Search results for ""author jan"

Rugby's long history is full of tales of inspirational courage. Yet there has never been a rugby player quite as remarkable, quite as jaw-droppingly brave, as Ian McKinley. On January 16, 2010, the young fly-half was one of Ireland's hottest rugby prospects. But his life was about to change forever. While playing for University College Dublin, a horrifying injury to his left eye saw McKinley's vision, his world and his future come crashing down around him. The injury left McKinley blind in one eye and bereft, forcing him into early retirement, his life plans scattered in the wind. After relocating to Italy to heal and rebuild himself as a youth rugby coach, a heartbroken McKinley battled on until, in the end, he vowed to do whatever it took to once again play the sport he loved. As he discloses in Second Sight in painstaking detail for the first time, McKinley poured his heart and soul into finding a way to play. He endlessly researched specialist goggles and he tenaciously fought his case against sceptical World Rugby bosses until finally, finally, he did the impossible - he came back. On November 11, 2017, against Fiji, McKinley became the first visually impaired man to ever feature in a Test match, playing at fly-half for Italy - his beloved, adopted nation. His efforts drew gasps of admiration from the crowd and tears of respect from teammates and opposition alike. In Second Sight, McKinley outlines how returning to rugby gave him the chance to highlight his skill at the highest level but, more importantly, how it helped him make peace with his injury and the unique way fate has intervened in his life. After eventually retiring for a second, and final, time in March 2021, in Second Sight McKinley tells an astounding sporting story like no other - and a tale that deserves to be heard, and applauded, around the globe.

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A chance encounter leads to a fight for her life...Kit Finn plays it safe in her personal life; any risky moves are saved for her work. But when she meets handsome Matt Healy on a business trip she decides she’s tired of being careful. Kit acts on her instincts and the two share a night of passion.They agree to meet again when they are back home in New York City, but when Kit arrives at Matt’s apartment she is greeted by a total stranger claiming he is the real Matt. Realising she has been duped Kit decides to put the encounter behind her. But when the police ask her to identify a man killed in a hit and run, with only her business card in his possession, Kit is shocked to recognise the victim as the genuine Matt Healy.Kit fears she has become unintentionally embroiled in a sinister web of deceit. With no real evidence to take to the police, Kit resolves to unravel the mystery herself. But can she do so before more lives, including her own, are put in danger?For fans of psychological suspense and compulsive mysteries, don’t miss this tense and page-turning novel. If you love Peter Swanson and Shari Lapena, then you will love Kate White.Praise for Kate White‘A nerve-jangling adrenaline rush!’ Lisa Gardner‘Utterly compelling.’ Karin Slaughter‘A terrifying psychological thriller.’ Harlan Coben‘Taut, tense and utterly gripping.’ Jessica Knoll‘Suspenseful, twisty and sharply observed.’ Gilly Macmillan'I read this is one sitting. Utterly gripping. I wouldn’t hesitate to recommend.' Reader review'I could not put this book down... It's a clever book with some great characters, I could definitely imagine this on the big screen!' Reader review'Gripping story from the beginning with plenty of twists.' Reader review'An excellent well-written quality read. I didn't want it to end!' Reader review

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Thomas Percy Gleave began his RAF career in 1930, three years later becoming a member of the RAF aerobatic team. He joined Bomber Command on 1 January 1939, but at the outbreak of war Gleave requested a return to Fighter Command. He took command of 253 Squadron just in time for the start of the Battle of Britain, acquiring fame for claiming five Messerschmitt Bf 109s in a single day. Tom Gleave, however, is remembered more for the misfortune which befell him on 31 August 1940. On that day he was shot down and badly burned when his Hurricane caught fire. In his memoir Tom Gleave tells of the early days of his encounters with the German aircraft in dramatic detail and, particularly of that dreadful day when he escaped his dying aircraft with severe burns to much of his body and his face. After being taken to Orpington Hospital, Gleave was transferred to Queen Victoria Hospital, East Grinstead where he was one of the first pilots to undergo plastic surgery by Archie, later Sir Archibald, Mclndoe and his brilliant colleague, Percy Jayes. Gleave received leg and facial grafts, and his nose was reconstructed. The Guinea Pig Club was formed at Queen Victoria Hospital on 20 July 1941, with Mclndoe as President and Gleave as Vice-President and a Founder Member, being the club's first and only Chief Guinea Pig until his death in 1993. Originally written in 1941, this moving and graphic story is not one of despair but of overcoming adversity with cheerful determination not to allow circumstances of the past to determine the future. For, despite his terrible wounds, Tom Cleave returned to duty, becoming station commander of RAF Northolt and later RAF Manston. Above all, I Had a Row With a German is a ripping yarn of the cut and thrust of the Battle of Britain by one of Churchill's memorable Few'.

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One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

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'It's not a high concept movie, there's actually no story there really. It’s what happens in between the story that’s important' – Bill Forsyth The story of an American businessman sent to buy the Scottish village of Ferness with the aim of turning it into an oil refinery, Local Hero is one of Scotland’s most beloved, and most misunderstood, films. When Bill Forsyth’s incredible success with the low-budget That Sinking Feeling and Gregory’s Girl found him collaborating with Britain’s best-known film producer, David Puttnam, he soon found his independent ethos clashing with Hollywood’s desire for superstar actors and a happy ending. Jonathan Melville checks into the MacAskill Arms and looks back at Bill Forsyth’s career with the help of new and archive interviews, before spending time with the cast and crew, including stars Peter Riegert and Denis Lawson, who made Local Hero on location in Houston and Scotland in 1982. With access to early drafts of the Local Hero script (including hand-written notes) that reveal more about Mac and mermaids, excerpts from a previously unpublished interview in which Bill Forsyth explains why he refuses to call his film 'feel-good', and a look at long-lost deleted scenes with exclusive commentary from those involved, this is the definitive history of the Scottish classic. ‘Genuine fairy tales are rare; so is film-making that is thoroughly original in an unobtrusive way. Bill Forsyth's quirky disarming Local Hero is both . . . it demonstrates Mr. Forsyth's uncanny ability for making an audience sense that something magical is going on, even if that something isn't easily explained’ – Janet Maslin, The New York Times 'Local Hero is kind of transcendent. It's poetic in a way that most films can't hope to be' – Frank Cottrell-Boyce 'Local Hero is one my favourite films of all time . . . A timeless masterpiece' – Mark Kermode

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On 14 January 1930, Horst Wessel, a young and ambitious member of the SA was shot at close range at his home in Berlin. Although the crime was never completely solved, the murder was most likely committed by a group of communists with close ties to the city's gangland. Wessel later died from his injuries. Joseph Goebbels, whose attention had already been drawn to Wessel as a possible future Nazi leader, was the first to recognize the propaganda potential of the case. 'A young martyr for the Third Reich' he wrote in his diary on 23 February 1930 immediately after receiving the news of Wessel's death. This was the beginning of the myth-making that transformed an ordinary individual into a masculine role model for an entire generation. Two months later, thousands of people lined the streets for Wessel's funeral parade and Goebbels delivered a graveside eulogy. In the years that followed - and as Nazi power increased - Horst Wessel became the hero of the Nazi movement - with his elaborate memorial quickly becoming a site of pilgrimage. The song Die Fahne Hoch for which Wessel had written the lyrics (and which subsequently became popularly known as the Horst Wessel Song) became the official Nazi party anthem and the Berlin district of Friedrichshain, where Wessel was murdered was renamed Horst-Wessel-Stadt in his honour. Numerous biographies and films followed. Using previously unseen material, Daniel Siemens provides a fascinating and gripping account of the background to Horst Wessel's murder and uncovers how and why the Nazis made him a political hero. He examines the Horst Wessel 'cult' which emerged in the aftermath of Wessel's death and the murders of revenge, particularly against Communists, committed by the SA and Gestapo after 1933. At the same time, the story of Horst Wessel provides a portrait of the Nazi propaganda machine at its most effective and most chilling.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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WOOD DETERIORATION, PROTECTION AND MAINTENANCE Wood has low embodied energy, is a renewable resource and can perform extremely well in a range of construction applications, so it is not surprising that there is growing interest in the use of wood in new buildings. As a natural material, wood can be subject to degradation by a range of environmental factors, insects, bacteria or fungi. Advances in the understanding of the degradation processes caused by these factors, as well as increased knowledge about boundary environmental conditions and the extractives that suppress the development of timber pests, have led to new methods of structural, physical and chemical protection of wood and wooden composites. The result is that wood can deliver high-performance, long-life buildings and structures with low environmental impact at relatively modest cost. Wood Deterioration, Protection and Maintenance provides an up-to-date discussion of the natural durability of wood, wood degradation processes, and methods of structural, physical and chemical protection of wood. The important information relating to wood degradation by abiotic and biotic agents in the context of the basic structure of wood is fully discussed, showing how structural changes in damaged wood relate to physical and mechanical properties. Modern active substances in wood protection and the relationships between preservative properties, the anatomical structure and moisture content of wood, and protective processes involving pressure and/or diffusion driving forces are fully illustrated. Mentioned also are principles of wood maintenance, together with modes of damaged wood identification, sterilization and reconstruction. OTHER BOOKS OF INTEREST Wood Modification: Chemical, Thermal and Other Processes Callum A. S. Hill Hardback ISBN 9780470021729 January 2006, Wiley Wood in Construction: How to Avoid Costly Mistakes Jim Coulson Paperback ISBN 9780470657775 March 2012, Wiley Blackwell Structural Timber Design to Eurocode 5, 2nd Edition Jack Porteous, Abdy Kermani Paperback ISBN 9780470675007 May 2013, Wiley Blackwell

