Search results for ""author louise"

In The Politics of Faith during the Civil War, Timothy L. Wesley examines the engagement of both northern and southern preachers in politics during the American Civil War, revealing an era of denominational, governmental, and public scrutiny of religious leaders. Controversial ministers risked ostracism within the local community, censure from church leaders, and arrests by provost marshals or local police. In contested areas of the Upper Confederacy and Border Union, ministers occasionally faced deadly violence for what they said or would not say from their pulpits. Even silence on political issues did not guarantee a preacher's security, as both sides arrested clergymen who defied the dictates of civil and military authorities by refusing to declare their loyalty in sermons or to pray for the designated nation, army, or president. The generation that fought the Civil War lived in arguably the most sacralized culture in the history of the United States. The participation of church members in the public arena meant that ministers wielded great authority. Wesley outlines the scope of that influence and considers, conversely, the feared outcomes of its abuse. By treating ministers as both individual men of conscience and leaders of religious communities, Wesley reveals that the reticence of otherwise loyal ministers to bring politics into the pulpit often grew not out of partisan concerns but out of doctrinal, historical, and local factors.The Politics of Faith during the Civil War sheds new light on the political motivations of homefront clergymen during wartime, revealing how and why the Civil War stands as the nation's first concerted campaign to check the ministry's freedom of religious expression.

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NEW YORK TIMES BESTSELLER'A beautiful book' - Jo Good, BBC Radio London'When Harry Met Minnie made me cry and made me dance with joy. It's an exquisite tale about heartbreak and healing, critters and humans, and the little miracles life hands us when we need them the most' - Jeannette Walls, New York Times bestselling author of The Glass Castle and Half Broke Horses'Teichner's main themes are sure to warm readers in this cold coronavirus winter: the steadfast devotion between dogs and their owners, and the essential role friendship plays in sustaining both humans and their beloved pets ... Teichner has learned that we all have the capacity to create and build new friendships and attachments at whatever age or stage of life. That such rewards are possible is the inspirational lesson for all the characters in - and readers of - this touching saga' - The Washington Post'When Harry Met Minnie is a tour-de-force of storytelling. Martha Teichner not only charts the course of two remarkable friendships, between two people and two dogs, she invites us to consider our own relationships. The stars that had to align to put someone special in our life. This is a love story, masterful, warm and funny, heartfelt and heartbreaking. I absolutely loved this book' - Louise Penny, New York Times bestselling author of All the Devils Are Here'When Harry Met Minnie is a story of laughter and tears, of friendship and dogs. It shows us the loyalty and resilience of Bull Terriers?and of two women who love them. A book of generosity and hope for an era badly in need of both' - Jennifer Finney Boylan, author of GOOD BOY: My Life in Seven Dogs'When Harry Met Minnie belongs on the shelf next to Travels with Charley and Marley and Me. But the unforgettable dogs we meet in these pages don't just help the people in their lives, they save each other. Martha Teichner has written an extraordinary story filled with love and humor about the transformative power of friendship, among dogs and people, in the thick of life and at its end. I fell in love with Harry, Minnie, their humans, and this marvel of a book' - Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club and Books for Living'I decided to write this book, because I didn't want to stop living the story of what happened when Harry met Minnie. I didn't want to forget any of it, even the sad parts. This story of unexpected friendship, of love, was a wonderful gift, and in the end, it made me and Minnie happy' - Martha TeichnerThere are true fairy tales. Stories that exist because impossible-to-explain coincidences change everything. Except in real life, not all of them have conventional, happily-ever-after endings...Carol, who is dying of cancer caused by the toxic pollution in New York in the aftermath of 9/11, needs someone to take care of Harry, who is a 'great listener but does have a problem with large dogs. He is great with smaller dogs. If he sees a hose he will destroy it to protect you. He will figure out ways to let you know exactly how he feels'. When Martha has a chance encounter with Carol's friend, he can't help but notice Minnie, 'oh those chunky little legs', and so the matchmaking begins. After a disastrous first meeting, when Minnie doesn't appear to think much of Harry (who is super keen), things improve and soon they are inseparable. As Carol's illness progresses, so a new friendship and community blossoms, Carol's Club.The bonds that grew changed Martha's life, Carol's life, Minnie's life and Harry's life. And they changed Carol's death as well.In this rich and touching narrative, Martha considers the ways our stories are shaped by the people we meet, and the profound love we can find by opening our hearts to unexpected encounters.

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Sidner Larson’s Captured in the Middle embodies the very nature of Indian storytelling, which is circular, drawing upon the personal experiences of the narrator at every turn. Larson teaches about contemporary American Indian literature by describing his own experiences as a child on the Fort Belknap Reservation in Montana and as a professor at the University of Oregon. Larson argues that contemporary Native American literary criticism is stalled. On one hand are the scholars who portray Indians stereotypically, assuming that the experiences of all tribal groups have largely been the same. On the other hand are those scholars who focus on the “authenticity” of the writer. In contrast, Larson considers the scholarship of Vine Deloria, Jr., who has a genuine understanding of the balance required in dealing with these issues. Two writers who have successfully redescribed many of the contemporary romantic stereotypes are James Welch and Louise Erdrich, both northern Plains Indians whose works are markedly different, their writing highlighting the disparate ways tribal groups have responded to colonization. Larson describes Indians today as postapocalyptic peoples who have already lived through the worst imaginable suffering. By confronting the issues of fear, suppression, and lost identity through literature, Indians may finally move forward to imagine and create for themselves a better future, serving as models for the similarly fractured cultures found throughout the world today.

