Search results for ""author louise"

Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers' overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author's works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors' passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection's final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner's Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.

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SHORTLISTED FOR THE BOOKER PRIZE 2023 WINNER OF THE SCOTIABANK GILLER PRIZE 2023 NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023 A powerful, compressed masterwork for fans of Shirley Jackson and Claire-Louise Bennett A woman moves from the place of her birth to a remote northern country to be housekeeper to her brother, whose wife has just left him. The youngest child of many siblings - more than she cares to remember - from earliest childhood she has attended to their every desire, smoothed away the slightest discomfort with perfect obedience, with the highest degree of devotion. The country, it transpires, is the country of their family's ancestors, an obscure though reviled people. Soon after she arrives, a series of unfortunate events occurs - collective bovine hysteria; the demise of a ewe and her nearly-born lamb; a local dog's phantom pregnancy; the containment of domestic fowl; a potato blight. She notices that the local suspicion about incomers in general seems to be directed particularly in her case. What is clear is that she is being accused of wrongdoing, but in a language she cannot understand and so cannot address. And however diligently and silently she toils in service of the community, still she feels their hostility growing, pressing at the edges of her brother's property...

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Fran’s done with looking for long-term love. She’s got Big Date Energy… Serial monogamist Fran has waited years for her chance to be single, and now’s her time to shine. She wants to date as much as she can. She’s got Big Date Energy. But her Mum has other ideas. She’s desperate for Fran to find real love and nominates her for a new TV dating show, The Meet-Cute, which promises to pair people with their perfect match. And when Fran walks onto the set, hoping for a bit of a laugh and a story to tell, she’s confronted with Ivy. Her first love, her high school romance. And the one that got away… PRAISE FOR BETHANY RUTTER ‘Fun and life-affirming’ STYLIST ‘This funny, uplifting rom-com is a total treat’ FABULOUS ‘Heart-warming, funny and, and inspiring . . . a joy’ LOUISE O’NEILL ’An uplifting tale about self-care and new beginnings’ WOMAN’S OWN ‘Authentic characters and powerful messages’ MY WEEKLY ‘A meaningful (and funny) journey of self-love. We’ve waited a long time for this’ GLAMOUR ‘An inspiring romcom about being bold and not compromising on the life you really want’ CRESSIDA MCLAUGHLIN 'Original, positive and life affirming’ KATIE FFORDE

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A marvelously bold interdisciplinary anthology, It Is Almost That collects works by women artists and writers who have constructed hybrid environments that merge image and text. The works in this collection are supremely imaginative in both form and content: from the semi-autobiographical novel painted by a young artist who died in the Holocaust (Charlotte Salomon) to Alison Knowles' computer-generated chance operation for "imagining" houses and their inhabitants; from the pseudo-scientific examination of a conversation between a mother and a daughter (Eleanor Antin) to the dark, comic interrogation of violence against women (Sue Williams); from the transformations of newspaper headlines (Suzanne Treister) to the probing of animal consciousness (Cole Swensen & Shari De Graw); from the body maps drawn by South African women with AIDS (Bambanani Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hiller). Other contributors to It Is Almost That include Fiona Banner, Louise Bourgeois, Theresa Hak Kyung Cha, Cozette de Charmoy, Ann Hamilton, Jane Hammond, Dorothy Iannone, Bhanu and Rohini Kapil, Helen Kim, Ketty La Rocca, Bernadette Mayer, Adrian Piper, Charlotte Salomon, Geneviève Seillé, Molly Springfield, Erica Van Horn & Laurie Clark, Carrie Mae Weems, Hannah Weiner and Unica Zürn.

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An elegant gift book, celebrating the joys (and sometimes the travails) of the winter season through art, spanning several centuries and featuring a variety of artists from J.M.W. Turner and John Everett Millais, to Barbara Hepworth, Cy Twombly, Andy Warhol, Grayson Perry and Peter Doig. A selection of the most beautiful, touching, transformative and amusing expressions of the winter season drawn from Tate's collection. Divided into key themes – 'Landscape', 'Towns and Cities', 'From the Window', 'Work and Labour', 'Abstraction' and `Seasonal Festivities' – each of the works of art included has been individually selected for the particular way in which the artist has attempted to capture this special time of year. Works of art – including paintings, drawings, sculptures, illustrations and installations – are punctuated by brief captions adding background detail or additional information about the art, artists and their subjects. Featured artists: J.M.W Turner, Ruskin Spear, Norbert Goeneutte, Marie-Louise Von Motesiczky, Paul Nash, Carel Weight, Ben Nicholson, Lucien Pissarro, L.S. Lowry, Richard Hamilton, Peter Doig, Grayson Perry and David Shrigley. Sometimes traditional, sometimes contemporary, often beautiful and occasionally telling, placed together these beautiful images create a fascinating and enlightening journey through the visual portrayal of winter and the holiday season in Western art.

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'I loved this book' BONNIE GARMUS'A generous, compassionate book about the power of love and community' LOUISE KENNEDY'I can't recommend this one highly enough ' HARLAN COBEN 'THIS is his best book' ANN PATCHETT THE MAJOR INTERNATIONAL BESTSELLERBARACK OBAMA'S BOOK OF THE YEAR PICKAMAZON.COM #1 BOOK OF THE YEARBOOK OF THE YEAR IN: THE GUARDIAN, NEW YORKER, NEW YORK TIMES, TIME MAGAZINE, HARPER'S BAZAAR, OPRAH DAILY AND WASHINGTON POST WINNER OF THE 2023 KIRKUS FICTION PRIZE In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighbourhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. As the story moves back in time to the 1930s and the characters' stories overlap and deepen, it becomes clear how much the people who live on the margins struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill, McBride shows us that even in dark times, it is love and community - heaven and earth - that sustain us.

