Search results for ""Author Alex"

The currents of History run deep and often unseen beneath the everyday ripple of events. But now and again the current rises to the surface, and the events of a single day shed an exceptional light on the meaning of the past. Such events are the subject of Days that Changed the World. Some of the 50 days described here mark the end of an era; others the start of something new. Many are the dates of bloody battles or murders; others of momentous decisions or breathtaking discoveries. All are remembered as powerful symbols of their time. Our story begins almost 2500 years ago on 28 September 480 before the Christian Era, when the Athenian navy destroyed the Persian invasion fleet in the Bay of Salamis. Had the Persians won we might never have heard the names of Plato, Aristotle or Alexander, nor recognize the word democracy. Charting 50 such defining moments, concluding with 11 September 2001 and the destruction of New York's Twin Towers, Days that Changed the World is a unique and fascinating way to portray the story of world history. These 50 history-making days include: The Battle of the Salamis; The Assassination of Julius Caesar; The Crucifixion of Jesus Christ; The Dedication of Constantinople; The Death of Muhammad; The Coronation of Charlemagne; The Death of Genghis Khan; The Fall of Constantinople; The Defeat of the Spanish Armada; The Defenestration of Prague; The Fall of the Bastille; The Battle of Waterloo; Parliament Passing the Emancipation Act; The Battle of Sedan; The Boxer Rebellion; The First Day of the Somme; The Japanese Attack on Pearl Harbour; The Bombing of Hiroshima; Martin Luther King's 'I have a Dream'; The Breaching of the Berlin Wall; Nelson Mandela's Release from Prison; Nine Eleven.

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How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. In Murder Most Russian, Louise McReynolds draws on a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant’s behavior "criminal." She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russian will appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.

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The American Short Story since 1950 offers a reappraisal and contextualisation of a critically underrated genre during a particularly rich period in its history. It offers new readings of important stories by key writers including Flannery O'Connor, John Cheever, Donald Barthelme, Raymond Carver, Lorrie Moore and Grace Paley. These readings are related throughout to the various contexts in which stories are written and published, including creative writing schools, story-writing handbooks, mass market and 'little' magazines. A long introduction tells the story of the American short story before 1950. The first four chapters are roughly chronological, covering the major trends (such as realism, fabulism and minimalism) in short fiction from the 1950s to 2000. The fifth explores the implications for the short story of its association with creative writing education. The sixth deals with the short story sequence since 1950. A conclusion surveys the state of short fiction today. Key Features *explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Diaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis * draws on previously unpublished interviews with many of these writers *explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops *considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem

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‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream you can’t wake from… Jonathan Abernathy is a loser. Unemployed and behind on his student loan repayments, the only thing Abernathy has in abundance is debt. When a secretive government loan forgiveness programme offers him a job he can literally do in his sleep, Abernathy thinks he’s found his big break. Hired as a dream auditor, he finds himself entering the dreams of white-collar workers to flag their anxieties for removal at night so they'll be more productive in the day. If Abernathy can at least appear competent, might he have a chance at a new life? As Abernathy tries to find his footing in this new gig, reality and morality begin to warp around him. Soon, the lines between life and work, right and wrong, and even sleep and consciousness, have blurred and Abernathy begins to wonder just what he might have signed away… Wildly imaginative, laced with black humour and full of close-to-the-bone truths, Jonathan Abernathy You Are Kind is the cult workplace novel that’s like nothing else you've read before. ‘Surrealist … A scathing critique of capitalism’ TIME 'Imagine the movie Inception, but populated by the middle-management workers in David Graeber’s book Bullshit Jobs' NEW YORK TIMES 'An excitingly original writer, inventing much needed and killingly funny satires for contemporary work and dreams of success' HOLLY PESTER ‘A revelation’ HILARY LEICHTER ‘An original mind brimming over with invention’ BEN MARCUS ‘An exuberant, poignant, freewheeling debut … very funny’ JEFF VANDERMEER ‘The spiritual sibling of Severance, but creepier’ LITERARY HUB

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'The undisputed champion of South African crime. Meyer grabs you by the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson ***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters. Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland. Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him. The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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Beginning with a deceptively simple question—What do we mean when we designate behaviours, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalised young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.Shockley argues that a rigid notion of black aesthetics commonly circulates that is little more than a caricature of the concept. She sees the Black Aesthetic as influencing not only African American poets and their poetic production, but also, through its shaping of criteria and values, the reception of their work. Taking as its starting point the young BAM artists’ and activists’ insistence upon the interconnectedness of culture and politics, this study delineates how African American poets—in particular, Gwendolyn Brooks, Sonia Sanchez, Harryette Mullen, Anne Spencer, Ed Roberson, and Will Alexander—generate formally innovative responses to their various historical and cultural contexts.Out of her readings, Shockley eloquently builds a case for redefining black aesthetics descriptively, to account for nearly a century of efforts by African American poets and critics to name and tackle issues of racial identity and self-determination. In the process, she resituates innovative poetry that has been dismissed, marginalised, or misread because its experiments were not “recognisably black”—or, in relation to the avant-garde tradition, because they were.

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“Masterfully written and pitch perfect, Black Girls Must Be Magic is, simply, magic.”—Good Morning AmericaIn this highly anticipated second installment in the Black Girls Must Die Exhausted series, Tabitha Walker copes with more of life’s challenges and a happy surprise—a baby—with a little help and lots of love from friends old and new.For Tabitha Walker, her grandmother’s old adage, “Black girls must die exhausted” is becoming all too true. Discovering she’s pregnant—after she was told she may not be able to have biological children—Tabitha throws herself headfirst into the world of “single mothers by choice.” Between her job, doctor’s appointments, and preparing for the baby, she’s worn out. And that’s before her boss at the local news station starts getting complaints from viewers about Tabitha’s natural hair.When an unexpected turn of events draws Marc—her on and off-again ex-boyfriend—back into her world with surprising demands, and the situation at work begins to threaten her livelihood and her identity, Tabitha must make some tough decisions about her and her baby’s future. It takes a village to raise a child, and Tabitha turns to the women who have always been there for her.Bolstered by the fierce support of Ms. Gretchen, her grandmother’s best friend, the counsel of her closest friends Laila and Alexis, and the calming presence of her doula Andouele, Tabitha must find a way to navigate motherhood on her own terms. Will she harness the bravery, strength, and self-love she’ll need to keep “the village” together, find her voice at work, and settle things with Marc before the baby arrives?

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'The undisputed champion of South African crime. Meyer grabs you but the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters.Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland.Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him.The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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"In his interdisciplinary review of material culture, Ian Woodward goes beyond synthesis to offer a theoretically innovative reconstruction of the field. It is filled with gems of conceptual insight and empirical discovery. A wonderful book." - Jeffrey C. Alexander, Yale University "A well-grounded and accessible survey of the burgeoning field of material culture studies for students in sociology and consumption studies. While situating the field within the history of intellectual thought in the broader social sciences, it offers detailed and accessible case studies. These are supplemented by very useful directions for further in-depth reading, making it an excellent undergraduate course companion." - Victor Buchli, University College London Why are i-pods and mobile phones fashion accessories? Why do people spend thousands remodelling their perfectly functional kitchen? Why do people crave shoes or handbags? Is our desire for objects unhealthy, or irrational? Objects have an inescapable hold over us, not just in consumer culture but increasingly in the disciplines that study social relations too. This book offers a systematic overview of the diverse ways of studying the material as culture. Surveying the field of material culture studies through an examination and synthesis of classical and contemporary scholarship on objects, commodities, consumption, and symbolization, this book: introduces the key concepts and approaches in the study of objects and their meanings presents the full sweep of core theory - from Marxist and critical approaches to structuralism and semiotics shows how and why people use objects to perform identity, achieve social status, and narrativize life experiences analyzes everyday domains in which objects are important shows why studying material culture is necessary for understanding the social. This book will be essential reading for students and researchers in sociology, anthropology, cultural studies, consumer behaviour studies, design and fashion studies.

