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Die Parner, Steppennomaden aus dem transkaspischen Raum, eroberten gegen Ende des 3. Jh. v.Chr. die seleukidische Satrapie Parthien im Sëdosten des Kaspischen Meeres. Unter ihrer Königsdynastie der Arsakiden eroberten sie nach und nach die seleukidischen Gebiete bis zum Indischen Ozean und bis zum Euphrat, der seit dem zweiten Viertes des 1. Jh. v.Chr. die Grenze zum Imperium Romanum bildete. 224 n.Chr. wurden sie von den persischen Sasaniden in der Herrschaft abgelöst. Das Partherreich war vom Beginn seines Bestehens an durch sehr verschiedenartige Faktoren bestimmt, zum einen durch die im Gefolge der Eroberungen Alexanders d.Gr. von den Seleukiden östlich des Euphrat angesiedelte griechische Kultur, andererseits durch die Traditionen der Völker, die seit langem auf parthischem Reichsterritorium lebten, z.B. Babylonier und Meder. Hinzu kamen die - meist feindlichen - Kontakte mit den aus Norden und Nordosten nachdrängenden Reitervölkern, die - teilweise ebenfalls konfliktreichen - wirtschaftlichen und kulturellen Kontakte mit den benachbarten Völkern im Westen, insbesondere Juden, Syrern und Armeniern, sowie die langen und wechselvollen Beziehungen zu den Römern, wo sich Bëndnisse und Kriege zwischen den beiden Großmächten abwechselten. Die Quellen zu den Parthern sind daher vielschichtig und vielsprachig und nur durch eine differenzierte interdisziplinäre Bearbeitung zu erschließen. In den vorliegenden drei Bänden werden diese Quellenkomplexe erstmals durch eine Zusammenstellung und deutsche Übersetzung möglichst aller einschlägigen Texte verfëgbar gemacht. Darëber hinaus werden durch die Kommentierung und ausgewogene Zusammenfëhrung der unterschiedlichen Zeugnisse die Abläufe der Geschichte des Partherreiches, seine bisher noch weitgehend ungeklärte innere Struktur sowie die wirtschafts-, sozial- und kulturgeschichtlichen Gegebenheiten genauer beschrieben, als dies bisher möglich war.Mit Beiträgen von Barbara Böck, Uta Golze, Daniel Keller, Gudrun Schubert, Kerstin Storm, Lukas Thommen, Giusto Traina und Markus Zehnder.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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Intelligent machines are revolutionizing business.Machine learning and data analytics are powering a wave of groundbreaking technologies. Is your company ready?If you read nothing else on how intelligent machines are revolutionizing business, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you understand how these technologies work together, how to adopt them, and why your strategy can't ignore them.In this book you'll learn how: Data science, driven by artificial intelligence and machine learning, is yielding unprecedented business insights Blockchain has the potential to restructure the economy Drones and driverless vehicles are becoming essential tools 3-D printing is making new business models possible Augmented reality is transforming retail and manufacturing Smart speakers are redefining the rules of marketing Humans and machines are working together to reach new levels of productivity This collection of articles includes "Artificial Intelligence for the Real World," by Thomas H. Davenport and Rajeev Ronanki; "Stitch Fix's CEO on Selling Personal Style to the Mass Market," by Katrina Lake; "Algorithms Need Managers, Too," by Michael Luca, Jon Kleinberg, and Sendhil Mullainathan; "Marketing in the Age of Alexa," by Niraj Dawar; "Why Every Organization Needs an Augmented Reality Strategy," by Michael E. Porter and James E. Heppelmann; "Drones Go to Work," by Chris Anderson; "The Truth About Blockchain," by Marco Iansiti and Karim R. Lakhani; "The 3-D Printing Playbook," by Richard A. D’Aveni; "Collaborative Intelligence: Humans and AI Are Joining Forces," by H. James Wilson and Paul R. Daugherty; "When Your Boss Wears Metal Pants," by Walter Frick; and "Managing Our Hub Economy," by Marco Iansiti and Karim R. Lakhani.

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In the media, migrants are often portrayed as criminals; they are frequently dehumanized, marginalized, and unable to share their experiences. Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard.The essays in the first part of the volume consider the documentary as a medium for Latin American immigrants to share their thoughts and experiences on migration, border crossings, displacement, and identity. Contributors analyze films including Harvest of Empire, Sin país, The Vigil, De nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home, as well as internet documentaries distributed via platforms such as Vimeo and YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe.The second part of the volume features transcribed interviews with documentary filmmakers, including Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and María Cristina Carrillo Espinosa. They discuss the issues surrounding migration, challenges they faced in the filmmaking process, the impact their films have had, and their opinions on documentary film as a force of social change. They emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences in a way narrative films cannot. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity.Contributors: Ramón Guerra, Lizardo Herrera, Jared List, Esteban Loustaunau, Manuel F. Medina, Ada Ortúzar-Young, Thomas Piñeros Shields, Juan G. Ramos, Lauren Shaw, Zaira Zarza. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez

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A landmark history that traces the creation, management, and sharing of information through six centuriesThanks to modern technological advances, we now enjoy seemingly unlimited access to information. Yet how did information become so central to our everyday lives, and how did its processing and storage make our data-driven era possible? This volume is the first to consider these questions in comprehensive detail, tracing the global emergence of information practices, technologies, and more, from the premodern era to the present. With entries spanning archivists to algorithms and scribes to surveilling, this is the ultimate reference on how information has shaped and been shaped by societies.Written by an international team of experts, the book's inspired and original long- and short-form contributions reconstruct the rise of human approaches to creating, managing, and sharing facts and knowledge. Thirteen full-length chapters discuss the role of information in pivotal epochs and regions, with chief emphasis on Europe and North America, but also substantive treatment of other parts of the world as well as current global interconnections. More than 100 alphabetical entries follow, focusing on specific tools, methods, and concepts—from ancient coins to the office memo, and censorship to plagiarism. The result is a wide-ranging, deeply immersive collection that will appeal to anyone drawn to the story behind our modern mania for an informed existence. Tells the story of information’s rise from 1450 through to today Covers a range of eras and regions, including the medieval Islamic world, late imperial East Asia, early modern and modern Europe, and modern North America Includes 100 concise articles on wide-ranging topics: Concepts: data, intellectual property, privacyFormats and genres: books, databases, maps, newspapers, scrolls and rolls, social mediaPeople: archivists, diplomats and spies, readers, secretaries, teachersPractices: censorship, forecasting, learning, political reporting, translatingProcesses: digitization, quantification, storage and searchSystems: bureaucracy, platforms, telecommunicationsTechnologies: cameras, computers, lithography Provides an informative glossary, suggested further reading (a short bibliography accompanies each entry), and a detailed index Written by an international team of notable contributors, including Jeremy Adelman, Lorraine Daston, Devin Fitzgerald, John-Paul Ghobrial, Lisa Gitelman, Earle Havens, Randolph C. Head, Niv Horesh, Sarah Igo, Richard R. John, Lauren Kassell, Pamela Long, Erin McGuirl, David McKitterick, Elias Muhanna, Thomas S. Mullaney, Carla Nappi, Craig Robertson, Daniel Rosenberg, Neil Safier, Haun Saussy, Will Slauter, Jacob Soll, Heidi Tworek, Siva Vaidhyanathan, Alexandra Walsham, and many more.