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In the post-World War II era, Louisiana's coastal wetlands underwent an industrial transformation that placed the region at the center of America's energy-producing corridor. By the twenty-first century the Louisiana Gulf Coast supplied nearly one-third of America's oil and gas, accounted for half of the country's refining capacity, and contributed billions of dollars to the U.S. economy. Today, thousands of miles of pipelines and related infrastructure link the state's coast to oil and gas consumers nationwide. During the course of this historic development, however, the dredging of pipeline canals accelerated coastal erosion. Currently, 80 percent of the United States' wetland loss occurs on Louisiana's coast despite the fact that the state is home to only 40 percent of the nation's wetland acreage, making evident the enormous unin-tended environmental cost associated with producing energy from the Gulf Coast.In American Energy, Imperiled Coast Jason P. Theriot explores the tension between oil and gas development and the land-loss crisis in Louisiana. His book offers an engaging analysis of both the impressive, albeit ecologically destructive, engineering feats that characterized industrial growth in the region and the mounting environmental problems that threaten south Louisiana's communities, culture, and ""working"" coast. As a historian and coastal Louisiana native, Theriot explains how pipeline technology enabled the expansion of oil and gas delivery - examining previously unseen photographs and company records - and traces the industry's far-reaching environmental footprint in the wetlands. Through detailed research presented in a lively and accessible narrative, Theriot pieces together decades of political, economic, social, and cultural undertakings that clashed in the 1980s and 1990s, when local citizens, scientists, politicians, environmental groups, and oil and gas interests began fighting over the causes and consequences of coastal land loss. The mission to restore coastal Louisiana ultimately collided with the perceived economic necessity of expanding offshore oil and gas development at the turn of the twenty-first century. Theriot's book bridges the gap between these competing objectives.From the discovery of oil and gas below the marshes around coastal salt domes in the 1920s and 1930s to the emergence of environmental sciences and policy reforms in the 1970s to the vast repercussions of the BP/Deepwater Horizon oil spill in 2010, American Energy, Imperiled Coast ultimately reveals that the natural and man-made forces responsible for rapid environmental change in Louisiana's wetlands over the past century can only be harnessed through collaboration between public and private entities.

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Sherman Alexie meets William Gibson. Louise Erdrich meets Franz Kafka. Leslie Marmon Silko meets Philip K. Dick. However you might want to put it, this is Native American fiction in a whole new world. A surrealistic revisiting of the Cherokee Removal, Riding the Trail of Tears takes us to north Georgia in the near future, into a virtual-reality tourist compound where customers ride the Trail of Tears, and into the world of Tallulah Wilson, a Cherokee woman who works there. When several tourists lose consciousness inside the ride, employees and customers at the compound come to believe, naturally, that a terrorist attack is imminent. Little does Tallulah know that Cherokee Little People have taken up residence in the virtual world and fully intend to change the ride’s programming to suit their own point of view. Told by a narrator who knows all but can hardly be trusted, in a story reflecting generations of experience while recalling the events in a single day of Tallulah’s life, this funny and poignant tale revises American history even as it offers a new way of thinking, both virtual and very real, about the past for both Native Americans and their Anglo counterparts.

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In the decades after the landmark Brown v. Board of Education Supreme Court decision, busing to achieve school desegregation became one of the nation's most controversial civil rights issues. Why Busing Failed is the first book to examine the pitched battles over busing on a national scale, focusing on cities such as Boston, Chicago, New York, and Pontiac, Michigan. This groundbreaking book shows how school officials, politicians, the courts, and the media gave precedence to the desires of white parents who opposed school desegregation over the civil rights of black students. This broad and incisive history of busing features a cast of characters that includes national political figures such as then-president Richard Nixon, Chicago mayor Richard J. Daley, and antibusing advocate Louise Day Hicks, as well as some lesser-known activists on both sides of the issue-Boston civil rights leaders Ruth Batson and Ellen Jackson, who opposed segregated schools, and Pontiac housewife and antibusing activist Irene McCabe, black conservative Clay Smothers, and Florida governor Claude Kirk, all supporters of school segregation. Why Busing Failed shows how antibusing parents and politicians ultimately succeeded in preventing full public school desegregation.

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Maine is a rural backwater? Meet Hiram Abrams, born in Portland in 1878 the son of a Russian immigrant real estate broker, attended public schools, left school at age sixteen, sold newspapers, bought a cow and started a dairy -- and eventually became the founder and president of United Artists. Or Aurelia Gay Mace, born in 1835 in Strong, a Shaker from an early age, credited with the invention of the wire coat hanger. Aurelia achieved national fame in 1890 when she mistook Charles Lewis Tiffany for a tramp, gave him lemonade, brushed his clothes, insisted that he sit down for the noon meal, and sent him off with a box lunch. Tiffany responded by sending her a set of engraved silver. Meet Milton Bradley who was born in Vienna (Maine) in 1836, educated at Harvard, worked as a mechanical engineer and patent solicitor, became interested in lithography, developed a board game, The Checkered Game of Life, and founded the Milton Bradley Company. Or Louise Bogan, who was born in Livermore Falls in 1897, moved to Greenwich Village as a young woman, took up the bohemian life,occasionally drove the get away car for a fur thief, and ended up as the poetry critic for the New Yorker Magazine. And many more...

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This is a second, significantly revised, edition of the work of Eric Roach, who with Claude McKay and Louise Bennett was the Caribbean's most important poet before the generation of Derek Walcott and Kamau Brathwaite. It collects the poems published in literary journals between 1938-1973, Roach's early pseudonymous work and a substantial selection of his unpublished poems from manuscript. The collection is edited and introduced by Kenneth Ramchand, Professor Emeritus at the University of the West Indies.When the first edition appeared in 1992, it was recognised as one of the most important Caribbean publishing events of recent years. This second edition adds a number of rediscovered poems and includes significant variants of a number of Roach's most important poems."The most splendid voice of the Caribbean Renaissance (1948-1972)."Kamau BrathwaiteEric Merton Roach was born in 1915 in Tobago. As well as three plays – Belle Fanto (1967), Letter from Leonora (1968) and A Calabash of Blood (1971) – he accumulated an impressive body of poetry. In 1974, leaving behind 'Finis', a suicide note transformed into art, Roach drank insecticide and swam out to sea at Quinam Bay, itself the subject of his fine poem 'At Quinam Bay'. He was posthumously awarded the Trinidad and Tobago National Hummingbird Gold Medal in 1974.

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Reflect and meditate with this guided journal filled with prompts, quotes, exercises, and plenty of space to write as you combine Zen Buddhism and journaling to create a daily practice that allows you to begin and end each day grounded, centered, present."I do not fix problems. I fix my thinking. Then problems fix themselves." -Louise HayWhether you already have an established journaling meditation practice, or you are newly committed to creating one, use this journal to bring you back to center and end each day in a place of peace, love, and mindfulness.The writing prompts, thoughtful exercises, and quotes in this colorfully illustrated book are designed to help you connect with the principles of Zen Buddhism. Each page is a new step on your journey with plenty of space to write, inspiring you with different techniques and perspectives as you use this journal as a foundation to build a calmer, healthier, more balanced life.As you practice with this book as your teacher, you will:Meditate on simple things, like the taste of tea or the feel of your pet's fur.Read and contemplate words of wisdom from Zen teachers.Build a daily practice.Learn techniques that promote calm and good sleep.Reflect on regrets, successes, memories, and goals.Color and draw mindfully.

