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One of the gems of the Freer/Sackler Gallery is the impressive collection of 19th- and 20th-century photographs of scenes and figures from Asia and the Middle East. This remarkable archive is continually being augmented with still and moving graphics, film and video works by leading modern and contemporary Asian and Middle Eastern artists, photographers and film-makers. Among the many treasures of the collection is a group of 44 extremely rare photo-negative portraits of the Qing Empress Dowager of China, Cixi (1835–1908), taken by Xunling, the son of her senior lady-in-waiting. 'Painting with Light' features photography from the museum's remarkable collections, revealing how the medium has shaped views of Asia from the mid-19th century to the present day. Included are portraits of the famous and the anonymous, urban and rural landscape views, posed studio images and candid shots, and photos documenting research in the field. Each photograph is accompanied by a brief description of its art historical significance or little-known aspects of its history. This is the first volume in a new series of books and apps to be published by GILES in association with the Freer|Sackler Gallery. AUTHOR: David Hogge is head of Archives, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution. Carol Huh is assistant curator of Contemporary Asian Art, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution 200 colour photos

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A new survey of the life, creative spirit, and career of Robert W. Ebendorf, one of America's most important artists in the field of found-object jewellery and metalwork.

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Reveals the astonishing creativity, design innovation, and skill of Amish women from communities across the United States, through 50 premier quilts made between 1880 and 1940.

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Craft Across Continents presents 50 objects in two-parts: the first 22 plates focus on works by Japanese makers; the second section of 21 plates on works by American and European practitioners. Marking the mid-way point of the volume is a special 8-page section, printed on a different uncoated paper stock, featuring large-scale, full-page images, including a portrait of the collectors and views of the glass, ceramics, bamboo and other objects as seen in the domestic setting of the collectors' private home. The wide-ranging and highly personal collection includes masterworks of twenty-first-century Japanese wood-fired ceramics, as well as works in porcelain by Satoshi Kino and Machiko Ogawa. Moreover, an additional 20-plus objects were gifted to the Mint in 2021 including further Japanese ceramics, a fine collection of Japanese bamboo sculptures by several generations of makers-a unique feature of the Collection-as well as an indigo resist-dyed wall hanging by Rowland Ricketts, an artist and farmer based in Bloomington, Indiana, using natural dyes and historical Japanese processes to create contemporary textiles. From Europe and the United States, there are major glass sculptures, a seminal installation by Danish maker Tobias Mohl, a mobile by Polish-trained artist Anna Skibska, and fine examples of cast blown, and lamp-worked glass. One of the most spectacular large glazed ceramic vessels in the collection is by the British maker, Gareth Mason. AUTHORS: Jen Sudul Edwards is chief curator and curator of Contemporary Art at The Mint Museum. Joe Earle is an author and curator. He was chair of the Asia, Oceania, and Africa department at the Museum of Fine Arts, Boston and served as vice president and director for the Japan Society Gallery at Japan Society from 2007-2011. Annie Carlano is senior curator of Craft, Design & Fashion at The Mint Museum. Rebecca Elliot is assistant curator of craft, design, and fashion at The Mint Museum. SELLING POINTS: . A wide-ranging and highly personal collection which through both its contents and its structure underscores the subtle interplay of Asian and Western craft practitioners and makers . Reveals how traditional methods of Japanese wood firing and textile dying inform and inspire contemporary makers in Europe and the USA . Accompanies a unique exhibition, which celebrates Lorne Lassiter and Gary Ferraro's unique collection of international craft acquired over decades, and which they have gifted to the Mint Museum to form a central part of its permanent craft collection . A a special 8-page central section features large-scale, full-page images of selected pieces from, and views of the collection as seen in the domestic setting of the collectors' private home 100 colour illustrations

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Featuring striking full-colour images and new research, this publication from the Hong Kong Palace Museum celebrates some of the most important works of horse art from the Palace Museum and the Louvre Museum. Five essays and forty-five entries highlight objects dating from the Han (206 BCE-220 CE) to Qing (1644-1911) dynasties, and explore the horse in art in a way that is accessible to general readers, encouraging them to think through comparisons with objects from both institutions. Centred on the question of human connection to the horse across time in China and beyond, the catalogue entries are divided into sections that examine the horse in mythology and religion, military culture, and transnational traversals, providing a means for reflecting on fundamental issues of human creativity, ambition, and tradition. This is a beautifully designed and thought-provoking volume that will find a ready market among those with an interest in Chinese art and culture. Published to celebrate the opening of the new Hong Kong Palace Museum in July 2022, Grand Gallop accompanies a major exhibition of the same name that is expected to generate significant media attention.

