Search results for ""rebellion""

The first book in an action-packed, poignant duology inspired by Nigerian mythology Dèmi just wants to survive: to avoid the suspicion of the nonmagical Ajes who occupy her ancestral homeland of Ife; to escape the King’s brutal genocide of her people – the darker skinned, magic wielding Oluso; and to live peacefully with her secretive mother while learning to control the terrifying blood magic that is her birthright. But when Dèmi’s misplaced trust costs her mother’s life, survival gives way to vengeance. She bides her time until the devious Lord Ekwensi grants her the perfect opportunity – kidnap the Aje prince, Jonas, and bargain with his life to save the remaining Oluso. With the help of her reckless childhood friend Colin, Dèmi succeeds, but discovers that she and Jonas share more than deadly secrets; every moment tangles them further into a forbidden, unmistakable attraction, much to Colin’s – and Dèmi’s – distress. The kidnapping is now a joint mission: to return to the king, help get Lord Ekwensi on the council, and bolster the voice of the Oluso in a system designed to silence them. But the way is dangerous, Dèmi’s magic is growing yet uncertain, and it’s not clear if she can trust the two men at her side. A tale of rebellion and redemption, race and class, love and betrayal, FORGED BY BLOOD is epic fantasy at its finest, from an enthusiastic, emerging voice.

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Fury of a Demon is the thrilling conclusion to the Dragons of Terra trilogy by Brian Naslund.‘Part Game of Thrones, part superhero epic . . . a cinematic fantasy whirlwind’ – Sebastien de Castell on Blood of an ExileThe land is in chaos as a hero heads for war.Commanding a devastating army of skyships, Osyrus Ward has conquered most of Terra. And to finish the task, he’s building a machine of unparalleled power. With it, he’d be unstoppable – and dragons would be wiped from the face of the earth.Bershad and Ashlyn are leading a desperate rebellion, but they’ve been trapped within the Dainwood by Ward’s relentless mercenaries. The rebels pray Ashlyn’s dark magic will give them an edge, but her powers are well-known to their enemies as they draw ever nearer. Out of options, Ashlyn must embark on a dangerous mission to save her fledgling army – or be crushed by Ward’s soldiers.Bershad was once invincible in battle, but this very power may prove his undoing. Now, with every new wound, his humanity is slipping further away. Bershad seems to be Terra’s last and best hope against terrifying forces. But to save the world, will he become the nightmare?‘Exciting, epic and wonderfully told, full of subtle humour and laugh-out-loud lines’ – Angus Watson on Blood of an ExileFury of a Demon follows Blood of an Exile and Sorcery of a Queen.

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In The Senses of Democracy, Francine R. Masiello traces a history of perceptions expressed in literature, the visual arts, politics, and history from the start of the nineteenth century to the present day. A wide transnational landscape frames the book along with an original and provocative thesis: when the discourse on democracy is altered—when nations fall into crisis or the increased weight of modernity tests minds and nerves—the representation of our sensing bodies plays a crucial role in explaining order and rebellion, cultural innovation, and social change.Taking a wide arc of materials—periodicals, memoirs, political proclamations, and travel logs, along with art installations and fiction—and focusing on the technologies that supplement and enhance human perception, Masiello looks at the evolution of what she calls “sense work” in cultural texts, mainly from Latin America, that wend from the heights of romantic thought to the startling innovations of modernism in the early twentieth century and then to times of posthuman experience when cyber bodies hurtle through globalized space and human senses are reproduced by machines. Tracing the shifting debates on perceptions, The Senses of Democracy offers a new paradigm with which to speak of Latin American cultural history and launches a field for the comparative study of bodies, experience, pleasure, and pain over the continental divide. In the end, sense work helps us to understand how culture finds its location.

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In The Senses of Democracy, Francine R. Masiello traces a history of perceptions expressed in literature, the visual arts, politics, and history from the start of the nineteenth century to the present day. A wide transnational landscape frames the book along with an original and provocative thesis: when the discourse on democracy is altered—when nations fall into crisis or the increased weight of modernity tests minds and nerves—the representation of our sensing bodies plays a crucial role in explaining order and rebellion, cultural innovation, and social change.Taking a wide arc of materials—periodicals, memoirs, political proclamations, and travel logs, along with art installations and fiction—and focusing on the technologies that supplement and enhance human perception, Masiello looks at the evolution of what she calls “sense work” in cultural texts, mainly from Latin America, that wend from the heights of romantic thought to the startling innovations of modernism in the early twentieth century and then to times of posthuman experience when cyber bodies hurtle through globalized space and human senses are reproduced by machines. Tracing the shifting debates on perceptions, The Senses of Democracy offers a new paradigm with which to speak of Latin American cultural history and launches a field for the comparative study of bodies, experience, pleasure, and pain over the continental divide. In the end, sense work helps us to understand how culture finds its location.

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Britain's defeat of Napoleon is one the great accomplishments in our history. And yet it was by no means certain that Britain itself would survive the revolutionary fervour of the age, let alone emerge victorious from such a vast conflict. From the late 1790s, the country was stricken by naval mutinies, rebellion in Ireland, and riots born of hunger, poverty and grinding injustice. As the new century opened, with republican graffiti on the walls of the cities, and revolutionary secret societies reportedly widespread, King George III only narrowly escaped assassination. Jacobin forces seemed to threaten a dissolution of the social order. Above all, the threat of French invasion was ever-present. Yet, despite all this, and new threats from royal madness and rampant corruption, Britain did not become a revolutionary republic. Her elites proved remarkably resilient, and drew on the power of an already-global empire to find the strength to defeat Napoleon abroad, and continued popular unrest at home. In this brilliant, sweeping history of the period, David Andress fuses two hitherto separate historical perspectives - the military and the social - to provide a vivid portrait of the age. From the conditions of warfare faced by the British soldier and the great battles in which they fought, to the literary and artistic culture of the time, The Savage Storm is at once a searing narrative of dramatic events and an important reassessment of one of the most significant turning points in our history.

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Hearing Elvis Presley, Bob Dylan once said, was “like busting out of jail.” But what happens when popular music isn’t as simple as rock-and-roll rebellion? How does pop respond to such events as a decade-long war in Iraq and Hurricane Katrina? In Pop When the World Falls Apart, a diverse array of music writers, scholars, and enthusiasts reflect on popular music’s role—as commentary, as refuge, and as rallying cry—in times of military conflict, social upheaval, and cultural crisis. Drawn from presentations at the annual Experience Music Project Pop Conference—hailed by Robert Christgau as “the best thing that’s ever happened to serious consideration of pop music”—the essays in this book include inquiries into the sonic dimension of war in Iraq; the cultural life of jazz in post-Katrina New Orleans; Isaac Hayes’s reappropriation of a country song, “By the Time I Get to Phoenix,” as a symbol of black nationalism; and punk rock pranks played on record execs looking for the next big thing in central Virginia. Offering a diverse range of voices, perspectives, and approaches, this volume mirrors the eclecticism of pop itself.Contributors: Larry Blumenfeld , Austin Bunn, Nate Chinen, J. Martin Daughtry, Brian Goedde, Michelle Habell-Pallán, Jonathan Lethem, Eric Lott, Kembrew McLeod, Elena Passarello, Diane Pecknold, David Ritz, Carlo Rotella, Scott Seward, Tom Smucker, Greg Tate, Karen Tongson, Alexandra T. Vazquez, Oliver Wang, Eric Weisbard, Carl Wilson