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Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905. Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas. The 77 works included in this volume comprise all of Chesnutt’s known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of “race amalgamation,” seeing interracial marriage as the ultimate means of solving “the Negro Problem,” as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other “race pride” movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours. The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

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'A pleasure to read... a timely reminder of the need for service' -- The Daily Telegraph'The voices and reminiscence of family and friends merge seamlessly, giving the impression of gathering round the fire on a winter evening' -- The OldieHRH The Duke of Kent has been at the heart of the British Royal Family throughout his life. As a working member of the Royal Family, he supported his cousin The Queen, representing her at home and abroad, until her death in 2022. His royal duties began when, in 1952, at the age of sixteen, he walked in the procession behind King George VI's coffin, later paying homage to The Queen at her Coronation in 1953. Since then he has witnessed and participated in key Royal occasions.A Royal Life is a unique account based on a series of conversations between the Duke and acclaimed Royal historian Hugo Vickers. It covers the Duke's upbringing, his army life, his royal tours and events and associations with organisations. Here too are recollections of family members including his mother, Princess Marina, his grandmother, Queen Mary, his cousin, Prince Philip, the Duke of Edinburgh, and his uncle, King George VI.Other members of the Royal Family contribute their memories, including his wife, the Duchess of Kent, the Duke's siblings, Princess Alexandra and Prince Michael of Kent, his son, the Earl of St Andrews, his daughter, Lady Helen Taylor as well as his cousins, Princess Elizabeth of Yugoslavia, Archduchess Helen of Austria and her brother, Hans Veit Toerring.Containing never before seen photographs from the Duke's private collection, A Royal Life is an unprecedented and remarkable insight into Royal history.

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Navigate your way around Nottingham with detailed street maps from A-Z This up-to-date, folded A-Z street map includes all of the 1,500 streets in and around Nottingham.As well as Nottingham Castle and Lace Market, the other areas covered include Willford Village, Dunkirk, the Meadows, New Lenton, Old Radford, Thorneywood, Alexandra Park, Aspley, Forest Fields, Highbury Vale and Woodthorpe. The large-scale street map includes the following:• Places of interest• Postcode districts, one-way streets and car parks• Index to streets, places of interest, place and area names, park and ride sites, national rail stations, hospitals and hospices The perfect reference map for finding your way around Nottingham.

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In Millennial Style, Aliyyah I. Abdur-Rahman looks at recent experiments in black expressive culture that begin in the place of ruin. By ruin, Abdur-Rahman means the political terror and social abjection that constitute the ongoing peril of black lives. Whereas earlier black writers and artists have employed realist modes of expression to represent racial harm and to imaginatively remediate it, the black avant-garde of today displays more experimental methods. Abdur-Rahman outlines four widely employed modes in contemporary African diasporic cultural production: Black Grotesquerie, Hollowed Blackness, Black Cacophony, and the Black Ecstatic. Mobilizing black feminist and black radical thought, she considers work by such cultural practitioners as Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill. Writerly and experimental, Millennial Style theorizes contemporary black art as the holding (or hoarding) of black mortal and material resources against the injuries of social death, as the fashioning of relational ethics, and as exuberant black world-building in ruinous times.

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Mit seiner diskurstheoretischen Deutung des demokratischen Rechtsstaats hat Jürgen Habermas eine anspruchsvolle philosophische Konzeption vorgelegt. 15 Jahre nach deren Erscheinen unternimmt Tobias Lieber den Versuch, Habermas' Aussagen aus juristischer Perspektive einer umfassenden, aber immanent anknüpfenden Kritik zu unterziehen. Dabei berücksichtigt er die mittlerweile sehr umfangreiche Sekundärliteratur erstmals flächendeckend.Gegenstand seiner Kritik sind insbesondere Habermas' Deutung des Demokratieprinzips, sein Verständnis von Grundrechten und Gewaltenteilung sowie die Diskurstheorie der richterlichen Rechtsanwendung. Dabei setzt sich der Autor auch mit Robert Alexys Sonderfallthese sowie mit Klaus Günthers Theorie des Anwendungsdiskurses auseinander. Unter sorgfältiger Würdigung der Primärtexte zeigt er Widersprüche und Mängel der Habermasschen Konzeption auf.Vor diesem Hintergrund entwickelt er eine Modifikation der Diskurstheorie des demokratischen Rechtsstaats. Danach ist der Legitimitätsanspruch des Rechts doppelt kodiert, und zwar durch die Hoffnung diskursiver Vernunft einerseits und einen Gehalt formeller Gleichbehandlung aller Bürger andererseits. Verknüpft werden diese beiden Elemente des Legitimitätsanspruchs durch eine skeptische Perspektive, die die diskursive Vernunft aller im Diskurs des Rechts real erzielten Ergebnisse bezweifelt, ohne auf die Konsensfähigkeit normativer Fragestellungen generell zu verzichten. Auf der Grundlage dieser Modifikation der Habermasschen Theorie gelingt es Tobias Lieber, die Institutionen des demokratischen Rechtsstaats überzeugender zu erklären.

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An NCSS Notable Social Studies Trade Book for Young People ILA Children's and Young Adult's Book Award—Intermediate Nonfiction 2014 VOYA Non-Fiction Honor List The Industrial Revolution for Kids introduces a time of monumental change in a “revolutionary” way. Learn about the new technologies and new forms of communication and transportation that impacted American life—through the people who invented them and the people who built, operated, and used them. In addition to wealthy industrialists such as John D. Rockefeller and Andrew Carnegie and ingenious inventors such as Eli Whitney and Alexander Graham Bell, you’ll learn about everyday workers, activists, and kids. The late 19th and early 20th centuries come to life through the eyes of hardworking Chinese immigrants who built the Transcontinental Railroad; activist Isaac Myers, an African American ship caulker who became a successful businessman and labor union organizer; toiling housewife Hannah Montague, who revolutionized the clothing industry with her popular detachable collars and cuffs; and many others who help tell the human stories of the Industrial Revolution. Twenty-one hands-on activities invite young history buffs to experience life and understand the changing technologies of this important era.

