Search results for ""author paul"

These 840+ magical tables are the most complete set of tabular correspondences covering magic, astrology, divination, Tarot, I Ching, Kabbalah, gematria, angels, demons, Graeco-Egyptian magic, pagan pantheons, Christian, Muslim, Jewish, Buddhist, Taoist and mystical correspondences ever printed. It is over five times larger and more wide ranging than Crowleys Liber 777. New columns include the spirits from Fausts Höllenzwang and Trithemius Steganographia. Types of magic and their Greek identification headwords; the meanings of a wide range of nomina magica; planetary incenses; and the secret names for ingredients, all from the Greek magical papyri. Also the names of the gods of the hours and the months which must be used for successful evocation. The source of the data in these tables ranges over 2000 years, from the Graeco-Egyptian papyri, Byzantine Solomonike, unpublished manuscript mediaeval grimoires and Kabbalistic works, Peter de Abano, Abbott Trithemius, Albertus Magnus, Henry Cornelius Agrippa, Dr John Dee, Dr Thomas Rudd, Tycho Brahe, MacGregor Mathers (and the editors of Mathers work, Aleister Crowley and Israel Regardie), to the mage of classical geometric shapes, modern theories of prime numbers and atomic weights. The sources include many key grimoires such the Sworn Book, Liber Juratus, the Lemegeton (Goetia, Theurgia-Goetia, Almadel, Pauline Art), Abramelin, and in the 20th century the grimoire of Franz Bardon. All this material has been grouped and presented in a consistent and logical way covering the whole Western Mystery tradition and some relevant parts of the Eastern tradition. This is the final update of this volume.

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Seduced by simplicity, physicists find themselves endlessly fascinated by hydrogen, the simplest of atoms. Hydrogen has shocked, it has surprised, it has embarrassed, it has humbled--and again and again it has guided physicists to the edge of new vistas where the promise of basic understanding and momentous insights beckoned. The allure of hydrogen, crucial to life and critical to scientific discovery, is at the center of this book, which tells a story that begins with the big bang and continues to unfold today.In this biography of hydrogen, John Rigden shows how this singular atom, the most abundant in the universe, has helped unify our understanding of the material world from the smallest scale, the elementary particles, to the largest, the universe itself. It is a tale of startling discoveries and dazzling practical benefits spanning more than one hundred years--from the first attempt to identify the basic building block of atoms in the mid-nineteenth century to the discovery of the Bose-Einstein condensate only a few years ago. With Rigden as an expert and engaging guide, we see how hydrogen captured the imagination of many great scientists--such as Heisenberg, Pauli, Schrödinger, Dirac, and Rabi--and how their theories and experiments with this simple atom led to such complex technical innovations as magnetic resonance imaging, the maser clock, and global positioning systems. Along the way, we witness the transformation of science from an endeavor of inspired individuals to a monumental enterprise often requiring the cooperation of hundreds of scientists around the world.Still, any biography of hydrogen has to end with a question: What new surprises await us?

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The Pulitzer Prize-winning biographer turns his eye to the seventeenth-century Dutch Golden Age Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age.As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail?The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

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“Editorial design is the art of storytelling, and DJ’s brand of it is uniquely American. Western American. It starts out slow and builds. It wins you with a bit of humility (almost ‘shucks-gee-whiz’) and then comes back at you with a surprise punch. The pacing and analogies feel like a Will Rogers narrative. . . . When he first began presenting his work to his London Pentagram partners, they thought he could have just as easily been from the moon. But the storytelling was so strong, so funny, so completely designed but guileless at the same time that the Londoners, and the rest of us, found ourselves confronted with something real, authoritative, and probably definable only as pure American Graphic Design.” —Paula Scher, from the introductionAn internationally renowned graphic designer and partner in Pentagram, the world’s most famous graphic design firm, DJ Stout is a fifth-generation Texan whose strong sense of place has inspired his design work for over thirty-five years. His contributions to Texas Monthly, where he was art director for thirteen years, helped the magazine win three National Magazine Awards. American Photo magazine named Stout one of its “100 Most Important People in Photography,” and I.D. (International Design) magazine selected him for “The I.D. Fifty,” its annual listing of design innovators. The Society of Illustrators honored Stout with the national Richard Gangel Art Director Award, and he was made a Fellow of the Austin chapter of the AIGA (American Institute of Graphic Arts) for his lifetime achievements.Variations on a Rectangle presents both a career retrospective of DJ Stout’s work and his inimitable, often humorous perspectives on publication design. Using nearly eight hundred images to illustrate more than two hundred fifty major design projects, Stout describes the inspiration and creative process behind his highly innovative designs for magazines, books, brochures, posters, and even a fiberglass “batcow.” He tells fascinating, behind-the-scenes stories of Texas personalities such as Tommy Lee Jones, Sissy Spacek, and Ann Richards, who figured prominently in Texas Monthly’s pages, while also discussing how his Texas heritage has influenced his more recent design work US and international clients. An essential primer for younger graphic designers and a revelation for everyone who values exceptional design, Variations on a Rectangle proves Stout’s maxim, “A publication without style is just a document, and documents don’t do well on the newsstand. And that’s why you need editorial art directors. Amen.”

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The volume tells the stories of eighteen parishes in the southern part of Holderness wapentake, the wedge of Yorkshire between the North Sea and the Humber. The low--lying landscape has changed repeatedly during the historical period, with lands along the north bank of the Humber being washed away or growing, lesser watercourses silting up, new drains being made, the steady erosion of the cliff along the sea coast, and the cyclical breaching, destruction,and redeposit of the long spit of land at Spurn Head. The church of Kilnsea and several small settlements have gone with the receding cliff. Sunk Island, which forms part of the Crown Estate, is a parish consisting entirely of newground thrown up by the Humber. In the Middle Ages the land comprised the liberty of Holderness, with a centre at Burstwick manor house, and belonged to the counts of Aumale before passing to the Crown. The counts' extensive privileges in Holderness included the right to exclude the royal sheriff. Within the parish of Preston a medieval borough was established by the count at Hedon, but access for ships from the Humber was difficult and the town later decayed; it is noteworthy for its magnificent church, dubbed 'the king of Holderness'. Another borough and port established by the count was Ravenser Odd, at Spurn head, but that was later destroyed by the sea. There was a haven alsoat Patrington, a large village distinguished by its fine 14th-century church, 'the queen of Holderness'. In the part of the area near Hull, Thorngumbald, in Paull parish, and Keyingham have grown into large dormitory villages. Withernsea, in Hollym and Owthorne parishes, was developed from the 1850s as a seaside resort used mainly by residents of Hull. Other places of which the volume contains accounts are Easington, Halsham, Holmpton, Ottringham, Skeffling, Welwick, and Winestead.

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‘Joe Goldberg is my guilty pleasure, my strange addiction. If loving him is wrong, I don’t want to be right’ Erin KellyJOE GOLDBERG IS BACK, AND THIS TIME HE'S WRITING HIS OWN HAPPILY EVER AFTER . . . Joe Goldberg is ready for a change. Instead of selling books, he’s writing them. And he’s off to a good start. Invited to join a tight-knit writing fellowship at Harvard, Joe thinks he’s finally found a place where talent matters more than pedigree. Where anything is possible, even happy endings. At least until he meets his uber-privileged, already-published, already-distinguished peers. Thankfully, Wonder enters the picture. They have so much in common: no college degrees, no pretensions, just a love for literature. They could be those rare literary soulmates who never fall prey to their demons. If only Wonder could just commit herself to the writing life. But Joe has faith in Wonder. He will sacrifice his art for hers. And, if he must, he will kill her darlings for her. With her trademark biting wit, Caroline Kepnes explores why vulnerable people bring out the worst in others as Joe sets out to make this small, elite world a fairer place. And if a little crimson runs in the streets of Cambridge, who can blame him? Love doesn’t conquer all. Often, it needs a little push. PRAISE FOR CAROLINE KEPNES AND THE YOU SERIES: ‘Crazy, sexy, cool: Caroline Kepnes gets better – and Joe Goldberg gets worse – with every book’ ERIN KELLY ‘Caroline Kepnes writes with such malevolent energy, such dark grace and such ink-black humour. An utterly unique character and an utterly unique writer, in a marriage made somewhere between heaven and hell’ RICHARD OSMAN ‘Fiendish, fast-paced, and very funny’ PAULA HAWKINS ‘Another dark, thrilling, and blackly hilarious adventure from everyone's favourite murderer’ CLAIRE MCGOWAN ‘My new favourite writer’ COLLEEN HOOVER