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Studies on Gregory of Nyssa are flourishing. In this highly valuable bibliography, two areas stand out: mysticism and eschatology. The former has also been at the centre of a lively controversy, concerning the possibility that Gregory could be described as the actual initiator of mysticism. Eschatology, on its part, has received particular attention, especially in the areas of epektasis and apokatastasis. But these dimensions are connected, as shown by Gregory’s Commentary on the Song of Songs, a mystical text par excellence, which offers numerous eschatological insights, which this volume tries to present. The issue is all the more interesting in that Gregory’s eschatology is marked by a hermeneutical tension which is reflected in a dichotomy present in the studies devoted to it. Clearly, Gregory has been inspired by the apokatastasis of Origen, but for him, as for the Alexandrian, is it possible to speak of a universal salvation? If the human being is simply a soul which has to be restored to its initial state, what is the value of its history? And the body? And freedom? These questions seem to be linked to the tension between the “circular” dimension of apokatastasis and the “linear” dynamic of epektasis. This is approached through the lens of Christology and ontology, two areas which, in the context of Nyssa studies as a whole, are among the least studied. Therefore, the chapters of the book are aimed at covering the themes in such a way as to reveal the profound relationships between the two foci of theological reflection on the mystery of Christ: on the one hand, the Christological focus proper, on the other, the ontology which emerges from Christological and Trinitarian considerations. Thus, we shall be able to identify the influences and relations, intrinsic and systematic, between the thought about being, the protology and the eschatology, of classical origin, and the thought about Christ in which the divine and the human are united in and through history. This volume, therefore, is arranged in three main parts. The first, most fundamental, approximates to the question of the point of view of eschatology itself, seeking to indicate the importance of mysticism in its development. The second part of the volume is devoted precisely to Gregory’s Commentary on the Song of Songs, where the eschatological dimension is clearly highlighted. The third and last part of the volume is devoted to the apokatastasis. Here the different, even contrasting positions, are presented, providing, simultaneously, some tools which could assist a deeper penetration into the tensions of eschatology through the mystical perspective which is characteristic of the Commentary on the Song of Songs. In particular, the Christological and ontological elements linked to epektasis seem to promise a greater immersion into Gregory’s eschatology and appreciation of its theological significance, not despite its tensions but precisely by means of them.

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Boss of Black Brooklyn presents a riveting and untold story about the struggles and achievements of the first black person to hold public office in Brooklyn. Bertram L. Baker immigrated to the United States from the Caribbean island of Nevis in 1915. Three decades later, he was elected to the New York state legislature, representing the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally revealed in intimate and honest detail by his grandson Ron Howell. Boss of Black Brooklyn begins with the tale of one man’s rise to prominence in a fascinating era of black American history, a time when thousands of West Indian families began leaving their native islands in the Caribbean and settling in New York City. In 1948, Bert Baker was elected to the New York state assembly, representing the growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his fellow legislators that only one other Nevisian had ever served in the state assembly. That was Alexander Hamilton, the founding father. Making his own mark on modern history, Baker pushed through one of the nation’s first bills outlawing discrimination in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the all-black American Tennis Association, as its executive secretary. In that capacity he successfully negotiated with white tennis administrators, getting them to accept Althea Gibson into their competitions. Gibson then made history as the first black champion of professional tennis. Yet, after all of Baker’s wonderful achievements, little has been written to document his role in black history. Baker represents a remarkable turning point in the evolution of modern New York City. In the 1940s, when he won his seat in the New York state assembly, blacks made up only 4 percent of the population of Brooklyn. Today they make up a third of the population, and there are scores of black elected officials. Yet Brooklyn, often called the capital of the Black Diaspora, is a capital under siege. Developers and realtors seeking to gentrify the borough are all but conspiring to push blacks out of the city. A very important and long-overdue book, Boss of Black Brooklyn not only explores black politics and black organizations but also penetrates Baker’s inner life and reveals themes that resonate today: black fatherhood, relations between black men and black women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn from it.

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Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, “What does it mean to be fulfilled?” This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture’s unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljački – Boston, MA; Ang Li – Boston, MA; Ashley Bigham – Columbus, OH; Cristina Goberna Pesudo – Madrid, Spain; Curtis Roth – Columbus, OH; Jesse LeCavalier – Toronto, Canada; John McMorrough – Ann Arbor, MI; Keith Krumwiede – San Francisco, CA; Laida Aguirre – Ann Arbor, MI; Leigha Dennis – New York, NY; Lluís Alexandre Casanovas Blanco – Barcelona, Spain; Michelle Chang – Boston, MA; Miles Gertler – Toronto, Canada; Mira Henry & Matthew Au (Current Interests) – Los Angeles, CA

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CHOICE Outstanding Academic Title"They could write like angels and scheme like demons." So begins Pulitzer Prize-winner Edward Larson's masterful account of the wild ride that was the 1800 presidential election—an election so convulsive and so momentous to the future of American democracy that Thomas Jefferson would later dub it "America's second revolution." This was America's first true presidential campaign, giving birth to our two-party system and indelibly etching the lines of partisanship that have so profoundly shaped American politics ever since. The contest featured two of our most beloved Founding Fathers, once warm friends, facing off as the heads of their two still-forming parties—the hot-tempered but sharp-minded John Adams, and the eloquent yet enigmatic Thomas Jefferson—flanked by the brilliant tacticians Alexander Hamilton and Aaron Burr, who later settled their own differences in a duel. The country was descending into turmoil, reeling from the terrors of the French Revolution, and on the brink of war with France. Blistering accusations flew as our young nation was torn apart along party lines: Adams and his elitist Federalists would squelch liberty and impose a British-style monarchy; Jefferson and his radically democratizing Republicans would throw the country into chaos and debase the role of religion in American life. The stakes could not have been higher. As the competition heated up, other founders joined the fray—James Madison, John Jay, James Monroe, Gouverneur Morris, George Clinton, John Marshall, Horatio Gates, and even George Washington—some of them emerging from retirement to respond to the political crisis gripping the nation and threatening its future. Drawing on unprecedented, meticulous research of the day-to-day unfolding drama, from diaries and letters of the principal players as well as accounts in the fast-evolving partisan press, Larson vividly re-creates the mounting tension as one state after another voted and the press had the lead passing back and forth. The outcome remained shrouded in doubt long after the voting ended, and as Inauguration Day approached, Congress met in closed session to resolve the crisis. In its first great electoral challenge, our fragile experiment in constitutional democracy hung in the balance. A Magnificent Catastrophe is history writing at its evocative best: the riveting story of the last great contest of the founding period.

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Why federalism is pulling America apart—and how the system can be reformedFederalism was James Madison's great invention. An innovative system of power sharing that balanced national and state interests, federalism was the pragmatic compromise that brought the colonies together to form the United States. Yet, even beyond the question of slavery, inequality was built into the system because federalism by its very nature meant that many aspects of an American's life depended on where they lived. Over time, these inequalities have created vast divisions between the states and made federalism fundamentally unstable. In The Divided States of America, Donald Kettl chronicles the history of a political system that once united the nation—and now threatens to break it apart.Exploring the full sweep of federalism from the founding to today, Kettl focuses on pivotal moments when power has shifted between state and national governments—from the violent rebalancing of the Civil War, when the nation almost split in two, to the era of civil rights a century later, when there was apparent agreement that inequality was a threat to liberty and the federal government should set policies for states to enact. Despite this consensus, inequality between states has only deepened since that moment. From health care and infrastructure to education and the environment, the quality of public services is ever more uneven. Having revealed the shortcomings of Madison's marvel, Kettl points to possible solutions in the writings of another founder: Alexander Hamilton.Making an urgent case for reforming federalism, The Divided States of America shows why we must—and how we can—address the crisis of American inequality.

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SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION CROWN AWARDS 2022 ‘Compelling and often horrifying’ THE TIMES Best Paperbacks of 2022 The epic, moving stories of Britain's search to recover, identify and honour the missing soldiers of the First World War By the end of the First World War, the whereabouts of more than half a million British soldiers were unknown. Most were presumed dead, lost forever under the battlefields of northern France and Flanders. In The Searchers, Robert Sackville-West brings together the extraordinary, moving accounts of those who dedicated their lives to the search for the missing. These stories reveal the remarkable lengths to which people will go to give meaning to their loss: Rudyard Kipling's quest for his son's grave; E.M. Forster’s conversations with traumatised soldiers in hospital in Alexandria; desperate attempts to communicate with the spirits of the dead; the campaign to establish the Tomb of the Unknown Warrior; and the exhumation and reburial in military cemeteries of hundreds of thousands of bodies. It was a search that would span a century: from the department set up to investigate the fate of missing comrades in the war’s aftermath to the present day, when DNA profiling continues to aid efforts to recover, identify and honour these men. As the rest of the country found ways to repair and move on, countless families were consumed by this mission, undertaking arduous, often hopeless, journeys to discover what happened to their husbands, brothers and sons. Giving prominence to the personal battles of those left behind, The Searchers brings the legacy of war vividly to life in a testament to the bravery, compassion and resilience of the human spirit.