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The Hillwood Museum's Russian silver collection is the largest and most comprehensive outside Russia. 'Russian Silver in America' surveys Russian silver production, its changing forms, styles, imagery and techniques over more than 250 years, drawing on the collections of both the Hillwood and other US museums. A beautifully illustrated book which provides a proper cultural, political and historical context in which to view this fascinating collection, it charts the history of Russian silver through the baroque styles of the reigns of Peter and Elizabeth, the move to Rococo and Neoclassicism under Catherine and Paul, revivalist styles under Alexander I and Nicholas I, 19th-century styles up to Faberge and modernist production. Running throughout is the story of how and why so much Russian silver found its way into American collections - much of it sold by the Soviet government in the 1920s and 30s, as having largely been held in church treasuries and private collections, it was considered to be of no artistic value. A dazzling visual history of Russian silver and a vital record of 18th- and 19th-century silver production in Russia, almost none of which remains in the country today. Features over 160 pieces from the Hillwood Museum and other US collections including objects made for the imperial family and growing merchant class.

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A major and controversial new biography of one of the most compelling and contradictory figures in modern British life. Born Alexander Boris de Pfeffel Johnson, to most of us he is just ‘ Boris’ – the only politician of the age to be regarded in such familiar, even affectionate terms. Uniquely, he combines comedy with erudition, gimlet-eyed focus with jokey self-deprecation, and is a loving family man with a roving eye. He is also a hugely ambitious figure with seemingly no huge ambitions to pursue – other than, perhaps, power itself. In this revealing biography, written from the vantage point of a once close colleague, Sonia Purnell examines how a shy, young boy from a broken home became our only box-office politician – and most unlikely sex god; how the Etonian product fond of Latin tags became a Man of the People – and why he wanted to be; how the gaffe-prone buffoon charmed Londonders to win the largest personal mandate Britain has ever seen; and how the Johnson family built our biggest – and blondest – media and political dynasty. The first forensic account of a remarkable rise to fame and power, Just Boris unravels this most compelling of political enigmas and asks whether the Mayor who dreams of crossing the Thames to Downing Street has what it takes to be Prime Minister.

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This ground-breaking collection of new interviews, critical essays, and commentary explores South Asian identity and culture. Sensitive to the false homogeneity implied by "South Asian," "diaspora," "postcolonial," and "Asian American," the contributors attempt to unpack these terms. By examining the social, economic, and historical particularities of people who live "between the lines"-on and between borders-they reinstate questions of power and privilege, agency and resistance. As South Asians living in the United States and Canada, each to some degree must reflect on the interaction of the personal "I," the collective "we," and the world beyond. The South Asian scholars gathered together in this volume speak from a variety of theoretical perspectives; in the essays and interviews that cross the boundaries of conventional academic disciplines, they engage in intense, sometimes contentious, debate. Contributors: Meena Alexander, Gauri Viswanathan, Gayatri Chakravorty Spivak, Amritjit Singh, M. G. Vassanji, Sohail Inayatullah, Ranita Chatterjee, Benita Mehta, Sanjoy Majumder, Mahasveta Barua, Sukeshi Kamra, Samir Dayal, Pushpa Naidu Parekh, Indrani Mitra, Huma Ibrahim, Amitava Kumar, Shantanu DuttaAhmed, Uma Parameswaran. In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vo.

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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In 1918, Bethlehem Steel started the world’s greatest industrial baseball league. Appealing to Major League Baseball players looking to avoid service in the Great War, teams employed “ringers” like Babe Ruth, Rogers Hornsby, and Shoeless Joe Jackson in what became scornfully known as “safe shelter” leagues. In Work, Fight, or Play Ball, William Ecenbarger fondly recounts this little-known story of how dozens of athletes faced professional conflicts and a difficult choice in light of public perceptions and war propaganda. Some players used the steel mill and shipyard leagues to avoid wartime military duty, irking Major League owners, who saw their rosters dwindling. Bethlehem Steel President Charles Schwab (no relation to the financier) saw the league as a means to stave off employee and union organizing. Most fans loudly criticized the ballplayers, but nevertheless showed up to watch the action on the diamond. Ecenbarger traces the 1918 Steel League’s season and compares the fates of the players who defected to industry or continued to play stateside with the travails of the Major Leaguers, such as Christy Mathewson, Ty Cobb, and Grover Cleveland Alexander, who served during the war.Work, Fight, or Play Ball reveals the home field advantage brought on by the war, which allowed companies to profit from Major League players.

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'This is the book I've eagerly awaited for almost a half century .Andrew McPherson's study of Gillies is nothing less than a game-changer, presenting a new and very different story about one of Scotland's greatest 20th-century painters' - Alexander Moffat Shows how European modernism inspired Gillies to engage with universal issues of purpose, meaning and fate to produce idiomatic and unique works Reveals an artist who informs and challenges the constitutive narratives of modernism in Britain Shows how competition between Scottish and English nationalisms has shrouded Gillies in myth Combines social, political, cultural, and art history to explain the emergence of Gillies as artist and modernist Examines new biographical evidence on questions of sexuality, gender, mental and physical health, scepticism and faith Providing new evidence on the life and times of this Scottish painter, Andrew McPherson shows Gillies to be a modernist thinker. Presenting paintings never seen before, he reappraises his creative output, including the relationship of portraiture to still life, placing him firmly within not only a Scottish context but a British and European one too. McPherson has been researching the life, times and works of William Gillies for over twenty years. He has rethought the formative influence of his art of two World Wars, gender inequalities and the modernist crisis of meaning and belief.