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The form of this extraordinary bronze lamp, the most elaborate of several produced by Riccio (Andrea Briosco), is based on a Roman sandal, and its surface is covered with intricate reliefs modelled with a goldsmith’s refinement and crisp detail. The subjects evoke the populace of classical art and poetry, including a Nereid and Triton, Pan, harpies and innumerable putti, along with goats, musical instruments, shells, masks and garlands. Inspired by the Roman half-boot, the lamp is designed as a bizarre shoe balanced on a pyramidal base, and, as Ian Wardropper discusses in his essay, it would have provided its owner with much pleasure and intellectual stimulation. Early in its history, the lamp is known to have belonged to a series of distinguished Paduan collectors. Paired with Wardropper’s essay is a beautiful poem by James Fenton.

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Claude Monet’s Vétheuil in Winter (1878-79), painted during the artist’s first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet’s two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this impressionist masterpiece, which is the subject of this ninth volume in the Frick Diptych series. Susan Grace Galassi has written an insightful and engaging essay about Monet’s difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work—Colour experiment no. 109—by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson’s work will be shown at the Frick next to the painting that inspired it.

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The Iconic Jersey: Baseball x Fashion explores the design and aesthetics of the iconic baseball jersey both on and off the sandlot. Featuring over 35 historic and contemporary jerseys and baseball-inspired fashion, this ground-breaking volume also examines wider sociological issues: why do we care so much about sports attire, and what do such clothes mean to us and the wider world? The Iconic Jersey is packed with images: often controversial baseball-inspired fashion— flannel wool fabrics, vibrant technicolour, button-up bib fronts, even ties and collars— drawn from the Baseball Hall of Fame, Cooperstown; the Smithsonian’s National Museum of American History, Washington, D.C.; and the Boston Red Sox; baseball magazines; fashion magazines; and archival photographs, including Terry O’Neill’s famous photos of Elton John at Los Angeles’ Dodger Stadium in 1975 in a Bob Mackie-designed Dodger’s uniform, and Nike’s 2020 designs for the Major Leagues. An essay by Erin R. Corrales-Diaz explores the jersey as an entry point into 170 years of baseball uniforms and examines the relationship between aesthetics and athletics, fashion and function, the collective and the individual, regional and national impulses, and nostalgia and modernity.

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Music is the great equalizer around the world. No matter where it originates or what form it takes, it has had a profound role in shaping the human experience and preserving the history of that experience for centuries. African American music originated out of a heritage shaped by the Transatlantic Slave Trade and forced enslavement. The music born out of this shared identity was a means of survival, a treatise on the struggle for freedom, and an agent of social change, and generated a vast array of musical styles and performance traditions that have defined American music. Musical Crossroads explores how objects can expand our understanding of the ways African American music-making continues to shape and influence society. Five thematic chapters are introduced with an essay by Dwandalyn R. Reece, and accompanied by shorter features written by museum staff. Striking images include Johnny Mathis on stage; Bo Diddley’s Gretsch Guitar; Nina Simone recording "Don't Let Me Be Misunderstood" to name just a few. Featured objects include Radio Raheem’s original boombox used in Spike Lee’s 1989 film, Do the Right Thing; the original Public Enemy logo necklace alongside a story from rapper Chuck D about where the group’s name comes from; and photos of Queen Latifah taken by Hip-hop photographer Al Pereira while she was filming the music video for “Fly Girl”. Numerous illustrated profiles and stories relating to a host of DJs, producers, Black-owned record labels, Black music press, and artists, include magazines like Defender, Blacks Stars, and Vibe; record labels like Vee-Jay, Stax, Motown and Sussex Records; promoters and producers including Berry Gordy Jr, Isaac Hayes, and Ernie Freeman; as well as artists Otis Redding, Nina Simone, Luther Vandross, Little Richard, Bill Withers, Billie Holiday, Whitney Houston, and Janet Jackson, to name a few – they’re all here.

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Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate. Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London. This monograph includes an illustrated chronology, an exhibition checklist and a bibliography

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100 Treasures / 100 Emotions celebrates the inauguration of the Macquarie University History Museum Sydney, NSW, Australia. This entirely new volume focuses on 100 works from a vast collection of 15,000 objects, to highlight the new museum's focus on social history and the human condition beyond the borders of space and time. This story is told through a mixture of short essays and colour plates of 100 selected objects drawn from across five continents and over the course of 5,000 years. These objects - ranging from fragments of an ancient Egyptian Book of the Dead, to a WWI era Turkish Star medal - have been chosen by Museum staff and Macquarie scholars to achieve a representative and rigorously researched survey of human experience and creativity over five millennia. Professor Martin Bommas, edits short essays on each of the 100 selected objects by a broad range of academic authors, complemented by entirely new photography of the objects commissioned from award-winning photographer Effy Alexakis.