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This wide-ranging, original account of the politics and economics of the giant military supply project in the North reconstructs an important but little-known part of Civil War history. Drawing on new and extensive research in army and business archives, Mark R. Wilson offers a fresh view of the wartime North and the ways in which its economy worked when the Lincoln administration, with unprecedented military effort, moved to suppress the rebellion. This task of equipping and sustaining Union forces fell to career army procurement officers. Largely free from political partisanship or any formal free-market ideology, they created a mixed military economy with a complex contracting system that they pieced together to meet the experience of civil war. Wilson argues that the North owed its victory to these professional military men and their finely tuned relationships with contractors, public officials, and war workers. Wilson also examines the obstacles military bureaucrats faced, many of which illuminated basic problems of modern political economy: the balance between efficiency and equity, the promotion of competition, and the protection of workers' welfare. The struggle over these problems determined the flow of hundreds of millions of dollars; it also redirected American political and economic development by forcing citizens to grapple with difficult questions about the proper relationships among government, business, and labor. Students of the American Civil War will welcome this fresh study of military-industrial production and procurement on the home front-long an obscure topic.

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In January 1547 Henry VIII lay dying. His heir was just 9 years old and all England waited expectantly to see who would hold the reins of power until Edward VI came of age. Within days of Henry's death, the privy council overturned the terms of his will and Edward Seymour, Duke of Somerset was named Lord Protector. It was a decision that the men in power would come to regret. For nearly three years, Somerset was ‘king in all but name’, the most powerful man in England. But though he was a skilled soldier and leader on the battlefield, Somerset's political skills were not so well-honed. His single-mindedness and his overbearing attitude towards the privy Councillors alienated the very men whose support he most needed. When they lost patience with him, the scene was set for conflict. Despite energetic opposition, his religious reform was his greatest success and the establishment of the Book of Common Prayer, which laid the foundation of the Anglican Church, was to be his most enduring achievement. However, his efforts to lessen the authoritarian rule imposed by Henry VIII and to improve the well-being of the common folk led to widespread rebellion, and as his attempt to subdue the Scots failed, England faced war with France. To the people Edward Seymour was the 'Good Duke'. To his fellow Councillors he was a traitor. This is a story of Tudor ambition, power and the ultimate price of failure.

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Working as merchants, skilled tradesmen, clerks, lawyers, and journalists, Indians formed the economic and administrative middle class in colonial Kenya. In general, they were wealthier than Africans, but were denied the political and economic privileges that Europeans enjoyed. Moreover, despite their relative prosperity, Indians were precariously positioned in Kenya. Africans usually viewed them as outsiders, and Europeans largely considered them subservient. Indians demanded recognition on their own terms. Indians in Kenya chronicles the competing, often contradictory, strategies by which the South Asian diaspora sought a political voice in Kenya from the beginning of colonial rule in the late 1890s to independence in the 1960s.Indians’ intellectual, economic, and political connections with South Asia shaped their understanding of their lives in Kenya. Sana Aiyar investigates how the many strands of Indians’ diasporic identity influenced Kenya’s political leadership, from claiming partnership with Europeans in their mission to colonize and “civilize” East Africa to successful collaborations with Africans to battle for racial equality, including during the Mau Mau Rebellion. She also explores how the hierarchical structures of colonial governance, the material inequalities between Indians and Africans, and the racialized political discourses that flourished in both colonial and postcolonial Kenya limited the success of alliances across racial and class lines. Aiyar demonstrates that only by examining the ties that bound Indians to worlds on both sides of the Indian Ocean can we understand how Kenya came to terms with its South Asian minority.

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In a world of bad news, the story of Jesus, our Savior, is incredibly good news. The apostle Paul tells us that all have sinned and fallen short of God’s holy standard (see Romans 3:23). The consequences of our sin and rebellion is death (see Romans 6:23). But God, in his great mercy, sent Jesus into the world to pay the penalty for our transgressions. Jesus, who is God-in-the-flesh, was the only sinless person to have ever lived. He was able to do what we could not do and make a way for us to come before God.In the six lessons of Savior, you will explore how Jesus—being fully human but also fully divine—was able to offer himself as the perfect sacrifice for our sins. You will learn about Jesus’ mission for humanity, the kingdom of God he ushered in, and how he made a way for all who believe in him to be saved. Savior will help you see that even though God may feel distant at times, he is always working for your good and his glory. God has always been faithful to his people—and he always will be.Savior is the fourth of six volumes in the Jesus Bible Study Series, following Beginnings, Revolt, and People. Work through all the volumes in any order individually or within a group setting.

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A compelling look at Jackson Pollock's vibrant, quintessentially American art and the turbulent life that gave rise to it Jackson Pollock (1912–1956) not only put American art on the map with his famous "drip paintings," he also served as an inspiration for the character of Stanley Kowalski in Tennessee Williams's A Streetcar Named Desire—the role that made Marlon Brando famous. Like Brando, Pollock became an icon of rebellion in 1950s America, and the brooding, defiant persona captured in photographs of the artist contributed to his celebrity almost as much as his notorious paintings did. In the years since his death in a drunken car crash, Pollock's hold on the public imagination has only increased. He has become an enduring symbol of the tormented artist—our American van Gogh.In this highly engaging book, Evelyn Toynton examines Pollock's itinerant and poverty-stricken childhood in the West, his encounters with contemporary art in Depression-era New York, and his years in the run-down Long Island fishing village that, ironically, was transformed into a fashionable resort by his presence. Placing the artist in the context of his time, Toynton also illuminates the fierce controversies that swirled around his work and that continue to do so. Pollock's paintings captured the sense of freedom and infinite possibility unique to the American experience, and his life was both an American rags-to-riches story and a darker tale of the price paid for celebrity, American style.

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The status of Tibet is one of the most controversial and complex issues in the history of modern China. In To the End of Revolution, Xiaoyuan Liu draws on unprecedented access to the archives of the Chinese Communist Party to offer a groundbreaking account of Beijing’s evolving Tibet policy during the critical first decade of the People’s Republic.Liu details Beijing’s overarching strategy toward Tibet, the last frontier for the Communist revolution to reach. He analyzes how China’s new leaders drew on Qing and Nationalist legacies as they attempted to resolve a problem inherited from their predecessors. Despite acknowledging that religion, ethnicity, and geography made Tibet distinct, Beijing nevertheless forged ahead, zealously implementing socialist revolution while vigilantly guarding against real and perceived enemies. Seeking to wait out local opposition before choosing to ruthlessly crush Tibetan resistance in the late 1950s, Beijing eventually incorporated Tibet into its sociopolitical system. The international and domestic ramifications, however, are felt to this day.Liu offers new insight into the Chinese Communist Party’s relations with the Dalai Lama, ethnic revolts across the vast Tibetan plateau, and the suppression of the Lhasa Rebellion in 1959. Placing Beijing’s approach to Tibet in the contexts of the Communist Party’s treatment of ethnic minorities and China’s broader domestic and foreign policies in the early Cold War, To the End of Revolution is the most detailed account to date of Chinese thinking and acting on Tibet during the 1950s.