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Readers at all levels will find even-handed coverage of politics in sub-Saharan Africa's more than thirty states from the early years of independence to today. Readings in African Politics provides an overview of key topics and themes that collectively contribute to an understanding of politics in Africa. The selections included here come from a wide range of Western and non-Western sources and together represent core knowledge in the field of African politics. Topic areas covered are methods for appraising the modern African state, approaches to understanding African states and their politics, dimensionsof regional conflict, conflict between traditional and modern values, the politics of new social forces, and the meaning of contemporary trends. An introductory essay by Tom Young sketches the terrain of politics in Africa from national and international efforts toward development to local problems such as corruption and ethnic conflict. TOM YOUNG is Senior Lecturer in Politics with reference to Africa, SOAS, London Contributors include: ROBERT H. BATES, GORAN HYDEN, Jean-FRANCOIS BAYART, MAHMOOD MAMDANI, PATRICK CHABAL & JEAN-PASCAL DALOZ, ROY MAY, MARGARET HALL & TOM YOUNG, TOYIN FALOLA, RICHARD FANTHORPE, MAMADOU DIOUF, AILI MARI TRIPP, BESSIE HOUSE-MIDAMBA,JOCELYN ALEXANDER, SALLY FALK MOORE, ADAM ASHWORTH Published in association with the International African Institute North America: Indiana U Press

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What would happen if we could stroll through the revolutionary history of the 20th century and, without any fear of the possible responses, ask the main protagonists - from Lenin to Che Guevara, from Alexandra Kollontai to Ulrike Meinhof - seemingly naïve questions about love? Although all important political and social changes of the 20th century included heated debates on the role of love, it seems that in the 21st century of new technologies of the self (Grindr, Tinder, online dating, etc.) we are faced with a hyperinflation of sex, not love. By going back to the sexual revolution of the October Revolution and its subsequent repression, to Che�s dilemma between love and revolutionary commitment and to the period of �68 (from communes to terrorism) and its commodification in late capitalism, the Croatian philosopher Srecko Horvat gives a possible answer to the question of why it is that the most radical revolutionaries like Lenin or Che were scared of the radicality of love. What is so radical about a seemingly conservative notion of love and why is it anything but conservative? This short book is a modest contribution to the current upheavals around the world - from Tahrir to Taksim, from Occupy Wall Street to Hong Kong, from Athens to Sarajevo - in which the question of love is curiously, surprisingly, absent.

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Alexis de Tocqueville (1805-59) has long been recognized as a major political and social thinker as well as historian, but his writings also contain a wealth of little-known insights into economic life and its connection to the rest of society. In Tocqueville's Political Economy, Richard Swedberg shows that Tocqueville had a highly original and suggestive approach to economics--one that still has much to teach us today. Through careful readings of Tocqueville's two major books and many of his other writings, Swedberg lays bare Tocqueville's ingenious way of thinking about major economic phenomena. At the center of Democracy in America, Tocqueville produced a magnificent analysis of the emerging entrepreneurial economy that he found during his 1831-32 visit to the United States. More than two decades later, in The Old Regime and the Revolution, Tocqueville made the complementary argument that it was France's blocked economy and society that led to the Revolution of 1789. In between the publication of these great works, Tocqueville also produced many lesser-known writings on such topics as property, consumption, and moral factors in economic life. When examined together, Swedberg argues, these books and other writings constitute an interesting alternative model of economic thinking, as well as a major contribution to political economy that deserves a place in contemporary discussions about the social effects of economics.

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Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers.The four poets taken up in this volume—Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats—come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life’s unfolding, and Yeats thinking in images, using montage in lieu of argument.With customary lucidity and spirit, Vendler traces through these poets’ lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style—however ancient the theme—that is powerful and original.

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Eighteenth-century British culture was transfixed by the threat of contagion, believing that everyday elements of the surrounding world could transmit deadly maladies from one body to the next. Physicians and medical writers warned of noxious matter circulating through air, bodily fluids, paper, and other materials, while philosophers worried that agitating passions could spread via certain kinds of writing and expression. Eighteenth-century poets and novelists thus had to grapple with the disturbing idea that literary texts might be doubly infectious, communicating dangerous passions and matter both in and on their contaminated pages.Reading Contagion, Annika Mann argues that the fear of infected books energized aesthetic and political debates about the power of reading, which could alter individual and social bodies by connecting people of all sorts in dangerous ways through print. Daniel Defoe, Alexander Pope, Tobias Smollett, William Blake, and Mary Shelley ruminate on the potential of textual objects to absorb and transmit contagions with a combination of excitement and dread. This book vividly documents this cultural anxiety while explaining how writers at once reveled in the possibility that reading could transform the world while fearing its ability to infect and destroy.

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This is a comprehensive guide to the golden age of ancient Greece, shown in over 200 colour photographs, diagrams, detailed maps and plans. Featuring detailed accounts of armies, battle campaigns and military strategies from the collapse of the Minoan and Mycenaean civilisations to the astonishing exploits of Alexander the Great a thousand years later. It highlights include detailed chapters on the Persian Wars, the rise and fall of the Athenian Empire and the rule of Sparta, as well as in-depth examinations of key figures such as Pericles of Athens and Dionysius of Syracuse. Opening with the Minoan and Mycenaean Bronze Age cultures, this encyclopedic history tracks the rebirth of Greece after its intervening Dark Age. Witness the birth of world's 'first' individuals and discover the men and women who helped to build and destroy city-states and armies. You can learn how the dynamic interaction of politics, philosophy, history, love and war resulted in a uniquely captivating story of battles, tyrants, soldiers and slaves. Through over 200 vivid photographs, artworks, maps and plans, ancient Greece and her political and military history are brought to life. This is an essential account of the people, places and events that shaped and transformed ancient Greece, leaving a legacy that underlies much of the modern world.

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Timo von Bock's release by the Czar from nine years' incarceration does not spell the end of the Baron's troubles: he is confined to his Livonian estate to live under the constant eye of police informers planted among his own household, and is subjected to endless humiliations. It is claimed that he is a madman and in need of 'protection': a man would need to be insane, after all, to have taken a Czar at his word when asked for a candid appraisal of the state's infirmities.From the year of his release from prison and return to his wife Eeva, a woman of peasant stock to whom, with her brother Jakob, he has given a solid education, the Baron's life is recorded in a secret journal by this same Jakob, a shrewd and observant house-guest.Reconstructing the events leading up to the Baron's incarceration in 1818 and subsequent to his release in 1827, Jakob little by little brings to light mysteries surrounding the 'Czar's madman'. Was his madness genuine? What was the secret understanding between him and his boon companion Czar Alexander I, who committed him to prison?In The Czar's Madman Jaan Kross weaves together the elements of intrigue surrounding those historical characters who survived in post-Napoleonic Russia, and by a skillful shifting of chronology and viewpoints, creates a superbly rich and moving narrative.Winner of France's Best Foreign Book Award.