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Ragged Coast, Rugged Coves explores the untold story of cannery workers in Southeast Alaska from 1878, when the first cannery was erected on the Alexander Archipelago, through the Cold War. The cannery jobs brought waves of immigrants, starting with Chinese, followed by Japanese, and then Filipino nationals. Working alongside these men were Alaska Native women, trained from childhood in processing salmon. Because of their expertise, these women remained the mainstay of employment in these fish factories for decades while their husbands or brothers fished, often for the same company. Canned salmon was territorial Alaska’s most important industry. The tax revenue, though meager, kept the local government running, and as corporate wealth grew, it did not take long for a mix of socioeconomic factors and politics to affect every aspect of the lands, waters, and population. During this time the workers formed a bond and shared their experiences, troubles, and joys. Alaska Natives and Chinese, Japanese, and Filipino immigrants brought elements from their ethnic heritage into the mix, creating a cannery culture. Although the labor was difficult and frequently unsafe, the cannery workers and fishermen were not victims. When they saw injustice, they acted on the threat. In the process, the Tlingits and Haidas, clans of Southeast Alaska for more than ten thousand years, aligned their interests with Filipino activists and the union movement. Ragged Coast, Rugged Coves tells the powerful story of diverse peoples uniting to triumph over adversity.

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A political biography that reveals new sides to Helen Keller Several decades after her death in 1968, Helen Keller remains one of the most widely recognized women of the twentieth century. But the fascinating story of her vivid political life—particularly her interest in radicalism and anti-capitalist activism—has been largely overwhelmed by the sentimentalized story of her as a young deaf-blind girl. Keller had many lives indeed. Best known for her advocacy on behalf of the blind, she was also a member of the socialist party, an advocate of women's suffrage, a defender of the radical International Workers of the World, and a supporter of birth control—and she served as one of the nation's most effective but unofficial international ambassadors. In spite of all her political work, though, Keller rarely explored the political dimensions of disability, adopting beliefs that were often seen as conservative, patronizing, and occasionally repugnant. Under the wing of Alexander Graham Bell, a controversial figure in the deaf community who promoted lip-reading over sign language, Keller became a proponent of oralism, thereby alienating herself from others in the deaf community who believed that a rich deaf culture was possible through sign language. But only by distancing herself from the deaf community was she able to maintain a public image as a one-of-a-kind miracle. Using analytic tools and new sources, Kim E. Nielsen's political biography of Helen Keller has many lives, teasing out the motivations for and implications of her political and personal revolutions to reveal a more complex and intriguing woman than the Helen Keller we thought we knew.

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Building the Empire State examines the origins of American capitalism by tracing how and why business corporations were first introduced into the economy of the early republic. Brian Phillips Murphy follows the collaborations between political leaders and a group of unelected political entrepreneurs, including Robert R. Livingston and Alexander Hamilton, who persuaded legislative powers to grant monopolies corporate status in order to finance and manage civic institutions. Murphy shows how American capitalism grew out of the convergence of political and economic interests, wherein political culture was shaped by business strategies and institutions as much as the reverse. Focusing on the state of New York, a onetime mercantile colony that became home to the first American banks, utilities, canals, and transportation infrastructure projects, Building the Empire State surveys the changing institutional ecology during the first five decades following the American Revolution. Through sustained attention to the Manhattan Company, the steamboat monopoly, the Erie Canal, and the New York & Erie Railroad, Murphy traces the ways entrepreneurs marshaled political and financial capital to sway legislators to support their private plans and interests. By playing a central role in the creation and regulation of institutions that facilitated private commercial transactions, New York State's political officials created formal and informal precedents for the political economy throughout the northeastern United States and toward the expanding westward frontier. The political, economic, and legal consequences organizing the marketplace in this way continue to be felt in the vast influence and privileged position held by corporations in the present day.

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In Twenty Questions, one of America's finest poet-critics leads readers into the mysteries of poetry: how it draws on our lives, and how it leads us back into them. In a series of linked essays progressing from the autobiographical to the critical-and closing with a remarkable translation of Horace's Ars Poetica unavailable elsewhere-J. D. McClatchy's latest book offers an intimate and illuminating look into the poetic mind. McClatchy begins with a portrait of his development as a poet and as a man, and provides vibrant details about some of those who helped shape his sensibility-from Anne Sexton in her final days, to Harold Bloom, his enigmatic teacher at Yale, to James Merrill, a wise and witty mentor. All of these glimpses into McClatchy's personal history enhance our understanding of a coming of age from ingenious reader to accomplished poet-critic. Later sections range through poetry past and present-from Emily Dickinson to Seamus Heaney and W. S. Merwin-with incisive criticism generously interspersed with vivid anecdotes about McClatchy's encounters with other poets' lives and work. A critical unpacking of Alexander Pope's "Epistle to Miss Blount" is interwoven with compassionate psychological portrait of a brilliant poet plagued by both romantic longings and debilitating physical deformities. There are surprising takes on the literary imagination as well: a look at Elizabeth Bishop through her letters, and a tribute to the Broadway lyrics of Stephen Sondheim and the tradition of light verse. The questions McClatchy poses of poems prompt a fresh look and the last word. Free of scholarly pretension, elegantly and movingly written, Twenty Questions is a bright, open window onto a public and private experience of poetry, to be appreciated by poets, readers, and critics alike.

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Amazon Book Review's No. 1 Best Romance of 2019 and one of Bustle's '21 Rom-Coms To Give You Warm And Fuzzy Feelings All Season Long'!If you love Ali Hazelwood, Sally Thorne and Helen Hoang, you'll LOVE Lyssa Kay Adams!Readers can't stop raving about The Bromance Book Club! ⭐ ⭐ ⭐ ⭐ ⭐ 'Romantic comedy at its finest''Completely lived up to the hype''The perfect blend of funny, wacky moments and also sexy and angsty moments''I didn't expect to read a new favourite but The Bromance Book Club has gone and done it!''I would recommend this to anyone who wants to escape into a book for a few hours and come out with a smile''This book made me feel warm and fuzzy. It was like being hugged, but in a sexy way - what more could you want?''I loved the emotional range it took me through, from laugh-out-loud moments to real tear-jerking scenes'.........................................................................The first rule of book club: You don't talk about book club.Gavin Scott's marriage is trouble. The Nashville Legends baseball star has recently discovered a humiliating secret: his wife Thea has always faked the Big O. His reaction to the revelation is the final straw for their already strained relationship. Thea asks for a divorce, and Gavin realizes he's let his pride and fear get the better of him. Welcome to the Bromance Book Club. Distraught and desperate, Gavin finds help from an unlikely source: a secret romance book club made up of Nashville's top alpha men. With the help of their current read, a steamy Regency called Courting the Countess, the guys coach Gavin on saving his marriage. But it'll take a lot more than flowery words and grand gestures for this hapless Romeo to find his inner hero and win back the trust of his beloved wife..........................................................................Raves for The Bromance Book Club:'A you're-gonna-burn-dinner book because you will not want to put it down. Laugh out loud with tons of heart, this is an absolutely adorable must read' AVERY FLYNN'A delight! . . . I raced to finish this book, but still never wanted it to end!' ALEXA MARTIN'A delightful, fast-paced read with the perfect mix of laugh-out-loud and swoony moments - every town should have a Bromance Book Club' EVIE DUNMORE'It is the reading aloud in this story that ultimately wins my heart, and shows that everything worth knowing can be learned from romance' KC DYERDon't miss any of the charming and swoonworthy Bromance Book Club reads! The Bromance Book ClubUndercover BromanceCrazy Stupid Bromance Isn't It Bromantic? A Very Merry Bromance