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This book encompasses our current understanding of the ensemble approach to many-body physics, phase transitions and other thermal phenomena, as well as the quantum foundations of linear response theory, kinetic equations and stochastic processes. It is destined to be a standard text for graduate students, but it will also serve the specialist-researcher in this fascinating field; some more elementary topics have been included in order to make the book self-contained.The historical methods of J Willard Gibbs and Ludwig Boltzmann, applied to the quantum description rather than phase space, are featured. The tools for computations in the microcanonical, canonical and grand-canonical ensembles are carefully developed and then applied to a variety of classical and standard quantum situations. After the language of second quantization has been introduced, strongly interacting systems, such as quantum liquids, superfluids and superconductivity, are treated in detail. For the connoisseur, there is a section on diagrammatic methods and applications.In the second part dealing with non-equilibrium processes, the emphasis is on the quantum foundations of Markovian behaviour and irreversibility via the Pauli-Van Hove master equation. Justifiable linear response expressions and the quantum-Boltzmann approach are discussed and applied to various condensed matter problems. From this basis the Onsager-Casimir relations are derived, together with the mesoscopic master equation, the Langevin equation and the Fokker-Planck truncation procedure. Brownian motion and modern stochastic problems such as fluctuations in optical signals and radiation fields briefly make the round.

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The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions.Contributors. Jafari S. Allen, Marlon M. Bailey, Zachary Shane Kalish Blair, La Marr Jurelle Bruce, Cathy J. Cohen, Jennifer DeClue, Treva Ellison, Lyndon K. Gill, Kai M. Green, Alexis Pauline Gumbs, Kwame Holmes, E. Patrick Johnson, Shaka McGlotten, Amber Jamilla Musser, Alison Reed, Ramón H. Rivera-Servera, Tanya Saunders, C. Riley Snorton, Kaila Story, Omise'eke Natasha Tinsley, Julia Roxanne Wallace, Kortney Ziegler

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Since N. Scott Momaday’s 1969 Pulitzer Prize for House Made of Dawn brought Native American fiction squarely into mainstream culture, the genre has expanded in different ways and in new directions. The result is a Native American–written literature that requires a variety of critical approaches, including a discussion of how this canon differs from the familiar, established canons of American literature. Drawing on personal experience as well as literary scholarship, John Lloyd Purdy brings the traditions of Native American fiction into conversation with ideas about the past, present, and future of Native literatures. By revisiting some of the classics of the genre and offering critical readings of their distinctive qualities and shades of meaning, Purdy celebrates their dynamic literary qualities. Interwoven with this personal reflection on the last thirty years of work in the genre are interviews with prominent Native American scholars and writers (including Paula Gunn Allen, Simon Ortiz, Gerald Vizenor, Sherman Alexie, and Louis Owens), who offer their own insights about Native literatures and the future of the genre. In this book their voices provide the original, central conversation that leads to readings of specific novels. At once a journey of discovery for readers new to the canon and an intimate, fresh reunion with important novels for those well versed in Native studies, Writing Indian, Native Conversations invites all comers to participate in a communal conversation.

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In Icons of Hope: The “Last Things” in Catholic Imagination, John Thiel, one of the most influential Catholic theologians today, argues that modern theologians have been unduly reticent in their writing about “last things”: death, judgment, heaven, and hell. Beholden to a historical-critical standard of interpretation, they often have been reluctant to engage in eschatological reflection that takes the doctrine of the “last things” seriously as real events that Christians are obliged to imagine meaningfully and to describe with some measure of faithful coherence. Modern theology’s religious pluralism leaves room for a speculative style of interpretation that issues in icons of hope—theological portraits of resurrected life that can inform and inspire the life of faith. Icons of Hope presents an interpretation of heavenly life, the Last Judgment, and the communion of the saints that is shaped by a view of the activity of the blessed dead consistent with Christian belief in the resurrection of the body, namely, the view that the blessed dead in heaven continue to be eschatologically engaged in the redemptive task of forgiveness. Thiel offers a revision of the traditional Catholic imaginary regarding judgment and life after death that highlights the virtuous actions of all the saints in their heavenly response to the vision of God. These constructive efforts are fostered by Thiel’s conclusions on the disappearance of the concept of purgatory in large segments of contemporary Catholic belief, a disappearance attributable to the emergence of a noncompetitive spirituality in postconciliar Catholicism, which has eclipsed the kinds of religious sensibilities that made belief in purgatory a practice in earlier centuries. This noncompetitive spirituality—one that recovers traditional Pauline sensibilities on the gratuitousness of grace—encourages an eschatological imaginary of mutual, ongoing forgiveness in the communion of the saints in this life and in the life to come.

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Miroslav Holub was the Czech Republic's most important poet, and also one of her leading immunologists. His fantastical and witty poems give a scientist's bemused view of human folly and other life on the planet. Mixing myth, history and folktale with science and philosophy, his plainly written, sceptical poems are surreal mini-dramas often pivoting on paradoxes. Poems Before & After covers thirty years of his poetry. Before are his poems from the fifties and sixties, poems written before the Soviet invasion of Czechoslovakia: first published in English in his Penguin Selected Poems (1967) and in Bloodaxe's The Fly (1987), with some additional poems. After are translations of his later poetry, all written after 1968, including not only those from his two Bloodaxe editions, On the Contrary (1984) and Supposed to Fly (1996), but also the entire texts of two late collections published by Faber, Vanishing Lung Syndrome (1990) and The Rampage (1997). With additional translations by David Young, Dana Hábová, Rebekah Bloyd and Miroslav Holub. 'A laying bare of things, not so much the skull beneath the skin, more the brain beneath the skull; the shape of relationships, politics, history; the rhythms of affections and disaffection; the ebb and flow of faith, hope, violence, art' – Seamus Heaney 'Miroslav Holub is one of the half dozen most important poets writing anywhere' – Ted Hughes 'One of the sanest voices of our time' – A. Alvarez 'He is a magnificent, astringent genius and this volume sings with an oblique and cutting candour, a tubular coolness we must praise again and again' – Tom Paulin

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From a variety of historically grounded perspectives, After the Imperial Turn assesses the fate of the nation as a subject of disciplinary inquiry. In light of the turn toward scholarship focused on imperialism and postcolonialism, this provocative collection investigates whether the nation remains central, adequate, or even possible as an analytical category for studying history. These twenty essays, primarily by historians, exemplify cultural approaches to histories of nationalism and imperialism even as they critically examine the implications of such approaches. While most of the contributors discuss British imperialism and its repercussions, the volume also includes, as counterpoints, essays on the history and historiography of France, Germany, Spain, and the United States. Whether looking at the history of the passport or the teaching of history from a postnational perspective, this collection explores such vexed issues as how historians might resist the seduction of national narratives, what—if anything—might replace the nation’s hegemony, and how even history-writing that interrogates the idea of the nation remains ideologically and methodologically indebted to national narratives. Placing nation-based studies in international and interdisciplinary contexts, After the Imperial Turn points toward ways of writing history and analyzing culture attentive both to the inadequacies and endurance of the nation as an organizing rubric. Contributors. Tony Ballantyne, Antoinette Burton, Ann Curthoys, Augusto Espiritu, Karen Fang, Ian Christopher Fletcher, Robert Gregg, Terri Hasseler, Clement Hawes, Douglas M. Haynes, Kristin Hoganson, Paula Krebs, Lara Kriegel, Radhika Viyas Mongia, Susan Pennybacker, John Plotz, Christopher Schmidt-Nowara, Heather Streets, Hsu-Ming Teo, Stuart Ward, Lora Wildenthal, Gary Wilder

