Search results for ""University of Illinois Press""

In looking at the remarkable proliferation of democracies since 1974, this volume offers important insight into the challenges and opportunities that democracy faces in the twenty-first century. Distinguished contributors detail difficulties that democracies face from within and how they deal with them. Among the contemporary threats to democracy emanating from internal sources are tensions arising over technology and its uses; ethnic, religious, and racial distinctions; and disparate access to resources, education, and employment. A democratically elected government can behave more or less democratically, even when controlling access to information, using legal authority to aid or intimidate, and applying resources to shape the conditions for the next election. With elections recently disputed in the United States, Mexico, Lebanon, and the Ukraine, debates about the future of democracy are inescapably debates about what kind of democracy is desired. Contributors are W. Lance Bennett, Bruce Bimber, Jon Fraenkel, Brian J. Gaines, Bernard Grofman, Wayne V. McIntosh, Peter F. Nardulli, Mark Q. Sawyer, Stephen Simon, Paul M. Sniderman, and Jack Snyder.

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Understanding instead of lamenting the popularity of self-help books Based on a reading of more than three hundred self-help books, Sandra K. Dolby examines this remarkably popular genre to define "self-help" in a way that's compelling to academics and lay readers alike. Self-Help Books also offers an interpretation of why these books are so popular, arguing that they continue the well-established American penchant for self-education, they articulate problems of daily life and their supposed solutions, and that they present their content in a form and style that is accessible rather than arcane. Using tools associated with folklore studies, Dolby then examines how the genre makes use of stories, aphorisms, and a worldview that is at once traditional and contemporary. The overarching premise of the study is that self-help books, much like fairy tales, take traditional materials, especially stories and ideas, and recast them into extended essays that people happily read, think about, try to apply, and then set aside when a new embodiment of the genre comes along.

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As a counterpart to research on the 1930s that has focused on liberal and radical writers calling for social revolution, David Welky offers this eloquent study of how mainstream print culture shaped and disseminated a message affirming conservative middle-class values and assuring its readers that holding to these values would get them through hard times. Through analysis of the era's most popular newspaper stories, magazines, and books, Welky examines how voices both outside and within the media debated the purposes of literature and the meaning of cultural literacy in a mass democracy. He presents lively discussions of such topics as the newspaper treatment of the Lindbergh kidnapping, issues of race in coverage of the 1936 Olympic games, domestic dynamics and gender politics in cartoons and magazines, Superman's evolution from a radical outsider to a spokesman for the people, and the popular consumption of such novels as the Ellery Queen mysteries, Gone with the Wind, and The Good Earth. Through these close readings, Welky uncovers the subtle relationship between the messages that mainstream media strategically crafted and those that their target audience wished to hear.

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Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing

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Black Moods collects for the first time all of Frank Marshall Davis’s extant published poems as well as his previously unpublished work. From sharp-edged sketches of Southside Chicago’s urban landscape to the prismatic world that lay beneath Hawaii’s placid surface, Davis’s muscular poems blend social, cultural, and political concerns--always shaped by his promise to “try to be as direct as good blues.” John Edgar Tidwell’s introduction examines both Davis’s poetry and his politics, presenting a subtle portrait of a complex writer devoted to exposing discriminatory practices and reaffirming the humanity of the common people.

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In considering Jane Campion's early award-winning short films on through international sensation The Piano and beyond, Kathleen McHugh traces the director's distinctive visual style as well as her commitment to consistently renovating the conventions of "women's films." By refusing to position her female protagonists as victims, McHugh argues, Campion scrupulously avoids the moral structures of melodrama, and though she often works with the narratives, mise-en-scene, and visual tropes typical of that genre, her films instead invite a distanced or even amused engagement. Jane Campion concludes with four brief, revelatory interviews and a filmography. Campion spoke twice with Michel Ciment—after the screening of her short and medium-length films at the Cannes Film Festival 1986, and three years later, after the Cannes screening of Sweetie. Judith Lewis narrates a Beverly Hills interview with Campion that followed the release of Holy Smoke, and Lizzie Francke's interview, reprinted from Sight and Sound,centers on Campion's film In the Cut, adapted from Susanna Moore's novel.A volume in the series Contemporary Film Directors, edited by James R. Naremore

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Widely acknowledged as one of our most insightful commentators on the history of journalism in the United States, David Paul Nord reveals how newspapers have intersected with religion, politics, reform, and urban life over nearly three centuries, His lively and wide-ranging discussion shows journalism to be a vital component of community. Ranging from the religion-infused towns of colonial America to the rapidly expanding urban metropolises of the late nineteenth century, Nord explores the cultural work of the press and how ordinary readers use journalism to form community attachments and engage in civic life.

