Search results for ""author daniel"

NEW YORK TIMES BESTSELLERThe Daniel Plan is far more than a diet plan. It is an appetizing approach to achieving a healthy lifestyle by optimizing the five key essentials of faith, food, fitness, focus, and friends.Unlike the thousands of other books on the market, this book is not about a new diet, guilt-driven gym sessions, or shame-driven fasts. Your path to holistic health begins here, as Pastor Rick Warren and fitness and medical experts Dr. Daniel Amen and Dr. Mark Hyman guide you to incorporate healthy choices into your current lifestyle.The concepts in this book will encourage you to deepen your relationship with God and develop a community of supportive friends who will encourage you to make smart food and fitness choices each and every day. This results in gradual changes that transform your life as they help you: Conquer your worst cravings Find healthy replacement foods for the foods you love Discover exercise you enjoy Boost your energy and kick-start your metabolism Lose weight Think more clearly Explore biblical principles for health . . . and ultimately create an all-around healthy lifestyle It's time to feast on something bigger than a fad. Start your journey to impactful, long-lasting, and sustainable results today!Plus, get more from The Daniel Plan with The Daniel Plan Cookbook, The Daniel Plan Journal, and The Daniel Plan 365-Day Devotional.

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A central pillar of Daniel Lie’s artistic practice is time – ranging from age-old memories to the beginning of the world, from the life span of a human being to the geological time of the elements. Lie’s art explores concepts such as life, death, and decay, as well as biographical relationships and heritage, with an approach that centres around personal memories, family stories, cultural objects, and natural products that survive for a long time and are linked to memories of the past. Taking a lifetime as a comparative measure, the works are inspired by developmental processes and the transition from one state to another. Installations, sculptures, and a combination of different media reveal the performative qualities of the referential objects – time, transience, and presence. Lie turns a spotlight on these three aspects by creating complex installations and giving pride of place to organic elements that grow and age and have life cycles of their own, such as plants and fungi. Engaging in an interdisciplinary exchange with mycologists, archaeologists, and environmental specialists, Lie addresses the fault lines in binary thought patterns such as science and religion, past origins and present existence, life and death, while attempting to subvert them.

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Find comfort in God’s specific and powerful promises for the future as New York Times bestselling author Dr. David Jeremiah explores the book of Daniel.The book of Daniel offers some of the most vivid and descriptive portions of prophecy in all of God’s Word. Through the instruction of world-renowned Bible teacher Dr. Jeremiah, Daniel’s visions come alive like never before.In The Handwriting on the Wall, Dr. Jeremiah uses his clear and approachable style to help readers: See Daniel’s incredible accuracy in prophesying about events in human history that have already come true Find comfort in God’s specific and powerful promises for the future Place their trust in the reliability of God’s Word rather than the instability of today’s headlines Be assured that evil is on a leash and God is in control and much more! For Christians of every generation, understanding the truth of biblical prophecy offers confidence and hope for the future. But that’s not all—to know the book of Daniel is to open a pathway for dynamic, faithful living today.

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After a messy struggle to maintain grip on government, the Home Secretary finds herself appointed as a surprise Prime Minister. Compounding the chaos, MI6 receives intelligence of a fanatical terrorist cell operating in Paris. A sophisticated insider attack on the Home Secretary is being plotted. Her sudden move into No 10 exponentially raises the stakes. Britain’s fate now depends on one man: Daniel Jacot. Seconded to the French Foreign Legion, he is handed the delicate task of investigating the leads. He has to tread carefully as France itself is riddled by the election of a new, inexperienced President. And Daniel has his own demons – the traumatic aftermath of combat injuries and a serious addiction that he has kept hidden from his superiors…