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When we think of literature and film about farm workers, The Grapes of Wrath may come to mind, but Farm Worker Futurism reveals that the historical role of technology, especially new media, has in fact had much more to do with depicting the lives of farm laborers—Mexican migrants in particular—in the United States. From the late 1940s, when Ernesto Galarza led a strike in the San Joaquin Valley, to the early 1990s, when the United Farm Workers (UFW) helped organize a fast in solidarity with janitors at Apple Computers in the Santa Clara Valley, this book explores the friction between agribusiness and farm workers through the lens of visual culture.Marez looks at how the appropriation of photography, film, video, and other media technologies expressed a “farm worker futurism,” a set of farm worker social formations that faced off against corporate capitalism and government policies. In addition to drawing fascinating links between the worlds envisioned in UFW videos on the one hand and visions of Cold War geopolitics on the other, he demonstrates how union cameras and computer screens put the farm worker movement in dialogue with futurist thinking and speculative fictions of all sorts, including the films of George Lucas and the art of Ester Hernandez. Finally Marez examines the legacy of farm worker futurism in recent cinema and literature, contemporary struggles for immigrant rights, management–labor conflicts in computer hardware production, and the antiprison movement.In contrast with cultural histories of technology that take a top-down perspective, Farm Worker Futurism tells the story from below, showing how working-class people of color have often been early adopters and imaginative users of new media. In doing so, it presents a completely novel analysis of speculative fiction’s engagements with the farm worker movement in ways that illuminate both.

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Liberals and leftists in the United States have not always been estranged from one another as they are today. Historian Doug Rossinow examines how the cooperation and the creative tension between left-wing radicals and liberal reformers advanced many of the most important political values of the twentieth century, including free speech, freedom of conscience, and racial equality. Visions of Progress chronicles the broad alliances of radical and liberal figures who were driven by a particular concept of social progress—a transformative vision in which the country would become not simply wealthier or a bit fairer but fundamentally more democratic, just, and united. Believers in this vision—from the settlement-house pioneer Jane Addams and the civil rights leader W. E. B. Du Bois in the 1890s and after, to the founders of the ACLU in the 1920s, to Minnesota Governor Floyd Olson and assorted labor-union radicals in the 1930s, to New Dealer Henry Wallace in the 1940s—belonged to a left-liberal tradition in America. They helped push political leaders, including Presidents Woodrow Wilson, Franklin Roosevelt, and Harry Truman, toward reforms that made the goals of opportunity and security real for ever more Americans. Yet, during the Cold War era of the 1950s and '60s, leftists and liberals came to view one another as enemies, and their influential alliance all but vanished. Visions of Progress revisits the period between the 1880s and the 1940s, when reformers and radicals worked together along a middle path between the revolutionary left and establishment liberalism. Rossinow takes the story up to the present, showing how the progressive connection was lost and explaining the consequences that followed. This book introduces today's progressives to their historical predecessors, while offering an ambitious reinterpretation of issues in American political history.

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In May of 1919, women from around the world gathered in Zurich, Switzerland, and proclaimed, "We dedicate ourselves to peace!" Just months after the end of World War I, the Womens International League for Peace and Freedom--a group led by American progressive Jane Addams and comprising veteran campaigners for social reform--knew that a peaceful world was essential to their ongoing quest for social and economic justice. Alan Dawley tells the story of American progressives during the decade spanning World War I and its aftermath. He shows how they laid the foundation for progressive internationalism in their efforts to improve the world both at home and abroad. Unlike other accounts of the progressive movement--and of American politics in general--this book fuses social and international history. Dawley shows how interventions in Latin America and Europe affected domestic plans for social reform and civic engagement, and he depicts internal battles among progressives between unabashed imperialists like Theodore Roosevelt and their implacable opponents like Robert La Follette. He draws a contrast between Woodrow Wilson's use of force in exporting American ideals and Addams's more cosmopolitan pursuit of economic justice and world peace. In discussing the debate over the League of Nations within the context of turbulent domestic affairs, Dawley brings keen insight into that complicated moment in American history. In striking and original ways, Dawley brings together domestic and world affairs to argue that American progressivism cannot be understood apart from its international context. Focusing on world-historical events of empire, revolution, war, and peace, he shows how American reformers invented a new politics built around progressive internationalism. Changing the World retrieves the progressive tradition in American politics and makes it available to contemporary debates. The book speaks to anyone seeking to be both a good citizen within the nation and a good citizen of today's troubled world.

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‘The word “mesmerising” is frequently applied to memoirs, but seldom as deservedly as in the case of Girl With Dove’ Financial Times ‘Reading is a form of escape and an avid reader is an escape artist…’ Brilliantly original, funny and clever Honor Clark, Spectator, Book of the Year Growing up in a dilapidated house by the sea where men were forbidden, Sally’s childhood world was filled with mystery and intrigue. Hippies trailed through the kitchen looking for God – their leader was Aunt Di, who ruled the house with charismatic force. When Sally’s baby brother vanishes from his pram, she becomes suspicious of the activities going on around her. What happened to Baby David and the woman called Poor Sue? And where did all the people singing and wailing prayers in the front room suddenly go? Disappearing into a world of books and reading, Sally adopts the tried and tested methods of Miss Marple. Taking books for hints and clues, she turns herself into a reading detective. Her discovery of Jane Eyre marks the beginning of a vivid journey through Victorian literature where she also finds the kind, eccentric figure of Charles Dickens’ Betsey Trotwood. These characters soon become her heroines, acting as a part of an alternative family, offering humour and guidance during many difficult moments in Sally’s life. Combining the voices of literary characters with those of her real-life counterparts, Girl With Dove reads as a magical series of strange encounters, climaxing with a comic performance of Shakespeare in the children’s home where Sally is eventually sent. Weaving literary classics with a young girl’s coming of age story, this is a book that testifies to the transformative power of reading and the literary imagination. Mixing fairy tale, literary classics, nursery rhymes and folklore, it is the story of a child’s adventure in wonderland and search for truth in an adult world often cast in deep shadow.

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Mirsad Hadžkadić never planned for a life in politics. Yet, in 2018, he decided to run for the Bosniak presidential council seat in Bosnia and Herzegovina. Mirsad made the life-changing decision to run, despite the fact that he had a successful, thirty-year career as a professor at the University of North Carolina at Charlotte and very little experience in politics outside of academia. However, a conversation with a dear friend from Sarajevo planted the idea in his mind. Samir Avdakovi suggested that he run for office because "there may never be another election in Bosnia and Herzegovina, and the country as we know it will probably disintegrate." The words rumbled within Mirsad's mind for the next several months, and he thought to himself, "if what Samir says is so, who am I, because of the comforts I have, to decide not to even try?" After announcing his intentions on national TV in January of 2018, Mirsad began this journey in earnest in May of 2018 by building a campaign from the ground up with the hope of instilling a vision of hope and change and shifting the country's political discourse. However, he soon learned that the odds were stacked against him. He only had five months and limited funds to prove to the citizens of Bosnia and Herzegovina that he deserved their votes. And so, he took his meager funds, limited time, and infinite passion to do just that. He toured the country, meeting and talking with citizens, to share his vision of hope and change. Though Mirsad was not victorious on October 7th, his results were deemed historic and unprecedented. A relatively unknown, underfunded independent candidate managed to receive 60,000 votes or ten percent of the total votes cast. And, despite the defeat, Mirsad succeeded in spearheading a democratic movement, resulting in the formation of the Platform for Progress political organization in November of 2018 and the official dawning of The Odyssey for Democracy.

