Search results for ""rebellion""

'BRAZILIAN PSYCHO is a riveting and explosive masterpiece of political crime fiction that deserves to share the shelf with AMERICAN TABLOID, THE POWER OF THE DOG and A BRIEF HISTORY OF SEVEN KILLINGS, and confirms Joe Thomas as one of our very best contemporary crime writers.' David Peace'Complex and compelling, and shot through with moments of horror and beauty, BRAZILIAN PSYCHO is a magnificent achievement.' The Times Crime Club'Fans of Don Winslow and James Ellroy's epic forays into the societal effects of systematic dysfunction and corruption will want to check this out' Publishers WeeklyBrazil, 1 January 2003: President Luis Inacio 'Lula' da Silva begins fifteen years of left-wing government. 1 January 2019: Jair Bolsonaro is inaugurated, a president of the populist right. How did it come to this? A blockbusting novel of our times, Brazilian Psycho introduces and completes Joe Thomas's acclaimed Sao Paulo quartet. Over sixteen years, a diverse cast of characters live through the unfolding social and political drama, setting in motion a whirlwind of plots and counterplots: the murder of a British school headmaster and the consequent cover-up; the chaos and score-settling of the PCC drug gang rebellion over the Mothers' Day weekend of 2006; a copycat serial killer; the secret international funding of nationwide anti-government protests; the bribes, kickbacks and shakedowns of the Mensalao and Lava Jato political corruption scandals, the biggest in Brazilian historyBrazilian Psycho weaves social crime fiction, historical fact, and personal experience to record the radical tale of one of the world's most fascinating, glamorous, corrupt, violent, and thrilling cities. PRAISE FOR JOE THOMAS 'Brilliant' The Times 'Feverish energy' Guardian 'Wonderfully vivid' Mail on Sunday'Sophisticated, dizzying' GQ'Vivid and visceral' The Times'Superbly realised vivid and atmospheric' Guardian'Original' Mail on Sunday'A stylish, atmospheric treat an inspired blend of David Peace and early Pinter' Irish Times 'Sparse, energetic, fragmented prose' The Spectator 'Vibrant, colourful, and complex' Irish Independent 'Stylish, sharp-witted, taut. A must for modern noir fans' NB Magazine 'Definitive confident and energetic' Crime Time 'Brilliant manic energy' Jake Arnott 'Wildly stylish and hugely entertaining' Lucy Caldwell 'Vivid, stylish, funny' Mick Herron 'Gripping, fast-paced, darkly atmospheric' Susanna Jones 'Snappy, thoughtful, moving' John King 'Exciting, fresh, incredibly assured' Stav Sherez 'Happy days!' Mark Timlin 'Utterly brilliant' Cathi Unsworth 'Had James Ellroy and David Peace collaborated on a novel they'd have written something like this' Paul Willets

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Winston Churchill wrote five books before he was elected to Parliament at the age of twenty-five. The most impressive of these books, The River War tells the story of Britain’s arduous and risky campaign to reconquer the Sudan at the end of the nineteenth century. More than half a century of subjection to Egypt had ended a decade earlier when Sudanese Dervishes rebelled against foreign rule and killed Britain’s envoy Charles Gordon at his palace in Khartoum in 1885. Political Islam collided with European imperialism. Herbert Kitchener’s Anglo-Egyptian army, advancing hundreds of miles south along the Nile through the Sahara Desert, defeated the Dervish army at the battle of Omdurman on September 2, 1898. Churchill, an ambitious young cavalry officer serving with his regiment in India, had already published newspaper columns and a book about fighting on the Afghan frontier. He yearned to join Kitchener’s campaign. But the general, afraid of what he would write about it, refused to have him. Churchill returned to London. With help from his mother and the prime minister, he managed to get himself attached to an English cavalry regiment sent to strengthen Kitchener’s army. Hurriedly travelling to Egypt, Churchill rushed upriver to Khartoum, catching up with Kitchener’s army just in time to take part in the climactic battle. That day he charged with the 21st Lancers in the most dangerous fighting against the Dervish host. He wrote fifteen dispatches for the Morning Post in London. As Kitchener had expected, Churchill’s dispatches and his subsequent book were highly controversial. The precocious officer, having earlier seen war on two other continents, showed a cool independence of his commanding officer. He even resigned from the army to be free to write the book as he pleased. He gave Kitchener credit for his victory but found much to criticize in his character and campaign. Churchill’s book, far from being just a military history, told the whole story of the Egyptian conquest of the Sudan and the Dervishes’ rebellion against imperial rule. The young author was remarkably even-handed, showing sympathy for the founder of the rebellion, Muhammad Ahmed, and for his successor the Khalifa Abdullahi, whom Kitchener had defeated. He considered how the war in northeast Africa affected British politics at home, fit into the geopolitical rivalry between Britain and France, and abruptly thrust the vast Sudan, with the largest territory in Africa, into an uncertain future in Britain’s orbit. In November 1899, The River War was published in “two massive volumes, my magnum opus (up to date), upon which I had lavished a whole year of my life,” as Churchill recalled later in his autobiography. The book had twenty-six chapters, five appendices, dozens of illustrations, and colored maps. Three years later, in 1902, it was shortened to fit into one volume. Seven whole chapters, and parts of every other chapter, disappeared in the abridgment. Many maps and most illustrations were also dropped. Since then the abridged edition has been reprinted regularly, and eventually it was even abridged further. But the full two-volume book, which is rare and expensive, was never published again—until now. St. Augustine’s Press, in collaboration with the International Churchill Society, brings back to print in two handsome volumes The River War: An Historical Account of the Reconquest of the Soudan unabridged, for the first time since 1902. Every chapter and appendix from the first edition has been restored. All the maps are in it, in their original colors, with all the illustrations by Churchill’s brother officer Angus McNeill. More than thirty years in the making, under the editorship of James W. Muller, this new edition of The River War will be the definitive one for all time. The whole book is printed in two colors, in black and red type, to show what Churchill originally wrote and how it was abridged or altered later. For the first time, a new appendix reproduces Churchill’s Sudan dispatches as he wrote them, before they were edited by the Morning Post. Other new appendices reprint Churchill’s subsequent writings on the Sudan. Thousands of new footnotes have been added to the book by the editor, identifying Churchill’s references to people, places, writings, and events unfamiliar to readers today. Professor Muller’s new introduction explains how the book fits into Churchill’s career as a writer and an aspiring politician. He examines the statesman’s early thoughts about war, race, religion, and imperialism, which are still our political challenges in the twenty-first century. Half a century after The River War appeared, this book was one of a handful of his works singled out by the Swedish Academy when it awarded Churchill the Nobel Prize for Literature in 1953. Now, once again, its reader can follow Churchill back to the war he fought on the Nile, beginning with the words of his youngest daughter. Before she died, Mary Soames wrote a new foreword, published here, which concludes that “In this splendid new edition…we have, in effect, the whole history of The River War as Winston Churchill wrote it—and it makes memorable reading.”

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This first-of-its-kind biography tells the story of Rev. James Page, who rose from slavery in the nineteenth century to become a religious and political leader among African Americans as well as an international spokesperson for the cause of racial equality.Winner of the Rembert Patrick Award by The Florida Historical Society, Florida Non-Fiction Book Award by the Florida Book Awards, Harry T. and Harrietter V. Moore Award by the Florida Historical SocietyJames Page spent the majority of his life enslaved—during which time he experienced the death of his free father, witnessed his mother and brother being sold on the auction block, and was forcibly moved 700 miles south from Richmond, VA, to Tallahassee, FL, by his enslaver, John Parkhill. Page would go on to become Parkhill's chief aide on his plantation and, unusually, a religious leader who was widely respected by enslaved men and women as well as by white clergy, educators, and politicians. Rare for enslaved people at the time, Page was literate—and left behind ten letters that focused on his philosophy as an enslaved preacher and, later, as a free minister, educator, politician, and social justice advocate. In Father James Page, Larry Eugene Rivers presents Page as a complex, conflicted man: neither a nonthreatening, accommodationist mouthpiece for white supremacy nor a calculating schemer fomenting rebellion. Rivers emphasizes Page's agency in pursuing a religious vocation, in seeking to exhibit "manliness" in the face of chattel slavery, and in pushing back against the overwhelming power of his enslaver. Post-emancipation, Page continued to preach and to advocate for black self-determination and independence through black land ownership, political participation, and business ownership. The church he founded—Bethel Missionary Baptist Church in Tallahassee—would go on to be a major political force not only during Reconstruction but through today. Based upon numerous archival sources and personal papers, as well as an in-depth interview of James Page and a reflection on his life by a contemporary, this deeply researched book brings to light a fascinating life filled with contradictions concerning gender, education, and the social interaction between the races. Rivers' biography of Page is an important addition, and corrective, to our understanding of black spirituality and religion, political organizing, and civic engagement.

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PRE-ORDER THE BRAND NEW NOVEL FROM MARTIN CRUZ SMITH, COMING 2025!‘The later Renko novels are stark, spare and beautiful, like trees in winter. Martin Cruz Smith does more on a page than most writers manage in a chapter. He is unique and irreplaceable’ MICK HERRON ARKADY RENKO IS BACK . . . Renko has been confined to a desk job by his superiors to keep him out of the way. Although he’s more disillusioned with policing and the general state of Russia than ever, he feels an odd sense of hope. A rebellion is bubbling in the country, with new values butting heads against old-school regimes. People want change and politician Leonid Lebedev could be the man to do it. When Karina, a staunch supporter of Lebedev and member of the Forum, goes missing, Renko is asked by her father to find her. Soon after his investigation begins, Alex, a close friend of Arkady’s son, is found dead. He was also a member of the Forum. The night before his murder, Alex sent Arkady a cryptic message, simply containing three pictures of Russian writers. The link between the pictures is there, if only Renko could see it. But Arkady has just been diagnosed with Parkinson’s and the physical and psychological effects of the disease are taking their toll. This time, he must fight more than the impenetrable Russian regime to get answers – he will need to fight himself. PRAISE FOR MARTIN CRUZ SMITH: ‘Smith was among the first of a new generation of writers who made thrillers literary’ Guardian ‘One of those writers that anyone who is serious about their craft views with respect bordering on awe’ Val McDermid ‘Martin Cruz Smith writes with an immediacy, depth and lightness of touch that is rare in its combination, and impossible to resist . . . Independence Square is no exception, and further crystallises Cruz Smith as one of the finest writers of our age’ Charlotte Philby ​ ‘The undisputed master of the political crime thriller’ Abir Mukherjee 'A moving portrayal of struggle against political and personal tides' New York Times 'Renko started off investigating murders in Soviet Russia, now it's political corruption in Putin's Russia. And it's even more gripping than before' Gareth Rubin ‘Cruz Smith’s most powerful and engaging novel since Gorky Park’ Paul Burke, CrimeTime FM

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Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern letters, will be fascinated by his life. Poetry readers recognize Tate, whom T. S. Eliot once called the best poet writing in America, as the author of some of the twentieth century's most powerful modernist verse. Others know him as a founder of The Fugitive, the first significant poetry journal to emerge from the South. Tate joined William Faulkner and others in launching what came to be known as the Southern Literary Renaissance. In 1930, he became a leader of the Southern Agrarian movement, perhaps America's final potent critique of industrial capitalism. By 1938, Tate had departed politics and written The Fathers, a critically acclaimed novel about the dissolution of the antebellum South. He went on to earn almost every honor available to an American poet. His fatherly mentoring of younger poets, from Robert Penn Warren to Robert Lowell, and of southern novelists--including his first wife, Caroline Gordon--elicited as much rebellion as it did loyalty. Long-awaited and based on the author's unprecedented access to Tate's personal papers and surviving relatives, Orphan of the South brings Tate to 1938. It explores his attempt, first through politics and then through art, to reconcile his fierce talent and ambition with the painful history of his family and of the South. Tate was subjected to, and also perpetuated, fictional interpretations of his ancestry. He alternately abandoned and championed Southern culture. Viewing himself as an orphan from a region where family history is identity, he developed a curious blend of spiritual loneliness and ideological assuredness. His greatest challenge was transforming his troubled genealogy into a meaningful statement about himself and Southern culture as a whole. It was this problem that consumed Tate for the first half of his life, the years recorded here. This portrait of a man who both made and endured American literary history depicts the South through the story of one of its treasured, ambivalent, and sometimes wayward sons. Readers will gain a fertile understanding of the Southern upbringing, education, and literary battles that produced the brilliant poet who was Allen Tate.