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When outgoing Ryan meets Daniel, a boy who is too afraid to talk in school or other places outside of his home, he befriends the silent boy, defending him in school to the other children. Their friendship grows, and Daniel feels comfortable enough to talk to his new friend. Ryan's tendency to 'talk too much' enables him to help Daniel in the classroom, and he hopes for the day when his friend will be able to talk in school so that the other children may get to know the 'real' Daniel. In the meantime, he is willing to continue to be a friend to Daniel until that day. This beautifully illustrated story book is for children with severe shyness, social anxiety or selective mutism to see that they can make a friend like Ryan. It is also a helpful tool for friends of children like Daniel to understand why these children are unable to talk in certain settings.The theme - of accepting others who are different while trying to emphasise with them - is a universal one, and therefore this book may be enjoyed by all children aged from 4 to 8. While the story should not be read to the class while the child is present or without his or her permission, this book is an invaluable tool for teachers trying to understand selective mutism, and wanting to explain it to their students. For comprehensive advice and information on selective mutism, please see "The Selective Mutism Resource Manual" (Speechmark, 2001). BMA Medical Book Competition Winner Highly Commended in the BMA Patient Information Awards (Printed Materials), "My Friend Daniel Doesn't Talk" really impressed the judges: 'This leaflet has been written by a parent of a child with selective mutism who has written numerous articles on the subject'.'It is written for children to help explain some of the issues around children who 'don't talk' and has been beautifully produced and introduces a sensitive topic via a lovely story about friendship which is a great way to engage with children and inform them about a subject without making it 'an issue' and risk stigmatising a child even more...I loved the illustrations and the characters were portrayed with a gentleness and sensitivity which made the story very likeable. The humour in the story is subtle and effective and unlike many 'stories with a message' written for children, this book is a pleasurable read in its own right, and stands up as a lovely story book, but with the added bonus of including the universal theme of 'being different' and in particular providing a basic explanation for selective mutism. I really loved this book'.'What really came through, is that it was written with real thought, care and from someone who really understands and empathises with the subject matter. Well done!'.

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Often we read the book of Daniel in one of two ways--either as a book about a heroic man whose righteousness should inspire us to keep the faith no matter what our circumstances, or as a roadmap to the end times that can, through careful study, perhaps tell us the day and hour (or nearly so) of Christ's return. Both, says Bryan Chapell, are sadly missing the bigger picture, that God is the hero of this story and he is in the midst of his unrelenting plan to rescue his people from their sin and its consequences. We mustn't simply make the man Daniel the object of our worship nor the subject of our debates. We may differ about prophetic details, Chapell says, but we should never miss the point that the book of Daniel is, like all of Old Testament Scripture, pointing us toward the grace of God, ultimately revealed in Christ. Pastors, teachers, and individual Christians studying the book of Daniel will find this volume a welcome addition to their library.

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When his parents are murdered by an intergalactic criminal, Daniel X vows to take on his father's role as Earth's sole Alien Hunter. Life isn't easy, though, when you're a young boy on your own, tracking down the galaxy's deadliest outlaws. Luckily, Daniel has a gift: the ability to create anything he can imagine - including his parents, his sister, and his best friends, who are there to help him along the way. But when Daniel decides to go up against the sixth-deadliest criminal on his hit list, he may find that even his awesome abilities just aren't up to the task!

