Search results for ""University of Illinois Press""

A startling record of the Jazz Age through the eyes of one of its memorable figuresBetween 1922 and 1930, Carl Van Vechten--one of the most significant figures of the Harlem Renaissance--kept a daily record of his activities. The records recount his day-to-day life, as well as the alliances, drinking habits, feuds, and affairs of a wide number of the period's luminaries, providing a rich resource for reconstructing the culture of 1920s New York and the social milieu during Prohibition. Bruce Kellner has provided copious informative notes identifying central figures and clarifying details.

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Now in paperback, The Rural Face of White Supremacy presents a detailed study of the daily experiences of ordinary people in rural Hancock County, Georgia. Drawing on his own interviews with over two hundred black and white residents, Mark Schultz argues that the residents acted on the basis of personal rather than institutional relationships. As a result, Hancock County residents experienced more intimate face-to-face interactions, which made possible more black agency than their urban counterparts were allowed. While they were still firmly entrenched within an exploitive white supremacist culture, this relative freedom did create a space for a range of interracial relationships that included mixed housing, midwifery, church services, meals, and even common-law marriages.

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In 1901, Winnifred Eaton arrived in New York City with literary ambitions, journalism experience, and the manuscript for A Japanese Nightingale, the novel that would make her famous. Her writing and gift for reinvention would set her apart from other women authors of her time and make her a fascinating early figure in Asian American literature. Diana Birchall, Eaton's granddaughter, tells the Horatio Alger story of the woman who became Onoto Watanna. Born to a British father and a Chinese mother, Winnifred capitalized on her exotic appearance—and protected herself from Americans' scorn of the Chinese—by "becoming" Japanese. Her popular Japanese-themed romance novels thrust her into the glittering world of New York's literati. From there she leapt to Hollywood to become a scriptwriting protégée of Carl Laemmle at Universal Studios. Yet her boldness and talent masked a sometimes-desperate personal life that included a troubled first marriage and the sudden end of her Hollywood career. A compelling saga of the shifting boundary between life and art, Onoto Watanna reveals the conflicting stories, personal tempests, and remarkable accomplishments of a woman whose career was sensational in every sense.

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An intimate and eloquent history of America

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With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor. A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.

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A high-spirited history of country music's roots combined with vivid portraits of its principal performers

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In The Bluegrass Reader, Thomas Goldsmith joins his insights as a journalist with a lifetime of experience in bluegrass to capture the full story of this beloved American music. Inspired by the question “What articles about bluegrass would you want to have with you on a desert island?” he assembled a delicious, fun-to-read collection that brings together a wide range of the very best in bluegrass writing. Goldsmith’s substantial introduction describes and traces the development of the music from its origins in Anglo-American folk tradition, overlaid with African American influences, to the breakout popularity of Ralph Stanley, Alison Krauss, and the O Brother, Where Art Thou? soundtrack. He introduces each selection offering a wealth of additional information, making The Bluegrass Reader both enjoyable and invaluable for new fans of the music as well as for its lifetime devotees.

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The story of "Shoeless" Joe Jackson and his White Sox teammates purportedly conspiring with gamblers to throw the 1919 World Series to the Cincinnati Reds has lingered in our collective consciousness for a century. Daniel A. Nathan's wide-ranging history looks at how journalists, historians, novelists, filmmakers, and baseball fans have represented and remembered the scandal. Nathan's reflections on what these different cultural narratives reveal about their creators and eras shape a fascinating study of cultural values, memory, and the ways people make meaning.

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For twenty years Avital Ronell has stood at the forefront of the confrontation between literary study and European philosophy. She has tirelessly investigated the impact of technology on thinking and writing, with groundbreaking work on Heidegger, dependency and drug rhetoric, intelligence and artificial intelligence, and the obsession with testing. Admired for her insights and breadth of field, she has attracted a wide readership by writing with guts, candour, and wit. Coyly alluding to Nietzsche's "gay science," "The UberReader" presents a solid introduction to Avital Ronell's later oeuvre. It includes at least one selection from each of her books, two classic selections from a collection of her early essays (Finitude's Score), previously uncollected interviews and essays, and some of her most powerful published and unpublished talks. An introduction by Diane Davis surveys Ronell's career and the critical response to it thus far. With its combination of brevity and power, this Ronell "primer" will be immensely useful to scholars, students, and teachers throughout the humanities, but particularly to graduate and undergraduate courses in contemporary theory.

