Search results for ""Louisiana State University Press""

Rethinking American Disasters is a pathbreaking collection of essays on hurricanes, earthquakes, fires, and other calamities in the United States and British colonial America over four centuries. Proceeding from the premise that there is no such thing as a "natural" disaster, the collection invites readers to consider disasters and their aftermaths as artifacts of and vantage points onto their historical contexts.

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In this fascinating little book, John DeMers tells the story of the Vieux Carré cocktail against the evolving backdrop of the ever-rich cocktail culture of New Orleans. Mixologist Walter Bergeron created this distinctive drink in the 1930s at the Hotel Monteleone; it was later dubbed "the Cocktail that Spins" in honor of the slowly turning Carousel Bar at the hotel. It's an iconic cocktail that, in recent years, was rarely ordered or prepared, though that is changing as a new generation of cocktail enthusiasts rediscover the old ways.The Vieux Carré draws on the local proto-cocktail, the Sazerac, as well as several booze-forward classics including the Manhattan, the Old Fashioned, and, from Italy, the Negroni. DeMers tells all that is known of Walter Bergeron's early life and also examines the ingredients in this cocktail and how each of them made its way to the Crescent City.

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In this compelling book, Rien Fertel tells the story of humanity's complicated and often brutal relationship with the brown pelican over the past century. This beloved bird with the mythically bottomless belly—to say nothing of its prodigious pouch—has been deemed a living fossil and the most dinosaur-like of creatures. The pelican adorns the Louisiana state flag, serves as a religious icon of sacrifice, and stars in the famous parting shot of Jurassic Park, but, most significantly, spotlights our tenuous connection with the environment in which it flies, feeds, and roosts—the coastal United States. In 1903, Theodore Roosevelt inaugurated the first national wildlife refuge at Pelican Island, Florida, in order to rescue the brown pelican, among other species, from the plume trade. Despite such protections, the ubiquity of synthetic "agents of death," most notably DDT, in the mid-twentieth century sent the brown pelican to the list of endangered species. By the mid-1960s, not one viable pelican nest remained in all of Louisiana. Authorities declared the state bird locally extinct. Conservation efforts—including an outlandish but well-planned birdnapping—saved the brown pelican, generating one of the great success stories in animal preservation. However, the brown pelican is once again under threat, particularly along Louisiana's coast, due to land loss and rising seas. For centuries, artists and writers have portrayed the pelican as a bird that pierces its breast to feed its young, symbolizing saintly piety. Today, the brown pelican gives itself in other ways, sacrificed both by and for the environment as a bellwether bird—an indicator species portending potential disasters that await. Brown Pelican combines history and first-person narrative to complicate, deconstruct, and reassemble our vision of the bird, the natural world, and ourselves.

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In Draining New Orleans, the first full-length book devoted to "the world's toughest drainage problem," renowned geographer Richard Campanella recounts the epic challenges and ingenious efforts to dewater the Crescent City. With forays into geography, public health, engineering, architecture, politics, sociology, race relations, and disaster response, he chronicles the herculean attempts to "reclaim" the city's swamps and marshes and install subsurface drainage for massive urban expansion.The study begins with a vivid description of a festive event on Mardi Gras weekend 1915, which attracted an entourage of elite New Orleanians to the edge of Bayou Barataria to witness the christening of giant water pumps. President Woodrow Wilson, connected via phoneline from the White House, planned to activate the station with the push of a button, effectively draining the West Bank of New Orleans. What transpired in the years and decades that followed can only be understood by examining the large swath of history dating back two centuries earlier—to the geological formation and indigenous occupation of this delta—and extending through the colonial, antebellum, postbellum, and Progressive eras to modern times. The consequences of dewatering New Orleans proved both triumphant and tragic. The city's engineering prowess transformed it into a world leader in drainage technology, yet the municipality also fell victim to its own success. Rather than a story about mud and machinery, this is a history of people, power, and the making of place. Campanella emphasizes the role of determined and sometimes unsavory individuals who spearheaded projects to separate water from dirt, creating lucrative opportunities in the process not only for the community but also for themselves.

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In The Last Fire-Eater, renowned historian of the American South William A. Link examines the life of Roger A. Pryor, a Virginia secessionist, Confederate general, and earnest proponent of postwar sectional reconciliation whose life involved a series of remarkable transformations. Pryor's journey, Link reveals, mirrored that of the South. At times, both proved puzzling and contradictory. Pryor recast himself during a crucial period in southern history between the 1850s and the close of the nineteenth century. An archetypical southern-rights advocate, Pryor became a skilled practitioner in the politics of honor. As a politician and newspaper editor, he engaged in duels and viewed the world through the cultural prism of southern honor, assuming a more militant and aggressive stance on slavery than most of his regional peers. Later, he served in the Confederate army during the Civil War, rising to the rank of brigadier general and seeing action across the Eastern Theater. Captured late in the conflict, Pryor soon after abandoned his fiery persona and renounced extremism. He then moved to New York City, where he emerged as a prominent lawyer and supporter of the sort of intersectional detente that stood as a central facet of what southern boosters labeled the "New South." Dramatic change characterized Pryor's long life. Born in 1828, he died four months after the end of World War I. He witnessed fundamental shifts in the South that included the destruction of slavery, the defeat of the Confederacy, and the redefinition of manhood and honor among elite white men who relied less on violence to resolve personal grievances. With Pryor's lifetime of remakings as its focus, The Last Fire-Eater serves as a masterful history of transformation in the South.

