Search results for ""INDIANA UNIVERSITY PRESS""

For nearly 300 years, oboe players have painstakingly evolved the individualized skill of reedmaking. David A. Ledet's unique study of techniques for styling oboe reeds analyzes, in detail, 166 examples of reeds by 80 artists from 14 countries. Each reed is strikingly photographed both in reflected light and in silhouette, clearly illustrating the relative thickness and shaping of the various sections of the reed. Oboists' reflections on their reedmaking techniques and brief biographical sketches introduce the photographs. As background to his survey, Ledet discusses various aspects of tone production, gives a brief history of the instrument, and offers valuable advice about pedagogical techniques. The book also documents musicians such as Robert Bloom, Henri de Busscher, Janet Craxton, Peter Graeme, Harold Gomberg, John Mack, Ronald Roseman, Ray Still, and the celebrated Marcel Tabuteau. Oboe Reed Styles is a historical and technical record, essential for teachers, performers, and students of all ages and abilities.

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" . . . a landmark work, the first attempt to write a pre-history of minimalism that embraces all the arts. Its importance cannot be overestimated." —K. Robert Schwarz, Institute for Studies in American Music"All told, this book is mandatory reading for anyone who wishes to understand the history and nature of minimalism." —i/e NINE"The death of Minimalism is announced regularly, which may be the surest testimonial to its staying power," says Strickland in this study, the first to examine in detail Minimalist tendencies in the plastic arts and music. Investigating the origins of Minimalism in postwar American culture, Strickland redefines it as a movement that developed radically reductive stylistic innovations in numerous media. A survey with wit.

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"Coming into being, the work of art, this very pot, creates relations—relations between nature and culture, between the individual and society, between utility and beauty. Governed by desire, the artist's work answers questions of value. Is nature favored, or culture? Are individual needs or social needs more important? Do utilitarian or aesthetic concerns dominate in the transformation of nature?" —from the IntroductionThe Potter's Art discusses and illustrates the work of modern masters of traditional ceramics from Bangladesh, Sweden, various parts of the United States, Turkey, and Japan. It will appeal to anyone interested in pottery and the study of folklore and folk art.Henry Glassie is College Professor of Folklore and Co-director of Turkish Studies at Indiana University. He has been a Guggenheim Fellow and a Fellow of the National Humanities Institute; he has also served as President of the Vernacular Architecture Forum and of the American Folklore Society.Material Culture—Henry Glassie, George Jevremovic, and William T. Sumner, editors (Note: there is an accent egue on the c Jevremovic)Contents:The Potter's ArtBangladeshSwedenGeorgiaAcomaTurkeyJapanHagiWork in the ClayAcknowledgmentsNotesBibliographyIndex

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Struggles for Representation examines over 300 non-fiction films by more than 150 African American film/videomakers and includes an extensive filmography, bibliography, and excerpts from interviews with film/videomakers. In eleven original essays, contributors explore the extraordinary scope of these aesthetic and social documents and chart a previously undiscovered territory: documentaries that examine the aesthetic, economic, historical, political, and social forces that shape the lives of black Americans, as seen from their perspectives.Until now, scholars and critics have concentrated on black fiction film and on mainstream non-fiction films, neglecting the groundbreaking body of black non-fiction productions that offer privileged views of American life. Yet, these rich and varied works in film, video, and new electronic media, convey vast stores of knowledge and experience. Although most documentary cannot hope to match fiction film's mass appeal, it is unrivaled in its ability to portray searing, indelible impressions of black life, including concrete views of significant events and moving portraits of charismatic individuals. Documentary footage brings audiences the moments when civil rights protestors were attacked by state troopers; it provides the sights and sounds of Malcom X delivering an electrifying speech, Betty Carter performing a heart-wrenching song, and Langston Hughes strolling on a beach. Uniting all of this work is the "struggle for representation" that characterizes each film–an urgent desire to convey black life in ways that counter the uninformed and often distorted representations of mass media film and television productions. African American documentaries have long been associated with struggles for social and political empowerment; for many film/videomakers, documentary is a compelling mode with which to present an alternative, more authentic narrative of black experiences and an effective critique of mainstream discourse. Thus, many socially and politically committed film/videomakers view documentary as a tool with which to interrogate and reinvent history; their works fill gaps, correct errors, and expose distortions in order to provide counter-narratives of African American experience.Contributors include Paul Arthur, Houston A. Baker, Jr., Mark F. Baker, Pearl Bowser, Janet K. Cutler Manthia Diawara, Elizabeth Amelia Hadley, Phyllis R. Klotman, Tommy Lee Lott, Erika Muhammad, Valerie Smith, and Clyde Taylor.

