Search results for ""Author Simon"

For courses in first-year composition. This version of Simon & Schuster Handbook for Writers has been updated to reflect the 8th Edition of the MLA Handbook (April 2016)* The most balanced coverage of the writing process, grammar, research, and other issues important to today’s students. Perfect for students seeking support at any stage of the writing process, Simon & Schuster Handbook for Writers, Eleventh Edition continues its emphasis on critical thinking and reading as fundamental skills, integral to quality writing and sound research practices. Trusted authors Lynn Troyka and Doug Hesse provide everything that composition students need — how to write college papers, use and document sources, write online, write with visuals, master grammar, and use correct punctuation. Designed for easy use and speedy entry into all topics, this book welcomes students into a conversation about becoming better writers. * The 8th Edition introduces sweeping changes to the philosophy and details of MLA works cited entries. Responding to the “increasing mobility of texts,” MLA now encourages writers to focus on the process of crafting the citation, beginning with the same questions for any source. These changes, then, align with current best practices in the teaching of writing which privilege inquiry and critical thinking over rote recall and rule-following.

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Der dritte Band des Jahrbuchs befasst sich in Beiträgen von Anthony Travis (Jerusalem), Helmut Pulte (Bochum), Mitchell G. Ash (Wien) und Dan Stone (London) mit der jÃ"dischen Wissenschaftsgeschichte im 19. und 20. Jahrhundert. In einem allgemeinen Teil beschäftigen sich Beiträge von Alfred Bodenheimer (Luzern), Gerald Stourzh (Wien), Friedrich Niewöhner (WolfenbÃ"ttel), Paul Mendes-Flohr (Chicago), Nils Römer (Southampton) und Moshe Pelli (Orlando) mit Fragen der interkonfessionellen, interreligiösen Konversion.

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In 1954, industry legends Joe Simon and Jack Kirby founded Mainline Publications to publish their own comics during that turbulent era in comics history. The four titles—Bullseye, Foxhole, Police Trap, and In Love—looked to build off their reputation as hit makers in the Western, War, Crime, and Romance genres, but the 1950s backlash against comics killed any chance at success, and Mainline closed its doors just two years later. For the first time, TwoMorrows Publishing is compiling the best of Simon & Kirby’s Mainline comics work, including all of the stories with S&K art, as well as key tales with contributions by Mort Meskin and others. After the company’s dissolution, their partnership ended with Simon leaving comics for advertising, and Kirby taking unused Mainline concepts to both DC and Marvel. This collection bridges the gap between Simon & Kirby’s peak with their 1950s romance comics, and the lows that led to Kirby’s resurgence with Challengers of the Unknown and the early Marvel Universe. With loving art restoration by Chris Fama, and an historical overview by John Morrow to put it all into perspective, the Best of Simon & Kirby’s Mainline Comics presents some of the final, and finest, work Joe and Jack ever produced!

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'Alive with human detail and acute political judgement, this book marks the arrival of a formidably gifted historian.' – Dan Jones, author of The Plantagenets and The TemplarsIt was around half-past eight in the morning, with summer rainclouds weighing heavy in the sky, that Simon de Montfort decided to die. It was 4 August 1265 and he was about to face the royal army in the final battle of a quarrel that had raged between them for years. Outnumbered, outmanoeuvred and certain to lose, Simon chose to fight, knowing that he could not possibly win the day. The Song of Simon de Montfort is the story of this extraordinary man: heir to a great warrior, devoted husband and father, fearless crusader knight and charismatic leader. It is the story of a man whose passion for good governance was so fierce that, in 1258, frustrated by the King’s refusal to take the advice of his nobles and the increasing injustice meted out to his subjects, he marched on Henry III’s hall at Westminster and seized the reins of power. Montfort established a council to rule in the King’s name, overturning the social order in a way that would not be seen again until the rule of Oliver Cromwell in the seventeenth century. Having defeated the King at the Battle of Lewes in 1264, Montfort and his revolutionary council ruled England for some fifteen months, until the enmity between the two sides exploded on that August day in 1265. When the fighting was over, Montfort and a host of his followers had been cut down on the battlefield, in an outpouring of noble blood that marked the end of chivalry in England as it had existed since the Norman Conquest. Drawing on an abundance of sources that allow us to trace Montfort’s actions and personality in a depth not possible for earlier periods in medieval history, Sophie Thérèse Ambler tells his story with a clarity that reveals all of the excitement, chaos and human tragedy of England’s first revolution.

