Search results for ""everyman""

Three American sisters leave their chicken farm on Long Island for a holiday in Europe. In France they encounter the charming but penniless Marquis de Maufringneuse, his writer son Jeff, and the marquis’s tough American ex-wife. When they all find themselves together at the exclusive resort of St. Rocque - one of the sisters in search of a husband, the marquis in search of a fortune, the writer in search of love - Wodehousian complications ensue.

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The thought of being cooped up in Blandings Castle with Clarence, the Earl of Emsworth, the perennially youthful Galahad and with the Earl's younger son, Freddie Threepwood, openly appalled Colonel Wedge. It was, he grimly asserted, like being wrecked on a desert island with the Marx Brothers. But the arrival of Tipton Plimsoll at Blandings Castle considerably brightened the Colonel's horizon. For Tip-ton was a rich young American and rich young Americans were, in the Colonel's opinion, quite the most desirable companions for his daughter, Veronica, the dumbest beauty listed in the pages of Debrett. The stage was set for a great romance, or so the Colonel thought, and so it might have been had the knowledge of Freddie's erstwhile engagement to Veronica been withheld from the jealous Tipton, or if Prudence, the Earl's niece, had not been forcibly parted from her unsuitable lover, Bill Lister. On such incidents do great issues depend. However, Uncle Gaily, who combined the ready resource of a confidence trickster with the zeal of a cheerful crusader, intervened with an ingenious scheme to reunite the young lovers. It was a master-plan. How the plot miscarried at the crucial stage and in doing so caused a social and domestic revolution unparalleled in the history of Blandings Castle, is revealed in this most hilarious of chronicles.

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When George, Viscount Uffenham turns the entire family fortune into diamonds and squirrels them away, naturally he forgets where he has hidden the loot and finds himself compelled to let the family seat to stay afloat. So it is that Mrs Cork's health colony comes into being, providing the perfect setting for crime and young love to flower.

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While pursuing the love of his life, American heiress Pauline Stoker, Lord 'Chuffy' Chuffnell borrows the services of Jeeves, the perfect gentleman's gentleman. But when Chuffy finds out that Jeeves's employer, Bertie Wooster, was once engaged to Pauline himself – until the engagement was broken by her tough-egg father, abetted by loony-doctor Sir Roderick Glossop – such fearsome complications ensue that even Jeeves has difficulty securing a happy ending.

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Wodehouse is at his most sparkling in this collection of stories concering members of the Drones Club. Pongo Twistleton and Freddie Widgeon may be small of brain and short of cash but they are always good for ingenious adventures, especially when it comes to falling in love with the wrong girl or cooking up hopeless schemes to make money. They and their contemporaries populate a series of vignettes in which the plot-twists keep you on your toes while the jokes keep on coming.

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Who but P.G. Wodehouse could have extraced high comedy from the most noble and ancient game of golf? And who else could have combined this comedy with a real appreciation of the game, drawn from personal experience? Wodehouse's brilliant but humane brand of humour is perfectly suited to these stories of love, rivalry, revenge and fulfilment on the links. While the oldest member sits inside the clubhouse quoting Marcus Aurelius on patience and wisdom, outside on the green the strongest human passions burn. All human life is here, from Sandy McHoots, the cocky professional, to shy Ramsden Waters, whose only consolation in life is golf. Even golf-haters will not be able to resist stories which perfectly combine physical farce and verbal wit with a gallery of unforgettable characters.

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Chinua Achebe is considered the father of African literature in English, the writer who 'opened the magic casements of African fiction' for an international readership. Following the 50th anniversary of the publication of his ground-breaking Things Fall Apart, Everyman republish Achebe's first and most famous novel alongside No Longer at Ease and Arrow of God, under the collective title The African Trilogy.In Things Fall Apart the individual tragedy of Okonkwo, 'strong man' and tribal elder in the Nigeria of the 1890s is intertwined with the transformation of traditional Igbo society under the impact of Christianity and colonialism. In No Longer at Ease, Okonkwo's grandson, Obi, educated in England, returns to a civil-service job in colonial Lagos, only to clash with the ruling elite to which he now believes he belongs. Arrow of God is set in the 1920s and explores the conflict from the two points of view - often, but not always, opposing - ofEzuelu, an Igbo priest, and Captain Winterbottom, a British district officer. In spare and lucid prose,Achebe tellsa universal tale of personal and moral struggle in a changing world which continues to resonate in Africa today and has captured the imaginations of readers everywhere.

