Search results for ""giles""

Double Exposure is a major new series based on the remarkable photography collection held by the Earl W. and Amanda Stafford Center for African American Media Arts at the Smithsonian National Museum of African American History and Culture (NMAAHC), Washington, D.C.. From daguerreotype portraits taken before the Civil War, to twenty-first century digital prints, Double Exposure is a striking visual record of key historical events, cultural touchstones, and private and communal moments, that helps to illuminate African American life. Volume 3 of Double Exposure highlights NMAAHC's rich collection of photographs of African American women, some of whom are cultural icons. This volume demonstrates the dignity, joy, heartbreak, commitment, and sacrifice of women of all ages and backgrounds, with photographs by Henri Cartier-Bresson, Beverly Conley, Robert Galbraith, Ernest C. Withers, Wayne F. Miller, P.H. Polk, Joe Schwartz, and Milton Williams. Poems by Natasha Trethewey Essay by Kinchasha Homan Conwill AUTHOR: Natasha Trethewey was the United States Poet Laureate 2012?2013, and has written two new poems for this title. Kinshasha Holman Conwill is the deputy director of the Smithsonian National Museum of African American History and Culture.

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This beautifully illustrated volume showcases over 70 exquisite pieces from the Cleveland Museum of Art's internationally important collection of British portrait miniatures which range in date from the 17th to the 19th century. It features the work of leading miniaturists, including Nicholas Hilliard, Isaac Oliver, Samuel Cooper, as well as an extensive collection of miniatures by Richard Cosway, much of it shown here for the first time. Author Cory Korkow includes new research about the artists, sitters and owners of these precious miniatures. Each is accompanied by a detailed catalogue entry including notes on both the work and biographical information on the artist, as well as a dramatic full-page colour plate. Supplementary illustrations show the front and back of the miniatures to scale, which, along with numerous conservation photographs, index of artists allows this stunning collection to be studied in detail for the first time. The volume also includes an index of artists.

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'Louis C. Tiffany and the Art of Devotion' is the first volume to explore the vast assortment of church decorations and memorials produced by Louis C. Tiffany (1848-1933) and the Tiffany Studios. For over 50 years Tiffany oversaw the production and marketing of a multitude of decorative elements for numerous chapels, churches and synagogues, afforded by the late 19th century American boom in religious building. Although an important part of the ecclesiastical business consisted of the vibrantly coloured leaded-glass windows most famously associated with his name, Tiffany was interested in the bigger picture and employed designers, draftsmen, and craftspeople to produce a complete interior design, including mosaics, windows, floors,lighting, furniture, altarpieces, pulpits, candlesticks, headstones and mausolea, vestments and jewellery. This beautifully illustrated volume includes preliminary designs, cartoons, watercolour sketches and archival photographs designs and products, many never published before. In numerous cases these are the only surviving remnants of buildings which have long since been demolished.

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'Masters of French Painting, 1290-1920' presents 138 of the most significant and representative works of art in the Wadsworth Atheneum's internationally recognised collection of French paintings and pastels, ranging from religious subjects, such as Nicolas Poussin's magnificent 'The Crucifixion' (1644-6) and Noel Halle's tender and human 'Holy Family' (1753) to Toulouse- Lautrec's 'Jane Avril Leaving the Moulin Rouge' (1892). As the first public art museum in the US, the Wadsworth Atheneum paved the way for encyclopaedic museums across the country. Founded by Daniel Wadsworth, the Atheneum opened in 1844 with 79 paintings and three sculptures, and today holds more than 50,000 works of art. 'Masters of French Painting, 1290-1920' provides scholars and researchers with an up-to-date resource on French art, and art-lovers with a beautifully illustrated guide to this remarkable collection.

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'Alexis Rockman: A Fable for Tomorrow' traces the artist's career from 'Pond's Edge' (1986) to 'The Reef' (2009), with its timely reminder of the perils of off-shore oil drilling. Superficially easy viewing, Rockman's paintings subvert the optimism of the American dream with their mix of scientific precision and environmental degradation. This vividly illustrated volume highlights the attention to detail and striking use of colour which give Rockman's work an almost cinematic impact that is seldom seen in contemporary art. His compelling mix of intensely coloured realism, scientific detail and strong polemic, result in art that is both a demand for action and an elegy over what has been lost. Author Joanna Marsh worked closely with Rockman on the painting selection and convincingly links the various themes of the artist's work over three decades with the history of America's environmental movement. Highlights include 'Evolution' (1992), his first mural-sized painting, and 'Manifest Destiny' (2003-04), an ambitious large-scale work commissioned by the Brooklyn Museum of Art. Rockman's ability to cross the boundary between fact and fiction appeals to both scientists and art critics.

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Making American Taste: Narrative Art for a New Democracy is a landmark publication focusing on American narrative art from 1825 to 1870. A significant contribution to our understanding of taste and collecting during this period, it reasseses themes including the rural and the domestic, as well as a broad range of historical, literary and religious subject matter. American art at this time was dominated by powerful arguments about what constituted true art: should it be for the many, or the educated few, and should specifically American art forms and styles be favoured over more traditional, academic, European traditions. Making American Taste looks at these issues through the work of both well-known artists, like Benjamin West, Asher B. Durand and Eastman Johnson, and less familiar names such as Daniel Huntington, Henry Peters Gray and Louis Lang.

