ann Furniss, Alison M. Gingeras, Étienne Hervy, Emily King, Philippe Rouyer and Akira Takamiya. Edited by Grace Johnston, volume two of M to M of M/M (Paris) completes the first volume of M/M’s monograph published in 2012, and now republished by Thames & Hudson.

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The best of the best from the Comedians' Comedian 2020'If you loved Jeremy Hardy, or if you know anyone who did, this is the most brilliant present because it's got every part of his voice in it' DAWN FRENCH'Well good evening, my name is Jeremy Hardy and I'm a comedian who likes to make wry witty satirical observations about the society we live in -- but I prefer to keep them to myself, thank you very much.'Edited by his wife, Katie Barlow and his long-time producer David Tyler, this comprehensive celebration of Jeremy Hardy's work is introduced by Jack Dee and Mark Steel. Further reflections on Jeremy come from Rory Bremner, Paul Bassett Davies, Jon Naismith, Francesca Martinez, Sandi Toksvig, Victoria Coren Mitchell, Andy Hamilton, Graeme Garden and Hugo Rifkind. Katie Barlow also provides a moving Afterword.Jeremy Hardy, who died in February 2019, was perhaps the most distinctive and brilliant comedian to arise from the 80s Alternative Comedy circuit. He regularly entertained the millions who heard his outrageous rants on The News Quiz, his legendary singing on I'm Sorry I Haven't a Clue, or his hilarious monologues and sketches on the award-winning Jeremy Hardy Speaks to The Nation and Jeremy Hardy Feels It.Often referred to as 'the comedian's comedian', Jeremy's comedy could be both personal and political, ranging in topics from prison reform to parenting, from British identity to sex. His comedy could be biting, provocative and illuminating, but it could also be surreal, mischievous and, at times, very silly. And while Jeremy's unwavering socialism was a thread that ran throughout his comedy, his greatest skill was that, whatever their political beliefs, Jeremy always brought his audience along with him.Jeremy Hardy Speaks Volumes is a fitting celebration of this brilliant comedian. Introduced by Jack Dee and Mark Steel and containing material from his stand-up to his radio monologues and political satire to the joyfully silly gems, as well as tributes from his friends and fellow comedians, it is curated to encompass everything about Jeremy that fans adored. Edited by Katie Barlow and David Tyler, Jeremy Hardy Speaks Volumes is wise, daft, outrageous, personal and, above all, very funny: like Jeremy himself.'Ground-breakingly brilliant, off-the-register funny' JACK DEE'A one-off. Part genius, part naughty schoolboy' SANDI TOKSVIG'Unfussy, unshowy, principled, self-deprecating, hugely loved and admired by his fellow comedians and funnier than the lot of us put together' RORY BREMNER

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Winner, 2023 Robert L. Jervis and Paul W. Schroeder Best Book Award, International History and Politics Section, American Political Science AssociationHonorable Mention, 2023 Barrington Moore Award, Comparative and Historical Sociology Section, American Sociological AssociationHonorable Mention, 2023 Francesco Guicciardini Prize for Best Book in Historical International Relations, Historical International Relations Section, International Studies AssociationIt is widely believed that the political problems of the Middle East date back to the era of World War I, when European colonial powers unilaterally imposed artificial borders on the post-Ottoman world in postwar agreements. This book offers a new account of how the Great War unmade and then remade the political order of the region. Ranging from Morocco to Iran and spanning the eve of the Great War into the 1930s, it demonstrates that the modern Middle East was shaped through complex and violent power struggles among local and international actors.Jonathan Wyrtzen shows how the cataclysm of the war opened new possibilities for both European and local actors to reimagine post-Ottoman futures. After the 1914–1918 phase of the war, violent conflicts between competing political visions continued across the region. In these extended struggles, the greater Middle East was reforged. Wyrtzen emphasizes the intersections of local and colonial projects and the entwined processes through which states were made, identities transformed, and boundaries drawn. This book’s vast scope encompasses successful state-building projects such as the Turkish Republic and the Kingdom of Saudi Arabia as well as short-lived political units—including the Rif Republic in Morocco, the Sanusi state in eastern Libya, a Greater Syria, and attempted Kurdish states—that nonetheless left traces on the map of the region. Drawing on a wide range of sources, Worldmaking in the Long Great War retells the origin story of the modern Middle East.

