Search results for ""author jan"

The first girl came back.The next might not be so lucky...--------'A real gripper of a read' Peter James 'Masterful, engrossing, twisty' Rosamund Lupton'One of our most exciting crime writers' John Marrs A girl is taken from the streets of Oxford. But it's unlike any abduction DI Fawley's seen before . . . Faith Appleford was attacked, a plastic bag tied over her head, taken to an isolated location . . . and then, by some miracle, she escaped. What's more, when DC Erica Somer interviews Faith, she quickly becomes convinced that Faith knows who her abductor is. Yet Faith refuses to press charges. Without more evidence, it's looking like the police may have to drop the case. But what happens if Faith's attacker strikes again?The fourth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell.--------What they're saying about Cara Hunter 'Twist follows twist at a breathtaking pace' Daily Mail 'Fantastic...my favourite series ever!' Shari Lapena, Not A Happy Family 'You can almost hear her characters breathing from the page' Jane Corry, We All Have Our Secrets 'Utterly compelling' Nicci French, The Unheard 'A top-notch psychological thriller' JP Delaney, The Perfect Wife 'I was totally gripped and terrified!' Araminta Hall, Hidden Depths 'Hunter has rejuvenated the form' Financial TimesAnd readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

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In the imaginations of young and old alike, the word pirate resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry Bloody' Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson's Treasure Island (1885).Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe's Robinson Crusoe (1719), a book containing all the trappings of pirate lore shipwrecks, mutineers, undiscovered islands, and talking parrots and one which influenced hundreds of works of adventure fiction, not least Jules Verne's The Mysterious Island (1871). The third nerve-jangling novel is

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Compared to the People’s Liberation Army Air Force and Naval Aviation, the PLA’s Army Aviation is the least known und understood of the country’s air arms. Its formation was only approved in 1986 and it was established as the Army Aviation Corps in January 1988, using helicopters inherited from the Air Force. Beginning as a single regiment, the first true Army Aviation brigade was formed in 2009 and the force has now expanded to around a dozen frontline units operating hundreds of different helicopters. In its current form, Army Aviation has established itself as a major force in support of the PLA Ground Forces.In April 2017 – and in parallel with China’s other two air arms – the Army Aviation began a dramatic reorganisation. The former PLA Group Armies were restructured, and the aviation units have undergone major changes. This trend has included not only the introduction of larger numbers of more modern helicopters, but also the establishment of newly numbered aviation brigades. Consequently, while the PLA Ground Forces generally face a reduction in numbers, the Army Aviation brigades will probably see expansion, not only in size but also in operational importance.Complementing Harpia’s two fully revised volumes dedicated to the PLAAF and Naval Aviation, this uniquely compact yet comprehensive directory provides a magnificently illustrated, in-depth analysis and directory of modern Chinese Army Aviation air power. It is organised in four parts: the most important military aircraft and their weapons in service today; aircraft markings and serial number systems; recent modernisation efforts and structural reforms and orders of battle for the PLA’s Army Aviation.

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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Bridgerton is the runaway Netflix success that has captured the hearts and imaginations of its biggest ever global audience. Producers Chris Van Dusen and Shonda Rhimes have ripped up the Regency drama rulebook to create a series that speaks to a modern audience. Apart from the intense sexual chemistry, inspired casting and a lavish costume budget, what sets Bridgerton apart is the extensive use of location shooting. Step forward Bath: the Georgian architectural jewel gets to play many different parts of fashionable London. Bridgerton’s Bath takes you on a tour of all these locations from No.1 The Royal Crescent (the Featherington’s house on Grosvenor Square) to Abbey Green (Covent Garden) and the Abbey Deli (Modiste couturier) on Abbey Street. Bridgerton intersects with Jane Austen’s world at the Assembly Rooms where one of the early balls takes place, while the 18th-century Bath Guildhall also gets a place on the series’ dance card. A key character in the drama is Lady Danbury, played by Adjoa Andoh, and her grand mansion is Bath’s former Sydney Hotel, today the Holburne Museum. Gunter’s Tea Room was a celebrated London patisserie and in Bridgerton it can be found on Trim Street. Many Bath streets feature regularly, including Beauford Square, a place for regular carriage trips and the Royal Crescent, which in Series One, reverberated to the sound of galloping hooves as our heroine (or her stunt double) raced to stop a duel. The book includes a feature on how the series was filmed in the city, and includes a detailed map so you can follow your own Bridgerton Walking Tour of this beautiful city, which has more to offer besides.

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Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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'Tense, gripping and atmospheric' - CHRIS WHITAKER'Gripped me from its shocking start' - SARAH YARWOOD-LOVETT'I highly recommend it' - LYNDA LA PLANTE CBE________________TWO MISSING BACKPACKERS. ONE VAST OUTBACK.DS Lucas Walker is on leave in his hometown, Caloodie, taking care of his dying grandmother. When two young German backpackers, Berndt and Rita, vanish from the area, he finds himself unofficially on the case.But why all the interest from the Federal Police when they have probably just ditched the heat and dust of the outback for the coast? Working in the organised crime unit has opened Walker's eyes to the growing drug trade in Australia's remote interior - and he becomes convinced there is more at play.As the number of days since the couple's disappearance climbs, Walker is joined by Rita's older sister. A detective herself with Berlin CID, she has flown to Australia - desperate to find her sister.Their search becomes ever more urgent as temperatures soar. Even if Walker does find the young couple, will it be too late?This deeply atmospheric thriller is the gripping opening of a new crime series for fans of The Dry by Jane Harper, Cara Hunter and Chris Whitaker.________________Praise for Outback'Tense, atmospheric and gripping. I eagerly await the next DS Walker thriller' - CHRIS WHITAKER'A hot read. I highly recommend it.' - LYNDA LA PLANTE CBE'A tense, twisty read that gripped me from its shocking start, immersed me in its sun-scorched landscape, then raced to its satisfying conclusion' - SARAH YARWOOD-LOVETT'Nail-bitingly tense. A startlingly well-accomplished debut.' - JOHN MARRS'A setting so vivid it's almost a character within itself' - BECCA DAY

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I know you want to punish me, trying to make me live. In 1995 Sarah Kane's first full-length play Blasted sent shockwaves throughout the theatrical world. Making front-page headlines, the play outraged critics with its depiction of rape, torture and violence in civil war. However, from being roundly condemned by the critics the play is now considered a seminal work of European theatre and has defined an entire era of stage writing. In an expensive hotel room in Leeds, Ian, a middle-aged tabloid journalist, sits with his teenage lover Cate who he attempts to seduce and eventually rapes. As reality dissipates, the room becomes embroiled in civil war as a soldier invades the space and the play descends into apocalyptic scenes of brutality. Blasted's canonical status reflects the raw beauty and terror of Kane's writing. Probing the brutality people inflict upon one another, the suffering and violation, the play also looks at the role of love and the redemption it offers. Unafraid to delve into darkness, this is a provocative, fragmenting piece full of significance and power. Blasted premiered at the Royal Court Theatre Upstairs in January 1995. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Blasted was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a brand new foreword by Mel Kenyon.