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The inside story of The Cure'Beautifully realised' Irish TimesComing of age in Thatcher's Britain in the late 70s and early 80s was really tough, especially if you lived in Crawley. But against the grinding austerity, social unrest and suburban boredom, the spark of rebellion that was punk set alight three young men who would become one of the most revered and successful bands of their generation. The Cure.Cured is a memoir by Lol Tolhurst, one of the founding imaginary boys, who met Robert Smith when they were five. Lol threads the genesis of The Cure through his schoolboy years with Smith, the iconic leader of the group, and the band's most successful era in the 1980s. He takes us up to the present day, a riveting forty years since the band's inception.The band's journey to worldwide success is woven into a story not only of great highs and lows but also of love, friendship, pain, forgiveness and, ultimately, redemption on a beach in Hawaii.Cured highlights those parts of the creative journey that are not normally revealed to fans, incorporating many first-hand recollections around Lol's personal odyssey. From suburban London to the Mojave desert, Cured brings an acute eye for the times to bear on a lifelong friendship, with tales of addiction and despair along the way. Cured is the story of a timeless band and a life truly lived.

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Wu Shih, T'ang of North America, has drawn the dragons' teeth, arresting the `Sons' and refusing to give them up to their powerful fathers until they come to heel. But in doing so he seals his own fate and feeds the flames of revolution in the process. In City Europe, Stefan Lehmann, the estranged son of the one-time Dispersionist leader, has fled to the icy Alpine wastes after the fall of DeVore's fortresses. It is from there that he returns, to set about making a name for himself in the Lowers of the City, infiltrating the cut-throat world of the Triad brotherhoods. Li Yuan has never been more content. He has come to love all three of his new wives, and celebrates the birth of his first legitimate son, Kuei Jen. In a powerful position in the Council, and with peace in the great world of levels, all seems well. Scientist, Kim Ward, has also found love - with the Marshal's daughter, Jelka Tolonen. But for both men, their happiness is to prove short-lived. The Lowers are ripe for rebellion with new groups of revolutionaries carving out small empires in those teeming warrens. And Tolonen would rather send his daughter to the far reaches of the solar system than have her marry a Clayborn. It will be seven years before they meet again; years in which Chung Kuo will rip itself apart.

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For almost 800 years, from their arrival with the first wave of Anglo-Normans in 1169, the FitzGeralds - Earls of Kildare and, from 1766, Dukes of Leinster - were the pre-eminent noble family living in Ireland, dominating the social, political, economic and cultural landscapes. This collection of essays, by established and emerging scholars, draws together some of the most recent and specialised research on the family, providing original perspectives on various aspects of their aristocratic history. Individual contributions inform on how the family first settled in Kildare and rose to ascendancy and how they maintained political status through court connections in England and beyond. Thematically, the essays cover such topics as the architecture and material culture of the Big House, the creation of the great eighteenth-century aristocratic demesne and landscape at Carton, the final break-up of the family's estates and its subsequent economic decline in the twentieth century.They examine the contributions made by individual members of the family to the social and cultural spheres in Ireland and further afield; their interest in local as well as international concerns; their enthusiasm for the arts, music and dancing; the relationship between employers and servants, dukes and the Catholic Church, younger sons and radicalism, the latter exemplified in the life of one of the more famous members of the family, Lord Edward FitzGerald, a leader of the Society of United Irishmen and the 1798 Rebellion.

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In 1846 the Crokers, a Presbyterian landlord family, flee famine-stricken West Cork aboard the Henry Clay, survive shipwreck and land in New York. There they are confronted with the grim realities of the teeming city – poverty, prostitution, and street gangs. In this world their youngest son, Richard Eyre ‘Boss’ Croker (1841-1922) thrives. Through sheer ambition, the barely literate Croker – engineer, prize-fighter, fixer, union organizer -battles his way from the backstreets to seize control of Tammany Hall, the very seat of power in New York. Charming but corrupt, Croker manipulates all who fall within his sphere, becoming one of the city’s most influential citizens in the late nineteenth century. Boss Croker also captures the drama of his later years – his move to Dublin, where he rebuilds Glencairn in Sandyford; how in 1907, his horse Orby becomes the first Irish horse to win the Epsom Derby; and his support for rebellion in Ireland through his contacts with Clan na Gael and Michael Collins. After the death of his first wife, heiress Elizabeth Frazer, he defies the disapproval of his children by marrying Bula Edmondson, a beautiful young Cherokee Indian. He is finally carried to his grave in 1922 by Oliver Gogarty and Arthur Griffith. Boss Croker is a gripping novel that unleashes all the extravagant energy of its subject. Telling Croker’s story in full for the first time – and brings New York and Irish America into vivid focus through the prism of one extraordinary, flamboyant, life.

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The brilliantly imagined coming-of-age fantasy series Witchlands continues with Bloodwitch. War is sweeping the witchlands and tainted magic is destroying both friends and enemies. While the Bloodwitch Aeduan is keeping one crucial secret . . .Here, loyalties will be tested as never before . . . The Bloodwitch Aeduan and Iseult the Threadwitch race for safety, desperate to evade the Raider King. His attempts to subdue the Witchlands are gaining momentum, as his forces sow terror in the mountains, slaughtering innocents. Despite differing goals, Aeduan and Iseult have grown to trust one another in the fight to survive. Yet trust is a tenuous bond . . .When Merik sacrifices himself to save his friends, he’s captured by the Fury. However, Merik isn’t one to give up easily, and he’ll do whatever it takes to protect those he loves. Then, in Marstok, Safi the Truthwitch is helping their empress uncover a rebellion. But those implicated are killed and Safi becomes desperate for freedom.Perhaps if Safi and Iseult were united, their powers could bring peace. However, chaos is not easily tamed and war has come once more to the Witchlands. Fate’s knife will come for them all, and the Bloodwitch Aeduan can no longer hide from his past.Bloodwitch is the third book in the Witchlands series, continue the adventure with Witchshadow.'Susan Dennard has worldbuilding after my own heart. It’s so good it’s intimidating' – Victoria Aveyard, author of the Red Queen series

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A SPECTATOR AND SCOTSMAN BOOK OF THE YEAR 'So well researched, pacily written and sympathetic to the Auld Cause that it almost makes one a Jacobite' Andrew Roberts, Spectator ‘Enthralling . . . Throws us straight into the fresh air, heather, rain and midges of the Hebrides, followed by the swamps and creeks of North America . . . Full of unforgettable glimpses’ The Times The year is 1746. The Jacobite rebellion has failed catastrophically and Scotland is reeling in the devastating aftermath of the battle of Culloden. Far to the west, on an island in the Outer Hebrides, twenty-four-year-old Flora Macdonald is woken in the dead of night by a messenger with urgent intelligence. Bonnie Prince Charlie is outside, begging for her help. With Flora's assistance, the Stuart prince is disguised as an Irish maid and smuggled to the Isle of Skye, evading government troops. Flora’s bravery and determination will see her immortalised in ballads and proclaimed a Scottish heroine. But her efforts also result in her capture and detention in London. Released the following year and returning to Skye, Flora goes on to marry and emigrate to North Carolina, only then to be caught up in the American Revolutionary War. In Pretty Young Rebel, award-winning biographer Flora Fraser tells the remarkable story of Flora Macdonald. It is a tale of adventure and daring, wit and charm, struggle and survival, and of a woman who showed extraordinary courage in the face of great danger.