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From long lost paintings to ephemeral sculptures; from whimsical performances to iconic public murals; and from independent films to landmark design objects, the surprising and provocative contents of Moving Focus, India have been provided by a varied group of experts. A first of its kind, this book invited 54 artists, curators, historians and writers to each create a list of five works of art, made at any time since 1900, by artists living in India or identifying as part of its diaspora. With over 250 individual nominations, including artists whose works have been exhibited at venues as various as Houghton Hall (Anish Kapoor, 2020), the Asia Society Museum, New York (MF Husain, 2019) and the Piramal Museum of Art, Mumbai (SH Raza, 2018), the exercise produced thrilling and unexpected choices across many mediums. Drawing from a wide range of private and public collections, the selections reveal the diversity and inclusiveness of today’s art scene: an art scene that has embraced the progressive changes evident in society at large. In addition to these lists, the book includes reflections on collecting, curating and canon-formation from a range of important voices, by way of a roundtable discussion and a series of essays. Spread over two volumes and marked by an innovative and fresh design sensibility, whether you are familiar with modern and contemporary art from the subcontinent or looking for an introduction, Moving Focus, India contains a wealth of information. Lavishly illustrated with over 1,000 archival and freshly commissioned photographs, this book is an important and timely addition to the global art discourse and a key source of reference. Nominated artists include Ramkinkar Baij, Chittaprosad, VS Gaitonde, Amrita Sher Gil, Rummana Hussain, Bhupen Khakhar, Nasreen Mohamedi, Benode Behari Mukherjee, Meera Mukherjee, Mrinalini Mukherjee, Gieve Patel, Sudhir Patwardhan, Nilima Sheikh, Jangarh Singh Shyam, KG Subramanyan, Vivan Sundaram, Zarina and many more.

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On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by “world literature” as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided—and continues to provide—a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun’s book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.

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From the Sunday Times bestseller comes a warm, tender and utterly hilarious story about love and betrayal ‘The feeling you get when you read a Milly Johnson book should be bottled and made available on the NHS’ Debbie JohnsonLove can sting. Or make you fly ... Romance writer and single mum Stevie Honeywell has only weeks to go to her wedding when her fiancé Matthew runs off with her glamorous new friend Jo MacLean. It feels like history repeating itself for Stevie, but this time she is determined to win back her man. She isn't going to act as he might expect. She isn't going to wail and dig her heels in, she is simply going to pretend to let him go whilst she pursues a mad course of dieting, exercising and self-improvement. And it feels like history is repeating itself for Adam MacLean too, who is also determined to win his lady, Jo, back with the same basic psychological tactics. Then he is going to initiate his master plan: Getting together with Stevie to drive Jo wild with jealousy. So, like the Scottish country jig 'The Birds and the Bees', the couples all change partners and learn some revealing truths about each other along the way. But what happens when Adam's master plan actually starts to work? And just who will Stevie be dancing with when the music stops?Praise for Milly Johnson: 'Every time you discover a new Milly book, it’s like finding a pot of gold' heat 'A glorious, heartfelt novel' Rowan Coleman ‘Absolutely loved it. Milly's writing is like getting a big hug with just the right amount of bite underneath. I was rooting for Bonnie from the start' Jane Fallon ‘Bursting with warmth and joie de vivre’ Jill Mansell ‘Warm, optimistic and romantic’ Katie Fford

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London, 1888, and one-man's brutal campaign of violence has taken the lives of unsuspecting victims, cut London to the core and carved his name into history. Well, not his name, exactly. Whomever this man was, remains a mystery but there are few people who haven't heard of his nickname: Jack the Ripper.The same is true for those said to have died at his hands. If Polly Nicholls, Annie Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly had not fallen to his knife, their names would have been lost to history. Instead, they themselves are as much a part of the folklore as their killer. Then there are those who investigated the crimes: the ordinary men, doing their jobs as best they could, who will always be associated with the failed attempts to catch this monster. But if those crimes had happened today, how would they be investigated and how would the approach differ? There is no doubt, how detectives work has changed dramatically over those 130 years. Although, in many senses, things are very much the same. Solving murders relies on an understanding of people, be that the victims, the witnesses and, most importantly, the killers themselves.In Murder Investigation Team: Jack the Ripper, while journeying through these infamous murders, through meticulous contemporary research, witness statements and reporting, ex-detective Steven Keogh will revisit the crimes that were committed, why these lives were taken, and attempt to discover just who was Jack the Ripper? Applying modern-day investigative approaches to the 19th century investigation, and with ground-breaking insight from one of the UK's leading criminal profilers, Pippa Gregory, join Steven on a gruesome and incredible journey of discovery into one of the most infamous crimes in British history.

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Winner of the Mbokodo Award for Women in the Arts for Literature, the ATKV (Afrikaans Language and Culture Association) Award for non-fiction and the kykNet/Rapport Award for non-fiction. 'Here was Emily . . . in these diaries and scrapbooks. An unprecedented, intimate angle on the real Emily'Elsabé Brits has drawn on a treasure trove of previously private sources, including Emily Hobhouse's diaries, scrap-books and numerous letters that she discovered in Canada, to write a revealing new biography of this remarkable Englishwoman. Hobhouse has been little celebrated in her own country, but she is still revered in South Africa, where she worked so courageously, selflessly and tirelessly to save lives and ameliorate the suffering of thousands of women and children interned in camps set up by British forces during the Anglo-Boer War, in which it is estimated that over 27,000 Boer women and children died; and where her ashes are enshrined in the National Women's Monument in Bloemfontein. During the First World War, Hobhouse was an ardent pacifist. She organised the writing, signing and publishing in January 1915 of the 'Open Christmas Letter' addressed 'To the Women of Germany and Austria'. In an attempt to initiate a peace process, she also secretly metwith the German foreign minister Gottlieb von Jagow in Berlin, for which some branded her a traitor. In the war's immediate aftermath she worked for the Save the Children Fund in Leipzig and Vienna, feeding daily for over a year thousands of children, who would otherwise have starved. She later started her own feeding scheme to alleviate ongoing famine.Despite having been instrumental in saving thousands of lives during two wars, Hobhouse died alone - spurned by her country, her friends and even some of her relatives. Brits brings Emily's inspirational and often astonishing story, spanning three continents, back into the light.

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Praise for the exhibition ***** The Telegraph ***** The Times ***** Daily Telegraph **** The Evening Standard “Plunge into the infinity pool of ancient Egyptian history with this dizzying array of artworks” - Waldemar Januszczack, Sunday Times Culture magazine Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts. The British Museum’s exhibition Hieroglyphs: unlocking ancient Egypt and this accompanying publication tell the story of the Rosetta Stone and of countless other objects that were key to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was the key to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilisations through the understanding of their writing. Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to the most significant code breaking moment in history.

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Generations are familiar with the haunting black and white television footage of Donald Campbell somersaulting to his death in his famous Bluebird boat on Coniston Water in January, 1967. It has become an iconic image of the decade. His towering achievements, and the drama of his passing, are thus part of the national psyche. But what of the man himself? The son of the legendary Sir Malcolm Campbell who was famous for being the ultimate record-breaker of the inter-war years - he broke the land speed record nine times and the water speed record four times with his Bluebird cars and boats - Donald Campbell was born to speed. He was outgoing and flamboyant, yet carefully orchestrated the image he presented to the world. Some saw him as a playboy adventurer; others, such as the radio producer on the twenty-first anniversary of his death, as a reckless daredevil with a death wish. He was known to take solace in extra-marital dalliances, and was obsessed with spiritualism. And in his final years, battered by a 360-mph accident while attempting the land record on the Bonneville Salt Flats in Utah, and his prolonged and anti-climactic subsequent effort on the treacherous Lake Eyre in Australia, Campbell appeared a haggard and often frightened man. He had become trapped on his record-breaker's treadmill as he continually sought to prove himself to his illustrious father, in whose long shadow he felt forever trapped. DONALD CAMPBELL: THE MAN BEHIND THE MASK paints a fascinating portrait of an intense, complex, superstitious yet abnormally brave man who was driven not only by the desire to prove that he was worthy of the mantle of his father, but also by his fervent and unswerving desire to keep Britain at the forefront of international speed endeavour. This book generates a unique insight into how his desperate fear of failure finally lured him into taking one risk too many.

