Search results for ""author jim"

This first biography of the Kettle's Yard artists reveals the life of a visionary who helped shape twentieth-century British art and explores a thrilling moment in the history of modernism'The beautiful, revelatory biography we have been waiting for. I loved it'EDMUND DE WAAL'This book is the legacy Jim Ede might have wished for'OBSERVERThe lives of Jim Ede and the Kettle's Yard artists represent a thrilling tipping point in twentieth-century modernism: a new guard, a new way of making and seeing, and a new way of living with art. The artists Ben and Winifred Nicholson, Henry Moore, Barbara Hepworth, Alfred Wallis and Henri Gaudier-Brzeska were not a set like the Bloomsbury Set or Ravilious and his friends. But Jim Ede recognised in each of the artists he championed something common and kindred, some quality of light and life and line.Jim Ede is the figure who unites them. His vision continues to influence the way we understand art and modern living. He was a man of extraordinary energies: a collector, dealer, fixer, critic and, above all, friend to artists. For Ede, works of art were friends and art could be found wherever you looked - in a pebble, feather or seedhead. Art lived and a life without art, beauty, friendship and creativity was a life not worth living. Art was not for galleries alone and it certainly wasn't only for the rich. At Kettle's Yard in Cambridge, he opened his home and his collection to all comers. He showed generations of visitors that learning to look could be a whole new way of life.

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In Atomic Time, sculptor, photographer and conceptual artist Jim Sanborn has combined his longstanding interests in invisible natural forces and secrecy, pairing together two separate but related projects: a series of photographs called Atomic Time and images of his latest work, the room-sized installation Critical Assembly. Inspired by the Manhattan Project, the first nuclear weapons program at the Los Alamos Scientific Laboratory, Critical Assembly is a representation of what was once a secret site of government-sponsored research. The installation includes actual examples of electronic instruments, hardware, furniture, tools and materials from the Los Alamos Laboratory of the 1940s, 50s and 60s, which Sanborn acquired from retirees living in New Mexico who worked on the Project. The photographs in the Atomic Series are distinguished by an intense cobalt blue-like color, similar to the true color of radioactivity. Half of the series is of abstract images made by exposing sheet film to actual pieces of uranium ore; the other represents an assortment of radium-dial alarm clocks made between 1920 and 1950, acquired from regions around the Trinity Site in New Mexico, where the first atomic bomb exploded.

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When Jim Smith took charge of Derby County in the summer of 1995, he joined a club needing to balance the books after several seasons of failing to reach the Premier League. Little was expected of him. Yet alongside Steve McClaren, Smith oversaw a transformation that took Derby to a new home, a new division and to the brink of European competition for the first time since the days of Dave Mackay. Smith built a side capable of matching the very best in English football, amassing an array of international talent almost never before seen in the British game, alongside hugely impressive home-grown players. This is the story of Jim Smith's Derby County, told with the exclusive insights of Smith's players, coaching staff, friends and supporters. Rams legends including Igor Stimac, Stefano Eranio and Steve McClaren speak in depth on what made that Derby County side, while those closest to Jim reveal what the legendary man-manager was like to deal with, both in and out of football.

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During the Second World War, the Tuskegee Airmen had not one but two enemies to overcome: the German Luftwaffe and Jim Crow. In this book, the inspiring history of these men is recounted detailing the struggles the men faced at home and abroad. The Tuskegee Airmen were black American pilots who served in the Army Air Corps during the Second World War. However, before earning their wings, these men and women needed to prove themselves to their white countrymen. After all, the racism prevalent at the time meant that black Americans were deemed unsuitable for the demands of modern war. After completing their training and conducting their first combat missions, the real enemy was waiting for them: the Luftwaffe. As a result of their role escorting the bombers, as well as their bright red tails, the Tuskegee Airmen of 332nd Fighter Group earned the nickname the ‘Red Tails’. The units served with distinction in several fierce engagements, such as the 99th Fighter Squadron, who fought in the skies over Anzio on 27 and 28 January 1944, and the 332nd Fighter Group, who earned a Distinguished Unit Citation for its mission to Berlin on 24 March 1945.

