Search results for ""Louisiana State University Press""
Louisiana State University Press Norman Mailer at 100: Conversations, Correlations, Confrontations
Norman Mailer at 100 celebrates the author's centenary in 2023 and the seventy-fifth anniversary of the publication of his bestselling debut novel, The Naked and the Dead, by illustrating how Mailer remains a provocative presence in American letters. Novelist and Mailer scholar Robert J. Begiebing lays out how this polymath author's work makes vital contributions to the larger American literary landscape, encompassing the debates of the nation's founders, the traditions of Western Romanticism, and the juggernaut of twentieth-century modernism. The book includes six critical essays, two creative dialogues featuring Walt Whitman and Ernest Hemingway, and Begiebing's own interview with Mailer from 1983. Each piece pairs Mailer with a critical interlocutor whose work offers telling revelations about his ideas and art, among them Ralph Waldo Emerson, Carl Jung, Kate Millett, and Joan Didion. By encouraging a reconsideration of his career from its beginnings to his final books in the early twenty-first century, Norman Mailer at 100 forges a new path toward appreciating the author's achievements that underscores the extent to which his work can help us confront the challenges of today.
£36.25
Louisiana State University Press Bridging the Mississippi: Spans across the Father of Waters
Bridging the Mississippi: Spans across the Father of Waters portrays in words and stunning photographs the manmade structures that cross the nation's most important and, during the mid-nineteenth century, most daunting natural waterway.Philip Gould spent three years photographing Mississippi River bridges, from the Crescent City Connection in New Orleans to the span of boulders at the river's headwaters in Lake Itasca, Minnesota. This book features seventy-five of the river's more than 130 spans, progressing from south to north, in rural, small-town, and metropolitan settings. In every season and from numerous angles, Gould captured images of historical, architectural, and engineering significance as well as dramatic natural beauty. In addition, his photos reflect the many perspectives of people whose lives intersect with the bridges, including riverboat captains, construction workers, pedestrians, drivers, cyclists, wedding parties, recreational boaters and fishers, business owners, and train engineers. Margot Hasha offers a fascinating overview of bridge construction on the Mississippi, starting with the waterway's geology and the earliest-known settlement along the banks of Misi-ziibi, what Native Americans called the ""father of waters."" She discusses the impact of steel production on the expansion of railroad bridges, hazards encountered by river pilots today, the preservation of vintage structures, and the latest bridge designs. Hasha and Gould profile select crossings in eleven cities and towns, explaining each one's unique story and importance to its riverside community.Architectural and engineering feats; focal points for urban renewal; essential links in the nation's transportation and commerce; aesthetic frames for parks, riverwalks, and levee trails- the Mississippi River's bridges come into full focus in this visual tribute.
£37.26
Louisiana State University Press Operation Dimwit: A Penelope Lemon Novel
Penelope Lemon is back for more madcap mom adventures in Inman Majors's hilariously unruly Operation Dimwit. It's summertime, and son Theo is away at camp. Feeling frisky, free, and tired of living vicariously through nighttime trysts with erotic novels, Penelope can begin phase two of her postdivorce life. First on the agenda is a date with the mysterious Fitzwilliam Darcy, who lives in a mansion with his snobbish cat, Algernon, and who spends his spare time painting massive nude portraits. Meanwhile, back at the trailer-park office, Penelope's boss, Missy, has become obsessed with getting rid of Dimwit, the backwoods interloper who may be stealing personal items from female residents. A sting operation to catch him in the act is planned, something so kooky and ill-advised that only a legendary goofball such as Missy could set it into motion. Throw in a bully trainer at Penelope's new gym, plus an infestation of skunks that requires the services of a wildlife expert and homespun mystic known as the Critter Catcher, and it becomes clear that Penelope's two weeks off from parenting won't be as relaxing and incident-free as she hoped. Building on the comedic hijinks of Penelope Lemon: Game On!, Operation Dimwit is a warmhearted look at the challenges of being a single working mom trying to stay afloat in the middle class after a divorce. Zany, stylish, and uproariously funny, this southern comedy will have readers laughing out loud at familiar absurdities of life in the twenty-first-century USA.