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SHORTLISTED FOR THE 2020 EDWARD STANFORD 'FICTION WITH A SENSE OF PLACE' AWARDPlaces remember us... 'An important, ambitious, and accomplished novel. Sudbanthad deftly sweeps us up in a tale that paints a twin portrait: of a megacity like those so many of us call home and of a world where sanctuary is increasingly hard to come by' Mohsin HamidA missionary begs to be sent home. A jazz pianist is hired to perform for ghosts. An army colonel smells the food of home for the last time. A girl designs herself a new face. An old woman uploads her consciousness. Bangkok Wakes to Rain is an intricately plotted novel where characters and stories are linked by place, not time. As the novel builds to a futuristic crescendo, moments of intimacy serve to remind us that no matter what the ebb of time may change, we humans persevere.Praise for Bangkok Wakes to Rain:'Compelling' Financial Times'Breathtakingly lovely' Kirkus'A sumptuous accomplishment' Esquire'A simple, ingenious conceit' Alexander Chee'Elegant and restrained' Wall Street Journal'Saturated in the senses' Claire Vaye Watkins'A swirling, always surprising storytelling structure' Guardian'An original and quietly memorable reading experience' Washington Post'Beautifully textured and rich with a sense of place' Karen Walker Thompson'Reading this book feels like waking up to a singular and important new voice' Rajesh Parameswaran

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'A universal love story' Guardian'Beautiful and very funny' Brett Anderson'This book glows in the heart of the reader' Max Porter'This book is such a sneaky head f*ck - an epic poem in an ancient style about the brutalities of modern love, a masculine interrogation of feminine heartbreak, a really beautiful way to spend an evening' Lena DunhamThe second time you came, we went from bar to bar to bar. It made the city feel smaller. Like a map we were folding to the size of a stamp. We were good at that. We could have fit an entire universe inside a matchbox. Love builds up little by little and that's why it makes people reach for words like root and sediment and other words to do with rocks and trees. But what about the dismantling? Does it happen that way too? Because it feels like it is happening much, much faster. And I am reaching for words like landslide and like wave and like storm ...Exquisitely crafted, wildly imaginative and as darkly funny as it is moving, Hourglass is a revolutionary love story. It turns time upside down, combs the intimate wreckage of heartbreak for something universal, and asks what it means to lose what you love.'Hourglass will stay with me for a long time. Hypnotic' Lemn Sissay'Evocative, ecstatic and saturated with off-kilter wit' Alexandra Kleeman

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The celebrated Ron Chernow provides a richly nuanced portrait of the father of America. With a breadth and depth matched by no other one-volume life, he carries the reader through Washington's troubled boyhood, his precocious feats in the French and Indian Wars, his creation of Mount Vernon, his heroic exploits with the Continental Army, his presiding over the Constitutional Convention and his magnificent performance as America's first president.Despite the reverence his name inspires Washington remains a waxwork to many readers, worthy but dull, a laconic man of remarkable self-control. But in this groundbreaking work Chernow revises forever the uninspiring stereotype. He portrays Washington as a strapping, celebrated horseman, elegant dancer and tireless hunter, who guarded his emotional life with intriguing ferocity. Not only did Washington gather around himself the foremost figures of the age, including James Madison, Alexander Hamilton, John Adams, and Thomas Jefferson, he orchestrated their actions to help realise his vision for the new federal government, define the separation of powers, and establish the office of the presidency. Ron Chernow takes us on a page-turning journey through all the formative events of America's founding. This is a magisterial work from one of America's foremost writers and historians.

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Warm, inviting, embracing the indoor-outdoor lifestyle with a touch of the exotic, tropical modern homes are a dream of paradise realized. Contemporary tropical residential architecture has risen from a geographically specific homegrown aesthetic to a source of inspiration for the world’s great modern architects and designers. Set in exotic locales, with pools, lush foliage, colorful gardens, these homes define a way of life. Frequently elegant and uncluttered, the houses serve as models of smart and beautiful design with lots of ideas for homeowners who do not necessarily live in a tropical or subtropical climate, but who wish to have something of that appeal and sensitivity in their own home. This book presents some of the most innovative interpretations of the genre from the past five years by internationally recognized architects and interior decorators, such as Tadao Ando, as well the work of young up-and-comers of great talent, including German-born, Bali-based Alexis Dornier, and Mexico’s Roof Arquitectos. Selected residences span the globe, from the southern United States, the Caribbean, and tropical regions of Latin America, to Southeast Asia, northern Australasia, and Africa. Modern Tropical explores the exotic material, color, cultural, environmental, and aesthetic choices of some of contemporary architecture’s most beautiful residential properties. Each house is introduced with breathtaking interior and exterior photography and orientation plans, giving readers an in-depth glimpse of the rapidly evolving symbiosis between nature and shelter, indoor and outdoor, and rustic and polished, in a definitive examination of tropical modern living.

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An innovative contribution to Scriabin studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, and interaction with contemporary Russian culture. This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer's early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin's part in early twentieth-century Russia's cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin's idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin's writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer's mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic 'tonal function' of Scriabin's late works, as well as self-regulating structures in the composer's music.

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Essays on aspects of iconography as manifested in the material culture of medieval England. Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significantobjects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular World as it intersects with wider global contexts of the period. The chapters cover a wide range of subjects, from the material culture of baptism, to the material, symbolic and iconographic consideration of the artistic outputs of the Insular world, with essays on sculpture, metalwork, glass and manuscripts,to ideas of stone and salvation in both material and textual contexts, to intellectual puzzles and patterns - both material and mathematic - to consideration of the ways in which the conversion to Christianity played out on the landscape. MEG BOULTON is Research Affiliate and Visiting Lecturer in the History of Art Department at the University of York; MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London. Contributors: Elizabeth Alexander, Michael Brennan, Melissa Herman, Mags Mannion, Thomas Pickles, Harry Stirrup, Heidi Stoner, Colleen Thomas, Philippa Turner, Carolyn Twomey,

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Beneath the waters of Abukir Bay, at the edge of the Nile Delta, lie the submerged remains of the ancient Egyptian cities Canopus and Thonis-Heracleion, which sank over 1,000 years ago but were dramatically rediscovered in the 20th century and brought to the surface by marine archaeologists in the 1990s. These pioneering underwater excavations continue today, and have yielded a wealth of ancient artefacts, to be exhibited in Britain for the first time in 2016. Through these spectacular finds, this book tells the story of how two iconic ancient civilizations, Egypt and Greece, interacted in the late first millennium bc. From the foundation of Naukratis and Thonis-Heracleion as trading posts to the conquest of Alexander the Great, through the ensuing centuries of Ptolemaic rule to the ultimate dominance of the Roman Empire on the world stage, Greeks and Egyptians lived alongside one another in these lively cities, sharing their politics, religious ideas, languages, scripts and customs. Greek kings adopted the regalia of the pharaoh; ordinary Greek citizens worshipped in Hellenic sanctuaries next to Egyptian temples; and their ancient gods and mythologies became ever more closely intertwined. This book showcases a spectacular collection of artefacts, coupled with a retelling of the history by world-renowned experts in the subject (including the sites’ long-term excavator), bringing the reader face-to-face with this vibrant ancient society. Accompanies the most sensational exhibition of ancient Egyptian and Greek discoveries to be held in the UK for decades, opening at the British Museum.