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'A snapshot of what the crime novel is doing now and a glimpse of the directions it might take in the future' - Mick Herron'Crime fiction demands a flexible, sceptical framework for its own increasingly rude health. The eleven writers in this third MA Crime Fiction Anthology understand this. Irrespective of subject, setting, theme or prose style, each uses the multitudes of the crime genre to embrace and reflect who we are and how we live now. Each understands and respects the genre, even as they dismantle its traditions' - Tom Benn'The creative writing workshop is an environment that is built upon freedom, but also support. It's almost too magical a place, too idyllic, too democratic, too truthful. But I don't believe in magic, any more than I believe in the muse. What has happened in this space, which is ever expanding, over the last couple of years, has been an outpouring of talent and determination, by eleven extraordinary writers' - Henry SuttonFeaturing work by: Laura Ashton • Judi Daykin • Antony Dunford • Jayne Farnworth • Natasha Hutcheson • Louise Mangos • Elizabeth Saccente • Matthew Smith • Karen Taylor • Wendy Turbin • Bridget Walsh

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TRAS la publicación de su poesía reunida en 2012, la poeta Louise Glück (Nueva York, 1943) ha seguido en Noche fiel y virtuosa (2014) el consejo de su colega Richard Siken de jugar en el barro, solamente jugar en el barro. En el que es su último libro publicado antes de la concesión del Premio Nobel en 2020, Glück abandona las máscaras mitológicas de su obra anterior para mirar desde la vejez directamente al horizonte de la muerte ?la propia, la de los seres queridos? en una serie de poemas (que incluye por primera vez poemas en prosa) en la que un sujeto lírico femenino, más o menos identificable con la poeta, se alterna con la voz de un alter ego masculino: un pintor que aborda el silencio y el lienzo en blanco del tramo final de su vida. La niñez y la vejez, la noche y el día, el pasado y el futuro, la realidad y la ficción, la blancura de la nieve y la oscuridad de los jardines, el rey Arturo y el psicoanálisis se unen en una circularidad de viajes, paseos y libros donde el sujeto

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STRICTLY PRIVATE. KEEP OUT ON PAIN OF DEATH.I'm Tracy Beaker - have you heard of me? I'm stuck in The Dumping Ground just at the moment, but I'm sure my Mum will come and get me soon. A certain Justine-Hateful-Littlewood has stolen my best friend Louise but I don't let it get me down. I never cry. Ever. I've done a bit of screaming and stamping in my time mind you … I like eating birthday cake. And Smarties and Big Macs with French fries and strawberry milkshakes. I also like story writing. This is a story all about me - so I know you'll enjoy it!Includes exclusive material: In ‘The Backstory’ you can read an interview with Jacqueline Wilson and take Nick Sharratt's drawing challenge!Vintage Children’s Classics is a twenty-first century classics list aimed at 8-12 year olds and the adults in their lives. Discover timeless favourites from The Jungle Book and Alice’s Adventures in Wonderland to modern classics such as The Boy in the Striped Pyjamas and The Curious Incident of the Dog in the Night-Time.

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Most people are aware of the large and persistent gender imbalance in elected office at all levels of government in Canada, but few appreciate the far greater imbalance that occurs outside of large cities. This deficit arises not from rural voter bias, but from low numbers of female candidates running for winnable seats. The question of why there are so few female candidates has been difficult to answer, largely because we know so little about the pool of potential candidates. Rural Women's Leadership in Atlantic Canada presents results from a regional field-based study, which confronted this challenge directly for the first time. Louise Carbert gathered together small groups of rural community leaders (126 women in all) throughout the four Atlantic provinces, and interviewed them about their experiences and perceptions of leadership, public life, and running for elected office. Their answers paint a vivid picture of politics in rural communities, illustrating how it intersects with family life, work, and the overall local economy. Through discussion of their own reasoned aversion to holding elected office, and of resistance encountered by those who have put their names forward, the interviewees shed much-needed light on the pervasive barriers to the election of women. Carbert not only contextualizes the results in terms of economic and demographic structures of rural Atlantic Canada, but also considers points of comparison and contrast with other parts of the country.

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'I did something terrible Grace. I hope you can forgive me . . .'Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's words the last time she saw her, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear that there was a lot she didn't know about her best friend.When Grace starts a campaign to find Charlie's father, Anna, a girl claiming to be Charlie's sister steps forward. For Grace, finding Anna is like finding a new family and soon Anna has made herself very comfortable in Grace and boyfriend Dan's home.But something isn't right. Things disappear, Dan's acting strangely and Grace is sure that someone is following her. Is it all in Grace's mind? Or as she gets closer to discovering the truth about both Charlie and Anna, is Grace in terrible danger?There was nothing she could have done to save Charlie . . . Or was there?A compelling, gripping psychological thriller perfect for fans of The Girl on the Train, I Let You Go and The Girl With No Past.What people are saying about The Sister:'I was gripped to The Sister from the first page until the very end. I thought I had it all worked out until I was proven sooo wrong.' Robert Bryndza'I could not put this book down. I neglected all the house work and put off cooking dinner until I was finished... I loved every page.' Renee Reads'My eyes were racing down the pages... had me guessing right up to the very end and I had tears in my eyes as I relived Charlie's last moments... exceptional... It's an addictive page-turner that begs time and again for just one more chapter until the whole book has been devoured and thoroughly enjoyed.' The Book Magnet'Wow! What an amazing debut novel! Full of intense twists! Fantastic book to start off summer reading! Highly recommend.' Loud and Proud Book Junkie, 5 stars'I loved this book, it grabbed me right from the beginning.' Beady Jans Books'I genuinely struggled to put this book down... I can't recommend this book enough, it's made it to my favourites... I can't wait for more books to come from Louise Jensen... A well-deserved five starsfrom me.' Emporio Epidemic'I couldn't put my Kindle down until I had answers!!... I wasn't sure which characters to trust and which to not trust... a 5 star book that would make a fantastic summer read!' Steph and Chris' Book Review'As the skillfully woven web of lies and deceit starts to untangle the author throws in a massive twist that I certainly didn't see coming... a definite must read for all psychological thriller fans and it's one of those books that deserves to be talked about.' The Haphazardous Hippo 'One of those books that you can't stop thinking about even when you're not reading it!!... the tension never seems to drop for one second!... an absolute treat, albeit a scary one, to read!! Highly recommended!' Books and Me!'Just as I thought the story was wrapping up BANG! I was hit again with another twist. Brilliant! It is chilling and sinister and yet heart-breaking and tragic, and I felt really emotional on finishing it... I can't wait to read more by Louise.' Bloomin Brilliant Books'OMG I love this... one corker of a psychological thriller which ticked all the boxes for me giving it an easy 5 stars.' Chelle's Book Reviews'Hooked from the first page till the end... A gripping tale for fans of I Let You Go and The Girl on the Train. A must read.' Berlitz Chile'I was left gaping... You cannot help but speed read through this novel. You have to know what happens.' Aloha Reviews'I was hooked on the story from the word go.' Hollie in Wanderlust