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Who was Edmond J. Safra? “The greatest banker of his generation,” in the estimation of a former World Bank President. The founder of four massive financial institutions on three continents, and a proud child of Beirut’s Jewish quarter. An innovative avatar of financial globalization, and a faithful heir to a tradition of old-world banking. The leading champion and protector of the Sephardic diaspora. In A Banker’s Journey, financial journalist and historian Daniel Gross, who, like Safra, traces his heritage to Aleppo, Syria, reconstructs the public life of an intensely private man. With exclusive access to Safra’s personal archives, Gross tracks the banker’s remarkable journey from Beirut to Milan, São Paulo, Geneva, and New York—to the pinnacle of global finance.Edmond Safra was fifteen in 1947, when his father sent him to establish a presence in Milan, Italy. Fluent in six languages, and with an eye for value, managing risk, and personal potential, Safra was in perpetual motion until his tragic death in 1999. The modern, global financial empire he built was based on timeless principles: a banker must protect his depositors and avoid excessive leverage and risk. In an age of busts and bailouts, Safra posted remarkable returns while rarely suffering a credit loss.From a young age, Safra assumed the mantle of leadership in the Syrian-Lebanese Jewish community, providing personal aid, supporting the communities that formed in exile, and championing Sephardic religious and educational efforts in Israel and around the world. Edmond J. Safra’s life of achievement in the twentieth century offers enduring lessons for those seeking to make their way in the twenty-first century. He inspired generations to make the world a better place.

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AD 60. Britannia. The Boudica Revolt begins . . .Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger.As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow.Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance.'An outstanding book with the vivid battle scenes proving a highlight' ⭐ ⭐ ⭐ ⭐ ⭐'This is action packed and unputdownable . . . from the first page, you are transported back in time. A captivating book full of heroism and sacrifice' ⭐ ⭐ ⭐ ⭐ ⭐'Vigorous plot with unexpected twists' ⭐ ⭐ ⭐ ⭐ ⭐'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday TimesSIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

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The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change. With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow. Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Viganò. Topics range from the European historic city to the Las Vegas Strip and the megacity of São Paulo, taking in the global sustainable city.

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Pauline Kael, Andrew Sarris, and Roger Ebert were three of America’s most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Throughout the 1930s and ’40s, Ferguson, Agee, Farber, and Tyler scrutinized what was on the screen with an intensity not previously seen in popular reviewing. Although largely ignored by the arts media of the day, they honed the sort of serious discussion of films that would be made popular decades later by Kael, Sarris, Ebert and their contemporaries. With The Rhapsodes, renowned film scholar and critic David Bordwell—an heir to both those legacies—restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the “Rhapsodes” for the passionate and deliberately offbeat nature of their vernacular prose. Each broke with prevailing currents in criticism in order to find new ways to talk about the popular films that contemporaries often saw at best as trivial, at worst as a betrayal of art. Ferguson saw in Hollywood an engaging, adroit mode of popular storytelling. Agee sought in cinema the lyrical epiphanies found in romantic poetry. Farber, trained as a painter, brought a pictorial intelligence to bear on film. A surrealist, Tyler treated classic Hollywood as a collective hallucination that invited both audience and critic to find moments of subversive pleasure. With his customary clarity and brio, Bordwell takes readers through the relevant cultural and critical landscape and considers the critics’ writing styles, their conceptions of films, and their quarrels. He concludes by examining the profound impact of Ferguson, Agee, Farber, and Tyler on later generations of film writers.The Rhapsodes allows readers to rediscover these remarkable critics who broke with convention to capture what they found moving, artful, or disappointing in classic Hollywood cinema and explores their robust—and continuing—influence.

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'A true gem. My Cat Called Red is a treasure ... Five purrs and two paws up.' Goodreads reviewer, Canada. Red is an extraordinary cat. When he turns up on Robin's doorstep one night the little boy doesn't realise how magical the cat's powers are. For Red has a magic purr, but during his search for his perfect home and all the danger and excitement that's accompanied that, the cat has come to lose his purr. How? And how can he get it back? Troubled Robin won't rest until he knows Red's story. And so his grandfather tells it to him. Children's chapter book My Cat Called Red is a heartwarming adventure story, suitable for middle grade readers, about friendship and courage in the face of danger, featuring the magical cat Red and the purr that transforms children's lives. My Cat Called Red is a modern classic, designed for children aged 8 to 12, that will appeal to animal lovers of all ages. Praise for Red 'Excellent in all respects.' Goodreads reviewer, US 'An exquisite book that I so enjoyed reading to my son.' Educator, UK 'Kudos Jane Lightbourne! Wonderful, well written story!' Goodreads reviewer, US 'This book definitely felt like a big warm hug by the end.' Goodreads reviewer, US 'This delightful tale of a cat destined to be loved by a boy takes the reader through the adventures of a not-loved-enough Tom cat. The settings are well described and goosebump worthy. I hope there are more adventures to come for Red.' Librarian. 'A book that really moves you & touches your heart & soul. Stunning.' Blackheath Books & Bubbles 'It's a lovely story ... I'd certainly recommend this book.' Pauline Braishner, LoveReading4Kids 'What a wonderful story! Beautifully written and with perfect drawings and sketches. Well recommended - a joy to read.' Maureen Gourlay, www.lovereading4kids.co.uk 'An inspirational book. It made me want to be brave and be positive, just like Red.' Fiadh, 11 'I absolutely loved the ending and I kept thinking about it even after I'd finished the book.' Clara, 10

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Traditional literary theory holds that women writers of the Restoration and eighteenth century produced works of limited range and value: simple tales of domestic conflict, seduction, and romance. Bringing a broad range of methodologies (historical, textual, post-structuralist, psychological) to bear on the works of Eliza Haywood, Charlotte Smith, Sarah Fielding, Fanny Burney, Jane Austen, and others. Fetter'd or Free? encourages a re-evaluation of these elder sisters of the Brontes and Eliot. In addition to examining the relationship between the minor female writers and the acknowledged greats of the age, these twenty-three essays focus on such issues as politics and ideology in the novel; the social, cultural, and economic context of the female writer; female character types and iconography; fictional and rhetorical strategies; and the development of such recurrent themes as imprisonment and subversion. What emerges is a much clearer view than we have had of the predicament of the female writer in the eighteenth century, the constraints on her freedom and artistic integrity, and the means by which she recognized, expressed, and responded to the conditions of this turbulent age. The collection includes essays by Paula Backscheider, Patricia M. Spacks, Jerry C. Beasley, Margaret Anne Doody, Robert A. Day, and others. None of the essays has been previously published. In scope and variety, Fetter'd of Free? is unlike anything currently available. It will be of interest to both the specialist and the ambitious general reader and will initiate fresh dialogues among scholars of both eighteenth century literature and women's studies.

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The past thirty years have seen dozens of otherwise successful investors try to improve education through the application of market principles. They have funneled billions of dollars into alternative schools, online education, and textbook publishing, and they have, with surprising regularity, lost their shirts. In Class Clowns, professor and investment banker Jonathan A. Knee dissects what drives investors' efforts to improve education and why they consistently fail. Knee takes readers inside four spectacular financial failures in education: Rupert Murdoch's billion-dollar effort to reshape elementary education through technology; the unhappy investors-including hedge fund titan John Paulson-who lost billions in textbook publisher Houghton Mifflin; the abandonment of Knowledge Universe, Michael Milken's twenty-year mission to revolutionize the global education industry; and a look at Chris Whittle, founder of EdisonLearning and a pioneer of large-scale transformational educational ventures, who continues to attract investment despite decades of financial and operational disappointment. Although deep belief in the curative powers of the market drove these initiatives, it was the investors' failure to appreciate market structure that doomed them. Knee asks: What makes a good education business? By contrasting rare successes, he finds a dozen broad lessons at the heart of these cautionary case studies. Class Clowns offers an important guide for public policy makers and guardrails for future investors, as well as an intelligent expose for activists and teachers frustrated with the repeated underperformance of these attempts to shake up education.