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_______________ 'His novels probe the sore spots and raw wounds of contemporary Spain, their cunning and complexity leavened by a light touch and an easy, graceful style' - Boyd Tonkin, Independent on Sunday 'The beauty of this intelligently probing novel is that one is left wondering if we ever truly know anything about anybody – that anybody including ourselves' - Scotsman 'Compelling ... the real strengths of the book are in Cercas’s unadorned prose, once again deftly translated by Anne McLean, and in his ear for the rhythms of everyday speech' - Guardian _______________ Longlisted for the Dublin Literary Award 2016, this novel from the author of Soldiers of Salamis and The Anatomy of a Moment tells the story of three teenage outsiders in post-Franco Spain In the late 1970s, as Spain was adrift between the death of Franco and the rebirth of democracy, people were moving from the poor south to the cities of the north in search of a better life. But the work, when there was any, was poorly paid and the housing squalid. Out of this world of limited opportunities a generation of delinquents arose whose prospects were stifled and whose rebellion would be brief and violent… One summer’s day in Gerona a bespectacled, sixteen-year-old Ignacio Cañas, known to his few friends as Gafitas, is working in an amusement arcade, when a charismatic teenager walks in with the most beautiful girl Cañas has ever seen. Zarco and Tere take over his pinball machine and his life. Thirty years on and now a successful criminal defence lawyer, Cañas has tried to put that long, hot summer of drugs, yearning and delinquency behind him. But when Tere appears in his office and asks him to represent El Zarco, who has been in prison all this time, what else can Gafitas do but accept? A powerful novel of love and hate, of loyalty and betrayal, of true integrity and the prison celebrity can become, Outlaws confirms Javier Cercas as one of the most thrilling novelists writing anywhere in the world today. _______________ 'Cercas adroitly balances the earlier criminal thrills with the later moral and emotional complexities' - New Statesman 'A moving meditation on youth, love, betrayal and the media, as well as an uncompromising political novel. Cercas has yet again expanded our idea of what fiction can do' - Juan Gabriel Vasquez, author of The Secret History of Costaguana

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Lord Derby, Lancashire's highest-ranked nobleman and its principal royalist, once offered the opinion that the English civil wars had been a 'general plague of madness'. Complex and bedevilling, the earl defied anyone to tell the complete story of 'so foolish, so wicked, so lasting a war'. Yet attempting to chronicle and to explain the events is both fascinating and hugely important. Nationally and at the county level the impact and significance of the wars can hardly be over-stated: the conflict involved our ancestors fighting one another, on and off, for a period of nine years; almost every part of Lancashire witnessed warfare of some kind at one time or another, and several towns in particular saw bloody sieges and at least one episode characterised as a massacre.Nationally the wars resulted in the execution of the king; in 1651 the Earl of Derby himself was executed in Bolton in large measure because he had taken a leading part in the so-called massacre in that town in 1644. In the early months of the civil wars many could barely distinguish what it was that divided people in 'this war without an enemy', as the royalist William Waller famously wrote; yet by the end of it parliament had abolished monarchy itself and created the only republic in over a millennium of England's history. Over the ensuing centuries this period has been described variously as a rebellion, as a series of civil wars, even as a revolution.Lancashire's role in these momentous events was quite distinctive, and relative to the size of its population particularly important. Lancashire lay right at the centre of the wars, for the conflict did not just encompass England but Ireland and Scotland too, and Lancashire's position on the coast facing Catholic, Royalist Ireland was seen as critical from the very first months. And being on the main route south from Scotland meant that the county witnessed a good deal of marching and marauding armies from the north. In this, the first full history of the Lancashire civil wars for almost a century, Stephen Bull makes extensive use of new discoveries to narrate and explain the exciting, terrible events which our ancestors witnessed in the cause either of king or parliament. From Furness to Liverpool, and from the Wyre estuary to Manchester and Warrington...civil war actions, battles, sieges and skirmishes took place in virtually every corner of Lancashire.

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I know my son is bright. . . . why doesn't he care about school? Why is he so lazy and unmotivated? My daughter is . . . so unmotivated. How can I make her want to do better? In this lifesaving, groundbreaking book, Drs. Mandel and Marcus, clinical psychologists with more than 25 years' experience working with underachievers, show that these children are, in fact, highly motivated—in directions other than schoolwork. The key to helping underachievers reach their full potential lies in discovering their real motivation and redirecting it. But first, say the authors, you must abandon conventional wisdom; underachievers are not all alike. "Could Do Better" identifies six major underachieving personalities and includes step-by-step programs tailored to help each. Learn how to recognize which kind of underachiever your child is—the procrastinating Coaster, the distracted Identity-Searcher, the manipulative Wheeler-Dealer are just a few of the most recognizable personalities—and discover what's really going on inside his or her mind. The information is revealing, the expectations realistic. Useful parent checklists are included in each section, along with practical guidelines for when you can hope to see change, and illuminating profiles of the six personalities as adults should the underachieving continue unchecked. "Could Do Better" also addresses the specific underachievement problems of gifted and learning disabled children. A breakthrough approach to helping children realize their full potential, "Could Do Better" speaks urgently to the millions of parents deeply concerned about how to prepare their child for a competitive, achievement-oriented world, as well as to everyone who works with underachievers. IS ONE OF THESE UNDERACHIEVERS YOUR CHILD? COASTERS: the ultimate procrastinators, usually described as easy-going and unmotivated, the most common type of underachiever ANXIOUS UNDERACHIEVERS: want to do better but are too tense and uptight to work effectively IDENTITY-SEARCHERS: so wrapped up in figuring out who they are that they become distracted from schoolwork WHEELER-DEALERS: impulsive and manipulative, so intent on instant gratification that they see no point in doing well in school SAD UNDERACHIEVERS: their depressed mood and low self-esteem rob them of the energy they need for schoolwork DEFIANT UNDERACHIEVERS: underachieve as an act of rebellion Help redirect your child's motivation. "Could Do Better" offers a revolutionary new approach conceived by leading authorities in the field. Their step-by-step techniques show you how to put your child back on the achievement track. PRAISE FOR THE AUTHORS' PREVIOUS BOOK "Thought-provoking, practical information."—Marianne M. O'Hare, Drew University "Particularly excellent and detailed remediation procedures.... Mandel and Marcus are to be applauded." —Dr. Jane H. Hamacher — in The Ontario Psychologist

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What does Lacan show us? He shows us that desire is not a biological function; that it is not correlated with a natural object; and that its object is fantasized. Because of this, desire is extravagant. It cannot be grasped by those who might try to master it. It plays tricks on them. Yet if it is not recognized, it produces symptoms. In psychoanalysis, the goal is to interpret—that is, to read—the message regarding desire that is harbored within the symptom. Although desire upsets us, it also inspires us to invent artifices that can serve us as a compass. An animal species has a single natural compass. Human beings, on the other hand, have multiple compasses: signifying montages and discourses. They tell you what to do: how to think, how to enjoy, and how to reproduce. Yet each person's fantasy remains irreducible to shared ideals. Up until recently, all of our compasses, no matter how varied, pointed in the same direction: toward the Father. We considered the patriarch to be an anthropological invariant. His decline accelerated owing to increasing equality, the growth of capitalism, and the ever-greater domination of technology. We have reached the end of the Father Age. Another discourse is in the process of taking the former's place. It champions innovation over tradition; networks over hierarchies; the draw of the future over the weight of the past; femininity over virility. Where there had previously been a fixed order, transformational flows constantly push back any and all limits. Freud was a product of the Father Age. He did a great deal to save it. The Catholic Church finally realized this. Lacan followed the way paved by Freud, but it led him to posit that the father is a symptom. He demonstrates that here using Hamlet as an example. What people have latched onto about Lacan's work—his formalization of the Oedipus complex and his emphasis on the Name-of-the-Father—was merely his point of departure. Seminar VI already revises this: the Oedipus complex is not the only solution to desire, it is merely a normalized form thereof; it is, moreover, a pathogenic form; it does not exhaustively explain desire’s course. Hence the eulogy of perversion with which this seminar ends: Lacan views perversion here as a rebellion against the identifications that assure the maintenance of social routines. This Seminar predicted “the revamping of formally established conformisms and even their explosion.” We have reached that point. Lacan is talking about us.

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The Phoenix Project wowed over a half-million readers. Now comes the Wall Street Journal Bestselling The Unicorn Project!“The Unicorn Project is amazing, and I loved it 100 times more than The Phoenix Project…”—FERNANDO CORNAGO, Senior Director Platform Engineering, Adidas“Gene Kim does a masterful job of showing how … the efforts of many create lasting business advantages for all.”—DR. STEVEN SPEAR, author of The High-Velocity Edge, Sr. Lecturer at MIT, and principal of HVE LLC.“The Unicorn Project is so clever, so good, so crazy enlightening!”––CORNELIA DAVIS, Vice President Of Technology at Pivotal Software, Inc., Author of Cloud Native PatternsThis highly anticipated follow-up to the bestselling title The Phoenix Project takes another look at Parts Unlimited, this time from the perspective of software development.In The Unicorn Project, we follow Maxine, a senior lead developer and architect, as she is exiled to the Phoenix Project, to the horror of her friends and colleagues, as punishment for contributing to a payroll outage. She tries to survive in what feels like a heartless and uncaring bureaucracy and to work within a system where no one can get anything done without endless committees, paperwork, and approvals.One day, she is approached by a ragtag bunch of misfits who say they want to overthrow the existing order, to liberate developers, to bring joy back to technology work, and to enable the business to win in a time of digital disruption. To her surprise, she finds herself drawn ever further into this movement, eventually becoming one of the leaders of the Rebellion, which puts her in the crosshairs of some familiar and very dangerous enemies.The Age of Software is here, and another mass extinction event looms—this is a story about rebel developers and business leaders working together, racing against time to innovate, survive, and thrive in a time of unprecedented uncertainty...and opportunity.“The Unicorn Project provides insanely useful insights on how to improve your technology business.”—DOMINICA DEGRANDIS, author of Making Work Visible and Director of Digital Transformation at Tasktop———“My goal in writing The Unicorn Project was to explore and reveal the necessary but invisible structures required to make developers (and all engineers) productive, and reveal the devastating effects of technical debt and complexity. I hope this book can create common ground for technology and business leaders to leave the past behind, and co-create a better future together.”—Gene Kim, November 2019

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In this engaging inquiry, originally published in 1989 and now fully updated for the twenty-first century, Warren J. Belasco considers the rise of the "countercuisine" in the 1960s, the subsequent success of mainstream businesses in turning granola, herbal tea, and other "revolutionary" foodstuffs into profitable products; the popularity of vegetarian and vegan diets; and the increasing availability of organic foods. From reviews of the previous edition: "Although Red Zinger never became our national drink, food and eating changed in America as a result of the social revolution of the 1960s. According to Warren Belasco, there was political ferment at the dinner table as well as in the streets. In this lively and intelligent mixture of narrative history and cultural analysis, Belasco argues that middle-class America eats differently today than in the 1950 because of the way the counterculture raised the national consciousness about food."—Joan Jacobs Brumberg, The Nation "This book documents not only how cultural rebels created a new set of foodways, brown rice and all, but also how American capitalists commercialized these innovations to their own economic advantage. Along the way, the author discusses the significant relationship between the rise of a 'countercuisine' and feminism, environmentalism, organic agriculture, health consciousness, the popularity of ethnic cuisine, radical economic theory, granola bars, and Natural Lite Beer. Never has history been such a good read!"—The Digest: A Review for the Interdisciplinary Study of Food "Now comes an examination of... the sweeping change in American eating habits ushered in by hippiedom in rebellion against middle-class America.... Appetite for Change tells how the food industry co-opted the health-food craze, discussing such hip capitalists as the founder of Celestial Seasonings teas; the rise of health-food cookbooks; how ethnic cuisine came to enjoy new popularity; and how watchdog agencies like the FDA served, arguably, more often as sleeping dogs than as vigilant ones."—Publishers Weekly "A challenging and sparkling book.... In Belasco's analysis, the ideology of an alternative cuisine was the most radical thrust of the entire counterculture and the one carrying the most realistic and urgently necessary blueprint for structural social change."—Food and Foodways "Here is meat, or perhaps miso, for those who want an overview of the social and economic forces behind the changes in our food supply.... This is a thought-provoking and pioneering examination of recent events that are still very much part of the present."—Tufts University Diet and Nutrition Letter