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With In the Shadow of Invisibility, Sterling Lecater Bland Jr. offers a long-overdue reconsideration of Ralph Ellison, examining the trajectory of his intellectual thought in relation to its resonances in twenty-first-century American culture. Bland charts Ellison's evolving attitudes on several central topics including democracy, race, identity, social community, place, and political expression. This compelling new exploration of Ellison's legacy stresses the perpetual need to reexamine the intersections of race, literature, and American culture, with particular attention to how the democratic principle has grown increasingly urgent in the nation's ongoing, and often contentious, conversations about race. Arguing that Ellison saw racial and social identity as being inseparable from the nation's past and its complicated history of racial anxiety, In the Shadow of Invisibility traces the growth and transformation of Ellison's ideas across his life and work, from his early apprentice writing that culminated in his groundbreaking first novel, Invisible Man, through the posthumous publication of his unfinished second novel, Three Days before the Shooting . . . Focused on his mythic vision of the promise of America, this book firmly situates Ellison in the sociopolitical environments from which his ideas arose, with close consideration of his published writings, including his influential essays on literature and jazz, as well as his working notes and correspondence. Bland foregrounds Ellison's thinking on the responsibilities of Black writers to examine democratic ideals, the legacies of slavery and Jim Crow, and the impacts of civil rights movements. Interweaving biography, history, and literary criticism, and drawing from extensive archival research, In the Shadow of Invisibility reveals the extent to which Ellison's work exposes the contradictions inherent in American culture, arguing anew for the importance and immediacy of his writings in the broader context of American intellectual thought.

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Animals mattered in the Civil War. Horses and mules powered the Union and Confederate armies, providing mobility for wagons, pulling artillery pieces, and serving as fighting platforms for cavalrymen. Drafted to support the war effort, horses often died or suffered terrible wounds on the battlefield. Raging diseases also swept through army herds and killed tens of thousands of other equines. In addition to weaponized animals such as horses, pets of all kinds accompanied nearly every regiment during the war. Dogs commonly served as unit mascots and were also used in combat against the enemy. Living and fighting in the natural environment, soldiers often encountered a variety of wild animals. They were pestered by many types of insects, marveled at exotic fish while being transported along the coasts, and took shots at alligators in the swamps along the lower Mississippi River basin.Animal Histories of the Civil War Era charts a path to understanding how the animal world became deeply involved in the most divisive moment in American history. In addition to discussions on the dominant role of horses in the war, one essay describes the use of camels by individuals attempting to spread slavery in the American Southwest in the antebellum period. Another explores how smaller wildlife, including bees and other insects, affected soldiers and were in turn affected by them. One piece focuses on the congressional debate surrounding the creation of a national zoo, while another tells the story of how the famous show horse Beautiful Jim Key and his owner, a former slave, exposed sectional and racial fault lines after the war. Other topics include canines, hogs, vegetarianism, and animals as veterans in post–Civil War America.The contributors to this volume—scholars of animal history and Civil War historians—argue for an animal-centered narrative to complement the human-centered accounts of the war. Animal Histories of the Civil War Era reveals that warfare had a poignant effect on animals. It also argues that animals played a vital role as participants in the most consequential conflict in American history. It is time to recognize and appreciate the animal experience of the Civil War period.

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In his Gettysburg Address, Abraham Lincoln promised that the nation's sacrifices during the Civil War would lead to a "new birth of freedom." Lincoln's Unfinished Work analyzes how the United States has attempted to realize—or subvert—that promise over the past century and a half. The volume is not solely about Lincoln, or the immediate unfinished work of Reconstruction, or the broader unfinished work of America coming to terms with its tangled history of race; it investigates all three topics.The book opens with an essay by Richard Carwardine, who explores Lincoln's distinctive sense of humor. Later in the volume, Stephen Kantrowitz examines the limitations of Lincoln's Native American policy, while James W. Loewen discusses how textbooks regularly downplay the sixteenth president's antislavery convictions. Lawrence T. McDonnell looks at the role of poor Blacks and whites in the disintegration of the Confederacy. Eric Foner provides an overview of the Constitution-shattering impact of the Civil War amendments. Essays by J. William Harris and Jerald Podair examine the fate of Lincoln's ideas about land distribution to freedpeople. Gregory P. Downs focuses on the structural limitations that Republicans faced in their efforts to control racist violence during Reconstruction. Adrienne Petty and Mark Schultz argue that Black land ownership in the post-Reconstruction South persisted at surprisingly high rates. Rhondda Robinson Thomas examines the role of convict labor in the construction of Clemson University, the site of the conference from which this book evolved. Other essays look at events in the twentieth and twenty-first centuries. Randall J. Stephens analyzes the political conservatism of white evangelical Christianity. Peter Eisenstadt uses the career of Jackie Robinson to explore the meanings of integration. Joshua Casmir Catalano and Briana Pocratsky examine the debased state of public history on the airwaves, particularly as purveyed by the History Channel. Gavin Wright rounds out the volume with a striking political and economic analysis of the collapse of the Democratic Party in the South.Taken together, the essays in this volume offer a far-reaching, thought-provoking exploration of the unfinished work of democracy, particularly as it pertains to the legacy of slavery and white supremacy in America.

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George Bradley's A Stroll in the Rain is at once a retrospective volume and a new advance in the career of one of our most accomplished poets. Distilling more than thirty-five years of his work, this volume exhibits a wide variety of styles and forms, ranging from brief lyric to extended verse essay, establishing moods that encompass humor, tenderness, and surprise. The substantial section of new work shows Bradley deepening his exploration of the only two topics finally available to any author: the mystery of human consciousness and the unassimilable fact of death.From agriculture to astrophysics, from New England winters to Tuscan summers, and much else besides, A Stroll in the Rain presents spirited, often witty poetry that is skillful, rich, and fun.

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Marlene Trestman's Most Fortunate Unfortunates is the first comprehensive history of the Jewish Orphans' Home of New Orleans. Founded in 1855 in the aftermath of a yellow fever epidemic, the Home was the first purpose-built Jewish orphanage in the nation. It reflected the city's affinity for religiously operated orphanages and the growing prosperity of its Jewish community. In 1904, the orphanage founded the Isidore Newman School, a coed, nonsectarian school that was also open to children, regardless of religion, whose parents paid tuition. By the time the Jewish Orphans' Home closed in 1946, it had sheltered more than sixteen hundred parentless children and two dozen widows from New Orleans and other areas of Louisiana and the mid-South.Based on deep archival research and numerous interviews of alumni and their descendants, Most Fortunate Unfortunates provides a view of life in the Jewish Orphans' Home for the children and women who lived there. The study also traces the forces that impelled the Home's founders and leaders—both the heralded men and otherwise overlooked women—to create and maintain the institution that Jews considered the "pride of every Southern Israelite." While Trestman celebrates the Home's many triumphs, she also delves deeply into its failures.Most Fortunate Unfortunates is sure to be of widespread interest to readers interested in southern Jewish history, gender and race relations, and the evolution of social work and dependent childcare.