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Jesuit Letters From China, 1583–84 was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The first eight letters from Jesuit missionaries on mainland China were written in 1583–84 and published in Europe in 1586. M Howard Rienstra's translated marks their first appearance in English. The letters chronicle the patient efforts of Michele Ruggieri and the famed Matteo Ricci to learn Chinese, to gain acceptance in Chinese society, and to explain Christianity to a highly sophisticated non-Christian culture. They also described the China of the late Ming dynasty (1368–1644), a country whose immense size and population had excited the imagination of Europeans for generations.It was Francis Xavier's dream that this mighty kingdom and civilization be opened to the Christian gospel. His dream was at least tentatively fulfilled when Michele Ruggieri was granted residence first in Canton and then in Chao-ch'ing in 1583. Accompanied first by Francesco Pasio and later by Matteo Ricci, Ruggieri initiated the Christian mission in China. Their letters, published initially as an appendix to a volume of Jesuit letters from Japan, were abbreviated and censored by their European editor. In edited form, the letters appeared in 1586 in one French, on German, and three Italian editions.The China of Ruggieri and Matteo Ricci had remained, however, both suspicious of, and closed to, foreigners - a fact which the original letters do not gloss over. Rienstra was carefully compared the abbreviated and censored versions of these letters in their originals, still preserved in the Jesuit archives in Rome. The letters in general indicate how tenuous the Jesuits' situation was and note candidly that only two baptisms had been performed on the mainland during their stay. These results stand in marked contracts to the reports from Japan of tens of thousands of baptisms and to the reports from Portuguese Macao, where Chinese converts were compelled to wear European cloths and to take European names.Such Europeanization was thought to be inappropriate to a successful Christian mission in China. Though criticized at the time by their colleagues in Macao, Ruggieri, Pasio, and Ricci committed themselves to a program of cultural respect and accommodation. They learned both written and spoken Chinese, ingratiated themselves with the ruling classes by exhibiting their learning and courtesy, and appeared to have become Chinese themselves. When Matteo Ricci became Ruggieri's successor and his name became synonymous with the success of the Jesuit mission in China, it was to these methods that its success was owed. Unfortunately, the prevailing European ethnocentrism could not accept the concept of cultural accommodation. The editors thus censored the letters to convey the impression of a triumphant and culturally superior Christian mission in China.Jesuit Letters From China is a publication of the James Ford Bell Library at the University of Minnesota.

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"The ‘Galileo affair’ has been the object of innumerable studies, which (taken as a whole) have spread nearly as much fog as they have sunshine. The studies in this volume, many of them based at least in part on newly discovered or released sources, have convincingly blown away much of that fog. This is easily the most important volume on the ‘Galileo affair’ ever produced." –David C. Lindberg, University of Wisconsin This collection of first-rate essays aims to provide an accurate scholarly assessment of the relationship between the Roman Catholic Church and Galileo. In 1981, Pope John Paul II established a commission to inquire into the Church’s treatment of Galileo "in loyal recognition of wrongs, from whatever side they came," hoping this way to "dispel the mistrust . . . between science and faith." When the Galileo Commission finally issued its report in 1992, many scholars were disappointed by its inadequacies and its perpetuation of old defensive stratagems. This volume attempts what the Commission failed to provide—a historically accurate, scholarly, and balanced account of Galileo and his difficult relationship with the Roman Catholic Church. Contributors provide careful analyses of the interactions of the Church and Galileo over the thirty years between 1612 and his death in 1642. They also explore the attitudes of theologians to the Copernican innovation prior to Galileo's entry into the fray; survey the political landscape within which he lived; assess the effectiveness (or otherwise) of censorship of his work; and provide an analysis and occasional critique of the Church’s later responses to the Galileo controversy. The book is divided into three sections corresponding to the periods before, during, and after the original Galileo affair. Particular attention is paid to those topics that have been the most divisive among scholars and theologians. The Church and Galileo will be welcomed by all those interested in early modern history and early modern science. Contributors: Michel-Pierre Lerner, Irving A. Kelter, Michael Shank, Ernan McMullin, Annibale Fantoli, Mariano Artigas, Rafael Martínez, William R. Shea, Francesco Beretta, Stéphane Garcia, John Heilbron, Michael Sharratt, and George Coyne.

