Search results for ""everyman""

The only complete collection of shorter fiction by the undisputed master of detective literature, assembled here for the first time in one volume, includes stories unavailable for decades. When Raymond Chandler turned to writing at the age of forty-five, he began by publishing in pulp magazines such as Black Mask before later writing his famous novels. In these stories Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling and alcohol in abundance. In addition to his classic detective fiction – in which his signature atmosphere of depravity and violence swirls around cool, intuitive loners such as Philip Marlowe – Chandler turned his hand to fantasy and even a Gothic romance. This rich treasury of twenty-five stories shows him developing the laconic, understated style that would serve him so well in his later masterpieces, immersing readers in the richly realized fictional universe that has become a part of our literary landscape.

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Letters by the 18th century blue-stocking grande dame, Lady Mary Wortley Montagu. She was a duke's daughter, who married the English ambassador in Constantinople, and the friend of Swift and Pope, whom she numbered among her correspondents.

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In his last completed novel, published in 1864-5, Dicens confirmed his reputation as a story-teller of genius while extending the sphere of his imagination to new worlds. Like all Dickens' novels, OUR MUTUAL FRIEND weaves together many stories, uniting them in the bizarre symbolism of the wealth which derives from a rubbish tip. With all the energy of his earlier novels, this one has an extra resonance and depth of shade.

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ON WAR is the most significant attempt in Western history to understand war, both in its internal dynamics and as an instrument of policy. Since the work's first appearance in 1832 it has been read throughout the world, and has stimulated generations of soilders statemen, and intellectuals from Marx and Bismarck to Raymond Aron.

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Easily the most celebrated historical work in English, Gibbon's account of the Roman empire was in its time a landmark in classical and historical scholarship and remains a remarkable fresh and powerful contribution to the interpretation of Roman history more than two hundred years after its first appearance. Its fame, however, rests more on the exceptional clarity, scope and force of its argument, and the brilliance of its style, which is still a delight to read. Furthermore, both argument and style embody the Enlightenment values of rationality, lucidity and order to which Gibbon so passionately subscribed and to which his HISTORY is such a magnificent monument.

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An unknown benefactor provides Philip Pirrip with the chance to escape his poor upbringing. Aspiring to be a gentleman, and encouraged by his expectations of wealth, he abandons his friends and moves to London. His expectations prove to be unfounded however, and he must return home penniless.

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Doctor Zhivago is the epic novel of Russia in the throes of revolution and one of the greatest love stories ever told. Yuri Zhivago, physician and poet, wrestles with the new order and confronts the changes cruel experience has made in him and the anguish of being torn between the love of two women.

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Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick.

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Motherless Brooklyn is a compulsively readable riff on the classic noir detective novel. Brooklyn''s self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to rip apart our language in startling and original ways. Together with three other veterans of the St. Vincent''s Home for Boys, he works for small-time mobster Frank Minna''s limo service cum detective agency. But when Frank is fatally stabbed, Lionel''s world is suddenly topsy-turvy, and he must untangle the threads of the case while trying to keep the words straight in his head.The Fortress of Solitude is the vividly told story of Dylan Ebdus growing up white and motherless in Brooklyn in the 1970s. In a neighbourhood where the entertainments include muggings and games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unravelling of the boys'' friendship, Lethem creates an overwhelmingly rich and emotionally

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Poet, artist and mystic Kahlil Gibran was born in 1883 to a poor Christian family in Lebanon and emigrated to the United States as an adolescent. His masterpiece, The Prophet, a book of poetic essays written in his youth, has sold over eight million copies in more than twenty languages since its first publication in 1923. But all Gibran's works - essays, stories, parables, prose poems - are imbued with equally powerful simplicity and wisdom, whether meditating upon love, marriage, friendship, work, pleasure, time or grief. Perhaps no other twentieth-century writer has touched the hearts and minds of so remarkably varied and widespread a readership.Included in this volume are The Madman, The Forerunner, The Prophet, Sand and Foam, Jesus the Son of Man, Earth Gods, The Wanderer, The Garden of the Prophet, Prose Poems, Spirits Rebellious, Nymphs of the Valley and A Tear and a Smile.