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How social pressures have shaped prisons through history

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The Catholic Church has always opposed abortion, but--contrary to popular belief--not always for the same reasons. This tightly argued, historically grounded study sets out to demonstrate that a “pro-choice” stance, now held by a significant minority of Catholics, is as fully justified by Catholic thought as an antiabortion view. A Brief, Liberal, Catholic Defense of Abortion argues that the current Catholic antiabortion stance is justified neither by modern embryology nor by ancient church teachings. Combining up-to-date information on fetal development with a thorough grasp of the works of the church’s early thinkers (such as Sts. Augustine and Thomas Aquinas), Daniel A. Dombrowski and Robert Deltete expose crucial contradictions between the early and the modern Church’s views of abortion.

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A powerful statement about the repercussions of discrimination and the benefits of diversity in architecture Providing hard data for trends that many perceive only vaguely and some deny altogether, Designing for Diversity reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur most frequently in architecture: being offered added responsibility without a commensurate rise in position, salary, or credit; not being allowed to engage in client contact, field experience, or construction supervision; and being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian American architects. Anthony discusses the profession's attitude toward flexible schedules, part-time contracts, and the demands of family and identifies strategies that have helped underrepresented individuals advance in the profession, especially establishing a strong relationship with a mentor. She also observes a strong tendency for underrepresented architects to leave mainstream practice, either establishing their own firms, going into government or corporate work, or abandoning the field altogether. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Designing for Diversity argues convincingly that improving the climate for nontraditional architects will do much to strengthen architecture as a profession. Practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.

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Although they were originally considered an American phenomenon, gangs today have grown and transformed into global enterprises. Despite these changes, criminologists have not yet reassessed worldwide gangs in terms of the other changes associated with globalization. John M. Hagedorn aims to correct this oversight by incorporating important theoretical advances in urban political economy and understanding changes in gangs around the world as a result of globalization and the growth of the information economy. Contrary to older conceptions, today’s gangs are international, are often institutionalized, and may be explicitly concerned with race and ethnicity. Gangs in the Global City presents the work of an assortment of international scholars that challenges traditional approaches to problems in criminology from many different perspectives and includes theoretical discussions, case studies, and examinations of gang members’ identities. The contributors consider gangs not as fundamentally a crime problem but as variable social organizations in poor communities that are transitioning to the new economy.

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From debt to divorce, from adultery to slander, cases with women as plaintiffs, defendants, or both appeared regularly on docket books in antebellum Illinois. Nearly one-fifth of Abraham Lincoln's cases involved women as litigants, and during the twenty-five years of his legal career thousands of women appeared in Illinois courts, as litigants, criminal defendants, witnesses, and spectators. Drawing on the rich resources of The Law Practice of Abraham Lincoln: Complete Documentary Edition, a DVD version of Lincoln's complete legal papers, In Tender Consideration scans the full range of family woes that antebellum Americans took to the law. Deserted wives, destitute widows, jilted brides with illegitimate children, and slandered women brought their cases before the courts, often receiving a surprising degree of sympathy and support. Through the stories of dozens of individuals who took legal action to obtain a divorce, contest a will, prosecute a rapist, or assert rights to family property, this volume illuminates the legal status of women and children in Illinois and their experiences with the law in action. Contributors document how the courts viewed children and how they responded to inheritance, custody, and other types of cases involving children or their interests. These cases also highlight Lincoln's life in law, placing him more clearly within the context of the legal culture in which he lived and raising intriguing questions about the influence of his legal life on his subsequent political one.