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Now in Paper!"Seeing Red"Federal Campaigns Against Black Militancy, 1919-1925Theodore Kornweibel, Jr.A gripping, painstakingly documented account of a neglected chapter in the history of American political intelligence."Kornweibel is an adept storyteller who admits he is drawn to the role of the historian-as-detective....What emerges is a fascinating tale of secret federal agents, many of them blacks, who were willing to take advantage of the color of their skin to spy upon others of their race. And it is a tale of sometimes desperate and frequently angry government officials, including J. Edgar Hoover, who were willing to go to great lengths to try to stop what they perceived as threats to continued white supremacy." —Patrick S. Washburn, Journalism HistoryTheodore Kornweibel, Jr., Professor of African American history in the Africana Studies Department at San Diego State University, is author of No Crystal Stair and In Search of the Promised Land.Blacks in the Diaspora—Darlene Clark Hine, John McCluskey, Jr., and David Barry Gaspar,general editors

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". . . a signal contribution to a growing literature on a phenomenon that has become tragically pervasive in the 20th century. . . . This highly original account combines exemplary empirical research with the judicious application of diverse methods to explore the far-reaching ramifications of 'a whole empire walking.'" —Vucinich Prize citation"An important contribution not only to modern Russian history but also to an ongoing repositioning of Russia in broader European and world historical processes. . . . elegantly written . . . highly innovative." —Europe-Asia Studies Drawing on previously unused archival material in Russia, Latvia, and Armenia and on insights from social and critical theory, Peter Gatrell considers the origins of displacement and its political implications and provides a close analysis of humanitarian initiatives and the relationships between refugees and the communities in which they settled.

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Designed for classroom use in a number of disciplines, this comprehensive introduction to cultural semiotics is also an easy-to-use reference for those who would like a better understanding of the topic. No other text provides this kind of practical framework for the classroom study of semiotics. Each of the 12 chapters is clearly written and self-contained.

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"Latina Performance is a densely theorized treatment of rich materials." —MultiCultural Review"Arrizón's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." —ChoiceLatina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality.

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"The Decolonial Imaginary is a smart, challenging book that disrupts a great deal of what we think we know . . . it will certainly be read seriously in Chicano/a studies." —Women's Review of BooksEmma Pérez discusses the historical methodology which has created Chicano history and argues that the historical narrative has often omitted gender. She poses a theory which rejects the colonizer's methodological assumptions and examines new tools for uncovering the hidden voices of Chicanas who have been relegated to silence.

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"This fairly small book must take its place as the best introductory study of Hegel's Phenomenology available." —Philosophy and Phenomenological Research"Westphal's book is a comprehensive guide to the argument of the entire phenomenology. . . . will repay close study by serious undergraduate and graduate students of philosophy." —ChoiceThis detailed interpretation of Hegel's Phenomenology of Spirit seeks to show that the unity of this classic work may be found in the integration of its transcendental and sociological-historical themes.

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In addition to being one of the greatest technical philosophers of the twentieth century, John Dewey (1859-1952) was an educational innovator, a Progressive Era reformer, and one of America's last great public intellectuals. Dewey's insights into the problems of public education, immigration, the prospects for democratic government, and the relation of religious faith to science are as fresh today as when they were first published. His penetrating treatments of the nature and function of philosophy, the ethical and aesthetic dimensions of life, and the role of inquiry in human experience are of increasing relevance at the turn of the 21st century.Based on the award-winning 37-volume critical edition of Dewey's work, The Essential Dewey presents for the first time a collection of Dewey's writings that is both manageable and comprehensive. The volume includes essays and book chapters that exhibit Dewey's intellectual development over time; the selection represents his mature thinking on every major issue to which he turned his attention. Eleven part divisions cover: Dewey in Context; Reconstructing Philosophy; Evolutionary Naturalism; Pragmatic Metaphysics; Habit, Conduct, and Language; Meaning, Truth, and Inquiry; Valuation and Ethics; The Aims of Education; The Individual, the Community, and Democracy; Pragmatism and Culture: Science and Technology, Art and Religion; and Interpretations and Critiques. Taken as a whole, this collection provides unique access to Dewey's understanding of the problems and prospects of human existence and of the philosophical enterprise.