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Launched in 1993, The Common Core of European Private law is the oldest ongoing collective comparative law efort in Europe. Putting cases at their heart, each book in this series analyses a selected legal topic on the basis of real and fctional facts across diferent European and other jurisdictions. The likely outcome of the decision and its underlying legal rules are clearly set out case by case and jurisdiction by jurisdiction. In addition, the national reporters put the respective legal rules into the relevant cultural context. In this way, the collaborative efort brings not only the inner structures of national laws in Europe to the fore, but also the diferent cultural sensitivities forging their development in the frst place. It allows a reliable map of what is diferent and what is common in the various private laws across Europe to be drawn, without any specifc agenda for or against the further harmonisation of private law in Europe. The series comprises more than 20 volumes of work of more than 300 academics and is an invaluable tool to understand private law across Europe. In this book, which is part of the Common Core of European Private Law series, reporters consider legal institutions - such as the well-known acquisitive prescription and adverse possession - that allow squatters and other persons who have occupied the private or public land of others to acquire that land through mere long-term use. Rules permitting such acquisition have existed since Roman times and are said to promote legal certainty as regards ownership of land. The reporters investigate how these rules work in their legal systems today and whether this justifcation still holds water, especially given that land is now registered in most countries. Registration seems to obviate the necessity for rules permitting acquisition of land through mere long-term use, as land registration systems create clarity as to who owns the land. The continued existence of these rules also comprises a human-rights dimension. Landowners enjoy constitutional property protection under many constitutions and other legal instruments. The loss of protected ownership draws the constitutional validity of rules on long-term use into question. Yet, the rights to housing and human dignity are also relevant, especially where such users have lived on the land for extended periods and regard it as their home or where they are vulnerable to landlessness. As such, these rights must be balanced against each other. The reporters represent 19 jurisdictions from all over the world, including civil law, common law and mixed legal systems, and are from both the global north and the global south. A comparison between these legal systems and their experience with their rules on long-term use reveals a common core and guidelines against which these rules may be measured in other countries. As such, this book will be valuable to practitioners dealing with both private and public law, academic lawyers and government ofcials tasked with land use planning. With contributions by Miriam Anderson (University of Barcelona), Michel Boudot (Universite de Poitiers), Dmitry Dozhdev (Moscow School of Social and Economic Sciences), Magdalena Habdas (University of Silesia in Katowice), Karoline Rakneberg Haug (Norwegian Parliamentary Ombud for Scrutiny of the Public Administration), Bjoern Hoops (University of Groningen), Eran S. Kaplinsky (University of Alberta), John A. Lovett (Loyola University New Orleans College of Law), Ernst J. Marais (University of Johannesburg), Francesco Mezzanotte (University of Roma Tre), Matti Ilmari Niemi (University of Eastern Finland), Alasdair Peterson (University of Glasgow), Hector Simon (University Rovira i Virgili, Tarragona), Jozef Stefanko (University of Trnava), Johan Van de Voorde (University of Antwerp), Filippo Valguarnera (Stockholm University), Leon Verstappen (University of Groningen), Emma J.L. Waring (University of York) and Una Woods (University of Limerick).