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Finding your way is never a simple journey… Alice sees the worst in people. She also sees the best.She sees a thousand different emotions and knows exactly what everyone around her is feeling.Every. Single. Day. But it’s the dark thoughts.The sadness. The rage.These are the things she can’t get out of her head. The things that overwhelm her. Where will the journey to find herself begin? Everyone loves In a Thousand Different Ways… ‘Ahern makes Alice’s plight touchingly convincing . . . [her] pain is raw on the page’ The Times ‘An extraordinary and truly original story – a must read this month’ Prima ‘Stunning’ Irish Independent ‘Beautiful, moving and unexpected, In a Thousand Different ways is an unforgettable story. This is Cecelia Ahern at her very best’ Louise O’Neill ‘Utterly wonderful . . . Cecelia Ahern is a master storyteller at the absolute peak of her powers. Her heroine, Alice Kelly, is completely unique – beguiling, complicated, extraordinary – and she’ll change the way you see the world’ Clare Pooley ‘A novel that’s so wise and profound, there’s gold on every page’ Donal Ryan ‘A thoughtful, engrossing novel that’s a joy to read’ Sunday Express ‘So moving’ Heat ‘Ahern’s original talent for sensitive storytelling shines through in this novel’ Woman’s Weekly Cecelia Ahern's book In a Thousand Different Ways was a Sunday Times bestseller w/c 17-04-2023

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'An utterly captivating insight into these fascinating women and the times they lived in ... it's an absolute page-turner' Irish Independent'Masterfully and glamorously told ... essential reading for history and gossip lovers alike' Sunday Business Post'An enthralling tale that will dazzle and delight ... If you loved the drama of The Crown, then you will adore The Guinness Girls: A Hint of Scandal' Swirl and Thread'Engrossing and page-turning ... I loved it' Louise O'NeillAs Aileen, Maureen and Oonagh - the three privileged Guinness sisters, darlings of 1930s society - settle into becoming wives and mothers, they quickly discover that their gilded upbringing has not prepared them for the realities of married life.At Dublin's Luttrellstown Castle, practical Aileen has already run out of things to say to her husband. Outspoken Maureen is very much in love but feels isolated at the crumbling Clandeboye estate in Northern Ireland. And, as romantic Oonagh's dreams of happiness in London are crushed by her husband's lies, she seeks comfort in her friends - but can they be trusted?As the sisters deal with desire and betrayal amidst vicious society gossip, their close friends, the Mitfords, find themselves under the media glare - and the Guinness women are forced to examine their place in this quickly-changing world.Inspired by true-life events, The Guinness Girls: A Hint of Scandal is a dazzling, page-turning novel about Ireland and Britain in the grip of change, and a story of how three women who wanted for nothing were about to learn that they couldn't have everything.

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The Anthropocene’s urgent message about imminent disaster invites us to forget about history and to focus on the present as it careens into an unthinkable future. To counter this, Louise Green engages with the theoretical framing of nature in concepts such as the “Anthropocene,” “the great acceleration,” and “rewilding” in order to explore what the philosophy of nature in the era of climate change might look like from postcolonial Africa.Utilizing a practice of reading developed in the Frankfurt school, Green rearranges narrative fragments from the “global nature industry,” which subjugates all aspects of nature to the logic of capitalist production, in order to disrupt preconceived notions and habitual ways of thinking about how we inhabit the Anthropocene. Examining climate change through the details of everyday life, particularly the history of conspicuous consumption and the exploitation of Africa, she surfaces the myths and fantasies that have brought the world to its current ecological crisis and that continue to shape the narratives through which it is understood. Beginning with African rainforest exhibits in New York and Cornwall, Green discusses how these representations of the climate catastrophe fail to acknowledge the unequal pace at which humans consume and continue to replicate imperial narratives about Africa. Examining this history and climate change through the lens of South Africa’s entry into capitalist modernity, Green argues that the Anthropocene redirects attention away from the real problem, which is not human’s relation with nature, but people’s relations with each other.A sophisticated, carefully argued call to rethink how we approach relationships between and among humans and the world in which we live, Fragments from the History of Loss is a challenge to both the current era and the scholarly conversation about the Anthropocene.

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The first comprehensive monograph on the work of one of the world’s most influential art directors, Ezra Petronio Having a strong brand identity has never been more vital than it is today, and yet the real creative visionaries who can transform and reinvigorate a brand are few. Ezra Petronio is a true master, and his work with leading fashion and beauty brands is bold and impactful. An immersive visual survey of 25 years of impactful art direction, product design, and image making, with examples taken from across the entire range of his work, this book includes work for Chanel, Chloé, Comme des Garçons, Gucci, Hermès, Louis Vuitton, Prada, Saint Laurent, and Jil Sander, as well as Glossier, H&M, Revlon, and Zara. With 1,000 images of ad campaigns, branding, Self Service magazine spreads, graphics, and his polaroid series, which features the likes of Louise Bourgeois, Edward Enninful, Kim Kardashian, Kylian Mbappé, Kylie Minogue, Rick Owens, and Juergen Teller, it also includes texts that reflect on the process of image making; conversations with industry insiders on the art of art direction; and quotes from the likes of Honey Dijon, Marc Jacobs, and Chloë Sevigny on their creative process. This impressive book is the first retrospective monograph on his career, illustrating the full breadth of his creative vision, from ad campaigns to his iconic Polaroid series, and demonstrating what it takes to make a brand truly stand out.

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'A spellbinding read ... the glamour of early Sixties showbiz' LOUISE CANDLISH'Mesmerising and powerful ... an extraordinary sense of time and place' ELLY GRIFFITHS'A stylish and page-turning mystery' RACHEL HORE'Gripping ... her portrait of Sixties London is terrific' ELIZABETH BUCHANLONGLISTED FOR THE HWA GOLD CROWN AWARD 2021Set in Sixties London, a gripping drama of past secrets revealed, of manipulation and revenge for fans of Daphne du Maurier and noir movies like All About Eve and A Star is BornDelia Maxwell is an international singing sensation, an icon of 1950s glamour who is still riding high on the new 60s scene. Adored by millions, all men want to be with her, all women want to be her. But one woman wants it maybe a little too much...Lily Brooks has watched Delia all her life, studying her music and her on-stage mannerisms. Now she has a dream job as Delia's assistant - but is there more to her attachment than the admiration of a fan? Private investigator Frank is beginning to wonder.As Lily steps into Delia's spotlight, and Delia encourages her ambitious protegée, Frank's suspicions of Lily's ulterior motives increase. But are his own feelings for Delia clouding his judgement? The truth is something far darker: the shocking result of years of pain and rage, rooted in Europe's darkest hour. If Delia thought she had put her past behind her, she had better start watching her back.