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The colorful and detailed story of folk music

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The role of for-profit prisons in the history of oppression and legal discrimination aimed primarily at African American men

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The hidden impact of race on modern ideals

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Bob Black was a member of Bill Monroe's Blue Grass Boys in the 1970s. Black's memoir of his time with the man he called the Chief offers the unique vantage point of a man who traveled and performed extensively with the Father of Bluegrass at a time when the music had opened up to new audiences--and Monroe had become a living legend. Both role model and taskmaster, Monroe exerted a profound influence on Black and the musicians who have carried on the bluegrass tradition. In addition to Black's one-of-a-kind story, Come Hither to Go Yonder includes complete listing of Black's appearances with Monroe, recollections of the memorable experiences they shared while working together, descriptions of other important musicians and bands, and suggestions for further reading and listening. Offering a rare perspective on the creative forces that drove one of America's greatest composers and musical innovators, Come Hither to Go Yonder rewards fans of Bill Monroe and bluegrass while offering an insider's view of a crucial time in the music's history.

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The concluding volume of Women's History in Global Perspective discusses contemporary trends in gender and women's history. Bonnie G. Smith edits essays that include women and gender in the history of sub-Saharan Africa and Middle Eastern women since the rise of Islam. Other contributors offer a transnational approach to women in early and modern Europe; look at women's history in Russia and the Soviet Union; discuss the national period in Latin American women's history; and provide a global perspective on women in North American history after 1865. Contributors: Bonnie S. Anderson, Ellen Dubois, Barbara Engel, Cheryl Johnson-Odim, Nikki R. Keddie, Asunción Lavrin, and Judith P. Zinsser

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As Chicago grew into the world-class city it is today, its civic leaders took exceptional care in their cultivation of the arts. The establishment of the Art Institute, the widespread support of wealthy patronage, and the activity of numerous organizations including the Chicago Architectural Club, the Urban League, and the Chicago Women's Club, combined to make Chicago home to many painters. Since rising from the ashes in 1873, Chicago has supported generation after generation of inspired artists who painted land and cityscapes, and honored their patrons with portraits. The full length and breadth of their amazing work can at last be appreciated in the Powell and Barbara Bridges Collection. Susan C. Larsen provides a profile of the collectors and introduces the Bridges Collection, featuring an impressive range of canvases by Charles Francis Browne, Alice Kellogg Tyler, Frank Peyraud, Alfred Juergens, and other notable painters. Formerly the private treasure of the Bridges, Chicago Painting makes all 78 paintings of their remarkable collection available, in full color, to art lovers the world over. Wendy Greenhouse offers a host of insights into the lives and work of the artists who worked prior to the turn of the last century. She surveys the "conservative" Chicago painters who resisted the avant-garde, showing that while the European avant-garde did exert an influence, excellent work continued to be done in traditional genres such as portraits and landscapes. Painters the quality of Junius Sloan, Lucie Hartrath, George Peter Alexander Healy, Louis Betts, Ralph Clarkson, and Daniel Folger Bigelow are represented here. Finally, Susan Weiniger guides us into the Modernist era Chicago painters--Gertrude Abercrombie, Frances Strain, Frederic Tellander, Rudolph Weisenborn, and others--whose works show conclusively that Chicago did more than import avant-garde painting. Chicago Painting 1895 to 1945 also includes updated biographies of 49 painters and commentary on each painting.

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Discusses the many roles of song in a native community.

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Heavyweight Champion of the World from 1919 to 1926, Jack Dempsey, also known as the Manassa Mauler, began his boxing career as a skinny boy of sixteen, riding the rails and participating in hastily staged saloon bouts against miners and lumberjacks. In this incisive, fast-paced biography, Randy Roberts charts the life and career of a man widely regarded as one of the toughest ever to enter the ring. He details Dempsey's transition from barroom fights to professional boxing and his emerging reputation for fast, brutal knockouts. Roberts draws on a wealth of newspaper articles and interviews to chronicle Dempsey's rise to the heavyweight championship and his six title defenses. Also included are accounts of the eventual loss of his title to Gene Tunney in 1926, and the rematch in 1927, which Dempsey also lost in the infamous "long count." After continuing to fight in exhibitions, Dempsey retired from boxing in 1940 with an astonishing 64 victories, 49 of them knockouts. Roberts tells of the building of this record, including accounts of Dempsey's forays into Hollywood, the controversy over his alleged draft-dodging, his long life after retirement, and his enduring legacy as one of the greatest fighters in boxing history.