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From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In Afro ­-Realisms and the Romances of Race, Melissa Daniels- ­Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience. In this provocative and challenging book, Daniels ­-Rauterkus contests the long ­-standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels- ­Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction. Combining literary history with close textual analysis, Daniels ­-Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels ­-Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America. With Afro- ­Realisms and the Romances of Race, Daniels- ­Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization.

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The Collected Writings of Assia Wevill marks a significant development in literary recovery efforts related to Assia Wevill (1927–1969), who remains a critically important figure in the life and work of the Pulitzer Prize–winning poet Sylvia Plath and the British Poet Laureate Ted Hughes. Editors Julie Goodspeed-Chadwick and Peter K. Steinberg located over 150 texts authored by Assia Wevill and curated them into a collected scholarly edition of her letters, journals, poems, and other creative writings. These documents chronicle her personal and professional lives, her experiences as a single working mother in 1960s London, her domestic life with Hughes, and her celebrated translations of poetry by Yehuda Amichai. The Collected Writings of Assia Wevill offers an invaluable documentary resource for understanding a woman whose life continues to captivate readers and scholars.

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Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers' overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author's works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors' passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection's final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner's Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.

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Mark Twain's visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson's Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain's iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain's river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume.Thomas Ruys Smith's Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive narrative account of Twain's intimate and long-lasting creative engagement with the Mississippi. This expansive study traces two separate but richly intertwined stories of the river as America moved from the aftermath of the Civil War toward modernity. It follows Twain's remarkable connection to the Mississippi, from his early years on the river as a steamboat pilot, through his most significant literary statements, to his final reflections on the crooked stream that wound its way through his life and imagination. Alongside Twain's evolving relationship to the river, Deep Water details the thriving cultural life of the Mississippi in this period, from roustabouts to canoeists, from books for boys to blues songs, and highlights a diverse collection of voices each telling their own story of the river. Smith weaves together these perspectives, putting Twain and his creations in conversation with a dynamic cast of river characters who helped transform the Mississippi into a vibrant American icon.By balancing evocative cultural history with thought-provoking discussions of some of Twain's most important and beloved works, Deep Water gives readers a new sense of both the Mississippi and the remarkable writer who made the river his own.

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Poignant, exquisite, and endlessly witty - Kirkus Review (Starred Review)""People, the species defies logic!"" reflects the protagonist of one of the dazzling, intricate stories in Visitations. In this latest collection from Lee Upton, characters navigate often bewildering situations, from the homeschooled girl trying to communicate telepathically with an injured man she finds on the beach to the experimental theater troupe (called the Community Playas) composed primarily of actors the story's narrator has wronged or been wronged by.Upton's stories frequently draw inspiration from books, books as art objects or lost objects, as inspiration or points of contention. ""Night Walkers"" tells the story of the world's laziest book club, while ""A Story's End"" follows a woman's search for the last book read by her mother before her sudden death. Elsewhere, the ghosts of literature and writers past haunt the characters' present: ""The Tell-All Heart"" sees a woman falling in love with Edgar Allan Poe's discarded suit, and an unruly, unpredictable shadow creeps in a child's window to demand that he cut off the other hand of Captain Hook in ""A Shadow.""In the surreal yet playful tradition of Karen Russell and George Saunders, Visitations brings together seventeen incandescent short stories from a writer at the height of her powers.

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Fonville Winans achieved fame with his crisp black-and- white photographs of midcentury Louisiana life, capturing indelible images of Depression-era Cajuns on Grand Isle, brides and socialites around Baton Rouge, and an array of (sometimes notorious) politicians and public figures. But many locals also knew the renowned photographer as a passionate cook who spent decades experimenting in the kitchen and perfecting dishes that ranged from Louisiana creole classics to popular foods and international cuisines, along with a healthy dose of cocktails for entertaining. The Fonville Winans Cookbook features over 100 recipes created by the world-famous photographer, often accompanied by his notes on his cooking trials as well as his comments on successful dishes.After Fonville's death in 1992, his daughter-in-law Melinda discovered journals full of original recipes, many extensively annotated over the years with his remarks on how to prepare dishes that would live up to his demanding standards. This bon vivant's love of spicy, roux-based dishes is evident in a dizzying array of recipes for Cajun gumbos, bisques, rice dishes, and other Louisiana staples. The state's celebrated seafood features in the recipes as well, with crabs and crawfish as central ingredients of many dishes, including his iconic Pintail Crab Stew, named for the boat in which he explored the coasts of Grand Isle in the 1930s. Fonville also investigated food trends popular in the 1950s and 1960s, developing his own recipes for unusual dishes such as Jook, Azafrán Rice, and Coquina Stew. His appreciation for Mexican food resulted in recipes for margaritas, mole, and, of course, hot tamales, which he made by hand.Along with a biography of Fonville culled from the memories of family members and friends, The Fonville Winans Cookbook presents dozens of his photographs, including many images never before published. It offers a new perspective on a man celebrated for capturing the spirit of Louisiana, pairing beautiful photography with easy-to-prepare, satisfying recipes steeped in the state's culture and cuisine.

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During the Civil War, neither the Union nor the Confederate army could have operated without effective transportation systems. Moving men, supplies, and equipment required coordination on a massive scale, and Earl J. Hess's Civil War Logistics offers the first comprehensive analysis of this vital process. Utilizing an enormous array of reports, dispatches, and personal accounts by quartermasters involved in transporting war materials, Hess reveals how each conveyance system operated as well as the degree to which both armies accomplished their logistical goals.In a society just realizing the benefits of modern travel technology, both sides of the conflict faced challenges in maintaining national and regional lines of transportation. Union and Confederate quartermasters used riverboats, steamers, coastal shipping, railroads, wagon trains, pack trains, cattle herds, and their soldiers in the long and complicated chain that supported the military operations of their forces. Soldiers in blue and gray alike tried to destroy the transportation facilities of their enemy, firing on river boats and dismantling rails to disrupt opposing supply lines while defending their own means of transport.According to Hess, Union logistical efforts proved far more successful than Confederate attempts to move and supply its fighting forces, due mainly to the North's superior administrative management and willingness to seize transportation resources when needed. As the war went on, the Union's protean system grew in complexity, size, and efficiency, while that of the Confederates steadily declined in size and effectiveness until it hardly met the needs of its army. Indeed, Hess concludes that in its use of all types of military transportation, the Federal government far surpassed its opponent and thus laid the foundation for Union victory in the Civil War.