£31.27
Louisiana State University Press Louisiana State University and Agricultural and Mechanical College, 1860-1919: A History
Paul E. Hoffman's Louisiana State University and Agricultural and Mechanical College, 1860- 1919 is a highly detailed analysis of LSU's beginnings and early development, starting well before it first opened its doors in Pineville, Louisiana, in 1860. Hoffman reveals how political and ideological contests in areas of governance, curriculum, finances, discipline (the ""military feature""), and student life influenced the early identity and development of the school, shaping and laying the groundwork for the university we recognize today.The institution's first name- the Louisiana State Seminary of Learning and Military Academy- reflected its contested character: part imitation of the Virginia Military, part true military academy, and part classical college. The school was renamed Louisiana State University in 1870 after graduating its first class. When the land-grant university created at New Orleans in 1874 merged with LSU in 1877, the school became Louisiana State University and Agricultural and Mechanical College. The new disagreements about the character of the institution did not resolve until 1919.At the turn of the twentieth century, new challenges led to the establishment of a law school, the admittance of women for the first time, the organization of the institution into distinct colleges, and demands to emphasize on-campus agricultural instruction. Hoffman shows that President Thomas D. Boyd, faced with flat, inadequate state funding for the university as a whole, moderated those demands until 1918. Then the wartime emphasis on agricultural production, various federal programs that encouraged enrollment in LSU's College of Agriculture, and a critical shortage of space on the downtown campus worked together to prompt the purchase of Gartness Plantation, the site of the current campus, but without any funds or immediate plans for its development. Hoffman's study ends in the spring of 1919. By then, the school had largely resumed its prewar rhythms in academic and extracurricular areas. The ROTC program, begun in 1917, was again in place, transforming LSU into the ""Ole War Skule"" of living memory. With most of its struggles over its identity resolved, LSU was poised to resume the growth that World War I had interrupted and that, with the development of the ""new"" campus, would characterize the school during the next twenty years of its history. This first fully documented history of LSU in its early years contributes to a broader understanding of the growth of both LSU itself and American higher education, showing how fiscal realities and contested ideas about higher education during the post- Civil War era shaped university development.
£120.07
Louisiana State University Press On the Form of the American Mind (CW1)
£67.22
Louisiana State University Press Race, Trauma, and Home in the Novels of Toni Morrison
In this first interdisciplinary study of all nine of Nobel Laureate Toni Morrison's novels, Evelyn Jaffe Schreiber investigates how the communal and personal trauma of slavery embedded in the bodies and minds of its victims lives on through successive generations of African Americans. Approaching trauma from several cutting-edge theoretical perspectives - psychoanalytic, neurobiological, and cultural and social theories - Schreiber analyses the lasting effects of slavery as depicted in Morrison's work and considers the almost insurmountable task of recovering from trauma to gain subjectivity. With an innovative application of neuroscience to literary criticism, Schreiber explains how trauma, whether initiated by physical abuse, dehumanization, discrimination, exclusion, or abandonment, becomes embedded in both psychic and bodily circuits. Slavery and its legacy of cultural rejection create trauma on individual, familial, and community levels, and parents unwittingly transmit their trauma to their children through repetition of their bodily stored experiences. Concepts of ""home"" - whether a physical place, community, or relationship - are reconstructed through memory to provide a positive self and serve as a healing space for Morrison's characters. Remembering and retelling trauma within a supportive community enables trauma victims to move forward and attain a meaningful subjectivity and selfhood.Through careful analysis of each novel, Schreiber traces the success or failure of Morrison's characters to build or rebuild a cohesive self, starting with slavery and the initial postslavery generation, and continuing through the twentieth century, with a special focus on the effects of inherited trauma on children. When characters attempt to escape trauma through physical relocation, or to project their pain onto others through aggressive behavior or scapegoating, the development of selfhood falters. Only when trauma is confronted through verbalization and challenged with reparative images of home, can memories of a positive self overcome the pain of past experiences and cultural rejection.While the cultural trauma of slavery can never truly disappear, Schreiber argues that memories that reconstruct a positive self, whether created by people, relationships, a physical place, or a concept, help Morrison's characters to establish subjectivity. A groundbreaking interdisciplinary work, Schreiber's book unites psychoanalytic, neurobiological, and social theories into a full and richly textured analysis of trauma and the possibility of healing in Morrison's novels.
