Search results for ""Author Christo"

'This exciting, science-packed novel is a cracking read and bursts with action, warmth and humour' - BookTrust Great Books Guide 2021 'This is great fun; an energetic middle-grade debut with a fresh contemporary feel and a good dash of Stranger Things' - The Bookseller Alfie has noticed a few things since his family moved to Folding Ford. He really misses life in the city. He and his sister don't exactly fit in here. But the most interesting one is that the weather is BONKERS. One frost-covered branch on one tree in the middle of June? A tiny whirlwind in a bucket in the garden? Only in Folding Ford. Armed with his bike, a notepad and his new best mate Sam, Alfie is going to investigate. His best clue is Nathaniel Clemm … the only thing in town weirder than the weather. When Alfie ‘investigates’ Mr Clemm’s garden, only SLIGHTLY illegally, he finds a strange box that freezes his trainers and makes his teeth tingle. And when he opens it, only SLIGHTLY deliberately, SOMETHING gets out. Something fast, fizzing and sparking with electricity and very, very much alive. But the creature from the box brings trouble of its own, and as barometers and tempers go haywire in Folding Ford, Alfie finds himself at the centre of a perfect storm. Skellig meets Stranger Things in this funny, heartfelt adventure story perfect for fans of Ross Welford, Christopher Edge and Frank Cottrell Boyce.

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From Farinelli, the eighteenth century castrato who brought down opera houses with his high C, to the recording of "Johnny B. Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.

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The first in the Echoes of the Fall series, The Tiger and the Wolf is an epic fantasy novel by Adrian Tchaikovsky, winner of the Arthur C. Clarke Award and British Fantasy Award for Best Novel.‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher PaoliniIn the bleak northern crown of the world, war is coming . . .Maniye’s father is the Wolf clan’s chieftain, but she’s an outcast. Her mother was queen of the Tiger and these tribes have been enemies for generations. Maniye also hides a deadly secret. All can shift into their clan’s animal form, but Maniye can take on tiger and wolf shapes. She refuses to disown half her soul so escapes, rescuing a prisoner of the Wolf clan in the process. The killer Broken Axe is set on their trail to drag them back for retribution.The Wolf chieftain plots to rule the north, and controlling his daughter is crucial to his schemes. However, other tribes also prepare for strife. Strangers from the far south appear too, seeking allies in their own conflict. It’s a season for omens as priests foresee danger and a darkness falling across the land. Some say a great war is coming, overshadowing even Wolf ambitions. A time of testing and broken laws is near – but what spark will set the world ablaze?Continue this sweeping coming-of-age fantasy with The Bear and the Serpent.

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Collector’s slipcased edition of the first ever standalone presentation of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, and is immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem survives only as a 325-line fragment, but its value to today is incalculable. J.R.R. Tolkien considered The Battle of Maldon ‘the last surviving fragment of ancient English heroic minstrelsy’. It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body. Leading Tolkien scholar, Peter Grybauskas, presents for the first time Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is the lecture, ‘The Tradition of Versification in Old English’. Illuminated with insightful notes and commentary, he offers a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been ‘the Old English poem that most influenced Tolkien’s fiction’, most dramatically within the pages of The Lord of the Rings. This slipcased edition includes a colour frontispiece reproducing a page of Tolkien’s original manuscript of The Homecoming, and is printed on acid-free paper with a ribbon marker. It is quarterbound with a unique illustration by Bill Sanderson gold-foiled on grey boards and is housed in a custom-built slipcase. It also includes a digitally remastered recording of The Homecoming of Beorhtnoth read by J.R.R. Tolkien & Christopher Tolkien, which is available on CD for the first time.

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This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.

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A portrait of visionary leadership, this study of the Bafokeng people describes how they acquired their land and protected their customs during 150 years of political upheaval in South Africa. In addition, the book provides a look at the current state of affairs in Royal Bafokeng Nation: the community has plenty of wealth from platinum—and it is the only rural community ever to host world cup soccer in the history of FIFA. Fully illustrated, book introduces the Bafokeng community, both past and present, as well as those who played a major role in shaping Bafokeng society, including Paul Kruger, Hans Merensky, and Christoph Penzhorn from the German Hermannsburg Lutheran Mission.

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During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors' embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science's threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers. Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.

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Premier recueil de législation ecclésiastique, la Collection canonique d'Antioche a surgi au IVe siècle au temps des premières controverses christologiques. Son auteur présumé, Euzoïos d'Antioche, fut la figure de proue de l'Église «semi-arienne», plus précisément homéenne, et bénéficia du soutien de l'empereur Valens. Composée en 370 dans le contexte brûlant de la querelle arienne qui déchire la chrétienté durant tout le IVe siècle, cette collection constitue à double titre un corpus de combat. Au plan politique, chacun des cinq groupes canoniques qui le composent est destiné à lutter et à condamner un ou plusieurs des courants doctrinaux opposés à l'Église homéenne. Au plan juridique, la législation de la Collection canonique d'Antioche s'organise autour de deux grands thèmes: le contrôle de la hiérarchie ecclésiastique et la lutte contre les mouvements rigoristes. Le présent ouvrage analyse cette oeuvre originelle qui consacra le long travail d'innovation dans le domaine du droit ecclésiastique, entamé par les ariens au lendemain du concile de Nicée (325). Ceux-ci souhaitaient promouvoir la législation conciliaire naissante qu'ils considéraient comme plus opérante pour uniformiser le droit ecclésiastique de la pars Orientis, et lutter contre leurs adversaires nicéens. Mais, après leur victoire en 379 due à l'avènement de Théodose, les nicéens furent amenés à reprendre à leur compte ce corpus: ne pas se l'approprier aurait contribué à la survivance des théories des homéens, laissant la possibilité d'une contre-offensive de leur part. Afin de neutraliser une telle arme, il convenait de se l'attribuer. Euzoïos d'Antioche et son Église étaient, certes, des vaincus de l'histoire, mais en créant la Collection canonique d'Antioche, ils avaient légué un héritage à l'ensemble de la chrétienté: la racine d'où allait croître, au-delà des controverses théologiques, le droit de l'Église.