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Pulitzer Prize–winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of 'this is who we are," the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt—as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US–Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian "nowhere." The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen.

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One of History Today's Best Books of 2022'I felt exquisitely anchored reading this wonderful book' Juno Roche'A thoughtful, fun, and refreshingly readable romp through the history of gender variance' Susan Stryker'A searing, reflexive read . . . that needs to be in everyone's hands expeditiously' Paula AkpanAcross the world today, people of all ages are doing fascinating, creative, messy things with gender. These people have a rich history - but one that is often left behind by narratives of trans lives that focus on people with stable, binary, uncomplicated gender identities. As a result, these stories tend to be recent, binary, stereotyped, medicalised and white.Before We Were Trans is a new and different story of gender, that seeks not to be comprehensive or definitive, but - by blending culture, feminism and politics - to widen the scope of what we think of as trans history by telling the stories of people across the globe whose experience of gender has been transgressive, or not characterised by stability or binary categories. Transporting us from Renaissance Venice to seventeenth-century Angola, from Edo Japan to North America, the stories this book tells leave questions and resist conclusions. They are fraught with ambiguity, and defy modern Western terminology and categories - not least the category of 'trans' itself. But telling them provides a history that reflects the richness of modern trans reality more closely than any previously written. Before We Were Trans is a history and celebration of gender in all its fluidity, ambiguity and complexity.

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The great-grandaughters of Emma Harte, the heroine of A Woman of Substance and Emma’s Secret, follow in her legendary footsteps… Evan Hughes, Emma's American great-grandaughter, is trying to integrate into the powerful Harte family. She is caught between her estranged parents, her new family, and new love. Meanwhile a dangerous enemy hovers in the background. Tessa Longden, Evan's cousin, is battling her husband for custody of their daughter, Adele. When Adele suddenly goes missing, Tessa seeks her sister Linnet's help. Linnet O'Neill, the most brilliant businesswoman of the four great-granddaughters, shows that she is the natural heir to her mother, Paula. But her glittering future at the helm of the vast Harte empire means many sacrifices. India Standish, the traditionalist in the family, falls in love with a famous British artist from a working-class background. Madly in love, India is determined to marry him. When Evan discovers letters from Emma Harte to her grandmother, the story is swept back to the 1950s. In the post-war boom years Emma builds her business empire, using a combination of determination and sheer nerve, and she embarks on a relationship with a handsome acquaintance from the war years. But it is the revelations in Emma's letters to her grandmother that give Evan a new perspective and help to set her free from her own past. This latest dramatic story in the on-going saga of an extraordinary family dynasty is full of love, passion and jealousy and is Barbara Taylor Bradford at her inimitable best.

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150 works – mostly unpublished before – signed by the Moroccan contemporary artist Fouad Bellamine in a rich, complete monograph. Moroccan contemporary artist, Fouad Bellamine, was born in Fez in 1950 and was raised amidst varied artistic and creative influences in the Medina of his home town. Bellamine came from a family of skilled craftsmen, and he learned many of his painting techniques from his father who was a talented artist. Pursuing his passion for art, from 1967 Fouad Bellamine studied at the School of Applied Arts in Casablanca, going on to the University of Paris where he completed a masters degree in the history and theory of art. He later became a professor of history and art at the University of Rabat. His first exhibition in 1972 in Rabat featured a selection of his abstract landscapes, which were well received by critics. Throughout the 1970s Bellamine explored the use of different materials in art and it is during this experimental period that he developed his unique style of minimalism with bold single-colour brush strokes which is still evident in his current work. He has been exhibiting extensively throughout Morocco, France, Belgium and the U.K. as well as worldwide such as in Spain, Portugal, Finland, the Middle East and Egypt, Senegal, California, Tunis. In 1987, he participated to the Biennale of São Paulo in Brazil. Since he had returned to Morocco in 1989, Bellamine contributed actively to the promotion of contemporary art in his country. In 1997, he initiated the creation of a permanent collection of contemporary art in the Children’s Hospital of Rabat, first experience of its kind in Morocco. His works have been acquired by several public and corporate collections such as Moroccan institutions as well as the Museum of the Arab World Institution (IMA), the National Fund for Contemporary Art (FNAC), the Museum of Modern Art, the Museum of Africa and Oceania all of them in Paris, the Kinda Foundation. He lives and works in Rabat.

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In Bodies in Dissent Daphne A. Brooks argues that from the mid-nineteenth century to the early twentieth, black transatlantic activists, actors, singers, and other entertainers frequently transformed the alienating conditions of social and political marginalization into modes of self-actualization through performance. Brooks considers the work of African American, Anglo, and racially ambiguous performers in a range of popular entertainment, including racial melodrama, spectacular theatre, moving panorama exhibitions, Pan-Africanist musicals, Victorian magic shows, religious and secular song, spiritualism, and dance. She describes how these entertainers experimented with different ways of presenting their bodies in public—through dress, movement, and theatrical technologies—to defamiliarize the spectacle of “blackness” in the transatlantic imaginary.Brooks pieces together reviews, letters, playbills, fiction, and biography in order to reconstruct not only the contexts of African American performance but also the reception of the stagings of “bodily insurgency” which she examines. Throughout the book, she juxtaposes unlikely texts and entertainers in order to illuminate the complicated transatlantic cultural landscape in which black performers intervened. She places Adah Isaacs Menken, a star of spectacular theatre, next to Sojourner Truth, showing how both used similar strategies of physical gesture to complicate one-dimensional notions of race and gender. She also considers Henry Box Brown’s public re-enactments of his escape from slavery, the Pan-Africanist discourse of Bert Williams’s and George Walker’s musical In Dahomey (1902–04), and the relationship between gender politics, performance, and New Negro activism in the fiction of the novelist and playwright Pauline Hopkins and the postbellum stage work of the cakewalk dancer and choreographer Aida Overton Walker. Highlighting the integral connections between performance and the construction of racial identities, Brooks provides a nuanced understanding of the vitality, complexity, and influence of black performance in the United States and throughout the black Atlantic.

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Chile has long been a centre for radical propaganda painting. As early as 1940 leading Mexican and Chilean artists, including David Alfaro Siqueiros, Fernando Marcos and Gregorio de la Fuente, were painting murals in Chile. Today, Latin American street art is as innovative as any in the world, and Chile plays a leading part. Much as Spain witnessed a boom in the arts post-Franco, so, since the end of Pinochet’s dictatorship in 1990, Chile has embraced an era of new freedoms. Chile has made up for lost time. The contemporary artists and graffiteros shown on these pages have their roots in Latin American propagandistic murals, but look forward. Artists such as Bomber West, Charqui Punk, Dana Pink, Elodio, Inti, Piguan, Pussyz Soul Food, Ritalin Crew, Vazko and Yisa are informed by Latin American, European and North American (especially West Coast) art and music, but have their own Chilean slant. Their carefully planned visual and verbal jokes, strategies and techniques are derived from an array of sources: Picasso, Surrealism, Pop, São Paulo’s Os Gêmoes, Vitche and Herbert, Brazilian pichaçao lettering, Peruvian photorealism, Argentine stencils, Bolivian hats and masks, US subway graffiti, hip hop, punk, Barcelona’s street art, Japanese animation, pornography, Gilbert & George, Brit art, Bansky. The resulting mixture is anarchic, accessible art. All parts of Chile are covered, from Arica to Punta Arenas, with special focus on Santiago and Valparaíso, both key centres of Latin American street art. Distinctive cities such as Iquique, Chillán, Concepción and Puerto Montt, and areas of the country rarely seen, are featured. The book includes an introduction to the history and flavour of Chilean street art; a glossary of graffiti terms; manifestos; and translations of all the graffiti shown.