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A comprehensive study of the Progressive movement, Reinventing "The People"contends that the persistence of class conflict in America challenged the very defining feature of Progressivism: its promise of social harmony through democratic renewal. Shelton Stromquist profiles the movement's work in diverse arenas of social reform, politics, labor regulation and so-called race improvement. While these reformers emphasized different programs, they crafted a common language of social reconciliation in which an imagined civic community--"the People"--would transcend parochial class and political loyalties. But efforts to invent a society without enduring class lines marginalized new immigrants and African Americans by declaring them unprepared for civic responsibilities. In so doing, Progressives laid the foundation for twentieth-century liberals' inability to see their world in class terms and to conceive of social remedies that might alter the structures of class power.

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Into the Vortex challenges and rethinks feminist film theory's brilliant but often pessimistic reflections on the workings of sound and voice in film. Including close readings of major film theorists such as Kaja Silverman and Mary Ann Doane, Britta H. Sjogren offers an alternative to image-centered scenarios that dominate feminist film theory's critique of the representation of sexual difference. Sjogren focuses on a rash of 1940s Hollywood films in which the female voice bears a marked formal presence to demonstrate the ways that the feminine is expressed and difference is sustained. She argues that these films capitalize on particular particular psychoanalytic, narratological and discursive contradictions to bring out and express difference, rather than to contain or close it down. Exploring the vigorous dynamic engendered by contradiction and paradox, Sjogren charts a way out of the pessimistic, monolithic view of patriarchy and cinema's representation of women's voices.

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The Consumer Trap blows the lid off the trillion-dollar-a-year business marketing industry, explaining how it continues to soak up economic and environmental resources and dominate the personal lives of citizens. Flouting conventional mainstream and radical thinking about consumer culture, Michael Dawson reveals how corporate marketing embodies and extends into personal life the scientific management principles famously enunciated by Frederick Winslow Taylor, whose earliest disciples predicted the big business marketing revolution. After revealing why corporate capitalism fuels an ever-increasing marketing race, Dawson provides a step-by-step account of how this behemoth works and expands. Using firsthand evidence, he explains in detail how big business marketing campaigns penetrate and profoundly affect the lives of ordinary Americans. Dawson argues that if people are to escape the costly consumer trap set by the overclass, they will need to renew class struggle from below, inventing new institutions for democratically governing and implementing major economic decisions. A blueprint for reinventing the study and debate of the sociocultural effects of corporate marketing practices, The Consumer Trap makes big business marketing a target of direct historical and sociological scrutiny.

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African-American Concert Dance significantly advances the study of pioneering black dancers by providing valuable biographical and historical information on a group of artists who worked during the 1920s, 1930s, and 1940s to legitimize black dance as a serious art form. John O. Perpener sets these seminal artists and their innovations in the contexts of African-American culture and American modern dance and explores their creative synthesis of material from European-American, African-American, Caribbean, and African sources. Perpener begins with Hemsley Winfield, a versatile performer and director whose company, the New Negro Art Theatre, launched the careers of Edna Guy, Randolph Sawyer, and Ollie Burgoyne, among many others. Also profiled are Charles Williams, who directed the Hampton Creative Dance Group at the Hampton Institute in Virginia, and Asadata Dafora Horton, a native African who established himself as the preeminent purveyor of African dance and culture in America during the 1930s. Dafora's African Dance Troupe, which at one point came under the umbrella of the WPA Federal Theatre Project, was a focal point of the famous "voodoo" Macbeth, an all-black production set in Haiti and directed by the young Orson Welles. Stepping onto the path cleared by these early innovators, two important artists combined dance with anthropology to expand the reach and scope of African-American dance. Katherine Dunham and Pearl Primus both studied anthropology and engaged in extensive fieldwork that infused their dances with Caribbean and African influences. Dunham founded two ambitious training schools, one in New York and one in East St. Louis, while Primus's projects included an African Arts Center in Monrovia, Liberia, dedicated to collecting dance material, teaching, and organizing professional performances. Perpener examines the politics of racial and cultural difference and their impact on these early African-American dance leaders. In particular he documents the critical reception of their work, detailing the rigid preconceptions of African-American dance that white critics imposed on black artists. He also surveys important black dancers and choreographers since 1950, including Talley Beatty, Donald McKayle, Alvin Ailey, Eleo Pomare, Rod Rodgers, and Dianne McIntyre, and discusses how they have extended and diverged from traditions established by their predecessors.