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When Andrea Louise Campbell's sister-in-law, Marcella Wagner, was run off the freeway by a hit-and-run driver, she was left paralyzed from the chest down. Like so many Americans-50 million, or one sixth of the country's population-neither Marcella nor her husband, Dave, had health insurance. On the day of the accident, she was on her way to class for the nursing program through which she hoped to secure one of the few remaining jobs in the area with the promise of employer-provided insurance. Instead, the accident plunged the young family into the tangled web of means-tested social assistance. As a social policy scholar, Campbell thought she knew a lot about means-tested assistance programs. What she quickly learned was that missing from most government manuals and scholarly analyses was an understanding of how these programs actually affect the lives of the people who depend on them. Using Marcella and Dave's situation as a case in point, she reveals the system's many shortcomings in Trapped in America's Safety Net. Because American safety net programs are designed for the poor, Marcella and Dave first had to spend down their assets and drop their income to near-poverty level before qualifying for help. To remain eligible, they will have to stay under these strictures for the rest of their lives, meaning they are barred from doing many of the things middle-class families are encouraged to do, such as save for retirement. And, while Marcella and Dave's story is tragic, the financial precariousness they endured even before the accident is all too common in America. Obamacare has reduced some of the disparities in coverage, but it continues to leave too many people open to tremendous risk. Beyond the ideological battles are human beings whose lives are stunted by policies that purport to help them. In showing how and why this happens, Trapped in America's Safety Net offers a way to change it.

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A retired fisherman, Monty Cupidon, encounters a naked, bloodied and traumatised woman standing at the cross-roads. He offers comfort and takes her in. Suffering from amnesia, she cannot tell him anything about herself. The only clues are the signs that she has once worn a wedding ring, has a butterfly tattoo and red nail polish on her toes. In the absence of memory, he names her Esther. So begins a remarkable sequence of poems that explores many dimensions of liminality. Back of Mount Peace occupies a space between lyric and narrative, between reflection and story. It explores the space between body and mind, making Esther's halting discovery of her self through her body, which like a tree bears its indelible history and, unlike the mind, 'doesn't forget its grievances', work both as moving narrative device and a deeply sensed and sensual reminder of the physicality of existence. Above all, this is a sequence that explores a relationship which begins in a primal Edenic space of innocent discovery in which, as Monty hopes, 'the hallelujah's of new love will begin', but which, like all relationships must enter history, the decay of time and the corruptions of knowledge. In the use of rhyme and other patterns of sound, Back of Mount Peace shows an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.

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This is the story of three days last September when eight old friends gathered in a beautiful house by the sea. There was food, wine and laughter, and then the friends went their separate ways. That's the truth and nothing but the truth.Or is it? Donna Weaver has put everything into The Breakers. Now it waits - freshly painted, richly furnished, filled with flowers - for the first guests to arrive.But as they roll up, each one discovers they've been here before. Twenty-five years ago. When a party that started with peach schnapps and Postman's Knock ended with a girl walking into the sea and the rest of them making a vow of silence: lock it in a box, stitch my lips and go to my grave. But one of them has broken the pact.And before the weekend is over, someone will have gone to their grave.Praise for Catriona McPherson'An unnerving and suspenseful novel' Karin Slaughter'Just the right mixture of spookiness and mystery' James Oswald'A gripping thriller' Ian Rankin'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny'Agatha Award-winning McPherson's deliciously gothic country house mystery with a contemporary twist is devious and suspenseful and keeps readers guessing to the shocking end. Highly recommended.' Library Journal

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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Featured in Stylist's guide to 2019's best non-fiction booksThe true story of the fierce band of women who battled Washington - and Hanoi - to bring their husbands home from the jungles of Vietnam.On 12 February, 1973, one hundred and sixteen men who, just six years earlier, had been high flying Navy and Air Force pilots, shuffled, limped, or were carried off a huge military transport plane at Clark Air Base in the Philippines. These American servicemen had endured years of brutal torture, kept shackled and starving in solitary confinement, in rat-infested, mosquito-laden prisons, the worst of which was The Hanoi Hilton.Months later, the first Vietnam POWs to return home would learn that their rescuers were their wives, a group of women that included Jane Denton, Sybil Stockdale, Louise Mulligan, Andrea Rander, Phyllis Galanti, and Helene Knapp. These women, who formed The National League of Families, would never have called themselves 'feminists', but they had become the POW and MIAs most fervent advocates, going to extraordinary lengths to facilitate their husbands' freedom - and to account for missing military men - by relentlessly lobbying government leaders, conducting a savvy media campaign, conducting covert meetings with antiwar activists, and most astonishingly, helping to code secret letters to their imprisoned husbands.In a page-turning work of narrative non-fiction, Heath Hardage Lee tells the story of these remarkable women for the first time. The League of Wives is certain to be on everyone's must-read list.

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You may be wondering where to go in Louisiana. This book will give you some Louisiana Facts you may not know. In addition to the beautiful scenery, this state is home to some of the best restaurants in the United States. Discover some of the city''s most popular restaurants and discover what makes them unique. Learn more about New Orleans and its history. You may be surprised to learn that there are several other interesting cities and landmarks in Louisiana. Listed below are some of the best. Before the Civil War, Louisiana was mostly under Confederate control, but the Union quickly reclaimed it. The defeat of the Confederacy in the Civil War led to the end of slavery in the state. However, the large numbers of Blacks who had fled Louisiana soon began to fight discrimination. In fact, the first law promoting equality between races was passed in Louisiana in 1964. Louisiana Facts about race and ethnicity include the number of Native American tribes and the state''s ties to the United S

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Quixotic Modernists gives close readings of two novels by two little-studied writers of the early twentieth century in Spain, Felipe Trigo's Les ingénues (1909) and María Marínez Sierra's Tú eres la paz (1906), in relation to the canonical Tristana by Benito Pérez Galdós, Spain's greatest nineteenth-century novelist. By doing so, the study reveals the modern message (regarding gender), and modernist qualities of the prose of these works. Included are discussions of Quijote intertexts, proverbial language and tactics, the angel and the "muder-niña," flower, water, and animal imagery, and visual arts in relation to gender definition. Also included are contemporary responses to the novels and material about the authors' lives and Spain's social conditions in the early twentieth century. Quixotic Modernists integrates these themes into a study of the novelization of difficulties in transforming contemporary gender and class roles. In all three authors' works, this process of change in roles for both men and women becomes a quixotic enterprise, in which artists as/and characters search to reconnect with an elusive material, social body.