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The Civil War era marked the dawn of American wars of military occupation, inaugurating a tradition that persisted through the late nineteenth and early twentieth centuries and that continues to the present. In the Wake of War traces how volunteer and even professional soldiers found themselves tasked with the unprecedented project of wartime and peacetime military occupation, initiating a national debate about the changing nature of American military practice that continued into Reconstruction.In the Mexican-American War and the Civil War, citizen-soldiers confronted the complicated challenges of invading, occupying, and subduing hostile peoples and nations. Drawing on firsthand accounts from soldiers in United States occupation forces, Andrew F. Lang shows that many white volunteers equated their martial responsibilities with those of standing armies, which were viewed as corrupting institutions hostile to the republican military ethos. With the advent of emancipation came the enlistment of African American troops into Union armies, facilitating an extraordinary change in how provisional soldiers interpreted military occupation. Black soldiers, many of whom had been formerly enslaved, garrisoned regions defeated by Union armies and embraced occupation as a tool for destabilizing the South's long-standing racial hierarchy. Ultimately, Lang argues, traditional fears about the army's role in peacetime society, grounded in suspicions of standing military forces and heated by a growing ambivalence about racial equality, governed the trials of Reconstruction.Focusing on how U.S. soldiers, white and black, volunteer and regular, enacted and critiqued their unprecedented duties behind the lines during the Civil War era, In the Wake of War reveals the dynamic, often problematic conditions of military occupation.

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In Maintaining Segregation, LeeAnn G. Reynolds explores how black and white children in the early twentieth-century South learned about segregation in their homes, schools, and churches. As public lynchings and other displays of racial violence declined in the 1920s, a culture of silence developed around segregation, serving to forestall, absorb, and deflect individual challenges to the racial hierarchy. The cumulative effect of the racial instruction southern children received, prior to highly publicized news such as the Brown v. Board of Education decision and the Montgomery bus boycott, perpetuated segregation by discouraging discussion or critical examination.As the system of segregation evolved throughout the early twentieth century, generations of southerners came of age having little or no knowledge of life without institutionalized segregation. Reynolds examines the motives and approaches of white and black parents to racial instruction in the home and how their methods reinforced the status quo. Whereas white families sought to preserve the legal system of segregation and their place within it, black families faced the more complicated task of ensuring the safety of their children in a racist society without sacrificing their sense of self-worth. Schools and churches functioned as secondary sites for racial conditioning, and Reynolds traces the ways in which these institutions alternately challenged and encouraged the marginalization of black Americans both within society and the historical narrative.In order for subsequent generations to imagine and embrace the sort of racial equality championed by the civil rights movement, they had to overcome preconceived notions of race instilled since childhood. Ultimately, Reynolds's work reveals that the social change that occurred due to the civil rights movement can only be fully understood within the context of the segregation imposed upon children by southern institutions throughout much of the early twentieth century.

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Pardon me, but I'm shivering a bit at my core. These are restless, storm-hued stanzas, revelations of our dark cravings and hapless, woefully imperfect attempts at perfect love. Here are the dreams even our dreams won't reveal, flaunting wild edges and endings that nudge the soul, each fusing of lyric and lesson as potent as a backhand slap. And Mama watches everything. Mama sees it all."" - Patricia Smith""What's living without fear of getting lost?"" That's only one of many empowering moments in Jennifer Givhan's auspicious debut. Her ""blood magic"" ink delivers the hard truths that kick-start the healing of the ""splintered cactus"" that hurdles the path of a woman's journey. Landscape with Headless Mama blossoms with the ""strange alloys of sadness"" that devastate motherhood and femininity, and then nurture their wounds back to vibrant life."" - Rigoberto González""In Jennifer Givhan's Landscape with Headless Mama, the vivid truth of these poems evokes both the wince of pain and the head-rush of joy, the familial and the romantic disconnections we endure and those connections found in the same terrain that we, still, manage to cherish. If there's a line in these poems that doesn't surprise, I couldn't find it; one never knows where the poem will take us. I found myself tracing ""maps of the borderland into my body/ cliff dwelling, the taste of red brick on the tongue…."" Each figure rendered, each voice conjured comes to life with their distinct journey, and Givhan continues to remind us of yet another truth: ""There are other ways for the story to end."" Indeed, the possibilities seem limitless in this world she builds. If a collection of poems can be called a page-turner, this is what it feels like."" - A. Van Jordan""These are true border poems, restlessly crossing between the real and the surreal, the loved and the used up, the fertile and the infertile, and the hungry and the sated. Jennifer Givhan is a dangerous poet in all the necessary ways.""- Connie VoisineLandscape with Headless Mama explores the experiences of becoming and being a mother through the lens of dark fairy tales. Describing the book as ""a surreal survival guide,"" Givhan draws from the southwestern desert, incorporating Latin American fine art and folkloric influences. Drawing inspiration from Gloria Anzaldúa, Frida Kahlo, Leonora Carrington, tattoo artists, and comic book heroes, among other sources, this is a book of intelligence, humor, deep feeling, and, above all, duende.