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“Don’t fire until you see the whites of their eyes” remains one of the enduring, and most stirring, quotations of the Revolutionary War, and it was very likely uttered at the Battle of Bunker Hill by General Israel Putnam. Despite this, and Putnam’s renown as a battlefield commander and his colorful military service far and wide, Putnam has never received his due from modern historians. In The Whites of Their Eyes, Michael Shay tells the exciting life of Israel Putnam.Born near Salem, Massachusetts, in 1718, Putnam relocated in 1740 to northeastern Connecticut, where he was a slaveowner and, according to folk legend, killed Connecticut’s last wolf, in a cave known as Israel Putnam Wolf Den, which is on the U.S. National Register of Historic Places. During the French and Indian War, Putnam enlisted as a private and rose to the rank of colonel. He served with Robert Rogers, famous Ranger founder and leader, and a popular phrase of the time said, “Rogers always sent, but Putnam led his men to action.” In 1759, Putnam led an assault on French Fort Carillon (later Ticonderoga); in 1760, he marched against Montreal; in 1762, he survived a shipwreck and yellow fever during an expedition against Cuba; and in 1763, he was sent to defend Detroit during Pontiac’s rebellion.When the Revolutionary War broke out, Putnam—who had been radicalized by the Stamp Act—was among those immediately considered for high command. Named one of the Continental Army’s first four major generals, he helped plan and lead at the Battle of Bunker Hill, where he gave the order about “the whites of their eyes” and argued in favor of fortifying Breed’s Hill, in addition to Bunker Hill. Most of the battle would take place on Breed’s. During the battles for Manhattan, Brooklyn, and Long Island during the summer of 1776, Putnam proved himself a capable and courageous battlefield commander with a special eye for fortifications, but he sometimes faltered in tactical and strategic decision-making. In the fall of 1777, the British tricked Putnam into withdrawing from the Hudson Highlands near West Point. Relieved of command, Putnam was exonerated by a court of inquiry, but—nearly sixty and opposed by powerful political elements from New York, including Alexander Hamilton—he spent the rest of the war on non-battlefield duty in Connecticut before being paralyzed by a stroke in 1779.The Whites of Their Eyes recounts the life and times of Israel Putnam, a larger-than-life general, a gregarious tavern keeper and farmer, who was a folk hero in Connecticut and the probable source of legendary words during the Revolutionary War—and whose exploits make him one of the most interesting officers in American military history.

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At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States."

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The Crown in Focus traces the remarkable relationship between the British Royal Family and photography over the course of nearly 200 years, from Queen Victoria and Prince Albert's enthusiastic adoption of the emerging technology in the mid-19th century to the use of Instagram by the modern monarchy. Today, photographs of the British Royal Family remain some of the most widely distributed images across the world. Featuring iconic formal portraits alongside little-known pictures from private collections, this fascinating book explores how each new development of the medium has been embraced to record royal life. Since its invention almost two centuries ago, photography has created an unprecedented intimacy between monarch and subject. Where previously royal painted portraiture allowed a degree of control and an element of creative licence and negotiation between artist and sitter, the development of the photographic image provided the public with a more personal window on to the lives of the people behind the pageantry. Over the years, the medium has helped to shape the role and purpose of the Royal Family - to the point where, in a rapidly changing society, the close connection between Crown and camera has ensured the continued survival and popularity of the British monarchy. The book also considers the art of royal photography through the monarchy's patronage of such major 20th-century photographers as Cecil Beaton and family members Lord Snowdon and Patrick Lichfield, and such contemporary photographers as Chris Jackson. Members of the Royal Family have always been keen photographers themselves. The Crown in Focus includes pictures from their private albums, and looks, too, at the publication of photographs by the royals, from Queen Alexandra to the Duchess of Cambridge, where the personal view has become the public image. Written by an expert curator from Historic Royal Palaces and published to coincide with a major new exhibition at Kensington Palace, the book combines an introductory essay with 200 extraordinary royal images and engaging extended captions that reveal the story behind each photograph.

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The spectacular growth in the 1970s and 1980s of the Marxist literature on politics and the state in capitalist society was hailed at the time as cumulative proof of Marxism's success in producing an effective theory of the political superstructure. More generally, it was seen as confirmation of the health and vigor of Marxist theory. Axel van den Berg questions both of these claims. Through comprehensive analysis of Marxist thought on bourgeois politics and the state, from that produced by Marx himself on, van den Berg radically challenges the viability of a distinctly Marxist theory of the state and of recent Marxist theorizing in general. In an exhaustive review of the literature, van den Berg shows that neo-Marxist theories are, for the most part, not empirically testable. To the extent that it is possible to draw any empirical implications from these theories at all, such implications are virtually indistinguishable from those of "bourgeois" theories. Van den Berg proceeds to lay bare the contradiction at the heart of Marxist theory in general: it presupposes the viability and desirability of some ideal socialist society yet its "anti-utopian" insistence that all criticisms of capitalism must rest on foundations immanent in capitalism itself prohibits any open discussion of such a utopia. Now available in paperback, this is a fundamental work for political and social theorists."This work is brilliant in its polemical courage, its originality, and its detailed and revealing examination of texts. Van den Berg demonstrates that postwar Marxist political theory and sociology is not only vague and contradictory but that it actually makes critical concessions to the bourgeois thought' it claims to surpass. Appearing in the midst of afar-reaching reconsideration of the Marxism project in Europe, this volume crystallizes these issues for North American social science..."--Jeffrey Alexander, University of California, Los Angeles."Van den Berg has made a major contribution to the long overdue relegation of Marxism to the museum of nineteenth-century ideological antiquities."--Dennis Wrong, Contemporary Sociology.Axel van den Berg is a Dutch-Canadian professor of sociology at McGill University in Montreal. His most recent work is The Social Sciences and Rationality.

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The volume relates the history of four parishes in Gore hundred and of the five which form Edmonton hundred. The first group contains Hendon, Kingsbury, and Little Stanmore, all bordering Edgware Road, and Great Stanmore. A northward projection of Ossulstone hundred separates it from the second, consisting of Edmonton, Enfield, and Tottenham, along the Essex boundary following the river Lea, and of South Mimms, finally transferred to Hertfordshire in 1965,and Monken Hadley, transferred in 1889 but now part of Greater London. In size the parishes range from Monken Hadley, with 695 a., to Enfield, among the largest in England with more than 12,000 a.; the most populous, Totten-ham with Wood Green, had well over 200,000 inhabitants by 1931. The story is of the rise of roadside settle-ment, of the purchase of land by Lon-doners, of suburban growth around railway stations and along new avenues, and, most recently, of rebuilding. Today's residents include a large Jewish community at Golders Green and coloured immigrants in working-class Tottenham and Edmonton. The scene is mainly suburban, although varying from the villas of late Victorian and Edwardian Southgate to ferry-built terraces farther east, and from Hampstead Garden Suburb to municipal housing estates and tower blocks. Many houses in Enfield, Mill Hill, Monken Hadley, South Mimms, and Stanmore are leftfrom the genteel villages of 18th- and early- 19th-century Middlesex. Park-land and farms survive in the north, notably in South Mimms, where Wrotham and Dyrham parks stand in their grounds, and around the former royal forest ofEnfield Chase. Canons, the area's most famous mansion, is recalled by the remnants of its park, close to the church where the princely duke of Chandos lies buried. Industry is confined mainly to the Lea valley, where the Royal Small Arms factory produced the first Enfield rifle in the 1850s, and to sites near Edgware Road, where Hendon Aerodrome lay. Other landmarks include the Alexandra Palace, whence the earliest television service was relayed, HarringayStadium and Arena, and the White Hart Lane ground of Tottenham Hotspurs football club.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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*AS READ ON BBC RADIO 4 'BOOK OF THE WEEK'*'Lip-lickingly, dance-around-the-living-room good... A smash hit' Observer'Unflinching and heartwarming' - Adam Kay'Tender, clever and as funny as it gets ... a heart-piercing joy' - Lauren Laverne'An exceptional coming-of-age story [...] Pete Paphides may very well have the biggest heart in Britain' - Marina Hyde'I ADORE this utterly wonderful coming-of-age memoir. Joyful, clever, and a bit heartbreaking' - Nina Stibbe'Heartfelt, hilarious and beautifully written, Broken Greek is a childhood memoir like no other' - Cathy Newman'So wonderfully written, such a light touch. Drenched in sentiment yet not in the least sentimental' - John Niven'It's brilliant. Sad, really funny and beautifully written ... just fantastic' - Alexis Petridis'A truly beautiful book' - James O'Brien'Intoxicating' - Kirsty Wark'Oh, how I love Pete Paphides and this book' - Daniel Finkelstein'A balm in these times' David Nicholls'Fantastic ... Can't recommend it highly enough' Tim Burgess__________'Do you sometimes feel like the music you're hearing is explaining your life to you?'When Pete's parents moved from Cyprus to Birmingham in the 1960s in the hope of a better life, they had no money and only a little bit of English. They opened a fish-and-chip shop in Acocks Green. The Great Western Fish Bar is where Pete learned about coin-operated machines, male banter and Britishness.Shy and introverted, Pete stopped speaking from age 4 to 7, and found refuge instead in the bittersweet embrace of pop songs, thanks to Top of the Pops and Dial-A-Disc. From Brotherhood of Man to UB40, from ABBA to The Police, music provided the safety net he needed to protect him from the tensions of his home life. It also helped him navigate his way around the challenges surrounding school, friendships and phobias such as visits to the barber, standing near tall buildings and Rod Hull and Emu.With every passing year, his guilty secret became more horrifying to him: his parents were Greek, but all the things that excited him were British. And the engine of that realisation? 'Sugar Baby Love', 'Don't Go Breaking My Heart', 'Tragedy', 'Silly Games', 'Going Underground', 'Come On Eileen', and every other irresistibly thrilling chart hit blaring out of the chip shop radio.Never have the trials and tribulations of growing up and the human need for a sense of belonging been so heart-breakingly and humorously depicted.*Listen along with Pete's BROKEN GREEK playlist on Spotify!*