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Drawing on rich insights from the early Church Fathers, Discerning Persons addresses the neglected issue of disablism and how discriminatory attitudes fail to treat people with profound disabilities as persons. This discrimination can be found in the field of bioethics, where the stakes are often high and a matter of life or death. Whereas views that give priority to human beings whatever their capacities are seen as speciesist and so discriminatory, bioethical approaches that are disablist are rarely acknowledged as prejudiced. Many bioethicists do not even realize there is an issue. Current bioethical thinking appears uncritical and unreflective in the way it accepts a separation of the human being from the person and downgrades certain individuals who do not fulfill arbitrarily defined and insubstantial criteria for being persons. Using neglected Patristic thinking and its analogies with the human person, abled and disabled, found in reflection on the image of God and in the Trinitarian and Christological disputes of the early centuries where person language originated, the book makes patristic thinking do important work. It establishes that there are no early historical, philosophical, or theological grounds for calling or treating human beings as anything less than persons. Nor is there foundation for defining the person purely in terms of individuality, rationality, autonomy, or self-consciousness. Patristic insights conclusively call us to be discerning persons: to realize that persons are not so much defined as discerned, and to discern that all human beings, whatever their situations or capacities, are unique and unrepeatable persons.

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A family story of blood and memory and the haunting power of the past. 2018 WINNER OF THE CHRISTOPHER EWART-BIGGS MEMORIAL PRIZE 2017 WINNER OF THE NON-FICTION IRISH BOOK OF THE YEAR AWARD A SUNDAY TIMES BESTSELLER After nearly three decades reporting conflict from all over the world for the BBC, Fergal Keane has gone home to Ireland to tell a story that lies at the root of his fascination with war. It is a family story of war and love, and how the ghosts of the past return to shape the present. Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922. It is the story of Keane’s grandmother Hannah Purtill, her brother Mick and his friend Con Brosnan, and how they and their neighbours took up guns to fight the British Empire and create an independent Ireland. And it is the story of another Irishman, Tobias O’Sullivan, who fought against them as a policeman because he believed it was his duty to uphold the law of his country. Many thousands of people took part in the War of Independence and the Civil War that followed. Whatever side they chose, all were changed in some way by the costs of violence. Keane uses the experiences of his ancestral homeland in north Kerry to examine why people will kill for a cause and how the act of killing reverberates through the generations.

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In July 2010, Terry Jones, the pastor of a small fundamentalist church in Florida, announced plans to burn two hundred Qur'ans on the anniversary of the September 11 attacks. Though he ended up canceling the stunt in the face of widespread public backlash, his threat sparked violent protests across the Muslim world that left at least twenty people dead. In Terrified, Christopher Bail demonstrates how the beliefs of fanatics like Jones are inspired by a rapidly expanding network of anti-Muslim organizations that exert profound influence on American understanding of Islam. Bail traces how the anti-Muslim narrative of the political fringe has captivated large segments of the American media, government, and general public, validating the views of extremists who argue that the United States is at war with Islam and marginalizing mainstream Muslim-Americans who are uniquely positioned to discredit such claims. Drawing on cultural sociology, social network theory, and social psychology, he shows how anti-Muslim organizations gained visibility in the public sphere, commandeered a sense of legitimacy, and redefined the contours of contemporary debate, shifting it ever outward toward the fringe. Bail illustrates his pioneering theoretical argument through a big-data analysis of more than one hundred organizations struggling to shape public discourse about Islam, tracing their impact on hundreds of thousands of newspaper articles, television transcripts, legislative debates, and social media messages produced since the September 11 attacks. The book also features in-depth interviews with the leaders of these organizations, providing a rare look at how anti-Muslim organizations entered the American mainstream.

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Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror.Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust?Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman’s evocative meditation on memory.These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.

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Grit and Hope tells the story of five inner-city Hispanic students who start their college applications in the midst of the country's worst recession and of Reality Changers, the program that aims to help them become the first in their families to go college. This year they must keep up their grades in AP courses, write compelling essays for their applications, and find scholarships to fund their dreams. One lives in a garage and struggles to get enough to eat. Two are academic standouts, but are undocumented, ineligible for state and federal financial assistance. One tries to keep his balance as his mother gets a life-threatening diagnosis; another bonds with her sister when their parents are sidelined by substance abuse. The book also follows Christopher Yanov, the program's youthful, charismatic founder in a year that's as critical for Reality Changers' future as it is for the seniors. Yanov wants to grow Reality Changers into national visibility. He's doubled the program's size, and hired new employees, but he hasn't anticipated that growing means he'll have to surrender some control, and trust his new staff. It's the story of a highly successful, yet flawed organization that must change in order to grow. Told with deep affection and without sentimentality, the students stories show that although poverty and cultural deprivation seriously complicate youths' efforts to launch into young adulthood, the support of a strong program makes a critical difference.

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Traditionally, Christian martyrdom is a repetition of the story of Christ’s suffering and death: the more closely the victim replicates the Christological model, the more legible the martyrdom. But if the textual construction of martyrdom depends on the rehearsal of a paradigmatic story, how do we reconcile the broad range of individuals, beliefs, and persecutions seeking justification by claims of martyrdom? Observing how martyrdom is constituted through the interplay of historical event and literary form, Alice Dailey explores the development of English martyr literature through the period of intense religious controversy from the heresy executions of Queen Mary to the regicide of 1649. Through close study of texts ranging from late medieval passion drama and hagiography to John Foxe’s Acts and Monuments, martyrologies of the Counter-Reformation, Charles I’s Eikon Basilike, and John Milton’s Eikonoklastes, The English Martyr from Reformation to Revolution traces the shifting constructions of the martyr figure across Reformation England. By putting history and literary form in dialogue, Dailey describes not only the reformation of one of the oldest, most influential genres of the Christian West but a revolution in the very concept of martyrdom. In late sixteenth- and early seventeenth-century England, she argues, martyrdom develops from medieval notions of strict typological repetition into Charles I’s defense of individual conscience—an abstract, figurative form of martyrdom that survives into modernity. Far from static or purely formulaic, martyrology emerges in Dailey’s study as a deeply nuanced genre that discloses the mutually constitutive relationship between the lives we live and the stories we tell.