£23.36
Louisiana State University Press The Soldier's Two Bodies: Military Sacrifice and Popular Sovereignty in Revolutionary War Veteran Narratives
In The Soldier's Two Bodies, James M. Greene investigates an overlooked genre of early American literature- the Revolutionary War veteran narrative- showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation's first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans' past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans' lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier's Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.
£50.22
Louisiana State University Press This Tilted World Is Where I Live: New and Selected Poems, 1962-2020
This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.From the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. In tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he ""is a truly important poet. Familiar and strange."" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.
£50.22
Louisiana State University Press Jefferson Davis, Napoleonic France, and the Nature of Confederate Ideology, 1815-1870
In this highly original study of Confederate ideology and politics, Jeffrey Zvengrowski suggests that Confederate president Jefferson Davis and his supporters saw Bonapartist France as a model for the Confederate States of America. They viewed themselves as struggling not so much for the preservation of slavery but for antebellum Democratic ideals of equality and white supremacy. The faction dominated the Confederate government and deemed Republicans a coalition controlled by pro-British abolitionists championing inequality among whites. Like Napoleon I and Napoleon III, pro-Davis Confederates desired to build an industrial nation-state capable of waging Napoleonic-style warfare with large conscripted armies. States' rights, they believed, should not preclude the national government from exercising power. Anglophile anti-Davis Confederates, in contrast, advocated inequality among whites, favoured radical states' rights, and supported slavery-in-the-abstract theories that were dismissive of white supremacy. Having opposed pro-Davis Democrats before the war, they preferred decentralised guerrilla warfare to Napoleonic campaigns and hoped for support from Britain. The Confederacy, they avowed, would willingly become a de facto British agricultural colony upon achieving independence. Pro-Davis Confederates, wanted the Confederacy to become an ally of France and protector of sympathetic northern states.Zvengrowski traces the origins of the pro-Davis Confederate ideology to Jeffersonian Democrats and their faction of War Hawks, who lost power on the national level in the 1820s but regained it during Davis' term as secretary of war. Davis used this position to cultivate friendly relations with France and later warned northerners that the South would secede if Republicans captured the White House. When Lincoln won the 1860 election, Davis endorsed secession. The ideological heirs of the pro-British faction soon came to loathe Davis for antagonizing Britain and for offering to accept gradual emancipation in exchange for direct assistance from French soldiers in Mexico.Zvengrowski's important new interpretation of Confederate ideology situates the Civil War in a global context of imperial competition. It also shows how anti-Davis ex-Confederates came to dominate the postwar South and obscure the true nature of Confederate ideology. Furthermore, it updates the biographies of familiar characters: John C. Calhoun, who befriended Bonapartist officers; Davis, who was as much a Francophile as his namesake, Thomas Jefferson; and Robert E. Lee, who as West Point's superintendent mentored a grand-nephew of Napoleon I.
£55.25
Louisiana State University Press The Need to Hold Still: Poems
Winner of the National Book Award for PoetryAn adventurer, Lisel Mueller pursues the protean possibilities of communication. In Dreiser's works she finds language solid, ""as plain as money, / a workable means of exchange."" More often she experiences exhilaration in the shapes that communication makes possible. In ""Talking with Helen,"" for example, she re-creates Heller Keller's flash of discovery when water suddenly became language, the stream that connected time and space, maple leaves and hands.Mueller's poetry links varying forms: music and discourse, memory and immediacy. Perennial weeds in her title poem recall ancient times and prayerful monks. Musical names, ""Teasel / yarrow / goldenrod / wheat / bed straw"", hold the moment still like the echoes of a tolling bell.""I'm trying to make connections,"" Lisel Mueller says of her poems, ""looking for links between where we have been and where we are going, between the life outside and the life within.