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'Simply wonderful.' - BEN FOGLE'Kate's book has the warmth and calming effect of a log fire and a glass of wine. Unknit your brow and let go. It's a treat.' - GARETH MALONE'Kate Humble pours her enviable knowledge into attainable goals. It's a winning combination and the prize - a life in balance with nature - is definitely worth claiming.' - LUCY SIEGLE'As ever, where Kate leads, I follow. She has made me reassess and reset.' - DAN SNOW'Kate Humble's new book is a lesson in moving on from a tragedy and finding our place in the world' - WOMAN & HOME'A Year of Living Simply is timely, given that the pandemic has forced most of us, in some way to simplify our lives, whether we planned to or not. Kate wrote it before any of us were aware of the upcoming crisis, but it captures the current moment perfectly... It's not necessarily a "how to" book, more of a "why not try?" approach.' - FRANCESCA BABB, MAIL ON SUNDAY YOU'What I particularly love is her philosophy for happiness, which is the subject of her new book, A Year of Living Simply. The clue is in the title. Remember the basics. Instead of barging through the day on autopilot, really stop to think about the tiniest little things that added a moment of joy. No, of course stopping and smelling the flowers won't cure all our ills and woes. But taking the time to savour the things that bring pleasure, really being in that moment and appreciating it, can remind you that most days have moments that buoy your mood.' - JO ELVIN, MAIL ON SUNDAY YOUIf there is one thing that most of us aspire to, it is, simply, to be happy. And yet attaining happiness has become, it appears, anything but simple. Having stuff - The Latest, The Newest, The Best Yet - is all too often peddled as the sure fire route to happiness. So why then, in our consumer-driven society, is depression, stress and anxiety ever more common, affecting every strata of society and every age, even, worryingly, the very young? Why is it, when we have so much, that many of us still feel we are missing something and the rush of pleasure when we buy something new turns so quickly into a feeling of emptiness, or purposelessness, or guilt?So what is the route to real, deep, long lasting happiness? Could it be that our lives have just become overly crowded, that we've lost sight of the things - the simple things - that give a sense of achievement, a feeling of joy or excitement? That make us happy. Do we need to take a step back, reprioritise? Do we need to make our lives more simple? Kate Humble's fresh and frank exploration of a stripped-back approach to life is uplifting, engaging and inspiring - and will help us all find balance and happiness every day.

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When a war ends provisionally, the agreement is called a ceasefire. But when peace ends, there is only war. War and peace are co-dependent. Perhaps it is now time for a “Peacefire.” In Maintenant 17: A Journal of Contemporary Dada Writing and Art, nearly 250 artists from more than 40 countries explore the concept of the end of both war and peace, exploring provocative outsider ideas as dada has done since its inception. With searing cover art by Uta Kaxniashvili, this issue of the renowned journal elaborates on dada’s original premise as an antiwar movement. The Maintenant series, established in 2008, explores themes of politics, humanity, philosophy, and current concerns from an antiwar, anarchic (and often eye-opening) perspective. Past issues include work by artists Mark Kostabi, Raymond Pettibon, Joel Hubaut, Heide Hatry, Avelino de Araujo, Pawel Kuczynski, Inas Al-Soqi, Giovanni Fontana, Nicole Eisenmann, Syporca Whandal, and Kazunori Murakami; past writers have included Gerard Malanga, Charles Plymell, Andrei Codrescu, Harry E. Northup, Malik Crumpler, Maw Shein Win, and more, with a strong contingent of artist-writers from the world of punk rock, including Thurston Moore, Mike Watt, Bibbe Hanson and more. Critics have praised the series since its inception. Seattle Book Review calls Maintenant, “A smorgasbord for those who are sick and tired of it.” Tribe LA dubs the journal, "A compilation of leading Dada-influenced artists from around the world that is timely and relevant.” Serbia's Madjan Magazine