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Everyone knows Pinocchio, the walking, talking wooden puppet carved from a table leg. Pinocchio, an endearing scamp, is always getting himself into trouble. But it isn't the sort of trouble most kids get into. Skiving off school, he is kidnapped by a puppeteer, robbed by a Cat and Fox, and persuaded to visit an earthly paradise where naughty children have perpetual fun - and turn into donkeys. Sold to a circus, then to a man who tries to drown him for his donkey-skin, he miraculously turns back into a puppet and goes in search of his 'father' (whom he must rescue from the belly of a giant dogfish ...). Throughout these manic adventures he is haunted by the ghost of a Talking Cricket he has crushed to death for giving good advice, and watched over by his personal guardian fairy. All the while, Pinocchio dreams of becoming a real boy. Told with wit and humour, his story is also a moral fable about making the right choices, and what it is to be a loving human being.Pinocchio is an astonishing work of fantasy which has been toned down and sentimentalized over the years, not least by the Walt Disney film. Everyman returns to a beautifully illustrated early translation of 1916 which captures the vivid inventiveness of Collodi's original.

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Tacitus was the greatest historian of the Roman empire. Born in about AD 55, he served as administrator and leading senator. This career gave him an intimate view of the empire at its highest levels, experience brought to bear on his writing.His major works are the Annals and the Histories, both of which have come down to us incomplete. Between them, they cover a period of about 80 years, from the death of the first emperor, Augustus, to the death of Domitian in 96AD. In addition, Tacitus also composed two short historical books or essays, the Agricola (about his father-in-law, a distinguished provincial governor) and the Germania, an account of the tribes beyond the Rhine.Tacitus is a brilliant narrator and master stylist who had ample material for his story in the dramatic, violent and often bloody events of the first century. His portraits - especially those of Tiberius, Nero, and Nero's immediate circle - are unforgettable, his scene-setting masterly, his psychological analysis as acute as any novelist. He is also a fierce critic of the decadence and corruption which marked struggles for the imperial succession. As Robin Lane Fox writes in his brilliant introduction, 'Above all Tacitus was supremely wary of the distortions and "spin" of official announcements. He had no illusions about the capacities of presidential, one-man rule.' Napoleon disliked him, not surprisingly.Everyman reprints the classic translation by A.J. Church and W.J. Brodribb, with extensive notes considerably revised and updated by Dr Eleanor Cowan.

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The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers. The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe. Here are Rumi and Rilke on the rose; Herrick and Louise Glück on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Brontë on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock... Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world. Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.

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It is the story of the Galactic Empire, crumbling after twelve thousand years of rule. And it is the particular story of psycho-historian Hari Seldon, the only man who can see the horrors the future has in store: a dark age of ignorance, barbarism and violence that will last for thirty thousand years. Gathering together a band of courageous men and women, Seldon leads them to a hidden location at the edge of the galaxy where he hopes they can preserve human knowledge and wisdom against all who would destroy them. Asimov went on to add numerous sequels and prequels to the trilogy, building up what has become known as the Foundation series, but it is the original three books, first published in the Forties and Fifties, which remain the most powerful, imaginative and breathtaking.

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The Warden is a novel by English author Anthony Trollope published by Longman in 1855. It is the first book in the Chronicles of Barsetshire series, followed by Barchester Towers.Church of England, The Warden is also a subtle exploration of the rights and wrongs of moral crusades and, in its account of Harding's intensely felt personal drama, a moving depiction of the private impact of public affairs.

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Auntie Katusha has just come from the Old Country, bringing poppy seeds to make cakes for a mischievous four-year-old boy named Andrewshek. A little neighbour, Erminka, who wears red boots which are too big for her, joins Andrewshek for a series of adventures with talking animals, including a greedy goose who steals the cakes; a naughty white goat who hides on the roof; and a kitten, a dog and two chickens who are determined to gatecrash the children’s tea party. There is art on every page, featuring cheeky animals, gooseberry tarts, colourful shawls and Russian dolls, and cheerful Auntie Katusha in her kerchiefed and aproned splendour.