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John Dewey (1859-1952), hailed during his lifetime as "America's Philosopher," is now recognized as one of the seminal thinkers of the twentieth century. His critical work ranged more broadly than that of either of his contemporaries, Martin Heidegger and Ludwig Wittgenstein, and he anticipated by several decades some of their most trenchant insights. Dewey's ground breaking contributions to philosophy, psychology, and educational theory continue to animate research on the cutting edges of those fields.The twelve original interpretive essays included here locate Dewey's major works within their historical context and present a timely reevaluation of each of the major areas of his broad philosophical reach. They explore his contributions to logic, ethics, social and political philosophy, the philosophies of religion and art, metaphysics, and the philosophy of the human sciences. They also locate Dewey's work as it relates to the dominant strands of modern philosophy, as it participates in the major debates of continental philosophy from phenomenology to post-structuralism, and as an early contribution to feminist thought.Contributors are Thomas M. Alexander, Raymond D. Boisvert, James Campbell, James W. Garrison, Larry A. Hickman, Thelma Z. Lavine, Joseph Margolis, Peter T. Manicas, Gregory F. Pappas, Steven C. Rockefeller, Charlene Haddock Seigfried, and John J. Stuhr.

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"Hansen has assembled an anthology like no other, which will fascinate students of late antiquity, folklorists, and curiosity-seekers, and will offer new possibilities to teachers of ancient-culture surveys." —Classical World" . . . lively, entertaining, and unique anthology . . . This anthology is appropriate not only for graduate and undergraduate students in classics but for anyone interested in the transmission of folklore." —Journal of American Folklore" . . . higly readable English translations of a wide variety of Greek texts . . . a solid introduction to the general question of 'popular literature' in the ancient world." —Bryn Mawr Classical Review" . . . what one hopes for in an anthology . . . this volume can be used as a textbook yet is of benefit for the scholar, has clear, well-written, and well-formed introductions that avoid eccentricity while noting different viewpoints, and provides a representative selection of mostly complete works." —The Petronian Society NewsletterReaders in ancient Greece didn't curl up with only the weighty tomes of Homer, Plato, and Sophocles—they also enjoyed light entertainment such as novels, short stories, fantasies, jokes, and fortune-telling handbooks. In fact, some of this literature was so successful that it remained in circulation into the Middle Ages. Most of these selections are little known except to scholars, but all will prove an unexpected delight to readers everywhere.

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"These lynching dramas may not present the picture that America wants to see of itself, but these visions cannot be ignored because they are grounded—not only in the truth of white racism's toxic effect on our national existence but also in the truth that there exists a contesting, collective response that is part of an on-going and continually building momentum." —Theaatre Journal"A unique, powerful collection worthy of high school and college classroom assignment and discussion." —BookwatchThis anthology is the first to address the impact of lynching on U.S. theater and culture. By focusing on women's unique view of lynching, this collection of plays reveals a social history of interracial cooperation between black and white women and an artistic tradition that continues to evolve through the work of African American women artists. Included are plays spanning the period 1916 to 1994 from playwrights such as Angelina Weld Grimke, Georgia Douglas Johnson, Lillian Smith, and Michon Boston.

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"This useful volume should be on every pianist's bookshelf." —Piano & Keyboard" . . . a unique and valuable tool for teachers, students, performers . . . " —Library JournalThe Pianist's Bookshelf comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use presentation, Maurice Hinson surveys hundreds of resource materials, providing clear, practical annotations for each item, thus saving the user hours of precious library time. In addition to the main listing of entries, the book has several topical indexes.

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". . . the specificity and breadth of this [work] makes it unique. . . . lively reading . . . particularly recommended for academic collections with a strong focus in Russian history." —Library Journal". . . a remarkable new collection of essays . . . The book reads like a literary hybrid of cookbook, historical treatise, and novella; its subject is, literally, the essence of life itself. . . . Glants and Toomre deserve further praise for the book's consistent, animated directness of style." —The Boston PhoenixThis sparkling collection of thirteen original essays gives surprising insights into what foodways reveal about Russia's history and culture, from Kievan times to post Soviet Russia. Some of the chapters focus on historical topics while others consider images of food in literature and art.