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'Jews in America' documents the remarkable story of the Jewish presence in the New World, from the time of Columbus to the 1920s, when the Jewish community in the United States was four million strong and an essential part of American society and culture. Drawing on a mix of contemporary books, manuscripts, globes, maps and engravings from the world-renowned collections of the New York Public Library, Jews in America is a vivid document of everyday Jewish-American life, worship, law, and commerce. It tells the fascinating story of the first Jewish immigrants' arrival in the Dutch colony of New Amsterdam in 1654 (later New York City), Jewish interaction with the four colonial powers in the Western Hemisphere (Spain, Portugal, The Netherlands and England), and on the ideas and beliefs that they influenced. The final chapter looks at the evolving cultural role of Jews in late 19th and early 20th century New York, especially the rise of the Yiddish theatre.

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Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (1776–1837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations

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A visually exciting, focused exploration of two of the great masterpieces of early Netherlandish painting. This book celebrates the reunion, for the first time in twenty-four years and only the second time in their history, of two masterpieces of early Netherlandish painting commissioned by the Carthusian monk Jan Vos during his tenure as prior of the Charterhouse of Bruges in the 1440s: the Frick Collection's Virgin and Child with St. Barbara, St. Elizabeth, and Jan Vos (commissioned from Jan van Eyck and completed by his workshop) and the Gemaldegalerie's Virgin and Child with St. Barbara and Jan Vos (painted by Petrus Christus). These works are examined with a selection of objects that place them in the rich Carthusian context for which they were created. Drawing on a recent campaign of technical examination and new archival research, this lavishly illustrated, scholarly volume explores the works' creation, patronage, function, and reception, offering a focused look at devotional and artistic practices in Bruges during the mid-fifteenth century. This is a significant contribution to the body of published knowledge of the role played by images in shaping monastic life and funerary strategies in late medieval Europe. AUTHOR: Emma Capron is the 2016–18 Anne L. Poulet Curatorial Fellow. A doctoral candidate at the Courtauld Institute of Art, her dissertation focuses on the patronage of altarpieces in late medieval Avignon, while her broader research interest covers every aspect of Northern Renaissance art. SELLING POINTS: . Celebrates the reunion, for the first time in twenty-four years and only the second time in their history, of two masterpieces of early Netherlandish painting commisioned by the Carthusian monk Jan Vos . A significant contribution to the body of published knowledge of the role played by images in shaping monastic life and funerary strategies in late medieval Europe . A lavishly illustrated, scholarly volume 85 colour images

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The Medieval World presents some of the most important aspects of medieval art, through nearly 150 objects from one of the richest collections of medieval art in the United States, the Walters Art Museum. It features superb examples of sculpture and carvings, metal and enamel work, stained glass, jewellery and illuminated manuscripts, ranging in date from the Romanesque and early Byzantine period to the late Gothic and early Renaissance period. Divided into thematic chapters, such as the classical tradition and artistic process in the Middle Ages, the concept of space and heaven, saints and relics, and earthly possessions, each of these is generously illustrated with artworks, special feature boxes, details and other comparative images. A wonderfully written and illustrated introduction to the subject of Medieval art and society, The Medieval World also features an extensive checklist, bibliography and index.

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A fresh look at the ground-breaking artistic collaborations of the Ballets Russes, illuminated by a rich trove of visual material including music manuscripts, dance notations, stage and costume designs, and photographs of performers.

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A ground-breaking book devoted to the life and work of Hayward Oubre brings together important examples of Oubre's sculptures, paintings, and prints to explore his career, creative process, and legacy.

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With nearly 400 pages, this entirely new collection handbook presents over 330 works by 265 artists, arranged alphabetically rather than chronologically, and is the premier souvenir publication for museum visitors and art lovers alike. In late 2019 the Albright-Knox Art Gallery broke new ground on the most significant campus expansion and development project in its 160-year history, reopening in 2023 as the Buffalo AKG Art Museum. The Museum's collections span some of the greatest moments in art through the centuries, beginning with its first acquisition, The Marina Piccola, Capri, 1859, by Albert Bierstadt-both the first painting and the first work gifted by an artist to enter the museum's collection. Impressionism and post-Impressionism are well represented with works by leading nineteenth-century European artists such as Edgar Degas, Paul Gauguin, Claude Monet, Pierre-Auguste Renoir, and Vincent van Gogh. Cubism, Surrealism, Constructivism, and other movements from the revolutionary early years of the 20th century come to life through significant works by Georges Braque, Andre Derain, Frida Kahlo, Fernand Leger, Henri Matisse, Joan Miro, Piet Mondrian, Georgia O'Keeffe, Pablo Picasso, and Alexander Rodchenko. AUTHORS: Cathleen Chaffee, PhD Charles Balbach Chief Curator, joined the Buffalo AKG Art Museum in January 2014 and has been chief curator since September 2017. Pam Hatley is head of publications & digital experience, Buffalo AKG Art Museum. Holly E. Hughes is Godin-Spaulding Senior Curator for the Collection at the Buffalo AKG Art Museum. Janne Siren is the Peggy Pierce Elfvin Director of the Buffalo AKG Art Museum, New York. SELLING POINTS: . A different, and fun, way of looking at great art . A celebration of the opening of the new Buffalo AKG Art Museum, one of the world's best collections of modern and contemporary art . A wonderful souvenir for museum visitors and art lovers 355 colour illustrations