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Focuses on a remarkable, over life-size sculpture of Krishna, an incarnation of Vishnu, in one of the earliest sculptural representations known from Cambodia. The sculpture of Krishna lifting Mount Govardhan is one of the highlights of the Cleveland Museum of Art. Dating from c 600 CE, its story, meanings and depictions in the art of India and Southeast Asia are discussed in this new volume with reference to images of the ideal ruler, protector of the realm, and clan hero. The authors delve into several fascinating aspects behind the sculpture. These include locating the sculpture in the context of the other seven monumental sculptures from the same site, how it would have been dramatically installed in a cave sanctuary amid the delta floodplains, and its connections with the nearby royal center of Angkor Borei. Furthermore, the authors relate the compelling life story of the object from the colonial period to the present day, showing how geo-political and social changes affected the process of conservation and reconstruction. AUTHORS: Sonya Rhie Mace is George P. Bickford Curator of Indian and Southeast Asian Art, Cleveland Museum of Art. Bertrand Porte is sculpture conservator, Ecole francaise d'Extreme - Orient in Phnom Penh. 115 colour illustrations

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Aristotle towers over Western philosophy and science as no other single person does. As they have come down to us, Aristotle's works comprise a veritable encyclopedia of philosophy and logic, the physical and natural sciences, ethics and politics. Aristotle's astonishing range and depth made him indisputably the most important intellectual figure in the Western tradition before the modern age. Although he has been studied continuously for more than two-thousand years, his individual works were dispersed, lost, recovered, and very gradually reunited. The physical transmission of the Aristotelian corpus was a long, complicated, uncoordinated process - not one chain of transmission but many. From the Roman Empire, through the mediation of Arab and Jewish scholars, to the western Middle Ages and scholasticism and up to the cusp of modernity in the late 15th century, Aristotle's works were copied and recopied by scribes in Greek, Arabic, Hebrew, and Latin before finally becoming available again in their original Greek. The volume illustrates the ways in which the Aristotelian corpus has been transmitted over time. In particular, it focuses on one crucial, extended moment: the moment when, thanks to the invention of printing, Aristotle's works became widely available in Latin, Greek, and even in vernacular languages in the late 15th and 16th centuries. At that moment, Aristotle's authority comes under increasing scrutiny as the new science and philosophy of early modern Europe chart different courses for the future. However, Aristotle is not only an obstacle to be overcome, he also serves as a bridge to the new age especially in the work of Jesuit philosophers and scientists. One way or the other, Aristotle had to be dealt with. He could not be avoided. The extraordinary books and manuscripts in this volume, selected from the collection of the Martin J. Gross Foundation, demonstrate just how intellectuals of the time received and wrestled with Aristotle. Through commentaries, treatises, lecture courses in schools, and above all in the written marginalia of books, the volume reveals the extent of the age's engagement with Aristotle. Many of these books and manuscripts have never before been studied, so this is an important invitation to reassess the impact and influence of Aristotle at a point in time when much contemporary scholarship chooses to ignore him.

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Drawn from the Mint Museum of Art’s renowned permanent collection of craft and design in all media—ceramic, pottery, wood, metal, glass, fibre, textiles and design—Craft in the Laboratory highlights how contemporary artists use STEM (science, technology, engineering and mathematics) processes and principles when creating their work. Kate Malone’s knowledge of the chemistry of clay bodies and glazes is employed in her production of sculptures such as Mr. and Mrs. Tutti Atomic. Douglas Harling made Vishnu Dreams using the ancient technique of granulation, aided by his understanding of the roles of surface tension, oxygen reduction, and eutectic bonds in fusing gold granules to a surface. Zoltán Bohus carefully planned the layers of glass in Stratofera on paper before creating it, using his knowledge of geometry and the prismatic qualities of glass. The volume includes essays that discuss the technical aspects of materials and processes.

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Marking a crucial turning point in Caravaggio's life and artistic development, the Crucifixion of Saint Andrew exemplifies the artist's famous tenebristic style, developed during his rise to fame in Rome, and simultaneously signals a new, grittier realism in his work. Inspired both by a Spanish patron and by the urban topography of Naples, a city three times the size of Rome in Caravaggio's day, the Crucifixion of Saint Andrew became a mobile portent of Caravaggio's stylistic revolution when the viceroy brought it with him to Valladolid in 1610. Recounting the complex history of this masterwork and its understudied position in Caravaggio's oeuvre, this book reveals the ways in which the Crucifixion of Saint Andrew functioned first as a devotional aid and subsequently as a harbinger of Caravaggism abroad.