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Refuting the common perception that the American left has a religion problem, Vaneesa Cook highlights an important but overlooked intellectual and political tradition that she calls "spiritual socialism." Spiritual socialists emphasized the social side of socialism and believed the most basic expression of religious values—caring for the sick, tired, hungry, and exploited members of one's community—created a firm footing for society. Their unorthodox perspective on the spiritual and cultural meaning of socialist principles helped make leftist thought more palatable to Americans, who associated socialism with Soviet atheism and autocracy. In this way, spiritual socialism continually put pressure on liberals, conservatives, and Marxists to address the essential connection between morality and social justice. Cook tells her story through an eclectic group of activists whose lives and works span the twentieth century. Sherwood Eddy, A. J. Muste, Myles Horton, Dorothy Day, Henry Wallace, Pauli Murray, Staughton Lynd, and Martin Luther King, Jr. spoke and wrote publicly about the connection between religious values and socialism. Equality, cooperation, and peace, they argued, would not develop overnight, and a more humane society would never emerge through top-down legislation. Instead, they believed that the process of their vision of the world had to happen in homes, villages, and cities, from the bottom up. By insisting that people start treating each other better in everyday life, spiritual socialists transformed radical activism from projects of political policy-making to grass-roots organizing. For Cook, contemporary public figures such as Senator Bernie Sanders, Pope Francis, Reverend William Barber, and Cornel West are part of a long-standing tradition that exemplifies how non-Communist socialism has gained traction in American politics.

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'Fast-paced, detailed and brilliantly written [for] fans of Bernard Cornwell, George R.R. Martin, and especially Theodore Brun' HISTORICAL NOVEL SOCIETY When you can't protect everyone, who will you save? Iceland, AD 935 Einar Unnsson is destined to be great. When he fights, a frenzy comes upon him. It makes him lethal in battle – so lethal he just defeated the man his own father sent to kill him. Now, with Einar exiled from his kingdom, his father turns his vengeance on Einar's mother – his escaped former bedslave. Yet Einar is in no position to protect her. He's made an enemy of the powerful King Eirik and must fight for his own life before he can save her. Einar depends on the Wolf Coats, a band of fearsome, bloodthirsty warriors, but they're convinced the fates have cursed them. Will Einar's skill in battle be enough to save his mother? Or will the Wolf Coats' superstition destroy them all? PRAISE FOR TIM HODKINSON: 'A brilliantly written historical adventure which will appeal to fans of Bernard Cornwell, George R.R. Martin, and especially Theodore Brun' HISTORICAL NOVEL ASSOCIATION 'A gripping action adventure like the sagas of old; and once finished, you just want to go back and read it all over again' MELISENDE'S LIBRARY 'An excellently written page-turner, with a feel for the period which invites you into the era and keeps you there' HISTORICAL WRITERS ASSOCIATION READERS LOVE THE WOLF HUNT: 'Fantastically written! This book will have you hooked from the very first page!... 5 stars all the way, buy it, read it, love it, recommend it!' 5 stars -Paula Cwikla, Netgalley Reviewer 'Hodkinson weaves his spell so intricately that you are drawn in before you know it – and pages and hours have passed in no time at all... This is a series worth investing in!' 4 stars - Melisende d'Outremer, Netgalley Reviewer 'This is right down my street! I loved it, what a tale, excellent character depth, brilliantly written and full of action, what more could I want. Excellent work Tim!' 5 stars - Stephen Walker, Netgalley Reviewer

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One may visit famous gardens in Tokyo, Kyoto, or Osaka—or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, São Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West. The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West. Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.

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Authentikos Logos (NHC VI,3), also known as Authoritative Teaching,is a little studied story of a souls descent and ascent in the Nag Hammadi library. With her book Ulla Tervahauta fills a gap in the scholarship and provide the first monograph-length study that has this writingas its primary focus. The aim is to find a place and context for Authentikos Logos within early Christianity, but Tervahauta also adds new insight into the scholarship of the Nag Hammadi Library and study of early Christianity. Contrary to the usual discussion of the Nag Hammadi writings from the viewpoint of Gnostic studies, she argues that Authentikos Logos is best approached from the context of Christian traditions of late ancient Egypt between the third and the fifth centuries. Tervahauta discusses the story of the souls journey in light of various Christian and Platonic writings. Also, she analyses the relationship of Authentikos Logos with the Valentinian Wisdom myth and suggests that no firm evidence connects the writing closely with Valentinian traditions. And although a Platonic mind-set can be assumed, the writing combines motifs in a unique manner. For example, the four epithets used in the writing the invisible soul, the pneumatic soul, the material soul, and the rational soul are not found thus combined elsewhere. Discussion of matter (hyle) is connected with Christian scriptural allusions and the focus is on ethics and the evilness of matter. The body, on the other hand, is the souls place of contest and progress. The Pauline term pneumatic body (1 Cor 15:44) is used allusively and from a Platonic perspective. With this book Ulla Tervahauta makes an important contribution to the study of early Christianity in late ancient Egypt by discussing a writing thatshows knowledge and creative combination of literary traditions that circulated in late ancient Egypt.

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The very name Stalingrad has become synonymous with military folly and political arrogance. Its capture by the Wehrmacht was a crushing defeat, both militarily and politically, for the Red Army. The 6th Army was a highly experienced key element of Army Group South. In late June 1942 it rolled eastwards as part of the summer offensive to capture the vital oilfields of Baku and secure the city on the Volga that bore the name of the Soviet leader. The 6th Army was the acme of German military might and on paper it should have easily overwhelmed the defenders of Chuikov's 62nd Army. However its commander, General Friedrich Wilhelm Ernst Paulus, lacked field experience. His army would pay the price. Stalingrad was a new type of battlefield and it would test the mettle of attacker and defender to the very limit, all the while the thermometer plunged. This Battle Craft title also looks at four pieces of military hardware that were involved in these legendary battles. Innumerable T-34's, which often rolled off local assembly lines unpainted and straight into battle took on the Stug III assault gun as it supported troops fighting for mere meters of territory. Overhead, in the frigid air, deadly V, Ju87 Stuka and Yak 9s, were locked in battle for air superiority over the shattered remains of a once vibrant city. The Quartermaster section provides the modeller with an insight into the development and operational use of the four chosen vehicles and aircraft that were involved in the Battles of El Alamein. A selection of historical and contemporary photos and illustrations feature alongside stunning showcase builds, providing the modeller with subjects to whet the creative appetite. It also features details of model kits and extras that can really help the modeller bring military history to life.

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At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States."

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A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two …. The chapters are densely detailed, the vocabulary elevated.”Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.”Choice “This book obviously brings to readers a dazzling variety of topics relating to satire. There is a rich abundance of material here, surely something for everyone. Indeed, the quality of these essays is uniformly high.” Notes and Queries This collection of twenty-nine original essays surveys satire from its emergence in Western literature to the present. The Companion is extraordinary in its historical scope, tracking satire from its first appearances in the prophetic books of the Old Testament through the Renaissance and the English tradition in satire to Michael Moore’s satirical movie Fahrenheit 9/11. While many essays explore literary developments in satire from an historical view, other essays reflect directly on topics such as irony and satire, modes of satirical mockery, the mock-biblical, and the character sketch. All of the contributors are experts published in their field, and all are experienced teachers who can treat complex and rich subjects with insight and clarity. Contributors to this volume: Joseph F. Bartolomeo, W. Scott Blanchard, Frank Boyle, Peter Brier, Valentine Cunningham, Edwin M. Duval, James Engell, Alberta Gatti, Russell Goulbourne, Dustin Griffin, Christopher J. Herr, Thomas Jemielity, Ejner J. Jensen, Steven E. Jones, Claudia Thomas Kairoff, Catherine Keane, Laura Kendrick, José Lanters, Jean I. Marsden, Linda A. Morris, Frank Palmeri, Blanford Parker, Ronald Paulson, Zoja Pavlovskis-Petit, Ruben Quintero, Melinda Alliker Rabb, Timothy Steele, Michael F. Suarez, David F. Venturo.