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The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with “politics”—the first of its three organizing themes—the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works—by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others—that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.

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"We thought the study of women would be a temporary phase; eventually we would all go back to our disciplines."—Gloria Bowles, From the AfterwordSince the 1970s, Women's Studies has grown from a volunteerist political project to a full-scale academic enterprise. Women's Studies on Its Own assesses the present and future of the field, demonstrating how institutionalization has extended a vital, ongoing intellectual project for a new generation of scholars and students.Women’s Studies on Its Own considers the history, pedagogy, and curricula of Women’s Studies programs, as well as the field’s relation to the managed university. Both theoretically and institutionally grounded, the essays examine the pedagogical implications of various divisions of knowledge—racial, sexual, disciplinary, geopolitical, and economic. They look at the institutional practices that challenge and enable Women’s Studies—including interdisciplinarity, governance, administration, faculty review, professionalism, corporatism, fiscal autonomy, and fiscal constraint. Whether thinking about issues of academic labor, the impact of postcolonialism on Women’s Studies curricula, or the relation between education and the state, the contributors bring insight and wit to their theoretical deliberations on the shape of a transforming field.Contributors. Dale M. Bauer, Kathleen M. Blee, Gloria Bowles, Denise Cuthbert, Maryanne Dever, Anne Donadey, Laura Donaldson, Diane Elam, Susan Stanford Friedman, Judith Kegan Gardiner, Inderpal Grewal, Sneja Gunew, Miranda Joseph, Caren Kaplan, Rachel Lee, Devoney Looser, Jeanette McVicker, Minoo Moallem, Nancy A. Naples, Jane O. Newman, Lindsey Pollak, Jean C. Robinson, Sabina Sawhney, Jael Silliman, Sivagami Subbaraman, Robyn Warhol, Marcia Westkott, Robyn Wiegman, Bonnie Zimmerman

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From the early days of second-wave feminism, motherhood and the quest for women's liberation have been inextricably linked. And yet motherhood has at times been viewed, by anti-feminists and select feminists alike, as somehow at odds with feminism. In reality, feminists have long treated motherhood as an organizing metaphor for women's needs and advancement. The mother has been regarded with suspicion at times, deified at others, but never ignored.The first book devoted to this complex relationship, Motherhood Reconceived examines in depth how the realities of motherhood have influenced feminist thought. Bringing to life the work of a variety of feminist writers and theorists, among them Jane Alpert, Mary Daly, Susan Griffin, Adrienne Rich, and Dorothy Dinnerstein, Umansky situates feminist discourses of motherhood within the social and political contexts of the 1960s. Charting an increasingly favorable view of motherhood among feminists from the late 1960s through the 1980s, Umansky reveals how African American feminists sought to redefine black nationalist discourses of motherhood, a reworking subsequently adopted by white radical and socialist feminists seeking to broaden the racial base of their movement. Noting the cultural left's conflicted relationship to feminism, that is, the concurrent demand for individual sexual liberation and the desire for community, Umansky traces that legacy through various stages of feminist concern about motherhood: early critiques of the nuclear family, tempered by strong support for day care; an endorsement of natural childbirth by the women's health movement of the early 1970s; white feminists' attempt to forge a multiracial movement by declaring motherhood a universal bond; and the emergence of psychoanalytic feminism, ecofeminism, spiritual feminism, and the feminist anti- pornography movement.

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Behind some of the most popular works of science fiction, fantasy, and horror there are forgotten stories of female creators. It's no secret that genres like science fiction, fantasy, horror, and more, have evolved from niche interest to mainstream staple in the last few decades. However, the countless women who have been instrumental in creating and shaping those genres for the last fifty-plus years have largely gone largely unrecognized -- until now. Pop Culture Pioneers explores and pays respect to the work and influence of the female creators who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture from the early 70s through to 2010 including:* Creators like Bonnie Erickson (co-creator of Miss Piggy), Christy Marx (Jem! And The Holograms creator), Roberta Williams (creator of the adventure game genre), and Betty Cohen (founder of Cartoon Network)* Writers & Editors like Jeanette Khan (head of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.) and Malia Scotch Marno (screenwriter for Jurassic Park and Hook)* Animators & Artists like Vicky Jenson (animator and director of Shrek) and Brenda Chapman (animator and director of Brave)* Directors & Producers like Jean MacCurdy (producer of Batman: The Animated Series and Animaniacs), Denise Di Novi (co-producer of Batman Returns and The Nightmare Before Christmas), and Fran Walsh (co-producer of the Lord of the Rings trilogy)* As well as Yvonne Blake (costume designer for Superman), Marlene Clark (Blaxploitation actress), Jane Feinberg (casting director for Blade Runner, E.T., The Goonies, and Indiana Jones), and so many more!

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*A TIMES AND SPECTATOR BOOK OF THE YEAR*'[Owolade's] argument has needed saying for years' Janan Ganesh, Financial Times'Compelling and admirable' Sunday Times'Passionate and timely' Observer'Excellent' Telegraph'Illuminating' The Times'Timely [and] engaging' Guardian***Chosen as a non-fiction highlight of 2023 in The Times, Guardian, Observer, Irish Times and New Statesman***Across the West, racial injustice has become one of the most divisive issues of our age. In the rush to address inequality and prejudice, and to understand concerns around identity, immigration and colonial history, Britain has followed the lead of the world's dominant power: America. We judge ourselves by America's standards, absorb its arguments and follow its agenda. But what if we're looking in the wrong place?This is Not America is built on the idea that black Britons are British first and foremost, and thus are likely to have more in common with other Britons than with black people in other parts of the world. It argues that too much of the conversation around race in Britain today is viewed through the prism of American ideas that don't reflect the history, challenges and achievements of increasingly diverse black populations at home. To build a long-lasting and more effective anti-racist agenda we must acknowledge that crucial differences exist between Britain and America, and that we are talking about distinct communities and cultures, distinguished by language, history, class, religion and national origin. Humane, empirical and passionate, this book provides a bold new framework for understanding race in Britain today.