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Question the Wall Itself examines ways that interior spaces and décor can be fundamental to the understanding of cultural identity. It showcases 23 international artists who explore the political and social dimensions of interior architecture as well as its complicated relationship to history and their own backgrounds. The featured artists are Jonathas de Andrade, Uri Aran, Nina Beier, Marcel Broodthaers, Tom Burr, Alejandro Cesarco, Marc Camille Chaimowicz, Theaster Gates, Ull Hohn, Janette Laverrière, Louise Lawler, Nick Mauss, Park McArthur, Lucy McKenzie, Shahryar Nashat, Walid Raad, Seth Siegelaub, Paul Sietsema, Florine Stettheimer, Rosemarie Trockel, Cerith Wyn Evans, Danh Vo and Akram Zaatari. The book and the exhibition it accompanies take as its guiding principle what Marcel Broodthaers termed “esprit décor”: a critique of ideas of nationality, globalization and the space of the institution through constructed interior scenes. Recasting our conception of interior space and design, the featured works exist between art, prop, and set or stage. Espousing this mise-en-scène approach, Question the Wall Itself plugs readers into material that expands the show in the form of book-as-exhibition. It includes an extensive photographic walk-through of the installations, and essays by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Fionn Meade, and Robert Wiesenberger, as well as contributions from participating artists.

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Using a discipline-by-discipline approach, Turgeon's Clinical Laboratory Science: Concepts, Procedures, and Clinical Applications, 9th Edition, provides a fundamental overview of the concepts, procedures, and clinical applications essential for working in a clinical laboratory and performing routine clinical lab tests. Coverage includes basic laboratory techniques and key topics such as safety, phlebotomy, quality assessment, automation, and point-of-care testing, as well as discussion of clinical laboratory specialties. Clear, straightforward instructions simplify laboratory procedures and are guided by the latest practices and CLSI (Clinical and Laboratory Standards Institute) standards. Written by well-known CLS educator Mary Louise Turgeon, this edition offers essential guidance and recommendations for today's laboratory testing methods and clinical applications. Broad scope of coverage makes this text an ideal companion for clinical laboratory science programs at various levels, including CLS/MT, CLT/MLT, medical laboratory assistant, and medical assisting, and reflects the taxonomy levels of the CLS/MT and CLT/MLT exams. Detailed procedure guides and procedure worksheets on Evolve and in the ebook familiarize you with the exact steps performed in the lab. Vivid, full-color illustrations depict concepts and applicable images that can be seen under the microscope. An extensive number of certification-style, multiple-choice review questions are organized and coordinated under major topical headings at the end of each chapter to help you assess your understanding and identify areas requiring additional study. Case studies include critical thinking group discussion questions, providing the opportunity to apply content to real-life scenarios. The newest Entry Level Curriculum Updates for workforce entry, published by the American Society for Clinical Laboratory Science (ASCLS) and the American Society for Clinical Pathology (ASCP) Board of Certification Exam Content Outlines, serve as content reference sources. Convenient glossary makes it easy to look up definitions without having to search through each chapter. An Evolve companion website provides convenient access to animations, flash card sets, and additional review questions. Experienced author, speaker, and educator Mary L. Turgeon is well known for providing insight into the rapidly changing field of clinical laboratory science. NEW! Content spans traditional principles and practices to the expanding applications of molecular diagnostics that reflect the most current clinical laboratory practices and technology. NEW! New Frontiers in Molecular Diagnostics chapter explores the future of the field. NEW! Coverage of the "new face" of clinical laboratory practice recognizes of the important need for laboratories for SARS-CoV-2 testing during the COVID-19 pandemic, with an increased emphasis on safety, patient considerations, and delivery of testing modes. NEW! Exploration of current laboratory safety issues, strategies, and the need for various safety-related officers to control problems such as supply chain interruptions and the risk of infection from aerosols. NEW! Applications of innovative quality models, such as clinical outcomes and biological variation, improve the acceptable standards of laboratory testing and the interpretations of reference ranges. NEW! Expanded information on new oral anticoagulants is presented along with the appropriate laboratory testing, with alternative testing added to the discussion of blood coagulation. NEW! Increased focus on cell types in cerebrospinal fluid includes descriptions of associated clinical disorders and microbial examination. NEW! Expanded comparisons of the characteristics of important body fluids, such as synovial fluid, serous fluids, seminal fluid, and amniotic fluid. NEW! Appendix offers comprehensive overview of COVID-19.

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How well do you know your children? And how well do they know you? When Helen Whitmore's stepson brings home a new girlfriend one evening, her already imperfect family begins to tip towards breaking point. Diana is smart, beautiful, feisty and clearly out to cause trouble. Then an old photograph resurfaces that threatens to uncover a long-buried secret, one that Helen has taken great care to keep hidden in the past. Only one person could have that photograph – and she is dead. Helen immediately suspects that Diana is connected somehow, but before she can confront her, Diana is found dead and the entire family has motive. An absolutely addictive, page-turning thriller perfect for Lisa Jewell, Liane Moriarty and Louise Candlish. Readers love What I Never Told You: 'WOWZERS!... I thought I had it all figured out but my god was I wrong!... Had me gripped... Dark, suspenseful, intense, atmospheric and gripping' Goodreads 5* Review 'I devoured this page turning story in a matter of hours and before I knew it the book was over!' Goodreads 5* Review 'Fantastic... I enjoyed every second of it... Heart-wrenching... Tragic at parts' Goodreads 5* Review 'You have no damn idea who to trust here and that's what I loved the most!... Fantastic and emotionally charged thriller... Grabs your attention from the start... Outstanding! Wild, crazy book!' Rubie Reads Books, 5* Review 'Loved this book!! It had so many twists and turns. It kept me on the edge of my seat wondering what was going to happen next!!... You won't be disappointed!!' NetGalley 5* Review 'What a ride this book was!... Very well done!' Goodreads 5* Review 'Riveting... I couldn't put down... When polaroids start appearing she has to find out who is trying to get to her. I really enjoyed this book. I highly recommend' Goodreads 5* Review 'Exciting, thrilling, unputdownable' Goodreads 5* Review 'This book had everything... Surprises that you don't see coming, secrets and lies and lots of intrigue to hook your attention! Loved everything about this book and can't wait to read more by this author!' Goodreads 5* Review