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In Power in Modernity, Isaac Ariail Reed proposes a bold new theory of power that describes overlapping networks of delegation and domination. Chains of power and their representation, linking together groups and individuals across time and space, create a vast network of intersecting alliances, subordinations, redistributions, and violent exclusions. Reed traces the common action of “sending someone else to do something for you” as it expands outward into the hierarchies that control territories, persons, artifacts, minds, and money. He mobilizes this theory to investigate the onset of modernity in the Atlantic world, with a focus on rebellion, revolution, and state formation in colonial North America, the early American Republic, the English Civil War, and French Revolution. Modernity, Reed argues, dismantled the “King’s Two Bodies”—the monarch’s physical body and his ethereal, sacred second body that encompassed the body politic—as a schema of representation for forging power relations. Reed’s account then offers a new understanding of the democratic possibilities and violent exclusions forged in the name of “the people,” as revolutionaries sought new ways to secure delegation, build hierarchy, and attack alterity. Reconsidering the role of myth in modern politics, Reed proposes to see the creative destruction and eternal recurrence of the King’s Two Bodies as constitutive of the modern attitude, and thus as a new starting point for critical theory. Modernity poses in a new way an eternal human question: what does it mean to be the author of one’s own actions?

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The Number One Sunday Times BestsellerAn immersive historical fantasy, She Who Became the Sun by Shelley Parker-Chan is a queer retelling of one legendary Chinese ruler's rise to power.'Magnificent in every way. War, desire, vengeance, politics – Shelley Parker-Chan has perfectly measured each ingredient' – Samantha Shannon, author of The Priory of the Orange TreeIn a famine-stricken village on a dusty plain, a seer shows two children their fates. For a family’s eighth-born son, there’s greatness. For the second daughter, nothing.In 1345, China lies restless under harsh Mongol rule. And when a bandit raid wipes out their home, the two children must somehow survive. Zhu Chongba despairs and gives in. But the girl resolves to overcome her destiny. So she takes her dead brother’s identity and begins her journey. Can Zhu escape what’s written in the stars, as rebellion sweeps the land? Or can she claim her brother’s greatness – and rise, ruthlessly, to take the dragon throne?This is a glorious tale of love, loss, betrayal and triumph by a powerful new voice.She Who Became the Sun is a reimagining of the rise to power of Zhu Yuanzhang. Zhu was the peasant rebel who expelled the Mongols, unified China under native rule, and became the founding Emperor of the Ming Dynasty.‘Epic, tragic and gorgeous’ – Alix E. Harrow, author of The Ten Thousand Doors of January

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The second volume of this ground-breaking trilogy covers the reigns of Ptolemy II, III, IV, V and VI, who between them reigned for a century. Ptolemy III's rule brought the acquisition of Cyrenaica (through marriage) and territorial gains in Syria, the Aegean, Asia Minor and Thrace due to unexpected military successes in the Third Syrian War. These victories over the Seleukids, marked the apogee of Ptolemaic power. However, the rest of his reign was accompanied by internal trouble in Egypt. On Ptolemy III's death, his minister Sosibius organized the accession of Ptolemy IV, had the new king's mother and siblings murdered and continued as effective ruler for the whole reign. He also dominated that of Ptolemy V. There was a surprising success in the Fourth Syrian War but this was followed by a major rebellion and defeat in the Fifth Syrian War, with the loss of Syria/Palestine and Ptolemaic holdings in Asia Minor. The murder of Ptolemy V in 180 was followed by the long and troubled reign of Ptolemy VI, one of the ablest of the Ptolemies, but hampered by continued trouble in Egypt and in the court. A disastrous war against the Seleukid Antiochos IV set back the Ptolemaic recovery. Ptolemy did eventually manage a complete victory, only to die of wounds received in battle. John Grainger clearly recounts and analyses this dramatic period of war, politics, murder and court intrigue.

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From THE Sunday Times bestselling author Allan Mallinson, a riveting read with the perfect combination of hero, history and adventure - perfect for fans of Patrick O'Brian and Bernard Cornwell.'A very astounding and enjoyable military read' -- ***** Reader review'Excellent - full of excitement, adventure and history' -- ***** Reader review'Outstanding' -- ***** Reader review'Magnificent!' -- ***** Reader review'Allan Mallinson is a truly gifted storyteller..."- ***** Reader review*********************************************************************************1831: riots and rebellions are widespread . . .In England, the new government is facing protests against the attempts of the Tory-dominated House of Lords to thwart the passing of the Reform Bill. In India, relations are strained between the presidency of Madras and some of the neighbouring princely states.Having taken command of the action in Bristol to restore order after one of the bloodiest and most destructive riots in the nation's history, Lieutenant-Colonel Matthew Hervey is out of favour with the new government. But then his old friend, Sir Eyre Somervile, offers him a lifeline...Somervile has persuaded the Court of Directors of the East India Company to approve an increase in the Madras military establishment. Hervey and the 6th Light Dragoons are sent to the princely state of Coorg. The Rajah is in revolt against the East India Company's terms and Hervey's regiment is called upon to crush the rebellion.With the stakes raised by an unexpected visitation from his past, for Hervey the question is whether he and his men will get out of this brutal war unscathed?

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Rebel Voices: Disruptive Stories from Trailblazing Women - a new Puffin Classics collection, celebrating International Women's Day 2023To me, writing was pure pleasure. It thrilled me to be able to escape the horrors of my daily life in such a simple way. When I wrote, I forgot that I was the unwanted daughter who caused her mother's death. I could be anybody I wished to be.When her mother dies shortly after her birth, lonely Adeline is marked as 'bad luck' and treated as an outcast by her own family, shown kindness only by her grandfather and Aunt Baba who encourage her to follow her dreams.Adeline strives to win her father's acceptance by excelling in school, but instead discovers an escape in the friendships of her classmates and her talent for writing. For the first time Adeline allows herself to dream of a real future as a writer and yearns to study in England with her brother - but it is a future she will have to fight with every ounce of strength she has to achieve. Chinese Cinderella is Adeline Yen Mah's true story of survival and self-acceptance during her childhood as an unwanted daughter, and how she overcame her past to believe in a better future.Rebel Voices is a new six-part Puffin Classics collection of strikingly designed, highly collectible books, written by female authors, and celebrating courage, rebellion, strength and inspiration

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Whatever your ambitions, ideas and challenges, this book will revolutionize the way you live, think and work today, and tomorrow.Pirates didn't just break the rules, they rewrote them. They didn't just reject society, they reinvented it. Pirates didn't just challenge the status-quo, they changed everyfuckingthing. Pirates faced a self-interested establishment, a broken system, industrial scale disruption and an uncertain future. Sound familiar?Pirates stood for MISCHIEF, PURPOSE and POWER. And you can too. In Be More Pirate, Sam Conniff Allende unveils the innovative strategies of Golden Age pirates, drawing parallels between the tactics and teachings of legends like Henry Morgan and Blackbeard with modern rebels, like Elon Musk, Malala and Banksy. Featuring takeaway sections and a guide to build you own pirate code 2.0, Be More Pirate will show you how to leave your mark on the 21st century. So what are you waiting for? Join the rebellion now. -----'Unique...reminds me of the fun we've had with our airlines' - Sir Richard Branson'Totally compelling' Ed Miliband'I'd rather be a pirate than join the navy' Steve Jobs'A model for how to break the system and create radical change' Evening Standard 'Be More Pirate feels so important as it looks to history to help us grip the future' Martha Lane Fox 'This isn't a book, it's the beginning of a movement. Be More Pirate should come with a health warning' Tom Goodwin, author of Digital Darwinism