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The Tet Offensive of January 1968 was the most important military campaign of the Vietnam War. The ancient capital city of Hue, once considered the jewel of Indochina’s cities, was a key objective of a surprise Communist offensive launched on Vietnam’s most important holiday. But when the North Vietnamese launched their massive invasion of the city, instead of the general civilian uprising and easy victory they had hoped for, they faced a devastating battle of attrition with enormous casualties on both sides. In the end, the battle for Hue was an unambiguous military and political victory for South Vietnam and the United States. In Fire in the Streets, the dramatic narrative of the battle unfolds on an hour-by-hour, day-by-day basis. The focus is on the U.S. and South Vietnamese soldiers and Marines–from the top commanders down to the frontline infantrymen–and on the men and women who supported them. With access to rare documents from both North and South Vietnam and hundreds of hours of interviews, Eric Hammel, a renowned military historian, expertly draws on first-hand accounts from the battle participants in this engrossing mixture of action and commentary. In addition, Hammel examines the tremendous strain the surprise attack put on the South Vietnamese-U.S. alliance, the shocking brutality of the Communist “liberators,” and the lessons gained by U.S. Marines forced to wage battle in a city–a task for which they were utterly unprepared and which remains highly relevant today. Re-issued in the fiftieth anniversary year of the battle, with an updated photo section and maps this is the only complete and authoritative account of this crucial landmark battle.

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A revealing, no-holds-barred portrait of the legendary Eileen Ford-the entrepreneur who transformed the business of modeling and helped invent the celebrity supermodel. Working with her husband, Jerry, Eileen Ford created the twentieth century's largest and most successful modeling agency, representing some of the fashion world's most famous names-Suzy Parker, Carmen Dell'Orefice, Lauren Hutton, Rene Russo, Christie Brinkley, Jerry Hall, Christy Turlington, and Naomi Campbell. Her relentless ambition turned the business of modeling into one of the most glamorous and desired professions, helping to convert her stable of beautiful faces into millionaire superstars. Model Woman chronicles the Ford Modeling Agency's meteoric rise to the top of the fashion and beauty business, and paints a vibrant portrait of the uncompromising woman at its helm in all her glittering, tyrannical brilliance. Outspoken and controversial, Ford was never afraid to offend in defense of her stringent standards. When she chose, she could deliver hauteur in the grand tradition of fashion's battle-axes, from Coco Chanel to Diana Vreeland-just ask John Casablancas or Janice Dickinson. But she was also a shrewd businesswoman with a keen eye for talent and a passion for serving her clients. Drawing on more than four years of intensive interviews with Ford and her intimates, associates, and rivals, as well as exclusive access to agency documents and memorabilia, Robert Lacey weaves an unforgettable tale of a determined entrepreneur and the empire she built-a story of beauty, ambition, business, and popular culture as powerful and complex as the woman at its center.

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In these pages you will encounter gamblers and adventurers, conmen and conwomen, rodomontades and ragamuffins, outright fools and outrageous liars. Scalawags, the lot of them. But you can be an adventurer, a conman or conwoman, a fool, liar, gambler, rodomontade or ragamuffin and not be a scalawag. Many adventurers are not even interesting, come to think of it, let alone scalawags. There is an ineffable quality, an indefinable something or other that sets some people apart, places themin the special category that Jim Christy calls "scalawag." You might call them something else: nuts, perhaps. And quite frankly in many instances-George Francis Train, for instance, or Louis De Rougemont-you'd probably be right. But likewise you don't have to be a crackpot to be a scalawag: Two Gun Cohen, for instance, or Lady Jane Digby. What you have to be is outrageous with a bit of what Andre Malraux, an adventurer and liar, perhaps-;but not a scalawag-designated, in reviving an old French word, farfelu. It means that you are willing to risk everything, whether on a grand or small scale, on the craziest of schemes, the wildest of notions. "Curious cases of cannibalism, extreme sado-masochism, and generally irrational behaviour abound, making 'Scalawags' the perfect balm anyone attempting to cloister their desires in a bid for self improvement." - Steven Schelling "My advice: Keep your copy of 'Scalawags' in the bathroom. Or on your bedside table. Or in the bag you carry on thebus. It's perfectly suited to those times when you're seeking a momentary escape. There's nothing like outrageous lives and flamboyant characters to take you out of your dreary day-to-day." - Robert J. Wiersema, The Vancouver Sun

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Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz

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"This richly varied text offers generous support for every aspect of the teacher's role, while constantly reminding us that mathematical activity is not a de-contextualised skill that children possess, but part of their identity, their way of being in the world, engaged with the world, energetically - and playfully - trying to make sense of it."Mary Jane Drummond, formerly of the Faculty of Education, University of Cambridge, UKTeaching and Learning Early Number is a bestselling guide for all trainee and practising Early Years teachers and classroom assistants. It provides an accessible guide to a wide range of research evidence about the teaching and learning of early number.Major changes in the primary mathematics curriculum over the last decade - such as the National Numeracy Strategy, the Primary National Strategy, the Early Years Foundation Stage and the Williams Review - have greatly influenced the structure of this new edition. The book includes: A new introductory chapter to set the scene Six further new chapters - including Mathematics through play, Children's mathematical graphics and Interview-based assessment of early number knowledge Six completely re-written chapters and two updated chapters A new concluding chapter looking to the future The chapters can be read in a standalone fashion and many are cross referenced to other parts of the book where specific ideas are dealt with in a different manner. Issues addressed include: new research on the complex process of counting and on children's written mathematical marks; counting in the home environment and play in the school setting; the importance of mathematical representations and of ICT in children's understanding of number; errors and misconceptions and the assessment of children’s number knowledge.

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THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

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Longlisted for the New Blood Dagger Award 2021 'A darkly gripping and addictive read. I tore through it in a few days’ ESTHER FREUD 'Deeply engrossing … an exquisite literary thriller’ PHILIPPA EAST ‘Emotionally wrenching’ WALL STREET JOURNAL ‘Impossible to put down’ TREVOR WOOD A missing woman 30 years ago, in the suffocating heat of a Sydney summer, the Greens’ next-door neighbour Mandy disappeared without a trace. A cold case reopened In 1997, in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father is under suspicion of Mandy’s murder. A devastating secret How well does Isla know her father? Is he capable of doing something terrible? And is there another secret in their community – a conspiracy of silence which stretches deep into Australia’s past? –––––––––––––––––––––––––––––– ‘An atmospheric, convincing portrayal of the way that the decisions we make, both individually and collectively, reverberate down the years’ GUARDIAN ‘Allott uses the scandal of Australia’s stolen children to devastating effect in this memorable debut’ SUNDAY TIMES 'A riveting mystery, beautifully unwound. The Silence excavates dark, decades-old secrets buried in human hearts, in families and in nations. I read it in one weekend’ ERIN KELLY ‘An impressive and beautifully written, Australian-set debut with the devastating subject of the Stolen Generation at its core’ FIONA MITCHELL ‘Tense, atmospheric and brilliantly paced. The Silence is fraught with disturbing secrets and powerful emotions. I loved it’ FRANCESCA JAKOBI ‘A brooding, suspenseful debut’ SUNDAY MIRROR ‘A suspenseful, beautifully crafted debut for fans of Celeste Ng and Jane Harper’ TELEGRAPH AUSTRALIA ‘Intricate and suspenseful… [a] stellar debut’ NEW YORK JOURNAL OF BOOKS