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Video games have developed into a rich, growing field at many top universities, but they have rarely been considered from a queer perspective. Immersion in new worlds, video games seem to offer the perfect opportunity to explore the alterity that queer culture longs for, but often sexism and discrimination in gamer culture steal the spotlight. Queer Game Studies provides a welcome corrective, revealing the capacious albeit underappreciated communities that are making, playing, and studying queer games.These in-depth, diverse, and accessible essays use queerness to challenge the ideas that have dominated gaming discussions. Demonstrating the centrality of LGBTQ issues to the gamer world, they establish an alternative lens for examining this increasingly important culture. Queer Game Studies covers important subjects such as the representation of queer bodies, the casual misogyny prevalent in video games, the need for greater diversity in gamer culture, and reading popular games like Bayonetta, Mass Effect, and Metal Gear Solid from a queer perspective. Perfect for both everyday readers and instructors looking to add diversity to their courses, Queer Game Studies is the ideal introduction to the vast and vibrant realm of queer gaming. Contributors: Leigh Alexander; Gregory L. Bagnall, U of Rhode Island; Hanna Brady; Mattie Brice; Derek Burrill, U of California, Riverside; Edmond Y. Chang, U of Oregon; Naomi M. Clark; Katherine Cross, CUNY; Kim d’Amazing, Royal Melbourne Institute of Technology; Aubrey Gabel, U of California, Berkeley; Christopher Goetz, U of Iowa; Jack Halberstam, U of Southern California; Todd Harper, U of Baltimore; Larissa Hjorth, Royal Melbourne Institute of Technology; Chelsea Howe; Jesper Juul, Royal Danish Academy of Fine Arts; merritt kopas; Colleen Macklin, Parsons School of Design; Amanda Phillips, Georgetown U; Gabriela T. Richard, Pennsylvania State U; Toni Rocca; Sarah Schoemann, Georgia Institute of Technology; Kathryn Bond Stockton, U of Utah; Zoya Street, U of Lancaster; Peter Wonica; Robert Yang, Parsons School of Design; Jordan Youngblood, Eastern Connecticut State U.

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Add value to services and increase revenue while giving your clients more of what they need Operational Profitability, Second Edition explains in complete detail how to conduct a management audit that will give clients the essential information they need in today's fiercely competitive marketplace. At the same time, it enables CPA firms and CEOs to expand their range of services, strengthen business relationships, and increase profits. This newly updated and revised Second Edition walks you through all the steps of a management audit and explains: The basic techniques of the management audit, what it involves, how to set it up, and how to establish a clear set of organizational goals How to rethink and rebuild an organization from the bottom up How to use a full range of analytical tools for identifying problem areas throughout the company How to assess the way a firm manages inventory, purchasing, production planning, and operations How to evaluate and reduce operating costs Praise for the First Edition of Operational Profitability... "A great operating manual for general managers and vice presidents . . . A complete how-to program." —William Hoban, CEO, Green Bay Drop Forge, Green Bay, Wisconsin "The most complete profitability program I've seen. The examples and checklists are excellent. It has saved my clients millions." —Chuck Wadowski, CEO, TMQ Consultants, Detroit, Michigan "[An] outstanding reference source for the modern manager; very impressive." —Arnold Bradburd, CEO, Interstate Steel Company, Philadelphia, Pennsylvania "[Operational Profitability] provides valuable data on operational efficiency and additional service opportunity beyond the usual audit . . . [It] provides the basis of helpful recommendations [and] provides much useful reading guidance for the performance of a management audit." —Alexander A. H. Bohtling, CPA, CPA Journal

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Hannah Arendt, Herbert Marcuse, Alexander Solzhenitsyn, and Edward Said each steered major intellectual and political schools of thought in American political discourse after World War II, yet none of them was American, which proved crucial to their ways of arguing and reasoning both in and out of the American context. In an effort to convince their audiences they were American enough, these thinkers deployed deft rhetorical strategies that made their cosmopolitanism feel acceptable, inspiring radical new approaches to longstanding problems in American politics. Speaking like natives, they also exploited their foreignness to entice listeners to embrace alternative modes of thought. Intimate Strangers unpacks this "stranger ethos," a blend of detachment and involvement that manifested in the persona of a prophet for Solzhenitsyn, an impartial observer for Arendt, a mentor for Marcuse, and a victim for Said. Yet despite its many successes, the stranger ethos did alienate many audiences, and critics continue to dismiss these thinkers not for their positions but because of their foreign point of view. This book encourages readers to reject this kind of critical xenophobia, throwing support behind a political discourse that accounts for the ideals of citizens and noncitizens alike.

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The Iranian Expanse explores how kings in Persia and the ancient Iranian world utilized the built and natural environment to form and contest Iranian cultural memory, royal identity, and sacred cosmologies. Investigating over a thousand years of history, from the Achaemenid period to the arrival of Islam, The Iranian Expanse argues that Iranian identities were built and shaped not by royal discourse alone, but by strategic changes to Western Asia’s cities, sanctuaries, palaces, and landscapes. The Iranian Expanse critically examines the construction of a new Iranian royal identity and empire, which subsumed and subordinated all previous traditions, including those of Mesopotamia, Egypt, and Anatolia. It then delves into the startling innovations that emerged after Alexander under the Seleucids, Arsacids, Kushans, Sasanians, and the Perso-Macedonian dynasties of Anatolia and the Caucasus, a previously understudied and misunderstood period. Matthew P. Canepa elucidates the many ruptures and renovations that produced a new royal culture that deeply influenced not only early Islam, but also the wider Persianate world of the Il-Khans, Safavids, Timurids, Ottomans, and Mughals.

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Hannah Arendt, Herbert Marcuse, Alexander Solzhenitsyn, and Edward Said each steered major intellectual and political schools of thought in American political discourse after World War II, yet none of them was American, which proved crucial to their ways of arguing and reasoning both in and out of the American context. In an effort to convince their audiences they were American enough, these thinkers deployed deft rhetorical strategies that made their cosmopolitanism feel acceptable, inspiring radical new approaches to longstanding problems in American politics. Speaking like natives, they also exploited their foreignness to entice listeners to embrace alternative modes of thought. Intimate Strangers unpacks this "stranger ethos," a blend of detachment and involvement that manifested in the persona of a prophet for Solzhenitsyn, an impartial observer for Arendt, a mentor for Marcuse, and a victim for Said. Yet despite its many successes, the stranger ethos did alienate many audiences, and critics continue to dismiss these thinkers not for their positions but because of their foreign point of view. This book encourages readers to reject this kind of critical xenophobia, throwing support behind a political discourse that accounts for the ideals of citizens and noncitizens alike.