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The 10th anniversary editionA Guardian Best Book about DeforestationA New Scientist Best Book of the YearA Taipei Times Best Book of the Year“A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.”—Louise Erdrich, New York Times Book Review“The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.”—Amitav Ghosh, The Guardian“A literary treasure…a must for anyone who wants to understand more of the diverse beauty and wonder of existence.”—New ScientistA now classic account of the life and thought of Davi Kopenawa, shaman and spokesman for the Yanomami, The Falling Sky paints an unforgettable picture of an indigenous culture living in harmony with the Amazon forest and its creatures, and its devastating encounter with the global mining industry. In richly evocative language, Kopenawa recounts his initiation as a shaman and first experience of outsiders: missionaries, cattle ranchers, government officials, and gold prospectors seeking to extract the riches of the Amazon. A coming-of-age story entwined with a rare first-person articulation of shamanic philosophy, this impassioned plea to respect indigenous peoples’ rights is a powerful rebuke to the accelerating depredation of the Amazon and other natural treasures threatened by climate change and development.

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There has been an increase in testimonies from women politicians who have been targets of violence and from survivors of conflict-related sexual violence. The editors and contributors to of Gender and Violence against Political Actors seek to understand how gender influences both physical and psychological forms of violence and how sexual violence affects both men and women. Chapters focus on theoretical approaches demonstrating how different disciplinary starting points—e.g., politics, violence and gender—give rise to different lenses. Essays examine violence carried out during conflict and peacetime, and relate to the continuum of violence—physical, sexual, psychological, and online. In addition, six country case studies reveal how different types of political actors have been targets of violence. Gender and Violence against Political Actors ends by providing various approaches to responding to the problem of gendered violence in politics while also evaluating policy responses. Contributors: Kerryn Baker, Julie Ballington, Gabrielle Bardall, Gabriella Borovsky, Cheryl N. Collier, Sofia Collignon, Maria Eriksson Baaz, Eleonora Esposito, Nicole Haley, Rebekah Herrick, Sandra Håkansson, Roudabeh Kishi, Anne-Kathrin Kreft, Mona Lena Krook, Rebecca Kuperberg, Robert U. Nagel, Louise Olsson, Jennifer M. Piscopo, Tracey Raney, Juliana Restrepo Sanín, Paige Schneider, Maria Stern, Sue Thomas, and the editors

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At eighty-two, the novelist Penelope Lively wrote: 'Our experience is one unknown to most of humanity, over time. We are the pioneers.' COMING TO AGE is a collection of dispatches from the great poet-pioneers who have been fortunate enough to live into their later years. Those later years can be many things: a time of harvesting, of gathering together the various strands of the past and weaving them into a rich fabric. They can also be a new beginning, an exploration of the unknown. We speak of 'growing old.' And indeed, as we too often forget, aging is growing, growing into a new stage of life, one that can be a fulfillment of all that has come before. To everything there is a season. Poetry speaks to them all. Just as we read newspapers for news of the world, we read poetry for news of ourselves. Poets, particularly those who have lived and written into old age, have much to tell us. Bringing together a range of voices both present and past, from Emily Dickinson and W. H. Auden to Louise Gluck and Li-Young Lee, COMING TO AGE reveals new truths, offers spiritual sustenance, and reminds us of what we already know but may have forgotten, illuminating the profound beauty and significance of commonplace moments that become more precious and radiant as we grow older.

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Neuere Kunst im Kontext Der Titel der Schriften zur neueren Kunst II ist Claude Lévi-Strauss zu verdanken, dessen Denken eine Generation geprägt hat. Er spricht in Anlehnung an Marcel Proust über das Verfertigen von Malerei, Musik, Literatur und bezeichnet die von Proust beschriebene Technik als „doppelte Artikulation“. Im vorliegenden Band stehen vor allem Werke im Fokus, bei denen die „Einheiten erster Ordnung“ selbst künstlerische Werke sind, die zitiert, neu kombiniert, bearbeitet werden. Von „primären Objekten“ und von „doppelter Artikulation“ zu sprechen vertieft unser Verständnis für die Unterbrechung von Sequenzen und die Störung kultureller Überlieferungen. Die im Buch diskutierten Kunstwerke schreiben sich in einen Überlieferungszusammenhang ein, der für die Erfahrung in der jeweiligen Gegenwart modifiziert und erneuert wird. Band II der Schriften zur neueren Kunst, anknüpfend an Existenz und Form (2015) Diskussion einzelner Kunstwerke und der Funktion von Kunst in der Kultur Von Rembrandt und Sturtevant über Hyun-Sook Song bis zu Latifa Echakhch, Katharina Grosse, Pamela Rosenkranz und Louise Guerra

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READERS LOVE YOUNG WOMEN:'Hands down, this is an absolutely phenomenonal book! I recommend Young Women to everyone out there, one you'll be hearing about for a long time to come''Young Women instantly grabbed me from the first chapter. I devoured this novel''Incredibly powerful . . . essential reading for all.''Sharp, beautifully written and powerful'AN INTOXICATING FRIENDSHIP.AN UNFORGIVABLE BETRAYAL.From the Observer debut novelist of the year, an addictive new novel where a fierce new female friendship will unearth a secret that could change everything . . .When Emily meets enigmatic and dazzling actress Tamsin, her life changes. Drawn into Tamsin's world of Soho living, boozy dinners and cocktails at impossibly expensive bars, Emily's life shifts from black and white to technicolour and the two women become inseparable.But after a bombshell news article breaks, Emily begins to realise that Tamsin has been hiding a secret about her past. A secret that threatens to unravel everything . . .'Confirms Jessica Moor as one of the most exciting new voices of the decade' Erin KellyAmbitious and arresting' Beth Underdown 'Vividly engaging' Winnie M. Li'Brilliantly written' Kate Sawyer 'Painfully real' Hanna Jameson'Provocative, thought-provoking' Bexy Cameron 'Visceral' Stylist'A timely read' Prima 'A slick cautionary tale' Sunday Times'Utterly engrossing' Louise Nealon

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When her adoptive mother died in 2009 Donna Freed set out to track down her birth mother. What she discovered was truly shocking - she was the daughter of a pair of infamous con artists, at the heart of one of the biggest true crime stories to grip the USA in the 1960s. Previously redacted records from the infamous *Louise Wise Services in New York revealed that Donna s mother (27, Jewish and single), her father (40, Catholic, married with 4 children), had hatched a plan to defraud an insurance company and run off to Spain to raise Donna. Further investigation revealed that in 1967, Donna s mother, Mira Lindenmaier, faked her own death in a drowning accident off City Island in the Bronx for the double indemnity insurance money. Donna loved her tricky, unconventional adoptive mother, but was now keen to meet her birth mother and find out how and why her parents abandoned her. How would she feel towards Mira, her real Mum. How has becoming a mother herself impacted on her feelings towards her two mothers? Gripping and fast-paced, this extraordinary memoir is also incredibly moving tackling fundamental questions about motherhood and identity, nature vs nurture.