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Pauline Kael, Andrew Sarris, and Roger Ebert were three of America’s most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Throughout the 1930s and ’40s, Ferguson, Agee, Farber, and Tyler scrutinized what was on the screen with an intensity not previously seen in popular reviewing. Although largely ignored by the arts media of the day, they honed the sort of serious discussion of films that would be made popular decades later by Kael, Sarris, Ebert and their contemporaries. With The Rhapsodes, renowned film scholar and critic David Bordwell—an heir to both those legacies—restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the “Rhapsodes” for the passionate and deliberately offbeat nature of their vernacular prose. Each broke with prevailing currents in criticism in order to find new ways to talk about the popular films that contemporaries often saw at best as trivial, at worst as a betrayal of art. Ferguson saw in Hollywood an engaging, adroit mode of popular storytelling. Agee sought in cinema the lyrical epiphanies found in romantic poetry. Farber, trained as a painter, brought a pictorial intelligence to bear on film. A surrealist, Tyler treated classic Hollywood as a collective hallucination that invited both audience and critic to find moments of subversive pleasure. With his customary clarity and brio, Bordwell takes readers through the relevant cultural and critical landscape and considers the critics’ writing styles, their conceptions of films, and their quarrels. He concludes by examining the profound impact of Ferguson, Agee, Farber, and Tyler on later generations of film writers.The Rhapsodes allows readers to rediscover these remarkable critics who broke with convention to capture what they found moving, artful, or disappointing in classic Hollywood cinema and explores their robust—and continuing—influence.

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ONE OF THE GUARDIAN'S BEST CRIME/THRILLERS OF 2023**DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!**'I LOVE THIS SERIES!' ELLY GRIFFITHS'TIMELY, GRITTY AND DARK' PAULA HAWKINS'THIS SERIES IS NOT TO BE MISSED' THE GUARDIANWhen the dead are silent, she will be their voice . . .Goth-girl mortuary technician Cassie Raven has seen thousands of dead bodies but when a drowned man knocks against the hull of her canalboat, it's a bit too close to home.Cassie is grappling with the loss of her 'gift' - her conviction that she could sense the last thoughts of the dead - and at first the mystery man with the golden-green eyes isn't sharing his secrets.But the case gets under her skin and when Cassie joins forces with Detective Phyllida Flyte, together they start to dredge up secrets from the past . . .Yet someone is watching, someone who's ready to kill to stop those secrets coming to the surface.FEATURED IN HEAT MAGAZINE, THE SUNDAY TIMES AND THE GUARDIAN.PRAISE FOR THE CASSIE RAVEN SERIES:'Spellbinding storytelling' Val McDermid'Like Silent Witness but more believable' Susi Holliday 'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine'Ingenious and sardonically written' Financial Times'[A] gritty novel with an engaging heroine' Sunday Times'A terrific, well-placed plot' Spectator'Cassie Raven is a lot of fun to spend time with' Big Issue'Excellent fun, compulsive and Cassie Raven is a protagonist I want to meet again soon' James Oswald'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary'Move over Silent Witness - Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey'A fresh and exciting new series' Claire McGowan'One of the best series openers I've read in years' Jane Casey

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Visual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race." She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.

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Bridging the gap between the world of science and the realm of the spiritual, B. Alan Wallace introduces a natural theory of human consciousness that has its roots in contemporary physics and Buddhism. Wallace's "special theory of ontological relativity" suggests that mental phenomena are conditioned by the brain, but do not emerge from it. Rather, the entire natural world of mind and matter, subjects and objects, arises from a unitary dimension of reality that is more fundamental than these dualities, as proposed by Wolfgang Pauli and Carl Jung. To test his hypothesis, Wallace employs the Buddhist meditative practice of samatha, refining one's attention and metacognition, to create a kind of telescope to examine the space of the mind. Drawing on the work of the physicist John Wheeler, he then proposes a more general theory in which the participatory nature of reality is envisioned as a self-excited circuit. In comparing these ideas to the Buddhist theory known as the Middle Way philosophy, Wallace explores further aspects of his "general theory of ontological relativity," which can be investigated by means of vipasyana, or insight, meditation. Wallace then focuses on the theme of symmetry in reference to quantum cosmology and the "problem of frozen time," relating these issues to the theory and practices of the Great Perfection school of Tibetan Buddhism. He concludes with a discussion of the general theme of complementarity as it relates to science and religion. The theories of relativity and quantum mechanics were major achievements in the physical sciences, and the theory of evolution has had an equally deep impact on the life sciences. However, rigorous scientific methods do not yet exist to observe mental phenomena, and naturalism has its limits for shedding light on the workings of the mind. A pioneer of modern consciousness research, Wallace offers a practical and revolutionary method for exploring the mind that combines the keenest insights of contemporary physicists and philosophers with the time-honored meditative traditions of Buddhism.

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Read three sample poems for free - just click the Extracts tab above.Andrew Frolish's debut collection, Retellings, finds its foundation in the stories we tell of love and loss, of the stories passed on to us and those narratives of life we write ourselves. Fathers and forbears loom large in poems that find them working long and unforgiving hours on the factory shop-floor, bringing wild animals in from the cold, and notable both by their presence and absence in Frolish's poignant and measured poetry.Moving between East Anglia's stretching seascapes, childhood's sometimes lonely landscapes and the wider world we venture into as we grow, each poem by Andrew Frolish unearths a story like a treasure find and brings it, clear-eyed and succinct, into a razor-sharp focus."This first collection brims with the hidden pressures of history. Poems range widely, from rural and industrial tradition, through a lovely sequence of stone-skimming, to that mysterious exchange of energy between what is said and unsaid. Boundaries are pushed back, levitation is underwater. And Andrew Frolish knows too, how to let simplicity fall, like a blessing."Pauline Stainer"Andrew Frolish s first book is in thrall to the physical world. There are factories where things and people are transformed; hospitals, crematoria, places in which the human creature is reduced and rendered. And there is the world of nature, rich, treacherous, full of surprises. Mechanical and organic metaphors wrestle with one another like Jacob and the Angel. And the imagination moves through this world aware of its incarnate being, its skin and sinew, in love, in awe, lamenting, celebrating. Time passing is registered in the extended rhythms of Frolish's resourceful and evocative language."Michael SchmidtAndrew Frolish was born in Sheffield in 1975. After studying politics at Lancaster University, he trained to be a teacher in the Lake District. His poems have been published in a variety of magazines, including PN Review, Acumen, Envoi, Tears in the Fence, The Interpreter's House, Pulsar, Iota, Orbis and The Agenda Broadsheet. He has received prizes in several competitions and won the Suffolk Poetry Society Crabbe Memorial competition in 2006.His poems for children have been published by Hopscotch. He now lives with his family in Suffolk, where he is a headteacher.

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Stalingrad: The Death of the German Sixth Army on the Volga, 1942-1943, is the first published work to detail the situation of every German corps and division for every day of the six-month Stalingrad campaign. Derived from the Sixth Army daily operation reports and the German Army High Command (OKH) situation maps (Lage Ost), this two-volume set presents the situation on the flanks of the army, as well as the combat in the city itself, a level of detail never before attempted. Stalingrad was the perfect storm that would lead to the death of an army – the German Sixth Army. Led by Field Marshal Friedrich Paulus, but micromanaged by Adolf Hitler, who insisted that his forces fight to the last man and bullet, the Sixth Army became fixated on an objective that continued to be just past their grasp. Believing that Stalingrad would be theirs “if only” one more attack against the urban rubble was mounted, the Sixth Army did not see that it was in a situation where if something did go wrong, it would not “see” impending doom until it was too late. That something was the massive Soviet attack that broke through both flanks of the Sixth Army in such a violent manner and to such a great operational depth that any hope of relieving the surrounded pocket from the outside in such horrible winter conditions was probably illusionary. Thus, defeat was in order for the Sixth Army, but it would not end there. Adolf Hitler had insisted that this would be a fight between the supermen of Aryan Germany against the sub-humans of Slavic Russia. In this fight, according to Nazi ideology, the sub-humans had no right to live. Given the polar ideological differences of Fascism and Communism, combined with this racial antagonism, when the Red Army did gain the upper hand and isolate the German forces around Stalingrad in November 1942, the situation guaranteed that the Sixth Army would not only be defeated, but that it and most of its soldiers were headed for annihilation.