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‘‘A sonnet is a moment’s monument,’’ said Dante Gabriel Rossetti in a sonnet about sonnets. The sonnets in this collection – whether they capture moments of perception, recognition, despair or celebration – reveal how great an amount of feeling, insight and experience can be concentrated into a mere fourteen lines. Here are classics such as Milton’s ‘‘On His Blindness’’, Yeats’s ‘‘Leda and the Swan’’ and Frost’s ‘‘The Oven Bird’’, juxtaposed with the mischievous wit of Rupert Brooke’s ‘‘Sonnet Reversed’’, the lyric defiance of Mona Van Duyn’s ‘‘Caring for Surfaces’’ and the comic poignancy of Philip Larkin’s ‘‘To Failure’’. From the lovelorn laments of Dante and Petrarch to the artful heights of Sidney, Spenser and Shakespeare, from the masterpieces of Wordsworth and Keats to the innovations of Elizabeth Bishop, Wallace Stevens and James Merrill, the sonnet has proved both versatile and enduring. This delightful anthology displays the incredible range and power of the verse form that has inspired poets across the centuries.

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The greatest English religious poet of the nineteenth century, Gerard Manley Hopkins (1844-89) was a Jesuit priest and literary scholar whose life ended prematurely after his exhausting pastoral work among the slums of Liverpool and Dublin. His poems are dazzling celebrations of God's endless creative power couched in a uniquely expressive poetic diction, and all his mature poetry is her reprinted, together with illuminating fragments from journals, letters, sermons and lectures in which he expounds his literary and religious outlook.

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As an operative for Pinkerton’s Detective Agency Dashiell Hammett knew about sleuthing from the inside, but his career was cut short by the ruin of his health in World War I. These three celebrated novels are therefore the products of a hard real life, not a literary education. Despite – or because of – that, Hammett had an enormous effect on mainstream writers between the wars. Like his readers, they were attracted by the combination of laconic style, sharp convincing dialogue, vivid settings and, above all, the low-life, hard-boiled characters who populate the streets of his stories. Taking detective fiction out of the drawing-room, Hammett ‘gave murder back to the kind of people that commit it’, as Raymond Chandler said. In so doing, he left his mark on modern fiction.

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Though W. Somerset Maugham was also famous for his novels and plays, it has been argued that in thethe short story he reached the pinnacle of his artwas his true métier. These expertly told tales, with their addictive plot twists and vividly drawn characters, are both galvanizing as literature and wonderfully entertaining. In the adventures of his alter ego Ashenden, a writer who (like Maugham himself) turned secret agent in World War I, as well as in stories set in such far-flung locales as South Pacific islands and colonial outposts in Southeast Asia, Maugham brings his characters vividly to life, and their humanity is more convincing for the author's merciless exposure of their flaws and failures. Whether the chasms of misunderstanding he plumbs are those between colonizers and natives, between a missionary and a prostitute, or between a poetry-writing woman and her uncomprehending husband, Maugham brilliantly displays his irony, his wit, and his genius in the art of storytelling.

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THE CUSTOM OF THE COUNTRY is probably Edith Wharton's most savage satire on the manners of late nineteenth-century America. It is the story of the exquisitely beautiful but brutally ambitious Undine Spragg who marries her way into the high aristocracy of Europe, abandoning several husbands along the way. This novel, which has scences of comedy and even farce, is a commentary on both certain aspects of feminisim and certain aspects of capitalism in Edith Wharton's time. The novel makes a fitting companion to THE AGE OF INNOCENCE and THE HOUSE OF MIRTH and shows Wharton to be one of the greatest American novelists.

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Goncharov's gentle satire on the failings of 19th-century Russian gentry and bureaucracy turns into something deeper and richer than satire, as he probes the character of a protagonist whose constitutional lethargy becomes a symbol for the malaise of the human spirit in an alienating world.

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Emma Wodehouse has led a simple life, but during the course of this, she at last reaps her share of the world's vexations. In this comedy of manners, the heroine learns to come to terms with the reality of other people, and with her own erring nature.

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In the history of political thought few works have been more influential than Utopia, and few more misunderstood. First published in 1516, "Utopia" depicts an imaginary society free of private property, sexual discrimination and religious intolerance. Its radical humanism has had a dramatic effect on modern history and the challenge of its vision is as persistent today as it was in the Renaissance.

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"So ... you were convinced of all this and decided not to do anything serious yourselves.""And decided not to do anything serious," Bazarov repeated grimly. ..."But to confine yourselves to abuse?""To confine ourselves to abuse.""And that is called nihilism?""And that is called nihilism," Bazarov repeated again, this time with marked insolence.The book examines the conflict of attitudes in mid-19th-century Russia, as distant pre-echoes of the Revolution continue to rumble through the remote rural landscape. The story follows the Kirsanov family, representatives of the old regime, and the violent character of the anti-hero Bazarov.Introduced by Michael R Katz who was born in New York City and educated at Horace Mann School, Williams College, and Oxford University. He is the author of two books and over fifteen translations of Russian novels into English, including works by Dostoevsky, Turgenev, and Tolstoy.