£13.46
Louisiana State University Press Nana's Creole Italian Table: Recipes and Stories from Sicilian New Orleans
From meatball po'boys to Creole red gravy, the influence of Sicilian foodways permeates New Orleans, one of America's greatest food cities. Nana's Creole Italian Table tells the story of those immigrants and their communities through the lens of food, exploring the ways traditional Sicilian dishes such as pasta and olive salad became a part of—and were in turn changed by—the existing food culture in New Orleans.Sicilian immigrants—Elizabeth M. Williams's family among them—came to New Orleans in droves in the late nineteenth and early twentieth centuries, fleeing the instability of their own country and hoping to make a new home in America. This cookbook shares Williams's traditional family recipes, with variations that reveal the evolution and blending of Sicilian and Creole cuisines. Baked into every recipe is the history of Sicilian American culture as it has changed over the centuries, allowing each new generation to incorporate its own foodways and ever-evolving tastes.
£25.95
Louisiana State University Press Reinterpreting Southern Histories: Essays in Historiography
A sweeping historiographical collection, Reinterpreting Southern Histories updates and expands upon the iconic volumes Writing Southern History and Interpreting Southern History, both published by Louisiana State University Press. With nineteen original essays cowritten by some of the most prominent historians working in southern history today, this volume boldly explores the current state, methods, innovations, and prospects of the richly diverse and transforming field of southern history. Two scholars at different stages of their careers coauthor each essay, working collaboratively to provide broad knowledge of the most recent historiography and an expansive vision for historiographical contexts. This innovative approach provides an intellectual connection with the earlier volumes while reflecting cutting-edge scholarship in the field. Underlying each essay is the cultural turn of the 1980s and 1990s, which introduced the use of language and cultural symbols and the influence of gender studies, postcolonial studies, and memory studies. The essays also rely less on framing the South as a distinct region and more on contextualizing it within national and global conversations. Reinterpreting Southern Histories, like the two classic volumes that preceded it, serves as both a comprehensive analysis of the current historiography of the South and a reinterpretation of that history, reaching new conclusions for enduring questions and establishing the parameters of future debates.
£78.19
Louisiana State University Press The Enduring Civil War: Reflections on the Great American Crisis
In the seventy-three succinct essays gathered in The Enduring Civil War, celebrated historian Gary W. Gallagher highlights the complexity and richness of the war, from its origins to its memory, as topics for study, contemplation, and dispute. He places contemporary understanding of the Civil War, both academic and general, in conversation with testimony from those in the Union and the Confederacy who experienced and described it, investigating how mid-nineteenth-century perceptions align with, or deviate from, current ideas regarding the origins, conduct, and aftermath of the war. The tension between history and memory forms a theme throughout the essays, underscoring how later perceptions about the war often took precedence over historical reality in the minds of many Americans. The array of topics Gallagher addresses is striking. He examines notable books and authors, both Union and Confederate, military and civilian, famous and lesser known. He discusses historians who, though their names have receded with time, produced works that remain pertinent in terms of analysis or information. He comments on conventional interpretations of events and personalities, challenging, among other things, commonly held notions about Gettysburg and Vicksburg as decisive turning points, Ulysses S. Grant as a general who profligately wasted Union manpower, the Gettysburg Address as a watershed that turned the war from a fight for Union into one for Union and emancipation, and Robert E. Lee as an old-fashioned general ill-suited to waging a modern mid-nineteenth-century war. Gallagher interrogates recent scholarly trends on the evolving nature of Civil War studies, addressing crucial questions about chronology, history, memory, and the new revisionist literature. The format of this provocative and timely collection lends itself to sampling, and readers might start in any of the subject groupings and go where their interests take them.
£36.25
Louisiana State University Press Southern Comforts: Drinking and the U.S. South
Moving beyond familiar myths about moonshiners, bootleggers, and hard-drinking writers, Southern Comforts explores how alcohol and drinking helped shape the literature and culture of the U.S. South. Edited by Conor Picken and Matthew Dischinger, this collection of seventeen thought-provoking essays proposes that discussions about drinking in southern culture often orbit around familiar figures and mythologies that obscure what alcohol consumption has meant over time. Complexities of race, class, and gender remain hidden amid familiar images, catchy slogans, and convenient stories. As the first collection of scholarship that investigates the relationship between drinking and the South, Southern Comforts challenges popular assumptions by examining evocative topics drawn from literature, music, film, city life, and cocktail culture. Taken together, the essays collected here illustrate that exaggerated representations of drinking oversimplify the South's relationship to alcohol, in effect absorbing it into narratives of southern exceptionalism that persist to this day. From Edgar Allan Poe to Richard Wright, Bessie Smith to Johnny Cash, Bourbon Street tourism to post-Katrina disaster capitalism and more, Southern Comforts: Drinking and the U.S. South uncovers the reciprocal relationship between mythologies of drinking and mythologies of region.