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With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize for Literature in 1929. The Magic Mountain takes place in an exclusive tuberculosis sanatorium in the Swiss Alps-a community devoted to sickness that serves as a fictional microcosm for Europe in the days before the First World War. To this hermetic and otherworldly realm comes Hans Castorp, an "ordinary young man" who arrives for a short visit and ends up staying for seven years, during which he succumbs both to the lure of eros and to the intoxication of ideas.

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With the style and eloquent language that earned him the Nobel prize for literature, Marquez weaves a stunning story of glory and despair. Both real history and Marquez' imagination let us enter the world of Simon Bolivar, Liberator of South America, in all his humanity - good and evil. Bolivar drove the Spanish out of South America, dealt with treachery from his own compatriots. Once hailed as a hero, he is now scorned and reviled, and fighting his own demons, he refuses to die quietly. We are given a glimpse of the genius and foibles of the man behind the legend, as we accompany him on his last journey, accompanied only by the loyal remants of his once great army.

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Generally agreed to be the greatest novel of the twentieth century – and possibly any other – Proust’s masterpiece is here presented in the latest revision to the classic Scott Moncrieff translation. On the surface a traditional Bildungsroman describing the narrator’s journey of self-discovery, this huge and complex book is also a panoramic and richly comic portrait of France in the author’s lifetime, and a profound meditation on the nature of art, love, time, memory and death. But for most readers it is the characters of the novel who loom the largest: Swann and Odette, Monsieur de Charlus, Morel, the Duchesse de Guermantes, Françoise, Saint-Loup and so many others – Giants, as the author calls them, immersed in Time.

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The modern Italian classic discovered and championed by James Joyce, ZENO'S CONSCIENCE is a marvel of psychological insight, published here in a fine new translation by William Weaver - the first in more than seventy years.Italo Svevo's masterpiece tells the story of a hapless, doubting, guilt-ridden man paralyzed by fits of ecstasy and despair and tickled by his own cleverness. His doctor advises him, as a form of therapy, to write his memoirs; in doing so, Zeno reconstructs and ultimately reshapes the events of his life into a palatable reality for himself - a reality, however, founded on compromise, delusion, and rationalization.With cigarette in hand, Zeno sets out in search of health and happiness, hoping along the way to free himself from countless vices, not least of which is his accursed "last cigarette!" (Zeno's famously ineffectual refrain is inevitably followed by a lapse in resolve.) His amorous wanderings win him the shrill affections of an aspiring coloratura, and his confidence in his financial savoir-faire involves him in a hopeless speculative enterprise. Meanwhile, his trusting wife reliably awaits his return at appointed mealtimes. Zeno's adventures rise to antic heights in this pioneering psychoanalytic novel, as his restlessly self-preserving commentary inevitably embroiders the truth. Absorbing and devilishly entertaining, ZENO'S CONSCIENCE is at once a comedy of errors, a sly testimonial to he joys of procrastination, and a surpassingly lucid vision of human nature by one of the most important Italian literary figures of the twentieth century.

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THE RADETSKY MARCH is subtle and touching study of family life at the end of the Austro-Hungarian Empire. Writing in the traditional form of the family saga, Roth nevertheless manages to bring to his story a completely individual manner which gives at the same time the detailed and intimate portrait of a life and the wider panorama of a failing dynasty. Not yet well known in English-speaking countries, Joseph Roth is one of the most distinguished Austrian writers of our century, worthy to be bracketed with Musil and Kraus.

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This brilliantly coloured tale of the French Revolution is an historical romance set in Paris and London. Famous for the character of Sidney Carton who sacrifices himself upon the guillotine' it is a far, far better thing I do than I have ever done '- the novel is also a powerful study of crowd psychology and the dark emotions aroused by the Revolution, illuminated by Dickens' lively comedy

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This is the prose masterpiece of the Heian era of the 10th and 11th centuries, which is recognized as a great period in Japanese literature. It is an account of the intricate, exquisite, highly ordered court culture which made such a masterpiece possible.