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Michael Uzendoski's theoretically informed work analyzes value from the perspective of the Napo Runa people of the Amazonian Ecuador. Based upon historical and archival research, as well as the author's years of fieldwork in indigenous communities, The Napo Runa of Amazonian Ecuadorpresents theoretical issues of value, poetics, and kinship as linked to the author's intersubjective experiences in Napo Runa culture. Drawing on insights from the theory of gift and value, Uzendoski argues that Napo Runa culture personifies value by transforming things into people through a process of subordinating them to human relationships. While many traditional exchange models treat the production of things as inconsequential, the Napo Runa understand production to involve a relationship with natural beings (plants, animals, and spirits of the forest) that they believe share spiritual substance, or samai. Value is the outcome of a complicated poetics of transformation by which things and persons are woven into kinship forms that define daily social and ritual life.

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Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters. Focusing on the trope of passing--black characters lightskinned enough to pass for white--M. Giulia Fabi shows how early African American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, Frances E. W. Harper, Edward A. Johnson, and James Weldon Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Challenging the myths of racial purity and the color line, these authors used passing to celebrate a distinctive, African American history, culture, and worldview. Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. Chesnutt used passing as both a structural and a thematic element, while James Weldon Johnson innovated by parodying the earlier novels of passing and presenting the decision to pass as the result, rather than the cause, of cultural alienation. Fabi also gives a historical overview of the canon-making enterprises of African American critics from the 1850s to the 1990s and considers how their concerns about promoting the canonization of African American literature affected their perceptions of nineteenth-century black fiction.

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A new approach to feminism

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This book is the first in English to consider women's movements and feminist discourses in twentieth-century Taiwan. Doris T. Chang examines the way in which Taiwanese women in the twentieth century selectively appropriated Western feminist theories to meet their needs in a modernizing Confucian culture. She illustrates the rise and fall of women's movements against the historical backdrop of the island's contested national identities, first vis-à-vis imperial Japan (1895-1945) and later with postwar China (1945-2000). In particular, during periods of soft authoritarianism in the Japanese colonial era and late twentieth century, autonomous women's movements emerged and operated within the political perimeters set by the authoritarian regimes. Women strove to replace the "Good Wife, Wise Mother" ideal with an individualist feminism that meshed social, political, and economic gender equity with the prevailing Confucian family ideology. However, during periods of hard authoritarianism from the 1930s to the 1960s, the autonomous movements collapsed. The particular brand of Taiwanese feminism developed from numerous outside influences, including interactions among an East Asian sociopolitical milieu, various strands of Western feminism, and Marxist-Leninist women's liberation programs in Soviet Russia. Chinese communism appears not to have played a significant role, due to the Chinese Nationalists' restriction of communication with the mainland during their rule on post-World War II Taiwan. Notably, this study compares the perspectives of Madame Chiang Kai-shek, whose husband led as the president of the Republic of China on Taiwan from 1949 to 1975, and Hsiu-lien Annette Lu, Taiwan's vice president from 2000 to 2008. Delving into period sources such as the highly influential feminist monthly magazine Awakening as well as interviews with feminist leaders, Chang provides a comprehensive historical and cross-cultural analysis of the struggle for gender equality in Taiwan.

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The fifty color photographs in Frank Noelker's Captive Beauty are not simple, uncomplicated shots of animals in zoo settings; there is an ambivalence in them that only gradually envelops the viewer. Their sad, stark beauty confronts viewers, challenging them to consider the nature, purpose, and effects of zoos. Captive Beauty includes a short epigraph by the photographer.

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He was known first as a Warsaw ghetto smuggler, then as Comandante Enrico. He traveled under false identity papers and worked at a German border patrol station. Throughout the years of the Holocaust, Hermann Wygoda lived a life of narrow escapes, daring masquerades, and battles that almost defy reason. Unique among Holocaust memoirs, In the Shadow of the Swastika, now in paperback, celebrates the memory of a man who received decorations from three Western powers and who, years later, was honored posthumously by the Italian city he helped to liberate.

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Language is a fundamental tool for shaping identity and community, including the expression (or repression) of sexual desire. Speaking in Queer Tongues investigates the tensions and adaptations that occur when processes of globalization bring one system of gay or lesbian language into contact with another. Western constructions of gay culture are now circulating widely beyond the boundaries of Western nations due to influences as diverse as Internet communication, global dissemination of entertainment and other media, increased travel and tourism, migration, displacement, and transnational citizenship. The authority claimed by these constructions, and by the linguistic codes embedded in them, is causing them to have a profound impact on public and private expressions of homosexuality in locations as diverse as sub-Saharan Africa, New Zealand, Indonesia and Israel. Examining a wide range of global cultures, Speaking in Queer Tongues presents essays on topics that include old versus new sexual vocabularies, the rhetoric of gay-oriented magazines and news media, verbal and nonverbalized sexual imagery in poetry and popular culture, and the linguistic consequences of the globalized gay rights movement.