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Daniel-François-Esprit Auber (1782–1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically gifted, he initially chose commerce as a career, but soon realized that his future lay in music. He studied under Cherubini, and it was not long before his opéra-comique La Bergère Châteleine (1820), written at the age of 38, established him as an operatic composer. Perhaps the greatest turning point in Auber’s life was his meeting with the librettist Eugène Scribe (1791–1861), with whom he developed a long and illustrious working partnership that only ended with Scribe’s death. Success followed success; works such as Le Maçon (1825) and La Muette de Portici (1828) brought Auber public fame and official recognition. In 1829 he was appointed a member of the Institut, in 1839 Director of Concerts at Court, in 1842 Director of the Conservatoire, in 1852 Musical Director of the Imperial Chapel, and in 1861 Grand Officer of the Légion d’Honneur.Auber seems to have been fated to live in revolutionary times; during his long life no less than four revolutions took place in France (1789, 1830, 1848, 1870). Auber’s famous historical grand opera La Muette de Portici (also known by its hero’s name as Masaniello) is perhaps unsurprisingly based on revolution, depicting the 1647 Neapolitan uprising against Spanish rule. It is a key work in operatic history, and has a revolutionary history itself: it was a performance of this work in Brussels in 1830 that helped spark the revolution that led to the separation of Belgium from Holland. It was a revolution that hastened Auber’s death at the old age of 89. He died on 12 May 1871 as a result of a long illness aggravated by the privations and dangers of the Siege of Paris. He had refused to leave the city he had always loved, even after his house had been set on fire by the petroleurs et petroleuses. In a twist of fate, a mark had been placed on the house of the composer of Masaniello, the very voice of Romantic liberty!Auber’s overtures were once instantly recognizable, favourites of the light Classical repertoire. His gracious melodies and dance rhythms had a huge influence, both on piano and instrumental music, and on the genre of Romantic comic opera, especially in Germany. Musical tastes and fashions have changed, and contemporary audiences are more accustomed to the heavier fare of verismo, Wagnerian transcendentalism, and twentieth-century experimentalism. The operas themselves, apart from Fra Diavolo (1830), are seldom performed, yet Auber’s elegant, delicate and restrained art remains as appealing to the discerning listener as ever it was.Zerline, an opera in three acts with libretto by Eugène Scribe, was first performed at the Académie nationale de musique (Salle de la rue Le Peletier) on 16 May 1851. The scene is set in Palermo, during the Restoration. The Prince of Roccanera, married to the sister of the King, has a supposed niece, Gemma. She is really his daughter by Zerline, an orange-seller. The latter was abducted by pirates, and having returned to Palermo after many trials, now meets her daughter, assuming the role of her aunt. She learns that Gemma loves a young naval officer, Rodolphe, but that the Prince’s wife wishes Gemma to marry the King’s cousin, much against the girl’s wishes. In the third act, Zerline, already alerted to an intrigue compromising to the two young lovers, is able to safeguard their integrity and bring about their union.The action is better suited to a vaudeville than an opera, and the scenario has little innate interest. The role of Zerline was devised especially for the great contralto Marietta Alboni (1823–94), the first role she created. The B-flat major overture immediately establishes the family nature of the drama, with its parable of past sins, social disparity and all-conquering maternal love.There is allusion to the Sicilian setting in the two opening choruses of act 1 which are dominated by barcarolle rhythms in establishing the couleur locale. Alboni’s magnificent talent added great value to the light music written by Auber for this slight canvas. The work consequently contains many pieces of a purely virtuoso nature. Among them are the grand air d’entrée “Ô Palerme! ô Sicile!”, the thematically central canzonetta “Achetez mes belles oranges”, and the duet for soprano and contralto “Quel trouble en mon âme” in act 1. It is as though the Italian setting of the story and the Italian origins of the prima donna caused Auber to look to his early love for Rossini, and his enduring attachment to Italian musical forms and local colour (as in Fiorella, La Muette de Portici, Fra Diavolo, Actéon, La Sirène, Zanetta and Haydée).The vocal part of Zerline is a conscious re-creation of the old Rossini mode, and her various solos are written in the style of the virtuoso contralto of the opera seria, obviously with a contemporary Gallic fleetness all Auber’s own. The Grand Air demonstrates all the features.The original cast was: Merly (Roccanera); Mlle Marietta Alboni (Zerline); Mlle Maria-Dolorès-Bénédicta-Joséphine Nau (Gemma); Aimès (Rodolphe); Mlle Dameron (the Princess of Roccanera); and Lyons (the Marquis of Bettura). The work was only performed 14 times in Paris, with no reprise. It was translated into Italian, and produced in Brussels (in French) and London (in Italian).

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Death with a Double Edge is the fourth thrilling instalment in an exciting new generation of Pitt novels, from the New York Times bestselling author and queen of Victorian crime, Anne Perry.It is May 1911 when Daniel Pitt is summoned to a murder scene in the slums of London's East End. He fears the victim is his friend Toby Kitteridge, but relief is quickly followed by dismay when Daniel identifies the dead man as Jonah Drake, a distinguished senior barrister who has been killed with a double-edged sword. But what was Drake doing in Mile End? And does their head of chambers, Marcus fford Croft, know more than he is willing to admit . . . ?With the police holding out little hope of finding Drake's killer, Daniel and Kitteridge rise to the challenge. Within days, they have leads that take them from the underbelly of the East End to the very highest echelons of society. Then Daniel's father, Thomas Pitt, receives a warning from Special Branch to cease the investigation. But Daniel and his father will not be deterred - despite the risks involved in the pursuit of justice . . .

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The most comprehensive monograph available on the internationally renowned Belgian floral artist and designer Daniel Ost.Daniel Ost’s work in floral design gores far beyond table arrangements to bridge the gap between floral design and art. Using elements from the natural world – flowers, branches, and plants of all varieties, Ost crates large-scale, site-specific constructions that at times enter the realms of sculpture and set design. Ost has created exquisite installations for royal residences, embassies, temples, international art exhibitions, and the fashion industry.Daniel Ost presents 80 of his most important projects while accompanying essays explore their significance and the inspiration behind them. Lavish photography illustrates each project in this visually inspiring sourcebook for all creative and design professionals.Texts by Dutch author Cees Nooteboom and Japanese architect Kengo Kuma reflect on the impact of Ost’s career.

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The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewellery artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American’s Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint. Jeannine Falino takes an in-depth look at the twists and turns of Jocz’s long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz’s place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewellery scene of the late 20th century.

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Ist die Schlussvision des Danielbuches visionäre Zukunftsschau oder historischer Rückblick? Bereits Hieronymus und Porphyrios diskutieren diese Fragestellung äußerst kontrovers. Ab dem 18. Jahrhundert steht der Lektüre von Daniel 10-12 als historische Quelle ein fundamentalistisches Verständnis des Textes gegenüber. Neuere Studien zu Antiochus IV. demonstrieren die Problematik einer historischen Deutung des Danieltextes. Mit Hilfe literaturwissenschaftlicher Ansätze zeigt Regina Wildgruber, dass sich die Schlussvision als Geschichtsdeutung im Kontext von biblischer Theologie verstehen lässt. Zugleich kommt der Text so als Abschlussvision des hebräisch-aramäischen Danielbuches zu neuem Recht.