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'A sparkling debut...this is a very good plot-driven thriller dressed in a glittery jumpsuit.' GUARDIAN'I couldn't stop turning the pages . . . a debut you won't want to miss' MEGAN ABBOTT'A wild, energetic gem of a novel' DAILY MAIL Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling novel from Berlin-based American artist Calla Henkel.2009. Berlin. Two art students arrive from New York, both desperate for the city to solve their problems.Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida.Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend.Together they rent a once-magnificent apartment from eccentric crime writer Beatrice Becks. With little to fill their time, they spend their nights twisting through Berlin's club scene and their days hungover. Soon inexplicable things start happening in the apartment and the two friends suspect they are being watched by Beatrice. Convinced that their landlord is using their lives as inspiration for her next thriller novel, they decide to beat her at her own game. The girls start hosting wild parties in the flat and quickly gain notoriety, with everyone clamouring for an invite to 'Beatrice's.' But ultimately they find themselves unable to control the narrative and it spirals into much darker territory . . .'Thrilling' Cosmopolitan'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth'Other People's Clothes feels like reading a thriller by your most acerbic friend' Rowan Hisayo Buchanan

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Previously published as PeacemakersBetween January and July 1919, after the war to end all wars, men and women from all over the world converged on Paris for the Peace Conference. At its heart were the leaders of the three great powers - Woodrow Wilson, Lloyd George and Clemenceau. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes - from Armenian independence to women's rights. Everyone had business in Paris that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since. For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; failed above all to prevent another war. Margaret MacMillan argues that they have unfairly been made scapegoats for the mistakes of those who came later. They tried to be evenhanded, but their goals - to make defeated countries pay without destroying them, to satisfy impossible nationalist dreams, to prevent the spread of Bolshevism and to establish a world order based on democracy and reason - could not be achieved by diplomacy. Paris 1919 (originally published as Peacemakers) offers a prismatic view of the moment when much of the modern world was first sketched out.

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'Riveting and thrilling in equal measure. I didn't come up for air until the very last page. Filled with fantastic characters who find themselves in terrifying and unexpected situations. I kept asking myself, what would I do if it was me? A fantastic read with so many great twists. The best book from Louise Phillips so far.' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go.' Brian McGilloway When Nadine Fitzmaurice, a manager in an insurance company, gets a distressed phone call from her eighteen-year-old daughter, Becca, telling her she's killed someone, Nadine's life is turned upside down.Now Becca is being held against her will and, determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime - and under the scrutiny of Detective Sergeant Wren Moore.But the more Nadine gets sucked in by those holding Becca, elements of her past, and a 'TRUTH or DARE' game that went terribly wrong years before, come to the surface.Eighteen years earlier, teenager Evie Nolan went missing. She never came home.One day Becca was there, and now she is gone too.But can Nadine help her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey

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Lovers challenge destiny and risk their lives in the new Carpathian novel by the #1 New York Times bestselling 'queen of paranormal romance.' (J.R. Ward)Gabrielle has had enough of battles, of wars, of seeing Gary Jansen, the man she loves nearly lose his life when it isn't even his fight. Once he was a gentle and very human researcher. Now he's a fearless and lethal Carpathian warrior with the blood of an ancient lineage coursing through his veins-a man Gabrielle still needs and desires and dreams of with every breath she takes. All she wants is a life far away from the Carpathian mountains, far from vampires and the shadows cast by the crumbling monastery that hides so many terrible secrets. But Gabrielle soon learns that promises made in the dark can pierce the heart like a dagger.And she isn't the only one in search of answers in the corners of the unknown.... Trixie Joanes has come to the Carpathian mountains in search of her wayward granddaughter, fearing that she has been lured there by something unspeakable. Instead, Trixie has stumbled into the path of a desperate man and a woman in love and on the run. And they're all fated for the lair of a mysterious ancient with revenge in his soul and the undying power to make bad dreams come true.'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper.'Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels.'Publishers Weekly

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Villette is Charlotte Brontë's powerful autobiographical novel of one woman's search for true love, edited with an introduction by Helen M. Cooper in Penguin Classics.With neither friends nor family, Lucy Snowe sets sail from England to find employment in a girls' boarding school in the small town of Villette. There, she struggles to retain her self-possession in the face of unruly pupils, the hostility of headmistress Madame Beck, and her own complex feelings - first for the school's English doctor and then for the dictatorial professor Paul Emanuel. Drawing on her own deeply unhappy experiences as a governess in Brussels, Charlotte Brontë'sautobiographical novel, the last published during her lifetime, is a powerfully moving study of loneliness and isolation, and the pain of unrequited love, narrated by a heroine determined to preserve an independent spirit in the face of adverse circumstances. Helen M. Cooper's new introduction places the novel in the context of Brontë's life and career and argues for the importance of the novel as an exploration of imperialism.Charlotte Brontë (1816-55), eldest of the Brontë sisters, was born in Thornton, West Yorkshire. Jane Eyre was first published in 1847 under the pen-name Currer Bell, and was followed by Shirley (1848) and Vilette (1853). In 1854 Charlotte Brontë married her father's curate, Arthur Bell Nicholls. She died during her pregnancy on 31 March 1855 in Haworth, Yorkshire. The Professor was posthumously published in 1857.If you liked Villette, you may enjoy Elizabeth Gaskell's Cranford, also available in Penguin Classics.'I am only just returned to a sense of real wonder about me, for I have been reading Villette' George Eliot'Her finest novel'Virginia Woolf

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In the wake of the attack on the offices of Charlie Hebdo in Paris on 7 January 2015, millions took to the streets to demonstrate their revulsion, expressing a desire to reaffirm the ideals of the French Republic: liberté, égalité, fraternité. But who were the millions of demonstrators who were suddenly united under the single cry of ‘Je suis Charlie’?In this probing new book, Emmanuel Todd investigates the cartography and sociology of the three to four million who marched in Paris and across France and draws some unsettling conclusions. For while they claimed to support liberal, republican values, the real middle classes who marched on that day of indignant protest also had a quite different programme in mind, one that was far removed from their proclaimed ideal. Their deep values were in fact more reminiscent of the most depressing aspects of France’s national history: conservatism, selfishness, domination and inequality.By identifying the anthropological, religious, economic and political forces that brought France to the edge of the abyss, Todd reveals the real dangers posed to all western societies when the interests of privileged middle classes work against marginalised and immigrant groups. Should we really continue to mistreat young people, force the children of immigrants to live on the outskirts of our cities, consign the poorer classes to the remoter parts of the country, demonise Islam, and allow the growth of an ever more menacing anti-Semitism? While asking uncomfortable questions and offering no easy solutions, Todd points to the difficult and uncertain path that might lead to an accommodation with Islam rather than a deepening and divisive confrontation.