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'So perceptive and wise about the media, privilege, the differing but equally troubling pressures that women of all ages face, while still being moving, laugh out loud funny, and inspiring. I loved it.' Louise O'Neill, author of Idol'As she did with sex in her first novel, Insatiable, now Daisy Buchanan holds up a mirror to the changing way we work in the raw and relatable Careering' Red'This thought-provoking, emotionally intelligent, hilarious, sexy and always sharp novel is a fabulous ride.' Daily Mail'A witty tale of the toxic world of modern work' Independentcareering (verb) 1. working endlessly for a job you used to love and now resent entirely2. moving in a way that feels out of control *Imogen has always dreamed of writing for a magazine. Infinite internships later, Imogen dreams of any job. Writing her blog around double shifts at the pub is neither fulfilling her creatively nor paying the bills. Harri might just be Imogen's fairy godmother. She's moving from the glossy pages of Panache magazine to launch a fierce feminist site, The Know. And she thinks Imogen's most outrageous sexual content will help generate the clicks she needs.But neither woman is aware of the crucial thing they have in common. Harri, at the other end of her career, has also been bitten and betrayed by the industry she has given herself to. Will she wake up to the way she's being exploited before her protege realises that not everything is copy? Can either woman reconcile their love for work with the fact that work will never love them back? Or is a chaotic rebellion calling... Hilarious and unflinchingly honest, Careering takes a hard look at the often toxic relationship working women have with their dream jobs.*'The zeitgeisty read tackles the myth of the girl boss, with feelings of imposter syndrome, burnout and comparison rife throughout. Though entertaining - you can't help but cringe at some of the situations Imogen finds herself in - the novel takes a hard look at the very real challenges women still face in the workplace today. With the events of the last two years making many question what really matters in life, Buchanan leaves you with the reminder that whether you love or loathe your job, it doesn't define who you are or put a value on your self-worth.' Stylist'A great great book. Daisy Buchanan has that special something that makes a wonderful popular fiction writer - acute observational skills, huge empathy and a perfect balance of light and

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A young Guyanese woman sets out to write an historical novel based on the 1823 Demerara Slave Rebellion and the fate of an English missionary who is condemned to hang for his alleged part in the uprising, but who dies in prison before his execution. She has wanted to document historical fact through fiction, but the characters she invents make an altogether messier intrusion into her life with their conflicting interests and ambivalent motivations. As an African-Guyanese in a country where a Black ruling elite oppresses the population, she begins to wonder what lay behind her 'ancestral enslavement', why fellow Africans had 'exchanged silver for the likes of me'. As a committed Christian, she also wonders why God has allowed slavery to happen. Beset by her unruly characters and these questions, the novel is stymied. In an attempt to unblock it, she decides that she should take up a family contact to spend some time in Nigeria, to experience her African origins at first hand. For a couple of years, falling in love, marriage to a Nigerian university professor and the birth of their first child silence the characters in her head. Then the hanging of a family friend by El Presidente, Butcher Boy's murderous military regime brutally plunges her back into the world of her novel. To her consternation, one after the other, the seven main characters in the novel reveal themselves in contemporary Nigerian guise and she finds herself implicated in uncomfortably personal ways in a narrative where the distinctions between her 'life' and the 'fiction' she is writing have become utterly permeable. Almost uncontrollably, the novel begins to write itself. To try to regain the semblance of control, she falls back on a game of childhood, Hangman, which she plays with the Nigerian 'manifestation' of the most personally threatening of her characters, as a form of sympathetic magic to try to ensure her survival. Not until the last page do we know whether she succeeds. Karen King-Aribisala has written a densely layered, challengingly ambitious work of fiction. There is the actual historical novel, her thoughts about it, the drama of her life in Nigeria and the seepage between the different worlds. As such, "The Hangman's Game" has much to say about the Guyanese past and present, and the nature of postcolonial power in both Africa and the Caribbean. And, if "The Hangman's Game" is provocatively post-modern in its self-reflexivity on the nature of both historical and fictional writing, its ideas are dramatically communicated through action in a novel that is rich in tension, dark humour and complex, strikingly drawn characters.

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'A lively study of the Big C, which makes the case that cancer is the price we pay for our marvellously complicated bodies.' The Times, best books of 2020'This book is packed with big ideas about life. Every chapter has something in it which made me think wow. Having worked in a major cancer charity for many years, Arney writes with genuine in-depth understanding and is a perfect guide.' Daniel M. Davis, author of The Beautiful Cure'Rebel Cell is a bright, engaging read, fizzing with energy and metaphor. Kat Arney is a science writer for all of us - a powerful and talented story teller.' Stephen McGann'Kat's book is Dynamite. A crystal clear reappraisal of the story behind that word we fear to mention.' Dallas Campbell, author of Ad Astra: An Illustrated Guide to Leaving the PlanetCancer has always been with us. It killed our hominid ancestors, the mammals they evolved from and the dinosaurs that trampled the ground before that. Tumours grow in pets, livestock and wild animals. Even tiny jelly-like Hydra - creatures that are little more than a tube full of water - can get cancer. Paradoxically, many of us think of cancer as a contemporary killer, a disease of our own making caused by our modern lifestyles. But that's not true. Although it might be rare in many species, cancer is the enemy lurking within almost every living creature. Why? Because cancer is a bug in the system of life. We get cancer because we can't not get it.Cancer starts when cells revolt, throwing off their molecular shackles, and growing and dividing out of control in a shambolic mockery of normal life. This is why we can't avoid cancer: because the very genes that drive it are essential for life itself. The revolution has raged, on and off, for millions of years. But it was only in the twentieth century that doctors and scientists made any significant progress in understanding and treating cancer, and it's only in the past few decades that we've finally begun to kick the mob's malignant arse. Now the game is changing. Scientists have infiltrated cancer's cellular rebellion and are finally learning its secrets.Geneticist and science writer Kat Arney takes the reader back to the dawn of life on planet earth right up to the present day to get to the heart of what cancer really is and how by better understanding it we might one day overcome it.

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Emperor Tenet intends to pull all people into the Sienese Empire. Wen Alder must play a dangerous game if he wants to protect his people, as he enters the service of the empire to learn all its magical secrets.'The closest I've ever come to finding something comparable to The Name of the Wind ' The ChroniclerMy name is Wen Alder. My name is Foolish Cur.All my life, I have been torn between two legacies: my father's, whose family trace their roots back to the right hand of the Emperor. My mother's, whose family want to bring the Empire to its knees.I can choose between them - between the safety of empire or the freedom of rebellion - or I can seek out a better path . . . one filled with magic and secrets, unbound by suffocating legacy, but one which could shake my world to its very foundation.For my quest will bring me face to face with the gods themselves. And they have been watching. Waiting to make their move . . .The first book in the Pact and Pattern series. Fans of Robin Hobb, Brandon Sanderson's Mistborn and R.F. Kuang's The Poppy War will love the magic running through every page.Read what everyone is saying about The Hand of the Sun King:'A debut of incredible quality' Richard Swan, Sunday Times bestselling author'Brilliantly told and immediately engrossing' Andrea Stewart, critically acclaimed author of The Bone Shard Emperor'Seriously, this book has everything . . . a beautiful and breathtaking fantasy work' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A captivating epic of conflicted loyalties and dangerous ambition' Anthony Ryan, New York Times bestselling author of The Pariah'I cannot praise this book highly enough, it's just brilliant' Fantasy Book Nerd'Greathouse's writing flows like silk . . . a complex magic system, a coming of age story, a morally conflicted protagonist, ancient and mysterious gods and a massive world-spanning empire . . . full of magic, intricate detail and richly imagined fantasy elements' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'The magic system is complex and fascinating . . . also, J.T. Greathouse's prose is beautiful and poetic . . . It has an intricate plot. political manoeuvring, and tragic events that Robin Hobb's fans would love' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'I felt fear and excitement and never being able to predict what was to come next aided in my helpless immersion into this story' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Alder is a phenomenal main character . . . As close to a perfect debut as any fantasy fan could ask for' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'An exciting new voice in epic fantasy' SFX

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Discover everything you need to know about political history and thought, and the inner workings of governments all around the globe! Combining clear, jargon-free language and bold, eye-catching graphics, How Politics Works is a comprehensive and user-friendly guide to all aspects of politics. Covering everything from political theory to methods of government, the book presents the ideas and theories of key political philosophers, leaders, movements, and activists in a uniquely visual and easy-to-understand way. Explaining political ideas on a conceptual level, entries explore how they apply to governments, movements, and trends throughout history, along with 21st-century examples such as the #MeToo movement and #BlackLivesMatter. The book also shows how political history is affected by economics, sociology, and the role of the media - an ever-relevant issue in the age of "fake news" and "cancel culture", and the current distrust of the economic forces behind certain areas of the media. With a unique graphic approach to the topic, How Politics Works is the perfect introduction to the subject, and an ideal companion title to DK's The Politics Book in the 'Big Ideas' series.With power to every page, this politics book explores: -Simple, easy-to-understand graphics explain key ideas clearly and effectively-Offers a practical, no-nonsense approach to each subject-Fully comprehensive, covering all the key aspects of political philosophy, theory, and history-Explains different systems of government and how they function-Theory-led but will cover modern political phenomena such as "fake news" and recent political groups and movements such as BlackLivesMatter and Extinction Rebellion.A must-have volume for readers seeking a simple and accessible guide to both politics and international relations, as well as students of politics or history, The Politics Book covers a wide range of topics, from populism to propaganda, moral leadership to manipulating elections and so much more. In today's climate, politics is engaging more people than ever before due to access to information via social media, with young influencers such as Greta Thunberg and Malala Yousafzai having incremental followings on platforms such a Instagram and Twitter. At DK, we believe in the power of discovery. So why stop there?How Politics Works is part of DK's widely successful How Stuff Works series. Discover the inner workings of the mind with How the Brain Works, succeed in all things science with How Science Works and discover the cosmos like you've never known before with How Space Works. Whatever topic sparks your interests, there's a plethora of knowledge to discover!

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1 January 2018 will be the 250th anniversary of Maria Edgeworth's birth. Valerie Pakenham's sparkling new selection of over four hundred letters, many hitherto unpublished, will help to celebrate her memory. Born in England, she was brought to live in Ireland at the age of fourteen and spent most of the rest of her life at the family home at Edgeworthstown, Co. Longford. Encouraged by her remarkable father, Richard Lovell Edgeworth, whose memoirs she edited, she became, in turn, famous for her children's stories, her practical guides to education and her novels - or, as she preferred to call them, `Moral Tales'. By 1813, when visiting London, she was, as Byron testified, as great a literary lion as he had been the season before, and she was hugely admired by fellow novelists Sir Walter Scott and Jane Austen. Maria Edgeworth's posthumous fame has dwindled and only her first novel, Castle Rackrent (1800), a brilliant burlesque account of the Irish squirearchy, is still widely read. She was, however, a prolific and fascinating letter writer. She insisted that her letters were for private consumption only, but after her death, her stepmother and half-sisters produced a private memoir for friends using carefully selected extracts. Their literary quality was spotted by Augustus Hare, whose shortened version, The Life and Letters of Maria Edgeworth, appeared in 1894. In the 1970s Maria's great great niece, Christina Colvin edited Maria Edgeworth's Letters from England and Maria Edgeworth in France & Switzerland. No one, however, has revisited fully Maria's original letters from the place she loved and knew best: Ireland. From 1825, Maria's letters reflect sixty years of Irish history, from the heady days of Grattan's Parliament, through the perils of the 1798 Rebellion to the rise of O'Connell and the struggle for Catholic Emancipation. In old age, she worked actively to alleviate the Great Famine and wrote her last story to raise money aged 82. A treasure trove of stories, humour, local and high-level gossip, her letters show the extraordinary range of her interests: history, politics, literature and science. Maria almost single-handedly took over the management of her family estate and restored it to solvency. Her later letters brim with delight at these practical undertakings and her affection for the local people she worked with. Two of her half-sisters and her stepmother were gifted artists, and Valerie Pakenham has been able to use many of their unpublished drawings and sketches to illustrate this book.

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What does Lacan show us? He shows us that desire is not a biological function; that it is not correlated with a natural object; and that its object is fantasized. Because of this, desire is extravagant. It cannot be grasped by those who might try to master it. It plays tricks on them. Yet if it is not recognized, it produces symptoms. In psychoanalysis, the goal is to interpret—that is, to read—the message regarding desire that is harbored within the symptom. Although desire upsets us, it also inspires us to invent artifices that can serve us as a compass. An animal species has a single natural compass. Human beings, on the other hand, have multiple compasses: signifying montages and discourses. They tell you what to do: how to think, how to enjoy, and how to reproduce. Yet each person's fantasy remains irreducible to shared ideals. Up until recently, all of our compasses, no matter how varied, pointed in the same direction: toward the Father. We considered the patriarch to be an anthropological invariant. His decline accelerated owing to increasing equality, the growth of capitalism, and the ever-greater domination of technology. We have reached the end of the Father Age. Another discourse is in the process of taking the former's place. It champions innovation over tradition; networks over hierarchies; the draw of the future over the weight of the past; femininity over virility. Where there had previously been a fixed order, transformational flows constantly push back any and all limits. Freud was a product of the Father Age. He did a great deal to save it. The Catholic Church finally realized this. Lacan followed the way paved by Freud, but it led him to posit that the father is a symptom. He demonstrates that here using Hamlet as an example. What people have latched onto about Lacan's work—his formalization of the Oedipus complex and his emphasis on the Name-of-the-Father—was merely his point of departure. Seminar VI already revises this: the Oedipus complex is not the only solution to desire, it is merely a normalized form thereof; it is, moreover, a pathogenic form; it does not exhaustively explain desire’s course. Hence the eulogy of perversion with which this seminar ends: Lacan views perversion here as a rebellion against the identifications that assure the maintenance of social routines. This Seminar predicted “the revamping of formally established conformisms and even their explosion.” We have reached that point. Lacan is talking about us.