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'Tom Holt's Doughnut presents a roller-coaster ride through the world of physics and the origins of the universe.' - Library Journal'One for physicists as well as Krispy Kreme-loving policemen.' - T3The doughnut is a thing of beauty. A circle of fried doughy perfection. A source of comfort in trying times, perhaps. For Theo Bernstein, however, it is far, far more. Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own existence, news arrives that his good friend Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit to Theo, however, the professor has set him on a quest of epic proportions. A journey that will rewrite the laws of physics. A battle to save humanity itself. This is the tale of a man who had nothing and gave it all up to find his destiny - and a doughnut.From one of the best-loved comic writers in fantasy fiction comes another absurdly witty science fiction title - perfect for fans of Douglas Adams or Terry Pratchett.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Examines the evolution of black nationalist thought from its earliest proto-nationalistic phase in the 1700s to the Garvey movement in the 1920s Recent years have seen a resurgence of interest in modern black nationalist leaders such as Stokely Carmichael and Malcolm X. But what of the ideological precursors to these modern leaders, the writers, and leaders from whose intellectual legacy modern black nationalism emerged? Wilson Jeramiah Moses, whom the Village Voice called one of the foremost historians of black nationalism, has here collected the most influential speeches, articles, and letters that inform the intellectual underpinnings of contemporary black nationalism, returning our focus to black nationalism at its inception. The goal of early black nationalists was the return of the African-American population to Africa to create a sovereign nation-state and to formulate an ideological basis for a concept of national culture. Most early black nationalists believed that this return was directed by the hand of God. Moses examines the evolution of black nationalist thought through several phases, from its proto-nationalisic phase in the late 1700s through a hiatus in the 1830s, through its flourishing in the 1850s, its eventual eclipse in the 1870s, and its resurgence in the Garvey movement of the 1920s. Moses provides us with documents that illustrate the motivations of both whites and blacks as they sought the removal of the black population. We hear from Thomas Jefferson, who held that it was self-evident that black and white populations could not intermingle on an equal basis or merge to form one happy society, and who toyed with the idea of a mass deportation of the black American population. We see that the profit motive is an important motive behind any nationalist movement in the letters between African American capitalists Paul Cuffe and James Forten. Among the more difficult selections to classify in this collection, Robert Alexander Young's Ethiopian Manifesto prophesied the coming of a prophetic liberator of the African race. The Christian nature of nineteenth century black nationalism is evident in Blyden's The Call of Providence. Moses rounds out the volume with contributions from more well- known voices such as those of Marcus Garvey, W.E.B. Dubois, and others. Classical Black Nationalism will serve as a point of departure for anyone interested in gaining a foundational knowledge of the disparate voices behind this often discussed but seldom understood movement.

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Voices from the Napoleonic Wars reveals in telling detail the harsh lives of soldiers at the turn of the eighteenth century and in the early years of the nineteenth - the poor food and brutal discipline they endured, along with the forced marches and bloody, hand-to-hand combat. Contemporaries were mesmerised by Napoleon, and with good reason: in 1812, he had an unprecedented million men and more under arms. His new model army of volunteers and conscripts at epic battles such as Austerlitz, Salamanca, Borodino, Jena and, of course, Waterloo marked the beginning of modern warfare, the road to the Sommes and Stalingrad. The citizen-in-arms of Napoleon's Grande Armée and other armies of the time gave rise to a distinct body of soldiers' personal memoirs. The personal accounts that Jon E. Lewis has selected from these memoirs, as well as from letters and diaries, include those of Rifleman Harris fighting in the Peninsular Wars, and Captain Alexander Cavalie Mercer of the Royal Horse Artillery at Waterloo. They cover the land campaigns of the French Revolutionary Wars (1739-1802), the Napoleonic Wars (1803-1815) and the War of 1812 (1812-1815), in North America. This was the age of cavalry charges, of horse-drawn artillery, of muskets and hand-to-hand combat with sabres and bayonets. It was an era in which inspirational leadership and patriotic common cause counted for much at close quarters on chaotic and bloody battlefields. The men who wrote these accounts were directly involved in the sweeping campaigns and climactic battles that set Europe and America alight at the turn of the eighteenth century and in the years that followed. Alongside recollections of the ferocity of hard-fought battles are the equally telling details of the common soldier's daily life - short rations, forced marches in the searing heat of the Iberian summer and the bitter cold of the Russian winter, debilitating illnesses and crippling wounds, looting and the lash, but also the compensations of hard-won comradeship in the face of ever-present death. Collectively, these personal accounts give us the most vivid picture of warfare 200 and more years ago, in the evocative language of those who knew it at first hand - the men and officers of the British, French and American armies. They let us know exactly what it was like to be an infantryman, a cavalryman, an artilleryman of the time.

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'A wonderful connecting of two women writers' stories more than a century apart.' Julia Kuehn, The University of Hong Kong The first-ever biography of the pioneering female journalist who fought to bring Japanese cherry trees to Washington, DC Every age has strong, independent women who defy the gender conventions of their era to follow their hearts and minds. Eliza Scidmore was one such maverick. Born on the American frontier just before the Civil War, she rose from modest beginnings to become a journalist who roamed far and wide writing about distant places for readers back home. By her mid-20s she had visited more places than most people would see in a lifetime. By the end of the nineteenth century, her travels were so legendary she was introduced at a meeting in London as “Miss Scidmore, of everywhere.” In what has become her best-known legacy, Scidmore carried home from Japan a big idea that helped shape the face of modern Washington: she urged the city's park officials to plant Japanese cherry trees on a reclaimed mud bank-today's Potomac Park. Though they rebuffed her suggestion several times, she finally got her way nearly three decades later thanks to the support of First Lady Helen Taft. Scidmore was a “Forrest Gump” of her day who bore witness to many important events and rubbed elbows with famous people, from John Muir and Alexander Graham Bell to U.S presidents and Japanese leaders. She helped popularize Alaska tourism during the birth of the cruise industry, and educated readers about Japan and other places in the Far East at a time of expanding U.S. interests across the Pacific. At the early National Geographic, she made a lasting mark as the first woman to serve on its board and to publish photographs in the magazine. Around the same time, she also played an activist role in the burgeoning U.S. conservation movement. Her published work includes books on Alaska, Japan, Java, China, and India; a novel based on the Russo-Japanese War; and about 800 articles in U.S. newspapers and magazines. Deeply researched and briskly written, this first-ever biography of Scidmore draws heavily on her own writings to follow major events of a half-century as seen through the eyes of a remarkable woman who was far ahead of her time.