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At the 1919 Paris Peace Conference, where the victorious Allied powers met to reenvision the map of Europe in the aftermath of World War I, President Woodrow Wilson's influence on the remapping of borders was profound. But it was his impact on the modern political structuring of Eastern Europe that would be perhaps his most enduring international legacy: neither Czechoslovakia nor Yugoslavia exist today, but their geopolitical presence persisted across the twentieth century from the end of World War I to the end of the Cold War. They were created in large part thanks to Wilson's advocacy, and in particular, his Fourteen Points speech of January 1918, which hinged in large part on the concept of national self-determination. But despite his deep involvement in the region's geopolitical transformation, President Wilson never set eyes on Eastern Europe, and never traveled to a single one of the eastern lands whose political destiny he so decisively influenced. Eastern Europe, invented in the age of Enlightenment by the travelers and philosophies of Western Europe, was reinvented on the map of the early twentieth century with the crucial intervention of an American president who deeply invested his political and emotional energies in lands that he would never visit. This book traces how Wilson's emerging definition of national self-determination and his practical application of the principle changed over time as negotiations at the Paris Peace Conference unfolded. Larry Wolff exposes the contradictions between Wilson's principles and their implementation in the peace settlement for Eastern Europe, and sheds light on how his decisions were influenced by both personal relationships and his growing awareness of the history of the Ottoman and Habsburg empires.

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Make any occasion extra special with a one-of-a-kind personalized thank you gift book! Simply write the recipient's name on the customizable cover to create an appreciation gift they’ll cherish. Surprise your loved one, family, or friend with a gratitude book that’s truly all about celebrating your gratitude—including over 100 expressions of thanks and inspirational quotes from luminaries throughout history. Filled with uplifting words of wisdom, reflection, and entertainment, you can count this positive quote book among your best thank you gift ideas. It includes expressions of gratitude and motivational quotes like "Be thankful for what you have; you'll end up having more. If you concentrate on what you don't have, you will never, ever have enough." –Oprah Winfrey; "Feeling gratitude and not expressing it is like wrapping a present and not giving it." –William Arthur Ward. Interspersed you’ll find longer letters of thanks: Barack Obama’s letter to a constituent thanking him for the privilege of serving as his present, and Jane Austen’s gratitude to an early reader of Emma.Give them the gift of inspiration and self-affirmation with a book crafted just for them. These fill-in-the-blank personalized thank you books make perfect teacher gifts, small thank you gifts for coworkers, coaches, bosses, or any other mentor gift. A Dear You: Thank You! book is the ideal gift to say thank you from the heart. From the customizable fill-in cover with name personalization, to the over 100 pages of curated gratitude quotes—it’s a meaningful and easy last-minute thank you gift for any occasion.

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Articles on masterpieces of European religious music, from the middle ages to Stravinsky and Tavener. The late Wilfrid Mellers, who occupies a special place among music critics, described himself as a non-believer; but his preference for music that "displays a sense of the numinous" (in his words) will strike a chord with many wholisten to religious music nowadays, and who share his view that music that confronts first and last things is likely to offer more than music that evades them. The essays form five groups, which together offer a survey of religious music from around the first millennium to the beginning of the second, in the context of the difficult issues of what religious music is, and, for good measure, what is religion? The parts are: The Ages of Christian Faith; The Re-birth of a Re-birth: From Renaissance to High Baroque; From Enlightenment to Doubt; From "the Death of God" to "the Unanswered Question"; and The Ancient Law and the Modern Mind. Musical discussion, with copious examples, is conducted throughout the book in a context that is also religious - and indeed philosophical, social, and political, with the open-endedness that such an approach demands in the presentation of ideas aboutmusic's most fundamental nature and purposes. COMPOSERS: Hildegard of Bingen; Perotin; Machaut; Dunstable, Dufay; William Corniyshes father and son; Tallis; Byrd; Monteverdi; Schutz; J.S. Bach; Couperin; Handel; Haydn;Mozart; Beethoven; Schubert; Bruckner; Berlioz, Faure; Verdi, Brahms; Elgar, Delius; Holst, Vaughan Williams, Howells; Britten; Janacek; Messiaen, Poulenc; Rachmaninov; Stravinsky; Part, Tavener, Gorecki, Macmillan, Finnissy; Copland.

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An Economist Best Book of the YearHow India’s Constitution came into being and instituted democracy after independence from British rule.Britain’s justification for colonial rule in India stressed the impossibility of Indian self-government. And the empire did its best to ensure this was the case, impoverishing Indian subjects and doing little to improve their socioeconomic reality. So when independence came, the cultivation of democratic citizenship was a foremost challenge.Madhav Khosla explores the means India’s founders used to foster a democratic ethos. They knew the people would need to learn ways of citizenship, but the path to education did not lie in rule by a superior class of men, as the British insisted. Rather, it rested on the creation of a self-sustaining politics. The makers of the Indian Constitution instituted universal suffrage amid poverty, illiteracy, social heterogeneity, and centuries of tradition. They crafted a constitutional system that could respond to the problem of democratization under the most inhospitable conditions. On January 26, 1950, the Indian Constitution—the longest in the world—came into effect.More than half of the world’s constitutions have been written in the past three decades. Unlike the constitutional revolutions of the late eighteenth century, these contemporary revolutions have occurred in countries characterized by low levels of economic growth and education, where voting populations are deeply divided by race, religion, and ethnicity. And these countries have democratized at once, not gradually. The events and ideas of India’s Founding Moment offer a natural reference point for these nations where democracy and constitutionalism have arrived simultaneously, and they remind us of the promise and challenge of self-rule today.

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DIVINE ILLUMINATION “An important and ground-breaking study which links growing interest in Augustine and medieval philosophy with cutting-edge questions in contemporary philosophy of religion, particularly concerning epistemology and the ‘rationality’ of religion.” Janet Soskice, University of Cambridge “In this lucidly argued and solidly documented study, Schumacher uncovers the roots of problems notoriously besetting modern theories of knowledge in conflicting medieval interpretations of Augustine’s assumptions about knowledge as divine illumination: an intriguing thesis, which she handles with delicacy and flair.” Fergus Kerr, O.P. University of Edinburgh “Challenges the traditional history of theories of knowledge. A bold and provocative reading.” Olivier Boulnois, École Pratique des Hautes Études (University of Paris, Sorbonne) Divine Illumination offers an original interpretation of Augustine’s theory of knowledge, tracing its development in the work of medieval thinkers such as Anselm, Bonaventure, Thomas Aquinas, and John Duns Scotus. Although Scotus is often deemed responsible for finally pronouncing Augustine’s longstanding illumination account untenable, Schumacher shows that he only rejected a version that was the byproduct of a shift in the understanding of illumination and knowledge more generally within the thirteenth-century Franciscan school of thought. To reckon with the challenges in contemporary thought on knowledge that were partly made possible by this shift, Schumacher recommends relearning a way of thinking about knowledge that was familiar to Augustine and those who worked in continuity with him. Her book thus anticipates a new approach to dealing with debates in contemporary epistemology, philosophy of religion, and theology, even while correcting some longstanding assumptions about Augustine and his most significant medieval readers.