proclaims that the Maintenant series proves "Dada is not dead." The Maintenant series is archived in leading institutions worldwide, including Museum of Modern Art New York. Contributors to Maintenant 17 include: Derek Adams • Mariam Ahmed • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Daina Almario-Kopp • Hala Alyan • Jim Andrews • Wayne Atherton • Liz Axelrod • Mahnaz Badihian • David Barnes • Amy Barone • Vittore Baroni • Tchello d’ Barros • Gaby Bedetti • Regina Lafay Bellamy • C. Mehrl Bennett • Volodymyr Bilyk • Mark Blickley • Clemente Botelho • Gedley Belchior Braga • Michael Georg Bregel • Kathy A. Bruce • Imanol Buisan • Fork Burke • Billy Cancel • Peter Carlaftes • Wendy Cascade • Nick Cash • Mutes César • Sarah M. Chen • Nguyễn Bá Chung • Hal Citron • Lynette Clennell • Andrei Codrescu • William Cody • Chuck Connelley • Roger Conover • Anothony Cox • Malik Ameer Crumpler • Raf Cruz • Tchello d’Barros • Wer Da • Steve Dalachinsky • Allison A. Davis • Holly Day • Avelino De Araujo • Francesca Dharmakan-Bremner • Natalie DiFusco • Dario Roberto Dioli • Rachel Dixon • Sam Dodson • Carol Dorf • Eric Drooker • Robert Duncan • Salvatore Esposito • Fong Fai • Agenta Falk • Massimo Fantuzzi • Jeff Farr • Becky Fawcett • Rich Ferguson • Maria Filek • Cheryl J. Fish • Kathleen Florence • Robert C. Ford • Dorothy Friedman • Thomas Fucaloro • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • James J. Gleeson • Mark Glista • Ed Go • Gemma Goette • John Goodby • Odeon Grace • S.A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gülan • Ana Maria Guta • Bibbe Hansen • Jesper Hasseltoft • Heide Hatry • Jeffrey Hecker • László 2 Hegedűs • Aimee Herman • Robert Hieger • Karen Hildebrand • Mark Hoefer • Juleigh Howard-Hobson • Matthew Hupert • Frie J. Jacobs • Annaliese Jakimides • Marta Janik • Mathias Jansson • Lisa Marie Jarlborn • Debra Jenks • Dale Jensen • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Suzi Kaplan Olmsted • Christine Karapetian • Adeena Karasick • Uta Kaxniashvili • Marina Kazakova • Oladipo Kehinde • Trần Đăng Khoa • Doug Knott • Kollasch • Daniel Kolm • Gregory Kolm • Ron Kolm • Daina Kopp • Mark Kostabi • Paul Kostabi • Inna Krasnoper • Paweł Kuczyński • Béné Kusendila • Wang Lan • Gary Lawless • Mercedes Lawry • David Lawton • Jane LeCroy • Sarah Legow • Patricia Leonard • Linda Lerner • Martin H. Levinson • Alexander Limarev • Frédéric Lipczynski • Richard Loranger • Mina Loy • Ruggero Maggi • Sara Maino • Gerald Malanga • Jaan Malin • Jessica Manack • Fred Marchant • Marronage • Bronwyn Mauldin • Jesse McCloskey • Pierre Merejkowsky • Ashley Miller • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Luiz Morgadinho • Karen Neuberg • James B. Nicola • Gerald Nicosia • Lance Nizami • Harry E. Northup • Anna O’Meara • Ruth Oisteanu • Valery Oisteanu • Marc Olmsted • John Olson • Jane Ormerod • Yuko Otomo • Bibiana Padilla Maltos • Csaba Pál • Erzsébet Palásti • Lisa Panepinto • Gay Pasley • John S. Paul • Giorgia Pavlidou • James Penha • Puma Perl • Robert Petrick • Raymond Pettibon • Charles Plymell • Kai Pohl • Leslie Prosterman • Renaat Ramon • Nicca Ray • Mado Reznik • D.M. Rice • Travis Richardson • Wes Rickert • Benjamin Robinson • Bruce Robinson • Edel Rodriguez • Mykyta Ryzhykh • Martina Salisbury • Paulo Sanches • Kellie Scott-Reed • Beatriz Seelaender • Jack Seiei • Silvio Severino • Sheree Shatsky • Susan Shup • Jeff Shutt • Bertholdus Sibum • Denise Silk-Martelli • Zoltán Simon • Angela Sloan • Katherine R. Sloan • Phil Demise Smith • Valerie Sofranko • Paul Sohar • J. R. Solonche • Pere Sousa • Orchid Spangiafora • Dd. Spungin • Marilyn Stablein • Alex Starr • Laurie Steelink • Eva Helene Stern*** • Christine Stoddard • Thomas Stolmar • Rich Stone • W.K. Stratton • Belinda Subraman • Neal Skooter Taylor • Robin Tomens • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik Max Valentonis • Anoek Van Praag • Nico Vassilakis • Maggs Vibo • Lynnea Villanova • Voxx Voltair • Barbara Vos • Silvia Wagensberg • George Wallace • Scott Wannberg • Mike Watt • Poul R. Weile • Ingrid Wendt • Benjamin B. White • Brenda Whiteway • A. D. Winans • Francine Witte • Yaryan • Gerald Yelle • Andrena Zawinski • Larry Zdeb • Nina Zivancevic • Lorene Zarou-Zouzounis • Joanie HF Zosike

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