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Christian Campbell takes us to dusk, what the French call l'heure entre chien et loup, the hour between dog and wolf, to explore ambiguity and intersection, danger and desire, loss and possibility. These poems of wild imagination shift shape and shift generation, remapping Caribbean, British and African American geographies: Oxford becomes Oxfraud; Shabba Ranks duets with Césaire; Sidney Poitier is reconsidered in an exam question; market women hawk poetry beside knock-off Gucci bags; elegies for ancestors are also for land and sea. Here is dancing at the crossroads between reverence and irreverence. Dusk is memory, dusk is dream, dusk is a way to re-imagine the past.Running the Dusk won the 2010 Aldeburgh First Collection Prize and was shortlisted for the 2010 Forward Poetry Prize for the Best First Book in the UK. It was also named a finalist for the Cave Canem Prize by Sonia Sanchez."Running the Dusk gives us a new voice for Caribbean arts and letters, and Christian Campbell is one of the few perfectly suited to accept this mantle. His poems don't address the obvious in a tumultuous, beautiful landscape of hearts and minds, personal and public rituals, but his voice dares to take a step beyond, to bridge the diaspora of the spirit. If you're holding Running the Dusk in your hands, you are lucky to be facing the gutsy work of a long-distance runner who possesses the wit and endurance, the staying power of authentic genius. This first collection is controlled beauty and strength, and the exhilaration of images and music encountered are necessary and believable. There's great celebration here."Yusef Komunyakaa, Pulitzer Prize-winning Poet and Global Distinguished Professor of English at NYU"A truly auspicious debut by a brilliant young writer of wide-open ear and versatile tongue. Campbell's imagery slices through fog; these poems are nourished by New World etymologies and old-school ways and wisdoms. His use of poetic form is drum-tight and yet these poems unfold like the infinity of a coast-line, sinuous and generous. In the black diaspora Campbell writes from and about, 'all angels have afros' and all poems are song. Running the Dusk is deep-souled, keen-eyed, knowing, honed, gorgeous. This is a heralding book we'll be talking about for a long time to come."Elizabeth Alexander, Obama's Inaugural Poet and Chair of African American Studies at Yale UniversityChristian Campbell studied at Oxford as a Rhodes Scholar. His poetry and essays have been published widely in the Caribbean, the United Kingdom and North America.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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A visit to a physician these days is cold: physicians spend most of their time typing at computers, making minimal eye contact. Appointments generally last only a few minutes, with scarce time for the doctor to connect to a patient's story, or explain how and why different procedures and treatments might be undertaken. As a result, errors abound: indeed, misdiagnosis is the fourth-leading cause of death in the United States, trailing only heart disease, cancer, and stroke. This is because, despite having access to more resources than ever, doctors are vulnerable not just to the economic demand to see more patients, but to distraction, burnout, data overload, and their own intrinsic biases. Physicians are simply overmatched. As Eric Topol argues in Deep Medicine, artificial intelligence can help. Natural-language processing could automatically record notes from our doctor visits; virtual psychiatrists could better predict the risk of suicide or other mental health issues for vulnerable patients; deep-learning software will make every physician a master diagnostician; and we could even use smartphone apps to take our own medical "selfies" for skin exams and receive immediate analysis. . On top of that, the virtual smartphone assistants of today--Alexa, Siri, Cortana--could analyze our daily health data to reduce the need for doctor visits and trips to the emergency room, and support for people suffering from asthma, epilepsy, and heart disease. By integrating tools like these into their daily medical practice, doctors would be able to spend less time collecting and cataloging information, and more time providing thorough, intimate, and meaningful care for their patients, as no machine can.Artificial intelligence can also help remedy the debilitating cost of healthcare, both for individuals and the economy writ large. The medical sector now absorbs 20 percent of the US gross domestic product--it is largest sector by dollars and jobs. And it's very inefficient. Take the cost of medical scans: There are over 20 million medical scans performed in the US every day, and an MRI, for example, costs hundreds to thousands of dollars. AI could process 260 million medical scans (more than 2 weeks' worth) in less than 24 hours for a cost of only $1000. We pay billions and billions of dollars for the same work today.The American health care system needs a serious reboot, and artificial intelligence is just the thing to press the restart button. As innovative as it is hopeful, Deep Medicine ultimately shows us how we can leverage artificial intelligence for better care at lower costs with more empathy, for the benefit of patients and physicians alike.

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'OH MY GOSH, THIS BOOK! UN-PUT-DOWN-ABLE! . . . It's been a long time since a book brought me such joy!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'The perfect slice of vacation in book form' ROSIE DANANFor fans of Christina Lauren and Sally Thorne, escape with Shipped - the whipsmart and escapist romantic comedy that celebrates the power of second chances and the magic of new beginnings.'A fun and flirty read - fuels the desire for romance, travel and escapism!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Witty, romantic and perfect!!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review*What would you do if your actual dream man turned out to be real? Preorder Angie Hockman's next fresh and funny rom-com, Dream On, now!*...............................................................Two arch-rivals. One promotion. Can they resist falling for one another in paradise?Marketing manager Henley Evans barely has time for herself, let alone family, friends, or dating. But when she's shortlisted for her dream promotion, the sacrifices finally seem worth it. If only Graeme Crawford-Collins, the remote social media manager/bane of her existence, wasn't also up for the position. Although they've never met in person, their epic email battles are the stuff of office legend. The task: draft a proposal on how to boost bookings in the Galápagos. The catch? They have to go on a company cruise . . . together. But when they meet on the ship, Henley is shocked to discover that the real Graeme is nothing like she imagined - and the line between loathing and liking is thinner than a postcard. With her career dreams in sight and a growing attraction to the competition, Henley begins questioning her life choices. Because what's the point of working all the time if you never actually live?...............................................................'Witty, romantic, and completely addictive' LAUREN LAYNE'Shipped is a sweet, sunny getaway of a novel' SARAH HOGLE'Shipped is exactly what we all need right now: a rollicking rom-com with a conscience' KRISTIN ROCKAWAY'Enchanting, hilarious and a perfectly delightful escape! I loved every second of this enemies-to-lovers romance' NINA BOCCI'Flirty and fun, with a starring couple you'll fall in love with, Shipped is an eco-conscious rom-com with great characters, lots of laughs, and a stunning location . . . I'm sold!' SARAH MORGENTHALER'Angie Hockman sparkles in this unputdownable enemies-to-lovers romance!' MIRANDA LIASSON'Shipped is the hilarious rom-com we all need right now' KERRY WINFREY'Shipped is the most wonderful escape! In this sweet, enemies to lovers rom-com, Angie Hockman seriously delivers. I can't wait to see what she brings us next!' ALEXA MARTIN

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One Good Soldier is the third book in the rapid-fire hard science military SF series of One Day on Mars and The Tau Ceti Agenda. In another 24-like narrative set six years after the events in The Tau Ceti Agenda, this exciting action story unfolds in a single critical day in the history of the United States of the Sol System, the extra-solar colonies, the Separatist Revolutionaries of the Tau Ceti system, and all of mankind. As another of Earth’s colonies, Ross 128, secedes from the union, the President of the United States, former marine major Alexander Moore, takes swift action to prevent a second American Civil War, this time on an interstellar scale. He sends the flagship of the U.S. Naval fleet through the Quauntum Membrane Teleporter based in the Oort Cloud to the seceding colony. But the Tau Ceti Separatists have stationed their own teleporter there and the flagship will be met with heavy resistance from the Separatist Navy. And, unknown to the president and first lady, their eighteen year old military school cadet daughter has been kidnapped and whisked away to the Separatist leader's house on Tau Ceti. Only the heroics and sacrifices of one good soldier after another can save the flagship, the Union, and the first daughter in an all-out winner-take-all showdown that reaches its final climax with frenzied hand-to-hand combat in the Oval Office itself.