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"Music is part of my oxygen, Without it I would dry up" Mention the name Carly Simon to some people and they will probably think of one song in particular, maybe two or three at a push, while others may remember her for being one half of the "golden couple" of the Seventies' pop landscape. But this is a little unjust for an artist whose career has spanned over fifty years and counting, and during that time has amassed a catalog of over thirty groundbreaking albums and scores of hit singles; has composed music for theatre, movies and television; has written not only an opera, but a series of acclaimed children's books, and two best-selling memoirs. And we should not forget she is also the recipient of two Grammys, a Golden Globe, and an Oscar, as well as having countless honours bestowed on her for her accomplishments. Carly Simon is truly a musical phenomenon. Few female artists have achieved such a magnificent body of work; even fewer have been involved in so many facets of the music business; and no one has written so candidly to create an audio diary for the whole world to hear. From the moment her mother sang lullabies to her, that musical journey takes you from a childhood fraught with anxieties and phobias, having to conquer discrimination, stage fright, and life-threatening illness, to becoming one of the most glamorous, photographed, interviewed, and successful female artists of her generation. Not bad for a little girl who once saw herself as an ugly "left-over sister." But this is Carly Simon, and nobody has done it better.

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What histories do objects like coins or gems help us to trace? How can we read photographs and paintings? How do fictional tales, imaginative biographies, basic lexicons, or accounts of Sufi masters code intellectual worlds and reveal cultural and religious shifts? What range of sources is available to the historian of medieval and early modern India? How can textual sources illuminate material objects, sites, and practices, and vice versa? What historical methods do the different sources and material objects require? Drawing on the rich scholarship of Simon E. Digby (1932-2010) on South Asian medieval history and culture, the essays in this volume offer method lessons in a wide range of historical fields.

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Britain has been blessed with many fine poets; Simon Drew isn't one of them. It is tempting to call this a book of doggerel, but maybe that's aiming a little high. This book makes a Co-Op receipt seem intellectual. However, there are many collectors of Drew's work (some of them locked up) who will welcome a collection of all the best verses. This book will be left lying around the best homes with the aim of impressing odd people and passing hyenas.

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Simon lives by the sea, but he is lonely. One day he meets a group of children singing hymns on the beach, and through these new friends he comes to know the best friend of all. This is an easy-to-read story for 6-9 year olds and contains a Christian message.

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Simon's been looking forward to trying out his brand-new dog bed all day. He may be ready for the best nap of his life, but Miss Adora Belle the cat has other ideas. She's taken over his bed before he even gets a chance to try it-and she's not budging. As Simon struggles to find a way to free his bed for the Greatest Naptime Ever, he may just discover something wonderful about his new bed: there's plenty of room for two.

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Simón, representa la eterna búsqueda de sentido del ser humano. Quiénes somos, de dónde venimos y hacia dónde vamos? Eternas preguntas que en un diálogo dramático abordan a Simón, el primer monje que ideó afrontar el combate de la fe sobre una columna e

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The Hungarian-born French painter Simon Hantaï (1922–2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition. In her study of this profoundly influential artist, Molly Warnock presents a persuasive historical account of his work, his impact on a younger generation of French artists, and the genesis and development of the practice of pliage over time. Simon Hantaï and the Reserves of Painting covers the entirety of Hantaï’s expansive oeuvre, from his first aborted experiments with folding around 1950 to his post-pliage experiments with digital scanning and printing. Throughout, Warnock analyzes the artist’s relentlessly searching studio practice in light of his no less profound engagement with developments in philosophy, psychoanalysis, and critical theory. Engaging both Hantaï’s art and writing to support her argument and paying particular attention to his sustained interrogation of religious painting in the West, Warnock shows how Hantaï’s work evinces a complicated mixture of intentionality and contingency. Appendixes provide English translations of two major texts by the artist, “A Plantaneous Demolition” and “Notes, Deliberately Confounding, Accelerating, and the Like for a ‘Reactionary,’ Nonreducible Avant-Garde.”Original and insightful, this important new book is a central reference for the life, art, and theories of one of the most significant and exciting artists of the twentieth century. It will appeal to art historians and students of modernism, especially those interested in the history of abstraction, materiality and Surrealism, theories of community, and automatism and making.

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Like his crusading father before him, Simon de Montfort’s combination of charisma and fearlessness made him one of the greatest men of his age. This biography follows his life from his birth in France and arrival in England to his defeat and death at Evesham in 1265. Along the way he succeeded in establishing a constitutional monarchy and, in the act he is most famous for, broadening the scope of representation in Parliament. King Henry III’s long reign (1216–1272) saw many changes taking place in England and on the Continent, including a re-awakening in national identity not seen since before the Norman Conquest two centuries earlier. Simon de Montfort’s recognition and cultivation of this growing awareness was instrumental in his rebellion and takeover of the government. Not for another four hundred years, until the advent of Oliver Cromwell, would England see a revolution led by a figure of comparable stature.