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'Dizzyingly flexible, deeply human, often funny, it blasts aside our preconceptions and urges us to see the world as it is' iFeminist philosophy meets family memoir in Siri Hustvedt's most personal essay collection yet, a scintillating and profound exploration of motherhood, the maternal and misogyny. Ranging across artistic mothers such as Jane Austen and Louise Bourgeois, psychoanalysis, science, literature and ethnography, this is a polymath's journey into urgent questions about familial love and hate, human prejudice and cruelty, and the transformative power of art. Fierce, moving and witty, it warns against drawing hard and fast borders where none exist.'The voice is consistent, combining assured erudition with more playful questioning, always thoughtful and capable of surprising shifts of register and even genre' Lara Feigel, GuardianPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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WINNER OF THE 2021 RELIT AWARD FOR SHORT FICTION A sea witch, a bossy Virgin Mary, and a lesbian widow’s wife—in ghost form—walk into a short story collection ... Welcome to Stoop City, where your neighbours include a condo-destroying cat, a teen queen beset by Catholic guilt, and an emergency clinic staffed entirely by lovelorn skeptics. Couples counseling with Marzana, her girlfriend's ghost, might not be enough to resolve past indiscretions; our heroine could need a death goddess ritual or two. Plus, Hoofy’s not sure if his missing scam-artist boyfriend was picked up by the cops, or by that pretty blonde, their last mark. When Jan takes a room at Plague House, her first year of university takes an unexpected turn—into anarcho-politics and direct action, gender studies and late-night shenanigans with Saffy, her captivating yet cagey housemate. From the lovelorn Mary Louise, who struggles with butch bachelorhood, to rural teens finding—and found by—adult sexualities, to Grimm’s “The Golden Goose” rendered as a jazz dance spectacle, Kristyn Dunnion’s freewheeling collection fosters a radical revisioning of community. Dunnion goes wherever there’s a story to tell—and then, out of whispers and shouts, echoes and snippets, gritty realism and speculative fiction, illuminates the delicate strands that hold us all together.

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“Local or visitor, London courses through your body as if its rainbow-coloured system of underground veins is somehow intrinsically linked to your own.” ~ Chris HolmesOften waking before dawn, photographer Chris Holmes captures rare moments of solitude and calm as the city of London yawns, stretches and begins its day. His high-contrast scenes depict the miniature dramas unfolding all around us, obscured by the hectic pace of metropolitan life. Moving to London as an adult, Chris fell in love with the city in tandem with his development as a photographer and shoots his adopted home as both a romantic insider and an impartial admirer.Hidden in Chaos pairs Chris’s cinematic images with the words of 18 poets of various backgrounds, adding more layers of texture and meaning to the complex but devoted relationship that London’s residents and visitors have with the city’s many faces. London’s gray and glow, its daily ebb and flow, are celebrated, questioned and contemplated in this visual and poetic tribute.Includes poems by Elena Ashton, Shez Chung Blake, Troy Cabida, Laura Corns, Paul Cree, Caroline Druitt, George Duggan, Sam El-Bahja, Tom Gill, Bizhan Govindji, Imogen Hudson-Clayton, Danny Martin, Louise McStravick, Aaliyah Orridge, Astra Papachristodoulou, Abdul Patel, Ben See, and Janay Stephenson.

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Discover where it all began in the inspiring story of Stacey Solomon's life before becoming an Instagram cleaning sensation'Very honest and very open . . . Brilliant. I advise anyone to go and read it' Louise Redknapp_______From X Factor star to Queen of the Jungle, Stacey Solomon has never been far from our screens . . .As a kid, Stacey always dreamed of becoming a star. But at 17, it looked like her dream was shattered when she unexpectedly became pregnant.Always the fighter, new single mum Stacey rallied, found a college with a crèche for her son Zachery and waitressed at night, determined that he should have the opportunities she didn't.And then the X Factor came along, where she stunned Britain with her astonishing voice. She went from hard-up single mum to X Factor favourite, Queen of the Jungle and much-loved TV presenter in just two years.Stacey Solomon's My Story So Far is a fantastic and inspirational read by a modern-day heroine who always looks on the bright side of life._______'Stacey has charmed that nation with her down-to-earth personality and irrepressible spirit' Sunday Mirror'She's hilariously dizzy yet whip-smart. She's a treat' Scotsman'She has a warm smile, an infectious laugh and a heart of gold' Love It

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Summer in the Lincolnshire Wolds and Clarice is rung by her friend Louise, asking whether she can look after Susie, her son's lively Boxer, as 41-year-old Guy has gone missing from the family home. His mother thinks he has been suffering from depression but more worryingly, in his professional life, he had been working on a high-profile case, defending a known criminal. His home life was beset with problems too, which is why his mother has asked Clarice to look after the dog; Charlotte, Guy's wife, just can't cope with her as well as their three daughters.Getting drawn into the puzzle of Guy's disappearance, Clarice wonders how Susie received a nasty cut to her back leg, and who is the mysterious Charles? Guy apparently did not trust him enough to let him into his home, and he had not been seen since he was driven away in Charles car. Guy's friends all say that he was a good, honest man, but as Clarice looks further into the murky criminal world he inhabits, she questions if Guy has been pulled in out of his depth. And - why does Susie keep returning to the private woods, where she had spent so much time with her beloved master....