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The first girl came back.The next might not be so lucky...--------'A real gripper of a read' Peter James 'Masterful, engrossing, twisty' Rosamund Lupton'One of our most exciting crime writers' John Marrs A girl is taken from the streets of Oxford. But it's unlike any abduction DI Fawley's seen before . . . Faith Appleford was attacked, a plastic bag tied over her head, taken to an isolated location . . . and then, by some miracle, she escaped. What's more, when DC Erica Somer interviews Faith, she quickly becomes convinced that Faith knows who her abductor is. Yet Faith refuses to press charges. Without more evidence, it's looking like the police may have to drop the case. But what happens if Faith's attacker strikes again?The fourth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell.--------What they're saying about Cara Hunter 'Twist follows twist at a breathtaking pace' Daily Mail 'Fantastic...my favourite series ever!' Shari Lapena, Not A Happy Family 'You can almost hear her characters breathing from the page' Jane Corry, We All Have Our Secrets 'Utterly compelling' Nicci French, The Unheard 'A top-notch psychological thriller' JP Delaney, The Perfect Wife 'I was totally gripped and terrified!' Araminta Hall, Hidden Depths 'Hunter has rejuvenated the form' Financial TimesAnd readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

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Presents a fully interdisciplinary approach with a stronger emphasis on polymers and composites than traditional materials books Materials science and engineering is an interdisciplinary field involving the properties of matter and its applications to various areas of science and engineering. Polymer materials are often mixed with inorganic materials to enhance their mechanical, electrical, thermal, and physical properties. Materials: Introduction and Applications addresses a gap in the existing textbooks on materials science. This book focuses on three Units. The first, Foundations, includes basic materials topics from Intermolecular Forces and Thermodynamics and Phase Diagrams to Crystalline and Non-Crystalline Structures. The second Units, Materials, goes into the details of many materials including Metals, Ceramics, Organic Raw Materials, Polymers, Composites, Biomaterials, and Liquid Crystals and Smart Materials. The third and final unit details Behavior and Properties including Rheological, Mechanical, Thermophysical, Color and Optical, Electrical and Dielectric, Magnetic, Surface Behavior and Tribology, Materials, Environment and Sustainability, and Testing of Materials. Materials: Introduction and Applications features: Basic and advanced Materials concepts Interdisciplinary information that is otherwise scattered consolidated into one work Links to everyday life application like electronics, airplanes, and dental materials Certain topics to be discussed in this textbook are more advanced. These will be presented in shaded gray boxes providing a two-level approach. Depending on whether you are a student of Mechanical Engineering, Electrical Engineering, Engineering Technology, MSE, Chemistry, Physics, etc., you can decide for yourself whether a topic presented on a more advanced level is not important for you—or else essential for you given your professional profile Witold Brostow is Regents Professor of Materials Science and Engineering at the University of North Texas. He is President of the International Council on Materials Education and President of the Scientific Committee of the POLYCHAR World Forum on Advanced Material (42 member countries). He has three honorary doctorates and is a Member of the European Academy of Sciences, Member of the National Academy of Sciences of Mexico, Foreign Member of the National Academy of Engineering of Georgia in Tbilisi and Fellow of the Royal Society of Chemistry in London. His publications have been cited more than 7200 times. Haley Hagg Lobland is the Associate Director of LAPOM at the University of North Texas. She is a Member of the POLYCHAR Scientific Committeee. She has received awards for her research presented at conferences in: Buzios, Rio de Janeiro, Brazil; NIST, Frederick, Maryland; Rouen, France; and Lviv, Ukraine. She has lectured in a number of countries including Poland and Spain. Her publications include joint ones with colleagues in Egypt, Georgia, Germany, India, Israel, Mexico, Poland, Turkey and United Kingdom.

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Cet ouvrage est au croisement de deux disciplines: l'histoire et l'exegese. En matiere d'exegese, il entreprend de suivre a la trace les interpretations qui ont ete donnees a la parabole des ouvriers de la onzieme heure (Mt 20,1-16) tout au long du 16e siecle. Pour permettre une comparaison adequate des differentes interpretations, a ete mise au point une grille de lecture (inspiree de T. Todorov et de P. Ricoeur), dans laquelle sont reprises de maniere systematique toutes les operations que peut impliquer l'interpretation d'un texte. On y trouve en particulier les dispositifs formels de l'interpretation (langue, plan, langage methodologique...); les operations elaborant le sens direct ou litteral du texte (mise en oeuvre des codes lexicaux, narratifs, historiques, litteraires...); et les operations elaborant son sens indirect ou symbolique (mise en oeuvre des symbolismes lexical et propositionnel, des contextes paradigmatique et syntagmatique, de l'intertextualite, de la reappropriation du lecteur, du monde du texte...). L'application de cette methode aux differents commentaires permet de voir les operations que chacun favorise et comment il fait parler le texte biblique en lui donnant sens. Cela nous interpelle par rapport a notre propre construction du sens, dans l'exegese actuelle. En matiere historique, j'analyse d'abord la publication du texte de Mt 20,1-16 dans ses differentes editions (textes grecs, syriaques et latins) et ses multiples traductions (en latin, allemand, neerlandais, francais, italien, espagnol...). Des tableaux des variantes textuelles permettent de suivre l'evolution des traductions et de reperer leurs choix methodologiques. On decouvre ensuite les grands commentateurs du debut du 16e siecle: Erasme et Lefevre d'Etaples, tetes de file d'une exegese centree sur les codes lexicaux; Luther et Melanchthon, tetes de file d'une exegese basee sur le but du texte, dans laquelle brillent Bucer, Cajetan, Zwingli, Valdes, Bullinger. Puis on voit apparaitre une generation d'auteurs pratiquant des ponts entre les ecoles (Musculus, Titelman, Estienne) ou relancant l'ecole humaniste (Calvin, Beze) et, enfin, des ecoles tres marquees au niveau confessionnel, mais integrant les elements provenant d'autres confessions (Jansenius de Gand, Arias Montanus, Aretius, Piscator, Maldonado, Salmeron). Apparait ainsi une Europe de l'exegese: les pionniers du debut du siecle entament une revolution culturelle en matiere d'interpretation, qui franchit toutes les frontieres nationales ou confessionnelles; elle se repercute au cours du siecle en d'innombrables variations et approfondissements, qui touchent tous les pays europeens et determinent les courants d'un vaste echange d'idees. On decouvre ainsi un chapitre important de l'histoire des idees, qui se diffusent de Salamanque a Wittenberg, de Rome a Paris, de Varsovie a Londres, de Louvain a Strasbourg, de Geneve a Naples, bref un fondement de l'Europe actuelle.

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Questions of academic freedom--from hate speech to the tenure structure—continue to be of great urgency and perennial debate in American higher education. Originally published as a special issue of Law and Contemporary Problems (Summer 1990), this volume draws together leading scholars of law, philosophy, and higher education to offer a fresh assessment of the founding principles of academic freedom and to define this crucial topic for the 1990s.The original 1940 Statement of Principles on Academic Freedom and Tenure, which has been influential in determining institutional practices for the last half century, has required continual redefinition since its initial declaration. The volume begins with two overview articles: the most complete examination of the 1940 Statement ever provided (shedding light on some of its most troublesome clauses) and a historical review of the extent to which academic freedom has been accepted into domestic constitutional law. Subsequent articles address a range of issues related to academic freedom: the relationship between tenure and academic freedom; tenure and labor law; ideology and faculty selection; freedom of expression and the arts on campus; the boundaries defining hate speech and offensive expression; the clash between institutional and individual claims of academic freedom; and the practices of religious colleges in the United States.Contributors. Ralph S. Brown, Matthew W. Finkin, Jordan E. Kurland, Michael W. McConnell, Walter P. Metzger, Robert M. O'Neil, David M. Rabban, Rodney A, Smolla, Janet Sinder, Judith Jarvis Thomson, William W. Van Alstyne

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NATIONAL BESTSELLER“Elie Honig has written much more than a compelling takedown of an unfit attorney general; he also offers a blueprint for how impartial and apolitical justice should be administered in America.”—Preet Bharara“An essential analysis for anyone committed to understanding the abuses of the Trump administration so we can ensure they never happen again.”—Joyce White Vance“Essential reading for all who cherish the rule of law in America.”—George Conway"Written with all the color and pacing of a legal thriller."—VarietyCNN Senior Legal Analyst Elie Honig exposes William Barr as the most corrupt attorney general in modern U.S. history, with stunning new scandals bubbling to the surface even after Barr's departure from office. In Hatchet Man, former federal prosecutor Elie Honig uncovers Barr’s unprecedented abuse of power as Attorney General and the lasting structural damage done to the Justice Department. Honig uses his own experience as a prosecutor at DOJ to show how, as America’s top law enforcement official, Barr repeatedly violated the Department’s written rules, and those vital, unwritten norms and principles that comprise the “prosecutor’s code.”Barr was corrupt from the beginning. His first act as AG was to distort the findings of Special Counsel Robert Mueller, earning a public rebuke for his dishonesty from Mueller himself and, later, from a federal judge. Then, Barr tried to manipulate the law to squash a whistleblower’s complaint about Trump’s dealings with Ukraine—the report that eventually led to Trump’s first impeachment. Barr later intervened in an unprecedented manner to undermine his own DOJ prosecutors on the cases of Michael Flynn and Roger Stone, both political allies of the President. And then Barr fired the U.S. Attorney for the Southern District of New York under false pretenses. Finally, Barr amplified baseless theories about massive mail-in ballot fraud, pouring gasoline on the dumpster fire battle over the 2020 election results and contributing to the January 6 insurrection that led to Trump’s second impeachment.In Hatchet Man, Honig proves that Barr trampled the two core virtues that have long defined the department and its mission: credibility and independence – ultimately in service of his own deeply-rooted, extremist legal and personal beliefs. Honig shows how Barr corrupted the Justice Department and explains what we must do to prevent this from ever happening again.