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In this folkloric examination of mass-produced material culture in the United States, Jeannie Banks Thomas examines the gendered sculptural forms that are among the most visible, including Barbie, Ken, and G.I. Joe dolls; yard figures (gnomes, geese, and flamingos); and cemetery statuary (angels, sports-related images, figures of the Virgin Mary, soldiers, and politicians). Images of females are often emphasized or sexualized, frequently through nudity or partial nudity, whereas those of the male body are not only clothed but also armored in the trappings of action and aggression. Thomas locates these various objects of folk art within a discussion of the post–women's movement discourse on gender. In addition to the items themselves, Thomas explores the stories and behaviors they generate, including legends of the supernatural about cemetery statues, oral narratives of yard artists and accounts of pranks involving yard art, narratives about children's play with Barbie, Ken, and G.I. Joe, and the electronic folklore (or "e-lore") about Barbie that circulates on the Internet.

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This distinctive collection of classical and contemporary readings comes at a time when pragmatism is undergoing a renaissance across a spectrum of disciplines. Pragmatism and Religion addresses an important but overlooked issue: whether or not the deep passions and commitments of American pragmatism's central figures are independent of Western religious traditions. The first of the book's three sections samples pragmatism's religious roots. "Classical Sources" includes works by John Winthrop, Jonathan Edwards, Henry David Thoreau, and Ralph Waldo Emerson, as well as Charles Sanders Peirce's "Evolutionary Love," William James's "Philosophy" (chapter 18 of The Varieties of Religious Experience), and selections by John Dewey, W. E. B. Du Bois, John McDermott, and Richard Rorty. Part 2, "Contemporary Essays on the American Tradition of Religious Thought," features Richard Bernstein's "Pragmatism's Common Faith," Stuart Rosenbaum's "Morality and Religion," and Robert Westbrook's "Uncommon Faith," among others. Part 3, "Theism, Secularism, and Religion: Seeking a Common Faith" includes Raymond D. Boisvert's "What Is Religion?" Sandra B. Rosenthal's "Spirituality and the Spirit of American Pragmatism," Carl Vaught's "Dewey's Conception of the Religious Dimension of Experience," and Steven C. Rockefeller's "Faith and Ethics in an Interdependent World," among others. Stuart Rosenbaum's contemporary contributors are among the best in the fields of pragmatism and pragmatism in religion. A unique resource, Pragmatism and Religion will serve students of religion, history, and philosophy, as well as those in interdisciplinary core courses.

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Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of Latin America’s most important living director. A leader of the Cinema Novo movement, dos Santos is responsible for some of Brazil’s most socially important and artistically engaging movies. Through a discussion of his films, Darlene J. Sadlier chronicles the filmmaker's epic career--his leftist-committed cinema, his concern with the national and the popular, his chameleon style, and his links to canonical Brazilian literature. She charts his moves from neo-realism to Godardian experimentation to a kind of popular realism and includes two highly informative interviews that reveal dos Santos’s cultural, intellectual, and philosophical formation.

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An important contribution to contemporary scholarship in anthropology, pan-African studies, and colonial and postcolonial studies

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Born Winnifred Eaton to a British father and Chinese mother, Onoto Watanna was the first novelist of Chinese descent published in the United States. Eaton "became" Watanna to escape Americans' scorn of the Chinese and to capitalize on their fascination with all things Japanese. This volume includes nineteen of Watanna's shorter works, including thirteen short stories and six essays. "A Half Caste," the earliest essay, appeared in 1898, a year before Miss Numé: A Japanese-American Romance, the first of her bestselling novels. The last short story, “Elspeth,” appeared in 1923. Some of Watanna’s fictional characters will remind readers of the delicate but tragic Madame Butterfly, while others foreshadow types like the trickster in Maxine Hong Kingston’s Tripmaster Monkey (where Watanna makes a cameo appearance). Throughout, Watanna tells stories of people very much like herself—capable, clever, and endlessly inventive.

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How did social work evolve as a profession in the United States? Stanley Wenocur and Michael Reisch examine the history of social work and provide a theoretical model of professionalization for analyzing its development. They offer a provocative view of American social work as an enterprise seeking exclusive control over the definition, production, and distribution of an essential commodition. Now in paperback for the first time, From Charity to Enterprise sets the professionalization of social work into a dynamic social context. The explicit political and economic framework of Wenocur and Reisch's model enables the authors to examine how various subgroups within social work lost or gained control of the professional enterprise at various points.