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Revered as the birthplace of Western thought and democracy, Athens is much more than an open-air museum filled with crumbling monuments to ancient glory. Athens takes readers on a journey from the classical city-state to today’s contemporary capital, revealing a world-famous metropolis that has been resurrected and redefined time and again.Although the Acropolis remains the city’s anchor, Athens’ vibrant culture extends far beyond the Greek city’s antique boundaries. James H. S. McGregor points out how the cityscape preserves signs of the many actors who have crossed its historical stage. Alexander the Great incorporated Athens into his empire, as did the Romans. Byzantine Christians repurposed Greek temples, the Parthenon included, into churches. From the thirteenth to fifteenth centuries, the city’s language changed from French to Spanish to Italian, as Crusaders and adventurers from different parts of Western Europe took turns sacking and administering the city. An Islamic Athens took root following the Ottoman conquest of 1456 and remained in place for nearly four hundred years, until Greek patriots finally won independence in a blood-drenched revolution.Since then, Athenians have endured many hardships, from Nazi occupation and military coups to famine and economic crisis. Yet, as McGregor shows, the history of Athens is closer to a heroic epic than a Greek tragedy. Richly supplemented with maps and illustrations, Athens paints a portrait of one of the world’s great cities, designed for travelers as well as armchair students of urban history.

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As the 2000 decision by the Supreme Court to effectively deliver the presidency to George W. Bush recedes in time, its real meaning comes into focus. If the initial critique of the Court was that it had altered the rules of democracy after the fact, the perspective of distance permits us to see that the rules were, in some sense, not altered at all. Here was a "landmark" decision that, according to its own logic, was applicable only once and that therefore neither relied on past precedent nor lay the foundation for future interpretations. This logic, according to scholar Jack Jackson, not only marks a stark break from the traditional terrain of U.S. constitutional law but exemplifies an era of triumphant radicalism and illiberalism on the American Right. In Law Without Future, Jackson demonstrates how this philosophy has manifested itself across political life in the twenty-first century and locates its origins in overlooked currents of post-WWII political thought. These developments have undermined the very idea of constitutional government, and the resulting crisis, Jackson argues, has led to the decline of traditional conservatism on the Right and to the embrace on the Left of a studiously legal, apolitical understanding of constitutionalism (with ironically reactionary implications). Jackson examines Bush v. Gore, the post-9/11 "torture memos," the 2005 Terri Schiavo controversy, the Republican Senate's norm-obliterating refusal to vote on President Obama's Supreme Court nominee Merrick Garland, and the ascendancy of Donald Trump in developing his claims. Engaging with a wide array of canonical and contemporary political thinkers—including St. Augustine, Alexis de Tocqueville, Karl Marx, Martin Luther King Jr., Hannah Arendt, Wendy Brown, Ronald Dworkin, and Hanna Pitkin—Law Without Future offers a provocative, sobering analysis of how these events have altered U.S. political life in the twenty-first century in profound ways—and seeks to think beyond the impasse they have created.

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In 1798, a decade after the Founding Fathers created a nation based on the principles of liberty and equality, Charles Brockden Brown, then an unknown Philadelphia writer, invented the American Gothic novel. His first book, Wieland, is the story of a religious fanatic haunted by demonic voices instructing him to murder his wife and children; in subsequent works, a young country bumpkin confronts the depravities of city existence, an impecunious daughter becomes the erotic obsession of an insane egomaniacal rationalist, and a sleepwalker awakes to—and participates in—the extremes of frontier savagery. How could a glorious age of American history also give rise to the darkest of literary traditions, one that would inspire Edgar Allan Poe, Stephen King, and many other best-selling American writers? In Charles Brockden Brown's Revolution and the Birth of American Gothic, Peter Kafer carefully unravels the mystery of what compelled this pious Philadelphia Quaker to become fascinated with a peculiar form of dark European imagery and transform it into something wholly American. In the new nation, Kafer notes, there were no ancient monasteries, no haunted castles, no hierarchies of nobility to draw upon. Taking inspiration instead from his pacifist family's persecution at the hands of the American Revolutionaries, including the likes of Alexander Hamilton and John Adams, as well as from perverse expressions of European-American Protestantism and the suppressed histories of his native Pennsylvania, Brockden Brown wrote of the horrors that lurked below the triumphant veneer of the young American republic. In doing so, he became the literary conscience of his generation. Written with a witty and acutely critical eye, Charles Brockden Brown's Revolution and the Birth of American Gothic illuminates the social and political influences on the nation's first professional novelist and reveals the surprising origins of one of American literature's most popular and enduring genres.

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What to Expect When Black, Pregnant, and Expecting“This book stands as the modern-day guide to birthing while Black.” ―Angelina Ruffin-Alexander, certified nurse midwife2021 International Book Awards finalist in Health: Women’s Health#1 New Release in Pregnancy & Childbirth and Minority Demographic Studies, Medical Ethics, and Women's Health NursingWritten with lighthearted humor and cultural context, Oh Sis, You’re Pregnant! discusses the stages of pregnancy, labor, and motherhood as they pertain to pregnant Black women today.Tailored to today’s pregnant Black woman. In the age of social media, how do pregnant women communicate their big announcement? What are the best protective hairstyles for labor? Most importantly, how many pregnancy guides focus on issues like Black maternal birth rates and what it really looks like to be Black, pregnant, and single today? Written for the modern pregnant Black woman, Oh Sis, You’re Pregnant! is the essential what to expect when you're expecting guide to understanding pregnancy from a millennial Black mom’s point of view.Interviews, stories, and advice for pregnant women. Written by Black Moms Blog founder, the book tackles hard topics in a way that truly resonate with modern Black moms. With stories from her experiences through pregnancy, labor, and motherhood, and lessons learned as a mother at twenty-two, Oh Sis, You’re Pregnant! focuses on the common knowledge Black pregnant mothers should consider when having their first baby. It also shares topics beneficial to pregnant Black women on their second, third, or fourth born.Find answers to questions: Do I financially plan for my birth? Can I maintain my relationship and friendships during motherhood? Will I self-advocate for my rights in a world that already views me as less than? If you enjoyed books like Medical Apartheid, 50 Things To Do Before You Deliver, The Girlfriends' Guide to Pregnancy, or Birthing Justice, then you’ll love Oh Sis, You’re Pregnant!

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An artist’s record of the homes of 89 leading creatives from interior designers to ceramicists, antiques dealers, florists and chefs. SJ Axelby brings new life to interior portraiture, capturing in paint the favourite rooms of 89 leading creatives from interior designers to ceramicists and antiques dealers (and florists and chefs). A sumptuously illustrated record of a home or special project, each interior portrait is accompanied by a charming and quirky interview with the owner, in which we discover invaluable nuggets of design advice, cocktail choice, life hacks and so much more – all illustrated in watercolour by SJ. There is a long tradition of painting rooms to provide a record of grand homes, giving a glimpse into the life and times of previous generations. Today there is a resurgence of interest in our living spaces, but there is no book in the tradition of illustrated room portraiture to inspire you. SJ Axelby's Interior Portraits will take you into multiple unique and colourful homes, seen through the artist’s eye. Creating an authentic and characterful scheme is much like the composition of a painting: the shape, form, contrast, colour, pattern and texture all need to work in harmony. This pictorial guide includes not only Sarah-Jane’s original watercolours but scrapbook pages annotated with design wisdom from each room’s owners, which will enthuse and empower the reader to try new ideas in their own homes. It’s a creative who’s who of the international design world featuring mouth-watering compositions bursting with colour and pattern and displaying the true joy of a home that reflects its owner’s personality. With a foreword by Kit Kemp of Firmdale Hotels. Just a few of the creatives featured:Alexandra TolstoyAlice Stori LiechtensteinAnna SpiroAshley HicksBen Pentreath & Charlie McCormickCath Kidston PadghamErica DaviesFlora SoamesHenry HollandKit KempLucinda ChambersLulu LytleLuke Edward Hall & Duncan CampbellMatilda GoadPenny MorrisonRobert KimeSkye McAlpineSophie Conran