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Since her death in 2003, Nina Simone has continued to be revered as a cultural icon and role model for scores of fans and fellow musicians. Much of her fame derives from her association with the civil rights movement, for which she wrote such classic songs as 'Mississippi Goddam', 'Four Women' and 'Young, Gifted and Black'. The defiance and affirmation of such anthems was accompanied by an equal dedication to songs of melancholy, yearning and spiritual questing. Placing Simone and her music firmly within the socio-historical context of the 1960s, this book also argues for the importance of considering the artist's entire career and for paying greater attention to her music than is often the case in biographical accounts. Simone defied musical categories even as she fought against social ones and the result is a body of work that draws upon classical and jazz music, country blues, French chanson, gospel, protest songs, pop and rock tunes, turning genres and styles inside out in pursuit of what Simone called "black classical music". The book begins with a focus on the early part of Simone's career and a discussion of genre and style.Connecting its analysis to a discussion of social categorization (with particular regard to race), it argues that Simone's defiance of stylistic boundaries can be seen as a political act. From here, the focus shifts to Simone's self-written protest material, connecting it to her increasing involvement in the struggle for civil rights. The book also provides an in-depth account of Simone's 'possession' of material by writers such as Leonard Cohen, Bob Dylan, Sandy Denny and Judy Collins, while exploring the relationship between the personal and the political. In considering material from the Simone's lesser-known work from the 1970s to the 1990s, the study proposes a theory of the "late voice" in which issues of age, experience and memory are emphasised. The book concludes with a discussion of Simone's ongoing legacy.

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Illuminating the life of Simon Cowell and delving into backstage scandal, tabloid rumour and the cut-throat worlds of music and television, Tom Bower leaves no stone unturned in this must-read biography. This is a detailed insider's account of entertainment mogul Simon Cowell's rise to meteoric fame and all of the controversial highs and lows along the way. Packed with juicy details, exclusive interviews and sensational revelations, Sweet Revenge is an incredible portrait of Simon Cowell which also uncovers the real stories behind The X Factor, Britain's Got Talent and American Idol. Tom Bower is the author of nineteen books, including biographies of Robert Maxwell, Mohamed Fayed, Gordon Brown, Richard Branson, Conrad Black and, more recently, Bernie Ecclestone.

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(The Little Black Songbook). 80 of his biggest hits in one small package, including: America * 50 Ways to Leave Your Lover * Kodachrome * Me & Julio Down By the Schoolyard * and many more.

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Acquaintance with the Absolute is the first collected volume of essays devoted to the thought of Yves r. Simon, a thinker widely regarded as one of the great teachers and philosophers of our time. Each piece in this collection of essays thoughtfully complements the others to offer a qualifiedly panoramic look at the work and thought of philosopher Yves R. Simon. The six essays presented not only treat some major areas of Simon’s thought, pointing out their lucidity and originality, but also his underpinning metaphysics, so central to his thought. Rather than attempt to present all aspects of this patient, careful, and penetrating thinker, these essays select enough to situate Simon’s philosophical excavations – especially his moral, political and action theory – among contemporary Thomistic philosophy. In defending philosophy as a valid way of knowing, Simon gives us an approach we can use to avoid contemporary dilemmas in the philosophy of science. Simon holds that philosophical truths both justify scientific method as a way of knowing the real and provide a basis for distinguishing what is ontologically significant in a scientific theory from what is not. This view allows us to avoid the apparently irrational conclusions of quantum mechanics without reducing scientific theories to being mere projections of our conceptual systems. Though aspects of some of the essays are suited for students of Simon’s thought, the essays as a whole introduce the less familiar reader to this great thinking and, further, invite him or her to pursue Simon’s own texts. The volume is enhanced by the inclusion of a definitive Yves R. Simon bibliography 1923-1996. The annotated bibliography is cross-reference in detail, revealing the astonishing variety of topics Simon treated.

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A famous art collector, dealer, and indomitable champion of modern art, Emmy (Galka) Scheyer (1889–1945) is best known as the founder of the Blue Four artists’ group, whose members were Lyonel Feininger, Paul Klee, Alexei Jawlensky, and Vasily Kandinsky. Through her contacts with the art world in Europe and America, Scheyer acquired a remarkable collection of paintings, works on paper, and sculpture. This book presents almost five hundred items from the collection, reproducing most in full color. It features numerous works by the Blue Four, as well as those by eminent European artists and artists Scheyer knew in California.Published in association with the Norton Simon Art Foundation

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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If you love Bridgerton, you'll love Georgette Heyer!'The greatest writer who ever lived' Antonia Fraser'Heyer was the master' India Knight'If you haven't read Heyer yet, what a treat you have in store' Harriet Evans'Brims with elegance, wit and historical accuracy' Daily Mail__________Even as a fourteen-year-old orphan, Simon Beauvallet knows his own mind.Later, friend and foe alike will know better than to cross the flaxen-haired mountain of a man whose exploits in battle have earned him knighthood, lands and gilded armour.However, his close circle of friends know him by another name: Simon the Coldheart.He seems to be a man incapable of love - until in Normandy he meets Lady Margaret, the so-called spitfire of Belremy.Can she melt Simon's icy demeanour and quench his fiery rage?__________Readers love Simon the Coldheart ...***** 'A masterpiece of genre.'***** 'I really love this book.'***** 'Georgette Heyer always writes a great tale, well researched and always enjoyable.'***** 'For all my friends that like high adventure, chivalry, history, romance, and good writing, you have found what you are looking for.'***** 'The characters are living and breathing, and each of them stands out.'

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