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COMPARATIVE URBANISM ‘Comparative Urbanism fully transforms the scope and purpose of urban studies today, distilling innovative conceptual and methodological tools. The theoretical and empirical scope is astounding, enlightening, emboldening. Robinson peels away conceptual labels that have anointed some cities as paradigmatic and left others as mere copies. She recalibrates overly used theoretical perspectives, resurrects forgotten ones long in need of a dusting off, and brings to the fore those often marginalised. Robinson’s approach radically re-distributes who speaks for the urban, and which urban conditions shape our theoretical understandings. With Comparative Urbanism in our hands, we can start the practice of urban studies anywhere and be relevant to any number of elsewheres.’ Jane M. Jacobs, Professor of Urban Studies, Yale-NUS College, Singapore ‘How to think the multiplicity of urban realities at the same time, across different times and rhythmic arrangements; how to move with the emergences and stand-stills, with conceptualisations that do justice to all things gathered under the name of the urban. How to imagine comparatively amongst differences that remain different, individualised outcomes, but yet exist in-common. No book has so carefully conducted a specifically urban philosophy on these matters, capable of beginning and ending anywhere.’ AbdouMaliq Simone, Senior Research Fellow, Urban Institute, University of Sheffield The rapid pace and changing nature of twenty-first century urbanisation as well as the diversity of global urban experiences calls for new theories and new methodologies in urban studies. In Comparative Urbanism: Tactics for Global Urban Studies, Jennifer Robinson proposes grounds for reformatting comparative urban practice and offers a wide range of tactics for researching global urban experiences. The focus is on inventing new concepts as well as revising existing approaches. Inspired by postcolonial and decolonial critiques of urban studies she advocates for an experimental comparative urbanism, open to learning from different urban experiences and to expanding conversations amongst urban scholars across the globe. The book features a wealth of examples of comparative urban research, concerned with many dimensions of urban life. A range of theoretical and philosophical approaches ground an understanding of the radical revisability and emergent nature of concepts of the urban. Advanced students, urbanists and scholars will be prompted to compose comparisons which trace the interconnected and relational character of the urban, and to think with the variety of urban experiences and urbanisation processes across the globe, to produce the new insights the twenty-first century urban world demands.

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For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

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Our perception of women's roles has changed dramatically since 1945. In this collection Joy Parr has brought together ten studies from a variety of disciplines examining changing ideas about women. Mariana Valverde writes about teenage girls in the immediate postwar years and finds that stereotypes of a supposedly simple, secure, politically quiescent, and sexually conformist life do not really hold. Joy Parr follows women shoppers of the early 1950s, in their sometimes comical encounters with male designers, manufacturers, and retailers, in search of the tools and totems of modernity for their homes. Increasingly these homes were in suburban subdivisions, whose pleasures and possibilities for women Veronica Strong-Boag reconsiders. Joan Sangster reminds us that wage-earning mothers were numerous in the fifties and sixties, and through a juxtaposition of their own stories with contemporary studies tells much about these self-denying women's lives. Franca Iacovetta discusses the experiences of immigrant and refugee women in northwestern and south-central Ontario, experiences that were interpreted through their starkly different European wartime memories. Based upon her work among the rural women of southwestern Ontario, Nora Cebotarev charts the changes that transformed farm families and finances from the sixties to the eighties. Ester Reiter compares the recollections of women who had worked together during the 1960s in an auto parts plant in the Niagara Peninsula with contemporary newspaper accounts of a strike, and leads us into a complex narrative of gender and militancy. Nancy Adamson reconsiders the diversity of feminist organizing within the province over the decades since second-wave feminism began; she tracks the different needs and paths that brought women to the women's liberation movement and the ways in which their feminist analysis arose from their experience as community activists. Linda Cardinal writes about Franco-Ontarian women, charting the ways in which feminist activists challenged and were challenged as they worked with traditional farm and church-based women's groups in northern and eastern Ontario. Marlene Brant Castellano and Janice Hill introduce us to four aboriginal women: Edna Manitowabi, Jeannette Corbiere Lavell, Sylvia Maracle, and Emily Faries, whose work has been to reclaim and build upon the knowledge and responsibilities long entrusted to the women of Ontario's First Nations.

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Surrealist writer Andre Breton praised hysteria for being the greatest poetic discovery of the nineteenth century, but many physicians have since viewed it as the "wastebasket of medicine," a psychosomatic state that defies attempts at definition and cure and that can be easily mistaken for other pathological conditions. In light of a resurgence of critical interest in hysteria, leading feminist scholar Elisabeth Bronfen reinvestigates medical writings and cultural performance to reveal the continued relevance of a disorder widely thought to be a romantic formulation of the past. Through a critical rereading, she develops a new concept of hysteria, one that challenges traditional gender-based theories linking it to dissatisfied feminine sexual desire. Bronfen turns instead to hysteria's traumatic causes, particularly the fear of violation, and shows how the conversion of psychic anguish into somatic symptoms can be interpreted today as the enactment of personal and cultural discontent. Tracing the development of cultural formations of hysteria from the 1800s to the present, this book explores the writings of Freud, Charcot, and Janet together with fictional texts (Radcliffe, Stoker, Anne Sexton), opera (Mozart, Wagner), cinema (Cronenberg, Hitchcock, Woody Allen), and visual art (Marie-Ange Guilleminot, Cindy Sherman). Each of these creative works attests to a particular relationship between hysteria and self-fashioning, and enables us to read hysteria quite literally as a language of discontent. The message broadcasted by the hysteric is one of vulnerability: vulnerability of the symbolic, of identity, and of the human body itself. Throughout this work, Bronfen not only offers fresh approaches to understanding hysteria in our culture, but also introduces a new metaphor to serve as a theoretical tool. Whereas the phallus has long dominated psychoanalytical discourse, the image of the navel--a knotted originary wound common to both genders--facilitates discussion of topics relevant to hysteria, such as trauma, mortality, and infinity. Bronfen's insights make for a lively, innovative work sure to interest readers across the fields of art and literature, feminism, and psychology. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Assessment of mental health problems is a challenging area of practice that covers a range of symptoms and behaviours – and involves building a trust relationship with service users while also using specialist skills. Using a values-based approach focused on engaging and working in partnership with the service user, this book is designed to take you from the core building blocks of assessment through to practice-based guidance about mental health behaviours, and concludes with case studies 'on the ground'. The first section of the book explores core aspects of assessment such as communication skills and engaging the service user, and explores how assessment guides the nursing process as a whole. The next section will be ideal for quick reference during practice and looks at 23 different clinical behaviours that nurses will assess, under 4 categories: Physical factors in mental health Behavioural aspects in mental health The role of thoughts in mental health Feelings in mental health The final section gives 4 case studies of different assessment stories which relate to the different types of clinical behaviour you will encounter. This practical book is essential reading for student nurses and all healthcare staff involved in the assessment of people with mental health problems.“I would highly recommend this book to all mental health nursing students. Whilst the focus is on assessment and care planning; knowledge and skills on a range of essential areas are present in this text. It is an essential handbook for key mental health nursing skills. Case studies are presented with clarity, and Nick Wrycraft is clearly committed to nurses learning from service users, which is essential for values-based practice.”Julia Terry, Senior Lecturer in Mental Health Nursing, Swansea University, UK "This text is a good fit for mental health nursing students new to assessment and care planning, providing a practical rather than academic approach to these important aspects of the role.”Dr Janine Archer Lecturer School of Nursing, Midwifery & Social Work, University of Manchester, UK "Dr. Nick Wrycraft has done tremendously in making available the maiden edition of this book. Assessment and Care Planning in Mental Health Nursing will be a valued reference book for mental health student nurses who are new to the process of assessment and care planning. The book will therefore go a long way to provide educational and learning support to pre-registration nursing students as well as the newly qualified mental health nurses in practice." Kike Abioye, Mental Health Student Nurse, Anglia Ruskin University, UK