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The Honourable Galahad Threepwood has decided to write his memoirs and England's aristocrats are all diving for cover, not least Galahad's formidable sister Lady Constance Keeble who fears that her brother will ruin the family reputation with saucy stories of the 1890s. But Galahad's memoirs are not the only cause for concern. Yet again Lord Emsworth's prize pig has been stolen and, as usual, the castle seems to be buzzing with imposters all pretending to be one another. Love and natural justice triumph in the end, but not before Wodehouse has tangled and unangled a plot of Shakespearean complexity in a novel which might as well be subtitled 'The Price of the Papers'.

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The contents have been intriguingly divided into eight narrative threads that influenced and informed O'Connor's oeuvre. War includes the famous 'Guests of the Nation', set during the Irish War of Independence; Childhood draws on autobiographical writings to present a revealing picture of the author as a boy, the only child of an alcoholic father and doting mother; Writers bears witness to his literary debt to Yeats and Joyce. The stories in Lonely Voices movingly demonstrate O'Connor's theory that in this genre can be achieved 'something we do not often find in the novel - an intense awareness of human loneliness'; yet they are counterparted by his wonderfully polyphonic tales of family, friendship and rivalry in Better Quarrelling. In Ireland come poems, stories and articles inspired by the native land he loved but never sentimentalized, while from Abroad the writer in exile discourses upon universally relevant themes of emigration, hardship, absence and return. Finally, Last Things contains O'Connor's thoughts on religion, the church, the soul and its destiny, but remains above all a celebration of humanity 'who for me represented all I should ever know of God'.

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'The very essence of all illustration for children's books' said The Times on Christmas Eve, 1878, shortly after the publication of Caldecott's first two picture books, or Toy Books as they were called, John Gilpin and The House that Jack Built. They were an immediate success, and in Caldecott's special talent for juxtaposing words and pictures, he created a tradition of children's picture-book making that continues to the present day and has influenced many artists, in particular, Maurice Sendak. Between 1878 and 1886 Cldecott produced sixteen picture books, taking as texts traditional rhymes and songs, and illustrating them in sepia colour with great humour and feeling for the English countryside which so often provides the background. The collection reproduces eight of his books, including The Babes in the Wood, Oliver Goldsmith's Elegy on the Death of a Mad Dog, The Great Panjandrum Himself, The Queen of Hearts, Ride a Cock-Horse to Banbury Cross, and Sing a Song Of Sixpence.

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First published in 1842, Robert Browning's poetic version of the legend about the lost children of Hamelin is sub-titled 'A Child's Story' and was originally intended only for the private enjoyment of Willie Macready, young son of the famous actor. Once in print, it became a perennial favourite with generations of children (and compilers of poetry anthologies for children!) Kate Greenaway's illustrations, engraved by her regular printer Edmund Evans, were first published in 1888 and have become as popular as the poem itself, being considered by John Ruskin to be her finest work.

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Barrie's classic tale of the boy who wouldn't grow up. It started life as a series of stories made up for the five Llewelyn Davies boys, who were virtually adopted by Barrie after being orphaned. This edition has F.D. Bedford's illustrations, which first appeared in the author's own day.

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Edward Lear, the 20th child of a London stockbroker, entered the household of Lord Stanley as little more than a servant, but his sense of humour soon made him welcome above stairs and he began to amuse the children with comic drawings and rhymes. This book was first published in 1846.

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Pushkin was the first Russian writer of European stature, and he is among the very few artists - such as Homer and Shakespeare - to have shaped the consciousness and history of an entire nation and its language, thereby affecting the world at large. Eugene Onegin is not merely the greatest poem in the Russian language by its most influential poet: it is a global culture, social and political icon of the highest order. The historical power of this work - a novel in verse - is made all the more extraordinary by the simplicity of its subject. Eugene Onegin is a story of disappointed love. Tatyana falls for the handsome Eugene to whom she daringly makes advances. He cooly rejects her, then flirts with her sister, Olga. When challenged by Olga's fiance, Lensky kills him in a duel, seemingly indifferrent to the grief he causes. (Ironically, Puskhin himself was to be killed in similar circumstances in 1937, some seven years after he completed the work). Onegin leaves the district. When he returns four years later, Tatyana has married another man and it is her turn to reject his advances. But it turns out that Onegin's hauteur is affected: he has always loved her passionately. She loves him too and both reflect painfully on what might have been.

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A few magical poems by Coleridge remain among the most celebrated works in the language: KUBLA KHAN, CHRISTABEL and - above all -THE ANCIENT MARINER. All are included in this volume, together with many other superb but lesser-known poems and a selected prose extracts from the BIOGRAPHIA LITERIA and the NOTEBOOKS which show that Coleridge was not only a major poet but also a great critic and prose writer.