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Before #MeToo, before Riot Grrl, there was Lydia Lunch. A central figure in the No Wave scene of the seventies as founder of the seminal Teenage Jesus and The Jerks Lunch has pursued a four decade long career turning the substance of her life into unapologetic, stark, and beautiful art. From the eighties onward, Lunch became a lone voice publicly calling out the patriarchal aggressions and day-to-day violence enacted by the powerful and never gave a good goddamn whether you wanted to hear it or not. Refusing to be silenced, she took to stages the world over, fearlessly speaking the truth, whether of her own life with its legacy of parental abuse, of her wild times owning the streets of New York City, or of the world she saw around her. Seeing no boundaries between creative mediums, Lydia has enacted her vision through music, spoken word, film, theatre, and more. Released as an accompaniment to Beth B s new documentary The War Is Never Over, this book is the first comprehensive overview of Lunch s creative campaign of resistance, a celebration of pleasure as the ultimate act of rebellion. Across these pages, Lunch and her numerous collaborators including Thurston Moore, Jim Sclavunos, Kid Congo Powers, Bob Bert, Richard Kern, Nick Zedd, and Vivienne Dick recount life at the frontline of the musical extremes of the seventies and eighties underground, the wild times, the disciplined productivity, life lived as a defender of the voiceless, and an unapologetic force of righteous fury.

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Shedding new light on both classic and lesser-known works in the Melville canon with particular attention to the author's literary use of the Bible, Neither Believer Nor Infidel examines the debate between religious skepticism and Christian faith that infused Herman Melville's writings following Moby-Dick. Jonathan A. Cook's study is the first to focus on the decisive role of faith and doubt in Melville's writings following his mid-career turn to shorter fiction, and still later to poetry, as a result of the commercial failures of Moby-Dick and Pierre. Nathaniel Hawthorne claimed that Melville "can neither believe nor be comfortable in his unbelief," a remark that encapsulates an essential truth about Melville's attitude to Christianity. Like many of his Victorian contemporaries, Melville spent his literary career poised between an intellectual rejection of Christian dogma and an emotional attachment to the consolations of non-dogmatic Christian faith. Accompanying this ambivalence was a lifelong devotion to the text of the King James Bible as both moral sourcebook and literary template. Following a biographical overview of skeptical influences and manifestations in Melville's early life and career, Cook examines the evidence of religious doubt and belief in "Bartleby, the Scrivener," "Cock-a-Doodle-Doo!," "The Encantadas," Israel Potter, Battle-Pieces, Timoleon, and Billy Budd. Accessible for both the general reader and the scholar, Neither Believer Nor Infidel clarifies the ambiguities of Melville's pervasive use of religion in his fiction and poetry. In analyzing Melville's persistent oscillation between metaphysical rebellion and attenuated belief, Cook elucidates both well-known and under-appreciated works.

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Nationalist and ethnic conflict can take many forms, from genocidal violence and civil war to protest movements and peaceful squabbles in democracies. Nationalist Passions poses a stark challenge to extreme rationalist understandings of political conflict. Stuart J. Kaufman elaborates a compelling theory of ethnic politics to explain why ethnic violence erupts in some contexts and how peace is maintained in others. At the core of Kaufman’s theory is an assertion that conflicts are initiated due to popular "symbolic predispositions"—biases of all kinds—and perceptions of threat. Kaufman puts his theory to the test in a range of conflicts. He examines some highly violent episodes, among them the Muslim rebellion in the southern Philippines beginning in the 1970s; the civil war in southern Sudan that began in the 1980s; and the Rwanda genocide of 1994. Kaufman also analyzes other situations in which leaders attempted to tame the violence that nationalist passions can generate. In India, Mahatma Gandhi mobilized an overtly nonviolent movement but failed in his efforts to prevent the rise of Muslim-Hindu communal violence. In South Africa, Nelson Mandela and F. W. de Klerk ended apartheid, but not without terrible cost—more than fifteen thousand people died while the negotiations were under way. In Tanzania, however, Julius Nyerere led one of the few ethnically diverse countries in the world with almost no ethnic violence. Nationalist Passions is essential reading for policymakers, international aid workers, and all others who seek to find the best possible outcomes for future internal and interstate clashes.

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Edition of important documents from one of the major monastic centres of medieval England. In the wake of the Conqueror's ravaging of the North in the course of the rebellion and Danish invasion of 1069-70 the devastated city of York had to be largely rebuilt. The Conqueror himself contributed a major new abbey built in the west of the city, no doubt in a spirit of penitence for the wasting of the city and county carried out by his troops. The community's origins were not straightforward. It had begun in the early 1080s as a struggling monastic settlement on the ancient site of Lastingham on the North York Moors under its charismatic leader, Stephen. Around 1085 the community was adopted by the king and translated to the western quarter of York, to a site which had previously been the "burh" of the earl of Northumbria. The Conqueror made a creative use of the new Norman elite of Yorkshire to endow and secure the new abbey, an enterprise adopted and extended by his son William II Rufus in 1088. By the end of Abbot Stephen's term of office his abbey had absorbed a remarkable number of land grants from a variety of greater and lesser aristocrats across the North and East Ridings, as well as spawned two daughter houses in Cumbria. This new study uncovers in meticulous detail the manoeuvres of the king, the abbot and the aristocracy of Yorkshire as each looked to make spiritual and political capital out of the grand new royal foundation.

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The dawning era of nanotechnology promises to transform life as we know it. Visionary scientists are engineering materials and devices at the molecular scale that will forever alter the way we think about our technologies, our societies, our bodies, and even reality itself. Colin Milburn argues that the rise of nanotechnology involves a way of seeing that he calls “nanovision.” Trekking across the technoscapes and the dreamscapes of nanotechnology, he elaborates a theory of nanovision, demonstrating that nanotechnology has depended throughout its history on a symbiotic relationship with science fiction. Nanotechnology’s scientific theories, laboratory instruments, and research programs are inextricable from speculative visions, hyperbolic rhetoric, and fictional narratives. Milburn illuminates the practices of nanotechnology by examining an enormous range of cultural artifacts, including scientific research articles, engineering textbooks, laboratory images, popular science writings, novels, comic books, and blockbuster films. In so doing, he reveals connections between the technologies of visualization that have helped inaugurate nano research, such as the scanning tunneling microscope, and the prescient writings of Robert A. Heinlein, James Blish, and Theodore Sturgeon. He delves into fictive and scientific representations of “gray goo,” the nightmare scenario in which autonomous nanobots rise up in rebellion and wreak havoc on the world. He shows that nanoscience and “splatterpunk” novels share a violent aesthetic of disintegration: the biological body is breached and torn asunder only to be refabricated as an assemblage of self-organizing machines. Whether in high-tech laboratories or science fiction stories, nanovision deconstructs the human subject and galvanizes the invention of a posthuman future.