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"This anthology of essays on Steven Spielberg's 1993 film is a solid achievement. It is a repository of considerable critical insight and frequently passionate argument." —Holocaust and Genocide Studies"An excellent collection; highly recommended for general readers and students at all levels." —Choice"This collection of essays opens further the debate on how to represent the Holocaust as Holocaust representation and memory move into ever-greater areas of daily American and Jewish American culture." —TikkunSchindler's List not only afforded director Steven Spielberg a cinematic vehicle loaded with Hollywood-hardware to create his master narrative about the Holocaust, the film also invited a renewed scholarly and intellectual discussion about racism, "historical voyeurism" and the "limits of representation." This thought-provoking critical anthology tackles these issues and many others.

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". . . provides a Caribbean feminist perspective, seldom heard, which combines scholastic knowledge with personal experiences and can certainly stimulate further research . . ." —Feminist Collections"Scholars concerned with questions of identity, autonomy, the future as well as the past in the Caribbean will be significantly informed by the essays included. . . . a collection sure to generate discussion on a wide variety of important topics." —H-Net Book Review"This exciting volume has more focus and wider scope than previous similar collections and is of considerable worth both for generalists and specialists." —Choice"This is a compelling anthology of essays by 13 feminist scholars in a variety of disciplines who expertly analyze varied forces of Caribbean women's complex lives. . . . The volume makes an important contribution to both Caribbean studies and feminist theory, and it would be a very useful resource for Women's Studies courses with an international focus. Recommended for all libraries." —MultiCultural ReviewFeminist scholars in anthropology, sociology, law, health sciences, literature, and cultural studies focus on issues of direct importance to Caribbean women: interregional immigrant female labor, the interplay of race and gender in the construction of national cultures, the impact of developmental policies on women's lives, and women's roles in providing cultural continuity in exile communities.

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". . . innovative and important thinking about the various relations between feminist theory, queer theory, and lesbian theory, as well as the possibility that liberation can be mutual rather than mutually exclusive." —Lambda Book Report"Challenging and interesting." —Just OutA collection of fifteen interdisciplinary essays examining the history, current condition, and evolving shape of lesbian alliances with U.S. feminists. Contributors explore the social and aesthetic significance of the terms "lesbian" and "feminist" with the interest of reforming and strengthening them.

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" . . . an analysis that is as intricate and flawless as it is devastating . . . [Robinson's] presentation is powerful and compelling and his scholarship impeccable." —MESA Bulletin". . . [an] excellent book. In just 200 pages, Glenn Robinson manages to give the clearest and most concise analysis of the changing political and social structure of the West Bank and Gaza and of current political realities that I have read." —Digest of Middle Eastern Studies". . . a fair and sensitive account and contains the best available assessment of the Intifada's political aftermath among Palestinians. An added bonus is that the book is written in an accessible style with enough historical background and contextual explanation to make it ideal as a text for courses in Middle East politics or the politics of revolutions." —American Political Science Review"Well-researched, original, scholarly; deserves the attention of those interested in revolutionary theory or the Israeli-Palestinian conflict." —Choice"Throughout, the book is impressively researched and very well-written. . . . Building a Palestinian State is a book that deserves to be widely read." —Journal of Palestine Studies". . . a well-informed and tightly argued analysis of the evolution of politcal leadership in the West Bank and Gaza from the 1980s to the spring of 1996. This book is a must-read for anyone interested in the historical backdrop to current political developments in the areas under the control of the Palestinian Authority." —Middle East Policy". . . carefully researched and balanced study . . ." —Times Literary Supplement" . . . provides a unique analysis of the various facets of grassroots organizations and their interaction with the emerging state institutions . . . a major and very timely contribution." —Anne LeschIn this well informed and accessibly written book, Glenn E. Robinson traces the emergence of a new political elite in the West Bank and Gaza in the 1980s and the grassroots political and social revolution it launched during the Intifada.

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"Wiredu's discussion of culturally defined values and concepts, as well as his attention to such timely issues as human rights, makes this book invaluable interdisciplinary reading." —D. A. MasoloGhanaian philosopher Kwasi Wiredu confronts the paradox that while Western cultures recoil from claims of universality, previously colonized peoples, seeking to redefine their identities, insist on cultural particularities. Wiredu asserts that universals, rightly conceived on the basis of our common biological identity, are not incompatible with cultural particularities and, in fact, are what make intercultural communication possible. Drawing on aspects of Akan thought that appear to diverge from Western conceptions in the areas of ethics and metaphysics, Wiredu calls for a just reappraisal of these disparities, free of thought patterns corrupted by a colonial mentality. Wiredu's exposition of the principles of African traditional philosophy is not purely theoretical; he shows how certain aspects of African political thought may be applied to the practical resolution of some of Africa's most pressing problems.