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Colección: Noguer InfantilEn Lummerland la vida era tranquila, hasta que un día, qué raro!, llega un paquete misterioso. Sabéis qué contiene ese paquete? Algo (o alguien) sorprendente, muy sorprendente! Sí, y con esto, empieza nuestra historia... Imaginad, por ejemplo, la historia de una locomotora, llamada Emma, que puede navegar igual que un barco, o el misterio del gigante que vive en un desierto llamado El fin del mundo...

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An official sequel to Jim Henson’s cult classic fantasy film The Dark Crystal. The Power of the Dark Crystal is an official sequel to Jim Henson’s beloved fantasy film. Years have passed since the Dark Crystal was healed and peace was restored on Thra. Though Jen and Kira have ruled as King and Queen, they have become distracted by power. The planet is sick and those on the surface of Thra are not the only ones affected. A mysterious race of creatures called Firelings live in a realm near the planet’s core, hidden from the Gelfling and their kingdom. A young Fireling named Thurma is tasked with stealing a shard of the Crystal to restore power to her world. Along the way she’ll befriend the young Gelfling Kensho, conjure the Skeksis and Mystics, and embark on one incredible adventure. Written by Simon Spurrier (The Spire, X-Men Legacy) and lushly illustrated by Kelly and Nichole Matthews (Toil & Trouble), The Power of the Dark Crystal Volume One includes behind-the- scenes materials on the making of this classic tale of wonder.

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This is a collection of hundreds of full-colour illustrations and pencils spanning the entire career of the hugely successful and popular artist Jim Lee, with an all-new cover by Lee. It includes his work on "Batman' and "Superman", "Vertigo" titles, and WildStorm heroes Wild C.A.T.s, Divine Right and Deathblow, accompanied by exclusive interview material from the man himself.

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The final chapter of Jim Henson''s The Creation Myths Trilogy.BRIAN FROUD, legendary conceptual designer of the beloved Jim Henson fantasy film THE DARK CRYSTAL, returns to the world he helped create in this stunning conclusion of the official prequel to original movie. The world of Thra is shattered. Following the events of The Great Conjunction, the once-powerful Urskeks have been split into two separate beings: the Skeksis and the Mystics. Only Raunip and Aughra know their true origins, but they are trapped in the bowels of the world of Thra, searching for the shard of the Dark Crystal. But as the aftermath of the Great Conjunction wreaks havoc upon the Gelfling tribes, the Geflings may have no choice but to rely upon the one race offering aid: the Skeksis. The species of Thra will have to decide who they can trust if they hope to keep their world together. Written by Matthew Dow Smith (Doctor Who, X-Files) and gorgeously illustrated by Alex Sheikman (Robotika

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Thanks to industry guru Jim Murray and his internationally acclaimed annual Whiskey Bible, the Japanese are now running out of their own single malt and people have fought in Toronto liquor stores to grab the last bottle of his World Whisky of the Year. Rye, Irish Pot Still, and Bourbon have all seen a massive resurgence in recent years not least thanks to the visionary campaigning of the world's first-ever full time professional whisky writer. Murray has tasted nearly 20,000 different whiskies for the Whiskey Bible since it first hit the shelves in 2003. For this 2022 edition, he reflects on over another 1,200. The 4,700 whiskies included in this 2022 edition range from Scottish Single malts to Australian; from Canadian to Austrian. The whiskies from over 30 different countries are included and evaluated in his forthright, honest, amusing, fiercely independent, and non-pretentious style.

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The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.

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A provocative, and timely, solution for ridding America of the traces of Jim Crow policies to create a truly post-racial landscape When America inaugurated its first African American president, in 2009, many wondered if the country had finally become a "post-racial" society. Was this the dawning of a new era, in which America, a nation nearly severed in half by slavery, and whose racial fault lines are arguably among its most enduring traits, would at last move beyond race with the election of Barack Hussein Obama? In Ghosts of Jim Crow, F. Michael Higginbotham convincingly argues that America remains far away from that imagined utopia. Indeed, the shadows of Jim Crow era laws and attitudes continue to perpetuate insidious, systemic prejudice and racism in the 21st century. Higginbotham’s extensive research demonstrates how laws and actions have been used to maintain a racial paradigm of hierarchy and separation—both historically, in the era of lynch mobs and segregation, and today—legally, economically, educationally and socially. Using history as a roadmap, Higginbotham arrives at a provocative solution for ridding the nation of Jim Crow’s ghost, suggesting that legal and political reform can successfully create a post-racial America, but only if it inspires whites and Blacks to significantly alter behaviors and attitudes of race-based superiority and victimization. He argues that America will never achieve its full potential unless it truly enters a post-racial era, and believes that time is of the essence as competition increases globally.