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This new volume presents highlights of the Taft Museum of Art's exceptional collection, which spans over 750 years of creative endevour. Donated to the city of Cincinnati in 1927, Charles and Anna Taft's collection features beautiful porcelain from the Ming and Qing dynasties, paintings by masters including Rembrandt, Gainsborough, Goya, Ingres, Corot, Whistler, and Sargent, and decorative objects including crystal, gold, silver, and enamel-work. The 80 works that feature in this volume, chosen from the 740-piece collection, are presented in four sections, coinciding with the museum's major areas of specialization: European painting, European decorative arts, American art, and Chinese art. Each piece is accompanied by an entry detailing its history and that of its artist or maker written by Taft curatorial staff. Lynne D. Ambrosini's essay explores the collecting practice of Charles and Anna Taft. Deborah Emont Scott's foreword provides a history of the Taft bequest and its lasting significance to the city of Cincinnati and its present day inhabitants. AUTHOR: Lynne D. Ambrosini is deputy director and the Sallie Robinson Wadsworth Chief Curator, Taft Museum of Art. Lynne Ambrosini has overseen the collection and exhibitions at the Taft since 2004, having earlier worked at the Minneapolis Institute of Arts and Brooklyn Museum. She earned a PhD in art history from the Institute of Fine Arts, N.Y.U. Her exhibitions for the Taft include: Hiram Powers: Genius in Marble (2007), Brush/Clay/Wood: The Nancy and Ed Rosenthal Collection of Chinese Art (2008), and Daubigny, Monet, Van Gogh: Impressions of Landscape (2016). She has also published many articles and given invited lectures on such artists as J.F. Millet, Gustave Courbet, Edouard Manet, J.A.M. Whistler, Claude Monet, and Auguste Rodin. 101 colour and 5 b/w illustrations

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This is the first-ever scholarly publication devoted to the art of Francesco de Mura (1696–1782), one of the greatest painters of the Golden Age of Naples. De Mura, the favourite of the Bourbon King Charles VII, was the chief painter of decorative cycles to emerge from the studio of Francesco Solimena (1657–1747), the famous Baroque artist. De Mura's refined and elegant compositions, with their exquisite light and colouring, heralded the rococo in Naples, and his later style was a precursor of Neo- Classicism. His ceiling frescoes rivalled those of his celebrated Venetian contemporary, Giambattista Tiepolo (1696–1770). Yet, today, De Mura lacks his proper place in the history of art. Author Arthur Blumenthal argues that this is because nearly a third of De Mura's work was lost during World War II, including, most tragically his crowning achievement, a series of frescos at the abbey of Monte Cassino. It is now time to re-evaluate this once celebrated artist. AUTHOR: Arthur R. Blumenthal is director emeritus of Cornell Fine Arts Museum at Rollins College Nicola Spinosa is director of the Capodimonte Museum Naples and former Superintendent of the National Museums in Naples David Nolta is professor in History of Art at Massachusetts College of Art and Design Maria Grazia Leonetti Rodino is governor of the Pio Monte della Misericordia Loredana Gazzara is governor of the Office Picture Gallery and Historical Archive, Pio Monte della Misericordia. 110 colour illustrations

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The Stephen K. and Janie Woo Scher Collection is considered the world's greatest private collection of portrait medals, rivalling many collections in international museums. This fully illustrated catalogue documenting the Scher Collection is an essential resource for scholars, students, collectors, and curators. Portrait medals were developed during the Italian Renaissance and are central to the history of European portraiture, flourishing as an art form through the nineteenth century and into the twentieth century. Though less familiar to us now than painting and sculpture, these exquisitely crafted objects, typically made from lead, bronze, silver or gold, were produced (sometimes in large numbers) to commemorate individuals, to acknowledge special events, and to disseminate the identity and power of their sitters. The study of the portrait medal has become, through the work of Stephen Scher and others, a burgeoning area of new scholarship. Excellent reproductions of all medals to size, with details of obverse, reverse and full captions, are accompanied by scholarly essays, interesting facts and historical references in this important new volume.

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Gauguin, Van Gogh, Cezanne, Monet, Chagall, Picasso-some of the finest works by the greatest artists of the 20th century were collected by two Swiss art patrons, Rudolf Staechelin (1881–1946) and Karl Im Obersteg (1849–1926). They were successful businessmen, and friends, and inspired by the art of their times, actively purchased works by modernist artists. Published on the occasion of a major international exhibition, 'Gauguin to Picasso: Masterworks from Switzerland' features over 60 celebrated paintings from their collections by 22 world-famous artists. Masterpieces include Paul Gauguin's Nafea faa ipoipo (When will you Marry?) (1892), which was recently sold for US$300 million- the highest price ever paid for an artwork-Vincent van Gogh's Daubigny's Garden (1890), Picasso's double-sided canvas Femme dans la loge / Buveuse d'absinthe (1901) and Marc Chagall's three monumental Rabbi portraits. Other extraordinary paintings by artists of international stature include Swiss masters Ferdinand Hodler and Cunio Amiet, Russian expressionist painter Alexej Jawlensky, and works by Edouard Manet, Pierre-Auguste Renoir, Paul Cezanne, Claude Monet, Amedeo Modigliani, Georges Rouault and Wassily Kandinsky. AUTHOR: Dorothy Kosinski is the director of The Phillips Collection, Washington, DC Hans-Joachim Muller is an art critic at the German paper Die Zeit and the culture editor at Basler Zeitung 174 colour illustrations