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Abstract art was never dead. Since its revolutionary beginnings at the dawn of the 20th century, it has repeatedly flourished and survived all animosities, even bans. And more than that: today in particular, artists and museums are increasingly devoting themselves to this theme, in the world’s most important art metropolises and in unprecedented diversity. Aspects of contemporary abstract art, coupled with historical reminiscences, are the focus of the publication on the occasion of the third exhibition, showcasing works from the Deutsche Bank Collection at the PalaisPopulaire. The selection includes works from 1959 to 2021. Included are not only drawings and photographs but also, for the first time, significant paintings and prints. Artists: Markus Amm, Rana Begum, Otto Boll, Kerstin Brätsch, Cabrita, Ernst Caramelle, Carlos Cruz-Diez, Adriana Czernin, Helmut Federle, Günther Förg, Günter Fruhtrunk, Franziska Furter, Rupprecht Geiger, Katharina Grosse, João Maria Gusmão + Pedro Paiva, Erwin Heerich, Bernhard Härtter, Daniel Hunziker, ShŌichi Ida, Jürgen Jansen, Olav Christopher Jenssen, Jennie C. Jones, Kapwani Kiwanga, Imi Knoebel, Norbert Kricke, Tadaaki Kuwayama, Thomas Locher, Fabian Marti, Bernd Minnich, Wilhelm Müller, Nima Nabavi, Albert Oehlen, Susanne Paesler, Blinky Palermo, Jorge Pardo, Georg Karl Pfahler, Charlotte Posenenske, Lothar Quinte, Gerhard Richter, Peter Roehr, Ulrich Rückriem, Fred Sandback, Karin Sander, Kai Schiemenz, Richard Serra, Dieuwke Spaans, Ulrich Wendland, Claudia Wieser, Beat Zoderer Text in English and German.

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Natural Designs chronicles the life and work of the earliest and most influential Spanish historian of the New World, Gonzalo Fernández de Oviedo (1478–1557). Through a combination of biography and visual and textual analysis, Elizabeth Gansen explores how Oviedo, in his writings, brought the European Renaissance to bear on his understanding of New World nature. Oviedo learned much from the humanists with whom he came into contact in the courtly circles of Spain and Italy, including Giovanni Battista Ramusio and Pietro Bembo, and witnessed Christopher Columbus regaling Queen Isabel and King Ferdinand with news from his inaugural voyage to the Indies. Fascinated by the Caribbean flora and fauna Oviedo encountered on his arrival to the Caribbean in 1514, he made them the protagonists of his writings on the Indies. From his consumption of the prickly pear cactus, which led him to believe his death was imminent, to the behavior of the iguana, which defied his efforts to determine if the lizard was fish or flesh, his works reveal the challenges at the heart of Spain’s encounter with the biological wonders of the Americas. Natural Designs foregrounds Oviedo’s role as a writer, illustrator, and editor of New World nature. As much as Oviedo is credited as a pioneer in the literary genre of American natural history, his contributions to early modern conceptions of the flora and fauna of the Indies are still not widely understood and appreciated. Gansen situates us in the early sixteenth century to reappraise the works of the Spanish historian who first shaped these realities.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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“What a treat. An all-star cast with one thing in common: they worked with David Wood. And just for us he’s brought them to life again – and so vividly – in this irresistible memoir of his ‘brushes with Hollywood'." Gyles Brandreth In this memoir, actor and writer David Wood recalls his ‘brushes with Hollywood’, notably being kissed on the lips by Elizabeth Taylor as midnight struck on his 22nd birthday; playing Richard Burton’s servant on stage in Dr Faustus; being seduced by Shelley Winters in The Vamp, a television two-hander play; hanging upside down from a chandelier and being rescued by David Hemmings in the West End musical Jeeves; singing songs and being shot down in flames as a Royal Flying Corps officer in the film Aces High, in which he was reunited with Malcolm McDowell (his fellow rebel schoolboy in the film If….) and acted alongside Christopher Plummer and Simon Ward; sharing the screen at sea in an oil rig supply vessel with Roger Moore, Anthony Perkins and James Mason in North Sea Hijack; penning the daytime Emmy-nominated Back Home, starring Hayley Mills, thereby becoming a Disney-approved writer; and writing The Queen’s Handbag to celebrate the Queen’s 80th birthday, performed in Buckingham Palace Gardens and seen live by 8,000,000 BBC TV viewers. "I couldn’t put it down. It has all the charm and warmth and wit that is David Wood and his lifelong passion for the theatre is inspiring. I loved it." Hayley Mills

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Richard Sennett's The Fall of Public Man examines the growing imbalance between private and public experience, and asks what can bring us to reconnect with our communities. Are we now so self-absorbed that we take little interest in the world beyond our own lives? Or has public life left no place for individuals to participate? Tracing the changing nature of urban society from the eighteenth century to the world we now live in, and the decline of involvement in political life in recent decades, Richard Sennett discusses the causes of our social withdrawal. His landmark study of the imbalance of modern civilization provides a fascinating perspective on the relationship between public life and the cult of the individual. 'Brilliant ... One admires the breadth of Professor Sennett's erudition, the reach of his historical imagination, the doggedness of his analysis ... Buy this book and read it. Ironically, it may provide a key to happiness' Christopher Lehmann-Haupt, The New York Times 'A powerful argument for a more formal public culture and a swipe against the rise of a self-indulgent counter-culture' Melissa Benn, Guardian 'A provocative book ... Sennett brings us to an undeniably recognizable place, the contemporary urban scene' Richard Todd, Atlantic Monthly Richard Sennett's previous books include The Fall of Public Man, The Corrosion of Character, Flesh and Stone and Respect. He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.