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In this innovative take on a neglected chapter of film history, Peter Stanfield challenges the commonly held view of the singing cowboy as an ephemeral figure of fun and argues instead that he was one of the most important cultural figures to emerge out of the Great Depression. The rural or newly urban working-class families who flocked to see the latest exploits of Gene Autry, Roy Rogers, Tex Ritter, and other singing cowboys were an audience largely ignored by mainstream Hollywood film. Hard hit by the depression, faced with the threat--and often the reality--of dispossession and dislocation, pressured to adapt to new ways of living, these small-town filmgoers saw their ambitions, fantasies, and desires embodied in the singing cowboy and their social and political circumstances dramatized in "B" Westerns. Stanfield traces the singing cowboy's previously uncharted roots in the performance tradition of blackface minstrelsy and its literary antecedents in dime novels, magazine fiction, and the novels of B. M. Bower, showing how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the "horse opera" of the 1930s. Cowboy songs offered an alternative to the disruptive modern effects of jazz music, while the series Western--tapping into aesthetic principles shunned by the aspiring middle class--emphasized stunts, fist fights, slapstick comedy, disguises, and hidden identities over narrative logic and character psychology. Singing cowboys also linked recording, radio, publishing, live performance, and film media. Entertaining and thought-provoking, Horse Opera recovers not only the forgotten cowboys of the 1930s but also their forgotten audiences: the ordinary men and women

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A haven for summer tourists and winter sport enthusiasts, Wisconsin is famed for its physical beauty and its prodigious production of cheese and dairy products. Richard Nelson Current's compact history reveals the colorful past of America's Dairyland, from early explorers and gangsters to sports heroes and cheeseheads. Both the Ringling Brothers' "World's Greatest Shows" and Barnum & Bailey's "Greatest Show on Earth" originated in Wisconsin, along with the typewriter, Johnson's Wax, and the first automatic assembly line (for manufacturing automobile frames). Wisconsin inventors contributed to the mechanization of American farms by developing harvesters, reapers, cultivators, threshers, and other machinery. Sen. Robert M. ("Fighting Bob") La Follette brought progressive reform to the state; a few decades later another Wisconsin native, Joseph McCarthy, revealed his agenda as a U.S. senator. The Gideons, who place Bibles in hotel room nightstands, got their start in Wisconsin, and the state's factories produced most of the 107 steam shovels that dug the Panama Canal. Even before American Motors in Kenosha became Wisconsin's largest employer, Wisconsinites were responsible for such car-related developments as the first four-wheel-drive vehicle and an early tire-patching kit. To football fans, the capital of Wisconsin is Green Bay, where in 1919 Earl Louis Lambeau organized the Packers. Even during the team's fifteen-year losing streak, Green Bay consisted, as one reporter observed, of "nearly 50,000 wild-eyed maniacs [who] know more about football than any other 50,000 people on the face of the earth." Fast-paced and entertaining, Current's history chronicles how Wisconsin's homegrown ideas, from the "Wisconsin Idea" of efficient state government to ski-tows and speedometers, made their way into the broader marketplace of American culture.

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In The Sound of the Dove, Beverly Bush Patterson explores one of the oldest traditions of American religious folksong: unaccompanied congregational singing in the Primitive Baptist churches of Appalachia. Using interviews, field observations, historical research, song transcriptions, and musical analysis, Patterson explores the dynamic relationship between singing and theology in these churches, the genesis of their musical practices, and the unexpectedly significant role of women in their conservative congregations.

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Robert Justin Goldstein's Political Repression in Modern America provides the only comprehensive narrative account ever published of significant civil liberties violations concerning political dissidents since the rise of the post-Civil War modern American industrial state. A history of the dark side of the "land of the free," Goldstein's book covers both famous and little-known examples of governmental repression, including reactions to the early labor movement, the Haymarket affair, "little red scares" in 1908, 1935, and 1938-41, the repression of opposition to World War I, the 1919 "great red scare," the McCarthy period, and post-World War II abuses of the intelligence agencies. Enhanced with a new introduction and an updated bibliography, Political Repression in Modern America remains an essential record of the relentless intolerance that suppresses radical dissent in the United States.

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Black Paris documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France. Based on long-term ethnographic, archival, and historical research, the work is enriched by interviews with many writers of the new generation. Bennetta Jules-Rosette explores African writing and identity in France from the early négritude movement and the founding of the Présence Africaine publishing house in 1947 to the mid-1990s. Examining the relationship between African writing and French anthropology as well as the emergence of new styles and discourses, Jules-Rosette covers French Pan-Africanism and the revolutionary writing of the 1960s and 1970s. She also discusses the new generation of African writers who appeared in Paris during the 1980s and 1990s.