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In 1914, the U.S. Navy established its first air station in Pensacola, Florida. Two years later, the U.S. Army, after training its pilots in the skies of Texas, conducted its first combat flights. In the decades that followed and through World War II, the Gulf South welcomed over two hundred air bases and Naval air stations. By the close of the twentieth century these installations had fostered critical advances in pilot training, producing many of the most acclaimed military personnel to take to the skies. Vincent P. Caire's authoritative and inspiring photographic survey recognizes Gulf South aviation heroes like Brig. Gen. Claire Chennault and honors the role of key southern military air facilities like Eglin and Maxwell Air Force bases.For more than a hundred years, the Gulf South- defined here as Florida, Georgia, Alabama, Mississippi, Louisiana, and Texas- has supported advancement in every branch of military aviation, contributing both technical prowess and fearless pilots to U.S. forces. Through many never-before-published photographs and an informative text, Military Aviation in the Gulf South celebrates these achievements, including the massive expansion of aviation in World War II, establishment of training facilities for officers- including Hollywood stars and the Tuskegee airmen- and commissioning of the U.S. Navy's Blue Angels flight demonstration squadron. Caire's comprehensive history also highlights innovation- such as the designs of Lt. Harold L. Clark for Randolph Air Force Base- and sacrifice, like that of World War I pilot 2nd Lt. Samuel Keesler, the namesake of the Biloxi, Mississippi, base.For generations of servicemen and women, their families, and the local civilian communities that support them, Military Aviation in the Gulf South pays tribute to the enduring impact of the region's aviation programs on America's security and the defense of freedom worldwide.

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Well over a century has passed since two cadets of the Ole War Skule decided to create a brass band for their university, beginning a tradition that continues to the present day. World renowned for its commitment to excellence, LSU's Golden Band from Tigerland celebrates the sports endeavors of the school teams, creates pride in school traditions, and entertains millions of fans every year. This beautifully illustrated history of LSU's beloved marching band moves from its military inspiration through the directorships of Castro Carazo, William F. Swor, and Frank B. Wickes to the first female drum major, Kristie Smith, in 1999. Tom Continé and Faye Phillips highlight the band's recent triumphs as well, including the Sudler Trophy awarded by the John Philip Sousa Foundation, induction into the Louisiana Music Hall of Fame, and traveling abroad to march in Hong Kong's Chinese New Year celebration and Dublin's St. Patrick's Day Parade.The excitement of the Pregame Salute, the triumphant spirit of the halftime show, and the hard work that goes into the performances are all captured here in 150 spectacular photographs. Above all, The Golden Band from Tigerland serves as an enduring tribute to the generations of LSU students whose talent and energy transformed a small brass group into an acclaimed marching band.

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In comical and complex poems, David Kirby examines our extraordinarily human condition through the lens of our ordinary daily lives. These keenly observant poems range from the streets of India, Russia, Turkey, and Port Arthur, Texas, to the imaginations of fellow poets Keats and Rilke, and to ruminations on the mundane side of life via the imperfect sandwich. Whether remembering girls' singing groups of the 1950s or recounting a child asking his priest if his dog would go to heaven, Kirby has the ability to make us laugh, but he can also bring us to tears through our laughter.

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Drawing on the history of the British gentry to explain the contrasting sentiments of American small farmers and plantation owners, James L. Huston's expansive analysis offers a new understanding of the socioeconomic factors that fueled sectionalism and ignited the American Civil War. This groundbreaking study of agriculture's role in the war defies long-held notions that northern industrialization and urbanization led to clashes between North and South. Rather, Huston argues that the ideological chasm between plantation owners in the South and family farmers in the North led to the political eruption of 1854-56 and the birth of a sectionalized party system. Huston shows that over 70 percent of the northern population-by far the dominant economic and social element-had close ties to agriculture. More invested in egalitarianism and personal competency than in capitalism, small farmers in the North operated under a free labor ideology that emphasized the ideals of independence and mastery over oneself. The ideology of the plantation, by contrast, reflected the conservative ethos of the British aristocracy, which was the product of immense landed inequality and the assertion of mastery over others. By examining the dominant populations in northern and southern congressional districts, Huston reveals that economic interests pitted the plantation South against the small-farm North. The northern shift toward Republicanism depended on farmers, not industrialists: While Democrats won the majority of northern farm congressional districts from 1842 to 1853, they suffered a major defection of these districts from 1854 to 1856, to the antislavery organizations that would soon coalesce into the Republican Party. Utilizing extensive historical research and close examination of the voting patterns in congressional districts across the country, James Huston provides a remarkable new context for the origins of the Civil War.

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Long after the Civil War ended, one conflict raged on: the battle to define and shape the war's legacy. Across the Bloody Chasm deftly examines Civil War veterans' commemorative efforts and the concomitant -- and sometimes conflicting -- movement for reconciliation.Though former soldiers from both sides of the war celebrated the history and values of the newly reunited America, a deep divide remained between people in the North and South as to how the country's past should be remembered and the nation's ideals honored. Union soldiers could not forget that their southern counterparts had taken up arms against them, while Confederates maintained that the principles of states' rights and freedom from tyranny aligned with the beliefs and intentions of the founding fathers. Confederate soldiers also challenged northern claims of a moral victory, insisting that slavery had not been the cause of the war, and ferociously resisting the imposition of postwar racial policies. M. Keith Har-ris argues that although veterans remained committed to reconciliation, the sectional sensibilities that influenced the memory of the war left the North and South far from a meaningful accord.Harris's masterful analysis of veteran memory assesses the ideological commitments of a generation of former soldiers, weaving their stories into the larger narrative of the process of national reunification. Through regimental histories, speeches at veterans' gatherings, monument dedications, and war narratives, Harris uncovers how veterans from both sides kept the deadliest war in American history alive in memory at a time when the nation seemed determined to move beyond conflict.

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The poultry processing industry in El Dorado, Arkansas, was an economic powerhouse in the latter half of the twentieth century. It was the largest employer in the interconnected region of South Arkansas and North Louisiana surrounding El Dorado, and the fates of many related companies and farms depended on its continued financial success. We Just Keep Running the Line is the story of the rise of the poultry processing industry in El Dorado and the labor force -- composed primarily of black women -- upon which it came to rely.At a time when agricultural jobs were in decline and Louisiana stood at the forefront of rising anti-welfare sentiment, much of the work available in the area went to men, driving women into less attractive, labor-intensive jobs. LaGuana Gray argues that the justification for placing African American women in the lowest-paying and most dangerous of these jobs, like poultry processing, derives from longstanding mischaracterizations of black women by those in power. In evaluating the perception of black women as ""less"" than white women -- less feminine, less moral, less deserving of social assistance, and less invested in their families' and communities' well-being -- Gray illuminates the often-exploitative nature of southern labor, the growth of the agribusiness model of food production, and the role of women of color in such food industries.Using collected oral histories to allow marginalized women of color to tell their own stories and to contest and reshape narratives commonly used against them, We Just Keep Running the Line explores the physical and psychological toll this work took on black women, analyzing their survival strategies and their fight to retain their humanity in an exploitative industry.