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. A single, encompassing view of the rise of landscape art in Britain from the eighteenth to the twenty-first century. . Features masterpieces by renowned artists: JMW Turner, Richard Wilson, Joseph Wright of Derby, John Constable, Thomas Gainsborough, Thomas Jones, Frank Brangwyn, August John, Cedric Morris, Stanley Spencer, Claude Monet, Laura Knight, Alfred Sisley, Edward Lear, Graham Sutherland and John Piper. 'Pastures Green and Dark Satanic Mills' recounts the story of British landscape painting from the Industrial Revolution in the late 18th century to the present day. Examining 88 paintings from the National Museum of Wales, this volume traces the history of the landscape through romanticism, impressionism and modernism right up to the post-industrial imagery of the 21st century. The book presents two major essays: one by Tim Barringer on the tradition of British landscape painting and its position within an increasingly industrialised society, the other by Oliver Fairclough on the significance of the Welsh landscape within the British tradition. Featuring masterpieces by renowned artists – JMW Turner, Richard Wilson, Joseph Wright of Derby, John Constable, Thomas Gainsborough, Thomas Jones, Frank Brangwyn, August John, Cedric Morris, Stanley Spencer, Claude Monet, Laura Knight, Alfred Sisley, Edward Lear, Graham Sutherland and John Piper – this volume offers new insights into the cultural history of Britain. Loosely chronological, and divided into six thematic sections, this new volume demonstrates the strong continuity between the British art of today and that of over 250 years ago: contemporary works, such as conceptual artist Richard Long's photo pieces based on hiking in the Welsh mountains echo the poetics of place as deeply as Richard Wilson's landscapes of the 1740s. AUTHOR: Oliver Fairclough is Keeper of Art, National Museum of Wales. Tim Barringer is Paul Mellon Professor of the History of Art, Yale University. 115 colour

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Lines of Discovery: Four Centuries of American Drawing presents a major new thematic and chronological catalogue survey of the Columbus Museum's most significant holdings of drawings and works on paper, including examples in graphite, charcoal, monotype and pastel. At the heart of the Columbus Museum's collection, and of this volume, is the work of a remarkable individual, Dr. Phillip L. Brewer, who has amassed a truly significant collection of American works on paper – both in terms of its depth and breadth. For the first time this volume presents nearly 200 of these master drawings, 120 of the most important of which are grouped into six chapters, illustrated in full colour, and accompanied by extended catalogue entries written by leading experts. A further 79 works are presented as colour and mono thumbnails interspersed amongst the images of the key works. Included are images by Copley, West and Cole that date from the earliest years of American nationhood; works by Oscar Bluemner, Arthur Dove and Morton Schamberg which herald the advent of modernism; while others by Hans Hoffmann, Yasuo Kuniyoshi, Blanche Lazzell and Rico Lebrun confirm its continued presence through such varied expressions as social realism, surrealism and abstraction. While artists like Milton Avery, Jack Beal, Paul Cadmus, Philip Evergood, Nancy Grossman, and Louise Nevelson explore the strength and beauty of the human form, James Valerio and Andrew Wyeth document the changing faces of the natural world. Together these works, and Lines of Discovery, offer a comprehensive survey of the history of American art. AUTHOR: Stephen C.Wicks is curator of Collections and Exhibitions at the Columbus Museum. Charles T. Butler is director of the Columbus Museum. Theodore E. Stebbins, Jr. is John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston. 155 colour & 80 b/w illustrations

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“It is truly extraordinary to me that so much beauty has sprung from such dark times in Romania, and that is what this book wishes to capture. Art speaks its own language.”—From the Preface Despite Ceaușescu focuses on 91 works, by 13 artists—Horia Bernea, Ştefan Câlţia, Marin Gherasim, Vasile Gorduz, Marcel Guguianu, Sorin Ilfoveanu, Georgeta Năpăruş, Florin Niculiu, Ion Pacea, Corneliu Petrescu, Silvia Radu, Gheorghe Şaru and Icon workshop—drawn from the 900-work Tyler Collection of Romanian Art at the University of Tasmania. The paintings, sculpture, and ceramics were created by artists during the 1970s and 1980s. Fully illustrated throughout in color—with catalogue plates and a checklist—each work of art features an entry with specifications, artist biographical information, stylistic influences, significance and social context, as well as notes. The photographs are by Lee Ewing, sculpture photographer at the National Gallery of Art, Washington DC.