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This is the first comprehensive look in English at the Seifu Yohei Ceramic Studio in Kyoto, from the Meiji period (1868 1912) to the mid Showa period (1926 89), the James and Christine Heusinger Collection at the Cleveland Museum of Art as its core material. The principal essay provides a biography of Seifu Yohei III, the star of the studio and the first ceramist to be named an Imperial Household Artist, as well as an overview of the studio that contextualises it in the world of literati painting, sencha (steeped green tea) and international trade. A second essay offers a brief history of porcelain production in Kyoto, as well as a discussion of objects produced by the Seifu studio for sencha. This catalogue of a hundred works examines the wide variety of forms, decorative techniques and glazes that made the studio's works unique. AUTHORS: Shinya Maezaki is a professor at Kyoto Women's University. Sinead Vilbar is curator of Japanese Art at the Cleveland Museum of Art. SELLING POINTS: . Features the Seifu Yohei Ceramic Studio in Kyoto from the Meiji period (1868-1912) to early Showa period (1926-89) . Focuses on the domestic market vs. international market, modernization vs. Westernization, and China as a cultural model . Biographical essay on Seifu Yohei III . Essay on sencha . Great photography of Seifu works displaying a great variety of techniques, glazes, and forms 160 colour illustrations

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Creating Connections features over 70 paintings, sculptures, drawings, and watercolours from the Rosenthal Collection of work by self-taught artists. This richly illustrated publication explores the mysterious connections we have with works of art and examines the journey into the meaning of art for its creators. It looks at the historic approaches to the creations of self-taught artists and the problems inherent in their interpretation. It also considers where we should go to achieve a more equitable and inclusive art history. The Rosenthal Collection comprises a significant and notably varied grouping. Not only does it cover a broad mix of American names including Earl Cunningham, Henry Darger, Thornton Dial, Bill Traylor, Sister Gertrude Morgan, Ralph Fasanella, Martin Ramirez, and Janet Sobel, it also includes non-US artists Carlo Zinelli, Hiroyuki Doi, Adolf Woelfli, Donald Pass, and Nek Chand among others. Jean Dubuffet, the French painter who famously promoted their study, is also featured. An illustrated interview by Julie Aronson with Richard Rosenthal provides special insight into the collector who has brought together this exceptionally diverse array of work. Essays by Olivia Sagan and Charles Russell look at the need for a more nuanced approach to these artists and their work, at the history of its appreciation (including terminology such as "Outsider Art"), and examine the work in the context of autobiography, trauma, connection, and remembering.

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The richly illustrated volume features 33 short essays, each taking a single object as a starting point to unravel complex, interconnected histories. Written by curators, scientists, conservators and other museum staff, this multifaceted work explores issues of the circulation of materials, objects and technology which have long predated the contemporary period. This approach encourages readers to appreciate well known masterpieces as well as lesser known and unpublished works from a new perspective and focus on networks of artistic, cultural and historical connections that shaped their meaning and significance. This publication is a thought-provoking, engaging and accessible volume that will appeal to those with an interest in the arts of Asia, from Turkey to Japan and in all media, as well as those readers with an appreciation for late nineteenth-century American art.

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Zao Wou-Ki (1920–2013) was the first artist of the Chinese diaspora to achieve international recognition and was one of France’s most important painters of the postwar era and beyond. His large abstract canvases were in step with those of New York School artists of the late 1940s and ‘50s and emerged from the growing international impulse for non-objective painting. Zao married western vanguard painting with Chinese traditions of calligraphy and ink drawing and in doing so created a powerful personal aesthetic that was uniquely his own. Drawn largely from European private collections, the works of art in this catalogue have almost never been exhibited before and were deeply personal to Zao. The ceramics consist of two main groups – plates produced in the late 1970s in association with Sèvres, bearing designs created by Zao expressly for this purpose, and later designs from the 2000s painted directly on vases, bowls and plates that were subsequently editioned by Maison Bernardaud in Limoges. Zao worked in watercolour throughout his long life and this catalogue features examples from as early as 1960. But during his last years, the artist rediscovered the medium with newfound enthusiasm and turned increasingly to nature as the source of inspiration. In 2008, he gave up oil painting entirely, and for the next two years, watercolour was his primary form of expression.

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Designed for function, each chair has a story to tell about the history and evolution of American design, art, and craftmanship. At the heart of the catalogue is the presentation of 57 chairs from the DeMell Jacobsen Collection of American Art covered in 49 essays, showcasing the beauty of the chairs and their historical context, as well as important social, economic, political, and cultural influences. Highlights include designs by John Henry Belter, George Hunzinger, Herter Brothers, Stickley Brothers, Frank Lloyd Wright, Charles and Ray Eames, Eero Saarinen, Isamu Noguchi, Roy Lichtenstein, and Frank Gehry, among others. The chairs are arranged across four broadly chronological sections, from the early 1800s to the Civil War; from Reconstruction through the Gilded Age to the dawn of the 20th Century; from Art Nouveau to post-war Modernism; and finally, from the post-war Space Age to the Digital Age and the contemporary focus on space saving and sustainability. Each section opens with a brief introduction to its key themes.

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Exposing the Maya focuses on the works of 19th-century photographers Désiré Charnay, Alice and Augustus Le Plongeon, Teobert Maler, Alfred Maudslay and Adela Breton, all of whom were masters of their craft and travelled extensively to sites in Mexico and Central America. The over 100 selected images in this volume, together with nearly 40 additional contextual images featuring sketches from travel journals, hand-coloured drawings, prints, and maps, are combined with the photographers’ own words found in their published writings, journals and letters to provide insight into their methods, context for their images, and capture the realities of field work in Mesoamerica. Accessible and highly illustrated, Exposing the Maya features rare and important early photographs of the archaeological ruins and remains of the great Mayan and Aztec civilizations of Mesoamerica, from an age that witnessed the evolution of photographic techniques and brought to life the long-faded murals and decoration of these ruins. This is an absorbing story of incredible journeys, the challenging conditions under which these pioneering photographers produced their images, and how they perceived the remnants of these ancient indigenous cultures in modern-day Mexico, Guatemala, and Honduras.