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The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition:" . . . an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." —African Studies Review" . . . leav[es] the reader with a sense of the vitality, dynamism, and complexity of Ogun and the cultural contexts in which he thrives. . . . magnificent contribution to the literature on Ogun, Yoruba culture, African religions, and the African diaspora." —International Journal of Historical Studies

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The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955–56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most important developments in Heidegger's later thought. One of Heidegger's most artfully composed texts, it also contains important discussions of language, translation, reason, objectivity, and technology as well as remarkable readings of Leibniz, Kant, Aristotle, and Goethe, among others.

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"The real beauty of this book is that the thinking does not stop . . . deep in the thickets of philosophic references. Instead, true to the spirit of phenomoenology, we are provided with provocative accounts of how such thinking flows in contemporary anthropological practice." —XCP - Cross Cultural PoeticsIn this timely collection, thirteen contemporary ethnographers demonstrate the importance of phenomenological and existential ideas for anthropology. In emphasizing the link between the empirical and the experiential, these ethnographers also explore the relationship between phenomenology and other theories of the lifeworld, such as existentialism, radical empiricism, and critical theory.

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Praise for the cloth edition:"Commendable in its scholarship . . . should prove of interest to linguists, medievalists, and Renaissance academicians, as well as to fastidious performers of early music." —Choice"Singing Early Music is a pioneering work of surpassing quality that cannot be too highly recommended." —Journal of Singing"Addresses the needs of the performer directly, giving historical pronunciations for a range of languages [and] sample texts. . . . The CD that comes with the book will prove invaluable. . . . David Klausner's recording is admirably consistent and convincing across the wide range of languages." —Early Music

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"Scholars already saturated with moral commentary on new reproductive arrangements are in for a stimulating surprise. For, this volume breaks new ground, scrutinizing their impact at a more penetrating level and challenging the terms of the dominant debate. . . . It should set a standard for further work and receive the attention of mainstream thinkers and policy makers that it so richly deserves." —Human Studies". . . a valuable contribution to the literature in an important and rapidly evolving area of law and applied ethics." —Ethics". . . virtually every essay is thought-provoking and well-informed, and together they address just the topics you'd want to see covered—as well as a few you might not have thought of." —Medical Humanities Review". . . extremely interesting reading for all those who are involved in, or wish to know more about, the moral, social and policy consequences of new reproductive technologies." —Biosocial Science"This thought-provoking collection of essays addresses moral and legal questions revolving around modern human reproduction. . . . an invaluable resource for any family law practitioner." —The Women's Advocate"Editor Callahan presents a fascinating look at the facts, facets, and legal effects of modern technology on reproduction. . . . A work that provides insight on all issues concerning reproduction." —Choice"[The book] is a valuable contribution to the literature in an important evolving area of law and applied ethics." —Ethics". . . displays the richness of feminist scholarship. It points the way for a fuller appreciation of the varied voices of feminist analyses in many other areas." —Journal of Health Politics, Policy and Law". . . a comprehensive, compelling and carefully researched volume. This is applied feminist ethics at its very impressive best." —Journal of Medical EthicsEssays address moral and legal quandaries related to human reproduction, adding to the feminist dimension of the public discussion of these issues, including: new complexities in contraception and abortion technologies; frozen embryos, unwed fathers, and the legal definition of parenthood; and the use of fetal tissue.

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From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology.The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.