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Hailed as the greatest Japanese novel of the Twentieth century, THE MAKIOKA SISTERS is a subtle tale of domestic oppression worthy of Balzac or Chekhov, In this saga of the once prosperous but now declining Makioka family struggling to marry off one of their daughters, Tanizaki presents the picture of a family and a society striving to preserve their self-respect as they come to terms with disturbing new ways in a classic confrontation of innovasion and tradition. A wonderful portrait of Japanese life in the first half of the twentieth century.

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A complete and annotated edition of Shakespeare's non-dramatic verse, including the sonnets, "Venus and Adonis" and "The Rape of Lucrece".

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A biting satire on dictatorship written during the Second World War and published in 1945, ANIMAL FARM is perhaps the most celebrated twentieth-century English satire after the same writer's NINETEEN EIGHTY-FOUR. One of the very few writers to be compared in power, artistry and moral authority with Jonathan Swift, the purity of Orwell's spare prose and the logic of his dark comedy emphasize the stark message of man's inhumanity to man and beast's to beast

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Edgar Allan Poe's gift for the macabre influenced Baudelaire and French symbolism, Freudian analysis, the detective novel and the Hollywood film. His psychologically profound stories, which comprise this book, represent the darker side of the 19th-century American sensibility.

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The Aeneid is a journey of Aeneas, a survivor of the siege of Troy. The themes within this classic work include piety, respect, destiny, war and peace. The city of Rome and its empire, its formation, and its history is a central character among others - including Dido, Venus, Juno the queen of heaven, Helen of Sparta , Jupiter and a host of other gods. This epic tale takes the hero through battles on the field and in the mind to the underworld and back and finally arriving at his destiny in Rome.

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In these three sea stories, based on his own experience, Conrad invests his portraits of mundane steamers and their crews with epic qualities of fortitude and courage in the face of overwhelming natural odds. At the same time, he probes the psychological condition of men together and under pressure with the greatest delicacy, raising the adventure story to the level of high art. The supreme poet of the sailor's life, Conrad here establishes his reputation as a master storyteller.

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Dip into this inspired assortment of concise masterpieces, and draw out - a fragment of Sappho from ancient Greece, a perfect haiku from Japan; a brief nature poem by John Clare, Robert Frost, Ted Hughes or Boris Pasternak; a compact love poem by Alexander Pushkin or Anne Bradstreet, Robert Herrick or Carol Ann Duffy; a miniature story by Hardy, Rumi or Roethke; a pithy meditation by Wang Wei, Emily Dickinson, Tennyson or Lorca. Dip again, and discover the compressed wit of Dorothy Parker and Ogden Nash; contemporary poets Simon Armitage and Moniza Alvi at their most succinct; short poems in very odd shapes from Apollinaire and Vaclav Havel ... So few lines, so much variety: epitaphs and epigrams; couplets and quatrains; lyrics, limericks and lullabies - go on, dip again.

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The feline has inspired poetic adoration since the days of the pharaohs, and the poems collected here cover an astonishing range of periods, cultures, and styles. Poets across the continents and centuries have described the feline family-from kittens to old toms, pussycats to panthers-doing what they do best: sleeping, prowling, prancing, purring, sleeping some more, and gazing disdainfully at lesser beings like ourselves. Here are Yeats's Minnaloushe, Christopher Smart's Jeoffry, Lewis Carroll's Cheshire Cat, T. S. Eliot's Rum Tum Tugger, William Blake's tyger and Rilke's panther. Here are tributes from Sufi mystics, medieval Chinese poets, and haiku masters of imperial Japan, from Chaucer, Shelley, Borges, Neruda, Dickinson, and Shakespeare. Here are the cats of Mother Goose, and the one who wore the hat for Dr. Seuss.The Great Cat will delight cat lovers everywhere, celebrating as it does the beauty, the mystery, the gravity, the grace, and, of course, the unassailable superiority of the cat.

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In two remarkable historical novels, Mary Renault fashions from the myth of Theseus a convincingly flawed hero and weaves a thrillingly plausible account of the Labyrinth and the infamous Minotaur. The King Must Die follows the young Theseus as he discovers that his true father is the King of Athens, and volunteers to join the annual tribute of Athenian girls and youths sacrificed to a bull-worshipping cult on the island of Crete. Trapped in the labyrinthine palace of King Minos, Theseus enlists the help of high priestess Ariadne in a daring plan to free his people. The Bull From the Sea begins after Theseus's triumphal return to Athens. He is now king, but his confidence will be shaken by a life-changing encounter with the queen of the Amazons, the birth of a son who will insist on choosing his own path, and the tragic results of his wife's treachery. Renault's deep knowledge of the Greek world, her sure grasp of psychology and genius for inspired speculation bring the distant world of the legendary past enthrallingly to life.