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A Broken Regiment recounts the tragic history of one of the Civil War's most ill-fated Union military units. organised in the late summer of 1862, the 16th Connecticut Volunteer Infantry was unprepared for battle a month later, when it entered the fight at Antietam. The results were catastrophic: nearly a quarter of the men were killed or wounded, and Connecticut's 16th panicked and fled the field. In the years that followed, the regiment participated in minor skirmishes before surrendering en masse in North Carolina in 1864. Most of its members spent months in southern prison camps, including the notorious Andersonville stockade, where disease and starvation took the lives of over one hundred members of the unit.The struggles of the 16th led survivors to reflect on the true nature of their military experience during and after the war, and questions of cowardice and courage, patriotism and purpose, were often foremost in their thoughts. Over time, competing stories emerged of who they were, why they endured what they did, and how they should be remembered. By the end of the century, their collective recollections reshaped this troubling and traumatic past, and the ""unfortunate regiment"" emerged as ""The Brave Sixteenth,"" their individual memories and accounts altered to fit the more heroic contours of the Union victory.The product of over a decade of research, Lesley J. Gordon's A Broken Regiment illuminates this unit's complex history amid the interplay of various, and often competing, voices. The result is a fascinating and heartrending story of one regiment's wartime and postwar struggles.

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During the Civil War and Reconstruction, the pejorative term ""scalawag"" referred to white southerners loyal to the Republican Party. With the onset of the federal occupation of New Orleans in 1862, scalawags challenged the restoration of the antebellum political and social orders. Derided as opportunists, uneducated ""poor white trash,"" Union sympathizers, and race traitors, scalawags remain largely misunderstood even today. In The Louisiana Scalawags, Frank J. Wetta offers the first in-depth analysis of these men and their struggle over the future of Louisiana. A significant assessment of the interplay of politics, race, and terrorism during Reconstruction, this study answers an array of questions about the origin and demise of the scalawags, and debunks much of the negative mythology surrounding them.Contrary to popular thought, the southern white Republicans counted among their ranks men of genuine accomplishment and talent. They worked in fields as varied as law, business, medicine, journalism, and planting, and many held government positions as city officials, judges, parish officeholders, and state legislators in the antebellum years. Wetta demonstrates that a strong sense of nationalism often motivated the men, no matter their origins.Louisiana's scalawags grew most active and influential during the early stages of Reconstruction, when they led in founding the state's Republican Party. The vast majority of white Louisianans, however, rejected the scalawags' appeal to form an alliance with the freedmen in a biracial political party. Eventually, the influence of the scalawags succumbed to persistent terrorism, corruption, and competition from the white carpetbaggers and their black Republican allies. By then, the state's Republican Party consisted of white political leaders without any significant white constituency. According to Wetta, these weaknesses, as well as ineffective federal intervention in response to a Democratic Party insurgency, caused the Republican Party to collapse and Reconstruction to fail in Louisiana.

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In 1932 a young Fonville Winans (1911-1992) left his home in Fort Worth and set out on the waterways of south Louisiana searching for adventure and fortune. This journal recounts, in his own words, how the now-renowned photographer and his two friends - first mate Bob Owen and second mate Don Horridge - ventured onto untamed Louisiana waters aboard a leaking, rudderless sailboat, the Pintail. Fonville was shooting footage for a movie that he felt certain would make them rich and famous, telling the story of subtropical south Louisiana's remote coastal landscapes and its curious people. The project was ambitious and risky - just the right combination for three young Texans with hopes of stardom. Developing his photographic skill, Fonville traveled during the summers of 1932 and 1934 to swamps, barrier islands, and reefs, from Grand Isle to New Orleans to the Atchafalaya, making friends and taking pictures. The journal, in effect, layers Fonville's unique voice over his now-iconic visual record of moving images and stills. Robert L. Winans selected more than one hundred photos to accompany his father's diary entries, offering a fascinating inner look at Fonville Winans's world.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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In Above Baton Rouge, photographer and pilot Fred C. Frey, Jr., offers a breathtaking bird's-eye view of the development of Louisiana's capital city over time. Vivid pairs of black-and-white aerial photographs taken from similar angles and altitudes forty years apart reveal stunning, sweeping changes that might be taken for granted at eye level, providing a one-of-a-kind visual chronicle of Baton Rouge then and now.In the early 1960s, Frey began taking aerial photographs of Baton Rouge sites to help evaluate their potential for possible real estate developments. What started as an innovative business practice soon developed into an ongoing passion for viewing and capturing his hometown from above as it experienced explosive growth over the next forty years. A skilled aviator and Korean War veteran, Frey would bank his Cessna 150, pop open the window, and -- with both hands on the camera -- snap vivid pictures. He honed his compositions, always searching for familiar landmarks, major intersections, and distinctive buildings. Over time, Frey amassed a cache of more than five thousand negatives. Frey documents the enormous strides Baton Rouge has taken since the 1960s: developers clearing vast forests to make way for massive new subdivisions and shopping districts; a downtown resurrecting itself in the face of unprecedented suburban competition; LSU and Southern University extending their footprints; refineries and chemical plants expanding Baton Rouge's industrial corridor; and the interstate system steadily carving a path through the parish. In the early 1990s, Frey realized the value of his images, many of which depicted aspects of Baton Rouge no longer in existence. He began in earnest to create modern counterparts to his earliest photographs in order to illustrate how much had changed. The astounding results show fledgling subdivisions surrounded by pastures transforming into sprawling communities. Two-lane country roads ballooned into six- and eight-lane thoroughfares, straddled by mile after mile of commercial development.Frey took every photograph in this book with the same beloved Hasselblad camera system he bought in 1962. Above Baton Rouge therefore offers a unique yet consistent perspective on the metropolitan area's ever-changing landscape. Illuminating text by Tom Guarisco points out key landmarks and features and draws attention to striking differences between companion photos.Frey's masterfully shot aerial photography gives proof to Baton Rouge's boundless energy and industry -- and its thirst for new places to live, work, shop, and play.