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"Calof's [story] has the 'electricity' one occasionally finds in primary sources. It is powerful, shocking, and primitive, with the kind of appeal primary sources often attain without effort. . . . it is a strong addition to the literature of women's experience on the frontier." —Lillian SchlisselIn 1894, eighteen-year-old Rachel Bella Kahn travelled from Russia to the United States for an arranged marriage to Abraham Calof, an immigrant homesteader in North Dakota. Rachel Calof's Story combines her memoir of a hard pioneering life on the prairie with scholarly essays that provide historical and cultural background and show her narrative to be both unique and a representative western tale. Her narrative is riveting and candid, laced with humor and irony.The memoir, written by Rachel Bella Calof in 1936, recounts aspects of her childhood and teenage years in a Jewish community, (shtetl) in Russia, but focuses largely on her life between 1894 and 1904, when she and her husband carved out a life as homesteaders. She recalls her horror at the hardships of pioneer life—especially the crowding of many family members into the 12 x 14' dirt-floored shanties that were their first dwellings. "Of all the privations I knew as a homesteader," says Calof, "the lack of privacy was the hardest to bear." Money, food, and fuel were scarce, and during bitter winters, three Calof households—Abraham and Rachel with their growing children, along with his parents and a brother's family—would pool resources and live together (with livestock) in one shanty.Under harsh and primitive conditions, Rachel Bella Calof bore and raised nine children. The family withstood many dangers, including hailstorms that hammered wheat to the ground and flooded their home; droughts that reduced crops to dust; blinding snowstorms of plains winters. Through it all, however, Calof drew on a humor and resolve that is everywhere apparent in her narrative. Always striving to improve her living conditions, she made lamps from dried mud, scraps of rag, and butter; plastered the cracked wood walls of her home with clay; supplemented meagre supplies with prairie forage—wild mushrooms and garlic for a special supper, dry grass for a hot fire to bake bread. Never sentimental, Caolf's memoir is a vital historical and personal record.J. Sanford Rikoon elaborates on the history of Jewish settlement in the rural heartland and the great tide of immigration from the Russian Pale of Settlement and Eastern Europe from 1880–1910. Elizabeth Jameson examines how Calof "writes from the interior spaces of private life, and from that vantage point, reconfigures more familiar versions of the American West." Jameson also discusses how the Calofs adapted Jewish practices to the new contingencies of North Dakota, maintaining customs that represented the core of their Jewish identity, reconstructing their "Jewishness" in new circumstances.

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Amateur film has been seen as the junkheap of private culture. Yet music videos recycle home movies as authenticity; commercials copy its style to sell intimacy; documentaries use it to recount history "from below."Reel Families is the first historical study of amateur film, the most pervasive of media. Patricia Zimmerman charts the history of this medium from 1897 to the present, examining how ideological, technical, and social constraints have stunted amateur film's potential for extending media production beyond corporate monopolies and into the hands of everyday people. She draws on an array of sources—camera manufacturers, patents, early film and photography technology journals, amateur filmmaking magazines, professional magazines, and family-oriented popular magazines—to investigate how the concept of amateur film was transformed within evolving contexts of technology, aesthetics, social relations, and politics.

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"The book provides opportunities for unusually good discussions of ethical problems that can confront researchers in any field." —Religious Studies Review". . . this book provides a ready-made package for the teaching of ethics in research." —Journal of Third World Studies". . . Research Ethics is an extremely useful and stimulating book . . . recommended for wide classroom use on both the undergraduate and graduate level as well as for all academic library collections." —Journal of Information Ethics" . . . an excellent introduction into research ethics." —Journal of College Science Teaching"A useful supplement to faculty teaching courses on scientific ethics and a resource for instructors who give lectures on the topic in more general courses." —Robert L. Sprague, Director, Institute for Research on Human Development"This book is important because it defines and clarifies subtle ethical issues present but not necessarily easily recognizable as such in the everyday conduct of research." —Doody's Health Sciences Book Review Journal"A very useful text for courses dealing with ethics in the research setting." —Science, Technology & Society" . . . a welcome collection of materials that can be used in a variety of ways by those who are genuinely concerned that scientific research remain faithful to its ideals." —American Journal of Human Genetics"This clearly written, reader-friendly book addresses the need for systematic education in research ethics and suggests that researchers themselves are the best teachers for their students. . . . The scenarios are realistic . . . , well presented, and organized around a series of topics that are both diverse and relevant to the practicing investigator." —American Journal of Psychiatry" . . . a landmark teaching tool . . . " —Science Books & Films [an "Editor's Choice" book]"I think this book is an excellent introduction into research ethics. The material is presented in an exceptionally thought-provoking manner, and it serves as a reference guide and as a source for seminar topics" —Robert H. Tamarin, Journal of College Science TeachingThis comprehensive casebook for teaching research ethics in the sciences and the humanities covers such topics as plagiarism, confidentiality, conflict of interest, fraud and misconduct, the reporting of data, and the participation of human and animal subjects in research. An annotated bibliography will help instructors identify resources to use as supplements to cases, assist readers who are developing courses in research ethics, and aid further research on the subject.

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Cultural displacement—physical dislocation from one's native culture or the colonizing imposition of a foreign culture—is one of the most formative experiences of our century. These essays examine the impact of this experience on contemporary notions of cultural identity from the perspectives of anthropology, history, philosophy, literature, and psychology.