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In Heretics and Colonizers, Nicholas B. Breyfogle explores the dynamic intersection of Russian borderland colonization and popular religious culture. He reconstructs the story of the religious sectarians (Dukhobors, Molokans, and Subbotniks) who settled, either voluntarily or by force, in the newly conquered lands of Transcaucasia in the nineteenth century. By ordering this migration in 1830, Nicholas I attempted at once to cleanse Russian Orthodoxy of heresies and to populate the newly annexed lands with ethnic Slavs who would shoulder the burden of imperial construction. Breyfogle focuses throughout on the lives of the peasant settlers, their interactions with the peoples and environment of the South Caucasus, and their evolving relations with Russian state power. He draws on a wide variety of archival sources, including a large collection of previously unexamined letters, memoirs, and other documents produced by the sectarians that allow him unprecedented insight into the experiences of colonization and religious life. Although the settlers suffered greatly in their early years in hostile surroundings, they in time proved to be not only model Russian colonists but also among the most prosperous of the Empire's peasants. Banished to the empire's periphery, the sectarians ironically came to play indispensable roles in the tsarist imperial agenda. The book culminates with the dramatic events of the Dukhobor pacifist rebellion, a movement that shocked the tsarist government and received international attention. In the early twentieth century, as the Russian state sought to replace the sectarians with Orthodox settlers, thousands of Molokans and Dukhobors immigrated to North America, where their descendants remain to this day.

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How did Egypt's Muslim Brotherhood win power so quickly after the dramatic "Arab Spring" uprising that ended President Hosni Mubarak's thirty-year reign in February 2011? And why did the Brotherhood fall from power even more quickly, culminating with the popular "rebellion" and military coup that toppled Egypt's first elected president, Brotherhood leader Mohamed Morsi, in July 2013? In Arab Fall, Eric Trager examines the Brotherhood's decision making throughout this critical period, explaining its reasons for joining the 2011 uprising, running for a majority of the seats in the 2011-2012 parliamentary elections, and nominating a presidential candidate despite its initial promise not to do so. Based on extensive research in Egypt and interviews with dozens of Brotherhood leaders and cadres including Morsi, Trager argues that the very organizational characteristics that helped the Brotherhood win power also contributed to its rapid downfall. The Brotherhood's intensive process for recruiting members and its rigid nationwide command-chain meant that it possessed unparalleled mobilizing capabilities for winning the first post-Mubarak parliamentary and presidential elections. Yet the Brotherhood's hierarchical organizational culture, in which dissenters are banished and critics are viewed as enemies of Islam, bred exclusivism. This alienated many Egyptians, including many within Egypt's state institutions. The Brotherhood's insularity also prevented its leaders from recognizing how quickly the country was slipping from their grasp, leaving hundreds of thousands of Muslim Brothers entirely unprepared for the brutal crackdown that followed Morsi's overthrow. Trager concludes with an assessment of the current state of Egyptian politics and examines the Brotherhood's prospects for reemerging.

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Have you found yourself wilting in midlife, and wondering what you might do to flourish in your remaining years? Have you lost your way in the midlife maze due to a significant loss? Did you lose your job or desired career advancement? Did you separate or divorce? Did your last child leave home? Did your family experience a virtual storm of bankruptcy or lose your life savings in a financial meltdown? Did you or someone in your family experience the loss of good health? Or did you weather the death of a family member, partner, or friend? Your loss story is personal. Your path through winding passages during midlife is unique. Perhaps the most important encouragement for your grieving process is to know this simple fact: grieving is a natural healing response to loss rather than a pathological experience. Midlife can be a time of reflection, rebellion, or reconnecting to old or new interests and activities. It can also be a time when losses start to happen or begin to pile up – divorce, death of a loved one, loss of a job or home, the moving out and on of grown children—and learning how to move forward can be a challenge. Here, a seasoned psychologist looks at the geography of loss in midlife, the way it can affect us, and what we can do to get back on track or redirect ourselves when necessary. Through first hand stories and practical exercises, the author leads readers through the midlife maze to a place of recovery, purpose, and peace.

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The legacy of Luther Arkwright haunts his daughter Victoria, as she embarks on a mission to uncover her family's hidden secrets... Part One: Daughter of Albion. Princess Victoria Arkwright never knew her father, a man whose shadow she has lived under since he saved the multiverse from the cataclysmic forces of the Disruptors. 23 years after she and her brother Henry were born in the flames of war, Victoria seeks answers, but the truth lies deep in shadow. As rebellion gains momentum against Queen Anne's totalitarian rule, dark forces grow at the heart of the British Empire, forces that threaten all realities. The multiverse needs Luther Arkwright to save it once more, but Luther Arkwright is dead... Part Two: Cataclysm. Victoria Arkwright is drawn towards destiny as she unravels the dangerous secrets that have remained hidden since her brother's brutal murder. Prophecy says that reality will cease on her 23rd birthday - Victory Day - but with the help of Harry Fairfax and Rose Wylde, Victoria is determined to prevent the new apocalypse. To unlock her true self, Victoria must embrace painful realities and the enormity of the multiverse; only then will she discover the legacy of Luther Arkwright. CAST: : David Tennant (Luther Arkwright), Georgina Hellier (Victoria Arkwright), Jez Fielder (Harry Fairfax / Doctor John Dee), India Fisher (Queen Anne), Siri O’Neal (Rose Wylde), Robert Jezek (Karl Waszynko), Ahmed Hamad (Gabriel Shelley), Emma Williams (Northumberland), George Howard (Stanley), Lizzie Worsdell (Nurse / Lady in Waiting). Other parts played by members of the cast. NOTE: This release contains adult material and may not be suitable for younger listeners.

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On 21 July 1403 Sir Henry Percy - better known as Hotspur - led a rebel army out at Shrewsbury to face the forces of the king Henry IV. The battle was both bloody and decisive. Hotspur was shot down by an arrow and killed. Posthumously he was declared a traitor and his lands forfeited to the crown. This was an ignominious end to the brilliant career of one of the most famous medieval noblemen, a remarkable soldier, diplomat and courtier who played a leading role in the reigns of Richard II and Henry IV. How did he earn his extraordinary reputation, and why did Shakespeare portray him as a fearsomely brave but flawed hero who, despite a traitor's death, remained the mirror of chivalry? These are questions John Sadler seeks to answer in the first full biography of this legendary figure to be published for over twenty years. Hotspur's exploits as a soldier in France during the Hundred Years War, against the Scots in the Scottish borders and at the battles of Otterburn, Homildon Hill and Shrewsbury have overshadowed his diplomatic role as a loyal royal servant in missions to Prussia, Cyprus, Ireland and Aquitaine. And, as the heir to one of the foremost noble families of northern England, he was an important player not only in the affairs of the North but of the kingdom as a whole. So, as John Sadler reveals in this highly readable study, Hotspur was a much more varied and interesting character than his narrow reputation for headstrong attack and rebellion suggests.