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When the official investigation into the murder of a respectable local businessman fails to add up, and personal problems start to play havoc with her state of mind, New Zealand's favourite young detective Sam Shephard turns vigilante... 'Fast-moving New Zealand procedural ... the Edinburgh of the south has never been more deadly' Ian Rankin ‘New Zealand's answer to Siobhan Clarke’ The Times 'A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist. Perfect curl-up-on-the-sofa reading' Kate Mosse __________________ The New Zealand city of Dunedin is rocked when a wealthy and apparently respectable businessman is murdered in his luxurious home while his wife is bound and gagged, and forced to watch. But when Detective Sam Shephard and her team start investigating the case, they discover that the victim had links with some dubious characters. The case seems cut and dried, but Sam has other ideas. Weighed down by her dad's terminal cancer diagnosis, and by complications in her relationship with Paul, she needs a distraction, and launches her own investigation. And when another murder throws the official case into chaos, it's up to Sam to prove that the killer is someone no one could ever suspect. __________________ Praise for the Sam Shephard series ‘A really strong mystery with a twist that works very nicely … The family dynamic and Sam’s dealing with the trauma are brilliantly observed’ NB Magazine 'If you like taut, pacy thrillers with a wonderful sense of place, this is the book for you' Liam McIlvanney 'Vanda Symon's work resembles Janet Evanovich's Stephanie Plum series she knows how to tell a good story and the NZ setting adds spice' The Times 'Atmospheric, emotional and gripping' Foreword Reviews 'A plot that grabs the reader's attention with a heart-stopping opening and doesn't let go' Sunday Times 'Powerful, coolly assured, and an absolute belter of a read' LoveReading 'It is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Guardian 'Fans of The Dry will love Vanda Symon' Red Magazine 'With a twisty plot, a protagonist who shines and beautifully written observations of the cruellest things this is crime fiction at its best' Kiwi Crime 'Reads like the polished effort of a genre veteran. More, please' Booklist 'Atmospheric, gripping and incredibly satisfying' Anne Cater, Random Things through My Letterbox

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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Packaged in a deluxe, shrink-wrapped keepsake box—featuring a magnetic closure, ribbon, and guidebook—an innovative and stunning full-color feminist tarot deck that connects 78 notable women from history with the traditional archetypes and meanings associated with each tarot card.A groundbreaking blend of history, feminism, and the mystical arts, Our Tarot is a unique, specially designed tarot deck with cards that feature an intricate collage portrait of dozens of powerful women who have helped shape history. Each card conveys the energy, messages, and symbolism its figure brings to the deck. The set includes a full-color guidebook that offers a concise history of the tarot deck, an explanation of the deck and the significance of the cards, and tips on interpreting each, with instructive sample spreads to guide you. It explains the Major Arcana and Minor Arcana and their chronology, offers biographies that link each woman’s life story, accomplishments, and traits with the card she represents, and explains the card’s relevance in a reading. Originally self-published, Our Tarot was praised by the Huffington Post, which called it “a stunning deck . . . [that] honors a wide range of intersectional feminist champions.” This fully revised edition includes 25 new entries; a refreshed design; and a full-color printing. In addition, each card from the deck serves as an interior portrait. Each card in Our Tarot is inspired by the traditional meanings of the mystic Tarot and is represented by a woman (or group of women) who has influenced the world. These diverse women come from all eras in history, from 1300 BCE to the late twentieth century, and represent many ethnicities, creeds, socioeconomic classes, sexualities, ages, and abilities. Some of the women honored include Jane Addams, Benazir Bhutto, Lucrezia Borgia, Anne Frank, Frida Kahlo, Beatrix Potter, Florence Nightingale, nefertari, Elizabeth I, Cleopatra, Marie Curie, Zora Neale Hurston, Sophie Scholl, Cleopatra, Eleanor Roosevelt, and Ida B. Wells. Contents include: Four-color, high-quality gift box with magnetic closure Four-color tarot deck in card box, set into an interior well with lift-out ribbon Four-color guidebook featuring biographies of all 78 women and their relevance to the deck with 5 black-and-white illustrations and 85 full-color images throughout Sheet with image of the components

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'A masterclass in psychological suspense' Claire Douglas'A gripping new thriller' Shari Lapena'A superbly plotted' Lucy Clarke'A one-sit read' Sarah Pearse'Twisty and propulsive' Harriet Tyce______________________________Be careful what you wish for...Nicole and Tom's lives are changed overnight by a ten-million-pound lottery win.Before they know it they've moved into a state-of-the-art Glass Barn conversion in the stunning grounds of Lancaut Manor in Gloucestershire.But their dream quickly turns into a nightmare when Tom is found dead in the swimming pool, with a wound on his head.Someone close to home must be responsible. But other than the young couple who live in the Manor, and their housekeeper in the Coach House next door, there's no one around for miles.Who among them is capable of murder?_____________________________Praise for Gilly Macmillan:'Gilly Macmillan writes with verve and emotional acuity' New York Times'Brilliantly written, completely unputdownable, absolutely unmissable' Tim Weaver'A smart, well-told story that allows us to indulge our sneaky curiosity about what instant money can do to people's lives' Daily Mail'Plenty of twists and turns in this truly layered novel. Cleverly put together, it'll have you thinking long after you've finished reading' Belfast Telegraph'Great characters and a clever plot make for a highly engaging read. Storytelling at its best!' B.A. Paris'A truly excellent read' Jane Shemilt'Full of devious twists and turns' Cara Hunter'White-knuckled suspense' Tess Gerritsen'This is another winner for me. Absolutely loved it. Gripping, page turning and so cleverly plotted. I had real sympathy for the characters (some of them at least!)' Emma Curtis'What a tangly, twisting story! The Fall is completely unpredictable, and absolutely un-putdownable' Ava Glass'The Fall is an out-and-out winner! Hugely enjoyable, flawlessly crafted, beautifully written. This is a superior mystery of the highest order' C.M. Ewan'Brilliantly crafted' Woman & Home'Cleverly put together, it'll have you thinking long after you've finished reading' Press Association'Its intense plot, relatable characters and plethora of exciting twists and turns will leave readers gasping. I devoured each and every delicious page' Mystery and Suspense'Gilly Macmillan [is] one of the best writers of dark and twisty thrillers currently at work' Shots Magazine

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'Roderick Floud's ground-breaking study of the history, money, places and personalities involved in British gardens over the past 350 years gives fascinating insight into why gardening is part of this country's soul.' Michael Heseltine, Deputy Prime Minister (1996-1997)'Thousands of books have been written about the history of British gardens but Roderick Floud, one of Britain's most distinguished economic historians, asks new and important questions: how much did gardens cost to build and maintain, and where did the money come from? Superbly researched, it is full of information which will surprise both economists and gardeners. The book is fun as well as edifying: Floud shows us gardens grand and humble, and introduces us gardeners, plantsmen and technologies in wonderful varieties.' Jane Humphries, Centennial Professor, London School of EconomicsAt least since the seventeenth century, most of the English population have been unable to stop making, improving and dreaming of gardens. Yet in all the thousands of books about them, this is the first to address seriously the question of how much gardens and gardening have cost, and to work out the place of gardens in the economic, as well as the horticultural, life of the nation. It is a new kind of gardening history.Beginning with the Restoration of Charles II in 1660, Roderick Floud describes the role of the monarchy and central and local government in creating gardens, as well as that of the (generally aristocratic or plutocratic) builders of the great gardens of Stuart, Georgian and Victorian England. He considers the designers of these gardens as both artists and businessmen - often earning enormous sums by modern standards, matched by the nurserymen and plant collectors who supplied their plants. He uncovers the lives and rewards of working gardeners, the domestic gardens that came with the growth of suburbs and the impact of gardening on technical developments from man-made lakes to central heating.AN ECONOMIC HISTORY OF THE ENGLISH GARDEN shows the extraordinary commitment of money as well as time that the English have made to gardens and gardening over three and a half centuries. It reveals the connections of our gardens to the re-establishment of the English monarchy, the national debt, transport during the Industrial Revolution, the new industries of steam, glass and iron, and the built environment that is now all around us. It is a fresh perspective on the history of England and will open the eyes of gardeners - and garden visitors - to an unexpected dimension of what they do.