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" . . . an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." —Media Asia" . . . a momentous contribution to the study of colonialism and postcoloniality in Asia . . . " —The Journal of Asian Studies"This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols. . . . This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." —AfterimageEssays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.

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"No one in Ohio is more familiar with areas to bird than Tom Thomson, and he has pulled this knowledge together to make birding more accessible and enjoyable for everyone." —Richard B. Pierce, Chief, Ohio Division of Wildlife"Enjoy this handbook. The volunteers made invaluable contributions and the author poured his heart and soul into it." —Roger Tory Peterson"Birders living in Ohio, or visiting that state, will welcome this new and enlarged edition of the state's standard bird-finding guide. Highly recommended." —Wildlife Activist"Highly recommended for any birder living or traveling to Ohio." —Choice"Many of the sites listed will produce great birding at appropriate times, and even a veteran Ohio birder will discover new sites by reading this book." —Northwest Ohio Quarterly

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"...finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." -American Ethnologist "The text is detailed and informative, and enjoyable reading..." -Choice "The Mande Blacksmith is an important book...sensitive, sympathetic, multifaceted, and thorough..." -African Arts "McNaughton's Mande Blacksmiths is undeniably the most profound study of African artists yet published." -Ethnoarts "...penetrating...McNaughton boldly grapples with the thorniest issues related to his subject and articulates them with clarity and precision." -International Journal of African Historical Studies "...a work in the best tradition of ethnographic research...critical reappraisal, innovative inquiry, and fresh observation...make this book an invaluable fund of new material on Mande societies..." -American Anthropologist "McNaughton...provides an important interpretation of these artists' conceptual place as members of a complex culture." -Religious Studies Review Examining the artistic, technological, social, and spiritual dimensions of Mande blacksmiths, who are the sculptors of their society, McNaughton defines these artists' conceptual place as extraordinary members of a complex culture.

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" . . . a great read. It is masterfully presented, and is an ideal text both for advanced undergraduates and graduate students." —International Journal of African Historical Studies" . . . a detailed, critical guide to fifty years of African philosophy . . . " —Teaching Philosophy"Masolo offers an expansive and lucidly panoramic view of the origin and developments in African philosophy." —Africa Today"The excellence of this book lies in the wealth of perspectives that it brings to the discussion on what constitutes philosophy, rationality, and meaningful reflection. It is both thought provoking and illuminating." —EthicsA Kenyan philosopher surveys themes and debates in African philosophy over the last five decades. Masolo's purview includes Francophone and Anglophone philosophers in both the analytic and phenomenological traditions.

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"A first-rate introduction to the field, accessible to scholars working from a variety of disciplinary and theoretical perspectives. Highly recommended . . . " —Choice" . . . offers both broad theoretical considerations and applications to specific art forms, diverse methodological perspectives, and healthy debate among the contributors. . . . [an] outstanding volume." —Philosophy and Literature" . . . this volume represents an eloquent and enlightened attempt to reconceptualize the field of aesthetic theory by encouraging its tendencies toward openness, self-reflexivity and plurality." —Discourse & Society"All of the authors challenge the traditional notion of a pure and disinterested observer that does not allow for questions of race/ethnicity, class, sexual preference, or gender." —SignsThese essays examine the intellectual traditions of the philosophy of art and aesthetics. Containing essays by scholars and by the writer Marilyn French, the collection ranges from the history of aesthetic theory to a philosophical reflection on fashion. The contributions are unified by a sustained scrutiny of the nature of "feminist," "feminine," or "female" art, creativity, and interpretation.

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"The book is a credit to the press, a boon to everyone interested in Russian culture, and an important resource for teachers and students of Russian literature." —Library Journal" . . . a solid and conscientious piece of work, informed by discerning taste and learning." —Times Literary Supplement"Smith's collection of contemporary Russian poetry should be useful to anyone with a serious interest in work produced during recent years both by poets living in the U.S.S.R. and by prominent Third Wave emigrés. . . . The introductory and biographical materials are excellent." —Publishers WeeklyThe work of twenty-three poets, living in Russia and abroad and writing during the period since 1975, is highlighted in this dual-language anthology. The book features an extraordinary cohort of talented poets, including Joseph Brodsky, Evgenii Rein, and Bella Akhmadulina. Notes, biographical sketches, a detailed bibliography, and an informative introduction make this an indispensable resource for teachers, students, and readers of modern Russian literature.