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Ever since George Washington warned against "foreign entanglements" in his 1796 farewell speech, the United States has wrestled with how to act toward other countries. Consequently, the history of anti-Americanism is as long and varied as the history of the United States. In this multidisciplinary collection, seventeen leading thinkers provide substance and depth to the recent outburst of fast talk on the topic of anti-Americanism by analyzing its history and currency in five key global regions: the Middle East, Latin America, Europe, East Asia, and the United States. The commentary draws from social science as well as the humanities for an in-depth study of anti-American opinion and sentiment in different cultures. The questions raised by these essays force us to explore the new ways America must interact with the world after 9/11 and the war against Iraq. Contributors: Greg Grandin, Mary Louise Pratt, Ana Maria Dopico, George Yudice, Timothy Mitchell, Ella Shohat, Mary Nolan, Patrick Deer, Vangelis Calotychos, Harry Harootunian, Hyun Ok Park, Rebecca E. Karl, Moss Roberts, Linda Gordon, and John Kuo Wei Tchen.

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Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.The first collection of its kind, Organize, Fight, Win brings together three decades of Black Communist women's political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.Organize, Fight, Win includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.

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Earthquakes are a huge global threat. In thirty-six countries, severe seismic risks threaten populations and their increasingly interdependent systems of transportation, communication, energy, and finance. In this important book, Louise Comfort provides an unprecedented examination of how twelve communities in nine countries responded to destructive earthquakes between 1999 and 2015. And many of the book’s lessons can also be applied to other large-scale risks.The Dynamics of Risk sets the global problem of seismic risk in the framework of complex adaptive systems to explore how the consequences of such events ripple across jurisdictions, communities, and organizations in complex societies, triggering unexpected alliances but also exposing social, economic, and legal gaps. The book assesses how the networks of organizations involved in response and recovery adapted and acted collectively after the twelve earthquakes it examines. It describes how advances in information technology enabled some communities to anticipate seismic risk better and to manage response and recovery operations more effectively, decreasing losses. Finally, the book shows why investing substantively in global information infrastructure would create shared awareness of seismic risk and make postdisaster relief more effective and less expensive.The result is a landmark study of how to improve the way we prepare for and respond to earthquakes and other disasters in our ever-more-complex world.

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Life is never, ever dull in Agatha Raisin''s sleepy Cotswolds village!Agatha Raisin''s private detective agency is working flat out on a series of burglaries which take a violent turn when a friend of Agatha''s is murdered during a raid on his antiques shop. Although determined to nail the villains, Agatha still makes time to help Sir Charles Fraith prepare to stage a massive, hugely glamorous event in the grounds of his ancestral home, Barfield House.When Agatha begins to receive death threats and narrowly avoids being abducted by kidnappers, she takes advantage of a previously arranged trip to Majorca to lie low for a while. There she meets her partner, former police officer John Glass, who is now working as a dance instructor on a cruise liner. Their relationship founders over John''s apparent closeness to his stage dance partner, Louise. Putting her love life on hold, Agatha heads home, having worked out who has been threatening her life.Can Agatha tra

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Shared Risk is an unparalleled study of how communities at risk respond to major hazards. This major new book explores the elastic boundary between structure and flexibility that enables modern organizations to function effectively under uncertain, dynamic conditions. Through a comprehensive analysis of earthquake case studies, Louise Comfort shows how communities and organizations cope with dynamic and unpredicted events. Drawing upon the concept of shared risk, she examines the self-organizing processes by which communities act in their own interest to mitigate and reduce risk. Placing shared risk within a theoretical framework consistent with disaster situations, Professor Comfort presents policy-relevant analysis of disaster response systems. The practical, theoretical and methodological issues involved in the study of shared risk are addressed in the first part of the book which also sets this problem in the global context of seismic risk. This is followed by comparative analysis of eleven different case studies of rapidly evolving response systems following earthquakes. The final part of the volume compares different classes of response systems and presents a preliminary model for a sociotechnical system to mitigate seismic risk and facilitate response when earthquakes occur. Examining the relationship between information, action and theory and theories of organizational adaptation, this book will be applicable to a wide range of organizational change efforts, as well as being a strong and distinctive contribution to the literature on seismic policy and crisis management.

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Devious and dizzying, with twist after twist after twist I loved it' Louise Candlish''Wonderfully dark and sinister'' The Sun''Deliciously twisty'' Crime MonthlyHIS FIRST WIFE DIED. NOW THERE''S A VACANCYWhen Emma meets Matthew, a kind, handsome widower, he seems to be just what she needs.Yet as their relationship moves fast, Emma's friends worry Emma might be exploited. She's a rich woman after all.Emma doesn't care Matthew has no money. But as the memory of his perfect first wife hangs over them, Emma does have one tiny doubt.If Matthew's wife hadn't died, he wouldn't be with her. And Emma wonders if she's second best. Can she ever fill the dead woman's shoes?As jealousy and suspicion blossom between Emma and Matthew, events take a darker, dangerous turn.Suddenly Emma doesn't know who she can trust. Her friends? Her husband? Or even herself?This sensational new thriller from the Number One bestseller Adele Parks will have you gripped until the very last page.Readers love First Wife'

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Former bookseller Richard King has created two memorable characters in his mystery novel, A Stab at Life. Annie Linton, RN, is a nurse in the Emergency Department of the Gursky Memorial Hospital in Montreal and Gilles Bellechasse, a detective in the Major Crimes Division of the Montreal Police Force. Gilles is in charge of investigating a series of murders that have occurred in a park and the area surrounding the Gursky Memorial located in the Cote-des-Neiges area of the city. Suspects include members of a vigilante group devoted to getting drug dealers out of the park, a jealous husband, a mysterious woman of whom nude drawings turn up in one of the murder victim’s bedroom, and competing drug dealers. Annie’s excellent diagnostic skill play a critical role in solving the crime. King’s mysteries are reminiscent of the originators of the mystery genre, writers such as Agatha Christie and Rex Stout and modern writers such as Robert Goldsborough and Louise Penny. Margaret Cannon said of King in the Globe & Mail: “…he has talent, wit and Montreal.” A Stab at Life will delight fans of murder mysteries and have them waiting impatiently for the next novel in the series.