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If you have ever stood in the children's section of a bookstore or library wondering how to go about matching a book to the age, abilities, and interests of a particular child, Choosing Children's Books is for you. Renowned children's librarian and children's book review editor Betsy Hearne offers practical guidance on sorting through the bewildering array of picture books, pop-up books, books for beginning readers, young adult titles, classics, poetry, folktales, and factual books. Each chapter includes an annotated list of recommended titles. A gold mine of commonsense, sound advice, this newly revised and completely updated edition of Betsy Hearne's classic guide is an indispensable tool for choosing books for children of all ages. Newly available in paperback, this revised and updated third edition of Betsy Hearne's classic guide stands as the lodestar for navigating through the bewildering array of books for young readers. Hearne surveys everything from picture books, pop-up books, classics, and books for beginning readers to young adult titles, poetry, folktales, and factual books, with an annotated list of recommended titles accompanying each chapter. A gold mine of common sense and sound advice, her guide remains an indispensable tool for choosing books for children of all ages.

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No other contemporary novel received the volume and intensity of criticism and curiosity that greeted Nigger Heaven upon its publication in 1926. Carl Van Vechten's novel generated a storm of controversy because of its scandalous title and fed an insatiable hunger on the part of the reading public for material relating to the black culture of Harlem's jazz clubs, cabarets, and social events. "The book and not the title is the thing," James Weldon Johnson insisted with regard to Nigger Heaven, and the book is indeed a nuanced and vibrant portrait of "the great black walled city" of Harlem. Opening on a scene of tawdry sensationalism, Nigger Heaven shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity. Here is a Harlem where upper-class elites discuss art in well-appointed drawing rooms; rowdy and lascivious drunks spend long nights in jazz clubs and speakeasies; and politically conscious young intellectuals drink coffee and debate "the race problem" in walk-up apartments. At the center of the story, two young people--a quiet, serious librarian and a volatile aspiring writer--struggle to love each other as their dreams are slowly suffocated by racism. This reissue is based on the seventh printing, which included poetry composed by Langston Hughes especially for the book. Kathleen Pfeiffer's astute introduction investigates the controversy surrounding the shocking title and shows how the novel functioned in its time as a site to contest racial violence. She also signals questions of racial authenticity and racial identity raised by a novel about black culture written by a white admirer of that culture.

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Elizabeth Blair Lee was raised in Washington's political circles, and her husband, Samuel Phillips Lee, third cousin to Robert E. Lee, commanded the North Atlantic Blockading Squadron during the Civil War. When they married, Elizabeth promised to write every day they were apart. Of the hundreds of letters with which she kept her promise, Virginia Jeans Laas has edited a choice selection that illuminates the functioning of a nineteenth-century family and the Mrs. Lee's unique perspective on the political and military affairs of the nation's beleaguered capital.

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Of the 6,000,000 Jews who perished in the Holocaust, at least 160,000 were Sephardim: descendants of Jews exiled from Spain in 1492. Although the horror of the camps was recorded by members of the Sephardic community, their suffering at the hands of Nazi Germany remained virtually unknown to the rest of the world. With this collection, their long silence is broken. And the World Stood Silent gathers the Sephardim's French, Greek, Italian, and Judeo-Spanish poems, accompanied by English translations, about their long journey to the concentration and extermination camps. Isaac Jack Lévy also surveys the 2,000-year history of the Sephardim and discusses their poetry in relation to major religious, historical, and philosophical questions. Wrenchingly conveying the pathos and suffering of the Jewish community during World War II, And the World Stood Silent is invaluable as a historical account and as a documentary source.

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Scholars from a wide array of disciplines describe and debate postcolonialism as it applies to America in this authoritative and timely collection. Investigating topics such as law and public policy, immigration and tourism, narratives and discourses, race relations, and virtual communities, Postcolonial America clarifies and challenges prevailing conceptualizations of postcolonialism and accepted understandings of American culture. Advancing multiple, even conflicted visions of postcolonial America, this important volume interrogates postcolonial theory and traces the emergence and significance of postcolonial practices and precepts in the United States. Contributors discuss how the unique status of the United States as the colony that became a superpower has shaped its sense of itself. They assess the global networks of inequality that have displaced neocolonial systems of conquest, exploitation, and occupation. They also examine how individuals and groups use music, the Internet, and other media to reconfigure, reinvent, and resist postcoloniality in American culture. Candidly facing the inherent contradictions of "the American experience," this collection demonstrates the patterns, connections, and histories characteristic of postcoloniality in America and initiates important discussions about how these conditions might be changed.