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Creatively and intellectually there is no other species that has ever come close to equalling humanity’s achievements, but nor is any other species as suicidally prone to internecine conflict. We are the only species on the planet whose ingrained habit of conflict constitutes the chief threat to our own survival. Human history can be seen as a catalogue of cold-hearted murders, mindless blood-feuds, appalling massacres and devastating wars, but, with developments in forensic science and modern psychology, and with raised education levels throughout the world, might it soon be possible to reign in humanity’s homicidal habits? Falling violent crime statistics in every part of the world seem to indicate that something along those lines might indeed be happening. Colin and Damon Wilson, who between them have been covering the field of criminology for over fifty years, offer an analysis of the overall spectrum of human violence. They consider whether human beings are in reality as cruel and violent as is generally believed and they explore the possibility that humankind is on the verge of a fundamental change: that we are about to become truly civilised. As well as offering an overview of violence throughout our history – from the first hominids to the twenty-first century, touching on key moments of change and also indicating where things have not changed since the Stone Age – they explore the latest psychological, forensic and social attempts to understand and curb modern human violence. To begin with, they examine questions such as: Were the first humans cannibalistic? Did the birth of civilisation also lead to the invention of war and slavery? Priests and kings brought social stability, but were they also the instigators of the first mass murders? Is it in fact wealth that is the ultimate weapon? They look at slavery and ancient Roman sadism, but also the possibility that our own distaste for pain and cruelty is no more than a social construct. They show how the humanitarian ideas of the great religious innovators all too quickly became distorted by organised religious structures. The book ranges widely, from fifteenth-century Baron Gilles de Rais, ‘Bluebeard’, the first known and possibly most prolific serial killer in history, to Victorian domestic murder and the invention of psychiatry and Sherlock Holmes and the invention of forensic science; from the fifteenth-century Taiping Rebellion in China, in which up to 36 million died to the First and Second World Wars and more recent genocides and instances of ‘ethnic cleansing’, and contemporary terrorism. They conclude by assessing the very real possibility that the internet and the greater freedom of information it has brought is leading, gradually, to a profoundly more civilised world than at any time in the past.

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A unique, full-color compendium that celebrates and explores the enduring power and allure of the world’s most iconic lip shade, jam-packed with entertaining stories, anecdotes, little-known facts, quotes, and more than 100 gorgeous images culled from fine art, photography, and beauty and fashion editorial and advertising.“Pour yourself a drink, put on some lipstick, and pull yourself together.” — Elizabeth TaylorLipstick is the one makeup item most women can’t live without—and the most iconic shade is red. Exuding power, sensuality, allure, and mystery, red lips have been a constant of fashion for more than 5,000 years, beginning with Mesopotamian women around 3500 B.C. Throughout the ages, red lipstick has been a signature look worn by royalty, celebrities, and real women across cultures and geography. In fact, nearly all women own a tube of red lipstick, whether it’s the favorite shade they’ve been wearing devotedly for years, or as beauty boost they use for special occasions.Filled with a show-stopping selection of images and distinctively packaged—the size of a clutch, with a jacket printed with a matte, velvet, red finish—Red Lipstick is the only cultural history of this makeup essential available. Granted unprecedented access to experts and the archives of revered brands like Chanel and Elizabeth Arden, beauty writer Rachel Felder explores the origins and allure of red lipstick and illuminates its association with aristocracy, sex appeal, illicit sexuality, rebellion, power, glamour, fame, and beauty. She also spotlights the fascinating array of women who have worn it through the ages, including monarchs, suffragettes, flappers, working women in World War II, first ladies, political leaders, geishas, Hollywood sirens, rock and rollers, fashionistas, and more. Inside this enthralling book, you’ll discover why red lipstick makes women more attractive to others (and the science behind it); tips on choosing the most perfect shade of crimson; and a wealth of anecdotes, quotations, select literary excerpts, and trivia, such as the shade Carolyn Bessette Kennedy wore on her wedding day. Red Lipstick is packed with a museum’s worth of fine art, including both Man Ray’s photograph “Red Badge of Courage” and infamous painting “Les Amoreaux;” lush, rarely seen vintage magazine advertisements from stalwart brands like Guerlain and Dior; illustrations by renowned fashion illustrators such as René Gruau, Daisy Villeneuve, and Bil Donovan; artists Dante Gabriel Rossetti, Edgar Degas, Ernst Ludwig Kirchner, Wayne Thiebaud, and Walt Kuhn; and images of famous red lipstick wearers including Cleopatra, Queen Elizabeth II, Coco Chanel, Grace Kelly, Marilyn Monroe, Audrey Hepburn, Madonna, Diana Vreeland, Rihanna, Paloma Picasso, and many others. With its captivating, chic design, beautiful selection of visuals, and engaging, entertaining text, Red Lipstick is a classic, like the perfect red lip shade itself.

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Americans revere their Constitution. However, most of us are unaware how tumultuous and improbable the drafting and ratification processes were. As Benjamin Franklin keenly observed, any assembly of men bring with them "all their prejudices, their passions, their errors of opinion, their local interests, and their selfish views." One need not deny that the Framers had good intentions in order to believe that they also had interests. Based on prodigious research and told largely through the voices of the participants, Michael Klarman's The Framers' Coup narrates how the Framers' clashing interests shaped the Constitution--and American history itself. The Philadelphia convention could easily have been a failure, and the risk of collapse was always present. Had the convention dissolved, any number of adverse outcomes could have resulted, including civil war or a reversion to monarchy. Not only does Klarman capture the knife's-edge atmosphere of the convention, he populates his narrative with riveting and colorful stories: the rebellion of debtor farmers in Massachusetts; George Washington's uncertainty about whether to attend; Gunning Bedford's threat to turn to a European prince if the small states were denied equal representation in the Senate; slave staters' threats to take their marbles and go home if denied representation for their slaves; Hamilton's quasi-monarchist speech to the convention; and Patrick Henry's herculean efforts to defeat the Constitution in Virginia through demagoguery and conspiracy theories. The Framers' Coup is more than a compendium of great stories, however, and the powerful arguments that feature throughout will reshape our understanding of the nation's founding. Simply put, the Constitutional Convention almost didn't happen, and once it happened, it almost failed. Even after the convention succeeded, the Constitution it produced almost failed to be ratified. Just as importantly, the Constitution was hardly the product of philosophical reflections by brilliant, disinterested statesmen, but rather ordinary interest group politics. Multiple conflicting interests had a say, from creditors and debtors to city dwellers and backwoodsmen. The upper class overwhelmingly supported the Constitution; many working class colonists were more dubious. Slave states and nonslave states had different perspectives on how well the Constitution served their interests. Ultimately, both the Constitution's content and its ratification process raise troubling questions about democratic legitimacy. The Federalists were eager to avoid full-fledged democratic deliberation over the Constitution, and the document that was ratified was stacked in favor of their preferences. In terms of substance, the Constitution was a significant departure from the more democratic state constitutions of the 1770s. Definitive and authoritative, The Framers' Coup explains why the Framers preferred such a constitution and how they managed to persuade the country to adopt it. We have lived with the consequences, both positive and negative, ever since.

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This book is a compilation of stories penned down by the author at intermittent intervals over forty turbulent years of his service in the Indian Army that began just prior to the Bangladesh War, 1971. The stories recount real-life events, though many times the narratives have either been spiced up or eased down in the interest of readability. The reader may note that it is just a soldier's account; neither is it a philosopher's thesis nor does it lays any claim to literary excellence. Indeed, it is just a witness's narration of certain episodes that he found worth sharing. The book contains twenty one narratives in all, covering themes as diverse as mind boggling experiences, sad episodes, humour in field, adventure, satire and nostalgia. Photographs, where available, and sketches when necessary, are appended alongside some of the story-lines. As the reader may notice, these are products of a young amateur who attempted to compensate his limited skills with boundless enthusiasm. The stories, 'First Blood: East Pakistan' and 'The Battle for Jaffna', are recounts of battle experiences; the first comes from a twenty year old platoon commander's eyes and the second when he grew up to a middle-age company commander. The pieces, 'Olive Green in Dev Bhoomi' and 'On the Trail of the Dead: A Journey Through Karakoram' narrate the travails of long range patrolling in the most difficult environments of the Indo-Tibet Border, while the story 'War of the Junkyard' recounts the triggering of a sensitive situation in the North-East Frontier by an over-active young officer, to be laughed off later. There are two satires: 'Tales and Travails of Study at the NDC' and 'The Final Solution'; the first one laughs at the snobbish culture at the National Defence College, New Delhi, a prestigious destination for military and civil service officers, while the latter points to the incredulity of political stance towards Maoist rebellion. In July 2006, the nation stood transfixed as the child 'Prince' was dug out from the bottom of a 60 feet deep bore-well. 'A Prince in a Bore-well' tells that story. 'Back to the Bygone' and 'Marhaura' are reconnections with the past after four decades spent in faraway lands that motivate reconciliation with the ways of life. Even if India history is replete with hoary military traditions, the independent nation's elite seem to have lost their understanding of the military institution during their two centuries of servitude to foreign rule; thankfully, rural Bharat has maintained their tradition of celebrating its soldierly. The piece, 'Understanding Civil-Military Relations' attempts to refresh the State in that understanding without which the nation would find itself in grief. Hopefully, the reading would give to the readers at least a fraction of the joy that it gave to the author while penning it.

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“Don’t fire until you see the whites of their eyes” remains one of the enduring, and most stirring, quotations of the Revolutionary War, and it was very likely uttered at the Battle of Bunker Hill by General Israel Putnam. Despite this, and Putnam’s renown as a battlefield commander and his colorful military service far and wide, Putnam has never received his due from modern historians. In The Whites of Their Eyes, Michael Shay tells the exciting life of Israel Putnam.Born near Salem, Massachusetts, in 1718, Putnam relocated in 1740 to northeastern Connecticut, where he was a slaveowner and, according to folk legend, killed Connecticut’s last wolf, in a cave known as Israel Putnam Wolf Den, which is on the U.S. National Register of Historic Places. During the French and Indian War, Putnam enlisted as a private and rose to the rank of colonel. He served with Robert Rogers, famous Ranger founder and leader, and a popular phrase of the time said, “Rogers always sent, but Putnam led his men to action.” In 1759, Putnam led an assault on French Fort Carillon (later Ticonderoga); in 1760, he marched against Montreal; in 1762, he survived a shipwreck and yellow fever during an expedition against Cuba; and in 1763, he was sent to defend Detroit during Pontiac’s rebellion.When the Revolutionary War broke out, Putnam—who had been radicalized by the Stamp Act—was among those immediately considered for high command. Named one of the Continental Army’s first four major generals, he helped plan and lead at the Battle of Bunker Hill, where he gave the order about “the whites of their eyes” and argued in favor of fortifying Breed’s Hill, in addition to Bunker Hill. Most of the battle would take place on Breed’s. During the battles for Manhattan, Brooklyn, and Long Island during the summer of 1776, Putnam proved himself a capable and courageous battlefield commander with a special eye for fortifications, but he sometimes faltered in tactical and strategic decision-making. In the fall of 1777, the British tricked Putnam into withdrawing from the Hudson Highlands near West Point. Relieved of command, Putnam was exonerated by a court of inquiry, but—nearly sixty and opposed by powerful political elements from New York, including Alexander Hamilton—he spent the rest of the war on non-battlefield duty in Connecticut before being paralyzed by a stroke in 1779.The Whites of Their Eyes recounts the life and times of Israel Putnam, a larger-than-life general, a gregarious tavern keeper and farmer, who was a folk hero in Connecticut and the probable source of legendary words during the Revolutionary War—and whose exploits make him one of the most interesting officers in American military history.