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GUARDIAN: BOOKS TO LOOK OUT FOR IN 2024 WATERSTONES: JANUARY’S BEST BOOKS BBC: BOOK HIGHLIGHTS FOR 2024 'GRIPPING' THE TIMES This is an immersive and revelatory history of the survivors of the Clotilda, the last ship of the Atlantic slave trade, whose lives diverged and intersected in profound ways. The Clotilda docked in Mobile Bay, Alabama, in July 1860 – more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history. In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. Survivors follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile – an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston – to the foundation of the quilting community of Gee’s Bend – a Black artistic circle whose cultural influence remains enormous. An astonishing, deeply compelling tapestry of history, biography and social commentary, Survivors is a tour de force that deepens our knowledge and understanding of the Atlantic slave trade and its far-reaching influence on life today.

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Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the ever-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.

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One of the most innovative artists and thinkers of the first half of the 20th century, László Moholy-Nagy (1895-1946) emigrated to Britain after the forced closure of the Bauhaus, following his colleague Walter Gropius. This book examines the two years he spent in Britain in the mid-1930s before moving on to the United States - two intense years filled with commissions, collaborations, opportunities, disappointments, artistic exchanges and friendship.Moholy-Nagy was especially known in the UK as a photographer, his photos having previously been published in the Architectural Review. Although brief, Moholy-Nagy's English period represented the peak of his photographic activity. In Britain, he also worked as a graphic designer on books, advertisements and on London Transport posters. He worked as an art advisor for Simpsons' menswear store and designed publicity for the Isokon Furniture Company. He made a couple of documentary films – Lobsters and New Architecture at London Zoo and worked as a designer on Things to Come for Alexander Korda. As well as the films and photographic essays for the AR, he was introduced by John Betjeman to publisher John Miles, who commissioned him to illustrate three books: The Street Markets of London, Eton Portrait and An Oxford University Chest. He also worked with Gropius and Maxwell Fry on various exhibition designs, gave lectures and wrote articles throughout his stay, and The London Gallery held an exhibition of his work in January 1937. This highly visual book weaves together rarely seen images, documents and narrative to create a fascinating picture of the man and the artist during this critical and highly productive phase of his life.

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"What goes on in these four walls is none of their concern, shut your mouth and keep it shut is what you need to learn..." MUMB: a personal exploration of the dark side of motherhood and what it means to be a woman. "To read MUMB is to sit at a rickety northern kitchen table with an old mate, as she shares the intimacies and heartaches of being a woman of a certain age, doing her best and sometimes failing; of striving, coping, suffering and surviving. While you scoff cinnamon buns and try to ignore the smell of the unemptied cat litter. It is a book full of love and honesty." - Julie Hesmondhalgh "Cathy Crabb cuts through the Gordian knot and makes it get over itself with salty chips and a hug. Satisfyingly forthright, authentically working class and funny, you'll recognise chunks of human nature you didn't know you knew." - Jackie Hagan "This wonderful collection of poetry is a generous and honest plateful of love. Cathy Crabb writes beautifully, feels deeply and is not afraid to share the darker sides of being a mother." - Janice Connolly AKA Mrs Barbara Nice "Like its title this collection is intriguing - it's initially simple but says a lot! There's variety, plays on words, haiku, it's personal and universal, simple but deep. It's full of love - celebratory - and full of truth - disturbingly. "There's frost in every cardboard fold." There's warmth in every page turn. Although this collection is centred around motherhood, it is a must read for anyone who was ever a child! I own many poetry collections on my shelves. This one will be staying well within arms reach!" - Joy France

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A beautiful edition of the classic tale, A Christmas Carol. Ebenezer Scrooge is a miserly and mean-spirited old man. He treats family, coworkers, and strangers alike with distaste. But on Christmas Eve he receives a visit from the ghost of his dead business partner, Jacob Marley. Marley warns Scrooge that unless he learns to be less greedy and self-serving that Scrooge will be condemned to wander Earth weighed down with heavy chains, as Marley has been. Marley tells Scrooge that three spirits will visit him. First, the Ghost of Christmas Past visits and shows Scrooge his own Christmases past, including the Christmas when his fiancé left him for being obsessed with money. Second, the Ghost of Christmas Present shows Scrooge all the happiness occurring at the various Christmas festivities around the city. Finally, The Ghost of Christmas Yet to Come shows Scrooge what will happen after his own death, and Scrooge is horrified to find that everyone will celebrate it. Distraught, Scrooge begs for another chance, and suddenly wakes in his own bed. Forever after he honours the spirit of Christmas with kindness, generosity and warmth. a classic Christmas story which will be read over each year Studying this for GSCE? - check out Scholastic's revision flashcards (9781407183541), study guide (9781407182650) and guidebook for writing the best answers possible (9781407183985). SCHOLASTIC "INK DOT" CLASSICS - Collect them all! A Christmas Carol Black Beauty Five Children and It Frankenstein Jane Eyre Macbeth Oliver Twist Romeo and Juliet Strange Case of Dr Jekyll and Mr Hyde Treasure Island What Katy Did

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Tom Waits in his own words: a collection of three decades' worth of interviews with Tom Waits'I've never met anyone who made it with a chick because they owned a Tom Waits album. I've got all three, and it's never helped me,' Tom Waits. Born, seemingly, in the back of a taxi cab outside a hospital in California, in December 1949, the young Tom Waits graduated through the jobs of janitor, dishwasher and cook to the position of doorman at a small L.A. club. Existing on a diet of whiskey, cigarettes and beat writing, he now added folk and jazz to his formative influences. In 1969, Captain Beefheart manager Herb Cohen discovered him - and five years later he released his first album, Closing Time, a record soaked in equal parts bourbon and melancholy. His drunken bohemian persona kicked in after this ('The Piano Has Been Drinking, Not Me'), and his familiar hoary rasp ('a voice that could guide ships through dense fog'), tales of losers, outsiders, hobos, dingy bar-room joints and seedy diners became the stuff of cult legend, covered by the likes of the Eagles, championed by Elton John, and instantly recognisable from a thirty-year career that has seeped through music (over 20 albums), theatre and film. Waits has never written an autobiography, has notoriously played fast and loose with the truth, but this collection of interviews is practically Tom Waits in his own words. Witty, enigmatic and currently fired up about the state of America (his latest album 'Real Gone' has been his most successful yet), Innocent When You Dream is a must-have for any Waits fan.