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" . . . a major addition to the literature on oral traditions." —Journal of Religion in AfricaThis 750-year-old epic celebrates the exploits of the legendary founder of the Empire of Old Mali. It constitutes a virtual social, political, and cultural charter and embodies deep-rooted aspects of Mande cosmology. The fully annotated translation is accompanied by an introduction that provides a historical and contextual framework for understanding the recitation of this African epic.

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"[Western Women and Imperialism] provides fascinating insights into interactions and attitudes between western and non-western women, mainly in the 19th and early 20th centuries. It is an important contribution to the field of women's studies and (primarily British) imperial history, in that many of the essays explore problems of cross-cultural interaction that have been heretofore ignored." —Nancy Fix Anderson"A challenging anthology in which a multiplicity of authors sheds new light on the waves of missionaries, 'memsahibs,' nurses—and feminists." —Ms.". . . a long-overdue engagement with colonial discourse and feminism. . . . excellent essays . . ." —The Year's Work in Critical Cultural Theory

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Set in the author's adopted home of California in the 1920s, this is Gene Stratton-Porter's last novel, a story filled with wisdom, a love of nature, and her own abiding optimism. In it a Master Bee Keeper, his bees, and the natural beauty of California restore a wounded World War I veteran to health.

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Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher"Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times"Its importance to thoughtful musicians cannot be overstated." —Choice" . . . thoroughly musicological." —Performance Practice Review" . . . indispensable . . . " —New York Times

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Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and Interiors, break out of conventional frames, upsetting our expectations about how films should look (the film frame) as well as how experience is usually organized by cinematic works of art (the psychological or cognitive frame). Hedges focuses on two primary areas: the way that the structure of film texts guides the interpretations of the spectator (hermeneutics) and the way that films reflect social models (representation). Breaking the Frame will be of interest not only to scholars and students of film and literature but also to today's "filmliterate" public who enjoy exploring the theoretical and philosophical implications of cinematic works.

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"Untendentious and highly informative . . . " —Virginia Quarterly Review" . . . extremely useful and intellectually stimulating . . . " —SeminarZeitgeist in Babel vividly displays the confluence of discourse-formations concerning postmodernism as they take shape in the different disciplines of aesthetic mediums and philosophical discourse. The twenty contributors include Umberto Eco, Jacques Derrida, Clement Greenberg, Martin Jay, Charles Jencks, Susan Rubin Suleiman, and Richard Rorty.Other contributors are Charles Boone, Matei Calinescu, C. Barry Chabot, Erika Fischer-Lichte, David Hayman, Jost Hermand, Ingeborg Hoesterey, Peter Koslowski, Rosalind E. Krauss, Donald B. Kuspit, Stefano Rosso, Maureen Turim, and Gianni Vattimo.

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" a modern mythography, a study of contemporary Hollywood films based on the tools offered by feminism, psychoanalysis, Marxist cultural theory, and deconstruction." —Village Voice"Solidly thought-out observation of the films of the 70's and 80's that comment on the system." —Audience" . . . intelligent, open advocacy. Its responsible arrangement of carefully described cultural materials will challenge students and instructors alike." —Teaching PhilosophyCamera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history, a period that witnessed the end of the American empire, crises in the economy, a failure of political leadership, loss at war, and the rise of the Right.

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Willi Apel's classic study of Gregorian chant is now in paperback. This extensive survey describes the evolutionary processes of its long history as well as its definition and terminology, the structure of the liturgy, the texts, the notation, the rhythm, the tonality, and the methods and forms of psalmody.

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" . . . the most comprehensive book of translation of this period in any Western language." —Journal of the Chinese Language Teachers Association" . . . a welcome addition to the repository of translated Chinese poetry. . . . highly readable." —World Literature Today" . . . a mega-project . . . an impressive achievement of scholarship." —Journal of Asian Studies" . . . an outstanding anthology of Ch'ing poetry . . . It must be recommended whole-heartedly to students and teachers alike." —Eugen Feifel, Monumenta Serica

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A lecture course that Martin Heidegger gave in 1927, The Basic Problems of Phenomenology continues and extends explorations begun in Being and Time. In this text, Heidegger provides the general outline of his thinking about the fundamental problems of philosophy, which he treats by means of phenomenology, and which he defines and explains as the basic problem of ontology.

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" . . . fascinating throughout. . . . the book is recreative in the highest sense." —Arthur C. Danto, The New Republic"A gem for Holmes fans and armchair detectives with a penchant for logical reflection, and Peirce scholars." —Library Journal

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