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Berlín, 1922. Reina la confusión en la capital alemana tras la victoria aliada. Recorren las calles, con banderas rojas, las víctimas de la más impresionante inflación de todos los tiempos. Y, tras ellos, las bandas incontroladas de ex-combatientes nacionalistas, que siguen las consignas de un oscuro militar austríaco, Adolf Hitler. Indiferentes al barullo callejero, conservan aún sus privilegios unas pocas familias aristocráticas, en su mayoría judíos, de gran tradición en el mundo de las finanzas.En este escenario irrumpen el americano Peter Ellis y el alemán Christoph. Peter vive una doble vida : frecuenta, por un lado, los elegantes salones de nobles y banqueros y, por otro, los tugurios bohemios de los artistas. Para su desgracia, se enamora de la hija de la familia Waldstein, a la vez que se ve involucrado sin querer en un asesinato político, que presagia ya los horrores del Tercer Reich. Poco a poco, todos se ven arrastrados en el torbellino de desatinos

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Das Johannesevangelium ist durch die häufige Erwähnung von Zeugen, Anklagen, verhörartigen Befragungen und anderen Bestandteilen eines Gerichtsprozesses stark von forensischen Termini und Motiven des Rechtsstreites geprägt. Doch weshalb fehlt gerade in diesem Evangelium ein formeller Prozess vor dem jüdischen Synedrium? Durch eine detaillierte narrative Untersuchung zeigt Benjamin Lange, dass bereits die erste Hälfte des Evangeliums einen metaphorischen Prozess entfaltet. Dieser enthält nicht nur alle Bestandteile eines Gerichtsprozesses, sondern findet auch auf einer doppelten Ebene statt, bei der einerseits Jesus, andererseits die Welt vor Gericht stehen. Die damit verbundenen konfliktären Rollenbelegungen spitzen sich auf das Paradoxon des angeklagten Richters zu und sind fest in der christologischen Zielsetzung des Evangeliums verankert, indem sie den Lesenden zum Glauben an Jesus als Christus und Sohn Gottes führen.

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In der Auseinandersetzung um die christologische Aussage des Konzils von Chalcedon (451) ist in der Mitte des 6. Jh. die Einheit der "Reichskirche" zerbrochen. Nur dem Kaiser Heraclius und seinem Patriarchen Sergius von Constantinopel gelang es in den Jahren 628 bis 633 noch ein letztes Mal, die Befürworter wie Gegner der umstrittenen Synode zur Kircheneinheit zu bewegen. Die theologische Grundlage für die Einigung stellte dabei die Aussage von der "Mia Energeia", der einen (gott-menschlichen) "Wirkweise" des Fleisch gewordenen Gott-Logos dar. Christian Lange untersucht diese kirchenhistorisch wie dogmengeschichtlich spannende Epoche an Hand von teilweise erstmals ins Deutsche übersetzten Quellentexten. Abschließend schlägt der Autor einen neuen Fachbegriff vor: Er verwendet "Miaenergetismus" als Bezeichnung für die Einigungsbestrebungen des Kaisers Heraclius und des Patriarchen Sergius zu Beginn des siebten Jahrhunderts.

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'A valuable book and a necessary one. One of the funniest and cleverest voyages on record.' Christopher Hitchens, New Statesman 'The finest writer afloat since Conrad.' Geoffrey Moorhouse, The Guardian 'Unfailingly witty and entertaining.' Salman RushdieCoasting round Britain single-handed in an antique two-masted sailing boat, Jonathan Raban conducts a masterly exploration of England and the English at the time of Margaret Thatcher and the Falklands War. He moves seamlessly between awkward memories of childhood as the son of a vicar, a vivid chronicle of the shape-shifting sea and incisive descriptions of the people and communities he encounters. As he faces his terror of racing water, eddies, offshore sandbars and ferries on a collision course, so he navigates the complex and turbulent waters of his own middle age. Coasting is a fearless attempt to discover the meaning of belonging and of his English homeland.

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Christopher Watkin provides the first comprehensive introduction to Serres' thought from The System of Leibniz (1968) through to his final publications in 2019. Working from the original French, he engages with both translated and major untranslated texts, providing a true overview of Serres' thinking.Using diagrams to explain Serres' thought, the first half of the book carefully explores Serres' 'global intuition' how he understands and engages with the world and his 'figures of thought', the repeated intellectual moves that characterise his unique approach. The second half explores in detail Serres' revolutionary contributions to the areas of language, objects and ecology.Watkin shows that Michel Serres has produced a cross-disciplinary body of work that provides a crucial and as yet under-exploited reference for current debates in post-humanism, object oriented ontology, ecological thought and the environmental humanities.

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Believers is a scientist’s answer to attacks on faith by some well-meaning scientists and philosophers—a firm rebuke of the “Four Horsemen”: Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens. Melvin Konner, who was raised as an Orthodox Jew but has lived his adult life without such faith, explores the psychology, development, brain science, evolution and genetics of the religious impulses we experience. He views religious people with a sympathetic eye; his own upbringing, his apprenticeship in the trance dance religion of the African Bushmen and his friends in Christian, Buddhist, Hindu, Muslim and other faiths have all shaped his perspective. He concludes that religion does much good as well as undoubted harm and that for at least a large minority of humanity, the belief in things unseen neither can nor should go away.