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Perfect for fans of Louise Penny, P. D. James, and Donna Leon When a skeleton is discovered in the hidden crypt of a deconsecrated church, everyone is convinced the bones must be those of Conor Devitt, a local man who went missing on his wedding day six years previously. But the postmortem reveals otherwise. Solicitor Benedicta "Ben" O'Keeffe is acting for the owners of the church, and although an unwelcome face from her past makes her reluctant to get involved, when Conor's brother dies in strange circumstances shortly after coming to see her, she finds herself drawn in to the mystery. Whose is the skeleton in the crypt and how did it get there? Is Conor Devitt still alive, and if so, is there a link? What happened on the morning of his wedding to make him disappear? Negotiating between the official investigation headed up by the handsome but surly Sergeant Tom Molloy and obstructive locals with secrets of their own, Ben unravels layers of personal and political history to get to the truth of what happened six years before. Death at Whitewater Church is the first in a series of Ben O'Keeffe mysteries set on the Inishowen Peninsula in County Donegal, Ireland.

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'Honest, vulnerable and empowering' Angela Scanlon'Poignant, profound, and moving, I have no doubt that this beautifully written book will comfort anyone who is in the process of falling apart' Louise O'Neill'Liadán Hynes writes with so much heart. Her story will help shine a light during uncertain, painful times. After reading, you'll be ready to heal' Cecelia AhernWhen journalist and podcaster Liadán Hynes's marriage ended, it felt like a loss: of her best-friend, and of the happy ending she had envisaged on their wedding day. In the months that followed, she had to adjust to a different future - as a single mum juggling work and managing a home -- without someone to share the ups and downs of the everyday. Here, in this honest, poignant and beautifully written memoir, she gives an account of her experience. From navigating Friday-night dinner parties and Saturday nights alone on the couch, to counselling and having more gurus than is sensible, How to Fall Apart is a story of one woman who discovered the value of different kinds of love and, in doing so, found herself: single, stronger and surrounded by love.

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The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences—including The Wizard of Oz, Arizona Dream, and Signs—Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged.Four meditations deal with “reality effects” from different philosophical and technical angles. “Vivid Rivals” assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. “The Two of Us” considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. “Being There” discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm’s Way, and other films. “Fairy Land” explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting.

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It would be easy to despair at the state of the world today. But we must not. Indeed, we cannot. In this book Neil Findlay brings together first-hand testimony from people who have played crucial roles in social justice campaigns. Their stories are personal, political and unforgettable. They say a lot about dignity, integrity, courage and humanity. We can apply what we learn from them to build a sustainable and fair society for generations to come. Activists, social justice campaigners, trade unionists and environmentalists will find this collection inspirational, emotional and educational. And they will understand why it is titled If You Don’t Run, They Can’t Chase You. With contributions from ‘Andrea’, Margaret Aspinall, Alex Bennett, Brian Filling, Maria Fyfe, Elaine Holmes, Mark Lyon, Alistair Mackie, Olive McIlroy, Tony Nelson, Paul Quigley, Terry Renshaw, Dennis Skinner, Dave Smith, Jim Swan, Louise Taggart and Yvette Williams. We must examine the campaigns and struggles people have gone through, listen to their stories, study their actions and in turn look at the world now, and apply what we have learnt.

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An Amazon Charts bestseller. In a small town full of secrets, everyone’s a suspect. When a body is discovered, bled dry on a beach, the sleepy seaside town of Weston-super-Mare wakes up to a nightmare. For Detective Inspector Louise Blackwell, recently transferred to the town she last saw as a child, it’s her first case on the job. The victim—Veronica Lloyd, an elderly volunteer at a local church—has puncture wounds to her hands. When a priest is found killed in a nearby church in a similarly grisly condition, it becomes clear that Blackwell is dealing with a righteous and bloody murderer. But the victims aren’t random. The killer has a vendetta and is hell-bent on exacting twisted revenge for a dark secret dating back years—and there are more murders planned. As the body count rises, Blackwell faces a race against time to solve the mystery of the murderer’s identity and put an end to the carnage. She thought she knew Weston, but the town holds more secrets than she’d ever have imagined. Who can she trust and who knows more than they are letting on? She must discover the crimes that unite the victims—before it’s too late.

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Founded in 1718 by two French-Canadian brothers for French King Louis XIV, New Orleans grew from its roots as a Euro-Caribbean port city at the nexus of North, Central and South America. Situated at the bottom of the Mississippi River Delta, the city became "Paris on the Mississippi", the fashionable cultural capital of the American South, home to America's first opera house and birthplace of jazz. Many think of New Orleans, with its antebellum mansions, aboveground cemeteries and ghostly moss-bearded oaks as a haunted place. It is certainly the most un-American of American cities, creating its own laid-back "Big Easy" attitude from the customs of the people who founded it: French and Spanish colonists, gens de couleur libres, Northern adventurers, riverboat men, pirates, and Cajuns. From this eclectic mix of influences has evolved a distinctive Creole culture, expressed in language, architecture and cuisine. Louise McKinney explores the soul of this deeply spiritual and hedonistic place, where every year the pre-Lenten Mardi Gras bursts forth with outrageous excess. JAZZ CITY: piano "professors," jazz funerals and first men of jazz: Buddy Bolden, Sidney Bechet, "Jelly Roll" Morton and Louis Armstrong; backstreet juke joints, a French Quarter Opera House and '50s R&B. SACRED AND PROFANE CITY: a swamp-bound outpost of sensual pleasure in the middle of the Bible Belt; home to gospel and the Black Indians, zydeco kings and voodoo queens, Ursuline nuns and Storyville madams. CITY ON THE MISSISSIPPI: a history of migration, plantations and riverboat adventures; once the richest city in America, later a bohemian haven for such writers as Sherwood Anderson, William Faulkner and Tennessee Williams.

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Long before a hopeful actor was given a screen test, their portraits were taken to determine the camera appeal of new faces. Silver Screen Silver Prints showcases Hollywood’s invention of the glamour portrait, representing the distinctive styles of such photographers as George Hurrell, Clarence Sinclair Bull, and Ruth Harriet Louise and charting the evolution from soft-focus Pictorialism to sculptured modernist glamor. Thematic sections focus on Hollywood fashion as promoted by photography and on the development of the discernible Paramount Studios house style. Photographs of iconic actors, including Greta Garbo, Joan Crawford, and Ramon Novarro, show how the portrait camera lens shaped their most enduring images. Elizabeth Taylor, the last great star of the Hollywood studio system, who used photography strategically to guide an upward trajectory from her early days as a child actress to her long reign as an international superstar, is featured. Taken together, the photographs in this catalogue, published in connection with the 2011 Grolier Club exhibition, demonstrate the centrality of studio portraits to the film industry’s star-making apparatus, especially in the two decades before the Second World War.