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The DeMell Jacobsen Collection of paintings and sculpture—an assemblage rich in American cultural heritage—parallels the development of art in the United States. American Made features some of the country’s most recognized artists: Thomas Cole, John Kensett, Asher B. Durand and William Trost Richards, while works by Theodore Robinson, Childe Hassam, Willard Leroy Metcalf and William Merritt Chase represent the Grand Tour and concepts gained abroad. Wonderful still lifes appear throughout the collection, including paintings by Severin Roesen, William Harnett and a late work by William Bailey. Portraiture is represented in stellar examples by members of the Peale family, Thomas Sully, Mary Cassatt, John Singer Sargent and Edmund Charles Tarbell. Classically-inspired marble works from Hiram Powers and Randolph Rogers, bronze pieces from Paul Manship and Augustus Saint-Gaudens, and a modern copper and bronze example from Harry Bertoia are highlights of the sculpture collection. Early modernist and interwar works by Marsden Hartley, John Marin, Emil Bisttram, Paul Cadmus and Joseph Stella explore colour, form and abstraction. Highlights of contemporary art include works by Frank Stella, Louise Nevelson and a recently acquired painting by Alexis Rockman. Fully illustrated—with several paintings including profiles of their appropriate period frames—each work of art features an extended entry with full specifications, information on style and stylistic influences, significance and social context.

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Nineteenth-Century French Drawings explores the history of this medium, and chronicles the remarkable part it has played throughout the past decades at the Cleveland Museum of Art. There are works by such iconic artists as Honoré Daumier, Berthe Morisot and Auguste Renoir, a luminous coloured pencil study by symbolist artist Alexandre Séon and a group of “noir” drawings—named for their use of varied black drawing media—by Henri Fantin-Latour, Albert-Charles Lebourg and Adolphe Appian, among others. Entries illuminate the role of drawing within 41 artists’ works and five essays by leading scholars shed new light on the making and collecting of drawings in France during this extraordinary period. In 19th-century France, drawing expanded from a means of artistic training to an independent medium with rich potential for experimentation. A variety of new materials became available to artists, encouraging figures ranging from Jean-Auguste-Dominique Ingres to Paul Cezanne to reconsider drawing’s place within their practice. Public and private exhibition venues increasingly began to display their works, building an audience attracted by the intimacy of drawings and their unique techniques and subjects.

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Erected in 1759 on the Eastern shore of Virginia, the remarkable Eyre Hall is still occupied by descendants of its builder, Littleton Eyre. Since construction, Eyre’s succeeding generations have acquired and preserved a rich variety of objects reflecting the tastes and aspirations of the many different families that lived there. Featuring extensively researched text from 22 contributors, this volume comprises four main sections that examine the historical, sociological, anthropological and architectural significance of the house, from the first generation through to the current owner, Furlong Baldwin. A catalogue raisonné of the material culture of Eyre Hall includes furniture, silver, ceramics, glass, paintings, prints, books, musical instruments, bound sheet music, textiles and miscellaneous objects. This volume also presents two family trees—one of the Eyre family; the other of people who worked at the house in the early 20th century—and four major maps, alongside stunning new colour photography of the building, grounds and catalogue pieces.

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John Leslie Breck (1860-1899) was one of the founders of the American art colony at Giverny and was among the earliest American artists to embrace the Impressionist style. He was also one of the first to exhibit his Impressionist paintings in America and helped to popularize the style during his years working in the Boston area in the 1890s. Between 1887 and 1888 he and a handful of his American colleagues began visiting the French village of Giverny, where they met Claude Monet and subsequently explored the new approach to painting that Monet had helped to pioneer. Breck's canvases from this period, loosely brushed and filled with light and color, are a marked departure from his earlier works that are characterized by darker tonalities and tighter brushwork that typified the preferred style of the era. When Breck returned to America in 1892, he applied what he had learned to paintings of the New England landscape and frequently exhibited his work. Inspired by The Mint Museum's 2016 acquisition of John Leslie Breck's canvas Suzanne Hoschede-Monet Sewing, this volume includes approximately 70 of Breck's finest works, drawn from public and private collections. Along with his scenes of Giverny and America, this volume features a selection of paintings from his sojourn in Venice in 1897. Always interested exploring in new ways of seeing the world, Breck had begun to explore aspects of post-Impressionism and Asian aesthetics in the years before his early death, at the age of 39, in 1899. This volume also features up to 36 additional comparative images, including details, photographs, and paintings by Monet and other leading American impressionists including Willard Metcalf, Theodore Robinson, Lila Cabot Perry, Childe Hassam, and Arthur Wesley Dow, presented throughout the main essays and chronology and appendices.