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Some of the poets included in this anthology: Theocritus, Edmund Spenser, Edward Lear, Robert Browning, Thomas Hardy, John Donne, Philip Larkin, Anne Bradstreet, Emily Dickinson, Rossetti, Shelley and Kipling...

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The major male poet of nineteenth-century America (his female counterpart is Emily Dickinson), Whitman is the poet of grand passions great open spaces, lofty mourning and male love. Written in free metres, his verse ranges across every kind of subject in a characteristically exalted mood. This volume includes a wide selection from every period of Whitman's creative career, including many poems from the celebrated LEAVES OF GRASS.

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Blake's explosive lyrical genius is here represented by the full text of 'Songs of Innocence' and 'Songs of Experience', plus a wide range of marvellous short poems unpublished in his lifetime. In addition there is a selection from the Prophetic Books in which the poet develops his own story of creation - alternately crazy and magnificent and from his dramatic and didactic poems and prose writings which reveal Blake as a major poet of the Romantic movement.

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Keats is celebrated as a writer in three forms: lyric verse, narrative verse and letters. All three are represented here in a volume which reprints all the famous odes, a selection os sonnets and other short poems, both versions of HYPERION, extentsive selections from ENDYMION, and the complete ISABELLA, LAMIA and THE EVE OF ST. AGNES. Finally, there-are letters in which Keats discusses his attitude to poetry and to other poets.

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Arthur Rackham (1867-1939) was one of the leading illustrators from the golden age of British book illustration. Fairy-tale and fantasy were his forte and in later life he responded to the dark stimulus of Poe's gothic tales with gleeful appreciation of their macabre and otherworldly qualities, claiming afterwards that he had quite succeeded in frightening himself! For lovers of the thrilling and chilling, young and old, Poe's sensational stories cannot fail to hit the spot. This collection contains the best of his prose works, including of course the well-known masterpieces 'The Fall of the House of Usher' (the ultimate haunted house story), 'The Pit and the Pendulum', 'The Tell-Tale Heart' and 'The Murders in the Rue Morgue' (the very first detective story in fiction). First published in 1935 it has been redesigned, re-typeset and republished in a handsome edition which features all Rackham's original colour and black and white illustrations. A perfect gift - though not for the faint-hearted!

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Describing his collection of Essays as ‘a book consubstantial with its author’, Montaigne identified both the power and the charm of a work which introduces us to one of the most attractive figures in European literature. A humanist, a sceptic, an acute observer of himself and others, he reflects the great themes of existence through the prism of his own self-consciousness. Apparent in every line he wrote, his virtues of tolerance, moderation and disinterested inquiry amount to an undeclared manifesto for the Enlightenment, whose prophet he is. This complete edition of his works supplements the Essays with travel diaries and letters, thereby completing the portrait of a true Renaissance man.

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This study of natural goodness is Dostoevsky’s most touching novel. Prince Myshkin, the last, poverty-stricken member of a once great family and regarded by many as an idiot, returns to Russia from a sanatorium in Switzerland in order to collect an inheritance. Before he has even arrived home he becomes involved with Rogozhin, a rich merchant’s son whose obsession with the fascinating Nastasya Filippovna eventually draws all three of them into a tragic denouement. But this is only the main thread of a rich and complex book in which a dazzling host of characters, from generals to street urchins, present the picture of an entire society on the verge of dissolution. A tragicomic masterpiece.

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It is the autobiography of Giorgio Bassani, told in a time span of around 15 years, a time where the ambiguous and mysterious female figure of Micol was a central part of his life. They live in a time where racial laws are being passed by fascist Italy and as a result Micol and her family open the gates of their huge mansion and even bigger garden to a handful of jeweish friends that have been banned from any recreational activity. In this garden Micol guides the narrating "I" figure through the interior journey in search of his identity and maturity. Unfortunately this journey of truth can only end but in the sourest way; the rejection of a deep love felt by the author for Micol, his spiritual guide.

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Samuel Beckett is the greatest Irish novelist of the later twentieth century, and this trilogy of novels is his masterpiece -which makes it perhaps the outstanding literary work of our time. Because Beckett has a reputation for being difficult, even obscure, readers of the trilogy are bound to be struck not only by the verbal brilliance and inventiveness of the three novels, but also by their extraordinary humour which ranges from wit to broad comedy and even farce in a recognizably Irish way. Each story records an episode of human endurance in the face of metaphysical adversity with compassion and wisdom and each is a compelling narrative in itself in the great tradition of European fiction from Flaubert to Joyce.