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'Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.' So says Rat to Mole, as he introduces him to the delights of the river and his friends Toad, the spirit of rebellion, and Badger, the spirit of England. But it is a world where the motor-car is about to wreck the gipsy caravan, the revolutionaries in the Wild Wood are threatening the social fabric, the god Pan is abroad, and the warm seductive whispers of the south are drifting into the English lanes. An international children's classic, The Wind in the Willows grew from the author's letters to his young son, yet it is concerned almost exclusively with adult themes: fear of radical changes in political, social, and economic power. Mole's acceptance into the conservative world of the River Bank, and Toad's wild attempts to escape from it, are narrated in virtuoso language ranging from lively parody to elaborate fin-de-siècle mysticism. A profoundly English fiction with a world following, it is a book for adults adopted by children, a timeless masterpiece, and a vital portrait of an age. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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After World War II the Royal Air Force went through a considerable downsizing, but retained an essential maritime reconnaissance role for the protection of British interests overseas. These areas were primarily the Mediterranean, Middle East, Far East to Hong Kong and all associated trade routes linking them to Britain and each other. With the arrival in service of the Shackleton from 1951, re-equipment with the new type initially concentrated on the home fleet of Coastal Command. The first overseas station to get them was Gibraltar in 1952, followed by Malta, Singapore, Aden and finally Sharjah. In addition to their daily routine of maritime patrols, the overseas squadrons took part in a number of significant operations. From dealing with rebellion in Aden, Rhodesia’s Unilateral Declaration of Independence to the Indonesian Confrontation, the Shackleton played a vital peacekeeping role. There was even a permanent detachment on the island of Gan for search-and-rescue cover for aircraft transiting to and from the Far East.The last overseas RAF Shackletons were based at Sharjah until late 1971, with a detachment from the UK remaining in Singapore until 1972. The only other operator of the type was the South African Air Force, who flew eight examples of the MR.3 from 1957. The survivors were finally withdrawn from use in November 1984. Thus, after almost thirty-three years the Shackleton’s overseas story was essentially over. Following the outstanding success of Volume 1, published in 2018 and still available, Steve Bond has garnered another exceptional group of Shack operators who delight in giving the reader their tales of derring-do. Another one for the Boys’ kitbag!

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Examines how the Irish American community, the American public, and the American government played a crucial role in the making of a sovereign independent Ireland On Easter Day 1916, more than a thousand Irishmen stormed Dublin city center, seizing the General Post Office building and reading the Proclamation for an independent Irish Republic. The British declared martial law shortly afterward, and the rebellion was violently quashed by the military. In a ten-day period after the event, fourteen leaders of the uprising were executed by firing squad. In New York, news of the uprising spread quickly among the substantial Irish American population. Initially the media blamed German interference, but eventually news of British-propagated atrocities came to light, and Irish Americans were quick to respond. America and the Making of an Independent Ireland centres on the diplomatic relationship between Ireland and the United States at the time of Irish Independence and World War I. Beginning with the Rising of 1916, Francis M. Carroll chronicles how Irish Americans responded to the movement for Irish independence and pressuring the US government to intervene on the side of Ireland. Carroll’s in-depth analysis demonstrates that Irish Americans after World War I raised funds for the Dáil Éireann government and for war relief, while shaping public opinion in favor of an independent nation. The book illustrates how the US government was the first power to extend diplomatic recognition to Ireland and welcome it into the international community. Overall, Carroll argues that the existence of the state of Ireland is owed to considerable effort and intervention by Irish Americans and the American public at large.

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How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artistsThe 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly channeled those experiences into his art, while making his mark on every facet of the psychedelic movement—from the mountains of Mexico with Timothy Leary to the rock ballrooms of San Francisco to the gilded excesses of the New Hollywood. In The Artist in the Counterculture, Thomas Crow tells the story of California art from the 1960s to the 1980s—some of the strongest being made anywhere at the time—and why it cannot be understood apart from the new possibilities of thinking and feeling unleashed by the rebels of the counterculture.Crow reevaluates Conner and other key figures—from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk—as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career.The result is a major new account of the counterculture’s enduring influence on modern art.

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How creative freedom, race, class, and gender shaped the rebellion of two visionary artistsPostwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons.In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels.Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.

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Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.

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*SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2023*The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.'Fabulous.' Sunday Times 'A rare gift.' Financial Times 'Passionate ... Vivid ... Timely.' Telegraph 'Readable and inspiring.' Guardian 'Compelling ... Ambitious ... Poignant.' Spectator 'Magnificent.' Kate Mosse 'Riveting.' Antonia Fraser 'A breath of fresh air.' Kate Molleson 'Fascinating.' Alexandra Harris 'Wonderful.' Claire Tomalin 'Splendid.' Miranda Seymour 'Remarkable.' Fiona Maddocks 'Pioneering.' Andrew Motion 'Brilliant' Helen PankhurstEthel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian composer was a larger-than-life socialite, intrepid traveller and committed Suffragette.Rebecca Clarke (b.1886): This talented violist and Pre-Raphaelite beauty was one of the first women ever hired by a professional orchestra, later celebrated for her modernist experimentation.Dorothy Howell (b.1898): A prodigy who shot to fame at the 1919 Proms, her reputation as the 'English Strauss' never dented her modesty; on retirement, she tended Elgar's grave alone.Doreen Carwithen (b.1922): One of Britain's first woman film composers who scored Elizabeth II's coronation film, her success hid a 20-year affair with her married composition tutor.In their time, these women were celebrities. They composed some of the century's most popular music and pioneered creative careers; but today, they are ghostly presences, surviving only as muses and footnotes to male contemporaries like Elgar, Vaughan Williams and Britten - until now.Leah Broad's magnificent group biography resurrects these forgotten voices, recounting lives of rebellion, heartbreak and ambition, and celebrating their musical masterpieces. Lighting up a panoramic sweep of British history over two World Wars, Quartet revolutionises the canon forever.

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Faith, Nationalism, and the Future of Liberal Democracy highlights the use of religious identity to fuel the rise of illiberal, nationalist, and populist democracy. In Faith, Nationalism, and the Future of Liberal Democracy, David Elcott, C. Colt Anderson, Tobias Cremer, and Volker Haarmann present a pragmatic and modernist exploration of how religion engages in the public square. Elcott and his co-authors are concerned about the ways religious identity is being used to foster the exclusion of individuals and communities from citizenship, political representation, and a role in determining public policy. They examine the ways religious identity is weaponized to fuel populist revolts against a political, social, and economic order that values democracy in a global and strikingly diverse world. Included is a history and political analysis of religion, politics, and policies in Europe and the United States that foster this illiberal rebellion. The authors explore what constitutes a constructive religious voice in the political arena, even in nurturing patriotism and democracy, and what undermines and threatens liberal democracies. To lay the groundwork for a religious response, the book offers chapters showing how Catholicism, Protestantism, and Judaism can nourish liberal democracy. The authors encourage people of faith to promote foundational support for the institutions and values of the democratic enterprise from within their own religious traditions and to stand against the hostility and cruelty that historically have resulted when religious zealotry and state power combine. Faith, Nationalism, and the Future of Liberal Democracy is intended for readers who value democracy and are concerned about growing threats to it, and especially for people of faith and religious leaders, as well as for scholars of political science, religion, and democracy.