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“I believe that Marcuse’s ideas can be as valuable today as they were fifty years ago.”—Angela Y. Davis, from the forewordHerbert Marcuse was one of the twentieth century’s most unlikely pop stars: a celebrity philosopher. In the 1960s, his argument for a “principled utopianism” catalyzed the idealism of a rebellious generation, and Marcuse became an intellectual guide for activists and revolutionaries around the world.From his early studies with Martin Heidegger, to his flight from Nazi Germany with Frankfurt School colleagues, to his status as a countercultural icon, readers are introduced to the development of Marcuse's philosophical theories and the political realities that shaped his work.Marcuse's advocacy for a more humane, sustainable world was grounded in a personal knowledge of authoritarianism's violence, and the risk of its resurgence. Perennially relevant, radical, and inspiring, Marcuse’s concept of a "Great Refusal"—the protest against that which is—is a guide for our times.Praise for Herbert Marcuse, Philosopher of Utopia:"Nick Thorkelson's exploration of the ideas and personality of Herbert Marcuse is exactly the sort of comic book I have longed to read. It is engaging, artful, and explores the world of revolutionary ideas. Books like this keep the fire going inside."—Joe Sacco, author of Footnotes in Gaza"A warm, funny, richly detailed biography. Thorkelson has found a powerful graphic style and narrative voice that animate Marcuse's life and his theory of rebellion. As both personal saga and primer on radical political philosophy, it could not be more relevant to today's resistance movement."—Dan Wasserman, editorial cartoonist for The Boston Globe"Marcuse's energizing sense of critique, hope, politics, and utopian vision are more necessary than ever, especially for the emerging generations of young activists."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A riotous romp through 20th-century philosophy. The story of a man who exists at the eye of storm of ideas, of movements and of social strategies. With workers and students on the streets of Paris once more, Marcuse's life and work has never been more relevant."—Kate Evans, author of Red Rosa: A Graphic Biography"Philosopher of Utopia is art on the attack! A perfect celebration of this unique public intellectual done through a fusion of skill and imagination, Thorkelson's book provides access to the genius and the grit of this master of the dialectic."—Lowell Bergman, Winner of the Pulitzer Prize and Distinguished Chair in Investigative Reporting at UC Berkeley"[This book] confirms my belief that our medium can convey the most complex ideas while being witty and entertaining at the same time."—Sharon Rudahl, author of A Dangerous Woman: A Graphic Biography of Emma Goldman

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An LA Times Best Book of the Year • A New York Times Editors' Pick • A Newsweek 25 Best Fall Books • A The Millions Most Anticipated Book of the Year"Gripping and beautiful. With the artistry of a poet and the intensity of a revolutionary, Lovato untangles the tightly knit skein of love and terror that connects El Salvador and the United States." —Barbara Ehrenreich, author of Natural Causes and Nickel and DimedAn urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten. The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history. Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life. In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget.

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This timely entry into the award-winning DKfindout! series, explores the past, present, and future of our climate.In 2019 kids around the world went on strike for the future of our planet, and for their own futures. This amazing book on climate change for kids covers what we can do every day as potential activists to help prevent further damaging changes to the climate.The subject matter of this book has become a very hot topic! Find out why climate change is such a big deal. It contains a wealth of facts about the world, figures, predictions and graphical data to help you understand exactly what it all means. It is a great addition to any bookshelf, and a valuable and contemporary resource for all ages.Climate change is now one of the biggest issues we face as a society, and the British and Irish governments have become the first in the world to declare a climate emergency. This book lays out the science behind this natural process that has been exponentially sped up by humans. It explains the different ways in which we have caused the Earth to heat up, from traffic pollution to animal farming, and the vast, widespread effects we are causing.It covers key developments such as the Industrial Revolution, the advent of air travel, and climate activism, such as the People's Climate March to Greta Thunberg and the Extinction Rebellion. Come to understand the facts about climate change in these pages and discover what we can do to improve the human impact on our environment.Find Out How To Save The World!A small book filled with fun facts and big ideas! Over 64 pages are packed with information covering all the aspects of climate change including a timeline dating from the 1760s all the way through to 2050, to living with climate change and what we can do about it.DKfindout! Climate Change encourages children to think more about the world around them and is a great aid for any school project on climate change.Inside you will: -Learn about deforestation, the greenhouse effect and transport-Discover the polar crisis, changing sea levels and sinking islands-Explore activism, collective change, and small ways to make a differenceDKfindout! Climate Change is one title in the Dkfindout! series of educational books for kids, and the Silver award winner in the MadeForMums Awards 2017 children's books series category. Kids around the world are obsessed with this gorgeous collection, so much so that a range of massive DKfindout! posters for bedroom walls are sold separately. Add to your collection and nurture your little one's interest in the world. Other titles include DKfindout! Solar System, Birds, Castles, Science, Pirates, Coding, Ancient Egypt, Engineering, Reptiles and a whole lot more!

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Now from Rockport Publishers and including new content: Apple Black, Volume 2. Young sorcerer and prophesied savior, Sano, continues his quest by attempting to uncover and protect the secrets behind his father’s research on the immense power known as Apple Black. Many years ago, humans acquired fruits called “Black” from a tree that descended from the skies, which turned humans into sorcerers. Although all of Black is now extinct, humans still have sorcery inherited from their ancestors. Blessed by “Merlin,” the god of sorcery, with the Arodihs arm, Sano, a young sorcerer, is raised and trained in isolation and secrecy to be the world’s savior known as the Trinity. The savior is believed to be the one who dawns the Infinite Night, an eternal night of chaos. Sano gets a fiery start after being admitted to Black Bottom Island’s guild for young sorcerers with his newfound freedom from isolation. As his fellow gifted allies and sorcerers accompany Sano on his quest, the treachery, betrayal, and evil that have plagued nearly all of Eden emerge again to threaten the world. With his visions offering him a darker path, Sano seeks to find those responsible for his loss and walk a path away from revenge but rather one towards forgiveness to find closure. Ridding Eden of the Infinite Night will require him to uncover the secrets behind his father’s research on fully rejuvenating the effects of Black in bloodlines with the immense power known as Apple Black. Opal Wantmore, another young sorcerer, must find a misplaced tourist amid Black Bottom Island. Unfortunately, it’s under attack by a deadly division of rebels from Gideon Banburi’s rebellion. These terrorists seek to collect Apple Black research and to leave the country in ruins. But nothing would be better than to capture Sano, the Trinity himself! The siege is led by Prince Ceazar Ashokahn, who has his own motives for wanting to scorch Black Bottom Island off the face of Eden. Apple Black is rated T for Teen, recommended for ages 13 and up. Saturday AM, the world’s most diverse manga-inspired comics, are now presented in a new format! Introducing Saturday AM TANKS, the new graphic novel format similar to Japanese Tankobons where we collect the global heroes and artists of Saturday AM. These handsome volumes have select color pages, revised artwork, and innovative post-credit scenes that help bring new life to our popular BIPOC, LGBTQ, and/or culturally diverse characters.Join in even more adventures with the other action-packed Saturday AM TANKS series:Clock Striker, Gunhild, Hammer, Henshin!, The Massively Multiplayer World of Ghosts, Oblivion Rouge, Saigami, Soul Beat, Titan King, Underground, and Yellow Stringer.

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The reign of Queen Elizabeth I (1558-1603) marked a golden age in English history. There was a musical and literary renaissance, most famously and enduringly in the form of the plays of Shakespeare (2016 marks the 400th anniversary of Shakespeare's death), and it was a period of international expansion and naval triumph over the Spanish. It was also a period of internal peace following the violent upheaval of the Protestant reformation. Wilson skilfully interweaves the personal histories of a representative selection of twenty or so figures - including Nicholas Bacon, the Statesman; Bess of Hardwick, the Landowner; Thomas Gresham, 'the Financier'; John Caius, 'the Doctor'; John Norreys, 'the Soldier'; and Nicholas Jennings, 'the Professional Criminal' - with the major themes of the period to create a vivid and compelling account of life in England in the late sixteenth century. This is emphatically not yet another book about what everyday life was like during the Elizabethan Age. There are already plenty of studies about what the Elizabethans wore, what they ate, what houses they lived in, and so on. This is a book about Elizabethan society - people, rather than things. How did the subjects of Queen Elizabeth I cope with the world in which they had been placed? What did they believe? What did they think? What did they feel? How did they react towards one another? What, indeed, did they understand by the word 'society'? What did they expect from it? What were they prepared to contribute towards it? Some were intent on preserving it as it was; others were eager to change it. For the majority, life was a daily struggle for survival against poverty, hunger, disease and injustice. Patronage was the glue that held a strictly hierarchical society together. Parliament represented only the interests of the landed class and the urban rich, which was why the government's greatest fear was a popular rebellion. Laws were harsh, largely to deter people getting together to discuss their grievances. Laws kept people in one place, and enforced attendance in parish churches. In getting to grips with this strange world - simultaneously drab and colourful, static and expansive, traditionalist and 'modern' - Wilson explores the lives of individual men and women from all levels of sixteenth-century life to give us a vivid feel for what Elizabethan society really was.Praise for the author:Masterly. [Wilson] has a deep understanding of characters reaching out across the centuries. Sunday Times Scores highly in thoroughness, clarity and human sympathy. Sunday TelegraphThis masterly biography breaks new ground. Choice MagazineHis book is stimulating and authoritative. Sunday TimesBrilliant, endlessly readable ... vivid, immediate history, accurate, complex and tinged with personality. Sunday Herald

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Written in 1967-72,The Deer and the Cauldron was Louis Cha's last, and by many considered his best, Martial Arts novel. It is a sprawling work covering twenty odd years of the early reign of the Emperor Kangxi. In historical terms, the novel begins sometime after the death of Koxinga in 1662 and the Ming History purge of 1682/3, and before the death of Oboi in 1669. It covers the period of the rebellion of the "Three Feudatories" , and the surrender of Formosa to the Manchus in 1683, before ending shortly after the signing of the Treaty of Nertchinsk in 1689. The plot moves from the pleasure-houses of Yangzhou to Peking and the Imperial Court and the sacred mountain of Wu-tai-shan to a desolate island off the north-east coast of China, base for the fanatical drug-taking Sect of the Mystic Dragon, through the frozen north-east to Fort Albazin to Moscow and the boudoir of Princess Sophia; before finally returning to the birthplace of the protagonist, Yangzhou. The Deer and the Cauldron introduces a vast array of underworld characters, all of them members of the so-called Brotherhood of River and Lake -- material arts practitioners of every school and shape and size, outlaw secret society members (especially the Triads), singsong girls, innkeepers, gamblers, beggars, salt-smugglers, itinerant (and often fighting) monks and Taoists, herbalists, butchers, and boatmen. We also encounter dissident literati (Gu Yanwu, Huang Zongxi, Lu Liuliang), corrupt magistrates, ruthless petty Yamen officers, members of the fallen Imperial family of the Ming dynasty, the Paladins of Prince Mu, the descendants of Koxinga, eunuchs (including one aged and wheezing eunuch who practices a particularly lethal form of kungfu), Tibetans, Mongols, Cossacks, the Emperor Kangxi himself, the Dowagers Empress and a host of pretty girls of various origins. The novel's protagonist, a young rogue called Trinket, was born in a Yangzhou whorehouse. His nom de guerre is Little White Dragon but he has many guises and is also known as Grand Master of the Greenwood Lodge of the Triad Society, the eunuch Brightie, the Bannerman Captain Huachahuacha, the Zen Brother Claritas, Duke of Albazin, Grand Patriarch of the Sect of the Mystic Dragon, among others. Trinket is one of the truly unforgettable characters in Chinese fiction; he is the prankster, the larrikin, the trickster who breaks every known convention (of both worlds he inhabits, the high and low), the singsong girls's son whose ultimate dream is to run his own bordello, the perfect anti-hero, the subversive antithesis of the true xia, the apotheosis of the liumang. And yet he has a highly developed sense of friendship, loyalty and honour. His ambivalent, and touching, relationship with the emperor Kangxi is one of the recurring themes of The Deer and the Cauldron.