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Sir Buckstone Abbot owns what is possibly the ugliest stately home in England, and he is naturally eager to dispose of it to an American heiress, Princess Dwornitzchek. But the sale is complicated by the Princess's engagement to Adrian Peake, who is being pursued by Sir Buckstone's daughter, Jane, who is loved by Joe Vanringham. In the end, almost everyone gets what they want, even Prudence Whittaker, Sir Buckstone's awfully well-spoken secretary.

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A brilliant and much admired novelist, Elizabeth Bowen (1899–1973) surpassed herself as a writer of short fiction: 'the supreme genius of her time', writes John Banville in his introduction; 'There is not a story in this substantial volume ... that is not brought off beautifully.' A substantial volume indeed, Including 79 stories written over four decades, ranging in setting from the County Cork of the author's Anglo-Irish childhood to bomb-ravaged London where she coolly sat out the War, evoked with vivid and impeccable artistry. She has a disturbing sense of the uncanny, an acute eye for social comedy and her often emotionally secretive characters are depicted with penetrating psychological insight. She is good at houses, ghosts, children, animals ... 900 pages of sheer delight

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In Wodehouse’s final novel, unfinished at his death, the author returns to his favourite part of England for one last time. In a classic plot, Vicky Underwood is parted from her fiancé, Jeff Bennison, which means that her uncle, Galahad Threepwood, has to engineer a complicated plot to bring them back together. Many old friends reappear to take their last bow: the Earl of Emsworth, Dame Daphne Winkworth, Beach the butler, the Empress of Blandings (Lord Emsworth’s prize pig), Freddie Threepwood (his son), G. Ovens, innkeeper, and an array of the earl’s formidable sisters. There may be trouble in the air, but at Blandings Castle it is always summer, always quiet and sunlit - and the powers of darkness are always ultimately defeated. Just how that defeat would have been brought about, had Wodehouse completed his story, is shown in the copious notes he made for it. These are included in this volume, together with commentary by Richard Usborne, Tony Ring and Norman Murphy.

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This is the first of the Blandings Castle novels, introducing Lord Emsworth, his family, his secretary - the Efficient Baxter - and the mandatory Wodehouse cast of butlers, aunts, younger sons, detectives, lovers and imposters. Take the 4.15 from Paddington Station to Shropshire and arrive in heaven.

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D H Lawrence (Author) D. H. (David Herbert) Lawrence (1885-1930), novelist, poet and travel writer, was born in Nottinghamshire, the son of a miner. He won a scholarship to study at Nottingham High School and later attended University College, Nottingham. He then worked as a schoolteacher, moving to London in 1908. His first novel, The White Peacock, was published in 1910; Sons and Lovers, the first of his masterpieces, inspired by his own youth and relationship with his mother, followed in 1913. By this time he had eloped to the continent with Frieda Weekley (née Von Richthofen), a German aristocrat, with whom for 18 years he enjoyed a famously tempestuous partnership. They lived in Germany and later Italy, returning to Britain just before the outbreak of World War I, when, Frieda having obtained a divorce, they were able to marry. The difficult war years were spent in Cornwall where the locals suspected them of spying. Two further masterpieces, The Rainbo

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Famed as a wit and bon viveur, Oscar Wilde lived up to his reputation. This selection of plays, poems and prose writings, introduced by Terry Eagleton, includes "The Importance of Being Earnest", "Lady Windermere's Fan", "The Picture of Dorian Gray", "The Critic as an Artist", Apologia", "The Soul of a Man Under Socialism", "Letter to Robert Ross", "Requiescat" and "The Ballad of Reading Goal". Terry Eagleton is the author of "Criticism and Ideology", "Marxism and Literary Criticsm" and "Literary Theory: An Introduction".