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In this Ming-era novel, historical narrative, raucous humor, and the supernatural are interwoven to tell the tale of an unsuccessful attempt to overthrow the Song dynasty. A poor young girl meets an old woman who gives her a magic book that allows her to create rice and money. Her father, terrified that his daughter's demonic nature might be discovered, marries her off. Forced to flee, she and others with supernatural abilities find themselves in the midst of a grotesque version of a historical uprising, in which facts are intermingled with slapstick humor and wild fictions. Attributed to the writer Luo Guanzhong, Quelling the Demons' Revolt is centered on the events of the rebellion led by Wang Ze in 1047-48. But it is a distorted, humorous version, in which Wang Ze's lieutenants show up as a comical peddler and a mysterious Daoist priest and a celebrated warrior appears despite having died many years earlier. Rather than fantastic adventures and supernatural marvels, the author points to human vanities and fixations as well as social injustice, warning of the vulnerability of any pursuit of order in a world plagued by demonic forces as well as mundane corruption. Although the story takes place long before the era in which it was written, ultimately Quelling the Demons' Revolt is the story of the Ming dynasty in Song masquerade, presciently warning of the dynasty's downfall. The novel is divided into chapters, but in many ways it is an arrangement of self-contained stories that draw on vernacular storytelling. This translation offers English-speaking readers a spirited example of social critique combined with caustic humor from the era of Luo Guanzhong.

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'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan'Brilliant and unputdownable' Salman RushdieHe's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here!In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same.Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. As a travelling entertainer, his journey will take him across the land and into the heart of a never-ending war.A prince's doomed acceptance of the Bohemian throne has European armies lurching brutally for dominion and now the Winter King casts a sunless pall. Between the quests of fat counts, witch-hunters and scheming queens, Tyll dances his mocking fugue; exposing the folly of kings and the wisdom of fools.With macabre humour and moving humanity, Daniel Kehlmann lifts this legend from medieval German folklore and enters him on the stage of the Thirty Years' War. When citizens become the playthings of politics and puppetry, Tyll, in his demonic grace and his thirst for freedom, is the very spirit of rebellion - a cork in water, a laugh in the dark, a hero for all time.

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Now a major movie, Love in Taipei, on Paramount+ “Exciting and authentic.” Sabaa Tahir, New York Times bestselling author of An Ember in the Ashes “Surprising, original and intelligent. An intense rush of rebellion and romance.” Stephanie Garber, New York Times bestselling author of Caraval “Fresh as a first kiss.” Stacey Lee, award-winning author of Outrun the Moon “Fresh, fun, heartfelt, and totally addictive.” Kelly Loy Gilbert, author of Conviction Perfect for fans of The Summer I Turned Pretty and Crazy Rich Asians, this romantic and layered debut from Abigail Hing Wen is a dazzling, fun-filled romp.“Our cousins have done this program,” Sophie whispers. “Best kept secret. Zero supervision.” And just like that, Ever Wong’s summer takes an unexpected turn. Gone is Chien Tan, the strict educational program in Taiwan that Ever was expecting. In its place, she finds Loveboat: a summer-long free-for-all where hook-ups abound, adults turn a blind eye, and the nightlife runs nonstop. But not every student is quite what they seem:Ever is working toward becoming a doctor but nurses a secret passion for dance.Rick Woo is the Yale-bound child prodigy bane of Ever’s existence whose perfection hides a secret. Boy-crazy, fashion-obsessed Sophie Ha turns out to have more to her than meets the eye. And under sexy Xavier Yeh’s shell is buried a shameful truth he’ll never admit. When these students’ lives collide, it’s guaranteed to be a summer Ever will never forget! With over 4 million views on TikTok, Loveboat, Taipei is the ideal read for fans of Ali Hazelwood, Talia Hibbert and Dustin Thao.

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**Named by Men's Health: "50 Books Every Man Should Read Before Turning 50"**Based upon the historical bandit Song Jiang and his companions, The Water Margin is an epic tale of rebellion against tyranny that will remind Western readers of the English classic Robin Hood and His Merry Men.This edition of the classic J. H. Jackson translation brings a story that has been inspiring readers for hundreds of years to life for modern audiences. It features a new preface and introduction by Edwin Lowe, which gives the history of the book and puts the story into perspective for today's readers. First translated into English by Pearl S. Buck in 1933 as All Men Are Brothers, the original edition of the J.H. Jackson translation appeared under the title The Water Margin in 1937. In this updated edition, Edwin Lowe addresses many of the shortcomings found in the original J.H. Jackson translation, and reinserts the grit and flavor of Shuihui Zhuan found in the original Chinese versions, including the sexual seduction, explicit descriptions of brutality, and the profane voices of the lower classes of Song Dynasty China. Similarly, the Chinese deities, Bodhisattvas, gods and demons have reclaimed their true names, as has the lecherous, ill-fated Ximen Qing. This 70-chapter book includes much that was sanitized out of the 1937 publication, giving Anglophone readers the most complete picture to date of this classic Chinese novel.While Chinese in origin, the themes of The Water Margin are so universal that they have served as a source of inspiration for numerous movies, television shows and video games up to the present day.

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In 1691, many of those in the Irish catholic army defeated by William of Orange fled to France, where they established the tradition of “Irish Brigades” fighting the British from abroad to secure Irish independence. They became known as the “Wild Geese”. Over the ensuing years, several Irish nationalists set up brigades in different conflicts. This book sets out the history of those brigades and their charismatic leaders, starting with Thomas Francis Meagher, a participant in the 1848 rebellion who was transported to Tasmania before escaping to America and establishing a brigade in the US Civil War. “Foxy Jack” MacBride established a brigade fighting the British in the Boer War, married the famous actress Maud Gonne (friend of the poet W B Yeats), and was executed for taking part in the Easter Rising 1916. Born in Australia, Arthur Lynch also formed a brigade in the Boer War, following which he became a British MP, and was found guilty of treason, before being pardoned and establishing a separate brigade in the British army in the First World War. Roger Casement, humanitarian and ex-British Consul, is the most famous of those covered. Casement was executed in controversial circumstances for establishing an Irish Brigade during the First World War. This work examines those circumstances in depth and the true role that he played in the Easter Rising. The last of those covered was Joseph Patrick Dowling, jailed for landing in Ireland from a German submarine in 1918. The book examines the part played individually and collectively by the brigades in finally securing Irish independence, drawing heavily on British official documents.

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Jacobite Sons in New South Wales is the last book in the Trilogy that tracks the Lovat family from the devastation of the Jacobite Rebellion in the Scottish Highlands to their resettlement in Australia. In the first book, Son of a Jacobite, Thomas is born on the day his father is killed at Culloden, marking the defeat of the Scots at the hands of the English. Growing up in Lancashire, he travels to Persia as a young man and discovers Islam. After joining the British Army, he serves in the American Wars, struggling with being a British Officer due to his rebellious Jacobite spirit, one he sees reflected in the American cause. In The Jacobite Grandson, Thomas takes his son, Edward, to Persia where Edward also comes to understand the Islamic world. Edward joins the Royal Navy and travels to New South Wales, struggling like his father with his rebellious heritage, especially as he sees the injustices meted out to the convicts and Indigenous peoples. In Jacobite Sons in New South Wales, Edward’s two sons, Thomas and Charles, migrate permanently to New South Wales, one as a pioneer educator, the other as a pioneer clergyman. It covers their own struggles with the sectarianism and divisions that characterised public and church life in the colony at the time. Much factual history is inserted into the lives of all the key characters through events and people such as Thomas Jefferson, Sir Joseph Banks, Sir Arthur Philip and later governors of New South Wales. The history is coloured by the love lives, happy and sad, of all the main players.

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