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Vulnerability. We see it everywhere. In once permanent institutions. In runaway pandemics. In democracy itself. And most frighteningly, in ecosystems with no sustainable future. Against these large-scale hazards of climate change, what can literature teach us? This is the question Wai Chee Dimock asks in Weak Planet, proposing a way forward, inspired by works that survive through kinship with strangers and with the nonhuman world. Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich’s and Sherman Alexie’s user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm Tóibín, W. B. Yeats, and Gish Jen; and the experimentations afforded by a blurry Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Celebrating literature’s durability as an assisted outcome, Weak Planet gives us new ways to think about our collective future.

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Timothy D. Barnes combines the techniques of critical hagiography and modern historical research to reach important and original results for the history of Christianity in the Roman Empire."Reading any work by Timothy Barnes is an exhilarating experience. His formidable command of both sources and bibliography never clouds his lucid prose or incisive arguments. He seems to inhabit a world of infinite clarity and irrefutable certainty."Glen W. Bowersock in Journal of Ecclesiastical History 62 (2011), pp. 565-567"[…] Barnes has written an indispensable, critical companion to early Christian martyrological and hagiographical literature."Marc Glen Bilby in Religious Studies Review 37/3 (2011), pp. 218-219"[This] book is thus not only a valuable discussion of the issues, but a crucial resource for all students of hagiography."Michael Stuart Williams in Journal of Roman Studies 102 (2012), pp. 406-408"Barnes masters the hagiographic, historical and epigraphical material in an impressive way, showing an encyclopedic knowledge in these fields."Bengt Alexanderson in Augustinianum 51 (2011), pp. 256-266"[This] book deserves recommendation because of its originality, the freshness of its style, and the high level of its scholarship."Pieter W. van der Horst on http://bmcr.brynmawr.edu/2010/2010-08-04.html

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'I have a dream', 'Government of the people, by the people, for the people', 'This was their finest hour', 'Tear down this wall', 'Give me liberty, or give me death', 'Free at last!'. They are the great words of history, inspiring war and peace, outrage and justice, rebellion and freedom.Great Speeches in Minutes presents the key extracts of 200 of the orations that changed the world, from antiquity to the modern day. Each is accompanied by an explanation of the historic context of the speech and its momentous consequences. Includes the speeches of: Buddha, Socrates, Alexander the Great, Cicero, Julius Caesar, Jesus, Augustine of Hippo, Muhammad, Joan of Arc, Martin Luther, Elizabeth I, Oliver Cromwell, George Washington, Thomas Jefferson, Napoleon Bonaparte, Simon Bolivar, Elizabeth Cady Stanton, Abraham Lincoln, Emmeline Pankhurst, Patrick Pearse, Vladimir Lenin, David Lloyd George, Albert Einstein, Mahatma Gandhi, Franklin D Roosevelt, Adolf Hitler, Winston Churchill, John F. Kennedy, Martin Luther King, Malcolm X, Nelson Mandela, Lyndon B Johnson, Muhammad Ali, Mother Teresa, Margaret Thatcher, Mikhail Gorbachev, Václav Havel, Pope John Paul II, George W. Bush, Barack Obama, and many more.

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Vulnerability. We see it everywhere. In once permanent institutions. In runaway pandemics. In democracy itself. And most frighteningly, in ecosystems with no sustainable future. Against these large-scale hazards of climate change, what can literature teach us? This is the question Wai Chee Dimock asks in Weak Planet, proposing a way forward, inspired by works that survive through kinship with strangers and with the nonhuman world. Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich’s and Sherman Alexie’s user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm Tóibín, W. B. Yeats, and Gish Jen; and the experimentations afforded by a blurry Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Celebrating literature’s durability as an assisted outcome, Weak Planet gives us new ways to think about our collective future.

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An analysis of the methods of Solomonic magic from the 7th to the 19th century as found in the Hygromanteia and Key of Solomon. This volume is about the methods of magic used in 7th century Egyptian Alexandria and how they have been passed via the Greek grimoires of Byzantium (the Hygromanteia), to the manuscripts of the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Jewish techniques like the use of pentacles, oil and water skrying were added along the way, but Solomonic magic (despite its name) remained basically a classical Greek form of magic. Amazingly, this transmission has involved very few changes: the 'technology' of magic has remained firmly intact. The emphasis is upon specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, the construction of a circle and lamen (for protection of the magician). The requirements of purity, sexual abstinence, and fasting have changed little in the last 2000 years. The concrete reasons for that are explained. The difference between amulets, talismans and phylacteries or lamens is outlined along with their methods of construction. Examples of magical circles have been taken from many sources and their construction and development traced out. Practical considerations such as choice of incense, the timing of the cutting of the wand, utilisation of rings and statues, use of the Table of Evocation, or the acquisition of a familiar spirit are explained. The structure of a Solomonic evocation puts into perspective the reasons for each step, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding, and the binding, imprisoning and licensing of spirits. The facing directions and timing of evocations have always been crucial, and these too have remained consistent. By examining the way these same methods were used again and again in the various periods, minor omissions in magical practice can be observed and repaired. This book is thus a follow-on from Techniques of Graeco-Egyptian Magic. This volume investigates precise methods used by magicians from the magicians' own handbooks rather than from the opinions of theologians, historians, anthropologists or legislators. The emphasis is on what magicians did and why. Tools used by magicians in 7th century Alexandria, 15th century Constantinople and 19th century London are very much the same. Detailed comparisons are made chapter by chapter with 70 illustrations of magical equipment like the wand, the sword, wax and clay images and magical gems, drawn from a wide range of manuscripts and reproduced with detailed analysis. Literally hundreds of manuscripts in libraries across Europe have been read and checked to ensure this is the most detailed analysis of Solomonic magic, from the inside, ever penned.

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Alexander Ryzhenkov Unfolding the Eco-Wave Why Renewal is Pivotal System dynamics is a method similar to econometrics and mathematical statistics. Normally it is used to provide a rigorous analysis of models in closed systems (a system that is artificially created to simplify certain conditions, so that other conditions can be examined in more detail). Here, however, it is used for the first time to study capital accumulation, and the economic cycles. It is well documented that econometrics and mathematical statistics have their limitations. For the first time Unfolding the Eco-Wave sets out to prove that system dynamics does provide a coherent structure, language, and process for learning about and explaining economic phenomena in a way that is impossible to achieve with mathematical statistics and econometrics. Finance/Investment

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This engaging biography tells the dramatic story of a Russian noblewoman turned revolutionary terrorist. Born in 1852 in the last years of serfdom, Vera Figner came of age as Imperial Russian society was being rocked by the massive upheaval that culminated in the Bolshevik revolution of 1917. At first a champion of populist causes and women's higher education, Figner later became a leader of the terrorist party the People's Will and was an accomplice in the assassination of Tsar Alexander II in 1881. Drawing on extensive archival research and careful reading of Figner's copious memoirs, Lynne Ann Hartnett reveals how Figner survived the Bolshevik revolution and Stalin's Great Purges and died a lionized revolutionary legend as the Nazis bore down on Moscow in 1942.