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#1 NEW YORK TIMES BESTSELLER Recommended by Oprah's Book Club, The Guardian, TIME, Evening Standard, Grazia, The Telegraph, Express and The Sun Also available: This Book Is Anti-Racist Journal, a guided journal with more than 50 activities to support your anti-racism journeyWho are you? What is racism? Where does it come from? Why does it exist? What can you do to disrupt it? Learn about social identities, the history of racism and resistance against it, and how you can use your anti-racist lens and voice to move the world toward equity and liberation.‘In a racist society, it’s not enough to be non-racist—we must be ANTI-RACIST.’ —Angela Davis Gain a deeper understanding of your anti-racist self as you progress through 20 chapters that spark introspection, reveal the origins of racism that we are still experiencing and give you the courage and power to undo it. Each lesson builds on the previous one as you learn more about yourself and racial oppression. An activity at the end of every chapter gets you thinking and helps you grow with the knowledge. All you need is a pen and paper. Author Tiffany Jewell, an anti-bias, anti-racist educator and activist, builds solidarity beginning with the language she chooses – using gender neutral words to honour everyone who reads the book. Illustrator Aurélia Durand brings the stories and characters to life with kaleidoscopic vibrancy. After examining the concepts of social identity, race, ethnicity and racism, learn about some of the ways people of different races have been oppressed, from indigenous Americans and Australians being sent to boarding school to be 'civilized' to a generation of Caribbean immigrants once welcomed to the UK being threatened with deportation by strict immigration laws.Find hope in stories of strength, love, joy and revolution that are part of our history, too, with such figures as the former slave Toussaint Louverture, who led a rebellion against white planters that eventually led to Haiti’s independence, and Yuri Kochiyama, who, after spending time in an internment camp for Japanese Americans during WWII, dedicated her life to supporting political prisoners and advocating reparations for those wrongfully interned.Learn language and phrases to interrupt and disrupt racism. So, when you hear a microaggression or racial slur, you'll know how to act next time. This book is written for EVERYONE who lives in this racialised society—including the young person who doesn’t know how to speak up to the racist adults in their life, the kid who has lost themself at times trying to fit into the dominant culture, the children who have been harmed (physically and emotionally) because no one stood up for them or they couldn’t stand up for themselves and also for their families, teachers and administrators. With this book, be empowered to actively defy racism and xenophobia to create a community (large and small) that truly honours everyone.

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The dramatic arc of Saigo Takamori's life, from his humble origins as a lowly samurai, to national leadership, to his death as a rebel leader, has captivated generations of Japanese readers and now Americans as well - his life is the inspiration for a major Hollywood film, The Last Samurai, starring Tom Cruise and Ken Watanabe. In this vibrant new biography, Mark Ravina, professor of history and Director of East Asian Studies at Emory University, explores the facts behind Hollywood storytelling and Japanese legends, and explains the passion and poignancy of Saigo's life. Known both for his scholarly research and his appearances on The History Channel, Ravina recreates the world in which Saigo lived and died, the last days of the samurai. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities -- sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor. In 1868, Saigo commanded his lord's forces in the battles which toppled the shogunate and he became and leader in the emperor Meiji's new government. But Saigo found only anguish in national leadership. He understood the need for a modern conscript army but longed for the days of the traditional warrior. Saigo hoped to die in service to the emperor. In 1873, he sought appointment as envoy to Korea, where he planned to demand that the Korean king show deference to the Japanese emperor, drawing his sword, if necessary, top defend imperial honor. Denied this chance to show his courage and loyalty, he retreated to his homeland and spent his last years as a schoolteacher, training samurai boys in frugality, honesty, and courage. In 1876, when the government stripped samurai of their swords, Saigo's followers rose in rebellion and Saigo became their reluctant leader. His insurrection became the bloodiest war Japan had seen in centuries, killing over 12,000 men on both sides and nearly bankrupting the new imperial government. The imperial government denounced Saigo as a rebel and a traitor, but their propaganda could not overcome his fame and in 1889, twelve years after his death, the government relented, pardoned Saigo of all crimes, and posthumously restored him to imperial court rank. In THE LAST SAMURAI, Saigo is as compelling a character as Robert E. Lee was to Americans-a great and noble warrior who followed the dictates of honor and loyalty, even though it meant civil war in a country to which he'd devoted his life. Saigo's life is a fascinating look into Japanese feudal society and a history of a country as it struggled between its long traditions and the dictates of a modern future.

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A series of personal and historical encounters with surrealism from one of its foremost practitioners in the United States."Penelope Rosemont has given us, better than anyone else in the English language, a marvelous, meticulous exploration of the surrealist experience, in all its infinite variety."—Gerome Kamrowski, American Surrealist PainterOne of the hallmarks of Surrealism is the encounter, often by chance, with a key person, place, or object through a trajectory no one could have predicted. Penelope Rosemont draws on a lifetime of such experiences in her collection of essays, Surrealism: Inside the Magnetic Fields. From her youthful forays as a radical student in Chicago to her pivotal meeting with André Breton and the Surrealist Movement in Paris, Rosemont—one of the movement's leading exponents in the United States—documents her unending search for the Marvelous.Surrealism finds her rubbing shoulders with some of the movement's most important visual artists, such as Man Ray, Leonora Carrington, Mimi Parent, and Toyen; discussing politics and spectacle with Guy Debord; and crossing paths with poet Ted Joans and outsider artist Lee Godie. The book also includes scholarly investigations into American radicals like George Francis Train and Mary MacLane, the myth of the Golden Goose, and Dada precursor Emmy Hennings.Praise for Surrealism:"Rosemont is not delivering dry abstractions, as so many academic 'specialists,' but telling us about warm and exciting human encounters, illuminated by the subversive spirit of Permanent Enchantment."—Michael Löwy, author of Ecosocialism"This compelling and well-drawn book lets us see the adventures, inspirations, and relationships that have shaped Penelope Rosemont's art and rebellion."—David Roediger, author of Class, Race, and Marxism"The broad sampling of essays included here offer a compelling entry point for curious readers and an essential compendium for surrealist practitioners."—Abigail Susik, professor of art history, Willamette University"Rosemont's welcome memoir has a double virtue, as testament to the enduring radiance of Surrealism, and as a memento to the Sixties, revealing a sweetly beating wonderment at the heart of that absurdly maligned decade."—Jed Rasula, author of Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century"Artist, historian, and social activist, Rosemont writes from the inside out. Like a rare, hybrid flower growing out of the earth, she complicates, expands, and opens the strange and beautiful meadow where Surrealism continues to live and thrive.”—Sabrina Orah Mark, author of Wild Milk"In this wide-ranging collection of essays, Penelope Rosemont, long a keeper of surrealism's revolutionary flame, shows how a penetrating look into the past can liberate the future."—Andrew Joron, author of The Absolute Letter"Rosemont recreates the feverish antics and immediate reception her close-knit, sleep-deprived, beat-attired squad find in the established, moray-breaking Parisian and international surrealists. Revolution is here, between the covers."—Gillian Conoley, author of A Little More Red Sun on the Human: New and Selected Poems and translator of Thousand Times Broken: Three Books by Henri Michaux

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Roaming Wild details the unconventional and pioneering lives of Anna and Peter Roberts, a British couple who were instrumental in making the animal welfare movement a respectable, highly-impactful and worldwide organisation. This book explores the paths that led Anna and Peter to found and steward what is now the world's largest and most successful animal welfare charity from a backroom of their own home, with few funds, and at a time when caring for animals and our planet was seen as 'crankish' and 'sentimental'. This is the story of their family, their era, influence, their rebellion and prophetic ideas and the development of Compassion in World Farming. It spans the period from the early 1920s when they were born, throughout the decades of their childhoods and World War II, to their highly romantic meeting and marriage in the 1950s, and then the next years of their lives as dairy and chicken farmers in rural Hampshire. This 'ordinary' part of their story preceded their move to change everything by making the 'extraordinary' decision during the tumultuous 1960s, of risking their livelihood, going vegetarian (as animal farmers), and losing the approval of their peers, to found their compassion-driven campaign. This personal transformation was at a time when the British countryside was also transforming, irrevocably and for the worse, when intensive, polluting farms were just taking root, the cruel battery and broiler system had recently been developed, and the countryside's biodiversity was being destroyed with the implementation of monoculture and the profligate spraying of lethal biocides, such as DDT. The Roberts were at first rejected by the popular animal charities of the day; believing that the public cared only about companion animals or those in circuses, rather than those animals who suffer the most at human hands - those in the food chain - and so the Roberts family went out alone and set up CIWF in the face of much public derision. Then followed the highs and lows of campaign life, a court battle with an order of veal-farming Catholic monks, famine campaigns in Ethiopia, work alongside comedian Spike Milligan, model Celia Hammond and philosopher Peter Singer, challenging EU legislation, and battles with agricultural and chemical giant Monsanto. Corporate giants like McDonald's were influenced to go free-range, even the British Royal family was challenged to go free-range, and animals were put on the agenda of every major political party in the 1970s and much more. The story interweaves the personal with the political and documents the highs and lows of family life, the judgement faced when they chose to raise their three daughters as vegetarians in the 1960s, their myriad spiritual quests, including the couple's time spent in the Indian ashram of Sathya Sai Baba, their rewilding of the land near their family home, and the story of their fifty-year love. This is a tale of an 'ordinary couple with an extraordinary vision'.

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Discover one of Europe's most historic cities through 30 dramatic true stories spanning 2,000 years of British history. From the bloody rebellion of Boudica to the modern monarchy, and from Shakespeare to the Sex Pistols, Kevin Jackson leads 9 walking tours following in the footsteps of William the Conqueror, Anne Boleyn, Guy Fawkes, Queen Elizabeth and the other leaders, dreamers and schemers who shaped the England's capital. The fifth title in Museyon's acclaimed "Chronicles" series, 'Chronicles of Old London: Exploring England's Historic Capital' is enjoyable for history buffs, Londoners and London tourists alike. It includes: . 30 meticulously researched stories including dramatic episodes from the lives of Queen Victoria, Charles Dickens, Oscar Wilde, Winston Churchill, The Beatles and many, many, more . 8 walking tours visiting major landmarks and historical sites including Buckingham Palace, Westminster Alley, Piccadilly Circus, King's Road and the London Eye . Famous (and infamous) tales of the gruesome martyrdom of Thomas Beckett, Black Plague, the Tower of London and the murderous streak of Jack the Ripper . 450 + photographs and illustrations of London past and present . 20 detailed maps AUTHOR: Kevin Jackson compiled The Oxford Book of Money, wrote Invisible Forms, A Guide to Literary Curiosities, a book on the Great Pyramid, a number of books on the cinema, one on the moose, another on vampires and yet another on fast food in Britain. He was associate arts editor of the Independent, one of the big British daily papers, and film critic for the Independent on Sunday. REVIEW: Another in Museyon's "Chronicles" series (Chronicles of Old New York), in this book London writer Jackson provides 30 stories of the city, starting with Boudicca's revolt around 60 C.E. and ending with Prince William's marriage in the present day. These vignettes cover a variety of historical and cultural figures from the Sex Pistols to Bloody Mary. In addition to the historical sketches, the volume presents nine walking tours with maps, photographs, and descriptions of sights along the way. Photographs and illustrations are numerous (over 450) and provide a visual backdrop that further highlights the content. There are no listings of places to stay or information on museum hours; this title is best as a supplement to a traditional guide. The numerous detailed neighborhood maps in the walking tours section will be especially useful. Verdict : A helpful and pleasant read for travelers looking for historical background and a few walking tours for a London trip. Interesting and fun to read, the book mixes light history with contemporary details.-Louise Feldmann, Colorado State Univ. Libs., Fort Collins 450 photographs MUSEYON GUIDES CHRONICLES SERIES 9780984633449 Chronicles of Old Rome: Exploring Italy's Eternal City 9780984633401 Chronicles of Old Boston: Exploring New England's Historic Capital 9780984633487 Chronicles of Old Chicago: Exploring the History and Lore of the Windy City 9780984633418 Chronicles of Old Las Vegas: Exposing Sin City's High-Stakes History 9780984633432 Chronicles of Old London: Exploring Historic Neighborhoods 9780982232064 Chronicles of Old New York: Exploring Manhatten's Landmark Neighbors 9780984633425 Chronicles of Old Paris: Exploring the Historic City of Light

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'A wonderfully original take on a Rock and Roll autobiography' Paul McCartney'An inimitable Rock 'n' Roll life told as boldly as it was lived' Bruce SpringsteenWhat story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.The first true heartbeat of UNREQUITED INFATUATIONS is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison.By the '90s, Van Zandt had lived at least two lives-one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos-as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Underground Garage), a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.UNREQUITED INFATUATIONS chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