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Chicago’s Pride chronicles the growth -- from the 1830s to the 1893 Columbian Exposition - of the communities that sprang up around Chicago’s leading industry. Wade shows that, contrary to the image in Upton Sinclair’s The Jungle, the Stockyards and Packingtown were viewed by proud Chicagoans as “the eighth wonder of the world.” Wade traces the rise of the livestock trade and meat-packing industry, efforts to control the resulting air and water pollution, expansion of the work force and status of packinghouse employees, changes within the various ethnic neighborhoods, the vital role of voluntary organizations (especially religious organizations) in shaping the new community, and the ethnic influences on politics in this “instant” industrial suburb and powerful magnet for entrepreneurs, wage earners, and their families.

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Is human cloning a science fiction nightmare come true? Or is it a practical avenue toward beneficial new medical treatments and techniques? In this concise volume, experts on all sides of the debate make arguments for why we should either pursue, regulate, or ban the cloning of human beings. From this collection, readers will gain a clearer picture of the history of cloning in agriculture and animal science, the various biological procedures that are encompassed by the term "cloning," the philosophical arguments in support of and opposed to cloning humans, and the considerations that should inform discussions about public policy matters related both the cloning research and to human cloning itself. Balancing scientific detail with philosophical argument, Human Cloning succinctly outlines what cloning is and is not (e.g., cloning does not produce identical individuals), what has led to recent scientific developments, what is now possible, and what ethical dilemmas cloning presents. Opponents claim that cloning subverts human dignity, makes a mockery of spousal love, and poses serious safety hazards. Proponents cite a range of potential benefits, such as producing transplant tissue that is less likely to be rejected, extending current techniques of artificial insemination, and controlling genetic abnormalities to prevent birth defects. Cloning itself is not new, but as the science of cloning continues to advance--and as human cloning thus inches closer to reality--we are compelled to consider its implications for society. Human Cloning is a lucid, substantive guide to this contentious and potentially revolutionary issue.

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Nearly a century before the advent of "multiculturalism," Jane Addams put forward her conception of the moral significance of diversity. Each member of a democracy, Addams believed, is under a moral obligation to seek out diverse experiences, making a daily effort to confront others' perspectives. Morality must be seen as a social rather than an individual endeavor, and democracy as a way of life rather than merely a basis for laws. Failing this, both democracy and ethics remain sterile, empty concepts. In this, Addams's earliest book on ethics--presented here with a substantial introduction by Charlene Haddock Seigfried--she reflects on the factors that hinder the ability of all members of society to determine their own well-being. Observing relationships between charitable workers and their clients, between factory owners and their employers, and between household employers and their servants, she identifies sources of friction and shows how conceiving of democracy as a social obligation can lead to new, mutually beneficial lines of conduct. She also considers the proper education of workers, struggles between parents and their adult daughters over conflicting family and social claims, and the merging of politics with the daily lives of constituents. "The sphere of morals is the sphere of action," Addams proclaims. It is not enough to believe passively in the innate dignity of all human beings. Rather, one must work daily to root out racial, gender, class, and other prejudices from personal relationships.

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This unusual history of the Civil War takes a close look at the battlefield doctors in whose hands rested the lives of thousands of Union and Confederate soldiers and at the makeshift medicine they were forced to employ. A medical doctor and a credentialed historian, Frank R. Freemon combines poignant, sometimes horrifying anecdotes of amputation, infection, and death with a clearheaded discussion of the state of medical knowledge, the effect of the military bureaucracy on medical supplies, and the members of the medical community who risked their lives, their health, and even their careers to provide appropriate care to the wounded. Freemon examines the impact on major campaigns--Manassas, Gettysburg, Vicksburg, Shiloh, Atlanta--of ignorance, understaffing, inexperience, overcrowded hospitals, insufficient access to ambulances, and inadequate supplies of essentials such as quinine. Presenting the medical side of the war from a variety of perspectives--the Union, the Confederacy, doctors, nurses, soldiers, and their families--Gangrene and Glory achieves a peculiar immediacy by restricting its scope to the knowledge and perceptions available to its nineteenth-century subjects. Now available for the first time in paperback, this important volume takes a hard, close look at a neglected and crucial aspect of this bloody conflict.