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In Designing a Polity, James W. Ceaser, one of our leading scholars of American political development, argues for the continuing central role of the Founding within the study of American government. Drawing on essays published over the past 10 years, extensively updated and revised to reflect current politics, Ceaser engages the Founding Fathers, particularly James Madison, emphasizes Alexis de Tocqueville as a model of political inquiry, critiques current and recent theorists such as Richard Rorty and Jacques Derrida, and explores the varieties of contemporary conservative thought. Designing a Polity offers a rich exploration of the core values of political sciences that will be of special interest to scholars and students of American political development, Constitutional thought, and contemporary political thought.

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With essays by Jan Baetens, David A. Beronä, Frank L. Cioffi, N. C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr., Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd Taylor.In our culture, which depends increasingly on images for instruction and recreation, it is important to ask how words and images make meaning when they are combined. Comics, one of the most widely read media of the twentieth century, serves as an ideal for focusing an investigation on the word-and-image question.This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in Le Chat Noir. David A. Beronä, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in The Road Runner are more persuasive than words. N. C. Christopher Couch--writing on The Yellow Kid--and Robert C. Harvey--discussing early New Yorker cartoons--are both interested in the historical development of the partnership between words and images in comics. Frank L. Cioffi traces a disjunctive relationship of opposites in the work of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman.The last four essays explore the integration of words and images. Among five comic book adaptations of Hamlet Marion D. Perret finds one in which words and images form a dialectic. Jan Baetens critiques the semiotically inspired theory of Phillippe Marion. Catherine Khordoc explores speech balloons in Asterix the Gaul. Gene Kannenberg, Jr., demonstrates how the Chicago-based artist Chris Ware blurs the difference between word and image.The Language of Comics, however, is the first collection of critical essays on comics to explore a single issue as it affects a variety of comics.

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A critically introduced and edited collection of new letters and an essay by the philosopher Adam Ferguson Includes 36 new letters and one essay published for the first time and contextualised within Ferguson's oeuvre Helps to fill in large gaps in Ferguson's biography Presents new angles on major areas of study including the East India Company, the Regency Crisis, Scottish reactions to the French Revolution, and contemporary perceptions of Adam Smith's Political Economy, among others Reveals the political influence that the Moderates of the Scottish Enlightenment, such as Ferguson, Hugh Blair (1718-1800), and Alexander Carlyle (1722-1805), attempted to exert on British foreign policy in the late 1790s This volume will publish for the first time thirty-six, until now, unpublished letters, as well as a new essay on the French Revolution, by the moral philosopher, historian and man-of-letters Adam Ferguson (1723-1816). A major figure in the Scottish Enlightenment, Ferguson has been one of the principal beneficiaries of the refocus of scholarly attention beyond the towering figures of David Hume (1711-1776) and Adam Smith (1723-1790) and toward their larger intellectual network. Penned during the last decades of his life, they were all addressed to his close friend Sir John Macpherson. They concern major topics of the day such as Enlightenment, Empire, and the French Revolution, as well as various illuminating details about Ferguson's final decades. They add considerably to our knowledge of the late Scottish Enlightenment. Located in a recent acquisition at the British Library, these previously unnoticed letters add considerably to our knowledge of Ferguson, his ideas - philosophical, historical, and political - and his intellectual milieu from 1784 to 1815. A substantial introductory essay presents the main findings, while critical apparatus will assist specialists and students alike in understanding this key Enlightenment thinker.

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This #1 New York Times bestseller is the perfect gift for the young artist in your life! A never-before-published Dr. Seuss non-fiction book about creating and looking at art! Based on an unrhymed manuscript and sketches discovered in 2013, this book is like a visit to a museum—with a horse as your guide! Explore how different artists have seen horses, and maybe even find a new way of looking at them yourself. Discover full-color photographic art reproductions of pieces by Picasso, George Stubbs, Rosa Bonheur, Alexander Calder, Jacob Lawrence, Deborah Butterfield, Franz Marc, Jackson Pollock, and many others—all of which feature a horse! Young readers will find themselves delightfully transported by the engaging equines as they learn about the creative process and how to see art in new ways. Taking inspiration from Dr. Seuss’s original sketches, acclaimed illustrator Andrew Joyner has created a look that is both subtly Seussian and wholly his own. His whimsical illustrations are combined throughout with “real-life” art. Cameo appearances by classic Dr. Seuss characters (among them the Cat in the Hat, the Grinch, and Horton the Elephant) make Dr. Seuss’s Horse Museum a playful picture book that is totally unique. Ideal for home or classroom use, it encourages critical thinking and makes a great gift for Seuss fans, artists, and horse lovers of all ages. Publisher’s Notes discuss the discovery of the manuscript and sketches, Dr. Seuss’s interest in understanding modern art, the process of creating the book, and information about each of the artists and art reproductions in the book.

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"Wonderful stories and in-depth information you will normally never find in books about trees." - Piet Oudolf, Landscape Designer and creator of the planting design for New York's High Line"Entwining fascinating facts about 100 trees with inspiring stories of their importance to ancient civilizations, trade, religious and pagan beliefs, wellbeing and medicinal uses over the ages, this delightful and well-researched book provokes curiosity on every page." - Dr. Alexandra Wagstaffe, Eden Project LearningThe Story of Trees takes the reader on a visual journey from some of the earliest known tree species on our planet to the latest fruit cultivars.The chosen trees have all had a profound effect on the planet and humankind. Starting with the Ginkgo Biloba, fossils of which date back 270 million years, we learn about how trees came to be integral to the development of our species, and how specific trees have become important religious, political, and cultural symbols.With beautiful illustrations by Thibaud Herem and fascinating botanical facts and figures, this book will appeal to tree lovers from all over the world."Within these pages, we hope to inform and inspire those who already have a love of trees, as well as those who otherwise may have taken them for granted. The Story of Treesis our story, but also that of our ancestors. It is about our relationship with some of the world's most important trees, both on a local scale and globally. With so many trees to choose from, we have endeavored to feature those that have been, and in most cases continue to be, of cultural and practical value to humankind." - From the Introduction of The Story of Trees

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