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he first book to focus on the urban development of Newport, Rhode Island, this is an extensively illustrated, multi-layered view of the city as both an urban entity and a cultural site of national significance. This is a richly illustrated portrait of Newport, Rhode Island as a work of urban art, from colonial times to the present, both documented and celebrated in the maps, paintings, photographs, poetry and prose of renowned artists and writers. As one of the most historically intact cities in North America, Newport has a cultural and architectural heritage of national significance. Each of the city's districts has its own distinct character with street plans and buildings revealing the political, religious, commercial and artistic forces that have shaped Newport through the ages. Stately Colonial squares and bustling wharves, picturesque Victorian villas and scenic drives, opulent Gilded Age palaces for the few and electric streetcars for the many, and preservation movements to honor the past and modernist schemes for a metropolis of the future all tell stories of urban beauty and controversy, of eras of lavish building, urban decay and extraordinary revival. AUTHOR: John R. Tschirch is the Newport Historical Society's architectural historian and visiting curator of Urban History, He is the author of Gods and Girls: Tales of Art, Seduction and Obsession (2019) and A Walking History of Bellevue Avenue, Newport, Rhode Island (Walking History of America) (2013). John is presently an instructor in design history for Rhode Island School of Design CE, which presented him with the 2010 Excellence in Teaching Award, and he is adjunct faculty in art history at Bristol Community College, where his students provide endless inspiration and amusement. He is also the creator and author of a monthly design history blog called John Stories: Confessions of the Globetrekking Architectural Historian, John Tschirch, featuring his photographs and commentary on historic places. 250 colour and b/w illustrations

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Isamu Noguchi's Skyviewing Sculpture was created by invitation for Western Washington University, north of Seattle, in 1969. The 14-foot high sculpture, which sits in the university's central quad, acts as an observatory, encouraging viewers to enter and turn their gaze to the sky. 'Skyviewing' was a leitmotif in Noguchi's art throughout his long career as an artist and landscape architect, from his early work alongside Constantin Brancusi in Paris in 1928 to his death in 1988. Some sculptures act as reflecting telescopes with polished stone that mirror the firmament while others trace the path of the sun with cast shadows or lead the eye up towards the sky. The work at Western invites the viewer in, and guides the eye upwards to observe the sky in all of its variety. Looking Up explores Noguchi's work on the themes of space, and our place in the universe; examines the changing artistic climate during his long career; and places Noguchi in context with a younger generation of artists, including Robert Smithson, Nancy Holt, James Turrell, and Charles Ross. The book includes essays by leading specialists, as well as a plate section and contemporary photos of the creation, transportation and installation of Skyviewing Sculpture .

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A major new study and celebration of the career and legacy of the modernist sculptor, painter, collagist and educator Luise Clayborn Kaish (1925-2013). This is a major new study and celebration of the career and legacy of the modernist sculptor, painter, collagist and educator Luise Clayborn Kaish (1925 – 2013). Kaish was a key figure in the New York art scene of the late 20th century, whose multidisciplinary and process-oriented practice contributed to various artistic discourses at the time. The strength and breadth of her work, her influential role in education, and the prestigious awards she received in recognition of her practice set her apart as an early female leader in the arts. She will be remembered for her immense talent, highly individual point of view, pursuit of the sublime, keen execution, and passion for life, which, despite the tides of changing tastes, will remain forever significant. This volume brings together nearly of her works. Essays covering Kaish's life and career, her artistic practices, her lifelong interest in the spiritual and metaphysical, and her work as an educator are followed by a main plate section, Illustrated Chronology and Exhibition History. AUTHOR: Maura Reilly is a curator and arts writer, based in New York. Gail Levin is an American art historian, biographer, artist, and a Distinguished Professor of Art History, American Studies, Women's Studies, and Liberal Studies at Baruch College and the Graduate Center of the City University of New York. Daniel Belasco is executive director of the Al Held Foundation, New York. 185 colour illustrations

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Disrupting Craft presents the work of Tanya Aguiñiga, Sharif Bey, Dustin Farnsworth, and Stephanie Styjuco, four artists who take innovative approaches to their selected mediums. They share a fascination with themes of identity, and the practise of their art as a means of engaging socially with communities in collective activity. The featured artists work in a remarkable variety of media including earthenware pottery, textiles and weaving, sculptural materials and woven plastic fabrics, and wood, metal and mixed media. Their visual sensibilities range from traditional African beaded culture, to digital media, the products of modern-day capitalist economies in the developing world, to post-industrial rust-belt of the American Midwest. Each is actively engaged in an artistic dialogue within their local and wider community, presenting mementos of bygone cultural eras and making sense of it for the present moment. Disrupting Craft is the second publication, and exhibition, devoted to the work of contemporary American craft practitioners and artists since the Renwick Gallery re-opened in fall 2015, following a major restoration and renovation.

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This fourth volume in a series celebrating the Olympic Games presents stunning photographs from the Winter Games in PyeongChang 2018. Photographers John Huet, David Burnett, Jason Evans and Mine Kasapoglu were granted access to the training zones and accompanied the athletes as they prepared for their events before the arrival of the crowds.

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Explores the influences between Mexican modernist Rufino Tamayo and the American art world at a time of unparalleled cross-cultural exchange. Mexican American artist Rufino Tamayo (1899-1991) is best known for his boldly-coloured, semi-abstracted paintings portraying modern Mexican subjects and combining universal themes with a local sensibility. Tamayo: The New York Years looks in detail at Tamayo and his work in New York, where he lived from the late 1920s to 1949, as well as the response of other artists, like Barnett Newman, and critics such as Clement Greenberg. Tamayo was drawn to New York at a time when the art world was shifting from Europe to New York, and immediately engaged with the new ideas expressed in the modern art that he saw in museums and galleries. Deeply impressed by the art of Pablo Picasso, especially following the MOMA retrospective which opened in 1939, Tamayo became an important figure in the mid-century modern art movement as it shifted to New York and the Americas and away from Europe. Tamayo: The New York Years offers a unique opportunity to trace his artistic development through 60 works dating from 1925 to 1949 - from early woodcuts and bold canvasses, paintings depicting the modern sights of the city, to his dream-like works exploring celestial views of the constellations and heavens. AUTHOR: E. Carmen Ramos is the curator of Latino art at the Smithsonian American Art Museum. SELLING POINTS: . Explores the influences between Mexican modernist Rufino Tamayo and the American art world at a time of unparalleled cross-cultural exchange. . The first volume to focus on Tamyo's work and life during his time in New York City. . Will appeal to art students, historians, biographers, artists, those interested in politics and social history. 110 colour illustrations