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Volume 3 of Ancient Records of Egypt opens on the chaotic aftermath of King Akhenaten's religious revolution. Breasted chronicles the precarious reigns of Akhenaten's successors and the political and legal reforms of King Horemheb, who succeeded to the throne after the passing of the last members of the royal family. This volume contains the important edict of Horemheb, intended to prevent the oppressive abuses connected with the collection of taxes from the common people, and the inscriptions of Roy, high priest of Amon, showing the first transmission from father to son of the office of the high priest. In the context of a long history of mutilating and altering reliefs for political purposes, Breasted discusses the insertion into a relief of the figure of Ramesses II in order to reinforce his claim to the throne. This volume also includes the treaty of alliance that sealed peace with the Hittites under Ramesses II; a series of documents that record the invasion of Libyans and Mediterranean Sea people during the reign of Merneptah; and the Great Temple of Abu Simbel, the most remarkable of the rock-cut temples of Egypt. This first complete paperback edition of Breasted's five-volume Ancient Records of Egypt makes available to a new audience a milestone in Egyptology and in the compilation of documentary histories. Clearly annotated for the lay reader, the documents provide copious evidence of trade relations, construction activities, diplomatic envoys, foreign expeditions, and other aspects of a vigorous, highly organized, and centrally controlled society. Breasted's commentary is both rigorously documented and accessible, suffused with a contagious fascination for the events, the personalities, the cultural practices, and the sophistication these records indicate

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With volume 4 of Ancient Records of Egypt, James Henry Breasted brings us to the end of the self-governed era of ancient Egyptian civilization. Chief among the documents contained in this volume are the inscriptions from the Medinet Habu Temple, one of the most completely preserved temples of Egypt, and the great Papyrus Harris, the largest (133 feet long) and most sumptuous papyrus extant, 95 percent of which Breasted was the first to study closely. Together these documents present a detailed record of the reign and benefactions of Ramesses III, whose reign lasted more than thirty years. Volume 4 includes intriguing records of the harem conspiracy and legal documents that indicate the extent of robberies of royal tombs. Records of the Nile levels at Karnak provide important chronological landmarks, while the Stela of Piye (Piankhi), which documents the Nubian kingdom already in existence as a full-fledged power, provides information on the internal political climate of Egypt during a time when no aggressive monarch controlled the whole country. Breasted also notes where these ancient Egyptian records intersect with accounts of the same events from other sources, such as the mutiny of Psamtik I's troops as inscribed on the alabaster statue of Nesuhor and as narrated by Herodotus. In effect, Ancient Records of Egypt offers a valuable dual record. On the one hand, Breasted presents the events and personages of ancient Egypt as recorded in the documents. On the other hand, he presents a history of the documents themselves. Fragmentary or partially destroyed, carved on temple and tomb walls or written on fragile scrolls of leather or papyrus, even inscribed on the coffins and temple linens of the royal and priestly mummy wrappings, these records offer an irreplaceable primary source on a fascinating civilization.

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Hailed as "the most important overall reassessment of Dewey in several decades" (Sidney Ratner, Journal of Speculative Philosophy), The Necessity of Pragmatism investigates the most difficult and neglected aspects of Dewey's thought, his metaphysics and logic. R. W. Sleeper argues for a fundamental unity in Dewey's work, a unity that rests on his philosophy of language, and clarifies Dewey's conception of pragmatism as an action-based philosophy with the power to effect social change through criticism and inquiry. Identifying Dewey's differences with his pragmatist forerunners, Charles Sanders Peirce and William James, Sleeper elucidates Dewey's reshaping of pragmatism and the radical significance of his philosophy of culture. In this first paperback edition, a new introduction by Tom Burke establishes the ongoing importance of Sleeper's analysis of the integrity of Dewey's work and its implications for mathematics, aesthetics, and the cognitive sciences.

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A classic in gender studies in music Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged. Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano. A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.

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Bitter Music collects writings by one of the twentieth century's great musical iconoclasts. Rejecting the equal temperament and concert traditions that have dominated western music, Harry Partch adopted the pure intervals of just intonation and devised a 43-tone-to-the-octave scale, which in turn forced him into inventing numerous musical instruments. His compositions realize his ideal of a corporeal music that unites music, dance, and theater. Winner of the ASCAP-Deems Taylor Award, Bitter Music includes two journals kept by Partch, one while wandering the West Coast during the Depression and the other as he hiked the rugged northern California coastline. It also includes Partch's essays on and discussions of his own compositions, as well as librettos and scenarios for six major narrative/dramatic works.