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Focusing on the spectacular disasters of the 1980s—the Exxon Valdez oil spill, the Chernobyl meltdown, the Challenger space shuttle explosion, the Bhopal chemical plant release, and the HIV/AIDS pandemic—Ann Larabee examines how culture is reconstructed after disaster through victims' stories, media coverage, and official efforts to restore faith in technology. Decade of Disaster gives voice to a diverse cast of disaster participants, including Bhopal widows, people with AIDS, Chernobyl tourists, NASA administrators, international nuclear power authorities, and corporate spokespeople. Integrating sources ranging from official reports and scientific studies to news stories, movies, and science fiction novels, Larabee explores the fierce debates that followed these disasters, as government agencies, corporations, public interest groups, academics, and local communities fought to control their meaning. An incisive commentary at the intersection of cultural history and cultural studies, Decade of Disaster peels away layers and screens of rhetoric to expose the underlying process of cultural negotiation.

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The book that re-established Peckinpah's reputation—now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane.Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch. This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.

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The place occupied by Japanese Americans within the annals of United States history often begins and ends with their cameo appearance as victims of incarceration after the bombing of Pearl Harbor. In this provocative work, David K. Yoo broadens the scope of Japanese American history to examine how the second generation—the Nisei—shaped its identity and negotiated its place within American society. Tracing the emergence of a dynamic Nisei subculture, Yoo shows how the foundations laid during the 1920s and 1930s helped many Nisei adjust to the upheaval of the concentration camps. Schools, racial-ethnic churches, and the immigrant press served not merely as waystations to assimilation but as tools by which Nisei affirmed their identity in connection with both Japanese and American culture. The Nisei who came of age during World War II formed identities while negotiating complexities of race, gender, class, generation, economics, politics, and international relations. A thoughtful consideration of the gray area between accommodation and resistance, Growing Up Nisei reveals the struggles and humanity of a forgotten generation of Japanese Americans.

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From fiddle tunes to folk ballads, from banjos to blues, traditional music thrives in the remote mountains and hollers of West Virginia. For a quarter century, Goldenseal magazine has given its readers intimate access to the lives and music of folk artists from across this pivotal state. Now the best of Goldenseal is gathered for the first time in this richly illustrated volume. Some of the country's finest folklorists take us through the backwoods and into the homes of such artists as fiddlers Clark Kessinger and U.S. Senator Robert Byrd, recording stars Lynn Davis and Molly O'Day, dulcimer master Russell Fluharty, National Heritage Fellowship recipient Melvin Wine, bluesman Nat Reese, and banjoist Sylvia O'Brien. The most complete survey to date of the vibrant strands of this music and its colorful practitioners, Mountains of Music delineates a unique culture where music and music making are part of an ancient and treasured heritage. The sly humor, strong faith, clear regional identity, and musical convictions of these performers draw the reader into families and communities bound by music from one generation to another. For devotees as well as newcomers to this infectiously joyous and heartfelt music, Mountains of Music captures the strength of tradition and the spontaneous power of living artistry.

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One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films. At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood. Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.

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With a major port on the Great Lakes, an extensive network of railroads and canals, and a river system including the Mississippi, the Illinois, and the Ohio, Illinois has long played a critical role in linking East Coast industrial cities, the agricultural heartland, and the Gulf Coast. Writing in a fast-paced, down-to-earth style, Lois Carrier introduces a host of innovations and innovators associated with Illinois: Jane Addams and Louis Armstrong, Frank Lloyd Wright and Walt Disney, Cracker Jack and the Ferris wheel. From the Cahokia Mounds to Chicago, Illinois: Crossroads of a Continent provides a panoramic history for students and general readers.