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One of the bloodiest days in American military history, the Battle of Antietam turned the tide of the Civil War in favor of the North and delivered the first major defeat to Robert E. Lee's army. In The Gleam of Bayonets, James V. Murfin gives a compelling account of the events and personalities involved in this momentous battle. The gentleness and patience of Lincoln, the vacillations of McClellan, and the grandeur of Lee- all unfold before the reader. The battle itself is presented with precision and scope as Murfin blends together atmosphere and fact, emotions and tactics, into a dramatic and coherent whole. Originally published in 1965, The Gleam of Bayonets is now recognized as a classic and the standard against which all books on Antietam are measured.

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The poems in Fanatic Heart, Deboarah Pope's remarkably accomplished first collection of verse, are distinguished by their sensuous language, assured voice, and surpassing intelligence. ""These are poems with a definite edge to them,"" notes the poet Betty Adcock. Memory and identity, family and place, lives that encompass both ""the wingsweep of joy"" and ""the fierce hug of grief"", these are Pope's concerns. Hers are poems of pain and loss, but they are also, and more tellingly, poems of wonder, of love and passion in their various guises, of the ambiguity in every human relation, an ambiguity skillfully evoked in ""Signs"":In these woods we have chosen with scarcely more knowing than we chose each other, prospects will always promise more than they come to. The solidity of this house is surface, the permanence of anything is myth. We take our visions edged, at home in a light that curves. Still, as they gypsies say, good road.The poems are set in a carefully articulated natural world, those sensual beauty Pope captures in such lines as these from ""Peaches"":They will be all over the ground, gold-dusted, giving softly under the balls of our feet, size of apricots, no good for eating, but the smell will be delicious.Deborah Pope's poems give voice to a life deeply felt and fully realised, whose very personal yield universal claims. At the heart of this poetry's fanaticism is the search for the ground of intimacy and the configurations of identity. It is a measure of Pope's skill that each recognition seems powerfully right, not sought but given.

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Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Publication of Volume III of The Complete Poems of Christina Rossetti brings to a conclusion the first definitive, variorum edition of the poems of this greatest woman poet of the Victorian Age.R.W. Crump divides the final volume, containing the poems Christina did not include in her published collections of verse, into three main sections. In the first are those poems Christina published separately in anthologies, periodicals, or her own prose works, such as Commonplace, and Other Short Stories. The second group consists of privately printed poems, including, most notably, those from the 1847 Verses: Dedicated to Her Mother. The extant poems that Christina never published make up the third and by far largest section of Volume III. Crump's voluminous textual notes and appendixes give the variant readings and provide additional information on the poems.A special feature of Volume III is the incorporation of the texts of poems in the hitherto unknown 375-page Verses manuscript of 1893, a major discovery made since Volume II was published in 1986. Some of the material in the appendixes updates the first two volumes in light of this discovery.

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The Creole praline arrived in New Orleans with the migration of formerly enslaved people fleeing Louisiana plantations after the Civil War. As it uncovers the history of a sweet dessert made of sugar and pecans, this book tells a fascinating story of Black entrepreneurship, toxic white nostalgia, and the rise of tourism in the Crescent City.

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In The Politics of Faith during the Civil War, Timothy L. Wesley examines the engagement of both northern and southern preachers in politics during the American Civil War, revealing an era of denominational, governmental, and public scrutiny of religious leaders. Controversial ministers risked ostracism within the local community, censure from church leaders, and arrests by provost marshals or local police. In contested areas of the Upper Confederacy and Border Union, ministers occasionally faced deadly violence for what they said or would not say from their pulpits. Even silence on political issues did not guarantee a preacher's security, as both sides arrested clergymen who defied the dictates of civil and military authorities by refusing to declare their loyalty in sermons or to pray for the designated nation, army, or president. The generation that fought the Civil War lived in arguably the most sacralized culture in the history of the United States. The participation of church members in the public arena meant that ministers wielded great authority. Wesley outlines the scope of that influence and considers, conversely, the feared outcomes of its abuse. By treating ministers as both individual men of conscience and leaders of religious communities, Wesley reveals that the reticence of otherwise loyal ministers to bring politics into the pulpit often grew not out of partisan concerns but out of doctrinal, historical, and local factors.The Politics of Faith during the Civil War sheds new light on the political motivations of homefront clergymen during wartime, revealing how and why the Civil War stands as the nation's first concerted campaign to check the ministry's freedom of religious expression.

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In the 1949 classic Killers of the Dream, Lillian Smith described three racial "ghosts" haunting the mind of the white South: the black woman with whom the white man often had sexual relations, the rejected child from a mixed-race coupling, and the black mammy whom the white southern child first loves but then must reject. In this groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's work by adding a fourth "ghost" lurking in the psyche of the white South -- the specter of European Fascism. He explores how southern writers of the 1930s and 1940s responded to Fascism, and most tellingly to the suggestion that the racial politics of Nazi Germany had a special, problematic relevance to the South and its segregated social system.As Brinkmeyer shows, nearly all white southern writers in these decades felt impelled to deal with this specter and with the implications for southern identity of the issues raised by Nazism and Fascism. Their responses varied widely, ranging from repression and denial to the repulsion of self-recognition. With penetrating insight, Brinkmeyer examines the work of writers who contemplated the connection between the authoritarianism and racial politics of Nazi Germany and southern culture. He shows how white southern writers -- both those writing cultural criticism and those writing imaginative literature -- turned to Fascist Europe for images, analogies, and metaphors for representing and understanding the conflict between traditional and modern cultures that they were witnessing in Dixie.Brinkmeyer considers the works of a wide range of authors of varying political stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by engaging in their works the vital contemporary debates about totalitarianism and democracy, these writers reconfigured their understanding not only of the South but also of themselves as southerners, and of the nature and significance of their art.The magnum opus of a distinguished scholar, The Fourth Ghost offers a stunning reassessment of the cultural and political orientation of southern literature by examining a major and heretofore unexplored influence on its development.