£52.21
Louisiana State University Press James Henry Hammond and the Old South: A Design for Mastery
From his birth in 1807 to his death in 1864 as Sherman's troops marched in triumph toward South Carolina, James Henry Hammond witnessed the rise and fall of the cotton kingdom of the Old South. Planter, politician, and partisan of slavery, Hammond built a career for himself that in its breadth and ambition provides a composite portrait of the civilisation in which he flourished.A long-awaited biography, Drew Gilpin Faust's James Henry Hammond and the Old South reveals the South Carolina planter who was at once characteristic of his age and unique among men of his time. Of humble origins, Hammond set out to conquer his society, to make himself a leader and a spokesman for the Old South. Through marriage he acquired a large plantation and many slaves, and then through shrewd management and progressive farming techniques he soon became one of the wealthiest men in South Carolina. He was elected to the United States House of Representatives and served as governor of his state. A scandal over his personal life forced him to retreat for many years to his plantation, but eventually he returned to public view, winning a seat in the United States Senate that he resigned when South Carolina seceded from the Union.James Henry Hammond's ambition was unquenchable. It consumed his life, directed almost his every move, and ultimately, in its titanic calculation and rigidity, destroyed the man confined within it. Like Faulkner's Thomas Sutpen, Faust suggests, Hammond had a ""design,"" a compulsion to direct every moment of his life toward self-aggrandizement and legitimation. Hammond envisioned himself as the benevolent, paternal, but absolute master of his family and his slaves. But in reality, neither his family, his slaves, nor even his own behavior was completely under his command. Hammond ardently wished to perfect and preserve the southern way of life. But these goals were also beyond his control. At the time of his death it had become clear to him that his world, the world of the Old South, had ended.
£26.96
Louisiana State University Press Invisible Activists: Women of the Louisiana NAACP and the Struggle for Civil Rights, 1915-1945
Behind the historical accounts of the great men of the National Association for the Advancement of Colored People lies the almost forgotten story of the black women who not only participated in the organization but actually helped it thrive in the early twentieth-century South. In Invisible Activists, Lee Sartain examines attitudes toward the gender, class, and citizenship of African American activists in Louisiana and women's roles in the campaign for civil rights in the state. In the end, he argues, it was the women working behind the scenes in Louisiana's branches of the NAACP who were the most crucial factor in the organization's efficiency and survival.During the first half of the twentieth century—especially in the darkest days of the Great Depression, when membership waned and funds were scarce—a core group of women maintained Louisiana's NAACP. Fighting on the front line, Sartain explains, women acted as grassroots organizers, running public relations campaigns and membership drives, mobilizing youth groups, and promoting general community involvement. Using case studies of several prominent female NAACP members in Louisiana, Sartain demonstrates how women combined their fundraising skills with an extensive network of community and family ties to fund the NAACP and, increasingly, to undertake the day-to-day operations of the local organizations themselves.Still, these women also struggled against the double obstacles of racism and sexism that prevented them from attaining the highest positions within NAACP branch leadership. Sartain illustrates how the differences between the sexes were ultimately woven into the political battle for racial justice, where women were viewed as having inherent moral superiority and, hence, the potential to lift the black population as a whole. Sartain concludes that despite the societal traditions that kept women out of leadership positions, in the early stages of the civil rights movement, their skills and their contributions as community matriarchs provided the keys to the organization's progress.Highly original and essential to a comprehensive study of the NAACP, Invisible Activists gives voice to the many individual women who sustained the influential civil rights organization during a time of severe racial oppression in Louisiana. Without such dedication, Sartain asserts, the organization would have had no substantial presence in the state.