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Through 100 groundbreaking dresses, The Dress traces the past and present influences and reinterpretations in clothing design. From the Victorian crinoline to Vivienne Westwood's mini-crini of 1985, from Herve Leger's 1985 bandage dress to Christopher Kane's 2006 neon version, each landmark dress gives examples of how fashion ideas have been reborn and referenced throughout time by designers.By making connections between designers and across decades, the book allows the reader to discover the breadth of influence in this field, the magic of inspired originality from fashion designers and an overview of fashion history. From beaded and bias-cut to frou-frou to corseted, Chanel to Yves Saint Laurent, laced to bustled, each dress tells a fashion story through anecdotes and analysis, with historic and cross-cultural references, beautiful imagery, and immaculate referencing.

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Frame by glorious frame, this beautiful graphic novel captures the essence of the Tour de France – the grit and the glory. Since Maurice Garin's inugural victory in 1903, hundreds of thousands of kilometers have been covered in pursuit of the yellow jersey and few of them have been without incident or drama. Here are the Tour's legends: Eugene Christophe welding his bicycle back together at the foot of the Pyrenees in 1913; Bartali V Coppi, 1949; Poulidor shoulder-to-shoulder with Anquetil on the Puy de Dome, 1964; Tommy Simpson's death on Ventoux, 1967; Lance Armstrong's domination and disgrace; finishing with Bradley Wiggins' and Chris Froome's victories back-to-back victories for Britain in 2012 and 2013. 'Oh what a fantastic book this is. Not only is it a wonderfully concise history of the Tour, it is quite ravishing to behold. I adored it.' Observer.

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Erak's Ransom is the seventh thrilling book in John Flanagan’s Ranger’s Apprentice series – over eight million sold worldwide.In the wake of Araluen's uneasy truce with the raiding Skandians comes word that the Skandian leader has been captured by a dangerous desert tribe. The Rangers – and Will – are sent to free him. But the desert is like nothing these warriors have seen before. Strangers in a strange land, they are brutalized by sandstorms, beaten by the unrelenting heat, tricked by one tribe that plays by its own rules, and surprisingly befriended by another. Like a desert mirage, nothing is as it seems. Yet one thing is constant: the bravery of the Rangers.Perfect for fans of J.R.R. Tolkien’s Lord of the Rings, T.H. White’s The Sword in the Stone, Christopher Paolini’s Eragon series and Rick Riordan’s Percy Jackson series.

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***SHORTLISTED FOR THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2022******SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2022***'Fascinating... timely, understandable and informative' Forbes Ours is the age of global warming. Rising sea levels, extreme weather, forest fires. Dire warnings are everywhere, so why has it taken so long for the crisis to be recognised?Here, for the first time, climate scientist Peter Stott reveals the bitter fight to get international recognition for what, among scientists, has been known for decades: human activity causes climate change. Across continents and against the efforts of sceptical governments, prominent climate change deniers and shadowy lobbyists, Hot Air is the urgent story of how the science was developed, how it has been repeatedly sabotaged and why humanity hasn't a second to spare in the fight to halt climate change.

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Text in Arabic. This book aims to shed light on one of the most prominent figures in human history: the Chinese sailor and Muslim admiral Zheng-He (in Arabic, Hajji Mahmoud Shams). The book examines his geographical discoveries and his seafaring travels. Zheng-he visited all of the countries located on the coasts of the Indian Ocean, South Asia, and African East coast during the first third of the fifth century (Hijri calendar), between 1405 1433). His voyages were known as Rahlat Al-Kanz, or Voyages of Treasure, and were a compilation of seven different marine expeditions over the course of 28 years. An important issue explored in this book is that of Zheng-Hes arrival to the American territories, a discovery that he made before Christopher Columbus. Specialists in history, geography, and archaeology provide their opinion and research regarding this claim.

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Association of Catholic Publishers 2022 Excellence in Publishing Awards: First Place, Theology Catholic Media Association, Honorable Mention in Theology: Morality, Ethics, Christology, Mariology, and Redemption Unveiling divine mysteries across continents and centuries. Revelation in the Vernacular retrieves a hermeneutics of the vernacular that is rooted en lo cotidiano, in everyday life and experience. Traversing time and geography, Ruiz remaps a theology of revelation done latinamente, beginning with sixteenth-century encounters of Spanish colonizers with Indigenous peoples in the Caribbean. Drawing on the theology of the Incarnation articulated by Fray Luis de León (1527–91), he offers rich resources for interreligious engagement by believers in today’s religiously diverse world. Through an analysis of the documents of the 2019 Amazonian Synod, including Querida Amazonia, the Postsynodal Exhortation by Pope Francis, he explores a culture of encounter and dialogue that has been a hallmark of this pontificate. From the inscriptions in the caves of la Isla de Mona through the writings of the Latin American Bishops (CELAM), this book establishes a solid basis on which to discern the “Seeds of the Word” in our times.

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Seit einem halben Jahrhundert unterstützt PIN. Freunde der Pinakothek der Moderne e.V. großzügig die Staatliche Graphische Sammlung München. Dies trug wesentlich dazu bei, dass die Sammlung den Rang eines der führenden Museen im Bereich der graphischen Künste des 20. und 21. Jahrhunderts erlangte. Zum Jubiläum gratuliert die Graphische Sammlung mit einem Bestandskatalog sämtlicher Erwerbungen der letzten 25 Jahre. Im Katalogteil des Buches werden alle Erwerbungen mit jeweils einer Abbildung aufgeführt. Nach den Vorworten von Katharina von Perfall, Vorstandsvorsitzende von PIN. Freunde der Pinakothek der Moderne e.V., und Michael Semff, Direktor der Staatlichen Graphischen Sammlung München von 2000–2015, folgt ein Beitrag von Birgitta Heid über »Serien, Folgen und Ensembles«, in dem eine Auswahl der Erwerbungen besprochen wird (Werke von Fred Sandback, Joseph Beuys, Olaf Metzel, Silvia Bächli, Imi Knoebel, Robert Ryman, Alighiero e Boetti, Donald Judd, Neo Rauch, Thomas Schütte, Thomas Demand, Charline von Heyl und Christopher Wool). Der Bestandskatalog erscheint anlässlich der Ausstellung 50 Jahre PIN. Freunde der Pinakothek der Moderne. Eine Auswahl aus der Staatlichen Graphischen Sammlung München vom 29. Oktober 2015 bis 10. Januar 2016.