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Literature on the civil rights movement has long highlighted the leadership of ministerial men and young black revolutionaries, such as Reverend Martin Luther King, Jr., Stokely Carmichael, and Malcolm X. Recent studies have begun to explore female participation in the struggle for racial justice, but women continue to be relegated to the margins of civil rights history. In Our Minds on Freedom, Shannon Frystak explores the organizational and leadership roles female civil rights activists in Louisiana played from the 1920s to the 1960s. She highlights a diverse group of courageous women who fought alongside their brothers and fathers, uncles and cousins, to achieve a more racially just Louisiana.From the Depression through World War II and the postwar years, Frystak shows, black women in Louisiana joined and led local unions and civil rights organizations, agitating for voting rights and equal treatment in the public arena, in employment, and in admission to the state's institutions of higher learning. At the same time, black and white women began to find common ground in organizations such as the YWCA, the NAACP, and the National Urban League. Frystak explores how women of both races worked together to organize the 1953 Baton Rouge bus boycott, which served as inspiration for the more famous Montgomery bus boycott two years later; to alter the system of unequal education throughout the state; and to integrate New Orleans schools after the 1954 Brown decision.In the early 1960s, a new generation of female activists joined their older counterparts to work with the NAACP, the Congress of Racial Equality, and a number of local grassroots civil rights organizations. Frystak vividly describes the very real dangers they faced canvassing for voter registration in Louisiana's rural areas, teaching in Freedom Schools, and hosting out-of-town civil rights workers in their homes.As Frystak shows, the civil rights movement allowed women to step out of their prescribed roles as wives, mothers, and daughters and become significant actors, indeed leaders, in a social-change structure largely dominated by men. Our Minds on Freedom is a welcome addition to the literature of the civil rights movement and will intrigue those interested in African American history, women's history, Louisiana, or the U.S. South.

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Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s: Reframing Comics' Crucial Decade offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic ""underground"" comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.

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Between 1919 and 1941, five relatives of Christopher Lee Manes were diagnosed with an illness then referred to as ""leprosy"" and now known as Hansen's disease. After their diagnosis, the five Landry siblings were separated from their loved ones and sent to the National Leprosarium in Carville, Louisiana, where they remained in quarantine until their deaths. Drawing on historical documents and imaginative reconstructions, Naming the Leper tells through poetry this family's haunting story of exile and human suffering. While confined at Carville, the Landry siblings attempted to keep some connection to the outside world by writing letters to family members and other loved ones. Manes incorporates materials from this correspondence, along with medical records, the leprosarium newsletter, and personal interviews, as he crafts poems that reconstruct his relatives' daily lives at Carville. Although much can only be imagined, their words remain factual and their feelings of loneliness, abandonment, and pain become explicit. Poetry cannot bring Manes's relatives back to life, nor can it heal wounds nearly a century old, but it can capture the sufferings and traumas caused by disease and exile. As a work of documentary poetry, Naming the Leper demonstrates that a term like ""leper,"" whether a stigma attached to patients suffering from illness or a word inscribed on the caskets of the deceased, cannot define the lives of individuals or encompass the full extent of their legacies.

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When a crowd began to gather outside the jail in Tulsa, Oklahoma, on the evening of May 31, 1921, the fate of one of its prisoners, a young black male, seemed assured. Accused of attempting to rape a white woman, Dick Rowland was with little doubt about to be lynched. But in another part of town, a small group of black men, many of them World War I veterans, decided to risk lives for a different vision of justice. Before it was all over, Tulsa had erupted into one of America's worst racial nightmares, leaving scores dead and hundreds of homes and businesses destroyed. Exhaustively researched, Death in a Promised Land is the compelling story of racial ideologies, southwestern politics, and yellow journalism, and of an embattled black community's struggle to hold onto its land and freedom. More than just the chronicle of one of the nation's most devastating race riots, this critically acclaimed study of American race relations is, above all, a gripping story of terror and lawlessness, and of courage, heroism, and human perseverance.

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In The Soldier's Two Bodies, James M. Greene investigates an overlooked genre of early American literature- the Revolutionary War veteran narrative- showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation's first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans' past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans' lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier's Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.

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This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.From the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. In tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he ""is a truly important poet. Familiar and strange."" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.

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In this highly original study of Confederate ideology and politics, Jeffrey Zvengrowski suggests that Confederate president Jefferson Davis and his supporters saw Bonapartist France as a model for the Confederate States of America. They viewed themselves as struggling not so much for the preservation of slavery but for antebellum Democratic ideals of equality and white supremacy. The faction dominated the Confederate government and deemed Republicans a coalition controlled by pro-British abolitionists championing inequality among whites. Like Napoleon I and Napoleon III, pro-Davis Confederates desired to build an industrial nation-state capable of waging Napoleonic-style warfare with large conscripted armies. States' rights, they believed, should not preclude the national government from exercising power. Anglophile anti-Davis Confederates, in contrast, advocated inequality among whites, favoured radical states' rights, and supported slavery-in-the-abstract theories that were dismissive of white supremacy. Having opposed pro-Davis Democrats before the war, they preferred decentralised guerrilla warfare to Napoleonic campaigns and hoped for support from Britain. The Confederacy, they avowed, would willingly become a de facto British agricultural colony upon achieving independence. Pro-Davis Confederates, wanted the Confederacy to become an ally of France and protector of sympathetic northern states.Zvengrowski traces the origins of the pro-Davis Confederate ideology to Jeffersonian Democrats and their faction of War Hawks, who lost power on the national level in the 1820s but regained it during Davis' term as secretary of war. Davis used this position to cultivate friendly relations with France and later warned northerners that the South would secede if Republicans captured the White House. When Lincoln won the 1860 election, Davis endorsed secession. The ideological heirs of the pro-British faction soon came to loathe Davis for antagonizing Britain and for offering to accept gradual emancipation in exchange for direct assistance from French soldiers in Mexico.Zvengrowski's important new interpretation of Confederate ideology situates the Civil War in a global context of imperial competition. It also shows how anti-Davis ex-Confederates came to dominate the postwar South and obscure the true nature of Confederate ideology. Furthermore, it updates the biographies of familiar characters: John C. Calhoun, who befriended Bonapartist officers; Davis, who was as much a Francophile as his namesake, Thomas Jefferson; and Robert E. Lee, who as West Point's superintendent mentored a grand-nephew of Napoleon I.

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