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Waverley Tartan Cloth Commonplace Notebooks: Black Watch Tartan Cloth Mini Notebook with Pen This mini gift hardback notebook bound in Black Watch authentic British cloth comes with a pen, and is a stylish, high quality notebook made from FSC paper. Comes in a biodegrable cello bag.with elastic closure, ribbon marker, eight perforated end leaves, and expandable inner note holder. Each includes a retractable pen. Materials used Paper materials in our notebooks are FSC. We use 80gsm cream for notebook paper inside and 180gsm FSC cream for endpapers. 128gsm for bellybands Board used in the case-making process is 'greyboard' - a low grade 100% recycled grey-coloured thick board used in bookbinding. We protect finished products with biodegradable film bags. The film is made from resin which is derived from corn or other starch/sugar sources. These bags compost fully into CO2, water and biomass. Waverley Scotland Tartan Commonplace Notebooks 80 styles, across 40 clans, and 20 themed tartans. The notebooks are bound in cloth woven in mills in Great Britain. The tartan cloth is supplied by and produced with the authority of Kinloch Anderson Scotland, holders of Royal Warrants of Appointments. Kinloch Anderson are tailors and kiltmakers, tartan and Highland Dress specialists since 1868. Black Watch Tartan The origins of the Black Watch date from the time of the unsuccessful 1715 Jacobite Rebellion, where James Francis Edward Stuart (1688-1766), - the Old Pretender - son of the deposed James II, (James II (14 October 1633 - 16 September 1701) was King of England and King of Ireland, and King of Scotland as James VII), fought to put the exiled House of Stuart back on the throne. From 1725, General George Wade (1673-1748) formed six military companies from the clans of the Campbells, Grants, Frasers and Munros. They were stationed in small detachments across the Highlands to prevent fighting among the clans, deter raiding, and to assist in enforcing laws against the carrying of weapons. In short, they were tasked with protecting the interests of the Hanoverian throne in Scotland. Wade issued an order in May 1725, for the companies all to wear plaid of the same sort and colour. Their original uniform was made from a 12-yard long plaid of the tartan that we know now as the Black Watch tartan. They wore a scarlet jacket and waistcoat, with the tartan cloth worn over the left shoulder. The name is said to come from the dark tartan they wore, hence "black", and from the fact that they were policing the land, hence "watch". The Black Watch Castle and Museum states that the cloth would be wrapped around both shoulders and firelock (a musket type of gun) in rainy weather, and served as a blanket at night. The Black Watch saw action in the French wars (1745-1815); battles of the Empire (Crimea, Indian Mutiny, Egypt, Sudan, Boer War); First World War; Second World War; and (post Second World War) saw action in Korea; carried out peace-keeping duties in Kenya, Cyprus and the Balkans; and took part in the invasion of Iraq (2003-4). Since 2006, the Black Watch has been the 3rd Battalion of the Royal Regiment of Scotland.

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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The new historical novel from Philippa Gregory, the Number One bestselling author of Tidelands and Dark Tides. In a divided country, power and loyalty conquer all… It is 1685 and England is on the brink of a renewed civil war against the Stuart kings with many families bitterly divided. Alinor, now a successful businesswoman, has been coaxed by the manipulative Livia to save Queen Mary from the coming siege. The rewards are life-changing: the family could return to their beloved Tidelands, and Alinor could rule where she was once lower than a servant. Inspired by news of a rebellion against the Stuart kings, Ned Ferryman returns from America with his Pokanoket servant to join the uprising against roman catholic King James. As Ned swears loyalty to the charismatic Duke of Monmouth, he discovers a new and unexpected love Meanwhile, Queen Mary summons her friend Livia to a terrified court. Her survival, and that of the Stuart kings, is in the balance, and only a clever and dangerous gamble can save them… A compelling and powerful story of political intrigue and personal ambition, set between the palaces of London, the tidelands of Fowlmire and the shores of Barbados. Praise for Dawnlands: ‘This sprawling, epic addition to the series will delight Gregory’s many fans' The Times ‘Fast-paced, gripping and meticulously researched, the latest novel from Philippa Gregory is historical fiction at its best…Few authors bring history to life like Philippa Gregory and her vivid descriptions of 17th century life give readers a ringside seat at the action' Daily Express 'Spellbinding’ Woman’s Own ‘I love falling into a Philippa Gregory novel, her vibrant take on historical events always brings past eras alive…This has drama aplenty with the fear of execution for treason, deportation, and imposter Princes, the rewards and dangers presented are colossal and exciting. This epic story follows a family from one end of the old empire to another, as they try to find a place in a new world' Adele Parks, Platinum Magazine Praise for Tidelands and Dark Tides: 'Gregory is an experienced storyteller and doesn’t let you down. Tidelands is a gripping and intelligent portrait of a woman fighting to survive in a hostile world' THE TIMES ‘The first in a planned series . . . The author crafts her material with effortless ease. Her grasp of social mores is brilliant, the love story rings true and the research is, as ever, of the highest calibre' Elizabeth Buchan, Daily Mail ‘Vivid and beguiling – Philippa Gregory at her best’ woman&home 'A compelling novel that shines a light on the struggles of 17th century women' Daily Mirror 'The novel's power lies in Gregory's evocative portrayal of the tidelands and the everyday lives of those who are bound to them' Sunday Express 'Philippa Gregory returns with an English Civil War novel that excels in everything she does best. Historical events are written with breathless immediacy, keeping the reader enthralled even if they know the outcome. She pays close attention to the plight of women in the past, so often unchanged despite men's wars, and gives them a voice . . . Fans will not be disappointed' Alys Key, The i 'Shines a light on the struggles of 17th century women . . . If this novel is the first sign of what's to come then readers are in for a treat' Emma Lee-Potter, Daily Express

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A moving, compelling story about three women fighting to break free, from the Richard & Judy recommended bestselling author Julie Cohen.'Haunting, tender and true - this story cast a spell on me' Kirsty Logan'Wonderfully written and evocative' Woman & Home, BOOK OF THE MONTH'This haunting story about the power of love will give you the shivers' Best------------------------------------------Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her - and to keep her distance from her husband. But her pictures seem to capture things invisible to the eye . . .Henriette is a celebrated spirit medium, carrying nothing but her secrets with her as she travels the country. When she meets Viola, a powerful connection is sparked between them - but Victorian society is no place for reckless women.Meanwhile, on the other side of the world, invisible threads join Viola and Henriette to another woman who lives in secrecy, hiding her dangerous act of rebellion in plain sight.Faith. Courage. Love. What will they risk for freedom? Driven by passionate, courageous female characters, SPIRITED is your next unforgettable read!Perfect for fans of other bestselling historical novels The Binding by Bridget Collins, The Familiars by Stacey Halls, and Once Upon a River by Diane Setterfield. ------------------------------------------Praise for SPIRITED:'A testament to the enduring power of love' Sunday Mirror'Mindful, vivid, and strong Spirited explores death, grief, faith, class and gender, while at its heart relationships expand to make this such an engaging and rewarding novel' Love Reading'This vivid tale is simmering with passions - some more repressed than others' The People'A tender and haunting tale, this is a slow-burn read which sparks into flame, as passion kindles in the heart of her beautifully realised characters' Daily Mail'A thrilling, spooky tale that has all the ingredients of a bestseller' Cambridge Independent------------------------------------------Praise for the Richard & Judy Bookclub Pick TOGETHER by Julie Cohen:'A bold, breathtaking and truly compelling love story' Lisa Jewell'Moving and beautiful' Joanna Cannon'One of the most beautiful and heart-breaking stories I've read' Emma Flint'Reminded me of One Day & The Time Traveler's Wife' Erin Kelly'The kind of novel that will stay with you forever' Rowan Coleman'A page-turner with real emotional punch' Catherine Isaac'Original, poignant and beautifully told' S Magazine'A must read' Good Housekeeping'A taut, beguiling love-story-in-reverse that reveals just how far people will go to protect themselves from facing the truth' Elle'Every now and again, a novel comes along that is so different, so affecting and so unforgettable, that you simply must tell everyone you know to read it' Heat------------------------------------------Praise for the Polari Prize 2019 longlisted novel THE TWO LIVES OF LOUIS & LOUISE by Julie Cohen:'Brilliant . . . I enjoyed it hugely' Marian Keyes'Hugely original and heartbreakingly real' Rosie Walsh'Not often does a story remind us of what beautifully complex creatures we are. Julie Cohen has given us that rare gift' Christina Dalcher'Elegant, thoughtful and powerful' Daisy Buchanan'So cleverly done and authentic' A J Pearce'Beautifully written and thought-provoking' Kate Eberlen'A timely read that will stay with you long after you put it down' Libby Page'A cobweb of a book: beautifully intricate and delicate' Veronica Henry'Engaging, moving, arresting' Sunday Times'A powerful and memorable story' Sunday Express'A modern tale told with heart' Grazia

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'[An] evocative and tender book . . . everyone who reads it will be enchanted like I was' ⭐ ⭐ ⭐ ⭐ ⭐ reader reviewA Read with Jenna Book Club Pick as Seen on the Today Show and named a Best Book of the Month by: Shondaland, MS. Magazine, TODAY.com, Reader's Digest, Katie Couric Media, AARP Sisters, Goodreads, BookRiot'Propulsive and poignant, Black Candle Women concocts an intoxicating potion of warmth, wisdom, and wonder. This gorgeous debut novel is a sweepingly fashioned love story where romance and rebellion intertwine with fear and family. And the stakes are epic. I was completely and gladly under Ms. Brown's spell' AVA DUVERNAY*************************************'All of you are cursed, you hear me?An ugly death for the ones with whom you fall in love'For generations, the Montrose women have lived alone with their secrets, their delicate peace depending on the unspoken bond that underpins their family life - Voodoo and hoodoo magic, and a decades-old curse that will kill anyone they fall for.When seventeen-year-old Nickie Montrose brings home a boy for the first time, this careful balance is thrown into disarray. For the other women have been keeping the curse from Nickie, and revealing it means that they must reckon with their own choices and mistakes.As new truths emerge, the Montrose women are set on a collision course that echoes back to New Orleans' French Quarter, where a crumbling book of spells may hold the answers that all of them have been looking for...Rich in its sense of character and place, Black Candle Women is a haunting and magical debut from a talented new storyteller.*************************************'If you like Practical Magic . . . you will love Black Candle Women' Jenna Bush Hager'A big-hearted debut, with complex, flawed, and compelling characters I was rooting for every step of the way' E.M. TRAN'Richly imagined and elegantly told, with plenty of satisfying secrets, heartaches, and twists' SADEQA JOHNSON'A spellbinding romp. The Montrose women will have you clutching your pearls on this rollercoaster of a debut' CAROLYN HUYNH'Written with warmth and an eye for detail, Diane Marie Brown's Black Candle Women explores the bonds of family and the magical power of belief to transform our lives' SHAUNA J. EDWARDS & ALYSON RICHMAN'Black Candle Women is a compassionate novel about motherhood, sisterhood, independence, and the reflection and forgiveness required to break generational curses' DE'SHAWN CHARLES WINSLOW'Brown deftly portrays an insular family of women in all of its complicated glory . . . The spiritual angle gives this powerful family drama a magical twist that will delight readers' BOOKLIST (starred review)'Black Candle Women is a bold and tender story about three generations of women each attempting to find their way amidst the gifts and curses they've inherited . . . This novel is a wondrous celebration of womanhood' CLEYVIS NATERAEarly readers are LOVING Black Candle Women!'I LOVED IT SO SO MUCH. Magic? A cursed family tree? Badass women? This was an adventure from start to finish and it was my pleasure to read''What a fascinating story about some amazing women. I was caught on page one and stayed captivated until the very end. Bravo!!''This book was amazing from start to finish. I was so captivated by each of the characters''I was invested from the first page and really loved these characters and their story'

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Global, multi-faceted, and applied: the most contemporary introduction to leadership, which considers individual, organizational, and societal perspectives. Providing a robust and engaging overview of the leadership field, Exploring Leadership is a highly practical and insightful guide that supports the personal and professional development of both aspiring and experienced leaders. Investigating the complex dynamics of power, identity and purpose in organizations and wider society, this essential resource critically examines significant global issues such as diversity and inclusion, the environmental crisis, and recent Covid-19 pandemic to reveal the systemic nature of leadership in a complex and ever-changing world. Fascinating topics are brought to life through a variety of international examples and case studies, such as ancestral leadership in Maori communities; consideration of Ukrainian president Volodymyr Zelensky as a transformational leader; and leadership paradoxes in the Singaporean Civil Service. Individual and group exercises will also stimulate you as an emerging leader, as you consider how you may apply the key theoretical concepts in your future careers. The following additional resources are also available to students: Visual matrix mapping the key theories and themes explored in the text. Skills development guidance. Links to further videos for each chapter (students). Template for reflective activities. Adopting lecturers will have access to the following teaching support resources: Tutorial suggestions for in-class activities PowerPoint presentations Links to further videos for each chapter (lecturers). Key features: - A range of original exercises, activities and resources (for both face-to-face and online courses), that support the development of practical skills as well a critical understanding of leadership. - Examples will be complemented by a range of mini case studies authored by invited contributors from around the world, in order to increase diversity and international relevance and appeal. - Exploration of a range of significant global issues, such as the environmental crisis, Covid-19, inequality and Brexit that extend beyond organisational boundaries to reveal the systemic nature of leadership in a complex and changing world and which will be explored from a variety of perspectives. - Illustrates the importance of critical reflection on the intersection of personal and professional identities, subsequently developing the capacity of readers to reframe their understanding of what it means to be an ethical, inclusive, and effective leader. New to this edition: - Now vastly enriched with a range of pedagogical features throughout, which develop a reader's capacity for critical thinking and reflection in relation to leadership theory and practice across a range of contexts. - Carefully-curated digital learning resources - including videos introductions to each chapter, multiple-choice questions, and a flashcard glossary - have been designed to further stimulate, assess and consolidate learning. - Available as an e-book with links to the bespoke digital resources, providing a more engaging and flexible learning experience. - Widely updated to reflect the very latest research and coverage of important topics such as diversity and inclusion; ethical leadership; leading movements of protests and rebellion; and leadership traits and competencies. Digital formats and resources: The second edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book gives students the flexibility to support their learning in ways that work best for them; resources include links to author videos which offer pithy introductions to each chapter, multiple-choice questions, a flashcard glossary and more.