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From the former Treasury Secretary, the definitive account of the unprecedented effort to save the U.S. economy from collapse in the wake of the worst global financial crisis since the Great DepressionOn 26 January, 2009, during the depths of the financial crisis and having just completed five years as President of the Federal Reserve Bank of New York, Timothy F. Geithner was sworn in by President Barack Obama as the seventy-fifth Secretary of the Treasury of the United States. Now, in a strikingly candid, riveting, and historically illuminating memoir, Geithner takes readers behind the scenes during the darkest moments of the crisis. Swift, decisive, and creative action was required to avert a second Great Depression, but policy makers faced a fog of uncertainty, with no good options and the risk of catastrophic outcomes.Stress Test: Reflections on Financial Crises takes us inside the room, explaining in accessible and forthright terms the hard choices and politically unpalatable decisions that Geithner and others in the Obama administration made during the crisis and recovery. He discusses the most controversial moments of his tenures at the Federal Reserve Bank of New York and at the Treasury, including the harrowing weekend Lehman Brothers went bankrupt; the searing crucible of the AIG bonuses controversy; the development of his widely criticized but ultimately successful plan in early 2009 to end the crisis; the bracing fight for the most sweeping financial reforms in seventy years; and the lingering aftershocks of the crisis, including high unemployment, the fiscal battles, and Europe’s repeated flirtations with the economic abyss. Geithner also shares his personal and professional recollections of key players such as President Obama, Ben Bernanke, Hank Paulson, and Larry Summers, among others, and examines the tensions between politics and policy that have come to dominate discussions of the U.S. economy. An insider’s account of how the Obama administration saved the economy but lost the American people, Stress Test reveals a side of Timothy Geithner that only few have seen.

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Running private-investigator and funeral-home businesses means trouble is never far away, and the Skelf women take on their most perplexing, chilling cases yet in Book Two of the darkly funny, devastatingly tense and addictive Skelfs series! ***Longlisted for Theakston’s Old Peculier Crime Novel of the Year*** ‘Compelling, compassionate … just brilliant. This series gets better with every book. I cannot get enough of the Skelfs’ Mark Billingham ‘Brilliantly drawn and blackly comic’ Herald Scotland ‘Confirms the Skelfs as a classic crime clan. I can’t wait for the next one’ Erin Kelly ‘I LOVE the Skelfs … The only problem with The Big Chill is that you’ll devour it so fast you’ll feel as bereft as one of the Skelfs’ clients. Doug Johnstone has murdered sleep’ Val McDermid ____________________ Haunted by their past, the Skelf women are hoping for a quieter life. But running both a funeral directors’ and a private investigation business means trouble is never far away, and when a car crashes into the open grave at a funeral that matriarch Dorothy is conducting, she can’t help looking into the dead driver’s shadowy life. While Dorothy uncovers a dark truth at the heart of Edinburgh society, her daughter Jenny and granddaughter Hannah have their own struggles. Jenny’s ex-husband Craig is making plans that could shatter the Skelf women’s lives, and the increasingly obsessive Hannah has formed a friendship with an elderly professor that is fast turning deadly. But something even more sinister emerges when a drumming student of Dorothy’s disappears and suspicion falls on her parents. The Skelf women find themselves sucked into an unbearable darkness – but could the real threat be to themselves? Following three women as they deal with the dead, help the living and find out who they are in the process, The Big Chill follows A Dark Matter, book one in the Skelfs series, which reboots the classic PI novel while asking the big existential questions, all with a big dose of pitch-black humour. ____________________ ‘Exceptional … Johnstone seamlessly presents their stories with depth, elegance, and a delicate touch of wry humor as they get difficult jobs done with grace and kindness. This is a must for those seeking strong, authentic, intelligent female protagonists’ Publishers Weekly ‘Emotionally complex, richly layered and darkly funny. An addictive blend of Case Histories and Six Feet Under‘ Chris Brookmyre ‘Johnstone’s intuitive depiction of this trinity of resilient women is never less than flawless, in this tale punctuated by emotional depth and moments of dark humour...’ Raven Crime Reads Praise for The Skelfs series ***Shortlisted for the McIlvanney Prize for Best Scottish Crime Book of the Year*** ‘An engrossing and beautifully written tale that bears all the Doug Johnstone hallmarks in its warmth and darkly comic undertones’ Herald Scotland ‘Gripping and blackly humorous’ Observer ‘This dark but touching thriller makes for a thoroughly enjoyable slice of Edinburgh noir’ Mary Paulson-Ellis ‘This enjoyable mystery is also a touching and often funny portrayal of grief, as the three tough but tender main characters pick up the pieces and carry on: more, please’ Guardian ‘A tense ride strong, believable characters’ Kerry Hudson, Big Issue ‘They are all wonderful characters: flawed, funny, brave and well set up for a series. I wouldn’t call him cosy, but there’s warmth to Johnstone’s writing’ Sunday Times

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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The discovery of a human foot in an Edinburgh park, the inexplicable circumstances of a dying woman, and the missing daughter of Jenny’s violent ex-husband present the Skelf women with their most challenging – and deadly – cases yet… Book THREE in the addictive The Skelfs series! ‘Simply stunning. Tense, funny and deeply moving’ Mark Billingham ‘If you loved Iain Banks, you’ll devour the Skelfs series’ Erin Kelly ‘Nobody portrays modern Edinburgh better than Doug Johnstone. The Great Silence speaks volumes about the power of story’ Val McDermid ______________ Keeping on top of the family funeral directors’ and private-investigation businesses is no easy task for the Skelf women, and when matriarch Dorothy discovers a human foot while walking the dog, a perplexing case presents itself … with potentially deadly results. Daughter Jenny and grand-daughter Hannah have their hands full too: The mysterious circumstances of a dying woman lead them into an unexpected family drama, Hannah's new astrophysicist colleague claims he's receiving messages from outer space, and the Skelfs' teenaged lodger has yet another devastating experience. Nothing is clear as the women are immersed ever deeper in their most challenging cases yet. But when the daughter of Jenny’s violent and fugitive ex-husband goes missing without trace and a wild animal is spotted roaming Edinburgh's parks, real danger presents itself, and all three Skelfs are in peril. Taut, dark, warmly funny and unafraid to ask big questions – of us all – The Great Silence is the much-anticipated third instalment in the addictive, unforgettable Skelfs series, and the stakes are higher than ever. ______________ ‘This is their third outing and the stories get better each time … Told with a wry humour and affection, the novel underlines just how accomplished Johnstone has become’ Daily Mail ‘The power of this book lies in the warm personalities and dark humour of the Skelfs, and by the end readers will be just as interested in their relationships with each other as the mysteries they are trying to solve’ Scotsman ‘Remarkable’ Sunday Times Crime Club STAR PICK ‘Keeps you hungry from page to page. A crime reader can’t ask anything more’ The Sun ‘Mysteries aplenty … a poignant reflection on grief and the potential for healing that lies within us all. A proper treat’ Mary Paulson-Ellis ‘A thrilling, atmospheric book, set in the dark streets of Edinburgh. That great city really came alive for me in this gripping tale. Move over Ian Rankin, Doug Johnstone is coming through!’ Kate Rhodes ‘An unstoppable, thrilling, bullet train of a book that cleverly weaves in family and intrigue, and has real emotional impact. I totally loved it’ Helen Fields ‘This enjoyable mystery is also a touching and often funny portrayal of grief ... more, please’ Guardian ‘Wonderful characters: flawed, funny and brave’ Sunday Times ‘Exceptional … a must for those seeking strong, authentic, intelligent female protagonists’ Publishers Weekly The Skelfs series has been: ***Shortlisted for the McIlvanney Prize for Best Scottish Crime Book of the Year*** ***Longlisted for Theakston’s Old Peculier Crime Novel of the Year*** ***Shortlisted for Amazon Publishing Capital Crime Thriller of the Year***