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Selected as a Doody's Core Title for 2022 and 2023! Part of the popular and well-regarded Clinical Anesthesia family of titles, and founded by Drs. Paul G. Barash, Bruce F. Cullen, and Robert K. Stoelting, Clinical Anesthesia Fundamentals, Second Edition, is a concise, highly visual resource covering the core concepts in anesthesiology. The editorial board comprised of Drs. Bruce F. Cullen, M. Christine Stock, Rafael Ortega, Sam R. Sharar, Natalie F. Holt, Christopher W. Connor, and Naveen Nathan, and their team of expert contributors clearly and simply present the information you need on key aspects of anesthesia for every specialty area and key organ systems. From physiology and pharmacology to anatomy and system-based anesthesia, it uses full-color graphics, easy-to-read tables, and clear, concise text to convey the essential principles of the field. Presents material in a highly visual manner, including “Did You Know” boxes that highlight key points, as well as video boxes that reference more than 120 short, to-the-point tutorial videos in the eBook, in addition to end of chapter multiple choice questions, answers, and explanations. New features include: a chapter on anesthesia for the older patient as well as 31 chapter-based infographics that provide “At a Glance” or “A Closer Look” at topical content. The ebook also comes with access to question-based interactive versions of the infographics, as well as dozens of video lectures covering every chapter in the book, including 500integrated review questions throughout. Includes an introductory section covering scientific and technical foundations, pharmacology, and technology. Features helpful appendices with handy formulas; an electrocardiography atlas; numerous key protocols, guidelines, and standards; algorithms, and more. Ideal for medical students, residents, SRNAs, CRNAs, and practitioners studying for board exams—anyone who needs a quick overview of the essential elements of clinical anesthesia in an easily accessible format. ,Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech. , ,

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New perspectives on and interpretations of the popular medieval genre of the universal chronicle. Found in pre-modern cultures of every era and across the world, from the ancient Near East to medieval Latin Christendom, the universal chronicle is simultaneously one of the most ubiquitous pre-modern cultural forms and one of the most overlooked. Universal chronicles narrate the history of the whole world from the time of its creation up to the then present day, treating the world's affairs as though they were part of a single organic reality, and uniting various strands of history into a unifed, coherent story. They reveal a great deal about how the societies that produced them understood their world and how historical narrative itself can work to produce that understanding. The essays here offer new perspectives on the genre, from a number of different disciplines, demonstrating their vitality, flexibility and cultural importance, They reveal them to be deeply political texts, which allowed history-writers and their audiences to locate themselves in space, time and in the created universe. Several chapters address the manuscript context, looking at the innovative techniques of compilation, structure and layout that placed them at the cutting edge of medieval book technology. Others analyse the background of universal chronicles, and identify their circulation amongst different social groups; there are also investigations into their literary discourse, patronage, authorship and diffusion. Michele Campopiano is Senior Lecturer in Medieval Latin Literature at the University of York; Henry Bainton is Lecturer in High Medieval Literature at the University of York. Contributors:Tobias Andersson, Michele Campopiano, Cornelia Dreer, Catherine Gaullier-Bougassas, Elena Koroleva, Keith Lilley, Andrew Marsham, Rosa M. Rodriguez Porto, Christophe Thierry, Elizabeth M. Tyler, Steven Vanderputten, Bjorn Weiler, Claudia Wittig.

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A very special story which at last provides a heroic exit for Colin Baker's much-loved Time Lord. Four hour-long episodes, connected by the presence of the Valeyard, the entity that exists between the Doctor's twelfth and final incarnations. THE END OF THE LINE - The Doctor and his latest companion Constance investigate a commuter train that has lost its way...THE RED HOUSE - The Doctor and Charlotte Pollard arrive on a world that is populated by werewolves. STAGE FRIGHT - The Doctor and Flip visit Victorian London, where investigators Jago and Litefoot explore theatrical performances that have echoes of the Doctor's past lives...THE BRINK OF DEATH - The Doctor and Mel face the final confrontation with the Valeyard - and the Doctor must make the ultimate sacrifice. Denied a proper farewell from the Doctor Who TV show, Colin Baker here takes the role anew to show how the Sixth Doctor met his end...New companion Constance Clarke is played by Miranda Raison, a familiar face from British stage and screen including Spooks, Poirot, Merlin, Doctor Who and 24: Live Another Day...India Fisher (Charlie Pollard) is the narrator for BBC's popular Masterchef program. The four stories are from four different periods of the Sixth Doctor's life, each bringing back a popular companion and other friends of the Time Lord...CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Anthony Howell (Tim Hope), India Fisher (Charlotte Pollard), Michael Jayston (The Valeyard), Lisa Greenwood (Flip), Christopher Benjamin (Henry Jago), Trevor Baxter (George Litefoot), Lisa Bowerman (Ellie Higson), Bonnie Langford (Melanie Bush).