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Just two years after the extraordinarily successful publication of LITTLE WOMEN and GOOD WIVES, Louisa Alcott's brother-in-law died, leaving two sons. She immediately decided to write a sequel to provide for her sister and nephews, and LITTLE MEN, published in 1871, became a tribute to her father's theories of education. The story is set in Plumfield, a school run by Jo and her German husband, Professor Bhaer, and they follow the precepts of Grandpa March in cultivating the little mind - 'not tasking it with long hard lessons, parrot-learned, but helping it to unfold as naturally and beautifully as sun and dew help roses bloom'. The different ways in which the children, good and bad, respond to this kind of nurturing make up the episodes of the novel which instantly proved as popular as its predecessors, selling 42, 000 in the first year after its publication.

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The five original fairy tales included in this volume were first published by Davis Nutt in 1888. Although it is said that Wilde wrote them for his two young sons, the author himself claimed they were '. . . . not for children, but for childlike people from eighteen to eighty'. Since then the stories have been constantly reprinted and, despite the author's disclaimer, children have made the tales their own, a particular favourite being 'The Selfish Giant' - the highly moral story of the giant who banished children from his garden, so that spring never came. Charles Robinson, who produced the illustrations for a special edition first published in 1913, brought to the book a feeliong for its innate sadness that exactly fits the poetry of Wilde's text.

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Master storyteller Roald Dahl is by far the most popular children's writer of the late twentieth century, and The BFG (the Big Friendly Giant), recently adapted for the stage with great success, is set to become a claasic of its period (it was first published in 1982) This story of a vegetarian giant who disapproves of eating children has all the Dahl ingredients of humour, irreverence and verve that have made readers of countless youngsters. The humour is perfectly matched by Quentin Blake's irresistible drawing.

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Although E. Nesbit regarded her poetry as her most important work, it is her children's books (written 'to keep the house going') that ensured her lasting fame and which are still enjoyed with such affection today. Her readers have their oen favourites, but the film version of THE RAILWAY CHILDREN, with Jenny Agutter as Roberta, the eldest daughter of the man unjustly sent to prison, and the Bernard Cribbins as the friendly railway porter, brought the book to a new generation of readers who love it for Roberta's courage and the satisfaction of the ending when her father is vindicated and restored to his family. The film is regularly shown on British Television.

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Described on the title-page of the first edition as 'the autobiography of her horse, translated from the original equine', BLACK BEAUTY was Anna Sewell's only book, written when she fatally ill but determined to record her passopnate indignation at the insensitive behaviour of people towards animals. It has been loved by children ever since its first publication in 1877, just a few months before the death of its author, whose declared aim had been to 'induce kindness, sympathy and an understanding treatment of horses'. The illustrations by Lucy Kemp-Welch first apperared in 1915.

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Written over a period of more than half a century, Tolstoy’s enchanting short stories and novellas reflect every aspect of his developing art and outlook. Volume 2 reveals how these spiritual intimations flowered into a series of extraordinary late masterpieces which equal anything in the earlier novels for intensity and power. Readers of The Death of Ivan Ilych, The Kreutzer Sonata, Father Sergius, Master and Man and Hadji Murad will recognize the brilliant younger novelist, now transfigured by his passionate quest for salvation and forgiveness.

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Dumas' most popular novel, The Three Musketeers, has long been a favourite with children, and its heroes are well-known from many a film and TV adaption. Set in France in the seventeenth century, it follows the fortunes of D'Artagnan, a poor Gascon gentleman, who arrives in Paris to join the Kings Musketeers and is befriended by three of them, Athos, Portos and Aramis, with whom he embarks upon a career of adventure and romance. Dumas is a brilliant story-teller: inexhaustively inventive, a master of dialogue and with a fine sense of drama and of historical period, he seizes the readers attention on the first page and holds it to the last. Everyman's Library Children's Classics reprints the first, and the best, English translation, by William Barrow.

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Who is killing monks in a great medieval abbey famed for its library - and why? Brother William of Baskerville is sent to find out, taking with him the assistant who later tells the tale of his investigations. Eco's celebrated story combines elements of detective fiction, metaphysical thriller, post-modernist puzzle and historical novel in one of the few twentieth-century books which can be described as genuinely unique.The Name of the Rose was made into a film in 1986, starring Sean Connery and Christian Slater and directed by Jean-Jacques Annaud.