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills As an actor at any level – whether you are doing theatre studies at school, taking part in youth theatre, preparing for drama-school showcases, or attending professional acting workshops – you will often be required to prepare a duologue with a fellow performer. Your success is often based on locating and selecting a fresh, dynamic scene suited to your specific performing skills, as well as your interplay as a duo. Which is where this book comes in. This collection features twenty-five fantastic duologues for two women, almost all written since the year 2000 by some of our most exciting dramatic voices, offering a wide variety of character types and styles of writing. Playwrights featured include Alexi Kaye Campbell, Helen Edmundson, Vivienne Franzmann, Sam Holcroft, Anna Jordan, Chloë Moss, Rona Munro, Lynn Nottage, Evan Placey and Jessica Swale, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, Manchester Royal Exchange, Shakespeare's Globe, and the Almeida, Bush, Soho, Royal Court and Tricycle Theatres. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James equips each duologue with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the characters' objectives). The collection also features an introduction on the whole process of selecting and preparing a duologue, and how to present it to the greatest effect. The result is the most comprehensive and useful contemporary duologue book of its kind now available. 'Sound practical advice... a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

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In this final installment in the acclaimed Black Girls Must Die Exhausted trilogy, Tabitha is juggling work, relationships, and a newborn baby—but will she find the happy ending she’s always wanted?After a whirlwind year, Tabitha Walker’s carefully organized plan to achieve the life she wanted—perfect job, dream husband, and stylish home—has gone off the rails. Her checklist now consists of diapers changed (infinite), showers taken (zero), tears cried (buckets), and hours of sleep (what’s that?).Don't get her wrong, Tabby loves her new bundle of joy and motherhood is perhaps the only thing that's consistent for her these days. When the news station announces that they will be hiring outside competitors for the new anchor position, Tabby throws herself into her work. But it’s not just maintaining her position as the station’s weekend anchor that has her worried. All of her relationships seem to be shifting out of their regular orbits. Best friend Alexis can’t manage to strike the right balance in her “refurbished” marriage with Rob, and Laila’s gone from being a consistent ride-or-die to a newly minted entrepreneur trying to raise capital for her growing business. And when Marc presents her with an ultimatum about their relationship, coupled with an extended “visit” from his mother, Tabby is forced to take stock of her life and make a new plan for the future.Consumed by work, motherhood, and love, Tabby finds herself isolated from her friends and family just when she needs them most. But help is always there when you ask for it, and Tabby’s village will once again rally around her as she comes to terms with her new life and faces her biggest challenge yet—choosing herself.

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'When Tom Holt's on form, the world seems a much cheerier place' - SFX'Frantically wacky and wilfully confusing ... gratifyingly clever and very amusing' - MAIL ON SUNDAYOnce upon a time (or last Thursday, as it's known in this matrix) everything was fine: Humpty Dumpty sat on his wall, Jack and Jill went about their lawful business, the Big Bad Wolf did what big bad wolves do, and the wicked queen plotted murder most foul.But the humans hacked, cried havoc, shut down the wicked queen's system (mirrors 3.1) and corrupted her database - and suddenly everything was not fine at all. But at least we know that they'll all live happily ever after. Don't we?Computers and fairy tales collide to hilarious effect in the latest sparkling cocktail of mayhem, wit and wonder from the master of comic fantasy.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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'Delightful' A HISTORY BOOK OF THE YEAR / BOOK OF THE WEEK, Daily Mail'Goodwood curator James Peill writes with a wonderfully light touch . . . The Goodwood story is extraordinary and rightly celebrated' Country LifeThe history of Goodwood, England's greatest sporting estateGoodwood has been the home of English sport for centuries. The story of how a small hunting lodge became the iconic location for the globally-renowned Festival of Speed, Glorious Goodwood and Goodwood Revival events is inextricably intertwined with the tale of the Dukes of Richmond. The Dukes were, variously, patrons of the arts, political influencers, royal confidantes, architectural innovators, horticultural enthusiasts and stewards of the community. Above all, they were passionate about the sports for which Goodwood is best known: horseracing, motor sports, foxhunting, cricket, shooting and golf. Drawing upon the wealth of the Goodwood archives, James Peill vividly captures the character of each Duke, some radical and others staunchly traditional, and the wide-ranging impact they had on the Goodwood of today.The broader context is a sweeping history of England, and one family's part in it. Beginning with Charles II and his mistress Louise de Keroualle, the parents of the first Duke, Glorious Goodwood takes the reader on a journey through time, from the seventeenth century to present day, via the Jacobite Rising, the Battle of Waterloo and the First and Second World Wars. There are cameo appearances from George Stubbs, Canaletto, Alexander, Emperor of Russia, Queen Victoria, Jackie Stewart and Edward VII, who famously hosted Privy Council meetings in the Tapestry Drawing Room during race week.Glorious Goodwood is a vivid and intimate portrait of a house and its inhabitants set against a dazzling, panoramic backdrop of English history. At the heart of this colourful and compelling story is a rich sense of the British heritage Goodwood embodies.

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Queen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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How being “nice” in school and university settings works to reinforce racialized, gendered, and (dis)ability-related inequities in education and society Being nice is difficult to critique. Niceness is almost always portrayed and felt as a positive quality. In schools, nice teachers are popular among students, parents, and administrators. And yet Niceness, as a distinct set of practices and discourses, is not actually good for individuals, institutions, or communities because of the way it maintains and reinforces educational inequity. In The Price of Nice, an interdisciplinary group of scholars explores Niceness in educational spaces from elementary schools through higher education to highlight how this seemingly benign quality reinforces structural inequalities. Grounded in data, personal narrative, and theory, the chapters show that Niceness, as a raced, gendered, and classed set of behaviors, functions both as a shield to save educators from having to do the hard work of dismantling inequity and as a disciplining agent for those who attempt or even consider disrupting structures and ideologies of dominance. Contributors: Sarah Abuwandi, Arizona State U; Colin Ben, U of Utah; Nicholas Bustamante, Arizona State U; Aidan/Amanda J. Charles, Northern Arizona U; Jeremiah Chin, Arizona State U; Sally Campbell Galman, U of Massachusetts; Frederick Gooding Jr., Texas Christian U; Deirdre Judge, Tufts U; Katie A. Lazdowski; Román Liera, U of Southern California; Sylvia Mac, U of La Verne; Lindsey Malcolm-Piqueux, California Institute of Technology; Giselle Martinez Negrette, U of Wisconsin–Madison; Amber Poleviyuma, Arizona State U; Alexus Richmond, Arizona State U; Frances J. Riemer, Northern Arizona U; Jessica Sierk, St. Lawrence U; Bailey B. Smolarek, U of Wisconsin–Madison; Jessica Solyom, Arizona State U; Megan Tom, Arizona State U; Sabina Vaught, U of Oklahoma; Cynthia Diana Villarreal, U of Southern California; Kristine T. Weatherston, Temple U; Joseph C. Wegwert, Northern Arizona U; Marguerite Anne Fillion Wilson, Binghamton U; Jia-Hui Stefanie Wong, Trinity College; Denise Gray Yull, Binghamton U.

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Reveals the significant and sometimes heroic roles rabbis have played in our nation's defense Rabbi Elkan Voorsanger received the Purple Heart for his actions during the Battle of Argonne. Chaplain Edgar Siskin, serving with the Marines on Pelilu Island, conducted Yom Kippur services in the midst of a barrage of artillery fire. Rabbi Alexander Goode and three fellow chaplains gave their own lifejackets to panicked soldiers aboard a sinking transport torpedoed by a German submarine, and then went down with the ship. American Jews are not usually associated with warfare. Nor, for that matter, are their rabbis. And yet, Jewish chaplains have played a significant and sometimes heroic role in our nation's defense. The Fighting Rabbis presents the compelling history of Jewish military chaplains from their first service during the Civil War to the first female Jewish chaplain and the rabbinic role in Korea, Vietnam, and Desert Storm. Rabbi Slomovitz, himself a Navy chaplain, opens a window onto the fieldwork, religious services, counseling, and dramatic battlefield experiences of Jewish military chaplains throughout our nation's history. From George Washington's early support for a religiously tolerant military to a Seder held in the desert sands of Kuwait, these rabbis have had a profound impact on Jewish life in America. Also striking are original documents which chronicle the ongoing care and concern by the Jewish community over the last 140 years for their follow Jews, including many new immigrants who entered the armed forces. Slomovitz refutes the common belief that the U.S. military itself has been a hostile place for Jews, in the process providing a unique perspective on American religious history.

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