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Plants and architecture: two seemingly opposite elements. How can we combine them to plan future cities that are closer to nature? What synergies can we explore? Hortitecture seeks to discover the creative and construction potentials of vital plant material, and explores its applications in ecosystem services and urban food production.Through research at the intersections of architecture, biology, and technology, IDAS (Institute for Design and Architectural Strategies) explores this topic with the aim of transferring the knowledge gained to the design of buildings. This book documents the projects, ideas, and experiences shared by thirty-three international experts at symposia held at TU Braunschweig. Their critical reflections advance the awareness and expertise needed to develop a nature-based urban architecture. With contributions by Stefano Boeri, Thomas Corbasson, Richard Hassell and Wong Mun Summ, Christoph Ingenhoven, Vo Trong Nghia, Elisabeth Kather, Klaus K. Loenhart, Ferdinand Ludwig and Daniel Schönle, Fuensanta Nieto, Chris Precht, Jacob van Rijs, Tomás Saraceno, Diana Scherer, Dan Wood, Ken Yeang, and others

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John Gower's poetry offers an important and immediate response to the turbulent events of his day. The essays here examine his life and his works from an historical angle, bringing out fresh new insights. The late fourteenth century was the age of the Black Death, the Peasants' Revolt, the Hundred Years War, the deposition of Richard II, the papal schism and the emergence of the heretical doctrines of John Wyclif and the Lollards. These social, political and religious crises and conflicts were addressed not only by preachers and by those involved in public affairs but also by poets, including Chaucer and Langland. Above all, though, it is in the verse of John Gower that we find the most direct engagement with contemporary events. Yet, surprisingly, few historians have examined Gower's responses to these events or have studied the broader moral and philosophical outlook which he used to make sense of them. Here, a number of eminent medievalists seek to demonstrate what historians can add to our understanding of Gower's poetry and his ideas about society (the nobility and chivalry, the peasants and the 1381 revolt, urban life and the law), the Church (the clergy, papacy, Lollardy, monasticism, and the friars) gender (masculinity and women and power), politics (political theory and the deposition of Richard II) and science and astronomy. The book also offers an important reassessment of Gower's biography based on newly-discovered primary sources. STEPHEN RIGBY is Emeritus Professor of Medieval Social and Economic History at the University of Manchester; SIAN ECHARD is Professor of English, University of British Columbia. Contributors: Mark Bailey, Michael Bennett, Martha Carlin, James Davis, Seb Falk, Christopher Fletcher, David Green, David Lepine, Martin Heale, Katherine Lewis, Anthony Musson, Stephen Rigby, Jens Röhrkasten.

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Christopher Flynn is trying to get it right. After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

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Charles II's succession to the throne came at a time of national turbulence: his father had been beheaded, Oliver Cromwell had usurped his right to reign. England was at sea among Europe's constantly shifting allegiances. But Henry Jermyn, a Suffolk commoner, lover to the queen mother and possibly even father to the king, was there to keep the royal family together. Jermyn's deft way of secretly manipulating government and raising an army almost prevented Civil War. He was instrumental in saving the monarchy and set in motion the rise of the British Empire. A duellist, soldier and spymaster, Jermyn was close to the great men of the 17th century: Francis Bacon (his kinsman), Louis XIV, Cardinal Richelieu, Inigo Jones, Samuel Peypys, Christopher Wren and Thomas Hobbes (whose Leviathan he inspired). The King's Henchman is a story of love, family, regicide, adversity and last-minute escapes, set against the backdrop of bloody Civil War. It is also the remarkable love story of a commoner and a royal who together shared a vision for Britain and created St James's Square and Greenwich Park as its first grand expression.

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'Why is there a world rather than nothing at all?' remains the most curious and most enduring of all metaphysical mysteries. Moving away from the narrower paths of Christopher Hitchens, Roger Penrose and Stephen Hawking, the celebrated essayist Jim Holt now enters this fascinating debate with his broad, lively and deeply informed narrative that traces all our efforts to grasp the origins of the universe. With sly humour and a highly original personal approach Holt takes on the role of cosmological detective. Suggesting that we might have been too narrow in limiting our suspects to God and the Big Bang, he tracks down, among others, an eccentric Oxford philosopher, a Nobel Laureate physicist, a French Buddhist monk, and John Updike just before he died, to pursue this cosmic puzzle from every angle. As he pieces together a solution - while offering useful insights into time, consciousness, and eternity - he sheds fascinating new light on the meaning of existence. A New York Times bestseller on first publication, this new paperback edition provides a much-needed new take on history's greatest conundrum, in the vein of previous bestsellers like Michael Brooks' 13 Things that Don't Make Sense.

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When you think of British horror films, you might picture the classic Hammer Horror movies, with Christopher Lee, Peter Cushing, and blood in lurid technicolor. Yet British horror has undergone an astonishing change and resurgence in the twenty-first century, with films that capture instead the anxieties of post-Millennial viewers. Tracking the revitalization of the British horror film industry over the past two decades, media expert Steven Gerrard also investigates why audiences have flocked to these movies. To answer that question, he focuses on three major trends: “hoodie horror” movies responding to fears about Britain’s urban youth culture; “great outdoors” films where Britain’s forests, caves, and coasts comprise a terrifying psychogeography; and psychological horror movies in which the monster already lurks within us. Offering in-depth analysis of numerous films, including The Descent, Outpost, and The Woman in Black, this book takes readers on a lively tour of the genre’s highlights, while provocatively exploring how these films reflect viewers’ gravest fears about the state of the nation. Whether you are a horror buff, an Anglophile, or an Anglophobe, The Modern British Horror Film is sure to be a thrilling read.

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Alastair Sim was an enigmatic character both on and off the screen. His idiosyncratic style of acting in films such as The Belles of St Trinian's endeared him to a cinema-going audience desperate to escape the day-to-day dreariness of an invasive, bureaucratic post-war Britain. In private, he was a curiously contradictory character, prejudiced and yet tolerant, thoughtful but sometimes inconsiderate. To examine the life of this extraordinary man, this biography contains original contributions from around thirty actors and actresses, including Sir Ian McKellen and Ronnie Corbett.It is supported by extensive research, including interviews with the playwright Christopher Fry, the television producer John Howard Davies and actors who appeared on stage with Alastair as far back as the 1940s. This book also explores Alastair's life outside of films, including his marriage to Naomi Sim (whom he first met when she was twelve), his career as an elocution teacher, his extensive work on stage (including his theatrical endeavours with James Bridie), his championship of youth and his stalwart refusal to sign autographs. Alastair Sim offers a rare and fascinating insight into the life of one of Britain's most respected and best-loved actors.