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Isamu Noguchi, Archaic/Modern brings together more than eighty works, from six decades, which reveal how the ancient world shaped this inspirational artist s vision for the future. Monolithic basalt sculptures and floating Akari ceiling lights are juxaposed with works that use stone, water, and light to call to mind elemental structures in civilization across time. Noguchi saw himself as equal parts artist and engineer and this volume devotes special attention to his patented designs, such as Radio Nursethe first baby monitor, and also includes his designs for stage sets, playgrounds, and utilitarian articles, many of which are still being produced today. "

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Explores Rembrandt's unique approach to depicting the nature of divine encounter and the complexities of its representation. Rembrandt took an unusual and dramatic approach to biblical subjects, exploring the nature of divine encounter and the complexities of its representation, making use of the viewer's knowledge of the subject whilst finding ways to bring the familiar to life. Discussions about what we see as opposed to what we know were prevalent in the religious, artistic, scientific, and philosophical thinking of the period. It was left to artists to portray divine encounter in pictorial form. This new, scholarly volume brings together 10 works by Rembrandt which portray biblical episodes, examining these works as a group and considering them in context. AUTHOR: Joanna Sheers Seidenstein is the 2015–17 Anne L. Poulet Curatorial Fellow at The Frick Collection, New York. She is a doctoral candidate at New York University's Institute of Fine Arts, where she is writing a dissertation on Rembrandt's treatments of themes from classical antiquity. SELLING POINTS: . Features a rarely exhibited painting by Rembrandt van Rijn alongside other religious works by the artist and his contemporaries . Helps readers understand what Rembrandt's influences and intentions were in the context of the theological and artistic debates of the 17th-century 31 colour images

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Based on the seventh instalment of the biennial Renwick Invitational, this striking volume, presents the work of Steven Young Lee, Kristen Morgin, Jennifer Trask, and Norwood Viviano. The four selected artists work in a remarkable variety of media including porcelain, raw clay, bone, gold, glass, metal, found objects and mineral pigments. Their visual sensibilities draw on sources ranging from traditional Asian pottery to vintage Americana, and from the romance of the Victorian Era to the algorhythmic precision of the computer. Together, they engage a current fascination in American craft with change, transformation, ruin, and reinvention.

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Double Exposure is a dynamic series based on the notable photography collection supporting the Earl W. and Amanda Stafford Center for African American Media Arts at the Smithsonian National Museum of African American History and Culture. This, the fifth volume in the series, presents fifty images of African Americans in uniform, from the Civil War to the War in Iraq. The selection of photographs, which exemplify stories of patriotism, courage, and dignity, are enriched by the unique perspective of Frank Bolden, Jr., Administrator of NASA and Gail Lumet Buckley, author of American Patriots. Photographers include Anthony Barboza, a staff photographer in the U.S. Navy, Henry Clay Anderson who studied photography at Southern University under the G.I. Bill, and Robert Scurlock whose famous photographs of the Tuskegee Airmen still live with us today.

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The Cleveland table fountain, dated c. 1320–40, is the only version of its kind to have survived in its complete form from the Middle Ages. A superb example of French Gothic goldsmithing, it is an exquisite structure and a unique example of courtly taste and princely fashion. In its full working glory, it was designed not for any religious purpose, but purely as an indulgence; the delicate bells would have created a gentle tinkling sound as the perfumed water trickled down into the basin beneath. Acquired by the Cleveland Museum of Art in 1924, the uncertain history of the fountain has added to its charm, and many questions remain worthy of re-examination. Stephen N. Fliegel assesses the fountain in the context of similar luxury objects, discussing its history, use, materials and style. Elina Gertsman elucidates the significance of fountains in the medieval imagination. Once one of many, the Cleveland table fountain is the last of its kind; a fantastic piece of craftsmanship designed to appeal to all the senses. AUTHOR: Stephen N. Fliegel is curator of medieval art at the Cleveland Museum of Art. Elina Gertsman is associate professor, Department of Art History and Art, Case Western Reserve University. SELLING POINTS: . Focuses on one of the most remarkable examples of gothic art to have survived, a unique functioning table decoration. . Will appeal to academics, students, and museum professionals interested in medieval decorative arts, especially goldsmith works and enamels, and automata

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With a wealth of archival images, stadium stories and reminiscences by athletes, supporters and those who worked on the building and organisation, this new volume is a richly illustrated souvenir of the changing design and purpose of Olympic stadia over the past century. It shows how the International Olympic Committee works with Olympic venues to build an Olympic stadium that responds to the needs of the city, looking in particular at iconic stadia built to showcase architectural prowess and attract international attention. A timeline reveals how architecture has changed over the past century, and there are fascinating interviews with those who took part; athletes, architects, and the people who worked behind the scenes. AUTHOR: Tim Abrahams is an architectural journalist, digital editor for Drawing Matter and series editor of Machine Books. Geraint John, RIBA Dip Arch (UCL) CISRM MILAM FRSA is Honorary Life President of the UIA (International Union of Architects) Sports and Leisure Programme and former chief architect at GB Sports Council. Ben McCormick is a magazine and website journalist and editor and head of content at Redhouse Lane.avid Burnett is the co-founder of Contact Press Images in New York, and a former staff photographer for Life magazine. John Huet is a sports photographer, and a director of commercials 94 colour