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Determined presents a concise overview of Black history in Virginia from the arrival of the first enslaved Africans in Virginia in 1619 through the groundswell of racial justice protests of 2020. These four centuries encompass slavery and emancipation, segregation and the civil rights movement, the election of the first Black president and the rise of Black Lives Matter. Throughout this complex history, Black people have fought for freedom, justice, and opportunity and against oppression, discrimination, and dehumanization. Their efforts have brought meaningful changes to American society by forcing the nation to define the meaning of its highest ideals of democracy and universal equality. Arranged chronologically, this book explores 400 years of Black history through the stories of key figures and events in Virginia that shaped the fight for Black equity. A few of the individuals featured include John Punch, whose punishment for attempting to escape bondage in 1640 began the codification of a system of slavery that spread throughout the original Thirteen Colonies, and Nat Turner, who shocked the nation with a slave revolt in 1831 that challenged the institution of slavery. John Mitchell, Jr. was a journalist-editor who championed Black pride and civil rights in the Jim Crow era, and Barbara Johns led a student protest that became part of Brown v. Board of Education (1954), the landmark Supreme Court decision dismantling legalized segregation. A new generation of activists like Zyahna Bryant continues the fight for racial equity today. Illustrations of historical artifacts and images bring to life these and other stories of Black determination and resistance. Determined focuses on Virginia, yet it tells an American story. Black people have shaped the nation’s economic, political, and cultural identity, and Virginia has played a formative and central role in national race relations. This book provides a timely reckoning with America’s fraught history with race and systemic racism. It fosters a greater understanding of the legacies of slavery, segregation, and white supremacy to meet the challenges of today and forge a better tomorrow.

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This is a wonderful overview of the remarkable range of dog portraits--there are no human sitters--produced over the last 250 years. It features well-known works such as Rosa Bonheur's Brizo, (one of the best-loved portraits in The Wallace Collection), George Stubbs' Turk, Thomas Gainsborough's portrait of his two dogs Tristram and Fox, Lucian Freud's oil painting of Pluto, his pet whippet, and David Hockney's dachshunds Stanley and Boodgie.Over 50 works, arranged by theme, are drawn from major British collections, including the Royal Collection, the V & A, Tate Britain, the British Museum, and a wealth of regional museums and private collections. In addition memorabilia and souvenirs-bronzes, photos, brooches, and Faberge works, many relating to the British royals, especially Queen Victoria and her children- all evoke the sense of a cabinet of curiosities. This is a must-have for dog lovers.

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An extraordinary book about one of he most comprehensive groupings of ancient Egyptian jewellery. Jewels of the Nile celebrates the very first time that the Worcester Art Museum's internationally important collection of Egyptian jewellery – which has undergone conservation and cleaning – has been shown together. This strikingly illustrated book introduces the reader to the collection of an early 20th century Boston couple with a passion for ancient Egypt. The collectors, Laura and Kingsmill Marrs, were guided in their acquisitions by Howard Carter, the archaeologist who would later achieve world-wide recognition for his discovery of the tomb of Tutankhamun (1922). Under his guidance, the Marrs's purchased an outstanding selection of scarabs, amulets, jewellery and cosmetic-related articles, including rare blue-toned stone vessels. They also acquired a group of Carter's watercolour renditions of important Egyptian sites and royal figures. These artifacts, as well as objects from Worcester's stellar collection of Egyptian antiquities, are included in the publication. AUTHORS: Peter Lacovara is director of the Ancient Egyptian Archaeology and Heritage Fund and former curator at the MFA Boston and Michael C. Carlos Museum. Yvonne Markowitz is the Rita J. Kaplan and Susan B. Kaplan Curator Emerita of Jewellery at the MFA Boston; Paula Artal-Isbrand is the objects conservator who executed the cleaning and conservation treatment. 304 colour illustrations

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This third volume in the Frick Diptych series offers fresh insight into a pair of candelabra that represent the pinnacle of luxury and taste in the years prior to the French Revolution. Vignon tells the fascinating story of these objects that are made of two small white vases with extraordinary gilt-bronze mounts by Pierre Gouthière, the celebrated eighteenth-century French chaser and gilder. Vignon's essay is paired with a text by De Waal in which he examines what it is to make, own, and desire such complex objects

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37 eternal reflections that have flowed through the tides of time to soothe the spirit, presented within a unique framework of rare sixteenth century art and striking contemporary images, a glorious sequel to Love & Wisdom. The eternal reflections in this new volume have flowed through the tides of time to soothe the spirit. This special gift book with gilded edges takes the reader on an uplifting journey with inspirational quotes that are as relevant today as they were centuries ago. Stunning photographs of water, and its beauty in nature, are framed by rare 16th century Illumination manuscript borders to showcase poignant messages of love, joy, grief, resilience, gratitude, enlightenment, and peace. Author Alexandra Villard de Borchgrave's moving introduction, in which she writes of her personal loss, inspires the reader to re-embark on the spiritual journey started in Love & Wisdom. AUTHOR: Alexandra Villard de Borchgrave has built a reputation as a photojournalist, author, poet, and philanthropist. Her photographs have appeared on the covers of internationally renowned publications, such as Newsweek and Paris Match. She is the co-author of Villard: The Life and Times of an American Titan (2001), and the author of Healing Light: Thirty Messages of Love, Hope, and Courage (2005); Heavenly Order: Twenty Five Meditations of Wisdom and Harmony (2008); Beloved Spirit: Pathways to Love, Grace, and Mercy (2011), To Catch A Thought: 50 Reflections for the Heart (2014); and Love and Wisdom: 37 Timeless Reflections. Mrs. de Borchgrave founded the nonprofit organization, the Light of Healing Hope Foundation, in 2010 with the mission of giving books as gifts to hospitals and hospices to bring comfort and healing to those in need. SELLING POINT: . A stunning sequel to Love & Wisdom. Images from sixteenth century art from the Smithsonian's Freer/Sackler Gallery and contemporary photographs from the National Geographic Image Collection. 50 colour illustrations