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One of America's most beloved and accomplished composers, Aaron Copland played a crucial role in American music's coming of age. Indeed, Copland masterworks like Appalachian Spring and A Lincoln Portrait only begin to tell the epic story of a career spent composing a wealth of music for opera, ballet, chorus, orchestra, chamber ensemble, band, radio, and film. Howard Pollack's expansive biography examines Copland's long list of accomplishments while also telling the story of the composer's musical development, political sympathies, personal life, relationships as an openly gay man, and tireless encouragement of younger composers. A winner of the Pulitzer Prize and an Academy Award, Copland played a vital role in the Yaddo Festival and as a beloved teacher at Tanglewood, Harvard, and the New School for Social Research. He turned to conducting later in life and via tours promoted American classical music overseas while taking it to appreciative audiences across the United States.

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Published in 1721 by the prominent Puritan clergyman Cotton Mather, The Christian Philosopher was the first comprehensive book on science to be written by an American. Building on natural theology, Mather demonstrated the harmony between religion and the new science associated with Sir Isaac Newton. His survey of all the known sciences from astronomy and physics to human anatomy presented evidence that both celestial and terrestrial phenomema imply an intelligent designer. Winton Solberg's introduction places Mather's treatise in its widest historical context. In addition to tracing the origins and sources of Mather's work, Solberg analyzes the book's contents, its reception, and its significance in American intellectual and cultural history. This edition affirms Mather's importance to American thought as a deeply religious intellectual who introduced the Enlightenment to America.

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Masterful pacing, vivid character sketches, and gripping action blend with rigorous historical detail in Samuel B. Griffith's The Battle for Guadalcanal. Launched on August 7, 1942, to protect Allied control of the strategic South Pacific islands, the Guadalcanal operation was the most costly American offensive of World War II in the history of the U.S. Navy up to that time. Griffith, who fought with Edson's Raiders on Guadalcanal, describes in gritty detail the vicious close-range fighting, the valiant defense of the Henderson Field airstrip, and the dramatic naval engagements that led, in February 1943, to an American victory. Drawing on American and Japanese sources, Griffith delineates the strategic decisions that shaped the conflict as well as the determination and endurance of combatants on both sides. A breathtaking narrative of military action anchored by a historian's objectivity, The Battle for Guadalcanal is a story of raw courage, desperate measures, and ultimate triumph.

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Friedrich Nietzsche and the Politics of Transfiguration provides a comprehensive analysis of the politics that are implicit and explicit in Nietzsche's work. Tracy B. Strong's discussion shows that Nietzsche's writings are of a piece and have as their common goal a politics of transfiguration: a politics that seeks radical change in how human beings live and act in the modern Western world. This edition includes a new introduction that demonstrates how the styles of Nietzsche's writings expand our notions of democratic politics and democratic understanding.

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We can trace many important strategic decisions to compelling official fictions such as Kennedy's "missile gap" and Reagan's "window of vulnerability." Over the years, antinuclear movements have had mixed success debunking these fictions, raising public consciousness, and reorienting government policy. Andrew Rojecki explores links between nuclear arms policy and the visibility of opposition groups in the media. He pays particular interest to two cycles of protest: the test ban movement of the Eisenhower and the Kennedy administrations and the Reagan-era nuclear freeze movement. As Rojecki shows, space devoted to the opposition as well as the quality of the coverage varied widely from the first to the second period. The change reflected different climates of public opinion and foreign policy but also a subtle shift in political culture that undermined the legitimacy of citizen protest. As the rationalized policymaking of government agencies, think tanks, and university departments increasingly restricted public debate, the potential for citizens to influence nuclear politics became more circumscribed while nuclear weapons continued to proliferate.

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This engaging collection poses the question, Can straight people think queer? Straight with a Twist offers a refreshing look at the relation between queer theory and critical examinations of the construction of heterosexuality. Seeking to proliferate the findings and insights of queer theory, contributors explore the issue of whether and how queer theory can speak for and include the straight. In some of the ways that men have learned from feminism to interrogate the construction of masculinity, straights are learning from queer theory to interrogate constructions of straightness, to question their place in those constructions, and to make critical interventions into the institutional reproduction of the heterosexual norm. Straight with a Twist responds to the formulations of some of the leading figures in queer theory, considers demonstrations of the queer in television programs ("Seinfeld," for example) and contemporary films, and explores to what extent and in what ways literary texts from Shakespeare to Dorothy Allison are open to queer interpretation. Committed to antihomophobic cultural analysis, Straight with a Twist aims to extend the reach of queer theory and humanize the world by making it "queerer than ever."