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'Death on the Nile: Uncovering the Afterlife of Ancient Egypt' reflects the continuing public fascination with Egyptian coffins, mummies and burials. This new volume draws on 100 objects from the Fitzwilliam Museum's Egyptian collection, and deepens our understanding of the lives and concerns of ancient Egyptians as they prepared themselves for death and burial. The book builds on the growing trend in Egyptology to use techniques of scientific analysis and imaging to examine artefacts from Egyptian antiquity. The Fitzwilliam Museum has carried out an extensive project, involving Egyptologists, research scientists and conservators, to investigate every aspect of its impressive collection of coffins and shed new light on their production in the workshops of ancient Egypt. 'Death on the Nile' traces the religious beliefs of the people for whom the coffins were created, and how those beliefs changed over time. Comparisons of contemporaneous coffins likewise reveal how the economic and political structure of the period determined the burial options available to individuals in different social strata. Choices of materials and methods used to create the coffins add to the human story of the daily concerns and aspirations of the customer, and practical realities for the craftsman. AUTHOR: Helen Strudwick is curator of the Egyptian galleries at the Fitzwilliam Museum, Cambridge. SELLING POINTS: . Features 90 objects from the Fitzwilliam's remarkable Egyptian collection, with additional contextual drawings, paintings, diagrams and photographs . A fascinating insight into the daily concerns and aspirations of the customer and practical realities for the craftsman. 200 colour illustrations

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American photographers John Huet and David Burnett were commissioned by the International Olympic Committee (IOC) to create a personal record ofthe Olympic Games in their own way; these new books are the result of that freedom and artistry. They capture the essence and adventure of the Olympic Games through stunning and unconventional photographs.David Burnett is the co-founder of Contact Press Images in New York. He covered the Vietnam War as a staff photographer for "Life "magazine.John Huet is a sports photographer and a director of commercials. His book "Soul of the Game: Images and Voices of Street Basketball "was published to critical acclaim in 1997."

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'Fine Lines: American Drawings' from the Brooklyn Museum is the first survey of the Brooklyn Museum's world-class collection of drawings. It highlights more than 100 masterworks in graphite, charcoal, pen and ink, crayon, and pastel, by some of the most important names in American art from the last three centuries; among the more than 70 artists included are John Singleton Copley, Benjamin West, Winslow Homer, William Merritt Chase, Edward Hopper, Georgia O Keeffe, and Marsden Hartley. Author Karen A. Sherry begins by putting the collection in context within the broader history of the graphic arts in America. A brief historical overview opens each of the following six thematic sections, with an interpretive entry and colour plate for each drawing. A further essay, by Caitlin Jenkins, focuses on how conservation enhances our understanding of works on paper, with the addition of a glossary of terms defining drawing materials and techniques.

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The Great American Hall of Wonders is a vividly illustrated survey of the American ingenuity that energised all aspects of 19th-century society, from the painting of landscapes and scenes of everyday life, to the planning of scientific expeditions and the development of new mechanical devices. It focuses on six iconic objects that inspired the American imagination: the buffalo, the giant sequoia, and Niagara Falls (symbolising vast natural bounty), and the gun, the railroad, and the clock (representing all things mechanical and the purposeful use of time). Each of these served as cultural lightning rods, sparking creativity across a wide swathe of American society. Visions of buffalo herds, railroad trestles, enormous trees, and Winchester rifles engaged not only artists, scientists, and inventors, but also poets, educators, farmers, chaplains, and members of Congress. This new book is a stunning tribute to the pioneering and inventing spirit that symbolizes America.

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Herbert Katzman's lyrical representations of contemporary New York are a stunning tribute to the artist's fascination with the skyline of his adopted city. 'Glorious Sky: Herbert Katzman's New York' highlights a selection of his paintings and drawings produced over half a century, during which he worked largely outside the abstract art movement that dominated the mid-20th century. Included in the 1952 'Fifteen Americans' exhibition at the Museum of Modern Art, Katzman went on to become an influential teacher at New York's School of Visual Arts and continued to work and exhibit until his death in 2004. This vibrant new volume traces his career from his arrival in New York in 1950 through the more abstract "New York School" paintings of the early sixties, to his later work which, with its emphasis on mood and muted colour, shows the influence of Turner, Whistler and the Hudson River School.

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The Hillwood Museum's Russian silver collection is the largest and most comprehensive outside Russia. 'Russian Silver in America' surveys Russian silver production, its changing forms, styles, imagery and techniques over more than 250 years, drawing on the collections of both the Hillwood and other US museums. A beautifully illustrated book which provides a proper cultural, political and historical context in which to view this fascinating collection, it charts the history of Russian silver through the baroque styles of the reigns of Peter and Elizabeth, the move to Rococo and Neoclassicism under Catherine and Paul, revivalist styles under Alexander I and Nicholas I, 19th-century styles up to Faberge and modernist production. Running throughout is the story of how and why so much Russian silver found its way into American collections - much of it sold by the Soviet government in the 1920s and 30s, as having largely been held in church treasuries and private collections, it was considered to be of no artistic value. A dazzling visual history of Russian silver and a vital record of 18th- and 19th-century silver production in Russia, almost none of which remains in the country today. Features over 160 pieces from the Hillwood Museum and other US collections including objects made for the imperial family and growing merchant class.