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This is a first-rate history of photography. As with his previous publication Twentieth Century (2019), author and curator David Acton uses the extraordinary and wide-ranging collection held by the Snite Museum to bring to life 100 photographs which encompass the 19th century. He tracks the history, artistic concepts, and technical advances of photography, from the pioneering work of William Henry Fox Talbot (1800-1877), Alphonse Louis Poitevin (1819-1892), Frederic Flacheron (1813-1883), Roger Fenton (1819-1869), Desire Chanay (1828-1915), Felice Beato (1832-1909), Mathew B. Brady (1822-1896), Julia Margaret Cameron, 1815-1879), William Bell (1830-1910), Louis-Maurice Boutet de Monvel (1850-1913), and Jacob Riis (1849-1914). The volume provides a striking pictorial history, with speciality areas including Mathew Brady's famous photographs of the Civil War and the exploration of the American West by photographers including Eadweard Muybridge and Charles Savage. Acton provides historical context, brief biographies, and a glossary of photographic terms.

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All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations

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A cleverly designedbook about Katsushika Hokusai's TheSazaido of Gohyakurakanji and James McNeill Whistler's Variations in Flesh Colour and Green - TheBalcony, that includes drawing, collage, colouring and press-outactivities.

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The illustrated story of the life and times of architect Richard Morris Hunt, his forty-year career, and his impact on American culture after the Civil War.

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New publication celebrates the dynamic tradition of narrative art among Native nations of the American Great Plains.

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Arthur Szyk (pronounced “Shick”) was born in Łód´z, Poland, in 1894 and died in New Canaan, Connecticut, in 1951. He was considered the greatest miniaturist and painter-illuminator of his era, and the leading political artist in America during World War II. He was internationally recognized and celebrated, and his works of art continue to be exhibited worldwide. This catalogue of institutional holdings of Arthur Szyk’s art was created to provide the best jumping off point for those interested in surveying his originals for the purpose of research, scholarship, and curatorial possibilities. Arthur Szyk Preserved illustrates where Szyk’s work can be found today. Ultimately, this catalogue recognizes and celebrates the public institutions that serve as vital caretakers of Arthur Szyk’s art and legacy. It is hoped that this publication will encourage them to more fully promote public awareness of Szyk’s art and the breadth and beauty of his works in multiple and creative ways.

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Living Histories: Queer Views and Old Masters is an exciting volume featuring the work of four New York based artists, each presenting a single new work in conversation with celebrated paintings in The Frick Collection, with particular emphasis on issues of gender and queer identity typically excluded from narratives of early modern European art. The idea of commissioning four works to display at Frick Madison emerged when four masterpieces by Vermeer, Holbein, and Rembrandt were loaned to exhibitions. Works by Jenna Gribbon, Doron Langberg, Toyin Ojih Odutola and Salman Toor were commissioned to replace them, alongside other works by these artists. This book is the result of the four New York artists' responses to the Frick's collection, and the conversations their work engendered. Written contributions are provided by Jonathan Anderson, Jessica Bell Brown, Christopher Lew, Jason Reynolds, Legacy Russell, and Russell Tovey. SELLING POINTS: . Queer art for the Old Masters . Ties in with a series of ongoing installations of works by contemporary LGBTQ+ artists produced in response to selected works at the Frick . Contributions by artists, writers and curators bring a diverse and rich perspective . Featured artists Jenna Gribbon, Doron Langberg, Toyin Ojih Odutola, and Salman Toor allow us to see long-familiar works in the Frick's collection in new ways . Doron Langberg's Lover is paired with Hans Holbein's Sir Thomas More;; Jenna Gribbon's What Am I Doing Here? I Should Ask You the Same with Holbein's Thomas Cromwell Salman Toor's Museum Boys with Johannes Vermeer's Officer and Laughing Girl and Toyin Ojih Odutola's The Listener with Rembrandt's Self-Portrait 45 colour illustrations

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During the summer of 2020, the space outside the Renwick Gallery-the Smithsonian American Art Museum's dedicated museum for contemporary craft and decorative arts-became home to a new discussion about racial justice on Black Lives Matter Plaza. The curators at the Renwick Gallery felt the need to align themselves with what was going on right outside the Gallery's door, the organizing rationale for understanding the objects presented in this volume, many of which are new acquisitions. The title is taken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects in the main plates section lead the reader from the idea of shelter, through layers of expanding spaces to the vast expanses of the universe. The volume looks at contemporary American craft "in the whirlwind of now" revealing possibilities for contemporary makers to respond to a more empathetic future.