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The complete BBC radio series of Micky Flanagan’s autobiographical comedy show – plus pilot episode‘Excellent, funny and poignant’ Miranda Sawyer, The ObserverBased on his Edinburgh Comedy Award-nominated show What Chance Change?, Micky Flanagan’s debut radio series combines brilliant stand-up with insightful behind-the-scenes interviews to tell the story of his life from the 1970s to the 2000s.These five episodes chart the Cockney comedian’s progression from working-class Herbert to middle-class intellectual giant – and being awkwardly caught between both worlds. Via hilarious jokes and sharply-observed comic routines, Micky takes us from the mean streets of the East End to the leafy lanes of East Dulwich, outlining his rise to fame from Billingsgate fish porter to successful entertainer, from Sunblest to panini, tabloids to broadsheets and the street party to the dinner party. We hear how he left school without qualifications, ran away to New York to be an international lover and player, returned to education to become a teacher, and settled down with his wife and built his stand-up career.Chatting to family, friends and special guests – including sociology professor Paul Willis, millionaire plumber Charlie Mullins, and fellow comedian Sean Lock – he considers how his upbringing shaped his identity, discusses the thorny issue of class and comedy, and explains how, over four decades, taking chances has changed his life.Written and performed by Micky FlanaganProduced by Tilusha GhelaniFirst broadcast on BBC Radio 4, 6 January 2009 (pilot episode), 25 May-15 June 2010 (Series 1)

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Accustomed to both murder and dalliance, Australia's favourite detective, the inimitable Miss Fisher, returns in a case that will test her courage and judgement to the full.When the redoubtable Miss Phryne Fisher receives threatening letters at her home, she enlists her unflappable apprentice Tinker to investigate. But as the harassment of Phryne threatens to spin out of control, her lover Lin Chung is also targeted.Meanwhile, Dot begins to fear that her fiancé, newly promoted Sergeant Hugh Collins, has gone cold on their wedding. And Phryne's clever daughters Ruth and Jane begin their own investigation into suspiciously dwindling funds when they are sent to help at the Blind Institute.None of this is quite enough to prevent Phryne from accepting an invitation to a magnificent party at the house of the mysterious Hong. When the party is interrupted by shocking tragedy, Phryne gathers all of her unerring brilliance to track down the miscreants.With some unlikely assistance, Phryne is in a race against time to save a pair of young lovers from disgrace and death'Greenwood's strength lies in her ability to create characters that are wholly satisfying: the bad guys are bad, and the good guys are great' - Vogue'Phryne Fisher is gutsy and adventurous, and endowed with plenty of grey matter' - West Australian'Elegant, fabulously wealthy and sharp as a tack, Phryne sleuths with customary panache ... [she is] irresistibly charming' - The Age'Phryne Fisher is young, wealthy, beautiful, smart, confident and independently minded, and she has a knack for solving murders when she is not sipping a strengthening cocktail or planning another seduction' - The Australian's Review of Books

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From the Middle Ages until World War II, Poland was host to Europe's largest and most vibrant Jewish population. By 1970, the combination of Nazi genocide, postwar pogroms, mass emigration, and communist repression had virtually destroyed Poland's Jewish community. Although the Poles themselves were subjected to enormous cruelties in the twentieth century, questions about the extent of their antisemitism and its role in the fate of Polish Jewry are today hotly disputed.Antisemitism and Its Opponents in Modern Poland serves as an effective guide to some of the most complex and controversial issues of Poland's troubled past. Fourteen original essays by a team of distinguished Polish and American scholars explore the different meanings, forms of expression, content, and social range of antisemitism in modern Poland from the late nineteenth century to the present. The contributors focus on both the variations in antisemitic sentiment and those Poles who opposed such prejudices. Central themes of this significant, balanced, and timely contribution to a contentious and often emotional debate include the deterioration of Polish-Jewish relations in the era of national awakening for both the Poles and the Jews, the meaning of the various forms of violence against the Jews, intellectual movements in opposition to antisemitism, the role of the Catholic Church in promoting antisemitism, and the prospects for the Church to atone for this shameful chapter in its recent history. Contributors: Robert Blobaum, West Virginia University; Steven D. Corrsin, New York Public Research Libraries; William W. Hagen, University of California, Davis; Janine P. Holc, Loyola College in Maryland; Jerzy Jedlicki, Institute of History, Polish Academy of Sciences; Katherine R. Jolluck, Stanford University; Dariusz Libionka, Institute of National Remembrance, Lublin and Institute of History, Polish Academy of Sciences; Antony Polonsky, Brandeis University and United States Holocaust Memorial Museum; Brian Porter, University of Michigan; Szymon Rudnicki, Warsaw University; Konrad Sadkowski, University of Northern Iowa; Keely Stauter-Halsted, Michigan State University; Dariusz Stola, Institute of Political Studies, Polish Academy of Sciences and Collegium Civitas, Warsaw; Bozena Szaynok, Wroclaw University; Theodore R. Weeks, Southern Illinois University

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Eleven papers in this volume present some current interesting and important research in finance. Based upon the CAPM, Chen and Kane show that double taxation and differential tax rates on a personal and capital-gains income, affect corporate stock values and financial policies in nonneutral ways. Sengupta shows tax evasion decisions of a monopolist in a price-ceiling regulatory environment. In their paper, Osterberg and Thomson empirically examine the impact of state-level deposit preference laws on resolution type and costs for all operating FDIC-BIF insured commercial banks that were closed, or required FDIC financial assistance, from January 1986 through December 1992. Peek and Wilcox show that during periods of international financial crises, or of domestic economic stress, the government-sponsored enterprises (GSEs) are well suited to stabilize mortgage markets. In their paper, Chen, Robinson and Siems empirically show the association between banks' subordinated debt and their loan sales activities and its implications in the transmission mechanism of monetary policy. Also in this volume, Lin et al. use the Granger causality test to examine the linkage between the euro exchange rate and the money supply and GDP in the euro community, as well as its impact on the UK exchange rate and the London stock exchange market index. In their paper, Kane and Muzere extend the Diamond-Dybvig model of bank runs to an open market economy and show that adding the central banks and the IMF, guarantees will reduce, but not eliminate the banking as well as currency crises. The paper by Chung et al. empirically shows the presence of a long memory, property in currency, future markets, and discusses its hedging implications. In their paper, Lee, Lee and Yu develop a valuation model for the pension benefit guarantees that incorporates the plan termination conditions as well as a stochastic interest rate. In a case study, Hung et al. empirically show that the specially designed dividends (SDD) have positive signals in the Taiwan Stock Exchange. Finally, in their paper, Guerard and Mark show that the use of an R&D quadratic term enhances the mean-variance efficient portfolios and stockholder returns.