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Students at Lycroft Phelps are marked for success.As a straight-A student and girlfriend of the school's star rower, Charlotte believes in what the school has to offer. Meanwhile, scholarship student Max is struggling. Until he's asked to join the rowing team offering him popularity - but at what cost? Then there's Quinn, a sixth-generation legacy student, who should be able to lay claim to the school in a way others can't. Who instead must watch the boy who assaulted her continue to play at the top of the school's food chain. Only in the dead of night does Q realize the solution to her suffering: Colin Pearce must die.But Lycroft Phelps has more than one dark secret at its heart, and as the three students uncover just how far the school will go to keep those ugly truths hidden, there's a lot more than reputation at stake...A tense and timely thriller with a revenge plot that'll have you on the edge of your seat. Perfect for fans of Kathleen Glasgow, Chelsea Pitcher and Louise O'Neill.(TRIGGER WARNING: this book contains descriptions of sexual violence that some readers may find upsetting.)

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'RESISTANCE WOULD BE FUTILE' THE TIMES'I COULDN'T PUT IT DOWN!' CLAIRE GRADIDGEPerfect for fans of Code Name Hélène and The Alice Network.THREE WOMEN. ONE MISSION. ENEMIES EVERYWHERE.May 1944. When spy Elisabeth de Mornay, code name Cécile, notices a coded transmission from an agent in the field does not bear his usual signature, she suspects his cover has been blown - something that is happening with increasing frequency. With the situation in Occupied France worsening and growing fears that the Resistance has been compromised, Cécile is ordered behind enemy lines.Having rendezvoused with her fellow agents, Léonie and Dominique, together they have one mission: help the Resistance destabilise German operations to pave the way for the Normandy landings.But the life of a spy is never straightforward, and the in-fighting within the Resistance makes knowing who to trust ever more difficult. With their lives on the line, all three women will have to make decisions that could cost them everything - for not all their enemies are German.'HEART-STOPPING...RESISTANCE IS A GIFT TO ALL FANS OF ESPIONAGE THRILLERS' IMOGEN ROBERTSON'TENSE, VIVID AND UTTERLY ADDICTIVE' LOUISE BEECH

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Rocked by a flurry of high-profile sex discrimination lawsuits in the 1990s, Wall Street was supposed to have cleaned up its act. It hasn't. Selling Women Short is a powerful new indictment of how America's financial capital has swept enduring discriminatory practices under the rug. Wall Street is supposed to be a citadel of pure economics, paying for performance and evaluating performance objectively. People with similar qualifications and performance should receive similar pay, regardless of gender. They don't. Comparing the experiences of men and women who began their careers on Wall Street in the late 1990s, Louise Roth finds not only that women earn an average of 29 percent less but also that they are shunted into less lucrative career paths, are not promoted, and are denied the best clients. Selling Women Short reveals the subtle structural discrimination that occurs when the unconscious biases of managers, coworkers, and clients influence performance evaluations, work distribution, and pay. In their own words, Wall Street workers describe how factors such as the preference to associate with those of the same gender contribute to systematic inequality. Revealing how the very systems that Wall Street established ostensibly to combat discrimination promote inequality, Selling Women Short closes with Roth's frank advice on how to tackle the problem, from introducing more tangible performance criteria to curbing gender-stereotypical client entertaining activities. Above all, firms could stop pretending that market forces lead to fair and unbiased outcomes. They don't.

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Rocked by a flurry of high-profile sex discrimination lawsuits in the 1990s, Wall Street was supposed to have cleaned up its act. It hasn't. Selling Women Short is a powerful new indictment of how America's financial capital has swept enduring discriminatory practices under the rug. Wall Street is supposed to be a citadel of pure economics, paying for performance and evaluating performance objectively. People with similar qualifications and performance should receive similar pay, regardless of gender. They don't. Comparing the experiences of men and women who began their careers on Wall Street in the late 1990s, Louise Roth finds not only that women earn an average of 29 percent less but also that they are shunted into less lucrative career paths, are not promoted, and are denied the best clients. Selling Women Short reveals the subtle structural discrimination that occurs when the unconscious biases of managers, coworkers, and clients influence performance evaluations, work distribution, and pay. In their own words, Wall Street workers describe how factors such as the preference to associate with those of the same gender contribute to systematic inequality. Revealing how the very systems that Wall Street established ostensibly to combat discrimination promote inequality, Selling Women Short closes with Roth's frank advice on how to tackle the problem, from introducing more tangible performance criteria to curbing gender-stereotypical client entertaining activities. Above all, firms could stop pretending that market forces lead to fair and unbiased outcomes. They don't.

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'Clever and compulsive' LOUISE CANDLISH 'A fantastic read' JAMES DELARGY 'I loved it' LEE CHILD ‘It's everything you could want from a crime novel' SARAH WARD 'A bold and brilliant new voice in crime fiction' KATE RHODESA WATERSTONES THRILLER OF THE MONTH_____________________________ One wrong move will ignite the city . . . A body is found bricked into a wall of the Old Vicarage. From the state of the hands, it’s clear the dead man was buried alive. When the man is connected to an old missing person’s case, Detective Sergeant Adam Tyler is called. After an ‘incident’, Tyler needs this case to go well in order to prove himself and get his career back on track. But he soon discovers that he has a connection to the case that hopelessly compromises him. He makes the snap decision not to tell his superiors, certain that he is the only one that can solve the crime. Now Tyler must move carefully to find out the truth, without destroying the case or himself. Meanwhile, someone in the city knows exactly what happened to the body. Someone who is watching Tyler closely. Someone with an unhealthy obsession with fire . . .A taut investigative thriller bursting with character and tension, introducing an enigmatic, fresh lead detective unlike any you have met before. Perfect for fans of Adrian McKinty, Tana French, Steve Cavanagh and Sharon Bolton. PRAISE FOR FIREWATCHING ‘Taut, intelligent and fast moving, Thomas tells his story with admirable skill' DAILY MAIL ‘An intriguing start to a new series, introducing a pleasingly misanthropic new hero with the requisite traumatic past' OBSERVER ‘A gripping new British gay crime thriller that kept us guessing right up to its incendiary climax . . . We couldn’t put it down' ATTITUDE 'Totally absorbed me’ CASS GREEN 'Intelligent, pacy and compelling’ SARAH WARD 'A fantastic read with a plot that left me guessing and a cast of very real and well imagined characters' JAMES DELARGY ‘A cracking read with a terrific new detective lead. Red hot debut for 2020’ SARAH HILARY ‘Russ Thomas is a bold and brilliant new voice in crime fiction, his talent blazes as fiercely as the flames that rage through his book. Really wonderful, imaginative writing’ KATE RHODES‘DS Adam Tyler navigates a complex cast of villains and victims in a cold case that suddenly turns very, very hot' LOUISE CANDLISH