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For more than fifty years, Rolling Stone magazine has been the defining voice in musical journalism. Alongside its timeless cover images and groundbreaking criticism, the magazine s illustrations have given popular culture a new iconography. Drawing on five decades of the magazine s archives and with a focus on more contemporary artists and issues, this stunning book collects more than 200 of the most iconic illustrations to have graced its pages from portraits of major cultural figures (from Bob Dylan to Barack Obama, Oprah to Madonna) to depictions of key moments in recent history (from Woodstock to Trump s election). Some of the greatest names in art and design have defined the magazine s illustrated lexicon, from modern heroes like Milton Glaser and Ralph Steadman to subversive contemporary artists such as Christoph Niemann and Mark Ryden. Organized creatively by thematic connection juxtaposing a legend of one world alongside another and collecting portfolios on specific subjects and with anecdotes from some of the artists and subjects alongside the images themselves, the book presents a whimsical illustrated history of contemporary culture filtered through the Rolling Stone lens.

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Nancy, Bess, and George must find the truth behind a photographic mystery in this nineteenth book of the Nancy Drew Diaries, a fresh approach to the classic mystery series.Nancy and her friends are spending the weekend in a small mountainside town called Shady Oaks. The local museum is displaying a never-before-seen collection from famous nature photographer, Christopher DeSantos. So the usually sleepy town is now filled with tourists. But it’s not just the dramatic lighting of the old black and white photographs that people have come to see. Newspapers all over the country have picked up the story of two visitors who went missing in Shady Oaks only to turn up in the old DeSantos photographs, seemingly frozen in time. What’s more, there was a rumor that DeSantos was cursed by his former partner after a disagreement. Now everyone is wondering if the legend is real. Nancy, Bess, and George are convinced that there is another explanation to be found. But it quickly becomes clear that someone is making sure they don’t find it. Can these three teenage sleuths solve this mystery before it’s too late?

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'The Faber Book of Beasts is a generous and intelligent round- up of old favourites, new juxtapositions, and poems we mightn't know about ... Will set heads shaking, as well as nodding with pleasure.' Independent William Wordsworth's 'To a Skylark'W.B. Yeats' 'Leda and the Swan'Elizabeth Bishop's 'The Moose'D.H. Lawrence's 'Bat'Marianne Moore's 'Elephants'William Blake's 'The Tyger' Gerard Manley Hopkins' 'The Windhover'Thom Gunn's 'The Snail'Seamus Heaney's 'Otter'John Donne's 'The Flea'Christopher Smart's 'My Cat Jeoffry''Baa Baa Black Sheep' From childhood rhymes to canonical classics, Homer to Ted Hughes, this eclectic poetry anthology celebrating the earth's creatures brims with beastly delights. Celebrated poet Paul Muldoon's bestiary shows that we are 'most human in the presence of animals', whether tame or wild, common or exotic, mammals or reptiles, real or imaginary - and the result is a must-read for animal-lovers of all ages everywhere.'Animals bring the best out in us [and make] the best art ... Elephants, skunks, otters, hedgehogs and hippos feature in Muldoon's menagerie; how charming it is to observe how they nuzzle along together in his engaging anthology.' Irish Times

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A new, updated and expanded edition of this classic survey on the history of Caribbean art, featuring the work of over 100 artists from the period of colonialism to the present day. Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or ‘high’ culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.

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Stirring tales of heroism at sea have been engrained in the annals of maritime history since time immemorial. Christopher Columbus's discovery of the New World, Queen Elizabeth I's defeat of the Spanish Armada, and Horatio Nelson's victory at Trafalgar are just some of Britain's most memorable naval triumphs. But what about the lesser-known tales from our seafaring past? The Victorian who invented a swimming machine in order to cross the English Channel; the capture of a 'real-life' mermaid; the lost pirate treasure of Alboran; the ghost of a murdered sailor who still haunts the streets of Portsmouth; and the daring explorers who vanished into the blue yonder, leaving behind nothing but a cryptic message in a champagne bottle - these are just some of our quirky naval stories that have been chronicled in verse and archived in newspaper clippings, and forgotten with the passage of time. Historian and genealogist Caroline Rochford has compiled 200 traditional songs and stories into this book, which offers an exciting, entertaining and eye-opening glimpse into our long lost maritime past.

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Aamer Hussein takes love to its logical conclusion, Robert Irwin traces the origins of the ghazal (love lyric ), Christopher Shackle recites epic Panjabi poems of sacred love and lyrical death, Imranali Panjwani mourns the massacre of Karbala, Martin Rose is taken hostage by Saddam Hussain, Jalees Rahman reflects on Nazi doctors who took delight in deathly experiments, Ramin Jehanbegloo is incarcerated in the notorious Evin prison, Hamza Elahi visits England's Muslim graveyards, Shanon Shah receives valuable guidance on love and sex from the 'Obedient Wives Club', Samia Rahman sets out in search of love, Khola Hasan has mixed feelings about her hijab, Sabita Manian promotes love between India and Pakistan, Boyd Tonkin discovers that dead outrank the living in Jerusalem , Alev Adil takes 'a night journey through a veiled self' and Irna Qureshi's mother finally makes a decision on her final resting place. Also in this issue: Parvez Manzoor throws scorn on a nihilistic, revisionist history of Islam, Naomi Foyle reads the first novel of a British Palestinian, Ahmad Khan explores the colonial history of The Aborigines' Protection Society, a short story by the famous Fahmida Riaz, Syrian scenarios by Manhal al-Sarraj, poems by Sabrina Mahfouz and Michael Wolf, Rachel Dwyer's list of Top Ten Muslim Characters in Bollywood and Merryl Wyn Davies's 'last word' on love and death at the movies.

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