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The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.

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This is a new collection of art from one of the UK's most acclaimed sci-fi artists featuring everything from his initial sketches to his final works and published book covers. It includes covers from the SF greats - Greg Bear, Neil Gaiman and Terry Pratchett, Anne McCaffrey, Robert Silverberg, Joe Haldeman, John Meaney, Ricardo Pinto, Peter F Hamilton, and Timothy Zahn and many more.

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Jim Shaughnessy: Essential Witness is a comprehensive overview of Shaughnessy’s sixty year as a railroad photographer. Starting in the late 1940s, he began documenting in earnest the rapidly changing railroad scene in the Northeastern United States. His interests and travels also took him to other areas of the country to document the Rio Grande narrow gauge in Colorado and the UP Big Boys in Wyoming, and various locations in Canada. His timing was perfect: he was there to record the dramatic transition between the steam and diesel eras as well as documenting and recording for posterity the workers behind the machines that operated in the depots, roundhouses and back shops of the American railroad environment. Lucius Beebe once described Shaughnessy as ‘a master in the massive effects of black and white.’ The book includes some 150 duotone photographs taken between 1948 and 1970, with the emphasis on the 1950s and 1960s. Images include landscapes, cities and towns; action shots of formidable trains barreling down the tracks; snaps of weary railroad workers; nighttime photos of shadowy enclaves within the railyard; and many more.

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Basic, step-by-step instructions for building a comb-back Windsor chair, using traditional methods. With the simplest of hand tools and a lathe, even the amateur can produce a beautiful chair. Each step is illustrated and the patterns for the parts are given, along with measured drawings. Finally, various jigs and specialized tools like the steamer are explained and methods of constructing them given. Jim Rendi has captured all the skill of the colonial chair maker and shares it with his readers. His Philadelphia Chair Company specializes in Windsor chairs of several traditional styles, but this comb back is among the favorite. A gallery at the end of the book shares other styles of Windsors that use much the same methods.

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"The poet makes himself into a visionary by a long derangement of all the senses."—RimbaudIn 1968 Jim Morrison, founder and lead singer of the rock band the Doors, wrote to Wallace Fowlie, a scholar of French literature and a professor at Duke University. Morrison thanked Fowlie for producing an English translation of the complete poems of Rimbaud. He needed the translation, he said, because, "I don’t read French that easily. . . . I am a rock singer and your book travels around with me." Fourteen years later, when Fowlie first heard the music of the Doors, he recognized the influence of Rimbaud in Morrison’s lyrics. In Rimbaud and Jim Morrison Fowlie, a master of the form of the memoir, reconstructs the lives of the two youthful poets from a personal perspective. In their twinned stories he discovers an uncanny symmetry, a pattern far richer than the simple truth that both led lives full of adventure and both made poetry of their thirst for the liberation of the self. The result is an engaging account of the connections between an exceptional French symbolist who gave up writing poetry at the age of twenty, died young, and whose poems are still avidly read to this day, and an American rock musician whose brief career ignited an entire generation and has continued to fascinate millions around the world in the twenty years since his death in Paris. In this dual portrait, Fowlie gives us a glimpse of the affinities and resemblances between European literary traditions and American rock music and youth culture in the late twentieth century. A personal meditation on two unusual, yet emblematic, cultural figures, this book also stands as a summary of a noted scholar’s lifelong reflections on creative artists.

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Analysing the ubiquity of the small town in fiction of the mid-century US South, Living Jim Crow is the first extended scholarly study to explore how authors mobilised this setting as a tool for racial resistance. With innovative close readings of Zora Neale Hurston, Richard Wright, Lillian Smith, Byron Herbert Reece, Carson McCullers, William Faulkner and William Melvin Kelley, the book traces the relationship between activism and aesthetics during the long civil rights movement. Lennon reframes a narrative of southern literature during the period as one as one characterised by an aesthetics of protest, identifying a new mode of reading racial resistance and the US South.