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Heart-warming, hilarious and unputdownable. You won’t want to miss this year’s stand out romantic comedy. ‘Fun and life-affirming’ STYLIST ‘This funny, uplifting rom-com is a total treat’ FABULOUS ‘Heart-warming, funny, and inspiring … A joy’ LOUISE O’NEILL This is a love story… Serena Mills should be at her wedding. Instead, she’s eating an ice cream sundae and drinking an obscenely large glass of wine in a Harvester off the M25. She’s left the man everyone told her she was ‘so lucky’ to find – because she’s realised that she wants to find love. Real love. So she sets herself a challenge: 52 weeks. 52 dates. 52 chances to find real love. But sometimes even the best laid plans don’t work out. And it’s the people that take you most by surprise who can really sweep you off your feet . . . EVERYONE LOVES WELCOME TO YOUR LIFE ’An uplifting tale about self-care and new beginnings’ WOMAN’S OWN ‘Authentic characters and powerful messages’ MY WEEKLY ‘A meaningful (and funny) journey of self-love. We’ve waited a long time for this’ GLAMOUR ‘An inspiring romcom about being bold and not compromising on the life you really want’ CRESSIDA MCLAUGHLIN 'Original, positive and life affirming’ KATIE FFORDE

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Covering the lively, even raucous, history of Louisiana from before First Contact through the Elections of 2012, this sixth edition of the classic Louisiana history survey provides an engaging and comprehensive narrative of what is arguably America’s most colorful state. Since the appearance of the first edition of this classic text in 1984, Louisiana: A History has remained the best-loved and most highly regarded college-level survey of Louisiana on the market Compiled by some of the foremost experts in the field of Louisiana history who combine their own research with recent historical discoveries Includes complete coverage of the most recent events in political and environmental history, including the continued aftermath of Katrina and the 2010 BP oil spill Considers the interrelationship between Louisiana history and that of the American South and the nation as a whole Written in an engaging and accessible style complemented by more than a hundred photographs and maps

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The prose poems of the great French Symbolist, Arthur Rimbaud (1854-1891), have acquired enormous prestige among readers everywhere and have been a revolutionary influence on poetry in the twentieth century. They are offered here both in their original texts and in superb English translations by Louise Varèse. Mrs. Varèse first published her versions of Rimbaud’s Illuminations in 1946. Since then she has revised her work and has included two poems which in the interim have been reclassified as part of Illuminations. This edition also contains two other series of prose poems, which include two poems only recently discovered in France, together with an introduction in which Miss Varèse discusses the complicated ins and outs of Rimbaldien scholarship and the special qualities of Rimbaud’s writing. Rimbaud was indeed the most astonishing of French geniuses. Fired in childhood with an ambition to write, he gave up poetry before he was twenty-one. Yet he had already produced some of the finest examples of French verse. He is best known for A Season in Hell, but his other prose poems are no less remarkable. While he was working on them he spoke of his interest in hallucinations––"des vertiges, des silences, des nuits." These perceptions were caught by the poet in a beam of pellucid, and strangely active language which still lights up––now here, now there––unexplored aspects of experience and thought.

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An English Western inspired by William Faulkner, Beneath the Trees of Eden is Tim Binding's masterpiece: a visionary depiction of England at the twilight of a rebellious era, told through the story of a renegade couple as they travel across the country's motorways. 'Transcends its quotidian English setting with hallucinatory prose and characters that seem restlessly redrawn on every page . . . There's an abundance of pleasures here . . . A novel to cherish for its ambition and its portrayal of a vanished world' Literary Review 'Fierce, untamed, animal in its joy. Terrific' Patrick McCabe 'A glorious road-trip of novel' Louise Kennedy Alice is just twenty when she becomes involved with Louis, a brooding, older man who has spent his life building some of the first motorways to stretch across the landscapes of England. With a child on the way, the couple set off on the road together, determined to carve out a life for themselves off the beaten track. But as their son grows older, he begins to question his parents’ philosophy and the sacrifices they make in order to live on their own terms. Caught between the draw of the past and a dream of new community, their fates are transformed by chance encounters, patterns unfolding like lines across a map. Told in searing, lyrical prose, Beneath the Trees of Eden is a powerful rumination on the possibility for salvation, the people and places we find ourselves tethered to, and the things that get left behind.

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If questions of subjectivity and identification are at stake in all biographical writing, they are particularly trenchant for contemporary women biographers of women. Often, their efforts to exhume buried lives in hope of finding spiritual foremothers awaken maternal phantoms that must be embraced or confronted. Do women writing in fact have any greater access to their own mothers' lives than to the lives of other women whose stories have been swept away like dust in the debris of the past? In Thinking through the Mothers, Janet Beizer surveys modern women's biographies and contemplates alternatives to an approach based in lineage and the form of thought that emphasizes the line, the path, hierarchy, unity, resemblance, reflection, and the aesthetic-mimesis-that depends on these ideas. Through close readings of memoirs and fictions about mothers, Beizer explores how biographers of the women who came before rehearse and rewrite relationships to their own mothers biographically as they seek to appropriate the past in a hybrid genre she calls "bio-autography." Thinking through the Mothers features the work of George Sand and Colette and spans such varied figures as Gustave Flaubert, Julian Barnes, Louise Colet, Eunice Lipton, Vladimir Nabokov, Huguette Bouchardeau, and Christa Wolf. Beizer seeks an alternative to women's "salvation biography" or "resurrection biography" that might resist nostalgia, be attentive to silence, and reinvent the means to represent the lives of precursors without appropriating traditional models of genealogy.

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'We need good screenwriters who understand character'. Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and 'off-Hollywood' films, as well as television - the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays. Centering his discussion around four film examples - including "Thelma & Louise" and "The Silence of the Lambs" - and the television series, "Northern Exposure", he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

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Finding your way is never a simple journey… Alice sees the worst in people. She also sees the best.She sees a thousand different emotions and knows exactly what everyone around her is feeling.Every. Single. Day. But it’s the dark thoughts.The sadness. The rage.These are the things she can’t get out of her head. The things that overwhelm her. Where will the journey to find herself begin? Everyone loves In a Thousand Different Ways… ‘Ahern makes Alice’s plight touchingly convincing . . . [her] pain is raw on the page’ The Times ‘An extraordinary and truly original story – a must read this month’ Prima ‘Stunning’ Irish Independent ‘Beautiful, moving and unexpected, In a Thousand Different ways is an unforgettable story. This is Cecelia Ahern at her very best’ Louise O’Neill ‘Utterly wonderful . . . Cecelia Ahern is a master storyteller at the absolute peak of her powers. Her heroine, Alice Kelly, is completely unique – beguiling, complicated, extraordinary – and she’ll change the way you see the world’ Clare Pooley ‘A novel that’s so wise and profound, there’s gold on every page’ Donal Ryan ‘I loved this novel . . . a rich tapestry, full of characters seeking love and acceptance on their life’s journey’ Patricia Scanlan ‘Such a beautiful, tender and moving story’ Sinead Moriarty‘Highly original, fresh and exciting’ Hazel Gaynor Cecelia Ahern's book In a Thousand Different Ways was a Sunday Times bestseller w/c 17-04-2023