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Sarah Calhoun has taken her father’s throne and ascended into her goddess’s presence in Unfallen Eden as her father never did. And Sarah Calhoun is dying. Her uncle Thomas Penn isn’t done with her. Armed with new powers conferred upon him by the Necromancer and with new allies won via his impending marriage, Penn aims to remove Sarah from her throne—and from the world of the living. In the meantime, Sarah has fallen out with one of her best allies. Against Sarah’s advice, her brother Nathaniel heads into Imperial Philadelphia with the reckless and likely impossible aim of healing the Emperor Thomas. On the shores of the northern seas, agents of Franklin’s Conventicle with an unlikely connection to the Emperor struggle to win allies among the pole-dwelling giants, who are torn between seizing land covertly from the Firstborn of the Ohio and entering the war openly on the side of Simon Sword. In the west, the Heron King rides an explosive storm into war, crushing the mortal kingdoms in his path and bearing down on Sarah’s Cahokia.To survive—and to gain the strength she needs to fight this impossible war—Sarah must unite the Moundbuilder kings to enact an ancient rite that will propel her beyond mortality. To do so, she must not only win over doubters among the Firstborn kings, but she must also beat back a rebellion among the Handmaids of her goddess—for there are some of the goddess’s priestesses who long for the dark days of human sacrifice, and who are willing to throw Sarah herself upon the altar.Praise for Witchy Winter:“Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly"For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—BooklistPraise for Witchy Eye and D.J. Butler:“ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore“Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly"David's a pro storyteller, and you're in for a great ride."—Larry Dixon" . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo"This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon"Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"—David Farland“A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo"Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg"[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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"A must-read for anyone interested in social justice and inequalities, social movements, the criminal justice system, and African American history. An excellent companion to Michelle Alexander's The New Jim Crow and Ava DuVernay's documentary 13th."—Library Journal, Starred review "I was fortunate to grow up in a community in which it was apparent that our lives mattered. This memory is the antidote to the despair that seizes one of my generation when we hear the words 'Black Lives Matter.' We want to shout: Of course they do! To you, especially. In this brilliant, painful, factual and useful book, we see to whom our lives have not mattered: the profit driven Euro-Americans who enslaved and worked our ancestors to death within a few years, then murdered them and bought replacements. Many of these ancestors are buried beneath Wall Street. Mumia Abu-Jamal's painstaking courage, truth-telling, and disinterest in avoiding the reality of American racial life is, as always, honorable."—Alice Walker "Prophet, critic, historian, witness . . . Mumia Abu-Jamal is one of the most insightful and consequential intellectuals of our era. These razor sharp reflections on racialized state violence in America are the fire and the memory our movements need right now."—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination "Mumia Abu Jamal's clarion call for justice and defiance of state oppression has never dimmed, despite his decades of being shackled and caged. He is one of our nation's most valiant revolutionaries and courageous intellectuals."—Chris Hedges, Pulitzer-prize winning journalist and author of Wages of Rebellion: The Moral Imperative of Revolt "This collection of short meditations, written from a prison cell, captures the past two decades of police violence that gave rise to Black Lives Matter while digging deeply into the history of the United States. This is the book we need right now to find our bearings in the chaos." —Roxanne Dunbar-Ortiz, author of An Indigenous Peoples' History of the United States In December 1981, Mumia Abu-Jamal was shot and beaten into unconsciousness by Philadelphia police. He awoke to find himself shackled to a hospital bed, accused of killing a cop. He was convicted and sentenced to death in a trial that Amnesty International has denounced as failing to meet the minimum standards of judicial fairness. In Have Black Lives Ever Mattered?, Mumia gives voice to the many people of color who have fallen to police bullets or racist abuse, and offers the post-Ferguson generation advice on how to address police abuse in the United States. This collection of his radio commentaries on the topic features an in-depth essay written especially for this book to examine the history of policing in America, with its origins in the white slave patrols of the antebellum South and an explicit mission to terrorize the country's black population. Applying a personal, historical, and political lens, Mumia provides a righteously angry and calmly principled radical black perspective on how racist violence is tearing our country apart and what must be done to turn things around. Mumia Abu-Jamal is author of many books, including Death Blossoms, Live from Death Row, All Things Censored, Writing on the Wall, and Jailhouse Lawyers. "[Mumia's] writings are a wake-up call. He is a voice from our prophetic tradition, speaking to us here, now, lovingly, urgently."—Cornel West "He allows us to reflect upon the fact that transformational possibilities often emerge where we least expect them."—Angela Y. Davis "These writings date from the late 1990s and often show prescience on the part of the author, who was writing well before the Black Lives Matter movement that 'when the system kills Blacks, there is no outrage, for it has been normalized by centuries of white enslavement, terrorism, and injustice. Such violence is simply the accepted way of how things are.' Also included is a series of articles on the killing of Trayvon Martin, accurately anticipating the acquittal of the white man who shot him, and another series on Ferguson and its aftermath—how 'Ferguson may prove a wake-up call that Black lives matter. A call for youth to build social, radical, revolutionary movements for change.' The last piece is the longest, a pamphlet on how to build such a movement with a historical perspective on why this is necessary."—Kirkus Reviews "While the author does reflect on the widely reported cases of police violence against African Americans, as well as on the role of the media in determining what gets attention, the strength of the book rests in the essays that draw attention to lesser-known victims of police violence, particularly women of color whose stories never reached the mainstream media. Over the course of nearly four decades in prison, Abu-Jamal . . . has become an astute student of the justice system as well as a particularly cogent opponent of the death penalty.”—Publishers Weekly

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The facts of Alexander's life are extraordinary, and it's no surprise that two major Hollywood films on his life are in production. Born Alexander III, king of Macedonia, and the first king to be called "the Great," he was born in 356 BC and brought up as crown prince. Taught for a time by Aristotle, he acquired a love for Homer and an infatuation with the heroic age. When his father Philip divorced Olympias to marry a younger princess, Alexander fled. Although allowed to return, he remained isolated and insecure untilP hilip's mysterious assassination about June 336. Alexander was at once presented to the army as king. Winning its support, he eliminated all potential rivals. No sooner had Alexander ascended the throne, than the Illyeians and other Northern tribes, which had been subdued by his father Philip, erupted into Macedonia, but they were quickly dispatched by the armies of Alexander. Some Grecian states, with Athens and Thebes at their head, thinking this a favorable oppurtunity, attempted to shake off the macedonia yoke; but the sudden appearance of the youthful Alexander in their midst soon put an end to all resistance. Thebes was taken by strom and razed to the ground, only the house of the poet Pindar and several other dwellings being spared; and the inhabitants were sold into slavery. Athens and the other Greek states immeaditly submitted, and were generously pardoned by Alexander. Then he took up Philip's war of aggression against Persia, adopting his slogan of a Hellenic Crusadeagainst the barbarian. He defeated the small force defending Anatolia, proclaimed freedom for the Greek cities there while keeping them under tight control, and, after a campaign through the Anatolian highlands (to impress the tribesmen), met and defeated the Persian army under Darius III at Issus (near modern Iskenderun, Turkey). He occupied Syria and--after a long siege ofTyreE--Phoenicia, then entered Egypt, where he was accepted as Pharaoh. From there he visited the famous Libyan oracle of Amon (or Ammon,identified by the Greeks with Zeus). The oracle hailed him as Amon's son (two Greek oracles confirmed him as son of Zeus) and promised him that he would become a god. His faith in Amon kept increasing, and after his death he was portrayed with the god's horns. After organizing Egypt and founding Alexandria, Alexander crossed the Eastern Desert and the Euphrates and Tigris rivers, and in the autumn of331 defeated Darius's grand army at Gaugamela (near modern Irbil, Iraq). Darius fled to the mountain residence of Ecbatana, while Alexander occupied Babylon, the imperial capital Susa, and Persepolis. Alexander acted as legitimate king of Persia, and to win the support ofthe Iranian aristocracy he appointed mainly Iranians as provincial governors. Yet a major uprising in Greece delayed him at Persepolis until May 330 and then, before leaving, he destroyed the great palace complex as a gesture to the Greeks. At Ecbatana, after hearing that the rebellion had failed, he proclaimed the end of the Hellenic Crusade and discharged the Greek forces. He then pursued Darius, who had turned eastward. Darius was assassinated by Bessus, the satrap of Bactria, who distrusted his will to keep fighting and proclaimed himself king. As a result, Alexander faced years of guerrilla war in northeastern Iran and central Asia, which ended only when he married (327) Rozana, the daughter of a localchieftain. The whole area was fortified by a network of military settlements, some of which later developed into major cities. During these years, Alexander's increasing preoccupation outside of Greece led to trouble with Macedonian nobles and some Greeks. Parmenion, Philip II's senior general, and his family originally had a stranglehold on the army, but Alexander gradually weakened its grip. Late in 330, Parmenion's oldestson, Philotas, commander of the cavalry and chief opponent of the king's new policies, was eliminated in a carefully staged coup d'etat, and Parmenion was assassinated. Another noble, Cleitus, was killed by Alexander himself in a drunken brawl. (Heavy drinking was acherished tradition at the Macedonian court.) Alexander next demanded that Europeans follow the Oriental etiquette of prostrating themselves before the king--which he knew was regarded as an act of worship by Greeks. But resistance by Macedonian officers and by the Greek Callisthenes (a nephew of Aristotle who had joined the expedition as the official historian of the crusade) defeated the attempt. Callisthenes was then executed on a charge of conspiracy. With discipline restored, Alexander invaded (327) the Punjab. After conquering most of it, he was stopped from pressing on to the distant Ganges by a mutiny of the soldiers. Turning south, he marched down to the mouth of the Indus, engaging in some of the heaviest fighting and bloodiest massacres of the war. He was nearly killed while assaulting a town. On reaching the Indian Ocean, he sent the Greek oooooofficer Nearchus with a fleet to explore the coastal route to Mesopotamia. Part of the army returned by a tolerable land route, while Alexander, with the rest,marched back through the desert of southern Iran, chiefly to emulate various mythical figures said to have done this. He emerged safely in the winter of 325-24, after the worst sufferings and losses of the entire campaign, to find his personal control over the heart of the empire weakened by years of absence and rumors of his death. On his return, he executed several of his governors and senior officers and replaced others. In the spring of 324, Alexander held a great victory celebration at Susa. He, and 80 close associates, married Iranian noblewomen. In addition, he legitimized previous so-called marriages between soldiers and native women and gave them rich wedding gifts, no doubt to encourage such unions. When he discharged the disabled Macedonian veterans, after defeating a mutiny by the estranged and exasperated Macedonian army, they had to leave their wives and children with him. Because national prejudices had prevented the unification of his empire, his aim was apparently to prepare a long-term solution (he was only 32)by breeding a new body of high nobles of mixed blood and also creating the core of a royal army attached only to himself. In the autumn of 324, at Ecbatana, Alexander lost his boyhoodfriend Hephaestion, by then his grand vizier--probably the only person he had ever genuinely loved. The loss was irreparable. After a period of deep mourning, he embarked on a winter campaign in the mountains, then returned to Babylon, where he prepared an expedition for the conquest of Arabia. Weakened from numerous battles, he died in June 323 without designating a successor. His death opened the anarchic age of the Diadochi. Alexander at once became a legend. Greek accounts blended almost incredible fact with pure fiction (for example, his meeting withthe Queen of the Amazons). What remains as fact are Alexander's indisputable military genius and his successful opportunism and timing in both war and politics. The success of his ambition, at immense cost in terms of human life, spread Greek culture far into central Asia, and some of it--supported and extended by the Hellenistic dynasties--lasted for centuries. It also led to an expansion of Greek horizons and to the acceptance of the idea of a universal kingdom, which paved the way for the Roman Empire. Moreover, it opened up the Greek world to new Oriental influences, which would lay the groundwork for Christianity.

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