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Finalist, CCBC Marilyn Baillie Picture Book Award Finalist, Janet Savage Blachford Prize for Children's and Young Adult Literature Sydney and his friends gather outside to play, transforming one by one to climb, leap, lumber and soar into a shared jungle of their imagination. Hanging upside down in a tree, Sydney imagines he is a sleepy, sun-bathing sloth. And that's where Sami finds him. Sami thinks sloths are too slow, so she scampers up the tree and becomes a spider monkey. “Fast is fun!” she chatters. “Fast is best!” And that’s where Edward finds them… One after another, the neighborhood kids wander by and slip into a shared imaginative world where leaves and giant flowers unfurl, playing, laughing, teasing and bickering, until Edward the elephant fills up his trunk and—WHOOSH!—sends the children “galloping home like a herd of small wet animals.” As always, Marie-Louise Gay’s writing and artwork are wonderfully pitched to young readers, capturing the effortless way that children travel back and forth between the worlds of real life and make believe. With its sun-dappled watercolors, depiction of time spent outdoors with friends, and quiet, wistful ending, I’m Not Sydney perfectly illustrates the slow-moving magic of a childhood summer. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.

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Volume I: From the Puritans through Transcendentalism. Volume I: From the St. Louis Hegelians through C. I. Lewis

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Paul E. Hoffman's Louisiana State University and Agricultural and Mechanical College, 1860- 1919 is a highly detailed analysis of LSU's beginnings and early development, starting well before it first opened its doors in Pineville, Louisiana, in 1860. Hoffman reveals how political and ideological contests in areas of governance, curriculum, finances, discipline (the ""military feature""), and student life influenced the early identity and development of the school, shaping and laying the groundwork for the university we recognize today.The institution's first name- the Louisiana State Seminary of Learning and Military Academy- reflected its contested character: part imitation of the Virginia Military, part true military academy, and part classical college. The school was renamed Louisiana State University in 1870 after graduating its first class. When the land-grant university created at New Orleans in 1874 merged with LSU in 1877, the school became Louisiana State University and Agricultural and Mechanical College. The new disagreements about the character of the institution did not resolve until 1919.At the turn of the twentieth century, new challenges led to the establishment of a law school, the admittance of women for the first time, the organization of the institution into distinct colleges, and demands to emphasize on-campus agricultural instruction. Hoffman shows that President Thomas D. Boyd, faced with flat, inadequate state funding for the university as a whole, moderated those demands until 1918. Then the wartime emphasis on agricultural production, various federal programs that encouraged enrollment in LSU's College of Agriculture, and a critical shortage of space on the downtown campus worked together to prompt the purchase of Gartness Plantation, the site of the current campus, but without any funds or immediate plans for its development. Hoffman's study ends in the spring of 1919. By then, the school had largely resumed its prewar rhythms in academic and extracurricular areas. The ROTC program, begun in 1917, was again in place, transforming LSU into the ""Ole War Skule"" of living memory. With most of its struggles over its identity resolved, LSU was poised to resume the growth that World War I had interrupted and that, with the development of the ""new"" campus, would characterize the school during the next twenty years of its history. This first fully documented history of LSU in its early years contributes to a broader understanding of the growth of both LSU itself and American higher education, showing how fiscal realities and contested ideas about higher education during the post- Civil War era shaped university development.

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During the Civil War and Reconstruction, the pejorative term ""scalawag"" referred to white southerners loyal to the Republican Party. With the onset of the federal occupation of New Orleans in 1862, scalawags challenged the restoration of the antebellum political and social orders. Derided as opportunists, uneducated ""poor white trash,"" Union sympathizers, and race traitors, scalawags remain largely misunderstood even today. In The Louisiana Scalawags, Frank J. Wetta offers the first in-depth analysis of these men and their struggle over the future of Louisiana. A significant assessment of the interplay of politics, race, and terrorism during Reconstruction, this study answers an array of questions about the origin and demise of the scalawags, and debunks much of the negative mythology surrounding them.Contrary to popular thought, the southern white Republicans counted among their ranks men of genuine accomplishment and talent. They worked in fields as varied as law, business, medicine, journalism, and planting, and many held government positions as city officials, judges, parish officeholders, and state legislators in the antebellum years. Wetta demonstrates that a strong sense of nationalism often motivated the men, no matter their origins.Louisiana's scalawags grew most active and influential during the early stages of Reconstruction, when they led in founding the state's Republican Party. The vast majority of white Louisianans, however, rejected the scalawags' appeal to form an alliance with the freedmen in a biracial political party. Eventually, the influence of the scalawags succumbed to persistent terrorism, corruption, and competition from the white carpetbaggers and their black Republican allies. By then, the state's Republican Party consisted of white political leaders without any significant white constituency. According to Wetta, these weaknesses, as well as ineffective federal intervention in response to a Democratic Party insurgency, caused the Republican Party to collapse and Reconstruction to fail in Louisiana.

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This collection of 18 articles shows how conceptions of the political are expanded and revised when viewed through the lens of gender. Organized to serve both scholars and students across the social sciences, this book re-examines such basic notions as citizenship, collectivity, political resistance and the state. Section One, "Gender, Citizenship, and Collectivity" includes: Nancy Frazer and Linda Gordon's critique of dependence and citizenship; Iris Young on women as a social collective; Ruth Bloch on the feminization of public virtue in revolutionary America; Trisha Franzen on feminism and lesbian community; and Sonia Kruks on de Beauvoir and feminism. "Collective Action and Women's Resistance", Section Two, features: Louise Tilly's "Paths of Proletarianization"; Temma Kaplan's "Female Consciousness and Collective Action"; and five assessments of women's collective action worldwide - Samira Haj on Palestine, Arlene McLeod on Egypt, Gay Seidman on South Africa, Nancy Sternbach et al on Latin America and Anne Walthall on Japan. A section on gender and the state features: Bronwyn Winter on the law and cultural relativism; Sherene Razack on sexual violence; Wendy Luttrell on educational institutions; Patricia Stamp on ethnic conflict; Elizabeth Schmidt on patriarchy and capitalism; and Muriel Nazzari on post-revolutionary Cuba. These essays originally appeared in "Signs: Journal of Women in Culture and Society", edited by Ruth-Ellen Boetcher Joeres and Barbara Laslett.