£29.27
Louisiana State University Press Building The National WWII Museum
As the second-most visited museum in the United States, The National WWII Museum attracts hundreds of thousands of patrons every year to its campus in New Orleans. Guests can tour its extensive permanent galleries and embedded multimedia displays, view special or traveling exhibits, dine in one of the two on-site restaurants, and stay at the facility's hotel, The Higgins Hotel & Conference Center. But today's sprawling complex had its start on a more modest scale, opening as The National D-Day Museum on June 6, 2000, the fifty-sixth anniversary of D-Day and the Allied landing at Normandy. Historian Stephen E. Ambrose spearheaded efforts to construct the Museum, in part as a place to gather the many hundreds of oral histories and artifacts he had collected for a book project. Attendance surged after the kickoff, and his friend, fellow historian, and collaborator on the project, Gordon H. "Nick" Mueller, secured U.S. congressional designation in 2004, acknowledging the institution as America's official museum dedicated to the Second World War. This recognition initiated a 245,000-square-foot expansion to realize the Museum's Master Plan, incorporating immersive, story-driven exhibits and architectural features meant to unify the growing campus.Building The National WWII Museum, by Mueller and research historian Kali Martin Schick, tells the story of the Museum's remarkable progress, from its early days as The National D-Day Museum to the unveiling of the Museum's final section, the Liberation Pavilion, in November 2023. As Mueller and Schick take readers on this decades-long journey, they highlight the exhibits, grand openings, and numerous benefactors who helped bring The National WWII Museum to life. This beautiful book—with 175 images and renderings, many never seen before by the public—not only showcases the Museum's development as envisioned in the 2004 Master Plan but also documents its important and ongoing mission of celebrating the American spirit and the teamwork, optimism, courage, and sacrifice of the men and women who won World War II.
£29.27
Louisiana State University Press The Cemeteries of New Orleans: A Cultural History
In The Cemeteries of New Orleans, Peter B. Dedek reveals the origins and evolution of the Crescent City's world-famous necropolises, exploring both their distinctive architecture and their cultural impact. Spanning centuries, this fascinating body of research takes readers from muddy fields of crude burial markers to extravagantly designed cities of the dead, illuminating a vital and vulnerable piece of New Orleans's identity.Where many histories of New Orleans cemeteries have revolved around the famous people buried within them, Dedek focuses on the marble cutters, burial society members, journalists, and tourists who shaped these graveyards into internationally recognizable emblems of the city. In addition to these cultural actors, Dedek's exploration of cemetery architecture reveals the impact of ancient and medieval grave traditions and styles, the city's geography, and the arrival of trained European tomb designers, such as the French architect J. N. B. de Pouilly in 1833 and Italian artist and architect Pietro Gualdi in 1851.As Dedek shows, the nineteenth century was a particularly critical era in the city's cemetery design. Notably, the cemeteries embodied traditional French and Spanish precedents, until the first garden cemetery- the Metairie Cemetery- was built on the site of an old racetrack in 1872. Like the older walled cemeteries, this iconic venue served as a lavish expression of fraternal and ethnic unity, a backdrop to exuberant social celebrations, and a destination for sightseeing excursions. During this time, cultural and religious practices, such as the celebration of All Saints' Day and the practice of Voodoo rituals, flourished within the spatial bounds of these resting places. Over the course of the twentieth and twenty-first centuries, however, episodes of neglect and destruction gave rise to groups that aimed to preserve the historic cemeteries of New Orleans- an endeavor, which, according to Dedek, is still wanting for resources and political will.Containing ample primary source material, abundant illustrations, appendices on both tomb styles and the history of each of the city's eighteenth- and nineteenth-century cemeteries, The Cemeteries of New Orleans offers a comprehensive and intriguing resource on these fascinating historic sites.
£37.26
Louisiana State University Press Miracles Come on Mondays
What is the shape of progress inside a subpar environment, when escape is not possible, and life must be measured as the relative extremity of multiple misfortunes? Is it the shape of a bird?"" Miracles Come on Mondays begins with a voice- stark, chilling, totally captivating- that searches a barren landscape for a single receptive ear. With echoes of Italo Calvino, Jorge Luis Borges, and Lydia Davis, Penelope Cray creates dark and sometimes darkly funny scenes that most resemble the works of Kafka. Cray's characters strain against the indifference of everyday life until, too tired to yearn anymore, they begin the systematic work of making their worlds mentally and spiritually tolerable. And yet, somehow, there's joy. This book asks us to let go of our ideas of sense and replace them with something better, something that somehow makes more sense than sense. Cray has written a debut work of fiction that feels entirely new and deeply true.
