Search results for ""Author Anselm""

Cambridge, Corpus Christi College 391, a Worcester manuscript of the second half of the 11th century, is the earliest surviving example of a primitive' breviary, that is, a book for the Office containing calendar, psalter, canticles, litany, hymnal, collectar (full lists of incipits of antiphons and hymns) and private prayers; the manuscript quite possibly belonged to Wulstan II, bishop of Worcester 1062-95. Vol. II includes the private prayers (some of which are in Old English), and contains a brief introduction and full indices.

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Over the last three decades neoliberal ideology has irreversibly changed our political and economic reality. But what—if any—relationship exists between neoliberalism and our built environment? Is There (Anti-)Neoliberal Architecture? seeks to complement the prevailingly geographical and sociological approaches to neoliberalism by (re)addressing the subject from the specific perspective of architectural theory. The articles collected in the volume focus on various dimensions of the contemporary architecture-system including: architectural practice, disciplinary status, discourse, exemplary projects, theoretical concepts etc. The result offers a multifaceted picture of architecture in the era of neoliberalism and its crisis. Contributions by Ole Fischer, Maria S. Giudici, Rixt Hoekstra, Tahl Kaminer, Ana Llorente, Olaf Pfeifer, Andreas Rumpfhuber, Ana Jeinić, Oliver Ziegenhardt, and

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Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art’s social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality—not only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an “Ethnology of the White Man” together with the excavation of the deep time of humanity—into the “Neolithic Childhood” mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein’s own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindřich Štyrský, Raoul Ubac, Paule Vézelay and others.

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The 2008 global financial crisis has led to the re-emergence in public discourse of the idea that capitalism could end. For many, it was proof of the notion that capitalist civilisation has an endemic tendency towards crisis that will ultimately bring about its demise. Must we assume, however, that such an eventuality would inevitably result in the liberation of humanity, as many orthodox Marxists claim? Through a collection of specially revised essays, first published in France between 2007 and 2010, Anselm Jappe draws on the radical new perspective of "the critique of value" as a critical tool with which to understand today's world and to re-examine the question of human emancipation. The Writing on the Wall offers a powerful new analysis of the decomposition of capitalism and its critics.

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An exploration of spirituality, values, and sustainability in business When Jochen Zeitz and Anselm Grün first met onstage as "the manager and the monk," Zeitz was CEO and Chairman of Puma, and Father Grün was a monk serving as cellarer, the business manager of his Benedictine abbey. They came together to discuss their shared goal: what it means to lead and manage responsibly and sustainably in today's shifting world. Available for the first time in English, The Manager and the Monk features these topical essays and dialogues, drawing on sources as diverse as the Bible, contemporary religious thought, psychological theory, and the innovative "environmental profit & loss account" Zeitz developed for Puma. Together, Zeitz and Gr??n explore their intersecting definitions of prosperity, values, sustainability, among a host of other topics. Jochen Zeitz was CEO of Puma for 18 years and is founder, with Sir Richard Branson, of the B Team, a global initiative aimed at transforming the future of business Anselm Grün is cellarer (business manager) of Münsterschwarzach Abbey in Germany, overseeing a staff of 300 in crafts such as beekeeping and brewing; and an internationally best-selling author of more than 300 books available in 35 languages Translated from an award-winning German book, Gott, Geld, und Gewissen, which has been translated into 11 languages The Manager and the Monk is a thoughtful, impassioned plea for how to manage responsibly in the modern world.