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Volume 3 of an official sequel to Jim Henson’s cult classic fantasy film The Dark Crystal.  After the arduous journey across the strange lands of Thra, Thurma has returned to her homeworld of Mithra. Just as when she began her journey she is alone, having betrayed her only ally. But as Thurma attempts to cast aside her guilt and affection for Kensho to complete her mission, the two are reunited. Kensho has not given up hope that their worlds might both be saved. If Thra and Mithra are to coexist, these unlikely heroes will have to reconcile their differences and uncover the secret that connects their two worlds. Written by Simon Spurrier (The Spire, X-Men Legacy) and Phillip Kennedy Johnson (Warlords of Appalachia) and lushly illustrated by Kelly and Nichole Matthews (Toil & Trouble), The Power of the Dark Crystal Volume 3 concludes Kensho and Thurma’s journey to the uncharted realm of Mithra. 

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A startling and gripping reexamination of the Jim Crow era, as seen through the eyes of some of the most important American writers"Walker has opened up a fresh way of thinking about the intellectual history of the South during the civil-rights movement."—Robert Greene, The Nation In this dramatic reexamination of the Jim Crow South, Anders Walker demonstrates that racial segregation fostered not simply terror and violence, but also diversity, one of our most celebrated ideals. He investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O’Connor, and Zora Neale Hurston found pluralism in Jim Crow, a legal system that created two worlds, each with its own institutions, traditions, even cultures. The intellectuals discussed in this book all agreed that black culture was resilient, creative, and profound, brutally honest in its assessment of American history. By contrast, James Baldwin likened white culture to a “burning house,” a frightening place that endorsed racism and violence to maintain dominance. Why should black Americans exchange their experience for that? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project carried to the highest levels of American law by Supreme Court justice and Virginia native Lewis F. Powell, Jr. Anders Walker shows how a generation of scholars and judges has misinterpreted Powell’s definition of diversity in the landmark case Regents v. Bakke, forgetting its Southern origins and weakening it in the process. By resituating the decision in the context of Southern intellectual history, Walker places diversity on a new footing, independent of affirmative action but also free from the constraints currently placed on it by the Supreme Court. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.

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Jim Dine’s status as a master draughtsman is unquestioned and this book presents the best of his most recent drawings. Hello Yellow Glove opens with one of Dine’s most treasured motifs, Pinocchio. Using dense charcoal and dripping washes, Dine depicts the sinister edge to Carlo Collodi’s story and Pinocchio’s isolation in his quest to become a real boy. With similar dark layers and dissolving forms Dine also depicts botanical motifs such as the thistle and catalpa tree. In addition to these bodies of work, Hello Yellow Glove presents Dine’s portrait of Gerhard Steidl, an ambitious suite of nine drawings made by the artist in his Göttingen studio. Alongside reproductions of the drawings are photographs of Dine taken by Steidl during the sittings, which form both a candid portrait of the artist and offer a rare glimpse into his working processes. Born in 1935 in Cincinnati, Ohio, Jim Dine is a prolific painter, draughtsman, print-maker and photographer. Initially associated with the Pop movement, Dine’s career spans over forty years and his work is held in many private and public collections. His books with Steidl include Birds (2001), The Photographs, so far (2003) and Hot Dream (52 Books) (2008).

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Following Japan's attack on Pearl Harbor in 1941, the U.S. government rounded up more than one hundred thousand Japanese Americans and sent them to internment camps. One of those internees was Charles Kikuchi. In thousands of diary pages, he documented his experiences in the camps, his resettlement in Chicago and drafting into the Army on the eve of Hiroshima and Nagasaki, and his postwar life as a social worker in New York City. Kikuchi's diaries bear witness to a watershed era in American race relations, and expose both the promise and the hypocrisy of American democracy. Jim and Jap Crow follows Kikuchi's personal odyssey among fellow Japanese American intellectuals, immigrant activists, Chicago School social scientists, everyday people on Chicago's South Side, and psychologically scarred veterans in the hospitals of New York. The book chronicles a remarkable moment in America's history in which interracial alliances challenged the limits of the elusive democratic ideal, and in which the nation was forced to choose between civil liberty and the fearful politics of racial hysteria. It was an era of world war and the atomic bomb, desegregation in the military but Jim and Jap Crow elsewhere in America, and a hopeful progressivism that gave way to Cold War paranoia. Jim and Jap Crow looks at Kikuchi's life and diaries as a lens through which to observe the possibilities, failures, and key conversations in a dynamic multiracial America.

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