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Naast het gegeven dat dit boek bedoeld is als handboek voor theologiestudenten en als handleiding voor de parochies en haar pastores, inclusief dus alle pastorale werk(st)ers, vrijwillig(st)ers, parochiele medewerk(st)ers of hoe de functionarissen binnen de parochiegemeenschap hier of elders ook genoemd mogen worden, is het ook de moeite waard voor notariskantoren, want overal waar het civiele recht raakvlakken heeft met of mede normerend is voor de Kerken, wordt ook dit recht naast het eigen kerkrecht besproken zowel waar het gaat om het Nederlandse als om het Belgische civiele recht. Met zijn 25 pagina's bronnen- en literatuuropgave en de 541 pagina's tekst wil dit boek tevens een wetenschappelijk verantwoord commentaar zijn op het nieuwe R.K. Wetboek van canoniek recht, dat op 25 januari 1983 verscheen en kracht van wet kreeg op de eerste dag van de Advent 1983. In elf hoofdstukken wordt ingegaan op: de parochie in het algemeen (I), de parochiekerk (II), de rector van die kerk, de pastoor (III) die als belangrijkste opdracht - in de termen van Vaticanum II - de heiligingstaak heeft. Daarom worden achtereenvolgens de sacramenten behandeld als zijnde de voornaamste uitdrukkingen van de goddelijke eredienst: het doopsel (IV), het vormsel (V), de eucharistie (VI), het boetesacrament (VII), de ziekenzalving (VIII), het huwelijkssacrament (IX), en andere uitingsvormen van de eredienst aan God zoals uitvaart en begrafenis (X). De bestuurs- en verkondigingstaken zullen in Deel II aan de orde komen. Dit deel I eindigt met een hoofdstuk over administratie en registratie in een parochie (XI).

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The national bestseller that Gary Shteyngart has called, "A potent combination of a financial thriller and a coming-of-age immigrant tale. . . . Offerings is a great book."With the rapidly cascading Asian Financial Crisis threatening to go global and Korea in imminent meltdown, investment banker Dae Joon finds himself back in his native Seoul as part of an international team brought in to rescue the country from sovereign default. For Dae Joon—also known by his American name of Shane, after the cowboy movie his father so loved—the stakes are personal.Raised in the US and Harvard Business School–educated, Dae Joon is a jangnam, a firstborn son, bound by tradition to follow in the footsteps of his forebears. But rather than pursue the path his scholar-father wanted, he has sought a career on Wall Street, at the epicenter of power in the American empire. Now, as he and his fellow bankers work feverishly with Korean officials to execute a sovereign bond offering to raise badly needed capital, he knows that his own father is living on borrowed time, in the last stages of a disease that is the family curse. A young woman he has met is quietly showing the way to a different future. And when his closest friend from business school, a scion of one of Korea's biggest chaebol, asks his help in a sale that may save the conglomerate but also salvage a legacy of corruption, he finds himself in personal crisis, torn by dueling loyalties, his identity tested.

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In 1971 RAND consultant Daniel J. Ellsberg made national news by handing over to the New York Times a top secret Pentagon study on the Vietnam War. Publication of the Pentagon Papers rocked the American defense establishment and fanned the flames of the growing antiwar protest movement in the United States.By late that year, most of the Pentagon Papers had been released to the public. Four volumes, however, were held back, Ellsberg himself conceding their special sensitivity. These so-called negotiating volumes deal with the diplomacy of the war between 1964 and 1968. Published in book form with extensive commentary, they provide an indispensable source for the study of diplomacy during the Vietnam conflict.These documents cover thirteen major peace contacts and initiatives that took place during the presidency of Lyndon Johnson. They furnish a wealth of new information about the American bombing pauses of May 1965 and January 1966; several third-party peace initiatives; and a still virtually unknown 1965 contact, mysteriously called “xyz,” between North Vietnamese and American diplomats in Paris. They afford the most complete documentation yet available of the Polish-sponsored peace move codenamed “marigold” and the abortive peace initiative launched early in 1967 by British Prime Minister Wilson and Soviet Premier Kosygin.The utility of this important book is greatly enhanced by Herring’s extensive annotation, highly informative introductory essays, and helpful glossaries.

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Theodore Roosevelt (1857–1919) was the most literary of American Presidents, writing scores of books, including Through the Brazilian Wilderness and African Game Trails. He was also the most active of American writers. In little more than six decades, Roosevelt was, among many of his activities, a rancher, historian, reformer, New York City Police Commissioner, renowned hunter, New York State Governor, conservationist, Vice President of the United States, and 26th President of the United States. What is less known is that Roosevelt was also one of the great epistolary writers, penning more than 100,000 letters. This collection brings together over 1,000 of Roosevelt's most engaging and revealing letters, ones that fully illuminate the private man and the public figure. Herein, Roosevelt corresponds with family, friends, colleagues, and political opponents. He discusses private matters, politics, military strategy, conservation, diplomacy, higher education, women's rights, literature, and football. The list of addresses is formidable, including: Jefferson Davis, Francis Parkman, Frederick Jackson Turner, John Muir, Andrew Carnegie, Jane Addams, Henry Ford, Franklin Delano Roosevelt, John J. Pershing, Woodrow Wilson, Rudyard Kipling, and Oliver Wendell Holmes. The Selected Letters of Theodore Roosevelt, superbly edited by H. W. Brands, allows Roosevelt to speak in his own inimitable voice. These letters capture the verve and sheer joy of life that was Roosevelt's signature.

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Let your pen fly across the page in this sophisticated notebook, featuring Ernest Hemingway's most inspiring words.All you have to do is write one true sentence. Write the truest sentence that you know. - Ernest Hemingway, A Moveable Feast Ernest Hemingway often could be found jotting in a notebook in cafés, starting drafts in pencil before spending hours typing up his notes. No matter what your writing process is, the Ernest Hemingway Notebook is the perfect place to begin. Perfect for any creative mind or aspiring writer, The Ernest Hemingway Notebook is filled with quotes and excerpts from the celebrated writer to encourage and inspire you as you record your daily musings. The Ernest Hemingway Notebook is part of the Signature Notebook series, all of which are filled with inspirational quotes for dreamers, thinkers, and writers of all ages, alongside striking, rarely-seen images throughout. This beautiful, pocket-sized notebook features a moleskin-like binding, cream paper stock, and an elegant ribbon page marker, so you can always pick up where you left off...and Hemingway's removable portrait wraps around the foil-stamped front cover, which is debossed with his signature. The Signature Notebook series features some of the most prominent figures in our society, from William Shakespeare and Jane Austen, to JFK and Michelle Obama--and Hemingway adds another creative personality to the mix.

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From the private papers of Jane Austen and Mozart to those of Anne Boleyn and Nelson, Love Letters of Great Men and Women collects together some of the most romantic letters in history. For some of these great men, love is a ‘delicious poison’ (William Congreve); for others, ‘a nice soft wife on a sofa with good fire, & books & music’ (Charles Darwin). Love can scorch like the heat of the sun (Henry VIII), or penetrate the depths of one’s heart like a cooling rain (Flaubert). But what about the other side of the story? What of the secret hopes and lives of some of the greatest women in history? Taken together, these love letters show that perhaps little has changed over the last 2,000 years. Passion, jealousy, hope and longing are all represented here – as is the simple pleasure of sending a letter to, and receiving one from, the person you love most. Includes letters by: Anne Boleyn * Beethoven * Edith Wharton * Mark Twain * Mary Wordsworth * Nell Gwyn (mistress of Charles II) * Elizabeth Barrett Browning * GK Chesterton * Queen Victoria * Napoleon Bonaparte * The Empress Josephine * Mary Wollstonecraft * Amadeus Mozart * Katherine Mansfield Praise for Love Letters of Great Men: 'The most romantic book ever' Daily Mail 'Inspired by the Sex and the City movie... Famous men caught with pen in hand and heart in mouth' The Times

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Donald A. Ritchie, a congressional historian for forty years , takes readers on a fascinating, behind-the-scenes tour of Capitol Hill, pointing out the key players, explaining their behavior, and translating parliamentary language into plain English. He also explores the essential necessity of compromise to accomplish anything significant in the legislative arena. However, recent events show that political polarization has hardened and produced gridlock, as Ritchie explains in this new edition. The 2020 election also produced a more diverse membership in terms of gender, ethnicity, religion, and ideology, with primary elections resulting in the defeat of moderate candidates by opponents ranging from socialists on the left to conspiracy theorists on the right, making bipartisan compromise harder to achieve. Among the most significant events since the last edition, the Senate ignored President Obama's last nomination to the Supreme Court and then adopted a "nuclear option" to streamline future Supreme Court confirmations. The House also twice impeached President Trump, processes that starkly expose the differences between the majority-rule requirements of the House and the super-majority requirements of the Senate. This new edition explains how the parties have changed in light of the unprecedented politics of the past four years, culminating in the mob attack on the U.S. Capitol on January 6, 2021, and how this development has affected both the House and the Senate.