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'Moving, unexpected and compassionate' Louise O'Neill'A page-turner from start to finish' Irish Mail on Sunday'A heartfelt reminder of the importance of connection - to nature, to others, to ourselves' Calum McSwigganSisters Jenna and Rosie bring out the worst in each other. So they mostly keep their distance.But Jenna has suddenly found herself with no job, no boyfriend, nowhere to live - and no idea what to do next. Is life really supposed to be this difficult? Turning up on Rosie's doorstep is the last thing she wants to do, but it feels like her only option.Rosie misses her old life, the one filled with fun and travel and excitement. These days she barely has the energy for her cute friend with benefits, let alone to take care of her little sister. Why doesn't she ever get to put herself first?Somehow the sisters find themselves roped into a community project, forced to work together. As the group brings an overgrown garden back to life, curious - maybe even magical - things begin to happen. New friendships blossom and old wounds start to heal. But will Jenna and Rosie finally find their way back to happiness, and each other?'A wonderfully empathetic exploration of human frailties and our capacity to heal ... brutally truthful and beautifully uplifting' Sophie White'Evocative, emotional and visceral' Briana Morgan

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'Part family mystery, part immigrant hustle, Edgware Road is a complete tour de force' Junot Díaz 1981: Khalid Quraishi feels like one of the lucky ones. Working in the glitzy West End by night and spending time with his beautiful wife and daughter by day, he's a world away from the life he left behind in Karachi. But Khalid likes to gamble – twenty pounds on the fruit machine here, a thousand on a sure-thing investment there. And now he's chanced upon his biggest opportunity yet, it looks like he'll finally have his big win... 2003: Alia Quraishi doesn't really remember her dad. She hardly ever saw him after her parents got divorced – so when she received the news that he died in an alleged accident, she had no reason to believe otherwise. But now that almost twenty years have passed, she has questions. And with no links to her father left in the UK, Alia knows that the only way to find answers is to visit his first home in Pakistan, and connect with a family that feel more like strangers. 'Poised to be one of the debuts of the season' Vogue India 'Elegant and moving' Sathnam Sanghera 'A brilliant, intriguing novel about identity and family' Louise Hare

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“I am so glad that this book has been written! […] A highly practical book, easily accessible for others to use with their students.”Dr Elisabeth Curling, Senior Lecturer in Immunology, School of Biosciences, University of Kent, UK“[This book] will enable students across the globe to improve their well-being. Highly recommended.”Dr Julia Ronder, Consultant Child and Adolescent Psychiatrist"This book is a fascinating and practical guide to mindfulness for students. I would thoroughly recommend reading it if you are a student yourself, or an educator looking to help students with their mental wellbeing.”Dr Jacqueline Buchanan, GP Partner and Medical Student EducatorAs the challenges facing students continue to grow, the importance of mindfulness for academic and personal success is gaining recognition. Yet many students and their teachers remain unclear on how to implement mindfulness techniques successfully. Mindfulness and Wellbeing for Student Learning is a 5-week introduction to mindfulness to support students’ learning and wellbeing. Adapted from several mindfulness programmes, the book aims to help students cope with the various demands of university life and provide them with a wellbeing toolkit. Included are an array of mindfulness techniques proven to help improve focus, manage stress, regulate emotions and manage procrastination, to name a few.The book:•Introduces a 5-week guided programme to teach students about wellbeing•Contains numerous interactive mindfulness exercises•Provides structured wellbeing lesson plans complete with resources •Draws on the real experiences and feedback of studentsThis book is an essential resource for students and aims to equip them with invaluable skills to overcome the anxieties and stresses of university life. No matter the subject, this book will help students to build academic and personal resilience, helping them to thrive at university and beyond. It is also a perfect book for teachers or personal tutors looking to set up mindfulness groups or simply support their students during these challenging times.Lorraine Millard has been a psychotherapist for over 35 years, a mindfulness teacher for 15 years and has taught over 150 mindfulness courses. She designed and delivers the 5-week course at the University of Kent, UK.Louise Frith is an Academic Skills Tutor at the University of York, UK, specialising in writing for academic purposes. She has published two previous books: Professional Writing for Social Workers, 2nd edition (2021) and The Student’s Guide to Peer Mentoring (2017).Patmarie Coleman has previously taught for 22 years on person-centred courses, is a senior counsellor at the University of Kent, UK and also runs a private supervision practice in Southeast London, UK. Patmarie was trained by Lorraine in Mindfulness and has completed further training with the Mindfulness Network. Patmarie authored the chapter: Intersectional, Anti-Racist and Intercultural Approaches by Therapists of Colour, for Therapy in Colour (2023)

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In Indigenous Cities Laura M. Furlan demonstrates that stories of urban experience are essential to understanding modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the post-relocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

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How well do you know the person you love? A woman's body is washed up on the rocks by the castle ruins in St Andrews with evidence of strangulation, and no ID. Two days into the case, a call from another woman claiming to be the victim's friend could be DCI Andy Gilchrist's first solid lead. But when she fails to turn up for an interview, Gilchrist fears the worst. The next day, they find her battered body. Gilchrist's focus centres on his prime suspect, a local handyman with the reputation of being a ladies' man, who seems to have no history beyond three years - the length of time he's been living in the East Neuk. But before Gilchrist can bring him in for questioning, he vanishes. Would you trust the person you love with your life? If you do, they might just take it.Praise for T.F. Muir:'A truly gripping read.' Mick Herron'Everything I look for in a crime novel.' Louise Welsh'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'Muir exposes the dark underbelly of a well-heeled university town with knuckle-gnawing tension, whipcrack plot twists and grisly set-pieces shot through with black humour.' Neil Broadfoot

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