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This is the seed of The Storytellers' Journey, Joseph Daniel Sobol's history of the past thirty years of American storytelling. In this compelling examination of the contemporary search for myth, Sobol explores the social and psychological roots of the storytelling revival and the ever-resurgent power of the storyteller. Drawing on interviews with dozens of storytellers around the country, Sobol paints the revival as part of a larger process of cultural revitalization. He traces the growth of the preeminent revival organization, the National Association for the Preservation and Perpetuation of Storytelling (NAPPS), and details the individual passions, the organizational politics, and the economic, social, and mythic forces that have combined to transform a ragtag assemblage of enthusiasts into a national and international network of arts professionals. A seemingly chance encounter between a restlessly ambitious high school teacher and a coonhunting tale on the car radio sets off a chain of inspirations that changes the face of a small southern town, touches lives across America, and revitalizes a homely but treasured art form.

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This edition of Richard H. Pells's classic work of American intellectual history includes a new preface.

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Genetic screening, new reproductive technologies, gene therapies, and the reality of cloning all make biological solutions to human social problems seem possible. Creating Born Criminals shows how history can guide us in our response to the reemergence of eugenics. The first social history origins and content, showing their undue influence on crime control in the United States.

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Regionally distinct yet influenced by national trends, women's progressive culture in Texas offers a valuable opportunity to analyze the evolution of women's voluntary associations, their challenges to southern conventions of race and class, and their quest for social change and political power. Judith McArthur traces how general concerns of national progressive organizations about pure food, prostitution, and education reform shaped programs at the state and local levels. Southern women differed from their Northern counterparts by devising new approaches to settlement work and taking advantage of World War I to challenge southern gender and racial norms. McArthur's original analysis details how women in Texas succeeded in securing partial voting rights before passage of the Nineteenth Amendment. She also provides valuable comparisons between North and South, among various southern states, and between black and white, and male and female, progressives.

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Where are the women writers of color? Where are their theoretical voices? The fifteen contributors to Other Sisterhoods: Literary Theory and U.S. Women of Color examine the ways that women writers of color have contributed to the discourse of literary and cultural theory. They focus on the impact of key issues, such as social construction and identity politics, on the works of women writers of color, as well as on the ways these women deal with differences relating to gender, class, race/ethnicity, and sexuality. The book also explores the ways women writers of color have created their own ethnopoetics within the arena of literary and cultural theory, helping to redefine the nature of theory itself. "A sophisticated resource that will do much to carry us through to the next century. Great work!" -- Alvina E. Quintana, author of Home Girls: Chicana Literary Voices CONTRIBUTORS:Sandra Kumamoto Stanley, AnaLouise Keating, Dionne Espinoza, Kimberly N. Brown, Marilyn Edelstein, Tomo Hattori, Robin Riley Fast, King-Kok Cheung, Timothy Libretti, Renae Moore Bredin, Jennifer Browdy de Hernandez, Kimberly M. Blaeser, Kathryn Bond Stockton, Eun Kyung Min, Cecilia Rodriguez Milanes

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What is music education, and what ought it to be? By challenging narrow and inadequate conceptions of the field, Estelle Jorgensen raises the possibility of alternative views that can dignify the teacher's task, enrich and enliven the profession, and validate an exciting range of additional ways in which music education can be undertaken in the contemporary world. One of the most respected leaders in music education, Jorgensen emphasizes world music and ethnomusicology as equal partners alongside the more conventional sounds and styles that have dominated the classroom. Exemplifying sound scholarship, thorough research, and compelling argument, In Search of Music Education will be especially welcome wherever teachers strive to deal with requirements for responsible music education.

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Exploring the gendered dimension of political conflicts, Laura Edwards links transformations in private and public life in the era following the Civil War. Ideas about men's and women's roles within households shaped the ways groups of southerners—elite and poor, whites and blacks, Democrats and Republicans—envisioned the public arena and their own places in it. By using those on the margins to define the center, Edwards demonstrates that Reconstruction was a complicated process of conflict and negotiation that lasted long beyond 1877 and involved all southerners and every aspect of life.

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Thomas Rice compellingly argues that James Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it. Placing Joyce in his cultural context, Rice first traces the influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, when later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering only arbitrary constructions of this reality. Joyce responded in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses presages the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.