£22.29
Louisiana State University Press Performing Jane: A Cultural History of Jane Austen Fandom
Jane Austen has resonated with readers across generations like no other writer. More than two hundred years after the publication of her most celebrated novel, Pride and Prejudice, people around the world continue to honor ""dear Jane."" In Performing Jane, Sarah Glosson explores this vibrant fandom, examining a long history of Austen fans engaging with her work, from wearing hand- sewn bonnets and period- appropriate corsets to creating spirited fanfiction and comical gifsets. Sophisticated and engaging, this study demonstrates that Austen fans of today have a great deal in common with those who loved the English novelist long before the term ""fan"" came into use. Performing Jane analyzes three ways fans engage with Austen and her work: collecting material related to the writer, whether in physical scrapbooks or on social -media platforms; creating and consuming imitative works, including fanfiction and modernized adaptations such as The Lizzie Bennet Diaries; and making pilgrimages to Steventon, Hampshire, Chawton Cottage, and even to annual meetings of Jane Austen societies. Key to Glosson's exploration of Austen fans is the notion that all of these activities, whether occurring in private or in public, are fundamentally performative. And in counterbalance to studies that center on fans with a tendency to transform and disrupt the original text, this study provides much- needed understanding of a fandom that predominantly reaffirms Austen's works. Because Austen's writing has bridged the realms of both literary and popular culture, this fandom serves as an excellent case study to understand the ways in which we draw distinctions between fandom and other forms of intensive engagement and, more importantly, to appreciate how fluid those distinctions can be. Performing Jane embraces a holistic view of the long history of Austen fandom, relying on archival research, literary and visual analyses, and ethnographic study. This groundbreaking book not only demonstrates the ways in which fan practices, today and in the past, are performative, but also provides fresh perspectives into fandom and contributes to our understanding of the ways readers engage with literature.
£35.06
Louisiana State University Press The Reconstruction of Mark Twain: How a Confederate Bushwhacker Became the Lincoln of Our Literature
When Confederate forces fired on Fort Sumter in April 1861, thousands of patriotic southerners rushed to enlist for the Confederate cause. Samuel Langhorne Clemens, who grew up in the border state of Missouri in a slave-holding family, was among them. Clemens, who later achieved fame as the writer Mark Twain, served as second lieutenant in a Confederate militia, but only for two weeks, leading many to describe his loyalty to the Confederate cause as halfhearted at best. After all, Mark Twain's novel The Adventures of Huckleberry Finn (1885) and his numerous speeches celebrating Abraham Lincoln, with their trenchant call for racial justice, inspired his crowning as ""the Lincoln of our Literature."" In The Reconstruction of Mark Twain, Joe B. Fulton challenges these long-held assumptions about Twain's advocacy of the Union cause, arguing that Clemens traveled a long and arduous path, moving from pro-slavery, secession, and the Confederacy to pro-union, and racially enlightened. Scattered and long-neglected texts written by Clemens before, during, and immediately after the Civil War, Fulton shows, tout pro-southern sentiments critical of abolitionists, free blacks, and the North for failing to enforce the Fugitive Slave Act. These obscure works reveal the dynamic process that reconstructed Twain in parallel with and response to events on American battlefields and in American politics. Beginning with Clemens's youth in Missouri, Fulton tracks the writer's transformation through the turbulent Civil War years as a southern-leaning reporter in Nevada and San Francisco to his raucous burlesques written while he worked as a Washington correspondent during the impeachment crises of 1867--1868. Fulton concludes with the writer's emergence as the country's satirist-in-chief in the postwar era. By explaining the relationship between the author's early pro-southern writings and his later stance as a champion for racial justice throughout the world, Fulton provides a new perspective on Twain's views and on his deep involvement with Civil War politics.A deft blend of biography, history, and literary studies, The Reconstruction of Mark Twain offers a bold new assessment of the work of one of America's most celebrated writers.
£31.04