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In this highly readable and thought-provoking work, Nick Dyer-Witheford assesses the relevance of Marxism in our time and demonstrates how the information age, far from transcending the historic conflict between capital and its laboring subjects, constitutes the latest battleground in their encounter. Dyer-Witheford maps the dynamics of modern capitalism, showing how capital depends for its operations not just on exploitation in the immediate workplace, but on the continuous integration of a whole series of social sites and activities, from public health and maternity to natural resource allocation and the geographical reorganization of labor power. He also shows how these sites and activities may become focal points of subversion and insurgency, as new means of communication vital for the smooth flow of capital also permit otherwise isolated and dispersed points of resistance to connect and combine with one another. Cutting through the smokescreen of high-tech propaganda, Dyer-Witheford predicts the advent of a reinvented, "autonomist" Marxism that will rediscover the possibility of a collective, communist transformation of society. Refuting the utopian promises of the information revolution, he discloses the real potentialities for a new social order in the form of a twenty-first-century communism based on the common sharing of wealth.

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This colorful and perceptive study presents persuasive evidence that the saloon, far from being a magnet for vice and crime, played an important role in working-class community life. Focusing on public drinking in "wide open" Chicago and tightly controlled Boston, Duis offers a provocative discussion of the saloon as a social institution and a locus of the struggle between middle-class notions of privacy and working-class uses of public space.

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Some Jazz a While, the eagerly anticipated collected poems of one of America's best-loved poets, gathers Miller Williams's most representative work and adds some new pieces as well. This generous collection welcomes newcomers as well as longtime admirers of Williams's trademark style: a compact and straightforward language, a masterful command of form, and an unsentimental approach to his subject matter. Williams treats the mundane interchanges, the lingering uncertainties, the missed opportunities, and the familiar sense of loss that mark daily life with the surgeon's deft touch. An American original, Miller Williams involves the reader's emotions and imagination with an effective illusion of plain talk, continually rediscovering what is vital and musical in the language we speak and by which we imagine.

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Blacks under Spanish rule in Florida lived in a more complex and international world that linked the Caribbean, Africa, and Europe with a powerful and diverse Indian hinterland. Jane Landers’s pioneering study of people of the African diaspora under Spain’s colonial rule rewrites Florida history and enriches our understanding of the powerful links between race relations and cultural custom. As Landers shows, Spanish Florida was a sanctuary to Blacks fleeing enslavement on plantations. Castilian law, meanwhile, offered many avenues out of slavery. In St. Augustine and elsewhere, society accepted European-African unions, with families developing community connections through marriage, concubinage, and godparents. Assisted by Spanish traditions and ever-present geopolitical threats, people of African descent leveraged linguistic, military, diplomatic, and artisanal skills into citizenship and property rights. Landers details how Blacks became homesteaders, property owners, and entrepreneurs, and in the process enjoyed greater legal and social protection than in the two hundred years of Anglo history that followed.

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In six months bridging 1989 and 1990, the German Democratic Republic underwent a transformation that took the world almost completely by surprise. Yet unlike the revolution in Poland a decade earlier, only a small percentage of workers played apolitically active role in the fall of socialism in Germany. In this unprecedented study, Linda Fuller sets out to explain why the working class was largely missing from the 1989-90 revolution. Drawing on pre- and post-revolutionary visits to East German work sites and dozens of interviews, Fuller documents workers' day-to-day experience of the labor process, workplace union politics, and class. She shows how all three factors led most workers to withdraw from politics, even while prompting a handful to become actively involved in the struggle.

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Sex in the field—the dilemma of whether to cover up or display sexual identities and desires during the course of anthropological fieldwork—is one of the best-kept secrets in the discipline. Contending that the conventional pose of a genderless, asexual, ethnographic researcher is impossible to sustain, this volume brings sex and sexuality into the open as essential components of ethnographic study that must be overtly recognized and proactively addressed.Sex, Sexuality, and the Anthropologist recounts the real-life experiences of anthropologists who are forced to acknowledge that their hosts in the field view them as gendered beings in a social context, not as asexual, objective observers. Far from controlling the research environment and defining the terms of interviewer-informant relationships, these researchers find they must engage in a process of negotiating their position—including their sexual position—within the communities they study. Ranging from public baths in Austria to lesbian bars in Taiwan and from Mexico to Nigeria to Finland to Japan, Sex, Sexuality, and the Anthropologist raises critical questions about ethnographers' reflexivity, subjectivity, and detachment, confronting the challenge of a holistic approach to the anthropological enterprise.

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