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Along with most of the rest of Western culture, has crime itself become more "civilized"? This book exposes as myths the beliefs that society has become more violent than it has been in the past and that violence is more likely to occur in cities than in rural areas. The product of years of study by scholars from North America and Europe, The Civilization of Crime shows that, however violent some large cities may be now, both rural and urban communities in Sweden, Holland, England, and other countries were far more violent during the late Middle Ages than any cities are today. Contributors show that the dramatic change is due, in part, to the fact that violence was often tolerated or even accepted as a form of dispute settlement in village-dominated premodern society. Interpersonal violence declined in the seventeenth and eighteenth centuries, as dispute resolution was taken over by courts and other state institutions and the church became increasingly intolerant of it. The book also challenges a number of other historical-sociological theories, among them that contemporary organized crime is new, and addresses continuing debate about the meaning and usefulness of crime statistics. CONTRIBUTORS: Esther Cohen, Herman Diederiks, Florike Egmond, Eric A. Johnson, Michele Mancino, Eric H. Monkkonen, Eva Österberg, James A. Sharpe, Pieter Spierenburg, Jan Sundin, Barbara Weinberger

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Once preoccupied with Brazilian slavery as an economic system, historians shifted their attention to examine the nature of life and community among enslaved people. Stuart B. Schwartz looks at this change while explaining why historians must continue to place their ethnographic approach in the context of enslavement as an oppressive social and economic system. Schwartz demonstrates the complexity of the system by reconsidering work, resistance, kinship, and relations between enslaved persons and peasants. As he shows, enslaved people played a role in shaping not only their lives but Brazil’s institutionalized system of slavery by using their own actions and attitudes to place limits on slaveholders. A bold analysis of changing ideas in the field, Slaves, Peasants, and Rebels provides insights on how the shifting power relationship between enslaved people and slaveholders reshaped the contours of Brazilian society.

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Calvin Thomas's Male Matters reveals the act and production of writing as a bodily, material process that transgresses the boundaries of gender. Wise and quirky, sophisticated and coarse, serious and hilarious, this look at male identity and creativity and dislocation at the end of the twentieth century definitely will not assuage male anxiety! "An excellent and important book. . . . By mixing high and low, by speaking candidly about what we usually keep in the (water) closet, while simultaneously engaging the 'highest' philosophies of language and culture, Thomas calls the entire enterprise of criticism into question." -- Jeremy Earp, Journal of Gay, Lesbian, and Bisexual Identity "A brave, indispensable exercise in writing the male body, and a tour de force of theoretically informed close reading." -- Kevin Floyd, Journal of the Midwest Modern Language Association "Both analyzes and performs our anxieties about masculinity. . . . This experiment in criticism transgresses boundaries of theory, gender, and academic taste in ways sure to delight and infuriate its readers." -- Gregory Jay, author of America the Scrivener: Deconstruction and the Subject of Literary History "Calvin Thomas is able to hint at a way out of the prison-house, as he puts it, of straight male identity." -- Kathy Acker, author of In Memoriam to Identity

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The Depression era closing of a Ford plant sends Andy and two companions to Moscow to find work in a Soviet automotive plant, where he meets Natasha, an exemplar of the "new Soviet woman." Based on Myra Page's own experiences in Moscow during the first Five-Year Plan, Natasha is a portrait of women's contradictory social position in the early periods of socialist construction. At the core of this novel is a firsthand look at the developing forces and changing relations of production forces that bring about the conversion of Andy into a "Moscow Yankee." While revealing the political and economic policies that would inevitably lead to the demise of Soviet-style socialism, Moscow Yankee refutes the notion that egalitarian societies cannot succeed because they fail to take into account the individualism and greed of "human nature." Barbara Foley's introduction analyzes the Soviet Socialist construction in Page's novel and the politics of the novelistic form in relation to Moscow Yankee. Originally published in 1935 "A picture of Americans lured to Moscow by hope in the 'great experiment,' and of others driven there by the depression, and of still others attracted by the simple desire to get good engineering jobs, Moscow Yankee; has a decided value . . . a sense of life, stirring in the chaos of destruction and reconstruction." -- The New York Times Book Review

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Though subjected to years of criticism, Four Theories of the Press remains a core text in communications. Its influence on the field, impact on generations of journalists, and ability to spark debate on why the press acts as it does continue to make it an oft-quoted source and classroom staple. In Last Rights, eight communications scholars critique and expand on the classic text. The authors argue that Four Theories spoke to and for a world beset by a cold war ended long ago. At the same time, they praise the book for offering an alternative view of the press and society and as a useful tool for helping scholars and citizens alike grapple with contradictions in classical liberalism. They also raise important questions about the Internet and other major changes in communications systems and society since the original publication of Four Theories. Contributors: William E. Berry, Sandra Braman, Clifford Christians, Thomas G. Guback, Steven J. Helle, Louis W. Liebovich, John C. Nerone, and Kim B. Rotzoll

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