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SHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTION 2018A New York Times Notable Book of 2018Even the men in black armor, the onesJangling handcuffs and keys, what elseAre they so buffered against, if not love's bladeSizing up the heart's familiar meat?In Wade in the Water, Pulitzer Prize-winning poet Tracy K. Smith's signature voice - inquisitive, lyrical and wry - turns over what it means to be a citizen, a mother and an artist in a culture arbitrated by wealth, men and violence. The various connotations of the title, taken from a spiritual once sung on the Underground Railroad which smuggled slaves to safety in 19th-century America, resurface throughout the book, binding past and present together. Collaged voices and documents recreate both the correspondence between slave owners and the letters sent home by African Americans enlisted in the US Civil War. Survivors' reports attest to the experiences of recent immigrants and refugees. Accounts of near-death experiences intertwine with the modern-day fallout of a corporation's illegal pollution of a major river and the surrounding land; and, in a series of beautiful lyrical pieces, the poet's everyday world and the growth and flourishing of her daughter are observed with a tender and witty eye. Marrying the contemporary and the historical to a sense of the transcendent, haunted and holy, this is a luminous book by one of America's essential poets.

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THE BOOK WHICH INSPIRED SPOTLIGHT, 2016 WINNER OF THE BEST PICTURE OSCAR AND THE BEST SCREENPLAY OSCAR This is the true story of how a small group of courageous journalists uncovered child abuse on a vast scale - and held the Catholic Church to account. Betrayal is a ground-breaking work of investigative journalism, now brought brilliantly to life on the screen in the major new movie Spotlight. Winner of the Pulitzer Prize for Public Service. On 31 January 2002, the Boston Globe published a report that sent shockwaves around the world. Their findings, based on a six-month campaign by the 'Spotlight' investigative team, showed that hundreds of children in Boston had been abused by Catholic priests, and that this horrific pattern of behaviour had been known - and ignored - by the Catholic Church. Instead of protecting the community it was meant to serve, the Church exploited its powerful influence to protect itself from scandal - and innocent children paid the price. This is the story from beginning to end: the predatory men who exploited the vulnerable, the cabal of senior Church officials who covered up their crimes, the 'hush money' used to buy the victims' silence, the survivors who found the strength to tell their story, and the Catholics across the world who were left shocked, angry, and betrayed. This is the story, too, of how they took power back, confronted their Church and called for sweeping change. Updated for the release of the Oscar-nominated film Spotlight, this is a devastating and important exposure of the abuse of power at the highest levels in society.

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Rock Hudson reigned in the late 1950s and early '60s as Hollywood's greatest ambisexual swordsman," seducing icons who included Marilyn Monroe, Elizabeth Taylor, Errol Flynn, Tyrone Power, Joan Crawford, and Lauren Bacall, as well as hundreds of other lesser-known players willing to share some Pillow Talk." Mamie Van Doren, one of Hollywood's bustiest, most provocative, and most promiscuous bombshells, asserted loudly that the boulder that Rock's agent named him after was a big one." Just released from the Navy, the muscled, 6'4" hunk, then known as Roy Fitzgerald, arrived in Hollywood with a clear understanding of what he wanted: I don't want to be an actor...I want to be a movie star! And I don't give a damn how many casting couches I have to lie on!" To that end, between gigs as a truck driver, he donned very tight, faded jeans and seductively stationed himself near the entrances of such studios as Warners and Universal. Eventually, he was discovered." Eventually, he was assigned roles in a string of B-pictures, playing handsome Apaches, easy-on-the-eyes sea captains, and drop-dead gorgeous Ordinary Joes" whose charm moviegoers remembered way beyond the limited scale of his roles. Meanwhile, power players in Hollywood clamored for him up close and personal, too. According to Yvonne de Carlo, Rock was predatory after midnight." Stardom finally arrived based on a performance opposite Jane Wyman (she had divorced Ronald Reagan) in that tear-jerking melodrama, Magnificent Obsession (1954). Replicating her passion offscreen, she demanded (unsuccessfully) that he marry her. Hudson had already been defined as the sexiest man alive" when he was assigned the role of a Texas cattle rancher in Giant (1956). During its filming in the dusty hamlet of Marfa, Texas, he sustained affairs with both Elizabeth Taylor and James Dean. Three eventful years later, his status as one of the most popular (and most consistently profitable) actors in Hollywood was reinforced, based on his co-starring performance opposite Doris Day in the spectacularly successful Pillow Talk (1959). Together, as a captivating duo, they went on to appear together in other artfully campy" battles of the sexes. Compiled as a memorial for the 30th anniversary of his death, Rock Hudson Erotic Fire is based on dozens of face-to-face interviews with Rock Hudson's friends, co-conspirators, and enemies. Researched over a period of a half century by Hollywood insider Darwin Porter, it reveals the secretive actor's complete, never-before-told story within a context of scandal-soaked and historic ironies, many of which have never been fully exploreduntil now. Although maligned by the media because of the stigmas associated with his AIDS-related death, Rock showed inner courage and manly grace as he lay dying. This is my shining hour," he told his closest friends, as the media rushed to Out" him as a celebrity bisexual" who'd been stricken by the then-stigmatizing scourge. Today, beloved by hordes of cultish fans and film buffs around the world, Rock Hudson is the often misunderstood (until now) Golden Icon of a glamorous bygone era.

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Digitised facsimiles, with notes and transcription, of the earliest printed texts produced in Scotland. In 1508 the partnership of Andrew Myllar and Walter Chepman brought printing to Scotland. Their early publications brought into print works by two of medieval Scotland's most celebrated poets, Robert Henryson and William Dunbar, Walter Kennedy and Robert Henryson; they also contain less well-known but important poems and prose in Scots and in English by other writers. The prints feature a wide variety of genres: romance; fable; advice to princes; chivalrictreatise; lyric; dream vision; along with a classic example (by Dunbar and Walter Kennedy) of the Scots genre of `flyting', a stylised but scurrilous exchange of poetic insults. In celebration of the anniversary, the Scottish Text Society, in association with the National Library for Scotland, has published a DVD of prints produced by Chepman and Myllar in or close to 1508, containing digitised facsimiles of each of the twenty printed items. Eachfacsimile is accompanied by a headnote, explaining the print's literary significance and technical features, and a transcription. There is also an introduction by the general editor, SALLY MAPSTONE, which sets the Chepman and Myllar press within the context of early sixteenth-century Scotland and Scottish book history. The edition thus gives readers informative access to Scotland's earliest texts; easily navigable, it will become a vital teaching and research tool. CONTRIBUTORS: PRISCILLA BAWCUTT, A.S.G. EDWARDS, JANET HADLEY WILLIAMS, RALPH HANNA, BRIAN HILLYARD, LUUK HOUWEN, EMILY LYLE, SALLY MAPSTONE, JOANNA MARTIN, NICOLE MEIER, RHIANNON PURDIE

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The last survivor of Hitler's bunker speaks for the first timeThe last survivor of the end days of Hitler's bunker tells his story publicly for the first time. Von Loringhoven was aide-de-camp to Hitler's last two chiefs of staff, Guderian and Krebs, and the link between the armies at the fronts and Hitler in his Berlin bunker. For the last nine months of the Third Reich he was present at the daily military briefings between Hitler and Marshals Keital and Goring, General Jodl and Admiral Donitz, along with Goebbels, Bormann, Ribbentrop, Himmler and Fegelein.Von Lorninghoven was witness to the ever-growing gap between the reality of reports outside the bunker and Hitler's misunderstanding of the calamity that was encircling the regime. As the Third Reich spiralled downwards, he watched and recorded Hitler's catastrophic strategic mistakes and the paralysis in which he held his generals. Hitler's reason was twisted by his need for vengeance after the assissination attempt; he was searching for an impossible theatrical victory from an empire in total ruin. The final week of the regime saw Loringhoven living wholly in the bunker, watching the deteriorating relations among the inmates, military and civilian, as the atmosphere poisoned to an inevitable end. When radio-telephone communications finally broke down on 29 April he escaped the bunker - amazingly with Hitler's blessing - crossed the Russian lines and was picked up and taken prisoner by the Americans. He was released in January 1948.

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In the imaginations of young and old alike, the word pirate resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry Bloody' Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson's Treasure Island (1885).Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe's Robinson Crusoe (1719), a book containing all the trappings of pirate lore shipwrecks, mutineers, undiscovered islands, and talking parrots and one which influenced hundreds of works of adventure fiction, not least Jules Verne's The Mysterious Island (1871). The third nerve-jangling novel is

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