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In the early days of motion pictures - before superstars, before studio conglomerates, before even the advent of sound - there was a woman named Pearl White (1889-1938). A quintessential beauty of the time, with her perfectly tousled bob and come-hither stare, White's rise to stardom was swift; her assumption of the title of queen of American motion picture serials equally deserved.Born the youngest of five children in a small, rural Missouri farm town, White left high school at only 15, taking on jobs to help keep her family financially afloat, work that included small parts in plays for a local stock company. At 18 she began a three-year stage career with the Trousdale Stock Company, touring on the road and sinking her teeth into leading roles in productions such as Jane Eyre. As she continued to build her professional repertoire, White joined the Powers Film Company in New York and made her film debut in 1910. Her reputation for fearless performances and her penchant for doing her own stunt work soon set her apart from her female colleagues.It was that same daring attitude that would put her on the map internationally as an actress. From flying airplanes to swimming across rapid rivers, to racing cars in serials like The Perils of Pauline (1914), White was undaunted by the demands of her onscreen career. She would go on to star in popular serial classics such as The Exploits of Elaine (1915), Pearl of the Army (1916), The House of Hate (1918), and The Lightning Raider (1919). As active socially as she was professionally, White would also translate her audacious spirit outside of her career by playing a part in the early feminist movement. Her projection of a positive image of bravery on screen served as a model for suffragettes battling for women's rights in the US.William M. Drew's The Woman Who Dared: The Life and Times of Pearl White, Queen of the Serials, is the first full-length biography of this pioneering star. A study in film and female agency, Drew delves into the cultural impact of Pearl White's work and how it evolved along a concurrent trajectory with the social upheavals of the Progressive Era.

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AN INSTANT NEW YORK TIMES, USA TODAY, AND AMAZON BESTSELLER America’s most effective conservative intellectual proves once and for all that Marxist radicals have taken over our nation's institutions.In the 1960s, Mao launched China’s Cultural Revolution. Cities grew overcrowded. Technocrats demanded progress from above. Anyone opposed was sent to be “re-educated.” China’s revolution was bloody, fast, and a failure, but what if America started a revolution at the same time, based on the same bad ideas, and it’s just been slower, calmer, and more effective?In his powerful new book, Christopher F. Rufo uncovers the hidden history of left-wing intellectuals and activists who systematically took control of America’s institutions to undermine them from within. America’s Cultural Revolution finally answers so many of the questions normal Americans have, such as:• Why is nearly every major corporation bending the knee to a far-left agenda?• How did DEI suddenly become the department no institution can continue without?• Why is race the main thing America’s rich, white elite wants to talk about? • When did the left adopt all this doublespeak, saying progress is a lack of progress, equality is not equality, speech is violence, and violence is speech?• Has the goal of the left, for a century, actually been the destruction of every Western institution? Readers may not know the names of Herbert Marcuse, Angela Davis, Paulo Freire, and Derrick Bell, but they will recognize the ideas they spread. How their radical, destructive ideology slowly worked its way from prisons to academia to classrooms to your human resources department will come as a shock.Failing to act soon, Rufo warns, could allow the radical left to achieve their ultimate objective: replacing constitutional equality with a race-based redistribution system overseen by bureaucratic ‘diversity and inclusion’ officials. Most Americans don’t want this, but most Americans are no longer in control of our institutions. If the mainstream media’s depiction of a failing dystopia in need of a fresh start never sounded right to you, this expose and call to arms is the book you’ve been looking for.

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Four old friends. Thrown back together after forty years apart. What could possibly go wrong? In the 1970s, The Girls were best friends sharing a house and good times: Zara the famous diva actor, Val the uptight solicitor, Jackie the wild child and Pauline the quirky introvert. Now they're in their twilight years, and Zara suggests that they live with her to support each other through old age. Initially, being housemates again is just as much fun as in their heyday. But then Zara reveals the real reason she asked them to move in with her, and suddenly things take a sinister turn. As the women confront their demons they come under the spotlight of the press, the police and an angry parrot. With their lives spiralling out of control can they save their friendships and each other? Praise for The Girls: 'This wonderful book made me laugh, made me cry and most of all made me hope that my own gang of girls will be there for me when I need them the most. I loved it!' – Sarah Bennett 'Book club fiction at its best. A wonderfully uplifting story, funny, fabulous and full of heart – utterly brilliant!' – Faith Hogan Readers love Bella Osborne's books! 'Such a heart-warming and thought-provoking novel! A touching tale of true friendship, overcoming adversity and the genuine joy books can bring to our lives' – Jill Mansell 'A touching tale that will warm your heart and put a smile on your face' – Hazel Prior 'A story that was deeply moving, and ultimately uplifting... Definitely recommended – it was one of my best reads this year' – Janet Gover 'Heart-rending and inspiring in equal measures. A wonderful story. I adored it!' – Celia Anderson 'Beautifully and sensitively written, the characterisation is superb!' – Sue Moorcroft 'Absolutely LOVED IT! It's Bella's best book yet! A glorious heartfelt novel' – Christie Barlow 'The Library is a beautifully uplifting story full of wit, warmth and tender moments, with community at its heart and characters you truly care about' – Cressida McLaughlin 'I absolutely loved this book. Heart-warming with genuine characters, the plot pulled me in and I was rooting for the library every step of the way. A great tonic for the times and highly recommended!' – Talli Roland

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This revised and updated edition of Jessica Walliser’s award-winning Attracting Beneficial Bugs to Your Garden offers a valuable and science-backed plan for bringing balance back to the garden.With this indispensable gardening reference—now updated with new research, insights, and voices—learn how to create a healthy, balanced, and diverse garden capable of supporting a hard-working crew of beneficial pest-eating insects and eliminate the need for synthetic chemical pesticides.After a fascinating introduction to the predator and prey cycle and its importance to both wild ecosystems and home gardens, you’ll meet dozens of pest-munching beneficial insects (the predators) that feast on garden pests (their prey). From ladybugs and lacewings to parasitic wasps and syrphid flies, these good guys of the bug world keep the natural system of checks and balances in prime working order. They help limit pest damage and also serve a valuable role in the garden's food web. But, they won't call your garden home if you don't have the resources they need to survive.With a hearty population of beneficial insects present in your garden, you’ll say goodbye to common garden pests like aphids, cabbage worms, bean beetles, leafhoppers, and hornworms, without reaching for a spray can. To encourage these good guys to stick around and do their important work, you'll learn how to create a welcoming habitat and fill your garden with the best plants to support them. Inside you’ll find: Bug profiles introducing dozens of beneficial insects and the down-and-dirty details on how they catch and eat their prey Plant profiles featuring the best plants for supporting beneficials Interviews with entomologists who focus their life's work on understanding the value of insects, including Doug Tallamy, Paula Shrewsbury, Leslie Allee, Dan Herms, and others An inspiring look at how plants and insects intersect in the most incredible ways Why gardening for bugs is just as important to the greater world as it is to your garden Tips for creating insectary plantings and borders to support a broad range of beneficials The acclaimed first edition of Attracting Beneficial Bugs to Your Garden ushered in a new way to garden; one that appreciates and understands of the power of returning a natural balance to the garden. This revised and updated edition continues to herald and expands on that same important message.

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“Marcus shows the ways in which Black activists and writers, in particular, have continued to express their political desires. In doing so, she draws our attention to the centrality of disappointment in American political life.”—Keeanga-Yamahtta Taylor, New Yorker“Political Disappointment is an abundant text, overflowing with Sara Marcus’s considerable gifts. She is adept at presenting history and narrative with equal clarity; her writing is urgent but also optimistic. This is a book that is sometimes painful but never sacrifices hope or beauty.”—Hanif AbdurraqibMoving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment—the unfulfilled desire for change—into a basis for solidarity.Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities.Political Disappointment shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world.Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus’s unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.

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