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Creator of the famous Philip Marlowe, Raymond Chandler elevated the American hard-boiled detective genre to an art form. His last four novels, published here in one volume, offer ample opportunity to savour the unique and compelling fictional world that made his works modern classics.The Lady in the Lake moves Marlowe out of his usual habitat of city streets and into the mountains outside Los Angeles in his strange search for a missing woman.The Little Sister takes Marlowe to Hollywood, where he tries to find a sweet young thing’s missing brother, uncovering on the way a little blackmail, a lot of drugs, and more than enough murder. In The Long Goodbye, a case involving a war-scarred drunk and his nymphomaniac wife has Marlowe constantly on the move: a psychotic gangster’s on his trail, he’s in trouble with the cops, and more and more corpses keep turning up.Playback features a well-endowed redhead who leads Marlowe to the California coast to solve a tale of big money and, of course, murder. Throughout these masterpieces, Marlowe’s wry humour and existential sense of his job prove yet again why he has become one of the most recognized and imitated characters in fiction.

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Foreshadowing his later detailed accounts of the Soviet prison-camp system, Solzhenitsyn's classic portrayal of life in the gulag is all the more powerful for being slighter and more personal than those later monumental volumes. Continuing the tradition of the great nineteenth-century Russian novelists, especially Dostoevsky and Tolstoy, Solzhenitsyn is fully worthy of them in narrative power and moral authority. His greatest work.

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An extraordinary kind of autobiography in which each of the 21 chapters takes its title and its starting-point from one of the elements in the periodic table. Mingling fact and fiction, science and personal record, history and anecdote, Levi uses his training as an industrial chemist and the terrible years he spent as a prisoner in Auschwitz to illuminate the human condition. Yet this exquisitely lucid text is also humourous and even witty in a way possible only to one who has looked into the abyss.

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A burlesque epic in the tradition of THE GOOD SOLDIER SCHWEIK, CATCH-22 exposes the absurdity of war by applying its own demented logic to America's involvement in Korea. The 'catch' is that soldiers have to claim to be mad in order to get out of fighting - but being capable of making such a claim automatically proves them sane. With a cast of magnificently larger-than-life characters who are rushed along at a breathless pace, for once this really is a novel it's hard to put down. CATCH-22 was made into a film.

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This is the story of Macon 'Milkman' Dead, heir to the richest black family in a midwestern town, as he makes a voyage of rediscovery, travelling southwards geographically and inwards spirituality. Through the enlightenment of one man the novel recapitulates the history of slavery and liberation.

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D H Lawrence remarked that Hardy's best novels were about 'the struggle into love and the struggle with love', and THE MAJOR OF CASTLEBRIDGE is no exception. One of the long series of Wessex tales include FAR FROM THE MADDING CROWD, it is the story of the brooding and sometimes brutal Michael Henchard and the women with whom he searches for happiness in the harsh world of the nineteenth-century rural England

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When the weaver Silas Marner is wrongly accused of crime and expelled from his community, he becomes a miser and vows to turn his back on the world. But an etraordinary sequence of events, including the appearance of a tiny child in his cottage, melts Silas's heart and transforms his life. George Eliot's tender pastoral is at once a realistic story of rural life and a symbolic drama of sin and repentance, Written in her simplest style, it paints a vivid picture of a rural life long since vanished.

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George Eliot’s last novel, published in 1876, weaves together two stories, one about Gwendolen Harleth, the spoilt beauty who marries for money, the other concerning the mysterious hero of the title whose search for his true destiny leads him towards Zionism. All Eliot’s great themes – moral choice, the role of chance, the interaction of characters with their environment – are worked out with her incomparable power, and many readers have agreed with F. R. Leavis that the first section of the novel is the greatest achievement in English fiction.

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Described by Henry James as 'one of the first of the classics' and so regarded ever since, MADAME BOVARY has touched generations of readers and moulded generations of writers. The story of a little woman in a provincial town who dreams of happiness and then perishes by her own hand is worked up by Flaubant into a profound and heart rending study of human bondage.

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The moonstone is a yellow diamond of unearthly beauty brought from India and given to Rachel Verrinder as an eighteenth birthday present, but the fabled diamond carries with it a terrible curse.

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Amy Dorrit's father is not very good with money. She was born in the Marshalsea debtors' prison and has lived there with her family for all of her twenty-two years, only leaving during the day to work as a seamstress for the forbidding Mrs. Clennam. But Amy's fortunes are about to change: the arrival of Mrs. Clennam's son Arthur, back from working in China, heralds the beginning of stunning revelations not just about Amy but also about Arthur himself.

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