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We begin - at the turn of the century, in an unnamed South American country - in the childhood home of the woman who will be the mother and grandmother of the clan, Clara del Valle. A warm-hearted, hypersensitive girl, Clara has distinguished herself from an early age with her telepathic abilities - she can read fortunes, make objects move as if they had lives of their own, and predict the future. Following the mysterious death of her sister, the fabled Rosa the Beautiful, Clara has been mute for nine years, resisting all attempts to make her speak. When she breaks her silence, it is to announce that she will be married soon.Her husband-to-be is Esteban Trueba, a stern, willful man, given to fits of rage and haunted by a profound loneliness. At the age of thirty-five, he has returned to the capital from his country estate to visit his dying mother and to find a wife. (He was Rosa's fiancé, and her death has marked him as deeply as it has Clara.) This is the man Clara has foreseen - has summoned - to be her husband; Esteban, in turn, will conceive a passion for Clara that will last the rest of his long and rancorous life.We go with this couple as they move into the extravagant house he builds for her, a structure that everyone calls "the big house on the corner," which is soon populated with Clara's spiritualist friends, the artists she sponsors, the charity cases she takes an interest in, with Esteban's political cronies, and, above all, with the Trueba children: Blanca, a practical, self-effacing girl who will, to the fury of her father, form a lifelong liaison with the son of his foreman, and the twins, Jaime and Nicolás, the former a solitary, taciturn boy who becomes a doctor to the poor and unfortunate; the latter a playboy, a dabbler in Eastern religions and mystical disciplines and, in the third generation, the child Alba, Blanca's daughter (the family does not recognize the real father for years, so great is Esteban's anger), a child who is fondled and indulged and instructed by them all.For all their good fortune, their natural (and supernatural) talents, and their powerful attachments to one another, the inhabitants of "the big house on the corner" are not immune to the larger forces of the world. And, as the twentieth century beats on, as Esteban becomes more strident in his opposition to Communism, as Jaime becomes the friend and confidant of the Socialist leader known as the Candidate, as Alba falls in love with a student radical, the Truebas become actors - and victims - in a tragic series of events that gives The House of the Spirits a deeper resonance and meaning.

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It is hard to imagine how radically the tender songs and simple stories in this collection changed the history of English poetry, but Wordsworth exerted a profound influence on the whole of nineteeth-century culture in Britain and America. His literary revolution was founded on three principles: introspection, nature worship and the cult of ordinary experience. These three he blended together in a verse which is simple in manner but profound and deeply moving in content. In an age of revolutionary upheaval, industrial stress and religious doubt, Wordsworth rediscovered spiritual value in the individual’s encounter with nature. In our own age of ecological disaster and moral uncertainty, his achievement speaks to us more urgently than ever. From the poet’s extensive output, this comprehensive selection includes everything non-specialist readers are likely to need.

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Naguib Mahfouz’s magnificent epic trilogy of colonial Egypt appears here in one volume for the first time. The Nobel Prize-winning writer’s masterwork is the engrossing story of a Muslim family in Cairo during Britain’s occupation of Egypt in the early decades of the twentieth century. The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence.Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons – the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad’s rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s.Sugar Street brings Mahfouz’s vivid tapestry of an evolving Egypt to a dramatic climax as the ageing patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician. Throughout the trilogy, the family’s trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humour and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller.

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The single most important book in the history of all Christian literature is presented here in the Authorized Version which has exerted such a profound influence on both spiritual life and the literary production of English-speaking cultures. The King James Bible was originally issued in the early years of the seventeenth century and is therefore contemporary with Shakespeare's last plays. Despite many subsequent attempts to render the text in good English, its beauty of language and rhetorical power still continue to eclipse any more recent translation. Most editions of the Bible are presented in columns. This text is laid out like a normal book to make for ease of reading and reference.

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Published in 1851, Harriet Beecher-Stowe's novel rapidly became world-famous and remained so. A didactic and sentimental drama set among the slaves of the American South, Uncle Tom's Cabin is nevertheless a lively and forceful story. It made a major contribution to the Emancipationist cause and probably helped to sway the outcome of the Civil War. Given the history of race relations in our time it remains relevant even today.

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