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"Perspectives on Medieval Art: Learning through Looking" examines medieval culture from a number of different viewpoints to reveal how the art of the Middle Ages can provide a unique insight into the wider issues of medieval politics and culture. The essays also address the teaching of medieval art and architecture as well as examining society's longing for ecclesiastical drama. Contributions from leading theologians and historians variously study life and art in the Middle Ages, why the medieval period matters today and how medieval art speaks to a 21st-century audience. Scholars from different disciplines, including Thomas Cahill and Kathryn Kueny, consider individual works of art simultaneously and examine how medieval art is taught in divinity schools, university and college classrooms and museums.

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The volume and accompanying exhibition discuss the creation of sacred space in the 21st century, examining 28 works by Tobi Kahn including his recent commission for Congregation Emau-El B'ne Jeshrun in Milwaukee. Each work is accompanied by a Meditation by novelist and poet Nessa Rapoport. From large canvasses with biomorphic forms to three-dimensional pieces such as the art nouveau-influenced thrones, Kahn's work has a presence that is immediately striking, and his reputation has grown steadily since his inclusion in the Guggenheim's New Horizons in American Art show in 1985. Much of Kahn's art, especially his landscapes, is ambiguously abstract, inviting the viewer to project onto it their own ideas, feelings and desires. Acting as aids to contemplation, they can be seen as building on the work of Romantic artists who sought to capture the majesty of nature and imbue it with divine resonance.

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A stunning new volume which presents 120 pieces by 50 leading jewellery designers from the 1960s and '70s, including works by John Donald, Arthur King, Andrew Grima and Gilbert Albert. Simply Brilliant presents 120 pieces by 50 leading makers of jewellery in the 1960s and '70s, drawn from the Klosterman collection in Cincinnati. Most, if not all, of the individual makers of this era thought of themselves as artists first, jewellers second, and this magnificent new volume is full of stunning one of a kind pieces which reflect the inventive, ground-breaking attitudes of the era. The book explores the 1961 Goldsmiths Hall exhibition in London and its influence on contemporary jewellery designers such as John Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961 exhibition brought a new direction in jewellery design to the fore, influencing others - including the major jewellery houses such as Cartier, Bulgari, Chopard and Van Cleef and Arpels - paving the way for an international movement in fashion and design. These jewellery designers created unique pieces, often for individual clients, using non-traditional materials and unusual forms. AUTHOR: Cynthia Amneus is chief curator and curator of Fashion Arts and Textiles at Cincinnati Art Museum. 207 colour illustrations

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This is the first in-depth exploration of the art and history of the kimono in Japan, told from the perspective of one of the country's oldest and most prestigious kimono houses still in operation today - the 460-year old House of Chiso. Kimono Couture highlights Chiso's textile and design innovations and unwavering commitment to beauty over the centuries, with over thirteen exquisite kimonos drawn entirely from Chiso's collection, including a specially-commissioned wedding kimono. The authors contextualize and illuminate the importance and continuing role of kimonos in contemporary Japan, and discuss, variously, Chiso's network of artisans and the survival of endangered techniques and textile crafts in the 21st century; the current "culture of kimono" in Japan; Chiso's patronage and collaboration with the famous Kyoto nihonga artist, Kishi Chikudo (1826-1897); and finally an interview with Chiso designer, Mr. IMAI Atsuhiro, on the process of commission, and reflections on Chiso's endeavour for capturing timeless style and fleeting fashion in contemporary times.

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Painted by Agnolo Bronzino (Agnolo di Cosimo) (Italian, 1503–1572) ca. 1550–55, the young aristocrat is Lodovico Capponi (b. 1533), a page at the Medici court. As was his custom, he wears black and white, his family's armorial colors. His right index finger partially conceals the cameo he holds, revealing only the inscription sorte (fate or fortune) — an ingenious allusion to the obscurity of fate. In the mid 1550s Lodovico fell in love with a girl whom Duke Cosimo had intended for one of his cousins. After nearly three years of opposition, Cosimo suddenly relented, but he commanded that their wedding be celebrated within twenty-four hours.

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An exuberant, radical style, Art Nouveau blithely trampled many of the Victorian Age's orthodoxies of art and design. Exploding age-old strictures with its fanciful approach to furniture, graphic arts, jewellery, architecture and more, Art Nouveau also embraced new technologies and incorporated foreign stylistic flourishes. It was also unabashedly luxurious and sensual. The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art brings together approximately 120 of the finest Art Nouveau treasures from the uncommonly rich holdings of the Chrysler Museum of Art, drawing primarily from the gifts of Walter P. and Jean Chrysler, whose homes were once the havens for these opulent treasures. Designing for a range of clients and settings including domestic interiors, innovative artists such as de Feure, Majorelle, and Galle fashioned their eclectic works to play off each other in harmonious visual arrangements, conceiving of Art Nouveau as an enveloping style. This stunningly illustrated comprehensive volume gathers a profusion of Art Nouveau works and accessories-furniture, paintings, sculpture, mosaics, books, posters, prints, lamps, glass, and other stunning objets d'art- all of them originally designed and coordinated to complement each other in elaborate ensembles. AUTHORS: Lloyd DeWitt is chief curator and Irene Leache Curator of European Art, Chrysler Museum of Art. Carolyn S. Needell is Barry Curator of Glass, Chrysler Museum of Art. Gabriel P. Weisberg is a leading scholar on Art Nouveau, and on nineteenth-century French art. SELLING POINTS: . Features over 150 beautiful and finely crafted examples of Art Nouveau furniture, decorative arts, and graphic arts, all highlights from a remarkable collection . Collection is exceptional for its quality and breadth . All the major figures of this pivotal artistic movement that thrived from the 1880sthrough the First World War are well represented including Hector Guimard, Emile Galle, Louis Majorelle, Alphonse Mucha and many others 197 colour illustrations

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