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January 1954. Mists cover the hills around Selchester. Someone at the research facility known as the Atomic is leaking secrets to Soviet Russia, and when nuclear scientist Bruno Rothesay goes missing, the British Intelligence Services are convinced he’s the mole. Hugo Hawksworth isn’t so sure. Then a body turns up, and Hugo’s instincts are proven correct. But if Rothesay wasn’t selling secrets to the Soviets, who is? As Hugo digs deeper into buried connections and unlikely coincidences, he knows there’s more to this case than his London superiors believe. But following his instincts will pit him against the Establishment—and tangle him once again in the poisonous legacy of the late Lord Selchester. As he closes in on the truth, Hugo finds himself confronted by an adversary who will stop at nothing, in a case that will prove the most personal of his career. With a touch of Downton Abbey, a whisper of Agatha Christie and a nod to John Le Carré, A Matter Of Loyalty is the third and final book in this delightfully classic and witty murder-mystery series.

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El presente volumen reúne los últimos trabajos de investigación del teórico del valor Anselm Jappe. Revisados y enriquecidos para esta edición, los textos aquí incluidos se esfuerzan por exponer sus propios presupuestos teóricos y constituyen un primer acercamiento a la teoría del valor y, al mismo tiempo, su aplicación a diferentes propósitos.

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In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin--its linchpin his definition of freedom of choice as the power to preserve rectitude of will for its own sake. In doing so, Anselm explores the fascinating implications for God, human beings, and angels (good and bad) of his conclusion that freedom of choice neither is nor entails the power to sin.In addition to an Introduction, notes, and a glossary, Thomas Williams brings to the translation of these important dialogues the same precision and clarity that distinguish his previous translation of Anselm's Proslogion and Monologion, which Professor Paul Spade of Indiana University called "scrupulously faithful and accurate without being slavishly literal, yet lively and graceful to both the eye and ear.

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In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin--its linchpin his definition of freedom of choice as the power to preserve rectitude of will for its own sake. In doing so, Anselm explores the fascinating implications for God, human beings, and angels (good and bad) of his conclusion that freedom of choice neither is nor entails the power to sin.In addition to an Introduction, notes, and a glossary, Thomas Williams brings to the translation of these important dialogues the same precision and clarity that distinguish his previous translation of Anselm's Proslogion and Monologion, which Professor Paul Spade of Indiana University called "scrupulously faithful and accurate without being slavishly literal, yet lively and graceful to both the eye and ear.

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Thomas Williams' edition offers an Introduction well suited for use in an introductory philosophy course, as well as his own preeminent translation of the text.

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What impact has deconstruction had on the way we read American culture? And how is American culture itself peculiarly deconstructive? To address these questions, this volume brings together some of the most provocative thinkers associated with deconstruction, among them Jacques Derrida, Judith Butler, and Avital Ronnel. Ranging across a wide field, from the ethics of reading to the rhetoric of performance, the contributors offer provocative insights into a new sense of the political. The America of the volume's title turns out to be the place where the politics and poetics of responsibility meet. It is also the place where we confront the tension between difference and profound otherness.

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Graz is widely deemed Austria’s capital of architecture. The Alpine country’s second largest city boasts both an Old Town that is a UNESCO World Heritage Site and the experimental Graz School buildings of the late 20th century. As the UNESCO City of Design since 2011, Graz fascinates with outstanding examples of historical and contemporary architecture that range from the Renaissance Eggenberg Palace to the Kunsthaus, otherwise known as the “Friendly Alien.” The updated second edition of the Architekturführer Graz—now also available in English translation—has been expanded to include 60 additional buildings. The book covers all relevant architecture from the 12th to 21st centuries. Twelve tours lead the reader to over 300 buildings, streets, and squares. The accompanying texts provide an in-depth, behind-the-scenes look at the building activities and embed this knowledge in the appropriate artistic and cultural-historical context.

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Anselm Gerhard explores the origins of grand opéra, arguing that its aesthetic innovations (both musical and theatrical) reflected not bourgeois tastes, but changes in daily life and psychological outlook produced by the rapid urbanization of Paris. These larger urban and social concerns—crucial to our understanding of nineteenth-century opera—are brought to bear in fascinating discussions of eight operas composed by Rossini, Auber, Meyerbeer, Verdi, and Louise Bertin."An invaluable look at this fascinating genre."—George W. Loomis, Opera News

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