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Daniel Garrison Brinton (1837-99) was one of the founders of modern American anthropology, holder of the first professorship of anthropology in the United States, and an esteemed anthropological scholar. His personal library, the only existing intact research library of a scholar prominent in the development of late nineteenth-century American anthropology, forms the core of the anthropology library at the University of Pennsylvania. The Brinton Library consists of 4,514 items, including 162 volumes of bound collections of pamphlets or offprints, early travel narratives, colonial histories, Indian captivity tales, missionary reports, and translations of the Bible into several indigenous languages of North and Central America. Materials written in Spanish, French, Italian, and German are also well represented. Rare archival illustrations show contemporary (1870-1900) photographs of the University Museum building, the Museum library, and portraits of individual participants in the Brinton Library.

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The second thrilling mystery in an exciting new generation of Pitt novels, from the New York Times bestselling author and queen of Victorian crime, Anne Perry. 'Anne Perry's Victorian mysteries are marvels of plot construction' New York Times Daniel Pitt is delighted that his sister is visiting London with her American husband Patrick, a policeman, and their young daughters. But Patrick's trip has another purpose, for which he enlists Daniel's help.Philip Sidney, a young British diplomat, is accused of robbery and assault in Washington, but he has taken diplomatic immunity and fled to England. The perfect opportunity to obtain justice presents itself when Sidney is accused of a small embezzlement at the British Embassy in the USA, but as Daniel digs deeper into the case it becomes clear that vengeance is involved.When a witness is murdered in America suspicion of guilt falls on Sidney. But is somebody trying to frame him? And, if so, who and why? Daniel follows a trail that uncovers another murder, and leads from Washington to the idyllic Channel Islands, then to a dramatic scene in court that almost defies belief...

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Thirteen contributors explain the shorter Prophetic Books of the Old Testament—Daniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, and Malachi—with biblical insight and pastoral wisdom, showing readers the hope that is offered even amidst judgment.

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A delightful retelling of the story of Daniel in the Lions' Den, especially for under 5s. It features full-colour photographic spreads of the characters from the award-winning Big Bible Storybook. This board book is perfectly sized for small hands, with short text for a parent or carer to read to the child.

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The tragic murder of Wall Street Journal reporter Daniel Pearl is well known. Why he was in Karachi; how he saw his role as an international journalist; why he was singled out for kidnapping; and where the incredible search effort led - are the subject of Mariane Pearl's book.A journalist in her own right, Mariane is, as was her husband, profoundly committed to the idea that a more informed public makes for a better world, and to the idea that risks are taken to uncover a story. A superb writer, she presents a truly illuminating tale - including her own crucial role in the investigative team, where she was responsible for negotiating unprecedented cooperation between the FBI and Pakistani intelligence and able to forge alliances with an array of people, from the Karachi chief of police to George Bush.A Mighty Heart is an extraordinary book - a fitting tribute to a dedicated reporter and a profound and heartbreaking love story.

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Unraveling the syntax of text fragments found in literature, conversations, and public space, Daniel Rode fractures words into letters deliberately preventing easy readability by disregarding spaces and line breaks. Throwing our habits for a loop, they retain their indeterminacy a little longer before we can interpret by reading. Detached from their original contexts, they find their way into both large-scale installations and drawings, often created in series. By moving between these polar opposites—a sober, reserved aesthetic on the one hand, and a sensitive, almost tender devotion to artistic execution on the other—the artist pays homage to the singular by endlessly reproducing words, photos or splashes of paint by hand, which despite all efforts will naturally deviate from the original. Again and Again offers a comprehensive insight into Rode's oeuvre, enriched by perceptive texts by 13 contributors providing an often surprisingly personal perspective on the artist and his work.

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As a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums throughout his long career, including video, painting and installation, while also establishing himself as an activist and TV producer. His weekly variety program, The Live! Show (1979–84), featured performances and interviews with artists such as Laurie Anderson, Eric Bogosian, Tony Oursler and Michael Smith, while other video works included appearances by the artist Stuart Sherman. Davidovich embraced a postmodernist’s eclecticism and a humorous aesthetic. In this lively conversation with scholar Daniel R. Quiles, Davidovich recounts his early years in postwar Argentina, the 1963 coup d’état that led to his relocation to New York and his long, influential career.

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