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In 1859 the French navy was at a high point, having fought alongside the British in the Crimean War and developed a formidable fleet of fast wooden-hulled steam ships of the line. But in that very year the world's navies had to start over again when French naval architect Dupuy de Lome introduced the ironclad battleship. The French navy then went through three tumultuous phases. In the 1860s and 1870s it focused on building a new traditionally-structured fleet in which wooden-hulled battleships gave way to iron and steel ships with massive guns and armour. In the 1880s and 1890s this effort was disrupted by a vigorous contest between battleship sailors and advocates of fast steel cruisers and small torpedo craft, leaving France by the end of the 1890s with few new battleships (none as large as the best foreign ships) but some two hundred torpedo boats. The Fashoda crisis in 1898 revealed the weakness of the French navy and between 1900 and 1914 the French focused on building a strong battle fleet. In 1914 this fleet remained well behind those of Britain and Germany in numbers, but taken individually French warships remained among the best in the world. This book is the first comprehensive listing in English of the over 1400 warships that were added to the official French navy fleet list between 1 January 1859 and World War I. It includes everything from the largest battleships to a small armoured gunboat that looked like a floating egg. The ships are listed in three separate parts to keep contemporary ships together and then by ship type and class. For each class the book provides a design history explaining why the ships were built, substantial technical characteristics for the ships as completed and after major reconstructions, and selected career milestones including the ultimate fate of each ship. Like its predecessors written jointly with Rif Winfield, French Warships in the Age of Sail 1626-1786 and French Warships in the Age of Sail 1786-1861, with which it forms the third in a trilogy, it provides a complete picture of the overall development of French warships over a period of almost three centuries.

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Digitised facsimiles, with notes and transcription, of the earliest printed texts produced in Scotland. In 1508 the partnership of Andrew Myllar and Walter Chepman brought printing to Scotland. Their early publications brought into print works by two of medieval Scotland's most celebrated poets, Robert Henryson and William Dunbar, Walter Kennedy and Robert Henryson; they also contain less well-known but important poems and prose in Scots and in English by other writers. The prints feature a wide variety of genres: romance; fable; advice to princes; chivalrictreatise; lyric; dream vision; along with a classic example (by Dunbar and Walter Kennedy) of the Scots genre of `flyting', a stylised but scurrilous exchange of poetic insults. In celebration of the anniversary, the Scottish Text Society, in association with the National Library for Scotland, has published a DVD of prints produced by Chepman and Myllar in or close to 1508, containing digitised facsimiles of each of the twenty printed items. Eachfacsimile is accompanied by a headnote, explaining the print's literary significance and technical features, and a transcription. There is also an introduction by the general editor, SALLY MAPSTONE, which sets the Chepman and Myllar press within the context of early sixteenth-century Scotland and Scottish book history. The edition thus gives readers informative access to Scotland's earliest texts; easily navigable, it will become a vital teaching and research tool. CONTRIBUTORS: PRISCILLA BAWCUTT, A.S.G. EDWARDS, JANET HADLEY WILLIAMS, RALPH HANNA, BRIAN HILLYARD, LUUK HOUWEN, EMILY LYLE, SALLY MAPSTONE, JOANNA MARTIN, NICOLE MEIER, RHIANNON PURDIE

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The last survivor of Hitler's bunker speaks for the first timeThe last survivor of the end days of Hitler's bunker tells his story publicly for the first time. Von Loringhoven was aide-de-camp to Hitler's last two chiefs of staff, Guderian and Krebs, and the link between the armies at the fronts and Hitler in his Berlin bunker. For the last nine months of the Third Reich he was present at the daily military briefings between Hitler and Marshals Keital and Goring, General Jodl and Admiral Donitz, along with Goebbels, Bormann, Ribbentrop, Himmler and Fegelein.Von Lorninghoven was witness to the ever-growing gap between the reality of reports outside the bunker and Hitler's misunderstanding of the calamity that was encircling the regime. As the Third Reich spiralled downwards, he watched and recorded Hitler's catastrophic strategic mistakes and the paralysis in which he held his generals. Hitler's reason was twisted by his need for vengeance after the assissination attempt; he was searching for an impossible theatrical victory from an empire in total ruin. The final week of the regime saw Loringhoven living wholly in the bunker, watching the deteriorating relations among the inmates, military and civilian, as the atmosphere poisoned to an inevitable end. When radio-telephone communications finally broke down on 29 April he escaped the bunker - amazingly with Hitler's blessing - crossed the Russian lines and was picked up and taken prisoner by the Americans. He was released in January 1948.

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For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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Discover hundreds of the most interesting and memorable art experiences from around the world in this stunningly immersive and beautifully illustrated title!Amazing Art Adventures offers us art and culture as an experience both within and beyond the gallery, opening a door to unexpected adventures - art fairs, festivals, installations, art trails, galleries, art islands, monuments, sculpture parks and museums. Aimed at all of us who travel to learn about new places and cultures, the book gathers together hundreds of unforgettable art experiences around the world, acting as an inspirational travel guide for anyone interested in art. From the Lightning Field in New Mexico to an art island in Japan, expert guide Yolanda Zappaterra leads us on a comprehensive, worldwide tour of bucket list destinations for every season. Divided into sections by continent, the book is a thrilling cultural journey, an insider’s guide to the visual arts that suggests different ways to experience art beyond the usual galleries and institutions, leads readers to art in unusual places, creates trails that will give insights into the lives of famous artists as well as putting the spotlight on more interesting and unknown works in well known museums. Through more than 400 entries, plus photographs and maps, the book expands our understanding and appreciation of the world’s art in exciting new ways. Uncover a Chagall masterpiece in a tiny Kentish church Follow a land art map of North America from the Spiral Jetty and Lightning Fields to Seven Magic Mountains and the Star Axis Trip the light fantastic at the Atelier des Lumières in Paris Delight in the sinuous curves of Oscar Niemeyer’s MAC in Rio de Janeiro Lay your head in a very arty bed at the aha Shakaland Hotel & Zulu Cultural Village Be dazzled by recycled ceramics at the Rock Garden of Chandigarh in northern India Exercise body and mind with a walk along London’s Art Line Be blown away by Tacoma’s Museum of Glass Trek into the Brazilian rainforest for art in the jungle at the Inhotim Art Museum Sample big cheeses in Switzerland at Art Basel Cross the Seto Inland Sea to land at the art island of Naoshima in Japan Walk among the gods and monsters of Niki de Saint Phalle’s Tuscan Tarot Garden Commune with a unicorn at the Met Cloisters in New York See the seeds of Africa’s future art scene in a former grain silo at the Zeitz Museum of Contemporary African Art in Cape Town Enter a field of light in Uluru, Australia

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*** PRE-ORDER THE BONE HACKER, COMING IN PAPERBACK IN SPRING 2024! *** 'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . .An eye . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. . . . for an eye There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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