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Once, there were 100,000 tigers in the world, but now these beautiful creatures are under threat of extinction. Find out the reasons for the decrease in tiger numbers, and what we can do to change it, in this photographic information book by Louise Spilsbury. Collins Big Cat Progress builds confidence, helping struggling pupils not only to read, but to love reading Dual-banded books provide age-appropriate interest level material matched with a lower reading ability level Every book is levelled by reading expert Cliff Moon to ensure precise, systematic, measurable progression to help close the ability gap The books use a range of reading strategies: phonic, graphic, syntactic and contextual to build confident, accurate, fluent readers Designed to build speaking and listening skills, as well as reading skills, the books are highly visual and include incredible illustrations and photographs Every book has a Key Stage 2 look-and-feel to engage older pupils and avoid stigmatisation Topics are relevant for children in years 3-6 and connected to the curriculum and framework objectives for these years to support inclusion Progress titles contain a Reader Response page to encourage the pupil to respond to and recall what they have read. This offers an ideal opportunity to check comprehension Ideas for Reading, written by primary literacy expert Gill Howell are included in the back of every book to help you support the reading needs of each child This book has been quizzed for Accelerated Reader.

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Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad GleesonThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release ...Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

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Computer Grrrlz brings together 23 international artistic positions that negotiate the complex relationship between gender and technology in past and present. The book deals with the link between women and technology from the first human computers to the current revival of techno-feminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present day. The publication presents artists, hackers, makers and researchers who are working on how to think differently about technology: by questioning the gender bias in big data and artificial intelligence, promoting an open and diversified Internet, and designing utopian technologies. The perspectives presented here address a broad range of topics: electronic colonialism, the place of minorities on the Internet, the sexist bias of algorithms, the dangerous dominance of white men in the development of artificial intelligence and digital surveillance, but also ideas on how we can change our traditional ways of thinking. Artists included: Morehshin Allahyari, Manetta Berends, Zach Blas & Jemima Wyman, Nadja Buttendorf, Elisabeth Caravella, Jennifer Chan, Aleksandra Domanović, Louise Drulhe, Elisa Giardina Papa, Darsha Hewitt, Lauren Huret, Hyphen-Labs, Dasha Ilina, Roberte la Rousse, Mary Maggic, Caroline Martel, Lauren Moffatt, Simone C. Niquille, Jenny Odell, Tabita Rezaire, Erica Scourti, Suzanne Treister, Lu Yang. Text in English and German.

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Born in Winnipeg in 1927, Lois Wilson was the first female moderator of the United Church of Canada, the first female president of the Canadian Council of Churches, and the first woman and first Canadian president of the North American region of the World Council of Churches. A respected human rights defender and activist for peace and social justice around the world, she was appointed by successive Canadian governments to head missions in Korea, El Salvador, Guatemala, and Sudan, among others, over her long and distinguished career.For the Sake of the Common Good is a tribute to the life and work of this remarkable Canadian. It brings together contributions from internationally recognized figures such as Louise Arbour, Lloyd Axworthy, and Irwin Cotler; national leaders such as Bill Blaikie, Alia Hogben, Mary Jo Leddy, Stan McKay, and Michael Blair; and local heroes such as Alexa Gilmour and Brent Hawkes, who have been influenced by Lois Wilson’s practical Christianity, progressive values, and commitment to ending oppression in all forms. Their essays urge us to think about the many ways we can work toward the common good: by welcoming refugees, developing ecologically sustainable ways of life, repairing relations with Indigenous Peoples, protecting the rights of LGBTQ+ people and all who are oppressed, defending political prisoners, and respecting religious rights and the place of faith in public life. In such ways, we can restore right relations with the Earth and with each other.For the Sake of the Common Good gratefully acknowledges Lois Wilson’s inspiring legacy while taking on the important task of continuing her work.

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The Daleks rampage in this collection of vintage stories from Terry Nation’s Dalek Annuals of the 1970s. "Exciting sci-fi adventures in their own right...beautifully pitched sound design...this is a great piece of work from BBC Audio." Doctor Who Magazine "If you’re a Dalek fan of any description, then you need to get hold of this. Before the Daleks arrive…" scifibulletin.comUrgent message to all Anti-Dalek Force agents: the Daleks are coming! Defend yourself with The Dalek Audio Annual, packed with exciting tales of galactic terror, global invasion and the adventures of plucky human resistance fighters. Special ADF agents Nicholas Briggs, Louise Jameson and Matthew Waterhouse will read five stories of battlefield reportage — Terror Task Force, Exterminate! Exterminate! Exterminate!, Timechase, The Doomsday Machine and Report from an Unknown Planet — alongside factual updates on the Dalek War: Dalek Genius, Mark 7 Humanoid Robot, Special Report: Secret Meeting on Skaro and more. All material is authenticated from Terry Nation’s Dalek Annuals of the 1970s.Order your copy now. It is your duty to remain informed of progress in the ongoing battle between humans and Daleks! Duration: 2 hours 30 mins approx. Text © Terry Nation 1976-77Daleks as seen in the BBC TV series Doctor WhoTerry Nation’s Dalek Annuals first published by World Distributors by arranged with the BBCReadings produced by Neil Gardner at Ladbroke AudioSound design by David DarlingtonExecutive Producer: Michael StevensCover by Minty Design/images © BBC Studios 2018

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Covering a period that runs from the founding of the colony in the early seventeenth century to the conquest of 1760, People, State, and War under the French Regime in Canada is a study of colonial warriors and warfare that examines the exercise of state military power and its effects on ordinary people.Overturning the tendency to glorify the military feats of New France and exploding the rosy myth of a tax-free colonial population, Louise Dechêne challenges the stereotype of the fighting prowess and military enthusiasm of the colony’s inhabitants. She reveals the profound incidence of social divides, the hardship war created for those expected to serve, and the state’s demands on the civilian population in the form of forced labour, requisitions, and billeting of soldiers. Originally published posthumously in French, People, State, and War under the French Regime in Canada is the culmination of a lifetime of research and unparalleled knowledge of the archival record, including official correspondence, memoirs, military campaign journals, taxation records, and local parish records. Dechêne reconstructs the variegated composition and conditions of military forces in New France, which included militia, colonial volunteers, and regular troops, as well as Indigenous allies. The study offers an informed and ambitious comparison between France and other French colonies and shows that the mobilization of an unpaid, compulsory militia in New France greatly exceeded requirements in other parts of the French domain.With empathy, sensitivity to the social dimensions of life, and a piercing insight into the operations of power, Dechêne portrays the colonial condition with its rightful dose of danger and ambiguity. Her work underlines the severe toll that warfare takes on the individual and on society and the persistent deprivation, disorder, fear, and death that come with conflict.

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