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A major figure in the Arte Povera movement of the late 1960s, the renowned Italian artist Giuseppe Penone is known for his exploration of the relationship between art and the natural world in a body of work that includes sculpture, performance, works on paper, and even garden design. His first works in porcelain, the exquisite disks presented here draw attention to the moment of touch—the convergence of surface and skin—that underpins so much of his work. Published to accompany The Frick Collection, New York’s temporary installation of works by Penone, this new volume comprises eleven porcelain disks that the artist made during his 2013 residency at the Manufacture Nationale de Sèvres, the influential porcelain factory founded in the 18th century. A continuation of his Propagazioni (Propagations) series, begun in 1995, which includes various media, each disk bears the imprint of one of the artist’s fingertips. One of them is in gold, its imprint a variation on the artist’s index finger. Never before presented to the public, the installation of the disks in a gallery adjacent to the Frick’s early Italian paintings on gold grounds and the porcelain room kindles a rich artistic dialogue with both porcelain and gold.

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In the Mind’s Eye opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely colored artists portrayal of the country, presenting a skewed perspective on this nation. While the dynamics of the Revolution in 1959 frame many conversations about Cuba, this volume seeks a longer historical trajectory by focusing on the 19th century—with visual interpretations and commentary by 21st-century artists. American artists William Glackens, Childe Hassam, Winslow Homer, and Willard Metcalf are featured alongside contemporary artists including Juan Carlos Alom, María Magdalena Campos-Pons, and Juana Valdes. Two new interviews with artists Juana Valdes and Carlos Martiel conducted by Donette Francis and Elvia Rosa Castro highlight the importance of contemporary Cuban art.

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This is an entirely new kind of garden book, rather than a homage to contemporary gardens, a survey of historic gardens or a "how-to" manual. Through a careful mix of rich visual imagery and memoir, author Ronald Lee Fleming brings to life the garden he has created at Bellevue House, Newport, and explains his many sources, many of which hold deeply personal memories.

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A beautifully illustrated survey of five centuries of art from the collections of one of America's leading museums, now updated to include new acquisitions since 2007. Featuring highlights from the great collection of the Chrysler Museum of Art, Norfolk, Virginia, this volume includes paintings, sculpture, photography, glass, decorative arts and arts of the ancient world and non-Western cultures. There are paintings by leading American artists, such as Copley, Cole, Bierstadt, Homer, Cassatt and Hopper; Italian Renaissance and Baroque masterpieces by Filippino Lippi and Salvator Rosa; Dutch and Flemish Old Masters, including Peter Paul Rubens; and the work of European painters like Velazquez, Delacroix and Gauguin. The book showcases major collections of decorative art, including Worcester porcelain, Gorham silver, and the internationally important glass collection with works by Tiffany, Galle, Dale Chihuly and Catherine "Cappy" Thompson. Photography also features strongly, with early photographs, including images from the Civil War and iconic photographs from the Civil Rights Movement. AUTHOR: Jefferson C. Harrison is chief curator emeritus, the Chrysler Museum of Art, Norfolk, VA. Brooks Johnson is director of Development, Harmony Investments, Inc. and was formerly curator of photography, the Chrysler Museum of Art. Gary E. Baker is an independent appraiser, antiques and fine art, and was until 2007 curator of Glass, The Chrysler Museum of Art. 222 colour images

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This new volume tells the story of some of the paintings rescued by the the Monuments, Fine Arts and Archives (MFAA) organization, the so-called "Monuments Men." In December 1945, 202 paintings, found in German salt mines 2,100 feet underground, where they had been hidden to escape the allied bombing of Berlin, were brought to the United States "for safe keeping" by the Department of the Army. They were exhibited in 1948 at the National Gallery of Art, Washington DC, before some of them were sent on a whistle-stop tour of 13 US cities, despite furious opposition from museum directors, Gallery staff, the public, government officials, and a resolution from 98 leading art authorities demanding the immediate return of the works to Germany. All the paintings, examples of Flemish, Dutch, German, French, English, and Italian Schools, were from museums in Berlin, and had been found in April 1945, along with 100 tons of Reichsbank gold, by the special team of art historians and experts, seconded in the US army, and charged with locating and restituting works of art looted by the Nazis. This book is the first to consider the paintings themselves; it features 22 artworks that were in the original NGA exhibition, including four paintings on loan from Berlin, augmented by others from Cincinnati Art Museum, National Gallery of Art, Washington, The Getty Museum, Miami University (Oxford, OH), and the Taft Museum.

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